famous essays in history

40 Best Essays of All Time (Including Links & Writing Tips)

I wanted to improve my writing skills. I thought that reading the forty best essays of all time would bring me closer to my goal.

I had little money (buying forty collections of essays was out of the question) so I’ve found them online instead. I’ve hacked through piles of them, and finally, I’ve found the great ones. Now I want to share the whole list with you (with the addition of my notes about writing). Each item on the list has a direct link to the essay, so please click away and indulge yourself. Also, next to each essay, there’s an image of the book that contains the original work.

About this essay list:

Reading essays is like indulging in candy; once you start, it’s hard to stop. I sought out essays that were not only well-crafted but also impactful. These pieces genuinely shifted my perspective. Whether you’re diving in for enjoyment or to hone your writing, these essays promise to leave an imprint. It’s fascinating how an essay can resonate with you, and even if details fade, its essence remains. I haven’t ranked them in any way; they’re all stellar. Skim through, explore the summaries, and pick up some writing tips along the way. For more essay gems, consider “Best American Essays” by Joyce Carol Oates or “101 Essays That Will Change The Way You Think” curated by Brianna Wiest.

40 Best Essays of All Time (With Links And Writing Tips)

1. david sedaris – laugh, kookaburra.

A great family drama takes place against the backdrop of the Australian wilderness. And the Kookaburra laughs… This is one of the top essays of the lot. It’s a great mixture of family reminiscences, travel writing, and advice on what’s most important in life. You’ll also learn an awful lot about the curious culture of the Aussies.

Writing tips from the essay:

• Use analogies (you can make it funny or dramatic to achieve a better effect): “Don’t be afraid,” the waiter said, and he talked to the kookaburra in a soothing, respectful voice, the way you might to a child with a switchblade in his hand”.
• You can touch a few cognate stories in one piece of writing . Reveal the layers gradually. Intertwine them and arrange for a grand finale where everything is finally clear.
• Be on the side of the reader. Become their friend and tell the story naturally, like around the dinner table.
• Use short, punchy sentences. Tell only as much as is required to make your point vivid.
• Conjure sentences that create actual feelings: “I had on a sweater and a jacket, but they weren’t quite enough, and I shivered as we walked toward the body, and saw that it was a . . . what, exactly?”
• You may ask a few tough questions in a row to provoke interest and let the reader think.

2. Charles D’Ambrosio – Documents

Do you think your life punches you in the face all too often? After reading this essay, you will change your mind. Reading about loss and hardships often makes us sad at first, but then enables us to feel grateful for our lives . D’Ambrosio shares his documents (poems, letters) that had a major impact on his life, and brilliantly shows how not to let go of the past.

• The most powerful stories are about your family and the childhood moments that shaped your life.
• You don’t need to build up tension and pussyfoot around the crux of the matter. Instead, surprise the reader by telling it like it is: “The poem was an allegory about his desire to leave our family.” Or: “My father had three sons. I’m the eldest; Danny, the youngest, killed himself sixteen years ago”.
• You can use real documents and quotes from your family and friends. It makes it so much more personal and relatable.
• Don’t cringe before the long sentence if you know it’s a strong one.
• At the end of the essay, you may come back to the first theme to close the circuit.
• Using slightly poetic language is acceptable, as long as it improves the story.

3. E. B. White – Once more to the lake

What does it mean to be a father? Can you see your younger self, reflected in your child? This beautiful essay tells the story of the author, his son, and their traditional stay at a placid lake hidden within the forests of Maine. This place of nature is filled with sunshine and childhood memories. It also provides for one of the greatest meditations on nature and the passing of time.

• Use sophisticated language, but not at the expense of readability.
• Use vivid language to trigger the mirror neurons in the reader’s brain: “I took along my son, who had never had any fresh water up his nose and who had seen lily pads only from train windows”.
• It’s important to mention universal feelings that are rarely talked about (it helps to create a bond between two minds): “You remember one thing, and that suddenly reminds you of another thing. I guess I remembered clearest of all the early mornings when the lake was cool and motionless”.
• Animate the inanimate: “this constant and trustworthy body of water”.
• Mentioning tales of yore is a good way to add some mystery and timelessness to your piece.
• Using double, or even triple “and” in one sentence is fine. It can make the sentence sing.

