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Essays About Frankenstein: Top 5 Examples Plus Prompts

Mary Shelley’s Frankenstein is one of the greatest works of literature; if you are writing essays about Frankenstein, you can start by reading some essay examples. 

When we think of Frankenstein, we often picture a hulking monster. However, “Frankenstein” refers to one of two things: The novel Frankenstein by Mary Shelley, or Dr. Victor Frankenstein, the scientist who created the great beast. The monster is Frankenstein’s monster, not Frankenstein himself.

Dr. Frankenstein defies nature in the novel and creates sentient body-stitched body parts. Unfortunately, his creation turns on him, and the scientist eventually dies. The novel is a good reminder of our very nature as human beings and our place in the world. 

If you want to write a good essay about Frankenstein, read these essay examples and prompts for inspiration. 

1. Frankenstein by Mary Shelley: Critical Essay by Andrew Eliot Binder

2. suspense in frankenstein by sophie tyler, 3. dr. frankenstein’s three big mistakes by charlotte gordon, 4. frankenstein is a tragedy, not a romantic novel by jennifer n. adams, 5. frankenstein & gender roles by frederick hopkins, 1. why can readers empathize with the monster , 2. is franknstein “the modern prometheus”, 3. the true monster of the story, 4. lessons we can learn from frankenstein, 5. does frankenstein deserve its fame, 6. the influence of frankenstein.

“Shelley immediately likens Frankenstein to his own creation through the word “wretched,” and, in doing so, present an irony. Frankenstein deserts his “wretched” creation, who then becomes hungry and harassed by society. But when the roles are reversed, and Frankenstein is described as “wretched,” he is given “soup,” shelter, and protection from being “tormented.”

Binder’s essay compares the characters of Walton and Frankenstein, showing the importance of human relationships. Despite their similar upbringing and personality, Walton craves companionship while Frankenstein isolates himself; the former survives while the latter perishes. Binder believes that Shelley intends to show the importance of being part of society, for we will not survive without it.  

“The message of the novel is that scientists should have self-control in their work to avoid becoming obsessed, otherwise this will lead to their ‘destruction’ as was the case with Frankenstein. In the novel Captain Walton learned from Frankenstein and decided to put an end to his obsession of reaching the north..”

In her essay, Tyler discusses how Shelley creates suspense in Frankenstein through word choice, the symbolism of darkness, pacing, and short sentence structure. Put together, Shelley evokes a dark, foreboding tone, showing the scientist’s terror as the novel progresses and, consequently, the message that scientists must not overstep their bounds and have restraint in their work.

“Artificial intelligence isn’t likely to kill us all—but the more people work on the problem, the more the odds go down. Frankenstein’s creature did not have to be a blight on society. He devolved into a monster of revenge because he was abandoned by his creator.”

Gordon writes about the rise of artificial intelligence and its similarity to Shelley’s Frankenstein . He describes Dr. Frankenstein’s mistakes, unwillingness to share his research with others, neglecting his creation until it was too late to stop it, and poor design due to inadequate resources. A.I. researchers can learn from these mistakes to ensure that their creations do not prove detrimental to others’ lives, as in Frankenstein or society. 

“What Mary Shelley had written, was a tragedy. Both characters, Frankenstein and the monster suffered great tragedies in their life; Frankenstein suffered from the continuous loss of family and friends from his own mistake and the monster suffered a life of solitude and not having known love, kindness, or friendship.”

Adams poses a theory that Frankenstein is a tragic work of literature rather than a romantic novel. Frankenstein and the monster suffer greatly, and conflict is demonstrated against each other and in their heads. Their actions throughout the novel are a result of their tragedies. Adams does an excellent job of conveying her beliefs and presenting evidence to support her claim. 

“Jane Austen once wrote ‘hate to hear you talk about all women as if they were fine ladies instead of rational creatures. None of us want to be calm waters all our lives’. This helps to sum up the possible mention of the need for the emancipation for women throughout Shelley’s book. We are introduced to varying female roles throughout the book, from Elizabeth to Safie, the ‘gender roles’ have varied in empowering one character while leaving the other to be the representation of the ‘times’.”

Hopkins’s essay discusses how Frankenstein reflects Shelley’s views on gender roles. For example, the character Justine is a “passive, submissive” woman of the time; she meets an unfortunate end. Safie, on the other hand, is more independent and brings joy to everyone when she is present. These examples, among others, reflect Shelley’s desire for society to change its attitude towards women. 

Prompts on Essays about Frankenstein

Essays about Frankenstein

A significant aspect of the story is the monster’s “humanity.” Readers can identify with his character and relationship with society. It is interesting to discuss why this could be the case. Delve into the question, “how do we relate to the monster?” Write about the different ways the monster appears more human and “worthy of empathy,” so to speak.

Interestingly, Frankenstein is suggested to be a modern version of the Greek god. Look into who Prometheus was in mythology and consider the similarities between him and Dr. Frankenstein. How is he a “modern Prometheus?” Use sources to support your findings, and create a compelling argumentative essay.

On a surface level, Frankenstein’s creation is the “monster” in the novel. However, some argue that the true monster is Frankenstein, for tampering with the creation of organic life. So who is the monster to you? There is abundant evidence to support either character; for an engaging essay, get quotes from the novel and online sources. 

Behind Frankenstein lies a set of truths about humanity and some values and lessons we can learn from. What do the story and characters reveal about our inherent nature, and what lessons can we apply to our own lives? You can write about one or more, but be sure to explain them in detail.

