essay word derived from

1590s, "trial, attempt, endeavor," also "short, discursive literary composition" (first attested in writings of Francis Bacon, probably in imitation of Montaigne), from French essai "trial, attempt, essay" (in Old French from 12c.), from Late Latin exagium "a weighing, a weight," from Latin exigere "drive out; require, exact; examine, try, test," from ex "out" (see ex- ) + agere "to set in motion, drive" (from PIE root *ag- "to drive, draw out or forth, move") apparently meaning here "to weigh." The suggestion is of unpolished writing. Compare assay , also examine .

"to put to proof, test the mettle of," late 15c., from French essaier , from essai "trial, attempt" (see essay (n.)). This sense has mostly gone with the divergent spelling assay . Meaning "to attempt" is from 1640s. Related: Essayed ; essaying .

Entries linking to essay

c. 1300, "to try, endeavor, strive; test the quality of," from Anglo-French assaier , from assai (n.), from Old French assai , variant of essai "trial" (see essay (n.)). Related: Assayed ; assaying .

c. 1300, "put (someone) to question in regard to knowledge, competence, or skill, inquire into qualifications or capabilities;" mid-14c., "inspect or survey (something) carefully, scrutinize, view or observe in all aspects with the purpose of forming a correct opinion or judgment," from Old French examiner "interrogate, question, torture," from Latin examinare "to test or try; consider, ponder," literally "to weigh," from examen "a means of weighing or testing," probably ultimately from exigere "demand, require, enforce," literally "to drive or force out," also "to finish, measure," from ex "out" (see ex- ) + agere "to set in motion, drive, drive forward; to do, perform" (from PIE root *ag- "to drive, draw out or forth, move"). Legal sense of "question or hear (a witness in court)" is from early 15c. Related: Examined ; examining .

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Did you know the word ‘essay’ is derived from a Latin word ‘exagium’, which roughly translates to presenting one’s case? So essays are a short piece of writing representing one’s side of the argument or one’s experiences, stories, etc. Essays are very personalized. So let us learn about types of essays, format, and tips for essay-writing.

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An essay is generally a short piece of writing outlining the writer’s perspective or story . It is often considered synonymous with a story or a paper or an article. Essays can be formal as well as informal. Formal essays are generally academic in nature and tackle serious topics. We will be focusing on informal essays which are more personal and often have humorous elements.

Browse more Topics under Writing

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Get 500+ Essay Topics and Ideas for College and School Students here .

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Types of Essays

The type of essay will depend on what the writer wants to convey to his reader. There are broadly four types of essays. Let us see.

• Narrative Essays: This is when the writer is narrating an incident or story through the essay. So these are in the first person. The aim when writing narrative essays is to involve the reader in them as if they were right there when it was happening. So make them as vivid and real as possible. One way to make this possible is to follow the principle of ‘show, don’t tell’. So you must involve the reader in the story.
• Descriptive Essays : Here the writer will describe a place, an object, an event or maybe even a memory. But it is not just plainly describing things. The writer must paint a picture through his words. One clever way to do that is to evoke the senses of the reader. Do not only rely on sight but also involve the other senses of smell, touch, sound etc. A descriptive essay when done well will make the reader feel the emotions the writer was feeling at the moment.
• Expository Essays: In such an essay a writer presents a balanced study of a topic. To write such an essay, the writer must have real and extensive knowledge about the subject. There is no scope for the writer’s feelings or emotions in an expository essay. It is completely based on facts, statistics, examples etc. There are sub-types here like contrast essays, cause and effect essays etc.
• Persuasive Essays : Here the purpose of the essay is to get the reader to your side of the argument. A persuasive essay is not just a presentation of facts but an attempt to convince the reader of the writer’s point of view. Both sides of the argument have to presented in these essays. But the ultimate aim is to persuade the readers that the writer’s argument carries more weight.

Learn more about Letter Writing here in detail .

Format of an Essay

Now there is no rigid format of an essay. It is a creative process so it should not be confined within boundaries. However, there is a basic structure that is generally followed while writing essays. So let us take a look at the general structure of an essay.

Introduction

This is the first paragraph of your essay. This is where the writer introduces his topic for the very first time. You can give a very brief synopsis of your essay in the introductory paragraph. Some paragraph writing skills can be a help here. Generally, it is not very long, about 4-6 lines.

There is plenty of scopes to get creative in the introduction of essays. This will ensure that you hook the reader, i.e. draw and keep his attention. So to do so you can start with a quote or a proverb . Sometimes you can even start with a definition. Another interesting strategy to engage with your reader is to start with a question.

This is the main crux of your essays. The body is the meat of your essay sandwiched between the introduction and the conclusion. So the most vital and important content of the essay will be here. This need not be confined to one paragraph. It can extend to two or more paragraphs according to the content.

Usually, we have a lot of information to provide in the body. And the mistakes writers generally make is to go about it in a haphazard manner which leaves the reader confused. So it is important to organize your thoughts and content. Write the information in a systematic flow so that the reader can comprehend. So, for example, you were narrating an incident . The best manner to do this would be to go in a chronological order.

Learn more about Story Writing here in detail .

This is the last paragraph of the essay. Sometimes a conclusion will just mirror the introductory paragraph but make sure the words and syntax are different. A conclusion is also a great place to sum up a story or an argument. You can round up your essay by providing some moral or wrapping up a story. Make sure you complete your essays with the conclusion, leave no hanging threads.

Tips for Essay Writing

• Give your essays an interesting and appropriate title. It will help draw the attention of the reader and pique their curiosity
• Keep it between 300-500 words. This is the ideal length, you can take creative license to increase or decrease it
• Keep your language simple and crisp. Unnecessary complicated and difficult words break the flow of the sentence.
• Do not make grammar mistakes , use correct punctuation and spellings . If this is not done it will distract the reader from the content
• Before beginning the essay organize your thought and plot a rough draft . This way you can ensure the story will flow and not be an unorganized mess.

Solved Question for You

Q: What is a thesis statement of essays?

Ans: The thesis statement is a clear, one-sentence explanation of your position that leaves no doubt in the readers’ mind about which side you are on from the beginning of your essay.

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Types of Essay

Definition of types of essay.

An essay is a short academic composition. The word “essay” is derived from a French word “essai” or “essayer,” which mean “trail.” In composition, however, an essay is a piece of non- fiction writing that talks or discusses a specific topic. Presently, essay is part of every degree program.

Each subject has specific requirements for the essays to be written. Some subjects need longer essays, while others need shorter ones, such as a five-paragraph essay. In composition, the start is made from a five-paragraph essay. Based on the requirements, there are seventeen types of essays.

• Definition Essay As the name suggests, a definition type of essay defines different things, ideas, and perceptions.
• Narrative Essay A narrative essay is a narration like a short story . It is, however, different from a short story in that it is written in an essay format.
• Descriptive Essay A descriptive essay describes something to make readers feel, smell, see, taste, or hear what is described.
• Expository Essay An expository essay exposes things in detail to make readers understand without any complications.
• Persuasive Essay A persuasive essay is meant to convince the target audience to do something or not do something.
• Argumentative Essay An argumentative essay is meant to present arguments in the favor of something. It has an additional fourth body paragraph that is meant to present opposite arguments.
• Analytical Essay An analytical essay analyzes something, such as in literature an analytical essay analyzes a piece of literature from different angles.
• Comparison and Contrast Essay A comparison and contrast essay makes either a comparison, a contrast, or both between two different or similar things.
• Cause and Effect Essay A cause and effect essay makes readers understand the cause of things, and their effects on other things.
• Critical Essay A critical essay is written on literary pieces to evaluate them on the basis of their merits or demerits.
• Process Essay A process essay outlines a process of making or breaking or doing something that readers understand fully and are able to do it after reading it.
• Synthesis Essay A synthesis essay means to synthesize different ideas to make a judgement about their merit and demerits.
• Explicatory Essay An explicatory essay is meant to explain a piece of literature. It is often written about poems , short stories, and novels .
• Rhetorical Analysis Essay A rhetorical analysis essay evaluates a speech or a piece of rhetoric on the basis of rhetorical strategies and devices used in it.
• Review Essay A review essay discusses the merits and demerits of a book and evaluates it through a review.
• Simple Essay A simple essay is just a five-paragraph essay that is written on any topic after it is specified.
• Research Essay A research essay revolves around a research question that is meant to answer some specific question through a research of the relevant literature.

Format of an Essay

Generally, a simple a five-paragraph has five paragraphs including an introduction , three body paragraphs, and a conclusion . An argumentative essay, however, has an additional paragraph which presents counter argument or opposing arguments in the same sequence. However, at the end of this paragraph, both the arguments are weighed in the favor of stronger arguments presented earlier in three body paragraphs.

The format of an argumentative essay is given below:

Function of types of essay.

An essay is a specific discussion or debate on a topic from a specific point of view . A student discusses the topic from his own specific angle. Readers not only get a glimpse of what the other aspect of the topic is, they also come to know about the tone and voice of the student writers to decide whether he has achieved a certain level of capability in writing. In literary essays, a writer becomes discusses the influence that literary piece has upon the readers about a certain point of view. Essays are also useful in winning public approval about certain political ideas.