4. Zadie Smith – Fail Better

Aspiring writers feel tremendous pressure to perform. The daily quota of words often turns out to be nothing more than gibberish. What then? Also, should the writer please the reader or should she be fully independent? What does it mean to be a writer, anyway? This essay is an attempt to answer these questions, but its contents are not only meant for scribblers. Within it, you’ll find some great notes about literary criticism, how we treat art , and the responsibility of the reader.

• A perfect novel ? There’s no such thing.
• The novel always reflects the inner world of the writer. That’s why we’re fascinated with writers.
• Writing is not simply about craftsmanship, but about taking your reader to the unknown lands. In the words of Christopher Hitchens: “Your ideal authors ought to pull you from the foundering of your previous existence, not smilingly guide you into a friendly and peaceable harbor.”
• Style comes from your unique personality and the perception of the world. It takes time to develop it.
• Never try to tell it all. “All” can never be put into language. Take a part of it and tell it the best you can.
• Avoid being cliché. Try to infuse new life into your writing .
• Writing is about your way of being. It’s your game. Paradoxically, if you try to please everyone, your writing will become less appealing. You’ll lose the interest of the readers. This rule doesn’t apply in the business world where you have to write for a specific person (a target audience).
• As a reader, you have responsibilities too. According to the critics, every thirty years, there’s just a handful of great novels. Maybe it’s true. But there’s also an element of personal connection between the reader and the writer. That’s why for one person a novel is a marvel, while for the other, nothing special at all. That’s why you have to search and find the author who will touch you.

5. Virginia Woolf – Death of the Moth

Amid an ordinary day, sitting in a room of her own, Virginia Woolf tells about the epic struggle for survival and the evanescence of life. This short essay is truly powerful. In the beginning, the atmosphere is happy. Life is in full force. And then, suddenly, it fades away. This sense of melancholy would mark the last years of Woolf’s life.

• The melody of language… A good sentence is like music: “Moths that fly by day are not properly to be called moths; they do not excite that pleasant sense of dark autumn nights and ivy-blossom which the commonest yellow- underwing asleep in the shadow of the curtain never fails to rouse in us”.
• You can show the grandest in the mundane (for example, the moth at your window and the drama of life and death).
• Using simple comparisons makes the style more lucid: “Being intent on other matters I watched these futile attempts for a time without thinking, unconsciously waiting for him to resume his flight, as one waits for a machine, that has stopped momentarily, to start again without considering the reason of its failure”.

6. Meghan Daum – My Misspent Youth

Many of us, at some point or another, dream about living in New York. Meghan Daum’s take on the subject differs slightly from what you might expect. There’s no glamour, no Broadway shows, and no fancy restaurants. Instead, there’s the sullen reality of living in one of the most expensive cities in the world. You’ll get all the juicy details about credit cards, overdue payments, and scrambling for survival. It’s a word of warning. But it’s also a great story about shattered fantasies of living in a big city. Word on the street is: “You ain’t promised mañana in the rotten manzana.”

• You can paint a picture of your former self. What did that person believe in? What kind of world did he or she live in?
• “The day that turned your life around” is a good theme you may use in a story. Memories of a special day are filled with emotions. Strong emotions often breed strong writing.
• Use cultural references and relevant slang to create a context for your story.
• You can tell all the details of the story, even if in some people’s eyes you’ll look like the dumbest motherfucker that ever lived. It adds to the originality.
• Say it in a new way: “In this mindset, the dollars spent, like the mechanics of a machine no one bothers to understand, become an abstraction, an intangible avenue toward self-expression, a mere vehicle of style”.
• You can mix your personal story with the zeitgeist or the ethos of the time.

7. Roger Ebert – Go Gentle Into That Good Night

Probably the greatest film critic of all time, Roger Ebert, tells us not to rage against the dying of the light. This essay is full of courage, erudition, and humanism. From it, we learn about what it means to be dying (Hitchens’ “Mortality” is another great work on that theme). But there’s so much more. It’s a great celebration of life too. It’s about not giving up, and sticking to your principles until the very end. It brings to mind the famous scene from Dead Poets Society where John Keating (Robin Williams) tells his students: “Carpe, carpe diem, seize the day boys, make your lives extraordinary”.