Frankenstein is regarded as one of the most famous works of literature, on par with Romeo and Juliet, Moby Dick, and other classics. Should it be considered “one of the greats?” Based on readings and research, decide on your response and defend your position.

Particularly in the world of horror, Frankenstein has had a tremendous impact. Your essay can discuss the novel’s lasting legacy and its effects on pop culture, the science-fiction and horror genres, and literature. In addition, you should include examples of works that exhibit noticeable influence from the novel and its characters. 

Check out our guide packed full of transition words for essays .

If you’re still stuck, check out our general resource of essay writing topics .

essays of frankenstein

Martin is an avid writer specializing in editing and proofreading. He also enjoys literary analysis and writing about food and travel.

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The Analysis of Frankenstein

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Published: Apr 29, 2022

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essays of frankenstein

Frankenstein - Free Essay Samples And Topic Ideas

Frankenstein is a novel by Mary Shelley, often heralded as one of the first pieces of science fiction, exploring themes of creation, ambition, and the moral implications of scientific advancement. Essays on “Frankenstein” could delve into these themes, the character analysis of Victor Frankenstein and the Creature, and the novel’s enduring legacy in literature and popular culture. Moreover, discussions might extend to the novel’s influence on the genre of science fiction and horror. A substantial compilation of free essay instances related to Frankenstein you can find at Papersowl. You can use our samples for inspiration to write your own essay, research paper, or just to explore a new topic for yourself.

Image About Frankenstein

Novel “Frankenstein” : Roles of Gender

Throughout reading the novel Frankenstein, I thought it was indeed interesting how Mary Shelley incorporated themes of gender and the aspect of creation. Mary Shelley uses her own life experiences to shape her works and to gain ideas to integrate social issues into her work. Mary Shelley portrays the problems and incorporates them throughout the book and touches on the aspect of social hierarchies of gender, which inherently value men over women. In Mary Shelley's Frankenstein, issues of gender and […]

Who is the Real Monster in Frankenstein

Monsters in literature are normally characterized as a creature that possesses some type of inhuman qualities or deformities, is perceived as evil, and has no compassion for mankind. The term monster can also refer to a person who has done a terrible thing in life that poorly affects others around them. In literature, outcasts are people who are not wanted and are rejected by society. In the novel Frankenstein, by Mary Shelley, many readers label the creature as a monster […]

The American and the French Revolutions

The right of revolution was an idea proposed by Enlightenment Philosopher John Locke, which inspired and challenged the colonies in America and the people of France to revolt. Displeased with their current positions with their governments, they mustered up the courage and strength to challenge authority. Through their battles and hardships, both revolutions sought a government that mirrored the Enlightenment beliefs of natural rights, power of the people, and equality. With those goals in mind, they demonstrated the idea that […]

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Gothic Elements in Frankenstein

Mary Shelley lived and wrote her novel Frankenstein during the peak of the romantic era of literature in the early 1800's. She shows this as her work reflects many of the key elements that are associated with romanticism. In Frankenstein, Shelley also utilizes many of the elements of gothic literature. Shelley uses many of the conventions aligned with romantic and gothic literature in Frankenstein's setting, subject matter, characterization, and plot to portray her overall tone and mood in the novel. […]

Physical Appearance in Frankenstein

The main theme in Mary Shelley's Frankenstein is the importance of appearance which correlates to the idea of acceptance in modern society. Today's society, as well as in the society of Frankenstein, people judge one often solely on their looks. Social prejudice is often based on looks, whether it be the pigments that make up someone's skin color, the facial features that one has and the clothes that a person wears. Society makes rapid judgments based on these and other […]

Differences between French, Russian and American Revolutions

A revolution is a successful attempt made by a large group of people to change / challenge the political system of their country. People who are willing to engage and take action in a revolution are trying to fix the struggles in justice, reminding people not to forget the future against the past. People who want to change the political system are looking out for the future of their country. Revolution was the only way average people or citizens felt […]

Frankenstein Revenge

In her novel ?Frankenstein?, Mary Shelley shows that both Frankenstein and his creature are obsessed with revenge through their strong emotional language and obsessive actions, yet neither of them wins and gets revenge in the end. After Victor Frankenstein is threatened by the creature after destroying his nearly complete bride, Frankenstein states that he “?burned with rage to pursue the murderer of my peace and precipitate him into the ocean. I walked up and down my room hastily and perturbed, […]

Family Relations and Alienation in “Frankenstein”

In today's fast-paced world, it is important to build connections and relationships with people and society. Being able to bond with surroundings, is key for living a healthy and happy life. Family is what helps humans build their foundations and are able to learn and succeed with the support of them. In Mary Shelley's novel, Frankenstein, the lack of connection the characters have to either their family or society leads them to murder, hopelessness and tragedy. Specifically Victor and his […]

Shelley about Romanticism Versus the Enlightenment

In the novel, "Frankenstein," Mary Shelley uses various elements of both mysterious and romantic literature to convey her indictment of the Enlightenment thinking over the use of her characters displayed throughout the novel. Being written in the time of the Romantic era, Shelley uses vivid language to portray her objection of the Enlightenment age as it influenced many people to use logical reasoning and science to disregard barbarism and superstition from the World. In Frankenstein, Shelley's response to this ideology […]

Frankenstein Dangerous Knowledge

Isolation is a dangerous act. Whether it is forced by the ones around us or a choice made by us to be alone isolation separates the victim from society damaging them emotionally. In Mary Shelley’s Frankenstein, the monster, Frankenstein's monster, comes to know the true act of isolation. The monster was not only cast out by the townspeople but by his creator. Their prejudiced views of the monster as only that, a monster, turned him into what they truly sought […]