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• 1.1.1 Pronunciation
• 1.1.2.1 Derived terms
• 1.1.2.2 Related terms
• 1.1.2.3 Translations
• 1.2.1 Pronunciation
• 1.2.2.1 Translations
• 1.3 Anagrams
• 2.1 Etymology
• 2.2 Pronunciation
• 2.3.1 Hypernyms
• 2.3.2 Derived terms
• 2.3.3 Descendants
• 3.1 Etymology
• 3.2.1 Derived terms
• 3.3 References
• 4.1 Etymology
• 4.2.1 Derived terms
• 4.3 References

English [ edit ]

Etymology 1 [ edit ].

Since late 16th century, borrowed from Middle French essay , essai ( “ essay ” ) , meaning coined by Montaigne in the same time, from the same words in earlier meanings 'experiment; assay; attempt', from Old French essay , essai , assay , assai , from Latin exagium ( “ weight; weighing, testing on the balance ” ) , from exigere + -ium .

Pronunciation [ edit ]

• ( Received Pronunciation , General American ) IPA ( key ) : /ˈɛs.eɪ/ (1), IPA ( key ) : /ɛˈseɪ/ (2-4)
• Rhymes: -ɛseɪ
• Homophone : ese

Noun [ edit ]

essay ( plural essays )

• 2013 January, Katie L. Burke, “Ecological Dependency”, in American Scientist ‎ [1] , volume 101 , number 1, archived from the original on 9 February 2017 , page 64 : In his first book since the 2008 essay collection Natural Acts: A Sidelong View of Science and Nature , David Quammen looks at the natural world from yet another angle: the search for the next human pandemic, what epidemiologists call “the next big one.”
• ( obsolete ) A test , experiment ; an assay .
• 1861 , E. J. Guerin, Mountain Charley , page 16 : My first essay at getting employment was fruitless; but after no small number of mortifying rebuffs from various parties to whom I applied for assistance, I was at last rewarded by a comparative success.
• 1988 , James McPherson, Battle Cry of Freedom , Oxford, published 2003 , page 455 : This was Lee's first essay in the kind of offensive-defensive strategy that was to become his hallmark.
• ( philately , finance ) A proposed design for a postage stamp or a banknote .

Derived terms [ edit ]

• argumentative essay
• automated essay scoring
• eight-legged essay
• essay question
• photo-essay
• photo essay

Related terms [ edit ]

Translations [ edit ], etymology 2 [ edit ].

From Middle French essayer , essaier , from Old French essaiier , essayer , essaier , assaiier , assayer , assaier , from essay , essai , assay , assai ( “ attempt; assay; experiment ” ) as above.

• ( UK , US ) IPA ( key ) : /ɛˈseɪ/

Verb [ edit ]

essay ( third-person singular simple present essays , present participle essaying , simple past and past participle essayed )

• 1900 , Charles W. Chesnutt , chapter II, in The House Behind the Cedars : He retraced his steps to the front gate, which he essayed to open.
• 1950 April, R. A. H. Weight, “They Passed by My Window”, in Railway Magazine , page 260 : The train took the slow to branch spur at the north end at a not much slower speed, then essayed the short sharply curved climb with a terrific roar, smoke rising straight from the chimney to a height of some 60 ft., the long train twisting and curling behind.
• ( intransitive ) To move forth, as into battle.

Anagrams [ edit ]

• Sayes , Seays , Sesay , eyass

Dutch [ edit ]

Etymology [ edit ].

Borrowed from English essay ( “ essay ” ) , from Middle French essai ( “ essay; attempt, assay ” ) , from Old French essai , from Latin exagium (whence the neuter gender).

• IPA ( key ) : /ɛˈseː/ , /ˈɛ.seː/
• Hyphenation: es‧say
• Rhymes: -eː

essay   n ( plural essays , diminutive essaytje   n )

Hypernyms [ edit ]

Descendants [ edit ], norwegian bokmål [ edit ].

Borrowed from English essay , from Middle French essai .

essay   n ( definite singular essayet , indefinite plural essay or essayer , definite plural essaya or essayene )

• an essay , a written composition of moderate length exploring a particular subject
• essaysamling

References [ edit ]

• “essay” in The Bokmål Dictionary .

Norwegian Nynorsk [ edit ]

essay   n ( definite singular essayet , indefinite plural essay , definite plural essaya )

• “essay” in The Nynorsk Dictionary .

• English terms derived from Proto-Indo-European
• English terms derived from the Proto-Indo-European root *h₂eǵ-
• English terms borrowed from Middle French
• English terms derived from Middle French
• English terms derived from Old French
• English terms derived from Latin
• English 2-syllable words
• English terms with IPA pronunciation
• English terms with audio links
• Rhymes:English/ɛseɪ
• Rhymes:English/ɛseɪ/2 syllables
• English terms with homophones
• English lemmas
• English nouns
• English countable nouns
• English terms with quotations
• English terms with obsolete senses
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• en:Philately
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• English dated terms
• English transitive verbs
• English intransitive verbs
• English heteronyms
• en:Literature
• Dutch terms borrowed from English
• Dutch terms derived from English
• Dutch terms derived from Middle French
• Dutch terms derived from Old French
• Dutch terms derived from Latin
• Dutch terms with IPA pronunciation
• Rhymes:Dutch/eː
• Dutch lemmas
• Dutch nouns
• Dutch nouns with plural in -s
• Dutch neuter nouns
• Norwegian Bokmål terms borrowed from English
• Norwegian Bokmål terms derived from English
• Norwegian Bokmål terms derived from Middle French
• Norwegian Bokmål lemmas
• Norwegian Bokmål nouns
• Norwegian Bokmål neuter nouns
• Norwegian Nynorsk terms borrowed from English
• Norwegian Nynorsk terms derived from English
• Norwegian Nynorsk terms derived from Middle French
• Norwegian Nynorsk lemmas
• Norwegian Nynorsk nouns
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What Are the Different Types and Characteristics of Essays?

• An Introduction to Punctuation
• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

The term essay comes from the French for "trial" or "attempt." French author Michel de Montaigne coined the term when he assigned the title Essais to his first publication in 1580. In "Montaigne: A Biography" (1984), Donald Frame notes that Montaigne "often used the verb essayer (in modern French, normally to try ) in ways close to his project, related to experience, with the sense of trying out or testing."

An essay is a short work of nonfiction , while a writer of essays is called an essayist. In writing instruction, essay is often used as another word for composition . In an essay, an authorial voice  (or narrator ) typically invites an implied reader  (the audience ) to accept as authentic a certain textual mode of experience. 

Definitions and Observations

• "[An essay is a] composition , usually in prose .., which may be of only a few hundred words (like Bacon's "Essays") or of book length (like Locke's "Essay Concerning Human Understanding") and which discusses, formally or informally, a topic or a variety of topics." (J.A. Cuddon, "Dictionary of Literary Terms". Basil, 1991)
• " Essays are how we speak to one another in print — caroming thoughts not merely in order to convey a certain packet of information, but with a special edge or bounce of personal character in a kind of public letter." (Edward Hoagland, Introduction, "The Best American Essays : 1999". Houghton, 1999)
• "[T]he essay traffics in fact and tells the truth, yet it seems to feel free to enliven, to shape, to embellish, to make use as necessary of elements of the imaginative and the fictive — thus its inclusion in that rather unfortunate current designation ' creative nonfiction .'" (G. Douglas Atkins, "Reading Essays: An Invitation". University of Georgia Press, 2007)

Montaigne's Autobiographical Essays "Although Michel de Montaigne, who fathered the modern essay in the 16th century, wrote autobiographically (like the essayists who claim to be his followers today), his autobiography was always in the service of larger existential discoveries. He was forever on the lookout for life lessons. If he recounted the sauces he had for dinner and the stones that weighted his kidney, it was to find an element of truth that we could put in our pockets and carry away, that he could put in his own pocket. After all, Philosophy — which is what he thought he practiced in his essays, as had his idols, Seneca and Cicero, before him — is about 'learning to live.' And here lies the problem with essayists today: not that they speak of themselves, but that they do so with no effort to make their experience relevant or useful to anyone else, with no effort to extract from it any generalizable insight into the human condition." (Cristina Nehring, "What’s Wrong With the American Essay." Truthdig, Nov. 29, 2007)

The Artful Formlessness of the Essay "[G]ood essays are works of literary art. Their supposed formlessness is more a strategy to disarm the reader with the appearance of unstudied spontaneity than a reality of composition. . . . "The essay form as a whole has long been associated with an experimental method. This idea goes back to Montaigne and his endlessly suggestive use of the term essai for his writing. To essay is to attempt, to test, to make a run at something without knowing whether you are going to succeed. The experimental association also derives from the other fountain-head of the essay, Francis Bacon , and his stress on the empirical inductive method, so useful in the development of the social sciences." (Phillip Lopate, "The Art of the Personal Essay". Anchor, 1994)

