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Basic newswriting: Learn how to originate, research and write breaking-news stories

Syllabus for semester-long course on the fundamentals of covering and writing the news, including how identify a story, gather information efficiently and place it in a meaningful context.

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by The Journalist's Resource, The Journalist's Resource January 22, 2010

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This course introduces tomorrow’s journalists to the fundamentals of covering and writing news. Mastering these skills is no simple task. In an Internet age of instantaneous access, demand for high-quality accounts of fast-breaking news has never been greater. Nor has the temptation to cut corners and deliver something less.

To resist this temptation, reporters must acquire skills to identify a story and its essential elements, gather information efficiently, place it in a meaningful context, and write concise and compelling accounts, sometimes at breathtaking speed. The readings, discussions, exercises and assignments of this course are designed to help students acquire such skills and understand how to exercise them wisely.

Photo: Memorial to four slain Lakewood, Wash., police officers. The Seattle Times earned the 2010 Pulitzer Prize for Breaking News Reporting for their coverage of the crime.

Course objective

To give students the background and skills needed to originate, research, focus and craft clear, compelling and contextual accounts of breaking news in a deadline environment.

Learning objectives

  • Build an understanding of the role news plays in American democracy.
  • Discuss basic journalistic principles such as accuracy, integrity and fairness.
  • Evaluate how practices such as rooting and stereotyping can undermine them.
  • Analyze what kinds of information make news and why.
  • Evaluate the elements of news by deconstructing award-winning stories.
  • Evaluate the sources and resources from which news content is drawn.
  • Analyze how information is attributed, quoted and paraphrased in news.
  • Gain competence in focusing a story’s dominant theme in a single sentence.
  • Introduce the structure, style and language of basic news writing.
  • Gain competence in building basic news stories, from lead through their close.
  • Gain confidence and competence in writing under deadline pressure.
  • Practice how to identify, background and contact appropriate sources.
  • Discuss and apply the skills needed to interview effectively.
  • Analyze data and how it is used and abused in news coverage.
  • Review basic math skills needed to evaluate and use statistics in news.
  • Report and write basic stories about news events on deadline.

Suggested reading

  • A standard textbook of the instructor’s choosing.
  • America ‘s Best Newspaper Writing , Roy Peter Clark and Christopher Scanlan, Bedford/St. Martin’s, 2006
  • The Elements of Journalism , Bill Kovach and Tom Rosenstiel, Three Rivers Press, 2001.
  • Talk Straight, Listen Carefully: The Art of Interviewing , M.L. Stein and Susan E. Paterno, Iowa State University Press, 2001
  • Math Tools for Journalists , Kathleen Woodruff Wickham, Marion Street Press, Inc., 2002
  • On Writing Well: 30th Anniversary Edition , William Zinsser, Collins, 2006
  • Associated Press Stylebook 2009 , Associated Press, Basic Books, 2009

Weekly schedule and exercises (13-week course)

We encourage faculty to assign students to read on their own Kovach and Rosentiel’s The Elements of Journalism in its entirety during the early phase of the course. Only a few chapters of their book are explicitly assigned for the class sessions listed below.

The assumption for this syllabus is that the class meets twice weekly.

Week 1 | Week 2 | Week 3 | Week 4 | Week 5 | Week 6 | Week 7 Week 8 | Week 9 | Week 10 | Week 11 | Week 12 | Weeks 13/14

Week 1: Why journalism matters

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Class 1: The role of journalism in society

The word journalism elicits considerable confusion in contemporary American society. Citizens often confuse the role of reporting with that of advocacy. They mistake those who promote opinions or push their personal agendas on cable news or in the blogosphere for those who report. But reporters play a different role: that of gatherer of evidence, unbiased and unvarnished, placed in a context of past events that gives current events weight beyond the ways opinion leaders or propagandists might misinterpret or exploit them.

This session’s discussion will focus on the traditional role of journalism eloquently summarized by Bill Kovach and Tom Rosenstiel in The Elements of Journalism . The class will then examine whether they believe that the journalist’s role has changed or needs to change in today’s news environment. What is the reporter’s role in contemporary society? Is objectivity, sometimes called fairness, an antiquated concept or an essential one, as the authors argue, for maintaining a democratic society? How has the term been subverted? What are the reporter’s fundamental responsibilities? This discussion will touch on such fundamental issues as journalists’ obligation to the truth, their loyalty to the citizens who are their audience and the demands of their discipline to verify information, act independently, provide a forum for public discourse and seek not only competing viewpoints but carefully vetted facts that help establish which viewpoints are grounded in evidence.

Reading: Kovach and Rosenstiel, Chapter 1, and relevant pages of the course text

Assignments:

  • Students should compare the news reporting on a breaking political story in The Wall Street Journal , considered editorially conservative, and The New York Times , considered editorially liberal. They should write a two-page memo that considers the following questions: Do the stories emphasize the same information? Does either story appear to slant the news toward a particular perspective? How? Do the stories support the notion of fact-based journalism and unbiased reporting or do they appear to infuse opinion into news? Students should provide specific examples that support their conclusions.
  • Students should look for an example of reporting in any medium in which reporters appear have compromised the notion of fairness to intentionally or inadvertently espouse a point of view. What impact did the incorporation of such material have on the story? Did its inclusion have any effect on the reader’s perception of the story?

Class 2: Objectivity, fairness and contemporary confusion about both

In his book Discovering the News , Michael Schudson traced the roots of objectivity to the era following World War I and a desire by journalists to guard against the rapid growth of public relations practitioners intent on spinning the news. Objectivity was, and remains, an ideal, a method for guarding against spin and personal bias by examining all sides of a story and testing claims through a process of evidentiary verification. Practiced well, it attempts to find where something approaching truth lies in a sea of conflicting views. Today, objectivity often is mistaken for tit-for-tat journalism, in which the reporters only responsibility is to give equal weight to the conflicting views of different parties without regard for which, if any, are saying something approximating truth. This definition cedes the journalist’s responsibility to seek and verify evidence that informs the citizenry.

Focusing on the “Journalism of Verification” chapter in The Elements of Journalism , this class will review the evolution and transformation of concepts of objectivity and fairness and, using the homework assignment, consider how objectivity is being practiced and sometimes skewed in the contemporary new media.

Reading: Kovach and Rosenstiel, Chapter 4, and relevant pages of the course text.

Assignment: Students should evaluate stories on the front page and metro front of their daily newspaper. In a two-page memo, they should describe what elements of news judgment made the stories worthy of significant coverage and play. Finally, they should analyze whether, based on what else is in the paper, they believe the editors reached the right decision.

Week 2: Where news comes from

Class 1: News judgment

When editors sit down together to choose the top stories, they use experience and intuition. The beginner journalist, however, can acquire a sense of news judgment by evaluating news decisions through the filter of a variety of factors that influence news play. These factors range from traditional measures such as when the story took place and how close it was to the local readership area to more contemporary ones, such as the story’s educational value.

Using the assignment and the reading, students should evaluate what kinds of information make for interesting news stories and why.

In this session, instructors might consider discussing the layers of news from the simplest breaking news event to the purely enterprise investigative story.

Assignment: Students should read and deconstruct coverage of a major news event. One excellent source for quality examples is the site of the Pulitzer Prizes , which has a category for breaking news reporting. All students should read the same article (assigned by the instructor), and write a two- or three-page memo that describes how the story is organized, what information it contains and what sources of information it uses, both human and digital. Among the questions they should ask are:

  • Does the first (or lead) paragraph summarize the dominant point?
  • What specific information does the lead include?
  • What does it leave out?
  • How do the second and third paragraphs relate to the first paragraph and the information it contains? Do they give unrelated information, information that provides further details about what’s established in the lead paragraph or both?
  • Does the story at any time place the news into a broader context of similar events or past events? If so, when and how?
  • What information in the story is attributed , specifically tied to an individual or to documentary information from which it was taken? What information is not attributed? Where does the information appear in the sentence? Give examples of some of the ways the sources of information are identified? Give examples of the verbs of attribution that are chosen.
  • Where and how often in the story are people quoted, their exact words placed in quotation marks? What kind of information tends to be quoted — basic facts or more colorful commentary? What information that’s attributed is paraphrased , summing up what someone said but not in their exact words.
  • How is the story organized — by theme, by geography, by chronology (time) or by some other means?
  • What human sources are used in the story? Are some authorities? Are some experts? Are some ordinary people affected by the event? Who are some of the people in each category? What do they contribute to the story? Does the reporter (or reporters) rely on a single source or a wide range? Why do you think that’s the case?
  • What specific facts and details make the story more vivid to you? How do you think the reporter was able to gather those details?
  • What documents (paper or digital) are detailed in the story? Do they lend authority to the story? Why or why not?
  • Is any specific data (numbers, statistics) used in the story? What does it lend to the story? Would you be satisfied substituting words such as “many” or “few” for the specific numbers and statistics used? Why or why not?

Class 2: Deconstructing the story

By carefully deconstructing major news stories, students will begin to internalize some of the major principles of this course, from crafting and supporting the lead of a story to spreading a wide and authoritative net for information. This class will focus on the lessons of a Pulitzer Prize winner.

Reading: Clark/Scanlan, Pages 287-294

Assignment: Writers typically draft a focus statement after conceiving an idea and conducting preliminary research or reporting. This focus statement helps to set the direction of reporting and writing. Sometimes reporting dictates a change of direction. But the statement itself keeps the reporter from getting off course. Focus statements typically are 50 words or less and summarize the story’s central point. They work best when driven by a strong, active verb and written after preliminary reporting.

  • Students should write a focus statement that encapsulates the news of the Pulitzer Prize winning reporting the class critiqued.

Week 3: Finding the focus, building the lead

Class 1: News writing as a process

Student reporters often conceive of writing as something that begins only after all their reporting is finished. Such an approach often leaves gaps in information and leads the reporter to search broadly instead of with targeted depth. The best reporters begin thinking about story the minute they get an assignment. The approach they envision for telling the story informs their choice of whom they seek interviews with and what information they gather. This class will introduce students to writing as a process that begins with story concept and continues through initial research, focus, reporting, organizing and outlining, drafting and revising.

During this session, the class will review the focus statements written for homework in small breakout groups and then as a class. Professors are encouraged to draft and hand out a mock or real press release or hold a mock press conference from which students can draft a focus statement.

Reading: Zinsser, pages 1-45, Clark/Scanlan, pages 294-302, and relevant pages of the course text

Class 2: The language of news

Newswriting has its own sentence structure and syntax. Most sentences branch rightward, following a pattern of subject/active verb/object. Reporters choose simple, familiar words. They write spare, concise sentences. They try to make a single point in each. But journalistic writing is specific and concrete. While reporters generally avoid formal or fancy word choices and complex sentence structures, they do not write in generalities. They convey information. Each sentence builds on what came before. This class will center on the language of news, evaluating the language in selections from America’s Best Newspaper Writing , local newspapers or the Pulitzers.