Frankenstein Isolation

One theme presented in Marry Shelley's book Frankenstein is the theme of isolation. Right from the beginning, someone has felt isolated from someone else. The three characters consistently developed the theme of isolation are Victor, the Creature, and Elizabeth. Though the three experience isolation, their isolation experience differs. Unlike the Creature and Elizabeth, Victor chose to isolate himself from people. This is evidenced from right when he was working on his research and when he tries to create a life. […]

Dark Romanticism

“Words have no power to impress the mind without the exquisite horror of their reality” (Edgar Allan Poe). Dark Romanticism is a literary movement that made waves that still resonate today within modern horror and pop culture, from Frankenstein to Dracula many recognizable names came from this era of writing. From the subjects covered by the many influential authors of the era to how it still has a place within modern writing, Dark Romanticism, a writing movement that began in […]

Feminism Represented through Frankenstein Characters

Frankenstein is known all over for being about a monster that loses control and kills people, but no one talks about some of the topics that Mary Shelley portrays in the novel. This book seems male dominant. The females play a big role, but not in the way that big roles are usually played. Women seem to hide from playing a part in Frankenstein, but Mary Shelley finds a way to display feminism in the book and that is how […]

Discrimination and Prejudice in Frankenstein

During our human history, prejudice and discrimination have existed. Prejudice refers to the irrational and inflexible attitudes that members of a particular group hold about members of another group (Sibley and Duckitt 248). Prejudices are either harmful or positive. Both forms of prejudice are usually preconceived by the people who hold them and are extremely difficult to alter (Stephan, Cookie and Stephan 33). The negative form of prejudices leads to discrimination- unjust behaviors that holders of negative prejudice direct against […]

Philosophy of Dualism and Materialism in “Frankenstein”

In Mary Shelley's novel Frankenstein, the philosophies of dualism and materialism can be found through the story's main characters, Victor Frankenstein and the Creature. Throughout the novel, the decisions that both make and their justifications for those decisions are rooted in both dualistic and materialistic ideas. In the scene leading up to the creation to the Creature as well as the scene itself, much of Victor's decision to even try such a feit stems from a materialistic standpoint, using science […]

The French Revolution Within Frankenstein

Almost twenty years after the end of the French Revolution, Mary Shelley published her gothic horror novel, Frankenstein, in 1818. Shelley grew up with parents who were intellectual radicals (Sterrenburg 143). Yet, she was detached from radicalism and opted for a more conservative perspective (Sterrenburg 143). She did a vast amount of readings on the French Revolution (Sterrenburg 143). By extensively studying the ideas around the revolution, it is not a surprise that they appear embedded through her work, more […]

American, French and Mexican Revolutions

When it comes to the American Revolution, there was one individual that gave American people an idea of what they should be fighting for. John Locke’s idea of “life, liberty, and estate” heavily inspired Thomas Jefferson’s “life, liberty, and the pursuit of happiness” when fighting against the British. So why did the Americans revolt? What beliefs did they have? One thing the American, French, and Mexican revolutions have in common is that their governments were corrupt. The Colonists called for […]

The Role of Science in Frankenstein

Mary Shelley tells a story of a scientist who creates a hideous creature in the novel Frankenstein. Victor Frankenstein is an amazing, smart scientist who admired human anatomy, and soon decided to create his own creature. Who is more at fault for the monsters behavior, Victor or the monster? If you were in the monsters position would you become a murderer for revenge? The monster is often viewed as the antagonist, however is Victor Frankenstein the reason many people in […]

Frankenstein and Gothic Literature

The character's identity and outward appearance interferes with the norms of the hierarchical societies in which they live. Thus, preventing them from experiencing life outside of the isolated confinement they are subjected to. While experiencing a constant conflict with acceptance it strikes the curiosity inside them. In Mary Shelley's Frankenstein, the experience of loneliness and obsession of science drives Victor Frankenstein to assume the role of God by reanimating a corpse. The horror presented derives from the source of control […]

Creation of Life in “Frankenstein”

The next major aspect of the novel that I would like to focus on is the creation of Frankenstein. This will include dissecting the experience into pieces, such as the use of technology, the role of God and religion and the reason behind creating the monster. In the novel, technology is used in correlation with the creation of Frankenstein. Victor says, I collected bones from charnel houses; and distributed, with profane fingers, the tremendous secrets of the human frame (Shelley […]

Foster’s Chapter “Every Trip is a Quest” in “Frankenstein”

In Foster's Chapter, Every Trip Is A Quest , he implies that every journey is a quest and every quest has to have a quester, a place to go, a stated reason to go there, challenges and trials along the way, and a real reason to go. When a character goes on a quest, he goes with intentions on fulfilling the originally stated reason, but once he is on the quest, he never ends up going for that originally stated […]

Economic Crisis Druing the French Revolution

The economic issues made by the French kings additionally added to the Revolution. Amid the eighteenth century, the French government spent more cash than it gathered in expenses. By 1788, the nation was bankrupt. Arthur Young, an Englishmen, and spectator, who ventured out to France from 1787 to 1789 furiously portray the living conditions of the workers in his book Travels in France (Campbell, 18). The measure of expense every individual must pay is out of line. Landholders found in […]