• Start with a powerful sentence: “I know it is coming, and I do not fear it, because I believe there is nothing on the other side of death to fear.”
• Use quotes to prove your point -”‘Ask someone how they feel about death’, he said, ‘and they’ll tell you everyone’s gonna die’. Ask them, ‘In the next 30 seconds?’ No, no, no, that’s not gonna happen”.
• Admit the basic truths about reality in a childlike way (especially after pondering quantum physics) – “I believe my wristwatch exists, and even when I am unconscious, it is ticking all the same. You have to start somewhere”.
• Let other thinkers prove your point. Use quotes and ideas from your favorite authors and friends.

8. George Orwell – Shooting an Elephant

Even after one reading, you’ll remember this one for years. The story, set in British Burma, is about shooting an elephant (it’s not for the squeamish). It’s also the most powerful denunciation of colonialism ever put into writing. Orwell, apparently a free representative of British rule, feels to be nothing more than a puppet succumbing to the whim of the mob.

• The first sentence is the most important one: “In Moulmein, in Lower Burma, I was hated by large numbers of people — the only time in my life that I have been important enough for this to happen to me”.
• You can use just the first paragraph to set the stage for the whole piece of prose.
• Use beautiful language that stirs the imagination: “I remember that it was a cloudy, stuffy morning at the beginning of the rains.” Or: “I watched him beating his bunch of grass against his knees, with that preoccupied grandmotherly air that elephants have.”
• If you’ve ever been to war, you will have a story to tell: “(Never tell me, by the way, that the dead look peaceful. Most of the corpses I have seen looked devilish.)”
• Use simple words, and admit the sad truth only you can perceive: “They did not like me, but with the magical rifle in my hands I was momentarily worth watching”.
• Share words of wisdom to add texture to the writing: “I perceived at this moment that when the white man turns tyrant it is his freedom that he destroys.”
• I highly recommend reading everything written by Orwell, especially if you’re looking for the best essay collections on Amazon or Goodreads.

9. George Orwell – A Hanging

It’s just another day in Burma – time to hang a man. Without much ado, Orwell recounts the grim reality of taking another person’s life. A man is taken from his cage and in a few minutes, he’s going to be hanged. The most horrible thing is the normality of it. It’s a powerful story about human nature. Also, there’s an extraordinary incident with the dog, but I won’t get ahead of myself.

• Create brilliant, yet short descriptions of characters: “He was a Hindu, a puny wisp of a man, with a shaven head and vague liquid eyes. He had a thick, sprouting mustache, absurdly too big for his body, rather like the mustache of a comic man on the films”.
• Understand and share the felt presence of a unique experience: “It is curious, but till that moment I had never realized what it means to destroy a healthy, conscious man”.
• Make your readers hear the sound that will stay with them forever: “And then when the noose was fixed, the prisoner began crying out on his god. It was a high, reiterated cry of “Ram! Ram! Ram! Ram!”
• Make the ending original by refusing the tendency to seek closure or summing it up.

10. Christopher Hitchens – Assassins of The Mind

In one of the greatest essays written in defense of free speech, Christopher Hitchens shares many examples of how modern media kneel to the explicit threats of violence posed by Islamic extremists. He recounts the story of his friend, Salman Rushdie, author of Satanic Verses who, for many years, had to watch over his shoulder because of the fatwa of Ayatollah Khomeini. With his usual wit, Hitchens shares various examples of people who died because of their opinions and of editors who refuse to publish anything related to Islam because of fear (and it was written long before the Charlie Hebdo massacre). After reading the essay, you realize that freedom of expression is one of the most precious things we have and that we have to fight for it. I highly recommend all essay collections penned by Hitchens, especially the ones written for Vanity Fair.

• Assume that the readers will know the cultural references. When they do, their self-esteem goes up – they are a part of an insider group.
• When proving your point, give a variety of real-life examples from eclectic sources. Leave no room for ambiguity or vagueness. Research and overall knowledge are essential here.
• Use italics to emphasize a specific word or phrase (here I use the underlining): “We live now in a climate where every publisher and editor and politician has to weigh in advance the possibility of violent Muslim reprisal. In consequence, several things have not happened.”
• Think about how to make it sound more original: “So there is now a hidden partner in our cultural and academic and publishing and the broadcasting world: a shadowy figure that has, uninvited, drawn up a chair to the table.”