Articles vs. Essays "[W]hat finally distinguishes an essay from an article may just be the author's gumption, the extent to which personal voice, vision, and style are the prime movers and shapers, even though the authorial 'I' may be only a remote energy, nowhere visible but everywhere present." (Justin Kaplan, ed. "The Best American Essays: 1990". Ticknor & Fields, 1990) "I am predisposed to the essay with knowledge to impart — but, unlike journalism, which exists primarily to present facts, the essays transcend their data, or transmute it into personal meaning. The memorable essay, unlike the article, is not place or time-bound; it survives the occasion of its original composition. Indeed, in the most brilliant essays, language is not merely the medium of communication ; it is communication." (Joyce Carol Oates, quoted by Robert Atwan in "The Best American Essays, College Edition", 2nd ed. Houghton Mifflin, 1998) "I speak of a 'genuine' essay because fakes abound. Here the old-fashioned term poetaster may apply, if only obliquely. As the poetaster is to the poet — a lesser aspirant — so the average article is to the essay: a look-alike knockoff guaranteed not to wear well. An article is often gossip. An essay is reflection and insight. An article often has the temporary advantage of social heat — what's hot out there right now. An essay's heat is interior. An article can be timely, topical, engaged in the issues and personalities of the moment; it is likely to be stale within the month. In five years it may have acquired the quaint aura of a rotary phone. An article is usually Siamese-twinned to its date of birth. An essay defies its date of birth — and ours, too. (A necessary caveat: some genuine essays are popularly called 'articles' — but this is no more than an idle, though persistent, habit of speech. What's in a name? The ephemeral is the ephemeral. The enduring is the enduring.)" (Cynthia Ozick, "SHE: Portrait of the Essay as a Warm Body." The Atlantic Monthly, September 1998)

The Status of the Essay "Though the essay has been a popular form of writing in British and American periodicals since the 18th century, until recently its status in the literary canon has been, at best, uncertain. Relegated to the composition class, frequently dismissed as mere journalism, and generally ignored as an object for serious academic study, the essay has sat, in James Thurber's phrase, ' on the edge of the chair of Literature.' "In recent years, however, prompted by both a renewed interest in rhetoric and by poststructuralist redefinitions of literature itself, the essay — as well as such related forms of 'literary nonfiction' as biography , autobiography , and travel and nature writing — has begun to attract increasing critical attention and respect." (Richard Nordquist, "Essay," in "Encylopedia of American Literature", ed. S. R. Serafin. Continuum, 1999)

The Contemporary Essay "At present, the American magazine essay , both the long feature piece and the critical essay, is flourishing, in unlikely circumstances... "There are plenty of reasons for this. One is that magazines, big and small, are taking over some of the cultural and literary ground vacated by newspapers in their seemingly unstoppable evaporation. Another is that the contemporary essay has for some time now been gaining energy as an escape from, or rival to, the perceived conservatism of much mainstream fiction... "So the contemporary essay is often to be seen engaged in acts of apparent anti-novelization: in place of plot , there is drift or the fracture of numbered paragraphs; in place of a frozen verisimilitude, there may be a sly and knowing movement between reality and fictionality; in place of the impersonal author of standard-issue third-person realism, the authorial self pops in and out of the picture, with a liberty hard to pull off in fiction." (James Wood, "Reality Effects." The New Yorker, Dec. 19 & 26, 2011)

The Lighter Side of Essays: "The Breakfast Club" Essay Assignment "All right people, we're going to try something a little different today. We are going to write an essay of not less than a thousand words describing to me who you think you are. And when I say 'essay,' I mean 'essay,' not one word repeated a thousand times. Is that clear, Mr. Bender?" (Paul Gleason as Mr. Vernon) Saturday, March 24, 1984 Shermer High School Shermer, Illinois 60062 Dear Mr. Vernon, We accept the fact that we had to sacrifice a whole Saturday in detention for whatever it was we did wrong. What we did was wrong. But we think you're crazy to make us write this essay telling you who we think we are. What do you care? You see us as you want to see us — in the simplest terms, in the most convenient definitions. You see us as a brain, an athlete, a basket case, a princess and a criminal. Correct? That's the way we saw each other at seven o'clock this morning. We were brainwashed... But what we found out is that each one of us is a brain and an athlete and a basket case, a princess, and a criminal. Does that answer your question? Sincerely yours, The Breakfast Club (Anthony Michael Hall as Brian Johnson, "The Breakfast Club", 1985)

• What Is a Personal Essay (Personal Statement)?
• The Difference Between an Article and an Essay
• The Essay: History and Definition
• What Is Expository Writing?
• 'Whack at Your Reader at Once': Eight Great Opening Lines
• Classic British and American Essays and Speeches
• Definition and Examples of Analysis in Composition
• The Title in Composition
• What is a Familiar Essay in Composition?
• Understanding Organization in Composition and Speech
• Development in Composition: Building an Essay
• What Is Tone In Writing?
• List (Grammar and Sentence Styles)
• Point of View in Grammar and Composition
• A Guide to Using Quotations in Essays
• Compose a Narrative Essay or Personal Statement

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Definition of essay

 (Entry 1 of 2)

Definition of essay  (Entry 2 of 2)

transitive verb

• composition

attempt , try , endeavor , essay , strive mean to make an effort to accomplish an end.

attempt stresses the initiation or beginning of an effort.

try is often close to attempt but may stress effort or experiment made in the hope of testing or proving something.

endeavor heightens the implications of exertion and difficulty.

essay implies difficulty but also suggests tentative trying or experimenting.

strive implies great exertion against great difficulty and specifically suggests persistent effort.

Examples of essay in a Sentence

These examples are programmatically compiled from various online sources to illustrate current usage of the word 'essay.' Any opinions expressed in the examples do not represent those of Merriam-Webster or its editors. Send us feedback about these examples.

Word History

Middle French essai , ultimately from Late Latin exagium act of weighing, from Latin ex- + agere to drive — more at agent

14th century, in the meaning defined at sense 4

14th century, in the meaning defined at sense 2

Phrases Containing essay

• essay question
• photo - essay

Articles Related to essay

To 'Essay' or 'Assay'?

You'll know the difference if you give it the old college essay

Dictionary Entries Near essay

Cite this entry.

“Essay.” Merriam-Webster.com Dictionary , Merriam-Webster, https://www.merriam-webster.com/dictionary/essay. Accessed 3 Apr. 2024.

Kids Definition

Kids definition of essay.

Kids Definition of essay  (Entry 2 of 2)

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Definition of essay noun from the Oxford Advanced Learner's Dictionary

• I have to write an essay this weekend.
• essay on something an essay on the causes of the First World War
• essay about somebody/something Have you done your essay about Napoleon yet?
• in an essay He made some very good points in his essay.
• Essays handed in late will not be accepted.
• Have you done your essay yet?
• He concludes the essay by calling for a corrective.
• I finished my essay about 10 o'clock last night!
• Lunch was the only time she could finish her essay assignment.
• We have to write an essay on the environment.
• You have to answer 3 out of 8 essay questions in the exam.
• the teenage winner of an essay contest
• We have to write an essay on the causes of the First World War.
• be entitled something
• be titled something
• address something
• in an/​the essay
• essay about

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Etymology is the study of the origin of words and how the meaning of words has changed over the course of history. Let’s get meta and take the word “etymology” as an example. “Etymology” derives from the Greek word etumos , meaning “true.” Etumologia was the study of words’ “true meanings.” This evolved into “etymology” by way of the Old French ethimologie . That’s all fairly straightforward, but there are many, many words in the English language that have unexpected and fascinating origins. Here are a few of our favorite examples.

1. Avocado (Origin: Nahuatl)

The word avocado comes from Spanish aguacate , which in turn comes from the Nahuatl ahuacatl , meaning testicle. Surprised? Perhaps, but the more one thinks about it, the less surprising it gets — they do rather resemble a man’s soft spot, and this resemblance becomes even more pronounced when you see avocado duos dangling clumsily from trees.

Nahuatl is the language of the Aztecs and is still spoken by approximately 1.5 million people native to Mexico and other parts of Central America. Avocado isn’t the only Nahuatl word that has been borrowed by the English language; chili, chocolate, tomato and guacamole were also coined by speakers of Nahuatl. Indeed, the -mole of guacamole is derived from the Nahuatl molli , which means sauce. It’s a good thing the origin of this word has been obfuscated on its way into the English language. Otherwise, guacamole ( Nahuatl: ahuacamolli) probably wouldn’t be as popular as it is.

2. Cappuccino (Origin: Italian/German)

Next time you’re trying to flirt with someone at your local coffee shop, impress them with this whimsical anecdote about the origin of the word cappuccino : it’s the diminutive form of the word cappuccio , which means “hood” in Italian. Wondering what the link is between a (little) hood and a cappuccino? One must look no further than the Capuchin Monks, whose hooded habits were a dark, oak brown similar to the color of a good cappuccino.