The History of Frankenstein in Film

From the dawn of the cinematic age, both horror and science fiction films have been shown throughout every cinema available. More common, however, were films based upon previously written works such as books or plays as they were easy to adapt from one medium to another. In 1910, Edison studios released what would inevitably lead to a cultural shift around the plot of one of the most famous, if not the most famous gothic novels: Mary Shelley's Frankenstein (1818). The […]

Isolation: Frankenstein and the Heart of Darkness

As humans we are naturally inclined to socialize with each other. There are times when we don’t want to be surrounded by others and just by ourselves, but prolonging that isolation can be detrimental to one’s psyche. Isolation can lead to stress levels rising, poor sleep, immune system dysfunction, and even cognitive depreciation (Psychology Today). In Heart of Darkness ?by Joseph Conrad, we see through Marlow’s eyes the descent of the antagonist Kurtz due to prolonged isolation in the wild […]

Technology and Morality in Shelley’s “Frankenstein”

In Frankenstein, Shelley addresses her concerns regarding human advancement by using a framed narrative that includes parallels, foils, and allusions in order to express that many people are unaware of the consequences of their actions because their hubris and ambition blinds them. This tends to disrupt the balance of society. Shelley’s framed structure leads us gradually to the central ideas of her novel and has us question our own society as a whole. The intention of each narrative in the […]

Victor Frankenstein in “Frankenstein” by Mary Shelley

Frankenstein tells the story of Victor Frankenstein, a scientist in the 18th century. The story begins with a letter from Captain Walton to his sister. The first letter is dated 17--. In Walton's letters, he tells his sister of his encounter with the scientist Victor Frankenstein. Victor becomes consumed with discovering the secret of creating life. In his pursuit of this knowledge, Victor creates a living creature made of body parts of corpses. Victor is successful in creating life, but […]

How Technology Changed Society

Technology has dramatically changed society in ways people never imagined. Before the dawn of modern-day technology, life was troublesome and everyday tasks like chores or transport consumed too much of humans’ effort and time. Now, because of technology human can communicate, transport, and work faster than ever. Due to the efficiency of tech, humans’ lives have been eased tremendously and almost all humans live in comfort. In the 21st Century, technology and human life are inseparable; society these days depends […]

Frankenstein Book Review

In the book “Frankenstein” by Mary Shelley, it is clear to lay the blame upon Victor Frankenstein. The definition of blame is the assignation of responsibility towards someone/something for a fault or wrong. Victor’s love and passion for science led to a monstrous idea and ended up killing three people. While his pride was a driving force, abandoning the creature was not a smart move. Due to the fact that his idea was matched with the act of doing gives […]

Frankenstein: the Cruelty he Faced

For centuries, society has placed stereotypes on those individuals who are different. Mary Shelley's novel Frankenstein is an example of one specific stereotype, which is the discrimination of a person because of a physical deformity. Frankenstein shows how social prejudices against physical deformities can automatically classify a person as bad or monstrous. In gothic novels, visual codes were used to identify good from bad and socially acceptable from socially unacceptable. By using these codes, it was possible to tell if […]

Frankenstein Critical Analysis

In Mary Shelley's novel, Frankenstein, isolation is a motif, or recurring idea with symbolic importance, revealed throughout the story between two characters, Victor Frankenstein, and his scientifically animated monster, the Creature. They both engage in acts and narratives of projecting the consequential dogma of isolation, that inevitably isolation results negatively and perpetuates misanthropy. Victor on one hand is an obsessive personality, lost in his studies he removes himself from very much human contact and engaging society. It results in his […]

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How To Write an Essay About Frankenstein

Introduction to mary shelley's frankenstein.

Mary Shelley's "Frankenstein" is a seminal work of Gothic literature that explores themes of creation, responsibility, and the nature of humanity. In the introduction of your essay, set the stage by briefly summarizing the novel's plot, which centers around Victor Frankenstein, a young scientist who creates a sentient creature in an unorthodox scientific experiment. Highlight the novel's key themes, such as the dangers of unchecked scientific ambition, the quest for knowledge, and the moral implications of playing God. This introduction should provide a snapshot of the novel’s key elements and the thematic explorations you will delve into, laying the groundwork for a critical examination of Shelley's work.

Analyzing Themes and Characters

In the body of your essay, focus on a detailed exploration of the novel's central themes. Discuss the theme of creation and the consequences of Victor Frankenstein's pursuit of scientific discovery without ethical boundaries. Analyze the creature’s development and his quest for identity and companionship, which turns into a desire for revenge against his creator. Explore the novel's exploration of isolation, both self-imposed and societal, as experienced by Victor and his creature. Additionally, examine the characters' relationships and how they contribute to the novel's themes, using specific examples from the text to support your analysis. Each paragraph should focus on a different theme or character, weaving a comprehensive understanding of Shelley’s narrative.

The Novel's Context and Shelley's Writing

It's important to contextualize "Frankenstein" within its historical and literary background. Discuss the significance of the novel being written during the early 19th century, a time of significant scientific advancement and romantic literary movement. Explore how Shelley’s personal experiences and the scientific context of her time influenced the themes and style of "Frankenstein." Additionally, consider the novel's structure, narrative technique, and use of symbolism and imagery. This part of the essay should demonstrate an understanding of how "Frankenstein" not only reflects the time in which it was written but also contributes to the genre of science fiction.