11. Christopher Hitchens – The New Commandments

It’s high time to shatter the tablets and amend the biblical rules of conduct. Watch, as Christopher Hitchens slays one commandment after the other on moral, as well as historical grounds. For example, did you know that there are many versions of the divine law dictated by God to Moses which you can find in the Bible? Aren’t we thus empowered to write our version of a proper moral code? If you approach it with an open mind, this essay may change the way you think about the Bible and religion.

• Take the iconoclastic approach. Have a party on the hallowed soil.
• Use humor to undermine orthodox ideas (it seems to be the best way to deal with an established authority).
• Use sarcasm and irony when appropriate (or not): “Nobody is opposed to a day of rest. The international Communist movement got its start by proclaiming a strike for an eight-hour day on May 1, 1886, against Christian employers who used child labor seven days a week”.
• Defeat God on legal grounds: “Wise lawmakers know that it is a mistake to promulgate legislation that is impossible to obey”.
• Be ruthless in the logic of your argument. Provide evidence.

12. Phillip Lopate – Against Joie de Vivre

While reading this fantastic essay, this quote from Slavoj Žižek kept coming back to me: “I think that the only life of deep satisfaction is a life of eternal struggle, especially struggle with oneself. If you want to remain happy, just remain stupid. Authentic masters are never happy; happiness is a category of slaves”. I can bear the onus of happiness or joie de vivre for some time. But this force enables me to get free and wallow in the sweet feelings of melancholy and nostalgia. By reading this work of Lopate, you’ll enter into the world of an intelligent man who finds most social rituals a drag. It’s worth exploring.

• Go against the grain. Be flamboyant and controversial (if you can handle it).
• Treat the paragraph like a group of thoughts on one theme. Next paragraph, next theme.
• Use references to other artists to set the context and enrich the prose: “These sunny little canvases with their talented innocence, the third-generation spirit of Montmartre, bore testimony to a love of life so unbending as to leave an impression of rigid narrow-mindedness as extreme as any Savonarola. Their rejection of sorrow was total”.
• Capture the emotions in life that are universal, yet remain unspoken.
• Don’t be afraid to share your intimate experiences.

13. Philip Larkin – The Pleasure Principle

This piece comes from the Required Writing collection of personal essays. Larkin argues that reading in verse should be a source of intimate pleasure – not a medley of unintelligible thoughts that only the author can (or can’t?) decipher. It’s a sobering take on modern poetry and a great call to action for all those involved in it. Well worth a read.

• Write about complicated ideas (such as poetry) simply. You can change how people look at things if you express yourself enough.
• Go boldly. The reader wants a bold writer: “We seem to be producing a new kind of bad poetry, not the old kind that tries to move the reader and fails, but one that does not even try”.
• Play with words and sentence length. Create music: “It is time some of you playboys realized, says the judge, that reading a poem is hard work. Fourteen days in stir. Next case”.
• Persuade the reader to take action. Here, direct language is the most effective.

14. Sigmund Freud – Thoughts for the Times on War and Death

This essay reveals Freud’s disillusionment with the whole project of Western civilization. How the peaceful European countries could engage in a war that would eventually cost over 17 million lives? What stirs people to kill each other? Is it their nature, or are they puppets of imperial forces with agendas of their own? From the perspective of time, this work by Freud doesn’t seem to be fully accurate. Even so, it’s well worth your time.

• Commence with long words derived from Latin. Get grandiloquent, make your argument incontrovertible, and leave your audience discombobulated.
• Use unending sentences, so that the reader feels confused, yet impressed.
• Say it well: “In this way, he enjoyed the blue sea and the grey; the beauty of snow-covered mountains and green meadowlands; the magic of northern forests and the splendor of southern vegetation; the mood evoked by landscapes that recall great historical events, and the silence of untouched nature”.
• Human nature is a subject that never gets dry.

15. Zadie Smith – Some Notes on Attunement

“You are privy to a great becoming, but you recognize nothing” – Francis Dolarhyde. This one is about the elusiveness of change occurring within you. For Zadie, it was hard to attune to the vibes of Joni Mitchell – especially her Blue album. But eventually, she grew up to appreciate her genius, and all the other things changed as well. This top essay is all about the relationship between humans, and art. We shouldn’t like art because we’re supposed to. We should like it because it has an instantaneous, emotional effect on us. Although, according to Stansfield (Gary Oldman) in Léon, liking Beethoven is rather mandatory.