The first recorded use of the word was in 1790 in Vienna, Austria. Wilhelm Tissot jotted down a recipe for an exquisite Kapuzinerkaffee (lit. “Capuchin coffee”), which was rather different in constitution to its modern-day successor, containing sugar, cream and egg yolks. The current, somewhat simplified recipe now consists of espresso and foamed milk, but there are still parts of Austria where you can order a good ol’ Kapuziner .

3. Disaster (Origin: Italian/Greek)

The word disaster has been passed around Europe like a hot potato. The English version is most closely tied to the French désastre , which is derived from the Old Italian disastro , itself derived from Greek. The pejorative prefix dis- and aster (star) can be interpreted as bad star , or an ill-starred event . The ancient Greeks were fascinated by astronomy and the cosmos, and believed wholly in the influence of celestial bodies on terrestrial life. For them, a disaster was a particular kind of calamity, the causes of which could be attributed to an unfavorable and uncontrollable alignment of planets. It’s therefore interesting to note that the strict, modern English definition of disaster explicitly stipulates that a disaster is human-made, or the consequence of human failure.

4. Handicap (Origin: English)

This word originates from the 17th-century English trading game “hand-in-cap.” The game involved two players and an arbitrator, or umpire. The players would present two possessions they would like to trade. The umpire would then decide whether the possessions were of equal value or not, and if they weren’t, would calculate the discrepancy. The owner of the lesser object would make up the difference with money, and then all three participants would place forfeit money into a hat. If the two players agreed with the umpire’s valuation, they would remove their hands from the hat with their palm open. If they disagreed, they would pull out their hands clenched in a fist. If both agreed or disagreed, the umpire would get the forfeit money, while if one agreed and the other didn’t, the player who approved the transaction would receive the forfeit money.

Over time, hand-in-cap came to be known as “handicap” and started to be used to refer to any kind of equalization or balancing of a contest or game. The word handicap is still used in many sports today, such as golf and horse racing. Indeed, horse racing was probably the first sport to introduce the term in order to define an umpire’s decision to add more weight to a horse so that it runs equally to its competitors. This notion of being burdened or put at a disadvantage was carried over to describe people with a disability in the early 20th century. By the mid-20th century, it was widely used, but it has since fallen out of the popular lexicon.

5. Jeans (Origin: Italian)

Although jeans are quintessentially American, and their invention is commonly attributed to Jacob W. Davis and Levi Strauss, the etymology of the popular garment is actually of European origin. The fabric Strauss used for his patented, mass-produced trousers was first produced in Genoa, Italy and Nimes, France. Why’s that significant? Well, the French word for Genoa is Gênes , and the name “jeans” is likely an anglicization of the material’s city of origin. Similarly, the word “denim” most likely comes from de Nimes , meaning “from Nimes” in French. Although we often talk about denim jeans nowadays, the two materials actually differed. Denim was coarser, more durable and of higher quality than the toughened cotton corduroy manufactured in Genoa. Workers in Northern Italy were sporting jeans as early as the 17th century, long before post-war American subcultures picked up on them as a fashion accessory.

6. Salary (Origin: Latin)

The word “salary” comes from the Latin salarium , meaning “salt money.”

In ancient times, salt was used for many important things and was often referred to as “white gold.” It could be used as an antiseptic to treat wounds — In Romance languages one can recognize a connection between sal/sale , meaning “salt,” and salud/saude/salute , meaning “health”) — and to preserve food, and also as a method of payment in Greece and Rome.

As far back as the Egyptian Empire, laborers were paid with salt that they could use to preserve their food. The Roman Empire continued using this form of payment and it took on the name “salary” for “that which was given to workers at the end of the working month,” which adds a new dimension to the notion of a company’s solvency.

7. Trivial (Origin: Latin)

“Trivial” originates from the Latin word trivium , which was used to mean “a place where three roads meet” ( tri- meaning “three,” and -vium from via , meaning “road”). A trivium gained the connotation of being an open, public place — a mini agora — where people from across society’s technicolor spectrum could relax, chat and simply coexist. The adjective trivialis was a derivative of trivium and came to mean “vulgar, ordinary, of little importance, common and contemporary,” and the English adjective trivial carries much of this definition to this day: tired, ordinary, commonplace; of little use, import, consequence or significance.

8. Whiskey (Origin: Gaelic)

Medieval monks called it aqua vitae , meaning “life water.” The expression was transformed into uisce beatha when it was transferred to Gaelic. As time passed and the word was anglicized, uisce evolved into uige , usque , and then uisky , which bears an obvious and close resemblance to “whiskey.”

You may have noticed that you can spell the drink two different ways — “whiskey” and “whisky.” Some people believe the extra “e” was added to by Irish and American distilleries to differentiate their higher quality whiskeys during a period when Scottish whisky had a bad reputation.

Scotch was also introduced to denominate a Scottish whisky, and the word “whiskey” has been adopted in other countries for quite different reasons. In some South American countries, it’s used as an alternative to “cheese” to encourage people to smile when being photographed. How and why we chose “cheese,” and why the South Americans chose “whiskey” (and the Spanish patata , or “potato”) is a story for another time.

Why Study Etymology?

Etymology not only enhances your understanding of your native language but also gives you insights into its shared roots with other languages. Prior to reading this article, would you have thought that every time you say “avocado,” you’re prompting Moctezuma to chuckle in his tomb? Some word origins are wonderfully idiosyncratic and make for great anecdotes, while others demonstrate common standards and rules which help you assimilate new words and terms across languages.

Take the simple examples of the Latin prefixes con- (also “com-” in English) and dis- , which are widely used in Romance languages and indicate “togetherness” and “apartness,” respectively. Knowing such elements of etymology can vastly improve your guesswork when it comes to deciphering words, whether it be concatenate ( con – and -catenate , from catena , meaning “chain”; a verb meaning to chain together) or disconsolate ( dis- and con – and -solate , from solari , meaning “to comfort”; an adjective describing someone who can’t be comforted or consoled).

Want to explore further? We encourage you to put on your etymologist’s hat and venture into the jungle of meaning.

Illustrations by Raúl Soria

For people who love writing, essay writing to them is easy as writing down their names. But for those who are just required to write in one of their subjects, essay writing feels like the only thing they can write on their papers is their own name. But even with this fact, we all know how essay has affected our lives in some ways particularly in our academic life and it also affects our future as members of the corporate world.

An essay is a formal and organized piece of writing or composition that contains arguments, explanation, descriptions, observations, or opinions on a particular topic.

The word ‘essay’ is derived from the Latin word ‘exagium’ that means the presentation of a case and also derived from French infinitive essayer that means “to attempt”.

No matter what type of essay, it follows a uniform structure which consists of the parts of an essay . The structure starts with the introduction, followed by the body, and ended with the conclusion.

Simple Steps in Writing an Essay

Writing essays might be difficult for some people, but with these simple steps in writing a basic essay , anyone can put their words on paper easily and anyone can already join essay writing contests with confidence:

1. Read a lot of essays

2. Define your purpose for writing

3. Decide on a topic

4. Brainstorm the points and ideas that will be included in the essay

5. Organize the points and ideas in an outline or a diagram

6. Construct the introduction, followed by the thesis statement It is in the introduction where the main points are briefly stated. The main points will be further discussed in the body of the essay.

7. Construct the body The body is where the main topics are further elaborated and where the subpoints are also found. Oftentimes, the body consists of three paragraphs and each paragraph contains one of the main topics mentioned in the introduction of the essay .

8. Construct the conclusion The conclusion is where the main points are being briefly mentioned again although no other idea will be introduced. The conclusion is where all the ideas stated in the body of the essay are summed up.

9. Relentlessly edit until satisfied

10. Review work by reading it all over again before turning it over for submission

Purposes for Writing Essays

Every essay has a purpose, namely: to inform, to persuade, to explain, and to entertain.

Information

Writers that write essays that aims to inform has a goal to give its readers an information that can be new, changed, or updated. They can also write on topics that most people get the wrong information about or even provide an in-depth information regarding a certain topic. It is a must that an informative essay is based on accurate and verified facts that are organized in a comprehensive manner.

When writing an essay that aims to persuade the readers, the goal is to make your readers take action. Any writer who attempts to write this kind of essay must do extensive research in order to be able to fully support its thesis statement or its claim, and of course, to make the readers believe in their stance.

Explanatory

Explanatory essays usually contain a simplification of a process that you chosen audience would usually have difficulty in executing. A writer’s goal when writing this kind of essay is to make sure that they made their readers understand two things: the topic and how the composition is written. Writers should never compromise the writing the steps since this would affect how the readers will apply what they have read.

Entertainment

Writing to entertain means the writer would have to affect the emotions of the readers. Entertainment can be done through inducing laughter, tears, or even fright from the readers.

Types of Essay and Examples

While there is a vast number of the types of essays available, this article features eleven types of essay, each provided with an example. Each type of essay has a common ground and that is they have the objective to present the readers a topic that can affect them in various ways such as their beliefs, stances, and even a new body of knowledge.