Concluding Reflections

Conclude your essay by summarizing the key points of your analysis and reaffirming the novel's significance in literary history. Reflect on the enduring relevance of "Frankenstein" in modern times, particularly in discussions about scientific ethics, the boundaries of human endeavor, and the consequences of technological advancement. Consider the novel's impact on readers and its role in shaping subsequent literary and cultural narratives. A strong conclusion will not only encapsulate your insights but also underscore the novel's continued importance, encouraging readers to reflect on its themes in the context of today's world.

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Screen Rant

Guillermo del toro's frankenstein: cast, story & everything we know.

Guillermo del Toro is setting his sites on the classic horror story Frankenstein, and there are already a ton of details about his adaptation.

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Guillermo del toro's frankenstein latest news, guillermo del toro's frankenstein is confirmed, guillermo del toro's frankenstein cast, guillermo del toro's frankenstein story.

  • Guillermo del Toro's Frankenstein: Further News & Info
  • del Toro's adaptation of Frankenstein is highly anticipated for being faithful to the classic monster's story.
  • The new movie may align closely with Shelley's novel structure, including a pivotal scene on a sailing ship.
  • The star-studded cast includes Oscar Isaac as Victor Frankenstein and Jacob Elordi as his tormented creation.

Celebrated director Guillermo del Toro is finally setting his sites on the classic horror story, Frankenstein , and there are already a ton of exciting updates about his adaptation. Originally published in 1818 and written by Mary Shelley, the novel not only birthed the modern science fiction genre, but revolutionized horror with its story of a man-made monster on a quest for revenge against his troubled creator. Unlike other horror tales, Frankenstein crackled with life because of the sympathetic monster whose life is just as tormented as the scientist who he chases to the ends of the earth.

Naturally, Frankenstein was one of the first horror novels to be adapted into film, and there were silent versions of the story in the 1910s. Though other movie's predated it, the 1931 portrayal of Frankenstein's monster , played by Boris Karloff, is perhaps the most famous version of all. However, the James Wale-directed Universal Classic Monster movie notably deviates from Shelley's source material and leaves many of its themes behind. Other adaptations have tried to stick closer to the novel, but few filmmakers have the same stylistic approach as Guillermo del Toro which makes him uniquely suited for Frankenstein .

Guillermo del Toro's New Horror Movie Can Finally Do Justice To A Misunderstood Classic Monster

A set photo teases a pivotal scene.

With much of the production being kept under wraps, the latest news sees a pivotal Frankenstein scene teased in a BTS photo from the new movie. Posted on his official X (formerly Twitter ) page, director Guillermo del Toro poses for a picture with actor Nikolaj Lie Kaas and cinematographer Dan Laustsen on what appears to be a sailing ship. Though it isn't a confirmation, this set suggests that the movie is following the structure of the book in which Victor Frankenstein is rescued by a ship in the polar region, and he recounts his tale to the captain.

It's possible that del Toro's new adaptation is going to use the same framework as Shelley's novel, in which the story jumps from the past to the present as Victor recounts the entire event. The ship continues to play an important role in the story as Victor finally catches up with the monster one last time after he has told his entire tale.

It Has Taken A Long Time To Finally Happen

There were several instances where the film was nearly made, but some event delayed the production, and del Toro's busy working schedule made it nearly impossible to squeeze in.

Guillermo del Toro's quest to make a Frankenstein film began in 2007 , but it has taken until 2024 for his vision to finally become a reality. There were several instances where the film was nearly made, but some event delayed the production, and del Toro's busy working schedule made it nearly impossible to squeeze in. Then, del Toro's partnership with Netflix allowed his Frankenstein movie to move forward , and the current iteration is the one that will actually see the light of day.

Stream 1931's Frankenstein on Classix.

Oscar Isaac & Jacob Elordi Star As Frankenstein & His Monster

The cast of Guillermo del Toro's Frankenstein has seen a few changes since it was first green-lit by Netflix in 2023, namely the departure of Andrew Garfield . However, the main cast is locked in, and Oscar Isaac is slated to play the troubled scientist Victor Frankenstein whose creation teaches him a valuable lesson about playing god. Opposite Isaac will be Jacob Elordi as the tortured monster who roams the earth in search of his creator and is an outcast wherever he goes. Mia Goth and Christoph Waltz have also been cast, but their roles are unknown at this time.

The cast of Frankenstein includes:

A Faithful Novel Adaptation Is Expected

Contrary to most portrayals of Frankenstein's creation as a shuffling brute, Shelley's novel actually weaves a sensitive tale of a tortured soul who was brought into the world against his will and is immediately labeled a monster.

Though del Toro has not revealed his full plans for Frankenstein , it can be assumed that it will follow the structure of the novel closely . Contrary to most portrayals of Frankenstein's creation as a shuffling brute, Shelley's novel actually weaves a sensitive tale of a tortured soul who was brought into the world against his will and is immediately labeled a monster. The bulk of the novel is told in retrospect, and is told from the perspective of the monster and the doctor as they recount their versions of events.

Guillermo del Toro's adaptation of Pinnochio was notably different from the book, and it's unclear if the acclaimed director will put a stylized flare on the universe of the Frankenstein story. The director is known for his love of classic horror stories, and he will undoubtedly pay homage to other adaptations such as the 1931 James Wale classic from Universal.

Frankenstein (1931)

Guillermo del toro's frankenstein: further news & info.

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The fascist u.s. leader he plays in ‘civil war’ isn’t based on trump, but the beloved actor and woodworker does have opinions on the election.

essays of frankenstein

LOS ANGELES — The notorious American West gunslinger, Wild Bill Hickok, always sat with his back against the wall in saloons so he could keep an eye on anyone bursting through the doors with a mind to shoot him. Nick Offerman keeps up the same practice, mainly to clock people who might sidle up to his table bearing a complimentary glass of bourbon or a heaping plate of barbecue.