Reading: Relevant pages of the course text

Assignment: Students should choose a traditional news lead they like and one they do not like from a local or national newspaper. In a one- or two-page memo, they should print the leads, summarize the stories and evaluate why they believe the leads were effective or not.

Week 4: Crafting the first sentence

Class 1: The lead

No sentence counts more than a story’s first sentence. In most direct news stories, it stands alone as the story’s lead. It must summarize the news, establish the storyline, convey specific information and do all this simply and succinctly. Readers confused or bored by the lead read no further. It takes practice to craft clear, concise and conversational leads. This week will be devoted to that practice.

Students should discuss the assigned leads in groups of three or four, with each group choosing one lead to read to the entire class. The class should then discuss the elements of effective leads (active voice; active verb; single, dominant theme; simple sentences) and write leads in practice exercises.

Assignment: Have students revise the leads they wrote in class and craft a second lead from fact patterns.

Class 2: The lead continued

Some leads snap or entice instead of summarize. When the news is neither urgent nor earnest, these can work well. Though this class will introduce students to other kinds of leads, instructors should continue to emphasize traditional leads, typically found atop breaking news stories.

Class time should largely be devoted to writing traditional news leads under a 15-minute deadline pressure. Students should then be encouraged to read their own leads aloud and critique classmates’ leads. At least one such exercise might focus on students writing a traditional lead and a less traditional lead from the same information.

Assignment: Students should find a political or international story that includes various types (direct and indirect) and levels (on-the-record, not for attribution and deep background) of attribution. They should write a one- or two-page memo describing and evaluating the attribution. Did the reporter make clear the affiliation of those who expressed opinions? Is information attributed to specific people by name? Are anonymous figures given the opportunity to criticize others by name? Is that fair?

Week 5: Establishing the credibility of news

Class 1: Attribution

All news is based on information, painstakingly gathered, verified and checked again. Even so, “truth” is an elusive concept. What reporters cobble together instead are facts and assertions drawn from interviews and documentary evidence.

To lend authority to this information and tell readers from where it comes, reporters attribute all information that is not established fact. It is neither necessary, for example, to attribute that Franklin Delano Roosevelt was first elected president in 1932 nor that he was elected four times. On the other hand, it would be necessary to attribute, at least indirectly, the claim that he was one of America’s best presidents. Why? Because that assertion is a matter of opinion.

In this session, students should learn about different levels of attribution, where attribution is best placed in a sentence, and why it can be crucial for the protection of the accused, the credibility of reporters and the authoritativeness of the story.

Assignment: Working from a fact pattern, students should write a lead that demands attribution.

Class 2: Quoting and paraphrasing

“Great quote,” ranks closely behind “great lead” in the pecking order of journalistic praise. Reporters listen for great quotes as intensely as piano tuners listen for the perfect pitch of middle C. But what makes a great quote? And when should reporters paraphrase instead?

This class should cover a range of issues surrounding the quoted word from what it is used to convey (color and emotion, not basic information) to how frequently quotes should be used and how long they should run on. Other issues include the use and abuse of partial quotes, when a quote is not a quote, and how to deal with rambling and ungrammatical subjects.

As an exercise, students might either interview the instructor or a classmate about an exciting personal experience. After their interviews, they should review their notes choose what they consider the three best quotes to include a story on the subject. They should then discuss why they chose them.

Assignment: After completing the reading, students should analyze a summary news story no more than 15 paragraphs long. In a two- or three-page memo, they should reprint the story and then evaluate whether the lead summarizes the news, whether the subsequent paragraphs elaborate on or “support” the lead, whether the story has a lead quote, whether it attributes effectively, whether it provides any context for the news and whether and how it incorporates secondary themes.

Week 6: The building blocks of basic stories

Class 1: Supporting the lead

Unlike stories told around a campfire or dinner table, news stories front load information. Such a structure delivers the most important information first and the least important last. If a news lead summarizes, the subsequent few paragraphs support or elaborate by providing details the lead may have merely suggested. So, for example, a story might lead with news that a 27-year-old unemployed chef has been arrested on charges of robbing the desk clerk of an upscale hotel near closing time. The second paragraph would “support” this lead with detail. It would name the arrested chef, identify the hotel and its address, elaborate on the charges and, perhaps, say exactly when the robbery took place and how. (It would not immediately name the desk clerk; too many specifics at once clutter the story.)

Wire service stories use a standard structure in building their stories. First comes the lead sentence. Then comes a sentence or two of lead support. Then comes a lead quote — spoken words that reinforce the story’s direction, emphasize the main theme and add color. During this class students should practice writing the lead through the lead quote on deadline. They should then read assignments aloud for critique by classmates and the professor.

Assignment: Using a fact pattern assigned by the instructor or taken from a text, students should write a story from the lead through the lead quote. They should determine whether the story needs context to support the lead and, if so, include it.

Class 2: When context matters

Sometimes a story’s importance rests on what came before. If one fancy restaurant closes its doors in the face of the faltering economy, it may warrant a few paragraphs mention. If it’s the fourth restaurant to close on the same block in the last two weeks, that’s likely front-page news. If two other restaurants closed last year, that might be worth noting in the story’s last sentence. It is far less important. Patterns provide context and, when significant, generally are mentioned either as part of the lead or in the support paragraph that immediately follows. This class will look at the difference between context — information needed near the top of a story to establish its significance as part of a broader pattern, and background — information that gives historical perspective but doesn’t define the news at hand.

Assignment: The course to this point has focused on writing the news. But reporters, of course, usually can’t write until they’ve reported. This typically starts with background research to establish what has come before, what hasn’t been covered well and who speaks with authority on an issue. Using databases such as Lexis/Nexis, students should background or read specific articles about an issue in science or policy that either is highlighted in the Policy Areas section of Journalist’s Resource website or is currently being researched on your campus. They should engage in this assignment knowing that a new development on the topic will be brought to light when they arrive at the next class.

Week 7: The reporter at work

Class 1: Research

Discuss the homework assignment. Where do reporters look to background an issue? How do they find documents, sources and resources that enable them to gather good information or identify key people who can help provide it? After the discussion, students should be given a study from the Policy Areas section of Journalist’s Resource website related to the subject they’ve been asked to explore.

The instructor should use this study to evaluate the nature structure of government/scientific reports. After giving students 15 minutes to scan the report, ask students to identify its most newsworthy point. Discuss what context might be needed to write a story about the study or report. Discuss what concepts or language students are having difficulty understanding.

Reading: Clark, Scanlan, pages 305-313, and relevant pages of the course text

Assignment: Students should (a) write a lead for a story based exclusively on the report (b) do additional background work related to the study in preparation for writing a full story on deadline. (c) translate at least one term used in the study that is not familiar to a lay audience.

Class 2: Writing the basic story on deadline

This class should begin with a discussion of the challenges of translating jargon and the importance of such translation in news reporting. Reporters translate by substituting a simple definition or, generally with the help of experts, comparing the unfamiliar to the familiar through use of analogy.

The remainder of the class should be devoted to writing a 15- to 20-line news report, based on the study, background research and, if one is available, a press release.

Reading: Pages 1-47 of Stein/Paterno, and relevant pages of the course text

Assignment: Prepare a list of questions that you would ask either the lead author of the study you wrote about on deadline or an expert who might offer an outside perspective.

Week 8: Effective interviewing

Class 1: Preparing and getting the interview

Successful interviews build from strong preparation. Reporters need to identify the right interview subjects, know what they’ve said before, interview them in a setting that makes them comfortable and ask questions that elicit interesting answers. Each step requires thought.

The professor should begin this class by critiquing some of the questions students drew up for homework. Are they open-ended or close-ended? Do they push beyond the obvious? Do they seek specific examples that explain the importance of the research or its applications? Do they probe the study’s potential weaknesses? Do they explore what directions the researcher might take next?

Discuss the readings and what steps reporters can take to background for an interview, track down a subject and prepare and rehearse questions in advance.

Reading: Stein/Paterno, pages 47-146, and relevant pages of the course text

Assignment: Students should prepare to interview their professor about his or her approach to and philosophy of teaching. Before crafting their questions, the students should background the instructor’s syllabi, public course evaluations and any pertinent writings.

Class 2: The interview and its aftermath

The interview, says Pulitzer Prize-winning journalist Jacqui Banaszynski, is a dance which the reporter leads but does so to music the interview subject chooses. Though reporters prepare and rehearse their interviews, they should never read the questions they’ve considered in advance and always be prepared to change directions. To hear the subject’s music, reporters must be more focused on the answers than their next question. Good listeners make good interviewers — good listeners, that is, who don’t forget that it is also their responsibility to also lead.

Divide the class. As a team, five students should interview the professor about his/her approach to teaching. Each of these five should build on the focus and question of the previous questioner. The rest of the class should critique the questions, their clarity and their focus. Are the questioners listening? Are they maintaining control? Are they following up? The class also should discuss the reading, paying particularly close attention to the dynamics of an interview, the pace of questions, the nature of questions, its close and the reporter’s responsibility once an interview ends.

Assignment: Students should be assigned to small groups and asked to critique the news stories classmates wrote on deadline during the previous class.

Week 9: Building the story

Class 1: Critiquing the story

The instructor should separate students into groups of two or three and tell them to read their news stories to one another aloud. After each reading, the listeners should discuss what they liked and struggled with as the story audience. The reader in each case should reflect on what he or she learned from the process of reading the story aloud.

The instructor then should distribute one or two of the class stories that provide good and bad examples of story structure, information selection, content, organization and writing. These should be critiqued as a class.

Assignment: Students, working in teams, should develop an angle for a news follow to the study or report they covered on deadline. Each team should write a focus statement for the story it is proposing.

Class 2: Following the news

The instructor should lead a discussion about how reporters “enterprise,” or find original angles or approaches, by looking to the corners of news, identifying patterns of news, establishing who is affected by news, investigating the “why” of news, and examining what comes next.

Students should be asked to discuss the ideas they’ve developed to follow the news story. These can be assigned as longer-term team final projects for the semester. As part of this discussion, the instructor can help students map their next steps.

Reading: Wickham, Chapters 1-4 and 7, and relevant pages of the course text

Assignment: Students should find a news report that uses data to support or develop its main point. They should consider what and how much data is used, whether it is clear, whether it’s cluttered and whether it answers their questions. They should bring the article and a brief memo analyzing it to class.

Week 10: Making sense of data and statistics

Class 1: Basic math and the journalist’s job

Many reporters don’t like math. But in their jobs, it is everywhere. Reporters must interpret political polls, calculate percentage change in everything from property taxes to real estate values, make sense of municipal bids and municipal budgets, and divine data in government reports.