• Build an expectation of what’s coming: “The first time I heard her I didn’t hear her at all”.
• Don’t be afraid of repetition if it feels good.
• Psychedelic drugs let you appreciate things you never appreciated.
• Intertwine a personal journey with philosophical musings.
• Show rather than tell: “My friends pitied their eyes. The same look the faithful give you as you hand them back their “literature” and close the door in their faces”.
• Let the poets speak for you: “That time is past, / And all its aching joys are now no
• more, / And all its dizzy raptures”.
• By voicing your anxieties, you can heal the anxieties of the reader. In that way, you say: “I’m just like you. I’m your friend in this struggle”.
• Admit your flaws to make your persona more relatable.

16. Annie Dillard – Total Eclipse

My imagination was always stirred by the scene of the solar eclipse in Pharaoh, by Boleslaw Prus. I wondered about the shock of the disoriented crowd when they saw how their ruler could switch off the light. Getting immersed in this essay by Annie Dillard has a similar effect. It produces amazement and some kind of primeval fear. It’s not only the environment that changes; it’s your mind and the perception of the world. After the eclipse, nothing is going to be the same again.

• Yet again, the power of the first sentence draws you in: “It had been like dying, that sliding down the mountain pass”.
• Don’t miss the extraordinary scene. Then describe it: “Up in the sky, like a crater from some distant cataclysm, was a hollow ring”.
• Use colloquial language. Write as you talk. Short sentences often win.
• Contrast the numinous with the mundane to enthrall the reader.

17. Édouard Levé – When I Look at a Strawberry, I Think of a Tongue

This suicidally beautiful essay will teach you a lot about the appreciation of life and the struggle with mental illness. It’s a collection of personal, apparently unrelated thoughts that show us the rich interior of the author. You look at the real-time thoughts of another person, and then recognize the same patterns within yourself… It sounds like a confession of a person who’s about to take their life, and it’s striking in its originality.

• Use the stream-of-consciousness technique and put random thoughts on paper. Then, polish them: “I have attempted suicide once, I’ve been tempted four times to attempt it”.
• Place the treasure deep within the story: “When I look at a strawberry, I think of a tongue, when I lick one, of a kiss”.
• Don’t worry about what people might think. The more you expose, the more powerful the writing. Readers also take part in the great drama. They experience universal emotions that mostly stay inside.  You can translate them into writing.

18. Gloria E. Anzaldúa – How to Tame a Wild Tongue

Anzaldúa, who was born in south Texas, had to struggle to find her true identity. She was American, but her culture was grounded in Mexico. In this way, she and her people were not fully respected in either of the countries. This essay is an account of her journey of becoming the ambassador of the Chicano (Mexican-American) culture. It’s full of anecdotes, interesting references, and different shades of Spanish. It’s a window into a new cultural dimension that you’ve never experienced before.

• If your mother tongue is not English, but you write in English, use some of your unique homeland vocabulary.
• You come from a rich cultural heritage. You can share it with people who never heard about it, and are not even looking for it, but it is of immense value to them when they discover it.
• Never forget about your identity. It is precious. It is a part of who you are. Even if you migrate, try to preserve it. Use it to your best advantage and become the voice of other people in the same situation.
• Tell them what’s really on your mind: “So if you want to hurt me, talk badly about my language. Ethnic identity is twin skin to linguistic identity – I am my language”.

19. Kurt Vonnegut – Dispatch From A Man Without a Country

In terms of style, this essay is flawless. It’s simple, conversational, humorous, and yet, full of wisdom. And when Vonnegut becomes a teacher and draws an axis of “beginning – end”, and, “good fortune – bad fortune” to explain literature, it becomes outright hilarious. It’s hard to find an author with such a down-to-earth approach. He doesn’t need to get intellectual to prove a point. And the point could be summed up by the quote from Great Expectations – “On the Rampage, Pip, and off the Rampage, Pip – such is Life!”

• Start with a curious question: “Do you know what a twerp is?”
• Surprise your readers with uncanny analogies: “I am from a family of artists. Here I am, making a living in the arts. It has not been a rebellion. It’s as though I had taken over the family Esso station.”
• Use your natural language without too many special effects. In time, the style will crystalize.
• An amusing lesson in writing from Mr. Vonnegut: “Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college”.
• You can put actual images or vignettes between the paragraphs to illustrate something.