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Words to Use in an Essay: 300 Essay Words

Hannah Yang

Table of Contents

Words to use in the essay introduction, words to use in the body of the essay, words to use in your essay conclusion, how to improve your essay writing vocabulary.

It’s not easy to write an academic essay .

Many students struggle to word their arguments in a logical and concise way.

To make matters worse, academic essays need to adhere to a certain level of formality, so we can’t always use the same word choices in essay writing that we would use in daily life.

If you’re struggling to choose the right words for your essay, don’t worry—you’ve come to the right place!

In this article, we’ve compiled a list of over 300 words and phrases to use in the introduction, body, and conclusion of your essay.

The introduction is one of the hardest parts of an essay to write.

You have only one chance to make a first impression, and you want to hook your reader. If the introduction isn’t effective, the reader might not even bother to read the rest of the essay.

That’s why it’s important to be thoughtful and deliberate with the words you choose at the beginning of your essay.

Many students use a quote in the introductory paragraph to establish credibility and set the tone for the rest of the essay.

When you’re referencing another author or speaker, try using some of these phrases:

To use the words of X

According to X

As X states

Example: To use the words of Hillary Clinton, “You cannot have maternal health without reproductive health.”

Near the end of the introduction, you should state the thesis to explain the central point of your paper.

If you’re not sure how to introduce your thesis, try using some of these phrases:

In this essay, I will…

The purpose of this essay…

This essay discusses…

In this paper, I put forward the claim that…

There are three main arguments for…

Example: In this essay, I will explain why dress codes in public schools are detrimental to students.

After you’ve stated your thesis, it’s time to start presenting the arguments you’ll use to back up that central idea.

When you’re introducing the first of a series of arguments, you can use the following words:

First and foremost

First of all

To begin with

Example: First , consider the effects that this new social security policy would have on low-income taxpayers.

All these words and phrases will help you create a more successful introduction and convince your audience to read on.

The body of your essay is where you’ll explain your core arguments and present your evidence.

It’s important to choose words and phrases for the body of your essay that will help the reader understand your position and convince them you’ve done your research.

Let’s look at some different types of words and phrases that you can use in the body of your essay, as well as some examples of what these words look like in a sentence.

Transition Words and Phrases

Transitioning from one argument to another is crucial for a good essay.

It’s important to guide your reader from one idea to the next so they don’t get lost or feel like you’re jumping around at random.

Transition phrases and linking words show your reader you’re about to move from one argument to the next, smoothing out their reading experience. They also make your writing look more professional.

The simplest transition involves moving from one idea to a separate one that supports the same overall argument. Try using these phrases when you want to introduce a second correlating idea:

Additionally

In addition

Furthermore

Another key thing to remember

In the same way

Correspondingly

Example: Additionally , public parks increase property value because home buyers prefer houses that are located close to green, open spaces.

Another type of transition involves restating. It’s often useful to restate complex ideas in simpler terms to help the reader digest them. When you’re restating an idea, you can use the following words:

In other words

To put it another way

That is to say

To put it more simply

Example: “The research showed that 53% of students surveyed expressed a mild or strong preference for more on-campus housing. In other words , over half the students wanted more dormitory options.”

Often, you’ll need to provide examples to illustrate your point more clearly for the reader. When you’re about to give an example of something you just said, you can use the following words:

For instance

To give an illustration of

To exemplify

To demonstrate

As evidence

Example: Humans have long tried to exert control over our natural environment. For instance , engineers reversed the Chicago River in 1900, causing it to permanently flow backward.

Sometimes, you’ll need to explain the impact or consequence of something you’ve just said.

When you’re drawing a conclusion from evidence you’ve presented, try using the following words:

As a result

Accordingly

As you can see

This suggests that

It follows that

It can be seen that

For this reason

For all of those reasons

Consequently

Example: “There wasn’t enough government funding to support the rest of the physics experiment. Thus , the team was forced to shut down their experiment in 1996.”

When introducing an idea that bolsters one you’ve already stated, or adds another important aspect to that same argument, you can use the following words:

What’s more

Not only…but also

Not to mention

To say nothing of

Another key point

Example: The volcanic eruption disrupted hundreds of thousands of people. Moreover , it impacted the local flora and fauna as well, causing nearly a hundred species to go extinct.

Often, you'll want to present two sides of the same argument. When you need to compare and contrast ideas, you can use the following words:

On the one hand / on the other hand

Alternatively

In contrast to

On the contrary

By contrast

In comparison

Example: On the one hand , the Black Death was undoubtedly a tragedy because it killed millions of Europeans. On the other hand , it created better living conditions for the peasants who survived.

Finally, when you’re introducing a new angle that contradicts your previous idea, you can use the following phrases:

Having said that

Differing from

In spite of

With this in mind

Provided that

Nevertheless

Nonetheless

Notwithstanding

Example: Shakespearean plays are classic works of literature that have stood the test of time. Having said that , I would argue that Shakespeare isn’t the most accessible form of literature to teach students in the twenty-first century.

Good essays include multiple types of logic. You can use a combination of the transitions above to create a strong, clear structure throughout the body of your essay.

Strong Verbs for Academic Writing

Verbs are especially important for writing clear essays. Often, you can convey a nuanced meaning simply by choosing the right verb.

You should use strong verbs that are precise and dynamic. Whenever possible, you should use an unambiguous verb, rather than a generic verb.

For example, alter and fluctuate are stronger verbs than change , because they give the reader more descriptive detail.

Here are some useful verbs that will help make your essay shine.

Verbs that show change:

Accommodate

Verbs that relate to causing or impacting something:

Verbs that show increase:

Verbs that show decrease:

Deteriorate

Verbs that relate to parts of a whole:

Comprises of

Is composed of

Constitutes

Encompasses

Incorporates

Verbs that show a negative stance:

Misconstrue

Verbs that show a positive stance:

Substantiate

Verbs that relate to drawing conclusions from evidence:

Corroborate

Demonstrate

Verbs that relate to thinking and analysis:

Contemplate

Hypothesize

Investigate

Verbs that relate to showing information in a visual format:

Useful Adjectives and Adverbs for Academic Essays

You should use adjectives and adverbs more sparingly than verbs when writing essays, since they sometimes add unnecessary fluff to sentences.

However, choosing the right adjectives and adverbs can help add detail and sophistication to your essay.

Sometimes you'll need to use an adjective to show that a finding or argument is useful and should be taken seriously. Here are some adjectives that create positive emphasis:

Significant

Other times, you'll need to use an adjective to show that a finding or argument is harmful or ineffective. Here are some adjectives that create a negative emphasis:

Controversial

Insignificant

Questionable

Unnecessary

Unrealistic

Finally, you might need to use an adverb to lend nuance to a sentence, or to express a specific degree of certainty. Here are some examples of adverbs that are often used in essays:

Comprehensively

Exhaustively

Extensively

Respectively

Surprisingly

Using these words will help you successfully convey the key points you want to express. Once you’ve nailed the body of your essay, it’s time to move on to the conclusion.

The conclusion of your paper is important for synthesizing the arguments you’ve laid out and restating your thesis.

In your concluding paragraph, try using some of these essay words:

In conclusion

To summarize

In a nutshell

Given the above

As described

All things considered

Example: In conclusion , it’s imperative that we take action to address climate change before we lose our coral reefs forever.

In addition to simply summarizing the key points from the body of your essay, you should also add some final takeaways. Give the reader your final opinion and a bit of a food for thought.

To place emphasis on a certain point or a key fact, use these essay words:

Unquestionably

Undoubtedly

Particularly

Importantly

Conclusively

It should be noted

On the whole

Example: Ada Lovelace is unquestionably a powerful role model for young girls around the world, and more of our public school curricula should include her as a historical figure.

These concluding phrases will help you finish writing your essay in a strong, confident way.

There are many useful essay words out there that we didn't include in this article, because they are specific to certain topics.

If you're writing about biology, for example, you will need to use different terminology than if you're writing about literature.

So how do you improve your vocabulary skills?

The vocabulary you use in your academic writing is a toolkit you can build up over time, as long as you take the time to learn new words.

One way to increase your vocabulary is by looking up words you don’t know when you’re reading.

Try reading more books and academic articles in the field you’re writing about and jotting down all the new words you find. You can use these words to bolster your own essays.

You can also consult a dictionary or a thesaurus. When you’re using a word you’re not confident about, researching its meaning and common synonyms can help you make sure it belongs in your essay.

Don't be afraid of using simpler words. Good essay writing boils down to choosing the best word to convey what you need to say, not the fanciest word possible.

Finally, you can use ProWritingAid’s synonym tool or essay checker to find more precise and sophisticated vocabulary. Click on weak words in your essay to find stronger alternatives.

There you have it: our compilation of the best words and phrases to use in your next essay . Good luck!

Good writing = better grades

ProWritingAid will help you improve the style, strength, and clarity of all your assignments.

Hannah Yang is a speculative fiction writer who writes about all things strange and surreal. Her work has appeared in Analog Science Fiction, Apex Magazine, The Dark, and elsewhere, and two of her stories have been finalists for the Locus Award. Her favorite hobbies include watercolor painting, playing guitar, and rock climbing. You can follow her work on hannahyang.com, or subscribe to her newsletter for publication updates.