First discuss some of the examples of good and bad use of data that students found in their homework. Then, using examples from Journalist’s Resource website, discuss good and poor use of data in news reporting. (Reporters, for example, should not overwhelm readers with paragraphs stuffed with statistics.) Finally lead students through some of the basic skills sets outlined in Wickham’s book, using her exercises to practice everything from calculating percentage change to interpreting polls.

Assignment: Give students a report or study linked to the Journalist’s Resource website that requires some degree of statistical evaluation or interpretation. Have students read the report and compile a list of questions they would ask to help them understand and interpret this data.

Class 2: The use and abuse of statistics

Discuss the students’ questions. Then evaluate one or more articles drawn from the report they’ve analyzed that attempt to make sense of the data in the study. Discuss what these articles do well and what they do poorly.

Reading: Zinsser, Chapter 13, “Macabre Reminder: The Corpse on Union Street,” Dan Barry, The New York Times

Week 11: The reporter as observer

Class 1: Using the senses

Veteran reporters covering an event don’t only return with facts, quotes and documents that support them. They fill their notebooks with details that capture what they’ve witnessed. They use all their senses, listening for telling snippets of conversation and dialogue, watching for images, details and actions that help bring readers to the scene. Details that develop character and place breathe vitality into news. But description for description’s sake merely clutters and obscures the news. Using the senses takes practice.

The class should deconstruct “Macabre Reminder: The Corpse on Union Street,” a remarkable journey around New Orleans a few days after Hurricane Katrina devastated the city in 2005. The story starts with one corpse, left to rot on a once-busy street and then pans the city as a camera might. The dead body serves as a metaphor for the rotting city, largely abandoned and without order.

Assignment: This is an exercise in observation. Students may not ask questions. Their task is to observe, listen and describe a short scene, a serendipitous vignette of day-to-day life. They should take up a perch in a lively location of their choosing — a student dining hall or gym, a street corner, a pool hall or bus stop or beauty salon, to name a few — wait and watch. When a small scene unfolds, one with beginning, middle and end, students should record it. They then should write a brief story describing the scene that unfolded, taking care to leave themselves and their opinions out of the story. This is pure observation, designed to build the tools of observation and description. These stories should be no longer than 200 words.

Class 2: Sharpening the story

Students should read their observation pieces aloud to a classmate. Both students should consider these questions: Do the words describe or characterize? Which words show and which words tell? What words are extraneous? Does the piece convey character through action? Does it have a clear beginning, middle and end? Students then should revise, shortening the original scene to no longer than 150 words. After the revision, the instructor should critique some of the students’ efforts.

Assignment: Using campus, governmental or media calendars, students should identify, background and prepare to cover a speech, press conference or other news event, preferably on a topic related to one of the research-based areas covered in the Policy Areas section of Journalist’s Resource website. Students should write a focus statement (50 words or less) for their story and draw up a list of some of the questions they intend to ask.

Week 12: Reporting on deadline

Class 1: Coaching the story

Meetings, press conferences and speeches serve as a staple for much news reporting. Reporters should arrive at such events knowledgeable about the key players, their past positions or research, and the issues these sources are likely discuss. Reporters can discover this information in various ways. They can research topic and speaker online and in journalistic databases, peruse past correspondence sent to public offices, and review the writings and statements of key speakers with the help of their assistants or secretaries.

In this class, the instructor should discuss the nature of event coverage, review students’ focus statements and questions, and offer suggestions about how they cover the events.

Assignment: Cover the event proposed in the class above and draft a 600-word story, double-spaced, based on its news and any context needed to understand it.

Class 2: Critiquing and revising the story

Students should exchange story drafts and suggest changes. After students revise, the instructor should lead a discussion about the challenges of reporting and writing live on deadline. These likely will include issues of access and understanding and challenges of writing around and through gaps of information.

Weeks 13/14: Coaching the final project

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The final week or two of the class is reserved for drill in areas needing further development and for coaching students through the final reporting, drafting and revision of the enterprise stories off the study or report they covered in class.

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The Journalist's Resource

The Writing Center • University of North Carolina at Chapel Hill

Understanding Assignments

What this handout is about.

The first step in any successful college writing venture is reading the assignment. While this sounds like a simple task, it can be a tough one. This handout will help you unravel your assignment and begin to craft an effective response. Much of the following advice will involve translating typical assignment terms and practices into meaningful clues to the type of writing your instructor expects. See our short video for more tips.

Basic beginnings

Regardless of the assignment, department, or instructor, adopting these two habits will serve you well :

  • Read the assignment carefully as soon as you receive it. Do not put this task off—reading the assignment at the beginning will save you time, stress, and problems later. An assignment can look pretty straightforward at first, particularly if the instructor has provided lots of information. That does not mean it will not take time and effort to complete; you may even have to learn a new skill to complete the assignment.
  • Ask the instructor about anything you do not understand. Do not hesitate to approach your instructor. Instructors would prefer to set you straight before you hand the paper in. That’s also when you will find their feedback most useful.

Assignment formats

Many assignments follow a basic format. Assignments often begin with an overview of the topic, include a central verb or verbs that describe the task, and offer some additional suggestions, questions, or prompts to get you started.

An Overview of Some Kind

The instructor might set the stage with some general discussion of the subject of the assignment, introduce the topic, or remind you of something pertinent that you have discussed in class. For example:

“Throughout history, gerbils have played a key role in politics,” or “In the last few weeks of class, we have focused on the evening wear of the housefly …”

The Task of the Assignment

Pay attention; this part tells you what to do when you write the paper. Look for the key verb or verbs in the sentence. Words like analyze, summarize, or compare direct you to think about your topic in a certain way. Also pay attention to words such as how, what, when, where, and why; these words guide your attention toward specific information. (See the section in this handout titled “Key Terms” for more information.)

“Analyze the effect that gerbils had on the Russian Revolution”, or “Suggest an interpretation of housefly undergarments that differs from Darwin’s.”

Additional Material to Think about

Here you will find some questions to use as springboards as you begin to think about the topic. Instructors usually include these questions as suggestions rather than requirements. Do not feel compelled to answer every question unless the instructor asks you to do so. Pay attention to the order of the questions. Sometimes they suggest the thinking process your instructor imagines you will need to follow to begin thinking about the topic.

“You may wish to consider the differing views held by Communist gerbils vs. Monarchist gerbils, or Can there be such a thing as ‘the housefly garment industry’ or is it just a home-based craft?”

These are the instructor’s comments about writing expectations:

“Be concise”, “Write effectively”, or “Argue furiously.”

Technical Details

These instructions usually indicate format rules or guidelines.

“Your paper must be typed in Palatino font on gray paper and must not exceed 600 pages. It is due on the anniversary of Mao Tse-tung’s death.”

The assignment’s parts may not appear in exactly this order, and each part may be very long or really short. Nonetheless, being aware of this standard pattern can help you understand what your instructor wants you to do.

Interpreting the assignment

Ask yourself a few basic questions as you read and jot down the answers on the assignment sheet:

Why did your instructor ask you to do this particular task?

Who is your audience.

  • What kind of evidence do you need to support your ideas?

What kind of writing style is acceptable?

  • What are the absolute rules of the paper?

Try to look at the question from the point of view of the instructor. Recognize that your instructor has a reason for giving you this assignment and for giving it to you at a particular point in the semester. In every assignment, the instructor has a challenge for you. This challenge could be anything from demonstrating an ability to think clearly to demonstrating an ability to use the library. See the assignment not as a vague suggestion of what to do but as an opportunity to show that you can handle the course material as directed. Paper assignments give you more than a topic to discuss—they ask you to do something with the topic. Keep reminding yourself of that. Be careful to avoid the other extreme as well: do not read more into the assignment than what is there.

Of course, your instructor has given you an assignment so that he or she will be able to assess your understanding of the course material and give you an appropriate grade. But there is more to it than that. Your instructor has tried to design a learning experience of some kind. Your instructor wants you to think about something in a particular way for a particular reason. If you read the course description at the beginning of your syllabus, review the assigned readings, and consider the assignment itself, you may begin to see the plan, purpose, or approach to the subject matter that your instructor has created for you. If you still aren’t sure of the assignment’s goals, try asking the instructor. For help with this, see our handout on getting feedback .

Given your instructor’s efforts, it helps to answer the question: What is my purpose in completing this assignment? Is it to gather research from a variety of outside sources and present a coherent picture? Is it to take material I have been learning in class and apply it to a new situation? Is it to prove a point one way or another? Key words from the assignment can help you figure this out. Look for key terms in the form of active verbs that tell you what to do.

Key Terms: Finding Those Active Verbs

Here are some common key words and definitions to help you think about assignment terms:

Information words Ask you to demonstrate what you know about the subject, such as who, what, when, where, how, and why.

  • define —give the subject’s meaning (according to someone or something). Sometimes you have to give more than one view on the subject’s meaning
  • describe —provide details about the subject by answering question words (such as who, what, when, where, how, and why); you might also give details related to the five senses (what you see, hear, feel, taste, and smell)
  • explain —give reasons why or examples of how something happened
  • illustrate —give descriptive examples of the subject and show how each is connected with the subject
  • summarize —briefly list the important ideas you learned about the subject
  • trace —outline how something has changed or developed from an earlier time to its current form
  • research —gather material from outside sources about the subject, often with the implication or requirement that you will analyze what you have found

Relation words Ask you to demonstrate how things are connected.

  • compare —show how two or more things are similar (and, sometimes, different)
  • contrast —show how two or more things are dissimilar
  • apply—use details that you’ve been given to demonstrate how an idea, theory, or concept works in a particular situation
  • cause —show how one event or series of events made something else happen
  • relate —show or describe the connections between things

Interpretation words Ask you to defend ideas of your own about the subject. Do not see these words as requesting opinion alone (unless the assignment specifically says so), but as requiring opinion that is supported by concrete evidence. Remember examples, principles, definitions, or concepts from class or research and use them in your interpretation.

  • assess —summarize your opinion of the subject and measure it against something
  • prove, justify —give reasons or examples to demonstrate how or why something is the truth
  • evaluate, respond —state your opinion of the subject as good, bad, or some combination of the two, with examples and reasons
  • support —give reasons or evidence for something you believe (be sure to state clearly what it is that you believe)
  • synthesize —put two or more things together that have not been put together in class or in your readings before; do not just summarize one and then the other and say that they are similar or different—you must provide a reason for putting them together that runs all the way through the paper
  • analyze —determine how individual parts create or relate to the whole, figure out how something works, what it might mean, or why it is important
  • argue —take a side and defend it with evidence against the other side

More Clues to Your Purpose As you read the assignment, think about what the teacher does in class:

  • What kinds of textbooks or coursepack did your instructor choose for the course—ones that provide background information, explain theories or perspectives, or argue a point of view?
  • In lecture, does your instructor ask your opinion, try to prove her point of view, or use keywords that show up again in the assignment?
  • What kinds of assignments are typical in this discipline? Social science classes often expect more research. Humanities classes thrive on interpretation and analysis.
  • How do the assignments, readings, and lectures work together in the course? Instructors spend time designing courses, sometimes even arguing with their peers about the most effective course materials. Figuring out the overall design to the course will help you understand what each assignment is meant to achieve.