20. Mary Ruefle – On Fear

Most psychologists and gurus agree that fear is the greatest enemy of success or any creative activity. It’s programmed into our minds to keep us away from imaginary harm. Mary Ruefle takes on this basic human emotion with flair. She explores fear from so many angles (especially in the world of poetry-writing) that at the end of this personal essay, you will look at it, dissect it, untangle it, and hopefully be able to say “f**k you” the next time your brain is trying to stop you.

• Research your subject thoroughly. Ask people, have interviews, get expert opinions, and gather as much information as possible. Then scavenge through the fields of data, and pull out the golden bits that will let your prose shine.
• Use powerful quotes to add color to your story: “The poet who embarks on the creation of the poem (as I know by experience), begins with the aimless sensation of a hunter about to embark on a night hunt through the remotest of forests. Unaccountable dread stirs in his heart”. – Lorca.
• Writing advice from the essay: “One of the fears a young writer has is not being able to write as well as he or she wants to, the fear of not being able to sound like X or Y, a favorite author. But out of fear, hopefully, is born a young writer’s voice”.

21. Susan Sontag – Against Interpretation

In this highly intellectual essay, Sontag fights for art and its interpretation. It’s a great lesson, especially for critics and interpreters who endlessly chew on works that simply defy interpretation. Why don’t we just leave the art alone? I always hated it when at school they asked me: “What did the author have in mind when he did X or Y?” Iēsous Pantocrator! Hell if I know! I will judge it through my subjective experience!

• Leave the art alone: “Today is such a time, when the project of interpretation is reactionary, stifling. Like the fumes of the automobile and heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities”.
• When you have something really important to say, style matters less.
• There’s no use in creating a second meaning or inviting interpretation of our art. Just leave it be and let it speak for itself.

22. Nora Ephron – A Few Words About Breasts

This is a heartwarming, coming-of-age story about a young girl who waits in vain for her breasts to grow. It’s simply a humorous and pleasurable read. The size of breasts is a big deal for women. If you’re a man, you may peek into the mind of a woman and learn many interesting things. If you’re a woman, maybe you’ll be able to relate and at last, be at peace with your bosom.

• Touch an interesting subject and establish a strong connection with the readers (in that case, women with small breasts). Let your personality shine through the written piece. If you are lighthearted, show it.
• Use hyphens to create an impression of real talk: “My house was full of apples and peaches and milk and homemade chocolate chip cookies – which were nice, and good for you, but-not-right-before-dinner-or-you’ll-spoil-your-appetite.”
• Use present tense when you tell a story to add more life to it.
• Share the pronounced, memorable traits of characters: “A previous girlfriend named Solange, who was famous throughout Beverly Hills High School for having no pigment in her right eyebrow, had knitted them for him (angora dice)”.

23. Carl Sagan – Does Truth Matter – Science, Pseudoscience, and Civilization

Carl Sagan was one of the greatest proponents of skepticism, and an author of numerous books, including one of my all-time favorites – The Demon-Haunted World . He was also a renowned physicist and the host of the fantastic Cosmos: A Personal Voyage series, which inspired a whole generation to uncover the mysteries of the cosmos. He was also a dedicated weed smoker – clearly ahead of his time. The essay that you’re about to read is a crystallization of his views about true science, and why you should check the evidence before believing in UFOs or similar sorts of crap.

• Tell people the brutal truth they need to hear. Be the one who spells it out for them.
• Give a multitude of examples to prove your point. Giving hard facts helps to establish trust with the readers and show the veracity of your arguments.
• Recommend a good book that will change your reader’s minds – How We Know What Isn’t So: The Fallibility of Human Reason in Everyday Life

24. Paul Graham – How To Do What You Love

How To Do What You Love should be read by every college student and young adult. The Internet is flooded with a large number of articles and videos that are supposed to tell you what to do with your life. Most of them are worthless, but this one is different. It’s sincere, and there’s no hidden agenda behind it. There’s so much we take for granted – what we study, where we work, what we do in our free time… Surely we have another two hundred years to figure it out, right? Life’s too short to be so naïve. Please, read the essay and let it help you gain fulfillment from your work.