It’s been nearly a decade since he regularly played beloved, gruff libertarian meat-eater Ron Swanson on “Parks and Recreation,” but every visit to a restaurant is still fraught for the 53-year-old, who’s shed 30 pounds in the intervening years.

“When I go into a place where I can vibe that there are Ron Swanson fans there,” he says, seated in a pink upholstered booth in the dining room of the Sunset Tower Hotel, “I usually will apologize to the waitstaff and say, ‘Look, I’m really sorry. I am a terrible hedonist when it comes to meat products, but my cardiologist and I had a talk and I’m going to order the Nancy Reagan salad.’”

He gets it. He did, after all, write an essay called “Eat Red Meat” in his first of five books detailing his woodsman-like life’s philosophy. But now, as a humorist who tours the country, he performs a song called “I’m Not Ron Swanson,” which explains that if he lived like that guy, he’d be dead within a year: “He can eat a bigass steak for every meal / because his colon is fictitious and mine is all too real.”

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It was on tour that he’d encounter “Parks and Rec” fans who were outraged to find out that he doesn’t have Ron Swanson’s anti-government politics, and indeed was a supporter of Elizabeth Warren and Bernie Sanders. “Sometimes they’ll leave angered to discover that I’m not a Second Amendment, guns-kissing coward,” he says.

So, he’s decided to agitate them more. In Alex Garland’s “Civil War,” out now, Offerman plays a nameless authoritarian president, vainly lording over a crumbling United States in a fictional, brutal, near-future conflict in which the Western Forces of Texas and California have teamed up with the Florida Alliance and are fast closing in on the White House.

It’s just one of a fascinating string of roles he’s taken on with a political bent, often playing someone far more conservative than he is. “For whatever reason, the way I was brought up and what Mother Nature made me look and sound like lends itself to getting cast to represent people who can use a shovel,” he says.

Offerman’s is the face we see in close-up opening the film, a flawed human in a suit who paces back and forth, practicing a speech: “We are now closer than we have ever been to victory — some are calling it the greatest victory in the history of mankind!” Later, the speech plays on TV in a hotel bar where jaded war reporters (Kirsten Dunst, Wagner Moura and Stephen McKinley Henderson as veterans and Cailee Spaeny as the rookie they reluctantly let tag along) have just returned from a violent street protest and roll their eyes.

This is a president who, Offerman says, “tends to lean fascist,” but who he says is not based on any past president. “I saw one headline, I think from Fox News, that said, ‘Nick Offerman and Kirsten Dunst refuse to admit that this movie is based on Trump,’” he says. “And I just thought how ironic it is. There’s truly no evidence of that hypothesis, but you are insisting that this fascist, fictional president must be based on Trump.”

Instead, he likes to compare his president, who has maybe three minutes of screen time, to Sauron in “The Lord of the Rings.” Garland has said the movie is meant to drive home the vitality of a free press, as the journalist protagonists set off through the lawless wasteland of the country with the goal of getting the last interview with Offerman’s president before he inevitably falls to a coup. Like Sauron, Offerman says, “I’m foundational and fundamental to the story. Without me they never set off for the Mountain of Doom in the first place.”

The “Civil War” trailer alone was enough to start an outcry . How could A24 and British director Alex Garland ( “Ex-Machina,” “Annihilation” ) dare release a movie about an American civil war, in this political climate, in an election year? Some pundits called it irresponsible, positing that it could possibly cause real-world violence . Critics have pointed out how lacking in specifics the film is. We don’t understand why the war even started.

When he first read the script, Offerman says, “I called Alex and said, ‘Okay, let me make sure I got this right. We’re not supposed to know who’s who. Also it doesn’t matter if this president is Republican or Democrat or other, right?’ And he’s like, ‘Yeah, the most important thing is that we don’t know.’ And I was like, ‘Great. I love that so much.’”

The only thing we need to know about this president’s politics is “that he’s full of s---,” says Offerman. Because once a bloodbath begins, it really doesn’t matter who started it. And he can’t think of a more relevant movie for this moment.

“It’s really frustrating to just be facing the elective choices that we are this fall,” he says. “As it stands right now, I mean, hopefully, one of the candidates will be serving many years in some sort of incarceration. Finally.”

T he first time Conan O’Brien met Nick Offerman, he was a famous talk show host and Offerman was just Megan Mullally’s husband, hanging out in Seattle with her while she opened Mel Brooks’s “Young Frankenstein” there.

The two men agreed to go for an all-day bike ride. O’Brien was a serious cyclist who showed up in head-to-toe silver spandex. Offerman had a rented mountain bike and was wearing cargo shorts. Deep into the ride, Offerman’s chain shattered. They didn’t have cellphones, and O’Brien started panicking. Offerman just calmly took two rocks and hammered his chain back together. They rode home. “And I thought, ‘He’s not like me. In fact, he’s not like anybody I know. He’s like a blacksmith from the 18th century who fell out of a time machine to prank us.’”

To his friends, it’s not a surprise that he’s playing the president. In fact, for 12 years now, O’Brien claims he’s been saying that Offerman — who wrote a book , “Where the Deer and the Antelope Play,” about his relationship with nature — should play Theodore Roosevelt: “I think more than any actor alive today, and I’m not making a joke, he could play T.R. better than anybody.” O’Brien actually tried to make it happen once, but then realized no one would take the pitch seriously coming from them. Amy Poehler, his “Parks and Recreation” co-star, says he shouldn’t limit himself: “I think Nick has the talent and the hair to play any president he chooses.”