Now, what about your reader? Most undergraduates think of their audience as the instructor. True, your instructor is a good person to keep in mind as you write. But for the purposes of a good paper, think of your audience as someone like your roommate: smart enough to understand a clear, logical argument, but not someone who already knows exactly what is going on in your particular paper. Remember, even if the instructor knows everything there is to know about your paper topic, he or she still has to read your paper and assess your understanding. In other words, teach the material to your reader.

Aiming a paper at your audience happens in two ways: you make decisions about the tone and the level of information you want to convey.

  • Tone means the “voice” of your paper. Should you be chatty, formal, or objective? Usually you will find some happy medium—you do not want to alienate your reader by sounding condescending or superior, but you do not want to, um, like, totally wig on the man, you know? Eschew ostentatious erudition: some students think the way to sound academic is to use big words. Be careful—you can sound ridiculous, especially if you use the wrong big words.
  • The level of information you use depends on who you think your audience is. If you imagine your audience as your instructor and she already knows everything you have to say, you may find yourself leaving out key information that can cause your argument to be unconvincing and illogical. But you do not have to explain every single word or issue. If you are telling your roommate what happened on your favorite science fiction TV show last night, you do not say, “First a dark-haired white man of average height, wearing a suit and carrying a flashlight, walked into the room. Then a purple alien with fifteen arms and at least three eyes turned around. Then the man smiled slightly. In the background, you could hear a clock ticking. The room was fairly dark and had at least two windows that I saw.” You also do not say, “This guy found some aliens. The end.” Find some balance of useful details that support your main point.

You’ll find a much more detailed discussion of these concepts in our handout on audience .

The Grim Truth

With a few exceptions (including some lab and ethnography reports), you are probably being asked to make an argument. You must convince your audience. It is easy to forget this aim when you are researching and writing; as you become involved in your subject matter, you may become enmeshed in the details and focus on learning or simply telling the information you have found. You need to do more than just repeat what you have read. Your writing should have a point, and you should be able to say it in a sentence. Sometimes instructors call this sentence a “thesis” or a “claim.”

So, if your instructor tells you to write about some aspect of oral hygiene, you do not want to just list: “First, you brush your teeth with a soft brush and some peanut butter. Then, you floss with unwaxed, bologna-flavored string. Finally, gargle with bourbon.” Instead, you could say, “Of all the oral cleaning methods, sandblasting removes the most plaque. Therefore it should be recommended by the American Dental Association.” Or, “From an aesthetic perspective, moldy teeth can be quite charming. However, their joys are short-lived.”

Convincing the reader of your argument is the goal of academic writing. It doesn’t have to say “argument” anywhere in the assignment for you to need one. Look at the assignment and think about what kind of argument you could make about it instead of just seeing it as a checklist of information you have to present. For help with understanding the role of argument in academic writing, see our handout on argument .

What kind of evidence do you need?

There are many kinds of evidence, and what type of evidence will work for your assignment can depend on several factors–the discipline, the parameters of the assignment, and your instructor’s preference. Should you use statistics? Historical examples? Do you need to conduct your own experiment? Can you rely on personal experience? See our handout on evidence for suggestions on how to use evidence appropriately.

Make sure you are clear about this part of the assignment, because your use of evidence will be crucial in writing a successful paper. You are not just learning how to argue; you are learning how to argue with specific types of materials and ideas. Ask your instructor what counts as acceptable evidence. You can also ask a librarian for help. No matter what kind of evidence you use, be sure to cite it correctly—see the UNC Libraries citation tutorial .

You cannot always tell from the assignment just what sort of writing style your instructor expects. The instructor may be really laid back in class but still expect you to sound formal in writing. Or the instructor may be fairly formal in class and ask you to write a reflection paper where you need to use “I” and speak from your own experience.

Try to avoid false associations of a particular field with a style (“art historians like wacky creativity,” or “political scientists are boring and just give facts”) and look instead to the types of readings you have been given in class. No one expects you to write like Plato—just use the readings as a guide for what is standard or preferable to your instructor. When in doubt, ask your instructor about the level of formality she or he expects.

No matter what field you are writing for or what facts you are including, if you do not write so that your reader can understand your main idea, you have wasted your time. So make clarity your main goal. For specific help with style, see our handout on style .

Technical details about the assignment

The technical information you are given in an assignment always seems like the easy part. This section can actually give you lots of little hints about approaching the task. Find out if elements such as page length and citation format (see the UNC Libraries citation tutorial ) are negotiable. Some professors do not have strong preferences as long as you are consistent and fully answer the assignment. Some professors are very specific and will deduct big points for deviations.

Usually, the page length tells you something important: The instructor thinks the size of the paper is appropriate to the assignment’s parameters. In plain English, your instructor is telling you how many pages it should take for you to answer the question as fully as you are expected to. So if an assignment is two pages long, you cannot pad your paper with examples or reword your main idea several times. Hit your one point early, defend it with the clearest example, and finish quickly. If an assignment is ten pages long, you can be more complex in your main points and examples—and if you can only produce five pages for that assignment, you need to see someone for help—as soon as possible.

Tricks that don’t work

Your instructors are not fooled when you:

  • spend more time on the cover page than the essay —graphics, cool binders, and cute titles are no replacement for a well-written paper.
  • use huge fonts, wide margins, or extra spacing to pad the page length —these tricks are immediately obvious to the eye. Most instructors use the same word processor you do. They know what’s possible. Such tactics are especially damning when the instructor has a stack of 60 papers to grade and yours is the only one that low-flying airplane pilots could read.
  • use a paper from another class that covered “sort of similar” material . Again, the instructor has a particular task for you to fulfill in the assignment that usually relates to course material and lectures. Your other paper may not cover this material, and turning in the same paper for more than one course may constitute an Honor Code violation . Ask the instructor—it can’t hurt.
  • get all wacky and “creative” before you answer the question . Showing that you are able to think beyond the boundaries of a simple assignment can be good, but you must do what the assignment calls for first. Again, check with your instructor. A humorous tone can be refreshing for someone grading a stack of papers, but it will not get you a good grade if you have not fulfilled the task.

Critical reading of assignments leads to skills in other types of reading and writing. If you get good at figuring out what the real goals of assignments are, you are going to be better at understanding the goals of all of your classes and fields of study.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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Definition of assignment noun from the Oxford Advanced American Dictionary

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Find out which words work together and produce more natural-sounding English with the Oxford Collocations Dictionary app. Try it for free as part of the Oxford Advanced Learner’s Dictionary app.

assignment news meaning
  • Consider the assignment in relation to previous and upcoming assignments.  Ask yourself what is new about the task you're setting out to do. Instructors often design assignments to build in complexity. Knowing where an assignment falls in this progression can help you concentrate on the specific, fresh challenges at hand.
  • Understanding some key words commonly used in assignments also may simplify your task. Toward this end, let's take a look at two seemingly impenetrable instructions: "discuss" and "analyze."

    1. Discuss the role of gender in bringing about the French Revolution.

    • "Discuss" is easy to misunderstand because the word calls to mind the oral/spoken dimension of communication. "Discuss" suggests conversation, which often is casual and undirected. In the context of an assignment, however, discussion entails fulfilling a defined and organized task: to construct an argument that considers and responds to an ample range of materials. To "discuss," in assignment language, means to make a broad argument about a set of arguments you have studied. In the case above, you can do this by
    • pointing to consistencies and inconsistencies in the evidence of gendered causes of the Revolution;
    • raising the implications of these consistencies and/or inconsistencies (perhaps they suggest a limited role for gender as catalyst);
    • evaluating different claims about the role of gender; and
    • asking what is gained and what is lost by focusing on gendered symbols, icons and events.

    A weak discussion essay in response to the question above might simply list a few aspects of the Revolution—the image of Liberty, the executions of the King and Marie Antoinette, the cry "Liberte, Egalite, Fraternite!" —and make separate comments about how each, being "gendered," is therefore a powerful political force. Such an essay would offer no original thesis, but instead restate the question asked in the assignment (i.e., "The role of gender was very important in the French Revolution" or "Gender did not play a large role in the French Revolution").

    In a strong discussion essay, the thesis would go beyond a basic restatement of the assignment question. You might test the similarities and differences of the revolutionary aspects being discussed. You might draw on fresh or unexpected evidence, perhaps using as a source an intriguing reading that was only briefly touched upon in lecture.

    2. Analyze two of Chaucer's Canterbury Tales, including one not discussed in class, as literary works and in terms of sources/analogues.

    The words "analyze" and "analysis" may seem to denote highly advanced, even arcane skills, possessed in virtual monopoly by mathematicians and scientists. Happily, the terms refer to mental activity we all perform regularly; the terms just need decoding. "Analyze" means two things in this specific assignment prompt.

    • First, you need to divide the two tales into parts, elements, or features. You might start with a basic approach: looking at the beginning, middle, and end. These structural features of literary works—and of historical events and many other subjects of academic study—may seem simple or even simplistic, but they can yield surprising insights when examined closely.
    • Alternatively, you might begin at a more complex level of analysis. For example, you might search for and distinguish between kinds of humor in the two tales and their sources in Boccaccio or the Roman de la Rose: banter, wordplay, bawdy jokes, pranks, burlesque, satire, etc.

    Second, you need to consider the two tales critically to arrive at some reward for having observed how the tales are made and where they came from (their sources/analogues). In the course of your essay, you might work your way to investigating Chaucer's broader attitude toward his sources, which alternates between playful variation and strict adherence. Your complex analysis of kinds of humor might reveal differing conceptions of masculine and feminine between Chaucer and his literary sources, or some other important cultural distinction.

    Analysis involves both a set of observations about the composition or workings of your subject and a critical approach that keeps you from noticing just anything—from excessive listing or summarizing—and instead leads you to construct an interpretation, using textual evidence to support your ideas.

    Some Final Advice

    If, having read the assignment carefully, you're still confused by it, don't hesitate to ask for clarification from your instructor. He or she may be able to elucidate the question or to furnish some sample responses to the assignment. Knowing the expectations of an assignment can help when you're feeling puzzled. Conversely, knowing the boundaries can head off trouble if you're contemplating an unorthodox approach. In either case, before you go to your instructor, it's a good idea to list, underline or circle the specific places in the assignment where the language makes you feel uncertain.