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Synonyms of 'derived' in British English

Additional synonyms, browse alphabetically derived.

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• All ENGLISH synonyms that begin with 'D'

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What is the word essay derived from?

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What is the language of origin of 'monarch'?

The English word monarch was derived in the mid 15th century from the L. Latin word monarcha, which derived from the Greek word monarkhes.

Argon is derived from which Greek word?

Where is the word horny derived from.

The word horny is derived from Greek mythology. The god Pan was always after the nymphs but they always turned him down. Because he had horns, the word horny got associated with anyone who was after someone.

Where did the word 'ignorant' come from?

LATE 14th Century Old French derived from Latin, derived from Old Latin, derived from Porot-Latin "gnoscere", meaning "to know".

What country does the word kilo originate from?

'Kilo' is derived from a Greek word meaning thousand.

Where did the word essay come from?

'The etymology of the word essay is instructive. Essay is derived, by way of Middle English, from the Middle French essai. The French word was itself derived from the late Latin exagium (act of weighing).' OR 'Essay derives from the French infinitive essayer - - - '' to try'' or ''to attempt''.'

What pronoun is in the word essay?

The word essay is a noun. The pronoun used to represent essay is it. Note: the letters in 'essay' do not spell any pronoun.

Which language is the word conspicuous derived from?

From which language is the word "conspicuous" derived from?

What are the syllables for essay?

The word essay has two syllables. The syllables in the word are es-say.

What is the word count for an essay of an extract?

An essay that is written on exact or any topic should have a high word count. Once an essay is complete then the word count can be computed by most word processing document. Without a specific essay to review there is no exact word count.

Where was He symbol derived from?

it is derived from the word Helium.

From which Latin word is factory derived?

The word factory is derived from the medieval Latin word factoria. It is also derived from the Latin word factor.

Moringa is derived from the word?

The name is derived from the Tamil word murunggai (முருங்கை)

Is essay a french word?

The word essay derives from the Frenchinfinitive essayer, "to try" or "to attempt". In English essay first meant "a trial" or "an attempt"

The word mishmash was derived from what word?

A theory: Mishmash might be derived from the German word "Mischmasch". That one is derived from the verb "mischen" which means "to mix".

What is a good word to start off a essay?

The purpose of the essay is

What language did city come from?

City is derived from the Middle English word cite, which is derived from the Old French word cité, which is derived from the Latin word cīvitās.

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The Case for Marrying an Older Man

A woman’s life is all work and little rest. an age gap relationship can help..

In the summer, in the south of France, my husband and I like to play, rather badly, the lottery. We take long, scorching walks to the village — gratuitous beauty, gratuitous heat — kicking up dust and languid debates over how we’d spend such an influx. I purchase scratch-offs, jackpot tickets, scraping the former with euro coins in restaurants too fine for that. I never cash them in, nor do I check the winning numbers. For I already won something like the lotto, with its gifts and its curses, when he married me.

He is ten years older than I am. I chose him on purpose, not by chance. As far as life decisions go, on balance, I recommend it.

When I was 20 and a junior at Harvard College, a series of great ironies began to mock me. I could study all I wanted, prove myself as exceptional as I liked, and still my fiercest advantage remained so universal it deflated my other plans. My youth. The newness of my face and body. Compellingly effortless; cruelly fleeting. I shared it with the average, idle young woman shrugging down the street. The thought, when it descended on me, jolted my perspective, the way a falling leaf can make you look up: I could diligently craft an ideal existence, over years and years of sleepless nights and industry. Or I could just marry it early.

So naturally I began to lug a heavy suitcase of books each Saturday to the Harvard Business School to work on my Nabokov paper. In one cavernous, well-appointed room sat approximately 50 of the planet’s most suitable bachelors. I had high breasts, most of my eggs, plausible deniability when it came to purity, a flush ponytail, a pep in my step that had yet to run out. Apologies to Progress, but older men still desired those things.

I could not understand why my female classmates did not join me, given their intelligence. Each time I reconsidered the project, it struck me as more reasonable. Why ignore our youth when it amounted to a superpower? Why assume the burdens of womanhood, its too-quick-to-vanish upper hand, but not its brief benefits at least? Perhaps it came easier to avoid the topic wholesale than to accept that women really do have a tragically short window of power, and reason enough to take advantage of that fact while they can. As for me, I liked history, Victorian novels, knew of imminent female pitfalls from all the books I’d read: vampiric boyfriends; labor, at the office and in the hospital, expected simultaneously; a decline in status as we aged, like a looming eclipse. I’d have disliked being called calculating, but I had, like all women, a calculator in my head. I thought it silly to ignore its answers when they pointed to an unfairness for which we really ought to have been preparing.

I was competitive by nature, an English-literature student with all the corresponding major ambitions and minor prospects (Great American novel; email job). A little Bovarist , frantic for new places and ideas; to travel here, to travel there, to be in the room where things happened. I resented the callow boys in my class, who lusted after a particular, socially sanctioned type on campus: thin and sexless, emotionally detached and socially connected, the opposite of me. Restless one Saturday night, I slipped on a red dress and snuck into a graduate-school event, coiling an HDMI cord around my wrist as proof of some technical duty. I danced. I drank for free, until one of the organizers asked me to leave. I called and climbed into an Uber. Then I promptly climbed out of it. For there he was, emerging from the revolving doors. Brown eyes, curved lips, immaculate jacket. I went to him, asked him for a cigarette. A date, days later. A second one, where I discovered he was a person, potentially my favorite kind: funny, clear-eyed, brilliant, on intimate terms with the universe.

I used to love men like men love women — that is, not very well, and with a hunger driven only by my own inadequacies. Not him. In those early days, I spoke fondly of my family, stocked the fridge with his favorite pasta, folded his clothes more neatly than I ever have since. I wrote his mother a thank-you note for hosting me in his native France, something befitting a daughter-in-law. It worked; I meant it. After graduation and my fellowship at Oxford, I stayed in Europe for his career and married him at 23.

Of course I just fell in love. Romances have a setting; I had only intervened to place myself well. Mainly, I spotted the precise trouble of being a woman ahead of time, tried to surf it instead of letting it drown me on principle. I had grown bored of discussions of fair and unfair, equal or unequal , and preferred instead to consider a thing called ease.

The reception of a particular age-gap relationship depends on its obviousness. The greater and more visible the difference in years and status between a man and a woman, the more it strikes others as transactional. Transactional thinking in relationships is both as American as it gets and the least kosher subject in the American romantic lexicon. When a 50-year-old man and a 25-year-old woman walk down the street, the questions form themselves inside of you; they make you feel cynical and obscene: How good of a deal is that? Which party is getting the better one? Would I take it? He is older. Income rises with age, so we assume he has money, at least relative to her; at minimum, more connections and experience. She has supple skin. Energy. Sex. Maybe she gets a Birkin. Maybe he gets a baby long after his prime. The sight of their entwined hands throws a lucid light on the calculations each of us makes, in love, to varying degrees of denial. You could get married in the most romantic place in the world, like I did, and you would still have to sign a contract.

Twenty and 30 is not like 30 and 40; some freshness to my features back then, some clumsiness in my bearing, warped our decade, in the eyes of others, to an uncrossable gulf. Perhaps this explains the anger we felt directed at us at the start of our relationship. People seemed to take us very, very personally. I recall a hellish car ride with a friend of his who began to castigate me in the backseat, in tones so low that only I could hear him. He told me, You wanted a rich boyfriend. You chased and snuck into parties . He spared me the insult of gold digger, but he drew, with other words, the outline for it. Most offended were the single older women, my husband’s classmates. They discussed me in the bathroom at parties when I was in the stall. What does he see in her? What do they talk about? They were concerned about me. They wielded their concern like a bludgeon. They paraphrased without meaning to my favorite line from Nabokov’s Lolita : “You took advantage of my disadvantage,” suspecting me of some weakness he in turn mined. It did not disturb them, so much, to consider that all relationships were trades. The trouble was the trade I’d made struck them as a bad one.

The truth is you can fall in love with someone for all sorts of reasons, tiny transactions, pluses and minuses, whose sum is your affection for each other, your loyalty, your commitment. The way someone picks up your favorite croissant. Their habit of listening hard. What they do for you on your anniversary and your reciprocal gesture, wrapped thoughtfully. The serenity they inspire; your happiness, enlivening it. When someone says they feel unappreciated, what they really mean is you’re in debt to them.

When I think of same-age, same-stage relationships, what I tend to picture is a woman who is doing too much for too little.

I’m 27 now, and most women my age have “partners.” These days, girls become partners quite young. A partner is supposed to be a modern answer to the oppression of marriage, the terrible feeling of someone looming over you, head of a household to which you can only ever be the neck. Necks are vulnerable. The problem with a partner, however, is if you’re equal in all things, you compromise in all things. And men are too skilled at taking .