Offerman calls himself “a progressive,” although, he says, politics is “a very thorny subject for someone in my business to be weighing in on.”

When asked what he thinks about Biden-Harris, he starts out saying he wants to “provide support for good government,” and that he’s “astonished by the incredibly good job Biden and Harris have quietly been doing.” But it’s not long before he lets loose. “Trump vs. Biden: Would you rather have a pile of dog s--- or a loaf of bread?” he asks. “I understand that it’s not going to help for me to say that. And the people that want the dog s---, I want to be friends with them. I want to say, ‘You guys seem decent in every other way.’ I just understand that a lot of information they’re receiving is like, ‘Oh, it’s not dog s---; it’s pumpernickel.’”

Offerman’s path to “Civil War” actually began in 2018 when he got a call asking if he’d meet with Garland about playing the enigmatic head of a tech giant in the director’s Hulu sci-fi mystery limited series “Devs.” As he was writing “Civil War,” Garland was already thinking of Offerman to play the president. “There’s a kind of obvious reason, which is that Nick’s a really good actor,” Garland says over Zoom, “but I also thought he would be hard for people to pin down in some respects. There’s a bunch of [actors] that would come with a particular kind of information, and I didn’t want to be clearer than that.”

To look at Offerman, with his bushy salt-and-pepper beard and lumberjack’s build, is to assume he ascribes to a kind of meat-and-potatoes version of Midwestern masculinity. He does, after all, run a woodworking shop in L.A. that employs six artisans making furniture and canoes. He grew up in a huge Catholic family in farm country in Minooka, Ill. (where his dad is mayor), and it wasn’t till he started cutting his teeth on the Chicago theater scene that he realized how racist and anti-gay his hometown had been. “I also had never met a Jew,” he says. A lot of people who love Trump are just like people he grew up with. He loves hunters, fishermen, outdoors people. He just wishes they’d speak up to the gun lobby more.

Yet here he is, as O’Brien calls him, “the manliest man with the goofiest laugh” — a high-pitched giggle that sounds like a Looney Tunes character who just inhaled helium. He’s also a self-proclaimed “softy” and avowed feminist — “he loves watching women win and does whatever he can to help make that happen,” says Poehler — who makes hearts out of litter and places them on his “goddess” wife Mullally’s windshield whenever he sees her car. (They wrote a book and did a podcast about the joys of middle-aged oral sex.)

Last year, he flew to Savannah to do a single scene in Ava DuVernay’s “Origin, ” as a plumber in a MAGA hat who shares an unspoken moment of empathy with grieving Black author Isabel Wilkerson (Aunjanue Ellis-Taylor). He also cameos as a conservative cowboy who is tickled to find himself at a gay wedding in “Dicks: The Musical,” starring Mullally and Nathan Lane.

This summer, he’ll be heading to Budapest to play yet another U.S. leader, accidental president Chester A. Arthur in the Netflix series “Death by Lightning,” about the 1881 assassination of president James Garfield, from “Game of Thrones” creators David Benioff and D.B. Weiss. And he just wrapped the independent film, “Sovereign,” a movie he says is about fathers and sons, in which he plays a member of an anti-government extremist group.

Still, he says, it was hard to shoot scenes in a real gun shop in Arkansas, where his character buys an AR-15 for his teenage son. The clerks were huge fans of his and one got a small speaking part. “And the guy looks at me and winks and says, ‘This one’s great for deer.’ He’s improvising and my stomach just turns over … It gave me chills.”

O fferman only shot two days on “Civil War” — the size of role that most actors in his position would turn down. But he calls Garland “an exquisite artist,” and wanted to be in anything he was doing.

The opening that’s in the final film wasn’t in the script. Offerman was pacing back and forth in costume on set, practicing his presidential address, when Garland decided to film him. “I talked to Alex about how much of a mountebank, how much of a snake oil salesman does he want?” says Offerman. “Because we all know this guy. We all have seen this on the news where the world is on fire and a guy gets up and is like, ‘This is the greatest victory!’”

It wasn’t until editing that Garland decided to ditch his scripted opening and focus on Offerman instead. His final scene is of the president in a very human situation, proving to the audience that even a larger-than-life figure like that “is just a dips--- like the rest of us, trying to sell the next Subaru Outback,” says Offerman.

Of all the politically tinged roles Offerman has played lately, though, none have been as impactful as survivalist Bill in “The Last of Us,” who has a touching romance with Murray Bartlett’s Frank, as two of the last remaining men on earth.

He won an Emmy and the positive reactions were the most gratifying he has ever gotten. “But also, I was fascinated with the vitriol, and not just the bigotry, but the people who were specifically so mad that the Ron Swanson actor had played a gay guy,” he says.

“It was the first time I played a gay person in a very visible medium,” he continues. “And I was taken aback by how different it felt to be on the receiving end of all these horrible embellishments equating this beautiful love story between two people with horribly rendered insults and really damaging, traumatic language.”

In response to jabs from the likes of Sean Hannity, Ben Shapiro and Tucker Carlson, he wrote a song called, “I Thought I Was a Man, But I Was Wrong.” The material wrote itself. “I just said, ‘I mean, I can’t write a better joke than Ben Shapiro questioning my masculinity.”