    William C. Rice, for the Writing Center at Harvard University

    Synonyms of assignment

    • as in lesson
    • as in appointment
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    Thesaurus Definition of assignment

    Synonyms & Similar Words

    • responsibility
    • undertaking
    • requirement
    • designation
    • appointment
    • authorization
    • installment
    • installation
    • destination
    • emplacement
    • investiture
    • singling (out)

    Antonyms & Near Antonyms

    • dethronement

    Synonym Chooser

    How does the noun assignment contrast with its synonyms?

    Some common synonyms of assignment are chore , duty , job , stint , and task . While all these words mean "a piece of work to be done," assignment implies a definite limited task assigned by one in authority.

    When is it sensible to use chore instead of assignment ?

    While the synonyms chore and assignment are close in meaning, chore implies a minor routine activity necessary for maintaining a household or farm.

    When is duty a more appropriate choice than assignment ?

    Although the words duty and assignment have much in common, duty implies an obligation to perform or responsibility for performance.

    When might job be a better fit than assignment ?

    The synonyms job and assignment are sometimes interchangeable, but job applies to a piece of work voluntarily performed; it may sometimes suggest difficulty or importance.

    When could stint be used to replace assignment ?

    In some situations, the words stint and assignment are roughly equivalent. However, stint implies a carefully allotted or measured quantity of assigned work or service.

    When can task be used instead of assignment ?

    The meanings of task and assignment largely overlap; however, task implies work imposed by a person in authority or an employer or by circumstance.

    Thesaurus Entries Near assignment

    assignments

    Cite this Entry

    “Assignment.” Merriam-Webster.com Thesaurus , Merriam-Webster, https://www.merriam-webster.com/thesaurus/assignment. Accessed 26 Apr. 2024.

    More from Merriam-Webster on assignment

    Nglish: Translation of assignment for Spanish Speakers

    Britannica English: Translation of assignment for Arabic Speakers

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    Home » Assignment – Types, Examples and Writing Guide

    Assignment – Types, Examples and Writing Guide

    Table of Contents

    Assignment

    Definition:

    Assignment is a task given to students by a teacher or professor, usually as a means of assessing their understanding and application of course material. Assignments can take various forms, including essays, research papers, presentations, problem sets, lab reports, and more.

    Assignments are typically designed to be completed outside of class time and may require independent research, critical thinking, and analysis. They are often graded and used as a significant component of a student’s overall course grade. The instructions for an assignment usually specify the goals, requirements, and deadlines for completion, and students are expected to meet these criteria to earn a good grade.

    History of Assignment

    The use of assignments as a tool for teaching and learning has been a part of education for centuries. Following is a brief history of the Assignment.

    • Ancient Times: Assignments such as writing exercises, recitations, and memorization tasks were used to reinforce learning.
    • Medieval Period : Universities began to develop the concept of the assignment, with students completing essays, commentaries, and translations to demonstrate their knowledge and understanding of the subject matter.
    • 19th Century : With the growth of schools and universities, assignments became more widespread and were used to assess student progress and achievement.
    • 20th Century: The rise of distance education and online learning led to the further development of assignments as an integral part of the educational process.
    • Present Day: Assignments continue to be used in a variety of educational settings and are seen as an effective way to promote student learning and assess student achievement. The nature and format of assignments continue to evolve in response to changing educational needs and technological innovations.

    Types of Assignment

    Here are some of the most common types of assignments:

    An essay is a piece of writing that presents an argument, analysis, or interpretation of a topic or question. It usually consists of an introduction, body paragraphs, and a conclusion.

    Essay structure:

    • Introduction : introduces the topic and thesis statement
    • Body paragraphs : each paragraph presents a different argument or idea, with evidence and analysis to support it
    • Conclusion : summarizes the key points and reiterates the thesis statement

    Research paper

    A research paper involves gathering and analyzing information on a particular topic, and presenting the findings in a well-structured, documented paper. It usually involves conducting original research, collecting data, and presenting it in a clear, organized manner.

    Research paper structure:

    • Title page : includes the title of the paper, author’s name, date, and institution
    • Abstract : summarizes the paper’s main points and conclusions
    • Introduction : provides background information on the topic and research question
    • Literature review: summarizes previous research on the topic
    • Methodology : explains how the research was conducted
    • Results : presents the findings of the research
    • Discussion : interprets the results and draws conclusions
    • Conclusion : summarizes the key findings and implications

    A case study involves analyzing a real-life situation, problem or issue, and presenting a solution or recommendations based on the analysis. It often involves extensive research, data analysis, and critical thinking.

    Case study structure:

    • Introduction : introduces the case study and its purpose
    • Background : provides context and background information on the case
    • Analysis : examines the key issues and problems in the case
    • Solution/recommendations: proposes solutions or recommendations based on the analysis
    • Conclusion: Summarize the key points and implications

    A lab report is a scientific document that summarizes the results of a laboratory experiment or research project. It typically includes an introduction, methodology, results, discussion, and conclusion.

    Lab report structure:

    • Title page : includes the title of the experiment, author’s name, date, and institution
    • Abstract : summarizes the purpose, methodology, and results of the experiment
    • Methods : explains how the experiment was conducted
    • Results : presents the findings of the experiment

    Presentation

    A presentation involves delivering information, data or findings to an audience, often with the use of visual aids such as slides, charts, or diagrams. It requires clear communication skills, good organization, and effective use of technology.

    Presentation structure:

    • Introduction : introduces the topic and purpose of the presentation
    • Body : presents the main points, findings, or data, with the help of visual aids
    • Conclusion : summarizes the key points and provides a closing statement

    Creative Project

    A creative project is an assignment that requires students to produce something original, such as a painting, sculpture, video, or creative writing piece. It allows students to demonstrate their creativity and artistic skills.

    Creative project structure:

    • Introduction : introduces the project and its purpose
    • Body : presents the creative work, with explanations or descriptions as needed
    • Conclusion : summarizes the key elements and reflects on the creative process.

    Examples of Assignments

    Following are Examples of Assignment templates samples:

    Essay template:

    I. Introduction

    • Hook: Grab the reader’s attention with a catchy opening sentence.
    • Background: Provide some context or background information on the topic.
    • Thesis statement: State the main argument or point of your essay.

    II. Body paragraphs

    • Topic sentence: Introduce the main idea or argument of the paragraph.
    • Evidence: Provide evidence or examples to support your point.
    • Analysis: Explain how the evidence supports your argument.
    • Transition: Use a transition sentence to lead into the next paragraph.

    III. Conclusion

    • Restate thesis: Summarize your main argument or point.
    • Review key points: Summarize the main points you made in your essay.
    • Concluding thoughts: End with a final thought or call to action.

    Research paper template:

    I. Title page

    • Title: Give your paper a descriptive title.
    • Author: Include your name and institutional affiliation.
    • Date: Provide the date the paper was submitted.

    II. Abstract

    • Background: Summarize the background and purpose of your research.
    • Methodology: Describe the methods you used to conduct your research.
    • Results: Summarize the main findings of your research.
    • Conclusion: Provide a brief summary of the implications and conclusions of your research.

    III. Introduction

    • Background: Provide some background information on the topic.
    • Research question: State your research question or hypothesis.
    • Purpose: Explain the purpose of your research.

    IV. Literature review

    • Background: Summarize previous research on the topic.
    • Gaps in research: Identify gaps or areas that need further research.

    V. Methodology

    • Participants: Describe the participants in your study.
    • Procedure: Explain the procedure you used to conduct your research.
    • Measures: Describe the measures you used to collect data.

    VI. Results

    • Quantitative results: Summarize the quantitative data you collected.
    • Qualitative results: Summarize the qualitative data you collected.

    VII. Discussion

    • Interpretation: Interpret the results and explain what they mean.
    • Implications: Discuss the implications of your research.
    • Limitations: Identify any limitations or weaknesses of your research.

    VIII. Conclusion

    • Review key points: Summarize the main points you made in your paper.

    Case study template:

    • Background: Provide background information on the case.
    • Research question: State the research question or problem you are examining.
    • Purpose: Explain the purpose of the case study.

    II. Analysis

    • Problem: Identify the main problem or issue in the case.
    • Factors: Describe the factors that contributed to the problem.
    • Alternative solutions: Describe potential solutions to the problem.

    III. Solution/recommendations

    • Proposed solution: Describe the solution you are proposing.
    • Rationale: Explain why this solution is the best one.
    • Implementation: Describe how the solution can be implemented.

    IV. Conclusion

    • Summary: Summarize the main points of your case study.

    Lab report template:

    • Title: Give your report a descriptive title.
    • Date: Provide the date the report was submitted.
    • Background: Summarize the background and purpose of the experiment.
    • Methodology: Describe the methods you used to conduct the experiment.
    • Results: Summarize the main findings of the experiment.
    • Conclusion: Provide a brief summary of the implications and conclusions
    • Background: Provide some background information on the experiment.
    • Hypothesis: State your hypothesis or research question.
    • Purpose: Explain the purpose of the experiment.

    IV. Materials and methods

    • Materials: List the materials and equipment used in the experiment.
    • Procedure: Describe the procedure you followed to conduct the experiment.
    • Data: Present the data you collected in tables or graphs.
    • Analysis: Analyze the data and describe the patterns or trends you observed.

    VI. Discussion

    • Implications: Discuss the implications of your findings.
    • Limitations: Identify any limitations or weaknesses of the experiment.

    VII. Conclusion

    • Restate hypothesis: Summarize your hypothesis or research question.
    • Review key points: Summarize the main points you made in your report.

    Presentation template:

    • Attention grabber: Grab the audience’s attention with a catchy opening.
    • Purpose: Explain the purpose of your presentation.
    • Overview: Provide an overview of what you will cover in your presentation.

    II. Main points

    • Main point 1: Present the first main point of your presentation.
    • Supporting details: Provide supporting details or evidence to support your point.
    • Main point 2: Present the second main point of your presentation.
    • Main point 3: Present the third main point of your presentation.
    • Summary: Summarize the main points of your presentation.
    • Call to action: End with a final thought or call to action.

    Creative writing template:

    • Setting: Describe the setting of your story.
    • Characters: Introduce the main characters of your story.
    • Rising action: Introduce the conflict or problem in your story.
    • Climax: Present the most intense moment of the story.
    • Falling action: Resolve the conflict or problem in your story.
    • Resolution: Describe how the conflict or problem was resolved.
    • Final thoughts: End with a final thought or reflection on the story.