There is a boy out there who knows how to floss because my friend taught him. Now he kisses college girls with fresh breath. A boy married to my friend who doesn’t know how to pack his own suitcase. She “likes to do it for him.” A million boys who know how to touch a woman, who go to therapy because they were pushed, who learned fidelity, boundaries, decency, manners, to use a top sheet and act humanely beneath it, to call their mothers, match colors, bring flowers to a funeral and inhale, exhale in the face of rage, because some girl, some girl we know, some girl they probably don’t speak to and will never, ever credit, took the time to teach him. All while she was working, raising herself, clawing up the cliff-face of adulthood. Hauling him at her own expense.

I find a post on Reddit where five thousand men try to define “ a woman’s touch .” They describe raised flower beds, blankets, photographs of their loved ones, not hers, sprouting on the mantel overnight. Candles, coasters, side tables. Someone remembering to take lint out of the dryer. To give compliments. I wonder what these women are getting back. I imagine them like Cinderella’s mice, scurrying around, their sole proof of life their contributions to a more central character. On occasion I meet a nice couple, who grew up together. They know each other with a fraternalism tender and alien to me.  But I think of all my friends who failed at this, were failed at this, and I think, No, absolutely not, too risky . Riskier, sometimes, than an age gap.

My younger brother is in his early 20s, handsome, successful, but in many ways: an endearing disaster. By his age, I had long since wisened up. He leaves his clothes in the dryer, takes out a single shirt, steams it for three minutes. His towel on the floor, for someone else to retrieve. His lovely, same-age girlfriend is aching to fix these tendencies, among others. She is capable beyond words. Statistically, they will not end up together. He moved into his first place recently, and she, the girlfriend, supplied him with a long, detailed list of things he needed for his apartment: sheets, towels, hangers, a colander, which made me laugh. She picked out his couch. I will bet you anything she will fix his laundry habits, and if so, they will impress the next girl. If they break up, she will never see that couch again, and he will forget its story. I tell her when I visit because I like her, though I get in trouble for it: You shouldn’t do so much for him, not for someone who is not stuck with you, not for any boy, not even for my wonderful brother.

Too much work had left my husband, by 30, jaded and uninspired. He’d burned out — but I could reenchant things. I danced at restaurants when they played a song I liked. I turned grocery shopping into an adventure, pleased by what I provided. Ambitious, hungry, he needed someone smart enough to sustain his interest, but flexible enough in her habits to build them around his hours. I could. I do: read myself occupied, make myself free, materialize beside him when he calls for me. In exchange, I left a lucrative but deadening spreadsheet job to write full-time, without having to live like a writer. I learned to cook, a little, and decorate, somewhat poorly. Mostly I get to read, to walk central London and Miami and think in delicious circles, to work hard, when necessary, for free, and write stories for far less than minimum wage when I tally all the hours I take to write them.

At 20, I had felt daunted by the project of becoming my ideal self, couldn’t imagine doing it in tandem with someone, two raw lumps of clay trying to mold one another and only sullying things worse. I’d go on dates with boys my age and leave with the impression they were telling me not about themselves but some person who didn’t exist yet and on whom I was meant to bet regardless. My husband struck me instead as so finished, formed. Analyzable for compatibility. He bore the traces of other women who’d improved him, small but crucial basics like use a coaster ; listen, don’t give advice. Young egos mellow into patience and generosity.

My husband isn’t my partner. He’s my mentor, my lover, and, only in certain contexts, my friend. I’ll never forget it, how he showed me around our first place like he was introducing me to myself: This is the wine you’ll drink, where you’ll keep your clothes, we vacation here, this is the other language we’ll speak, you’ll learn it, and I did. Adulthood seemed a series of exhausting obligations. But his logistics ran so smoothly that he simply tacked mine on. I moved into his flat, onto his level, drag and drop, cleaner thrice a week, bills automatic. By opting out of partnership in my 20s, I granted myself a kind of compartmentalized, liberating selfishness none of my friends have managed. I am the work in progress, the party we worry about, a surprising dominance. When I searched for my first job, at 21, we combined our efforts, for my sake. He had wisdom to impart, contacts with whom he arranged coffees; we spent an afternoon, laughing, drawing up earnest lists of my pros and cons (highly sociable; sloppy math). Meanwhile, I took calls from a dear friend who had a boyfriend her age. Both savagely ambitious, hyperclose and entwined in each other’s projects. If each was a start-up , the other was the first hire, an intense dedication I found riveting. Yet every time she called me, I hung up with the distinct feeling that too much was happening at the same time: both learning to please a boss; to forge more adult relationships with their families; to pay bills and taxes and hang prints on the wall. Neither had any advice to give and certainly no stability. I pictured a three-legged race, two people tied together and hobbling toward every milestone.

I don’t fool myself. My marriage has its cons. There are only so many times one can say “thank you” — for splendid scenes, fine dinners — before the phrase starts to grate. I live in an apartment whose rent he pays and that shapes the freedom with which I can ever be angry with him. He doesn’t have to hold it over my head. It just floats there, complicating usual shorthands to explain dissatisfaction like, You aren’t being supportive lately . It’s a Frenchism to say, “Take a decision,” and from time to time I joke: from whom? Occasionally I find myself in some fabulous country at some fabulous party and I think what a long way I have traveled, like a lucky cloud, and it is frightening to think of oneself as vapor.

Mostly I worry that if he ever betrayed me and I had to move on, I would survive, but would find in my humor, preferences, the way I make coffee or the bed nothing that he did not teach, change, mold, recompose, stamp with his initials, the way Renaissance painters hid in their paintings their faces among a crowd. I wonder if when they looked at their paintings, they saw their own faces first. But this is the wrong question, if our aim is happiness. Like the other question on which I’m expected to dwell: Who is in charge, the man who drives or the woman who put him there so she could enjoy herself? I sit in the car, in the painting it would have taken me a corporate job and 20 years to paint alone, and my concern over who has the upper hand becomes as distant as the horizon, the one he and I made so wide for me.

To be a woman is to race against the clock, in several ways, until there is nothing left to be but run ragged.

We try to put it off, but it will hit us at some point: that we live in a world in which our power has a different shape from that of men, a different distribution of advantage, ours a funnel and theirs an expanding cone. A woman at 20 rarely has to earn her welcome; a boy at 20 will be turned away at the door. A woman at 30 may find a younger woman has taken her seat; a man at 30 will have invited her. I think back to the women in the bathroom, my husband’s classmates. What was my relationship if not an inconvertible sign of this unfairness? What was I doing, in marrying older, if not endorsing it? I had taken advantage of their disadvantage. I had preempted my own. After all, principled women are meant to defy unfairness, to show some integrity or denial, not plan around it, like I had. These were driven women, successful, beautiful, capable. I merely possessed the one thing they had already lost. In getting ahead of the problem, had I pushed them down? If I hadn’t, would it really have made any difference?

When we decided we wanted to be equal to men, we got on men’s time. We worked when they worked, retired when they retired, had to squeeze pregnancy, children, menopause somewhere impossibly in the margins. I have a friend, in her late 20s, who wears a mood ring; these days it is often red, flickering in the air like a siren when she explains her predicament to me. She has raised her fair share of same-age boyfriends. She has put her head down, worked laboriously alongside them, too. At last she is beginning to reap the dividends, earning the income to finally enjoy herself. But it is now, exactly at this precipice of freedom and pleasure, that a time problem comes closing in. If she would like to have children before 35, she must begin her next profession, motherhood, rather soon, compromising inevitably her original one. The same-age partner, equally unsettled in his career, will take only the minimum time off, she guesses, or else pay some cost which will come back to bite her. Everything unfailingly does. If she freezes her eggs to buy time, the decision and its logistics will burden her singly — and perhaps it will not work. Overlay the years a woman is supposed to establish herself in her career and her fertility window and it’s a perfect, miserable circle. By midlife women report feeling invisible, undervalued; it is a telling cliché, that after all this, some husbands leave for a younger girl. So when is her time, exactly? For leisure, ease, liberty? There is no brand of feminism which achieved female rest. If women’s problem in the ’50s was a paralyzing malaise, now it is that they are too active, too capable, never permitted a vacation they didn’t plan. It’s not that our efforts to have it all were fated for failure. They simply weren’t imaginative enough.

For me, my relationship, with its age gap, has alleviated this rush , permitted me to massage the clock, shift its hands to my benefit. Very soon, we will decide to have children, and I don’t panic over last gasps of fun, because I took so many big breaths of it early: on the holidays of someone who had worked a decade longer than I had, in beautiful places when I was young and beautiful, a symmetry I recommend. If such a thing as maternal energy exists, mine was never depleted. I spent the last nearly seven years supported more than I support and I am still not as old as my husband was when he met me. When I have a child, I will expect more help from him than I would if he were younger, for what does professional tenure earn you if not the right to set more limits on work demands — or, if not, to secure some child care, at the very least? When I return to work after maternal upheaval, he will aid me, as he’s always had, with his ability to put himself aside, as younger men are rarely able.