And he used a speech at the Independent Spirit Awards to snap back at the “homophobic hate” that came his way. “I just wanted to say to bigots of every stripe, ‘You’re never going to win,’” he says, summarizing his remarks. “It’s never going to get better for you. We’re never going to turn around and say, ‘You know, you’re right.’”

As we leave, after three hours of gabbing about Mother Nature and politics and life’s purpose, Offerman finally looks at his phone and lets out a Looney Tunes giggle.

“My business manager texted me seven times,” he says. “Oh, my engraved plate for my Emmy arrived!”

He knows exactly where he’s going to put it: on one of the top two shelves of the guest room, where no one will ever see it, alongside the many awards Mullally has won.

“Never thought I’d have one of those to put on Mother’s Emmy shelf,” he says.

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essays of frankenstein

The Novel “Frankenstein” by Mary Shelley: Critical Analysis Essay

Introduction, walter scotts critique, naomi hetherington’s critique, works cited.

Frankenstein’s work has been criticized by many scholars who have tried to come up with other ideas concerning the Novel. Her book contains critical information which cannot be underestimated in the current contemporary society. Her use of hypothetical questions and fiction in the setup of her ideas can be utilized in recent literary works. This essay discusses two critiques by Professor Naomi Hetherington’s and Walter Scott’s analysis of Mary Shelley’s Frankenstein.

Walter Scott, who was a British national, wrote the Romantic Circle Critiques. He was born in Edinburg and attended Edinburgh High School. He further went to Edinburgh University to study arts and law (Romantic Circles). He was involved in the Romantic Movement and participated in various occupational Walter was conducted, including poetry, historical novelist, clerk session, and advocate. His first poem was entitled Minstrelsy of the Scottish Border. Additionally, he published novels like Waverley, Guy Mannering, and Tales of My Land.

Mary’s novel is featured in the romantic fiction of nature which depicts family values and fundamental laws of nature. The author aims to explain the romantic nature by explaining unusual settings and nature components (Romantic Circles). The perceptions which drove Frankenstein, such as the change of species Belle Assemblee are explained. Furthermore, the difficulties and challenges Frankenstein and encounters with demons are illustrated. The changes that occur from life to death and death to stamina are explained. Themes of creation and revenge run across the novel in the urge of Frankenstein to avenge his originator for all the miseries.

Scoots’ analysis goes in hand with the settings and perceptions of Mary’s fiction. The element of imaginary setting and magical narration is the primary focus of the author’s critique. They bring about a better understanding of this novel in a relevant manner. The author supports Mary’s work and critically analysis the novel with matching arguments in a necessary way. He uses romance fiction and the element of vengeance and anger due to demons’ control which generally gives a good narration based on historical events. I agree with the critique since it uses Frankenstein’s ideas and themes which support his arguments. The similarity in the content and the settings are valid and authentic.

Another critique is from Professor Naomi Hetherington, who has a Ph.D. from Southampton University. She has been a teacher in Birkbeck for almost five years at the University of London, where she earned a teaching and scholarship award for her incredible contribution to literature. Naomi’s thesis illustrates that Mary wanted to use myths through fiction, the meaning of being a human being in a universe full of troubles (Hetherington 42). Additionally, she suggests that Mary revised her work to deviate from Lawrence and compare it with Christian Orthodox etiology.

Naomi’s thesis statement is relevant since it illustrates a step-by-step analysis of the novel. The first section of her research relates Frankenstein to Milton’s Paradise Lost and Prometheus legend. On the other hand, the last section describes the book to the religious nature of Mary after her husband dies (Ozherelyev 63). The Miltonic illustrations seen throughout the novel are used to emphasize the origin of evil in the world. The presence of a deity who creates human beings is seen. I agree with Naomi’s Critique since it relates outside resources such as Frankenstein to Milton Paradise Lost and Prometheus legend to support her arguments. She further identifies other themes related to the main content making these resources valid.

In summary, the two critiques by Naomi and Scoot give a better review of the novel provide literature and comprehension of the past event. Factors that contribute to environmental changes are discussed. The themes of creation and vengeance are illustrated to give a clear perspective of Mary’s main aim in writing her book. After the death of her husband, Mary becomes religious and seeks Christian Orthodox etiology ideas. The existence of a deity who creates human beings indicates the origin of life, and its end is seen by death.

Hetherington, Naomi. “Creator And Created in Mary Shelley’s Frankenstein .”Taylor & Francis , vol, 12, no. 5, 2022, pp. 32-85

Ozherelyev, Konstantin A. “Philosophical Contexts in Mary Shelley’S Novel «Frankenstein.» Herald Of Omsk University , vol 25, no. 3, 2020, pp. 61-66. Dostoevsky Omsk State University ,

Romantic Circles. “Belle Assemblee Review of Frankenstein. March 1818, Romantic Circles”. Romantic-Circles.Org , 2022, Web.

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IvyPanda. (2023, August 20). The Novel "Frankenstein" by Mary Shelley: Critical Analysis.

"The Novel "Frankenstein" by Mary Shelley: Critical Analysis." IvyPanda , 20 Aug. 2023,

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IvyPanda . "The Novel "Frankenstein" by Mary Shelley: Critical Analysis." August 20, 2023.

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  21. The Novel "Frankenstein" by Mary Shelley: Critical Analysis Essay

    Mary's novel is featured in the romantic fiction of nature which depicts family values and fundamental laws of nature. The author aims to explain the romantic nature by explaining unusual settings and nature components (Romantic Circles). The perceptions which drove Frankenstein, such as the change of species Belle Assemblee are explained.