    How to Write Assignment

    Here is a general guide on how to write an assignment:

    • Understand the assignment prompt: Before you begin writing, make sure you understand what the assignment requires. Read the prompt carefully and make note of any specific requirements or guidelines.
    • Research and gather information: Depending on the type of assignment, you may need to do research to gather information to support your argument or points. Use credible sources such as academic journals, books, and reputable websites.
    • Organize your ideas : Once you have gathered all the necessary information, organize your ideas into a clear and logical structure. Consider creating an outline or diagram to help you visualize your ideas.
    • Write a draft: Begin writing your assignment using your organized ideas and research. Don’t worry too much about grammar or sentence structure at this point; the goal is to get your thoughts down on paper.
    • Revise and edit: After you have written a draft, revise and edit your work. Make sure your ideas are presented in a clear and concise manner, and that your sentences and paragraphs flow smoothly.
    • Proofread: Finally, proofread your work for spelling, grammar, and punctuation errors. It’s a good idea to have someone else read over your assignment as well to catch any mistakes you may have missed.
    • Submit your assignment : Once you are satisfied with your work, submit your assignment according to the instructions provided by your instructor or professor.

    Applications of Assignment

    Assignments have many applications across different fields and industries. Here are a few examples:

    • Education : Assignments are a common tool used in education to help students learn and demonstrate their knowledge. They can be used to assess a student’s understanding of a particular topic, to develop critical thinking skills, and to improve writing and research abilities.
    • Business : Assignments can be used in the business world to assess employee skills, to evaluate job performance, and to provide training opportunities. They can also be used to develop business plans, marketing strategies, and financial projections.
    • Journalism : Assignments are often used in journalism to produce news articles, features, and investigative reports. Journalists may be assigned to cover a particular event or topic, or to research and write a story on a specific subject.
    • Research : Assignments can be used in research to collect and analyze data, to conduct experiments, and to present findings in written or oral form. Researchers may be assigned to conduct research on a specific topic, to write a research paper, or to present their findings at a conference or seminar.
    • Government : Assignments can be used in government to develop policy proposals, to conduct research, and to analyze data. Government officials may be assigned to work on a specific project or to conduct research on a particular topic.
    • Non-profit organizations: Assignments can be used in non-profit organizations to develop fundraising strategies, to plan events, and to conduct research. Volunteers may be assigned to work on a specific project or to help with a particular task.

    Purpose of Assignment

    The purpose of an assignment varies depending on the context in which it is given. However, some common purposes of assignments include:

    • Assessing learning: Assignments are often used to assess a student’s understanding of a particular topic or concept. This allows educators to determine if a student has mastered the material or if they need additional support.
    • Developing skills: Assignments can be used to develop a wide range of skills, such as critical thinking, problem-solving, research, and communication. Assignments that require students to analyze and synthesize information can help to build these skills.
    • Encouraging creativity: Assignments can be designed to encourage students to be creative and think outside the box. This can help to foster innovation and original thinking.
    • Providing feedback : Assignments provide an opportunity for teachers to provide feedback to students on their progress and performance. Feedback can help students to understand where they need to improve and to develop a growth mindset.
    • Meeting learning objectives : Assignments can be designed to help students meet specific learning objectives or outcomes. For example, a writing assignment may be designed to help students improve their writing skills, while a research assignment may be designed to help students develop their research skills.

    When to write Assignment

    Assignments are typically given by instructors or professors as part of a course or academic program. The timing of when to write an assignment will depend on the specific requirements of the course or program, but in general, assignments should be completed within the timeframe specified by the instructor or program guidelines.

    It is important to begin working on assignments as soon as possible to ensure enough time for research, writing, and revisions. Waiting until the last minute can result in rushed work and lower quality output.

    It is also important to prioritize assignments based on their due dates and the amount of work required. This will help to manage time effectively and ensure that all assignments are completed on time.

    In addition to assignments given by instructors or professors, there may be other situations where writing an assignment is necessary. For example, in the workplace, assignments may be given to complete a specific project or task. In these situations, it is important to establish clear deadlines and expectations to ensure that the assignment is completed on time and to a high standard.

    Characteristics of Assignment

    Here are some common characteristics of assignments:

    • Purpose : Assignments have a specific purpose, such as assessing knowledge or developing skills. They are designed to help students learn and achieve specific learning objectives.
    • Requirements: Assignments have specific requirements that must be met, such as a word count, format, or specific content. These requirements are usually provided by the instructor or professor.
    • Deadline: Assignments have a specific deadline for completion, which is usually set by the instructor or professor. It is important to meet the deadline to avoid penalties or lower grades.
    • Individual or group work: Assignments can be completed individually or as part of a group. Group assignments may require collaboration and communication with other group members.
    • Feedback : Assignments provide an opportunity for feedback from the instructor or professor. This feedback can help students to identify areas of improvement and to develop their skills.
    • Academic integrity: Assignments require academic integrity, which means that students must submit original work and avoid plagiarism. This includes citing sources properly and following ethical guidelines.
    • Learning outcomes : Assignments are designed to help students achieve specific learning outcomes. These outcomes are usually related to the course objectives and may include developing critical thinking skills, writing abilities, or subject-specific knowledge.

    Advantages of Assignment

    There are several advantages of assignment, including:

    • Helps in learning: Assignments help students to reinforce their learning and understanding of a particular topic. By completing assignments, students get to apply the concepts learned in class, which helps them to better understand and retain the information.
    • Develops critical thinking skills: Assignments often require students to think critically and analyze information in order to come up with a solution or answer. This helps to develop their critical thinking skills, which are important for success in many areas of life.
    • Encourages creativity: Assignments that require students to create something, such as a piece of writing or a project, can encourage creativity and innovation. This can help students to develop new ideas and perspectives, which can be beneficial in many areas of life.
    • Builds time-management skills: Assignments often come with deadlines, which can help students to develop time-management skills. Learning how to manage time effectively is an important skill that can help students to succeed in many areas of life.
    • Provides feedback: Assignments provide an opportunity for students to receive feedback on their work. This feedback can help students to identify areas where they need to improve and can help them to grow and develop.

    Limitations of Assignment

    There are also some limitations of assignments that should be considered, including:

    • Limited scope: Assignments are often limited in scope, and may not provide a comprehensive understanding of a particular topic. They may only cover a specific aspect of a topic, and may not provide a full picture of the subject matter.
    • Lack of engagement: Some assignments may not engage students in the learning process, particularly if they are repetitive or not challenging enough. This can lead to a lack of motivation and interest in the subject matter.
    • Time-consuming: Assignments can be time-consuming, particularly if they require a lot of research or writing. This can be a disadvantage for students who have other commitments, such as work or extracurricular activities.
    • Unreliable assessment: The assessment of assignments can be subjective and may not always accurately reflect a student’s understanding or abilities. The grading may be influenced by factors such as the instructor’s personal biases or the student’s writing style.
    • Lack of feedback : Although assignments can provide feedback, this feedback may not always be detailed or useful. Instructors may not have the time or resources to provide detailed feedback on every assignment, which can limit the value of the feedback that students receive.

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    Agent Removed From Harris’s Detail After ‘Distressing’ Behavior

    The Secret Service agent was removed during an incident on Monday morning shortly before Vice President Kamala Harris left for a campaign event in Wisconsin.

    Kamala Harris, in a light suit and white shirt, speaks at a podium in front of an American and Arizona state flag

    By Hamed Aleaziz and Jazmine Ulloa

    A U.S. Secret Service agent was removed from Vice President Kamala Harris’s security detail this week after the officer “began displaying behavior their colleagues found distressing,” an agency spokesman said on Thursday.

    The incident happened Monday morning at Joint Base Andrews outside of Washington, shortly before Ms. Harris left for a campaign event in Wisconsin. A New York Times reporter who was among the media members traveling with Ms. Harris heard medical personnel trying to calm a person down at the scene. The incident was earlier reported by The Washington Examiner .

    “At approximately 9 a.m. April 22, a U.S. Secret Service special agent supporting the vice president’s departure from Joint Base Andrews began displaying behavior their colleagues found distressing,” the Secret Service spokesman, Anthony Guglielmi, said in a statement.

    “The agent was removed from their assignment while medical personnel were summoned,” Mr. Guglielmi said. He added that Ms. Harris was at the Naval Observatory in Washington, where the vice president lives, during the incident and that “there was no impact on her departure from Joint Base Andrews.”

    Secret Service officials did not provide any further information on the incident, saying only that it was a “medical matter.”

    Hamed Aleaziz covers the Department of Homeland Security and immigration policy. More about Hamed Aleaziz

    Jazmine Ulloa is a national politics reporter for The Times, covering the 2024 presidential campaign. She is based in Washington. More about Jazmine Ulloa

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    a banner reads "Encampment for Gaza! Divest now!"

    Student protesters are demanding universities divest from Israel. What does that mean?

    Pro-Palestinian demonstrators are calling on universities to sell investments in companies they say are complicit in war in Gaza

    As protests against Israel’s offensive in Gaza are spreading throughout American campuses, one demand made by students across schools keeps coming up: divestment from Israel .

    Universities rely on endowments to fund things like research and scholarships, and those endowments are typically invested in companies and alternative asset classes, such as private equity and hedge funds.

    Broadly speaking, calls for divestment are demands to sell investments in companies that students say are complicit in the war. But what specifically are students asking for?

    What are these divestment campaigns about?

    Student protesters calling for divestment from the war in Gaza have chosen divergent targets.

    At Columbia, students are demanding the university drop its direct investments in companies doing business in or with Israel, including Amazon and Google, which are part of a $1.2bn cloud-computing contract with Israel’s government; Microsoft, whose services are used by Israel’s ministry of defense and Israeli civil administration; and defense contractors profiting from the war such as Lockheed Martin , which on Tuesday reported its earnings were up 14% .

    Students at the University of California, Berkeley, have similarly called for divestment of Israel across the board, as have student groups at New York University. 

    Other groups, such as Yale University’s Endowment Justice Coalition and student groups at Cornell University, are pushing administrators to drop investments in weapons manufacturers specifically.

    Some campus organizers are fusing the demands for fossil fuel divestment, which has become a popular target of campus activism over the past decade, and divestment from the war in Gaza. On Monday, Sunrise’s Columbia chapter held a Reclaim Earth Day event at the Columbia encampment to call attention to the relationship between the climate crisis and the war in Gaza. That includes the emissions from the aircraft and tanks Israel is using for the war as well as those generated by making and launching bombs, artillery and rockets, not to mention the environmental devastation .

    Yale’s Endowment Justice Coalition, which is leading the push for divestment from weapons manufacturers, is also calling for fossil fuel divestment.

    Is there precedent for these kinds of divestment campaigns?

    Divestment movements have a long history among US student activists.

    In 1965, the Student Nonviolent Coordinating Committee, Students for a Democratic Society, and the Congress of Racial Equality held a New York City sit-in calling for Chase Bank to stop financing apartheid in South Africa. Throughout the 1970s and 1980s, many campus organizers also successfully pressured their schools to cut financial ties with companies that supported the apartheid regime, including Columbia, which became the first Ivy League university to do so.

    The anti-apartheid campaign inspired another movement, too: the call for boycott, divestment and sanctions (BDS). Co-founded by the Palestinian Columbia University alumnus Omar Barghouti, BDS is a strategy that aims to end international support for Israel due to its treatment of Palestinians – a relationship many scholars and officials describe as another apartheid .