Above all, the great gift of my marriage is flexibility. A chance to live my life before I become responsible for someone else’s — a lover’s, or a child’s. A chance to write. A chance at a destiny that doesn’t adhere rigidly to the routines and timelines of men, but lends itself instead to roomy accommodation, to the very fluidity Betty Friedan dreamed of in 1963 in The Feminine Mystique , but we’ve largely forgotten: some career or style of life that “permits year-to-year variation — a full-time paid job in one community, part-time in another, exercise of the professional skill in serious volunteer work or a period of study during pregnancy or early motherhood when a full-time job is not feasible.” Some things are just not feasible in our current structures. Somewhere along the way we stopped admitting that, and all we did was make women feel like personal failures. I dream of new structures, a world in which women have entry-level jobs in their 30s; alternate avenues for promotion; corporate ladders with balconies on which they can stand still, have a smoke, take a break, make a baby, enjoy themselves, before they keep climbing. Perhaps men long for this in their own way. Actually I am sure of that.

Once, when we first fell in love, I put my head in his lap on a long car ride; I remember his hands on my face, the sun, the twisting turns of a mountain road, surprising and not surprising us like our romance, and his voice, telling me that it was his biggest regret that I was so young, he feared he would lose me. Last week, we looked back at old photos and agreed we’d given each other our respective best years. Sometimes real equality is not so obvious, sometimes it takes turns, sometimes it takes almost a decade to reveal itself.

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That Viral Essay Wasn’t About Age Gaps. It Was About Marrying Rich.

But both tactics are flawed if you want to have any hope of becoming yourself..

Women are wisest, a viral essay in New York magazine’s the Cut argues , to maximize their most valuable cultural assets— youth and beauty—and marry older men when they’re still very young. Doing so, 27-year-old writer Grazie Sophia Christie writes, opens up a life of ease, and gets women off of a male-defined timeline that has our professional and reproductive lives crashing irreconcilably into each other. Sure, she says, there are concessions, like one’s freedom and entire independent identity. But those are small gives in comparison to a life in which a person has no adult responsibilities, including the responsibility to become oneself.

This is all framed as rational, perhaps even feminist advice, a way for women to quit playing by men’s rules and to reject exploitative capitalist demands—a choice the writer argues is the most obviously intelligent one. That other Harvard undergraduates did not busy themselves trying to attract wealthy or soon-to-be-wealthy men seems to flummox her (taking her “high breasts, most of my eggs, plausible deniability when it came to purity, a flush ponytail, a pep in my step that had yet to run out” to the Harvard Business School library, “I could not understand why my female classmates did not join me, given their intelligence”). But it’s nothing more than a recycling of some of the oldest advice around: For women to mold themselves around more-powerful men, to never grow into independent adults, and to find happiness in a state of perpetual pre-adolescence, submission, and dependence. These are odd choices for an aspiring writer (one wonders what, exactly, a girl who never wants to grow up and has no idea who she is beyond what a man has made her into could possibly have to write about). And it’s bad advice for most human beings, at least if what most human beings seek are meaningful and happy lives.

But this is not an essay about the benefits of younger women marrying older men. It is an essay about the benefits of younger women marrying rich men. Most of the purported upsides—a paid-for apartment, paid-for vacations, lives split between Miami and London—are less about her husband’s age than his wealth. Every 20-year-old in the country could decide to marry a thirtysomething and she wouldn’t suddenly be gifted an eternal vacation.

Which is part of what makes the framing of this as an age-gap essay both strange and revealing. The benefits the writer derives from her relationship come from her partner’s money. But the things she gives up are the result of both their profound financial inequality and her relative youth. Compared to her and her peers, she writes, her husband “struck me instead as so finished, formed.” By contrast, “At 20, I had felt daunted by the project of becoming my ideal self.” The idea of having to take responsibility for her own life was profoundly unappealing, as “adulthood seemed a series of exhausting obligations.” Tying herself to an older man gave her an out, a way to skip the work of becoming an adult by allowing a father-husband to mold her to his desires. “My husband isn’t my partner,” she writes. “He’s my mentor, my lover, and, only in certain contexts, my friend. I’ll never forget it, how he showed me around our first place like he was introducing me to myself: This is the wine you’ll drink, where you’ll keep your clothes, we vacation here, this is the other language we’ll speak, you’ll learn it, and I did.”

These, by the way, are the things she says are benefits of marrying older.

The downsides are many, including a basic inability to express a full range of human emotion (“I live in an apartment whose rent he pays and that constrains the freedom with which I can ever be angry with him”) and an understanding that she owes back, in some other form, what he materially provides (the most revealing line in the essay may be when she claims that “when someone says they feel unappreciated, what they really mean is you’re in debt to them”). It is clear that part of what she has paid in exchange for a paid-for life is a total lack of any sense of self, and a tacit agreement not to pursue one. “If he ever betrayed me and I had to move on, I would survive,” she writes, “but would find in my humor, preferences, the way I make coffee or the bed nothing that he did not teach, change, mold, recompose, stamp with his initials.”

Reading Christie’s essay, I thought of another one: Joan Didion’s on self-respect , in which Didion argues that “character—the willingness to accept responsibility for one’s own life—is the source from which self-respect springs.” If we lack self-respect, “we are peculiarly in thrall to everyone we see, curiously determined to live out—since our self-image is untenable—their false notions of us.” Self-respect may not make life effortless and easy. But it means that whenever “we eventually lie down alone in that notoriously un- comfortable bed, the one we make ourselves,” at least we can fall asleep.

It can feel catty to publicly criticize another woman’s romantic choices, and doing so inevitably opens one up to accusations of jealousy or pettiness. But the stories we tell about marriage, love, partnership, and gender matter, especially when they’re told in major culture-shaping magazines. And it’s equally as condescending to say that women’s choices are off-limits for critique, especially when those choices are shared as universal advice, and especially when they neatly dovetail with resurgent conservative efforts to make women’s lives smaller and less independent. “Marry rich” is, as labor economist Kathryn Anne Edwards put it in Bloomberg, essentially the Republican plan for mothers. The model of marriage as a hierarchy with a breadwinning man on top and a younger, dependent, submissive woman meeting his needs and those of their children is not exactly a fresh or groundbreaking ideal. It’s a model that kept women trapped and miserable for centuries.

It’s also one that profoundly stunted women’s intellectual and personal growth. In her essay for the Cut, Christie seems to believe that a life of ease will abet a life freed up for creative endeavors, and happiness. But there’s little evidence that having material abundance and little adversity actually makes people happy, let alone more creatively generativ e . Having one’s basic material needs met does seem to be a prerequisite for happiness. But a meaningful life requires some sense of self, an ability to look outward rather than inward, and the intellectual and experiential layers that come with facing hardship and surmounting it.

A good and happy life is not a life in which all is easy. A good and happy life (and here I am borrowing from centuries of philosophers and scholars) is one characterized by the pursuit of meaning and knowledge, by deep connections with and service to other people (and not just to your husband and children), and by the kind of rich self-knowledge and satisfaction that comes from owning one’s choices, taking responsibility for one’s life, and doing the difficult and endless work of growing into a fully-formed person—and then evolving again. Handing everything about one’s life over to an authority figure, from the big decisions to the minute details, may seem like a path to ease for those who cannot stomach the obligations and opportunities of their own freedom. It’s really an intellectual and emotional dead end.

And what kind of man seeks out a marriage like this, in which his only job is to provide, but very much is owed? What kind of man desires, as the writer cast herself, a raw lump of clay to be molded to simply fill in whatever cracks in his life needed filling? And if the transaction is money and guidance in exchange for youth, beauty, and pliability, what happens when the young, beautiful, and pliable party inevitably ages and perhaps feels her backbone begin to harden? What happens if she has children?

The thing about using youth and beauty as a currency is that those assets depreciate pretty rapidly. There is a nearly endless supply of young and beautiful women, with more added each year. There are smaller numbers of wealthy older men, and the pool winnows down even further if one presumes, as Christie does, that many of these men want to date and marry compliant twentysomethings. If youth and beauty are what you’re exchanging for a man’s resources, you’d better make sure there’s something else there—like the basic ability to provide for yourself, or at the very least a sense of self—to back that exchange up.

It is hard to be an adult woman; it’s hard to be an adult, period. And many women in our era of unfinished feminism no doubt find plenty to envy about a life in which they don’t have to work tirelessly to barely make ends meet, don’t have to manage the needs of both children and man-children, could simply be taken care of for once. This may also explain some of the social media fascination with Trad Wives and stay-at-home girlfriends (some of that fascination is also, I suspect, simply a sexual submission fetish , but that’s another column). Fantasies of leisure reflect a real need for it, and American women would be far better off—happier, freer—if time and resources were not so often so constrained, and doled out so inequitably.

But the way out is not actually found in submission, and certainly not in electing to be carried by a man who could choose to drop you at any time. That’s not a life of ease. It’s a life of perpetual insecurity, knowing your spouse believes your value is decreasing by the day while his—an actual dollar figure—rises. A life in which one simply allows another adult to do all the deciding for them is a stunted life, one of profound smallness—even if the vacations are nice.