    More recently, fossil fuel divestment campaigners have seen significant wins on US campuses, with about 250 US educational institutions committing to pull investments in polluting companies, according to data from Stand.earth and 350.org.

    Is there any chance these campaigns will succeed?

    Calls to divest from Israel have seen more muted success . While numerous campus groups have called for their institutions to take up the BDS framework, no US universities have made such a commitment.

    In 2009, Hampshire College divested from a mutual fund with Israeli holdings after facing pressure from BDS activists. (Administrators officially denied the decision was boycott-related.)

    Other colleges have been forced to consider the issue: in 2019, for instance, a Brown committee recommended the university divest from companies linked to human rights violations, said Olivia Katbi, organizer with the BDS movement. 

    Campus groups at some universities have also passed non-binding resolutions calling for divestment. American University’s student government association, for instance, passed a resolution on Sunday calling for the university to divest support from Israel, but the university president, Sylvia Burwell, has said the school would not comply with their demand.

    Though they are facing an uphill battle, supporters of divestment say their campaigns have brought awareness to the issues they are highlighting.

    Matt Leonard, director of the Oil and Gas Action Network and an early advocate for fossil fuel divestment in the US, said the campaigns against polluters had made it more difficult for oil majors to recruit young talent. He hopes to see the same dynamic play out for profiteers of the war in Gaza, including Lockheed Martin and Raytheon, which makes the Israeli missile defense system known as the Iron Dome.

    But just as the movements have inspired one another, backlash has inspired backlash. In 2021, for instance, Texas passed a law forbidding the state from doing business with entities that “boycott energy companies”.

    That law, which has sparked copycat legislation in several other states, was inspired by a 2017 law designed to prevent the state from doing business with entities that advocate BDS in support of Palestine. 

    • US universities
    • Israel-Gaza war
    • Palestinian territories

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    Meaning of assign in English

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    assign verb [T] ( CHOOSE )

    • Every available officer will be assigned to the investigation .
    • The textbooks were assigned by the course director .
    • Part of the group were assigned to clear land mines .
    • Each trainee is assigned a mentor who will help them learn more about the job .
    • We were assigned an interpreter for the duration of our stay .
    • accommodate
    • accommodate someone with something
    • administration
    • arm someone with something
    • hand something back
    • hand something down
    • hand something in
    • hand something out
    • re-equipment
    • reassignment

    You can also find related words, phrases, and synonyms in the topics:

    assign verb [T] ( SEND )

    • She was assigned to the Paris office .
    • All the team were assigned to Poland.
    • advertisement
    • employment agency
    • equality, diversity and inclusion
    • reinstatement
    • relocation expenses
    • testimonial

    assign verb [T] ( COMPUTING )

    • 3-D printing
    • adaptive learning
    • additive manufacturing
    • hexadecimal
    • hill climbing
    • telerobotics
    • word processing

    assign verb [T] ( GIVE LEGALLY )

    Phrasal verb, assign | american dictionary, assign | business english, examples of assign, translations of assign.

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    • assign (CHOOSE)
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    Should Americans be worried about the border? The first Texas border czar says yes.

    assignment news meaning

    First Texas border czar Mike Banks talks immigration reform, border security

    Mike Banks likes to joke that he spent one day in retirement after serving more than two decades in the U.S. Border Patrol. But it only took one phone call from  Texas Gov. Greg Abbott  to get him back to border enforcement – this time, for the state.

    Abbott's Texas is testing the limits of  what states can do  to control immigration. As the pioneering  first "border czar" of Texas , Banks is advising the governor's evolving – and controversial – border security strategy even as the Biden administration fights Texas' tactics  in federal court .

    The election-season stakes were on display earlier this year when a bipartisan border security bill – endorsed by the White House – failed despite broad voter support.  Republicans backed off the bill  after Donald Trump publicly blasted it.

    In a mobile command vehicle parked near the Rio Grande river in Eagle Pass, Banks spoke to USA TODAY about his views on cartel threats, concertina wire and comprehensive immigration reform. (This interview has been edited for brevity and clarity.)

    Polls have shown that voters across the country, even outside of border states, are ranking immigration border security as a top issue. Should they be worried?

    Every state has really become a border state. Never in my career have I seen such large numbers entering the country illegally. And so I think we should be worried about it.

    First and foremost, we need to separate immigration from border security.

    What you have right now is the cartels weaponizing immigration against the forces on the border, whether it be Border Patrol, the state of Texas, any other law enforcement. They're weaponizing the migrants, holding them back, pushing them across at certain times, in order to overwhelm the system.

    That now leaves miles and miles of border wide open where they can push through the got-aways, they can push through the hard narcotics, they can push through the high-value targets. So I think it's way beyond time for America to be concerned about our border being as wide open as it is.

    What do you mean when you say we need to 'separate immigration from border security'?

    It's far past time for the U.S government to come up with comprehensive immigration reform. Immigration reform isn't 'Let's create a crisis at the border, and then you'll just give me whatever I want.'

    The left and the right need to sit down and come up with a viable immigration system that works for today's migrants, for what we need in this country for workforce, for what we need for population (growth), for what we need in getting experts into this country.

    What we can't do is have open borders in between the ports of entry where anyone can come through. And the federal government is inviting this to continue happening.

    Texas is building its own border infrastructure from concertina wire to a 'forward operating base' here in Eagle Pass. What's next? What does the Texas border look like five years from now?

    You need the right combination of technology, infrastructure, personnel and consequences. So that's what we're trying to put together as a total package in the state of Texas. We are building state border wall at the exact same specifications that the previous (Trump) administration was building border wall. Does border wall stop everything? No. It's like a lock on anything else. It keeps honest people honest. And it works as a force multiplier. You can control the area with less manpower.

    Additionally, I would say that over the next five years... we're going to continue building tactical infrastructure. We're going to continue building border wall. Right now, our current pace is about one mile a week. We're going to put up things like the the border buoy barriers, with the understanding that you don't need a wall from sea to shining sea.

    If you look at the numbers... you will see that while Texas owns almost 64% of the entire land mass with Mexico, 1,254 miles, we now account for less than 30% of all the cross-border traffic. (Editor's note:  U.S. Customs and Border Protection data  show 44% of illegal crossings have occurred in Texas in fiscal 2024 through March.) To me, what that shows is that deterrence does work, that you can deter people from crossing illegally. Right now they're going to the path of least resistance. And the path of least resistance for illegal immigration is California, Arizona, New Mexico.

    Do you have any contact with counterparts in Mexico?

    We do. We don't communicate at the same level as I did when I was in the Border Patrol, at the federal level. But on the state level, we communicate. There's communications from governor to governor. There's communications from the different state police agencies with our police agencies, with Guardia Nacional and our National Guard. We communicate with Mexico daily, if not multiple times a day.

    Is Mexico doing enough to slow the flow of migrants?

    Many (Mexican) states along the border... are feeling much the same way Texas is, where the states are being overrun with illegal immigration and being left to fend for themselves on the south side, without the proper assistance from the federal government. So they're stepping up on the south side in these Mexican states and doing what they can to deter illegal immigration, as well.

    Is the federal government of Mexico doing enough? No. Is the federal government United States doing enough? No.

    Do you envision a state-level Border Patrol? Or will the Texas National Guard be on permanent assignment?

    I think the border states definitely have to be involved in border security. I can tell you from the 23 years I was in the Border Patrol, we worked with state military, we worked with state law enforcement (and) the state of Texas. As far as a Texas Border Patrol, I think that's for the Legislature and the people of Texas to decide.

    We're going to do everything we can to protect Texas and the rest of America. If you go out in (Shelby Park), you will see soldiers from the state of Florida. You will see them from Iowa. You will see them from Indiana. You will see them from North Dakota. Half of the (Republican-led) states in the United States are sending some type of support to the state of Texas, whether it be in the form of law enforcement or National Guard, to help us hold that line. And they're footing their own bill because they understand that what is happening here is going to affect them, whether it be the narcotics, the fentanyl, the opioids, or whether it be the high-value targets.

    You know, we're not going to back down. We believe everything we're doing is lawful and within our constitutional rights.

    Lauren Villagran can be reached at [email protected] or on X @laurenvillagran.

    Pro-Palestinian protesters urge universities to divest from Israel. What does that mean?

    assignment news meaning

    Pro-Palestinian student protesters across the country occupied campuses in tent encampments this week in a campaign to urge their universities to divest, an action students over the decades have demanded from their schools' administrators.

    The word "divest" refers to diverting money from a university's endowment − the pool of money a college has and tries to grow through investments. Some of the biggest university endowments in the country total nearly $50 billion and comprise thousands of funds .

    The protesters opposed to Israel's military attacks in Gaza say they want their schools to stop funneling endowment money to Israeli companies and other businesses, like weapons manufacturers, that profit from the war in Gaza.

    "It's like, why is our money being used to fund bombs overseas?," said Layla Saliba, a student protester researching endowment investments with the group Columbia University Apartheid Divestment. "Let's reinvest this money in our community instead," she said.

    Columbia University's endowment is more than $13 billion ; it ranks among the top 15 largest endowments in the country. The school did not respond to a request for comment.

    The protests began in the wake of the ongoing conflict between Hamas and Israel, triggered by the militant group's assault on Israeli communities Oct. 7 that killed almost 1,200 people. Israel's subsequent bombardment and invasion of Gaza has killed tens of thousands of Palestinians − militants and civilians; men, women and children − and has fueled a dire humanitarian crisis.

    In addition to divestment, protesters across the U.S. are calling for a cease-fire and student governments at some colleges have also passed resolutions in recent weeks calling for an end to academic partnerships with Israel.

    Are universities investing in Israel?

    Protesters have called for a halt to investments in Israel, but experts say that might be too simplified a take on what colleges have done with their funds. To begin with, it's difficult to define what an "investment" in Israel entails, said economist Sandy Baum, a senior fellow at the Urban Institute who studies college finances.

    She said bigger investments are more obvious than smaller ones tucked away in mutual funds − an investment tool that pools money and spreads it out over many assets, and a type of financial tool many colleges rely on.

    Universities hire private companies to manage their endowments to preserve their funds over the long run, Baum said.

    Debates about the investments of college endowments are complicated, Baum said, because some university stakeholders argue the money needs to produce the biggest return on investment possible to fund teaching and necessary programming and services.

    "The purpose of the endowment is to have money that will allow the university to permanently provide educational opportunities so that they don't have to go out and raise new money every year to continue operating," she said.

    The bigger a university's endowment, the more is at stake. That's one reason why pro-Palestinian student protesters at wealthy universities are fighting so hard this week, she said. There's a lot of money involved.

    "There are always going to be differences of opinion about what you don't want to invest in," Baum said.

    When else have protesters demanded divestment?

    Student-led movements for university divestitures aren't new.

    For over a decade, students at Princeton University have urged the school to divest from the fossil fuel industry, citing concerns about the environment and climate change. In 2022, advocates landed a major win when the school agreed to divest from publicly traded oil and gas companies, according to Sunrise Princeton, a longtime climate divestment group on campus.

    In 1969, Princeton University students occupied a prominent campus building to demand the school divest from South Africa, where the government operated a punitive and often violent system of apartheid that segregated people by race. Nearly a decade later, Princeton University enacted "selective divestment" from South Africa, the Daily Princetonian reported , where the university's financial shares could be withdrawn if companies failed to meet its standards.

    This week, about 100 protesters gathered in a central courtyard at the New Jersey campus to demand the school divest from companies associated with the Israeli military, the student newspaper reported . Unlike at Columbia, where many student protesters have been arrested, Princeton students have not faced arrest or disciplinary action from the university, the campus publication said .

    "Divestment sends a moral signal that institutions of higher learning, especially those with prestige, will not tolerate certain injustices," said Alex Norbrook, co-leader of Sunrise Princeton.

    Director of Media Relations Jennifer Morrill referred to a statement Princeton University President Christopher Eisgruber has issued regarding divestment, saying any divestment would only occur after years of sustained campus interested, and in situations where the community can come to a consensus.

    The current push for universities to stop doing business with companies profiting by investing in Israel and by extension in the country's war in Gaza mirrors grassroots efforts in recent years to urge U.S. organizations to boycott Israeli companies.

    Since 2005, the Boycott, Divest, Sanction (BDS) movement has organized around "withdrawing support" for Israel's treatment of Gaza and urges banks, municipalities, pension funds, religious groups and universities to remove their investments from Israel, according to the BDS website.

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    What does 'Sapphic' mean? An ancient term is having a modern moment

    The sculpture "The Three Graces" over the word "Sapphic"

    When people look at images captured by Ty Busey, the photographer says she wants them to know that the pictures and films were captured by a queer woman. Drawing on Renaissance paintings as inspiration, Busey poses her subjects, who are LGBTQ women and nonbinary people, with halos and textured backgrounds in lounging postures. She describes her artistic eye in one word: “Sapphic.”

    The term derives from Sappho, a lyrical poet who lived in ancient Greece and created verses about pursuing women lovers that were rich in sensuality and nostalgia — and even libertine at times.

    A self-portrait of photographer Ty Busey.

    The style of Busey’s work is a fitting way to rectify its namesake’s historical legacy. In the hundreds of years after her death around 570 B.C.E., Sappho was often portrayed in art as heterosexual when her own poetry said otherwise.

    When asked what she hopes viewers take away from her visuals, Busey said, “I want the person watching the video to be like, ‘Yes, this is what it feels like to be with a woman.’”

    Busey, a Maryland resident who has identified as a lesbian since she was a teenager, first learned about the label “Sapphic” on TikTok in 2021. In the years since she’s embraced the term, it has abounded, appearing on social media meme pages , as a literary genre , as a descriptor for events in brick and mortar spaces and even as a noun for self-identification.

    Photographer Ty Busey draws on Renaissance paintings for inspiration.

    Over two-and-a-half millennia removed from its namesake, the term Sapphic does not have a precise definition that’s agreed upon by all of those who currently embrace it. However, its current use is generally as an umbrella term for lesbians, bisexuals, pansexuals and other women-loving women, and for transgender and nonbinary people who may not identify as women themselves but align with this spectrum of attraction and community. 

    While Sapphic may evoke ancient images of romance, it has a lesser-known political undercurrent: The poet Sappho resisted tyranny in her own era by the military general Pittacus, making her a potent queer symbol during a tenuous time for LGBTQ rights.

    A rebirth on the internet

    Describing herself as “chronically online,” Tyler Mead, 28, said she learned about the term Sapphic “funnily enough, actually, on the internet.”

    As a singer, songwriter and producer under the moniker STORYBOARDS , she came across queer artists like Fletcher using the term. 

    “It got me intrigued, and I was like, ‘What does this term mean? What does this mean to them? And, what could it also mean for me?’ Because it’s been a bit of a journey for me of coming out in multiple layers,” Mead said.

    In 2018, Mead came out as pansexual, then in 2020 as a trans woman. For the past year, she’s identified as a lesbian and as Sapphic, which she said captures a philosophy of “softness” in her approach to romance and dating. 

    “An interesting part of being a trans woman who is Sapphic is that, even before I started transitioning, I always knew that I was attracted to women … but not in a straight way,” Mead, who lives in Los Angeles, said.

    The expansiveness of the term, she explained, is a strong draw, adding that she knows people who are trans masculine that use it. 

    A songwriter since middle school, Mead not only considers her music Sapphic but sums up her entire “energy” on the bio section of her TikTok profile as: “Sapphic fairy.”

    Related stories:

    • A lesbian archive inside a Brooklyn brownstone has documented decades of Sapphic history
    • Billie Eilish, Reneé Rapp, Phoebe Bridgers: Queer women finally get their due in music
    • 10 trailblazing queer women to celebrate

    The word “Sappho” appears to have first emerged digitally in 1987 on an early iteration of an email list, according to Avery Dame-Griff, curator of the Queer Digital History Project . 

    The Greek poet, it seems, was the namesake of an English language mailing list for LGBTQ women during a time when email would have only been accessible to those in academic or computer-related fields, according to Dame-Griff. 

    A name like Sappho, he explained, would have signaled that the mailing list was for queer women without using a term like “gay” or “lesbian,” which would have drawn unwanted attention. 

    Since 2004, the first year for which Google Trends provides search data , the term “Sapphic” peaked in December 2005 before steadily declining for the next 15 years. Since 2020, however, it has been on a steady upward trajectory. 

    Perhaps nowhere is the term currently more prominent than social media, where Sappho-themed meme accounts —  Sappho Was Here , Suffering Sappho Memes and Sapphic Sandwich , just to name a few — have amassed tens of thousands of followers on Instagram. And, on TikTok, a wildly popular social media platform among those in the 18-29 demo , the term has been hashtagged over 340,000 times.

    Some of those hashtags lead to 26-year-old New Yorker Nina Haines. During the pandemic, Haines said, she was craving queer community. Unable to see LGBTQ friends in person because of Covid, she started posting about Sapphic literature on TikTok in an effort to find connection.

    Then, in 2021, Haines founded Sapph-Lit , a book club that today boasts 8,200 members from over 60 countries, with members who identify as queer women and nonbinary people. Her book picks have included modern romances, like Casey McQuiston’s “I Kissed Shara Wheeler,” and classics like Audre Lorde’s “Zami: A New Spelling of My Name.”

    Nina Haines, founder of Sapph-Lit, and her Sappho tattoo, inked by Yink of Golden Hour Tattoo in Brooklyn, N.Y.

    “At the end of the day, we really want to prioritize Sapphic literature, because Sapphics have been historically rendered invisible throughout history,” she said. 

    For Haines, who has a tattoo of Sappho on her arm, the term Sapphic “captures the women-loving-women experience” in a way that is “rooted in history” and that signals “that we have always been here.”

    A historical legacy 

    Hailing from the Greek island of Lesbos and living from roughly 630 B.C.E. to 570 B.C.E., what is known of Sappho’s life comes from surviving fragments of her poetry and what was written about her by other ancients, according to Page duBois, the author of 1995’s “ Sappho Is Burning ” and a professor of classics and comparative literature at the University of California, San Diego.

    Sappho’s queer legacy, duBois added, emerges from an expression of romantic and sexual desire toward women in her poems, often with a tint of nostalgia.

    Lesbian Culture

    “They are really lovely and project that kind of world of voluptuous, flower filled, scented eros [desire] directed toward women,” duBois said.

    But a passive “pink, romantic Valentine” she was not. “An aggressive pursuer of her lover,” Sappho described intimate memories of a far away, beloved woman, according to duBois. 

    “She talks about anointing her with beautiful ointments and putting garlands on her, and satisfying each other on soft beds,” duBois said of Fragment 94 of Sappho’s poetry.

    Sappho, Greek lyric poet of Mytilene, Lesbos, Asia Minor.

    There are contradictory interpretations that Sappho was a schoolteacher, an aristocrat or a hetaira (a sex worker who operated like a courtesan or geisha), and that she was perhaps enslaved. In the Middle Ages and Victorian periods, she was presented as heterosexual in art, portrayed as a forlorn woman who threw herself off a cliff after she was rejected by a ferryman she loved.

    Finding a new generation

    For the past 100 years, an ever-evolving lexicon — and a debate about the best terms to use — has been a consistent feature of LGBTQ culture. 

    As far back as the 1920s, there are examples of “Sapphic” being used to advertise sexual entertainment, like sex shows, performed by women for a male audience. The term Sapphic can also be found in 1930s tabloid headlines , and several lesbian publications in the ‘70s and ‘80s incorporated the word Sappho in their names .

    A 1973 issue of the lesbian magazine Echo of Sappho.

    It became more common for women to identify as a “lesbian” in the 1960s, though there were earlier exceptions, according to Cookie Woolner, author of “ The Famous Lady Lovers: Black Women and Queer Desire Before Stonewall .”

    Of course, butch, femme, dyke, stud and a host of other terms have been embraced by queer women, each shaped by the communities that created them and the social movements of their time. 

    “Maybe in some ways, the terms are changing because it’s about a break from a past generation,” said Woolner, an associate professor of history at the University of Memphis.

    Though Woolner and others have noted that there are those who eschew certain terms or identifiers, for one reason or another. Some LGBTQ women, for example, don’t identify with “Sapphic” due to a perceived chasteness and the ancient aura.

    A photograph from Maryland-based photographer Ty Busey.

    For the past three years, Busey has organized a “Sapphic picnic” outside of Washington, D.C. For this year, Busey chose the theme “For the Gods,” an ode to Greek gods and goddesses and conducted a photo shoot to match. 

    “There’s something about those ancient photos and the way that they’re all falling on each other — I really love them so much,” she said. “I just want to recapture it specifically with women, especially if I could put a Black woman in there.”

    More than 2,500 years after Sappho walked the earth, champions of the term Sapphic see the parallels between finding their own power and the erasure and subsequent embrace of the lyrical poet’s queer identity.

    “I see her as this reclamation,” Haines said of Sappho. “As this statement of, ‘No, I actually mean the words that I say, and don’t twist them.’”

    For more from NBC Out, sign up for our weekly newsletter.

    assignment news meaning

    Alex Berg is a freelance on-air host and journalist based in New York City.

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      From the Sapph-Lit book club to the Sapph-o-rama film series and the Sapphic Sandwich Instagram account, a word with an ancient Greek namesake is being reclaimed by women-loving women.

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