• Ask simple, yet thought-provoking questions (especially at the beginning of the paragraph) to engage the reader: “How much are you supposed to like what you do?”
• Let the readers question their basic assumptions: “Prestige is like a powerful magnet that warps even your beliefs about what you enjoy. It causes you to work not on what you like, but what you’d like to like”.
• If you’re writing for a younger audience, you can act as a mentor. It’s beneficial for younger people to read a few words of advice from a person with experience.

25. John Jeremiah Sullivan – Mister Lytle

A young, aspiring writer is about to become a nurse of a fading writer – Mister Lytle (Andrew Nelson Lytle), and there will be trouble. This essay by Sullivan is probably my favorite one from the whole list. The amount of beautiful sentences it contains is just overwhelming. But that’s just a part of its charm. It also takes you to the Old South which has an incredible atmosphere. It’s grim and tawny but you want to stay there for a while.

• Short, distinct sentences are often the most powerful ones: “He had a deathbed, in other words. He didn’t go suddenly”.
• Stay consistent with the mood of the story. When reading Mister Lytle you are immersed in that southern, forsaken, gloomy world, and it’s a pleasure.
• The spectacular language that captures it all: “His French was superb, but his accent in English was best—that extinct mid-Southern, land-grant pioneer speech, with its tinges of the abandoned Celtic urban Northeast (“boned” for burned) and its raw gentility”.
• This essay is just too good. You have to read it.

26. Joan Didion – On Self Respect

Normally, with that title, you would expect some straightforward advice about how to improve your character and get on with your goddamn life – but not from Joan Didion. From the very beginning, you can feel the depth of her thinking, and the unmistakable style of a true woman who’s been hurt. You can learn more from this essay than from whole books about self-improvement . It reminds me of the scene from True Detective, where Frank Semyon tells Ray Velcoro to “own it” after he realizes he killed the wrong man all these years ago. I guess we all have to “own it”, recognize our mistakes, and move forward sometimes.

• Share your moral advice: “Character — the willingness to accept responsibility for one’s own life — is the source from which self-respect springs”.
• It’s worth exploring the subject further from a different angle. It doesn’t matter how many people have already written on self-respect or self-reliance – you can still write passionately about it.
• Whatever happens, you must take responsibility for it. Brave the storms of discontent.

27. Susan Sontag – Notes on Camp

I’ve never read anything so thorough and lucid about an artistic current. After reading this essay, you will know what camp is. But not only that – you will learn about so many artists you’ve never heard of. You will follow their traces and go to places where you’ve never been before. You will vastly increase your appreciation of art. It’s interesting how something written as a list could be so amazing. All the listicles we usually see on the web simply cannot compare with it.

• Talking about artistic sensibilities is a tough job. When you read the essay, you will see how much research, thought and raw intellect came into it. But that’s one of the reasons why people still read it today, even though it was written in 1964.
• You can choose an unorthodox way of expression in the medium for which you produce. For example, Notes on Camp is a listicle – one of the most popular content formats on the web. But in the olden days, it was uncommon to see it in print form.
• Just think about what is camp: “And third among the great creative sensibilities is Camp: the sensibility of failed seriousness, of the theatricalization of experience. Camp refuses both the harmonies of traditional seriousness and the risks of fully identifying with extreme states of feeling”.

28. Ralph Waldo Emerson – Self-Reliance

That’s the oldest one from the lot. Written in 1841, it still inspires generations of people. It will let you understand what it means to be self-made. It contains some of the most memorable quotes of all time. I don’t know why, but this one especially touched me: “Every true man is a cause, a country, and an age; requires infinite spaces and numbers and time fully to accomplish his design, and posterity seems to follow his steps as a train of clients”. Now isn’t it purely individualistic, American thought? Emerson told me (and he will tell you) to do something amazing with my life. The language it contains is a bit archaic, but that just adds to the weight of the argument. You can consider it to be a meeting with a great philosopher who shaped the ethos of the modern United States.

• You can start with a powerful poem that will set the stage for your work.
• Be free in your creative flow. Do not wait for the approval of others: “What I must do is all that concerns me, not what the people think. This rule, equally arduous in actual and in intellectual life, may serve for the whole distinction between greatness and meanness”.
• Use rhetorical questions to strengthen your argument: “I hear a preacher announce for his text and topic the expediency of one of the institutions of his church. Do I not know beforehand that not possibly say a new and spontaneous word?”

29. David Foster Wallace – Consider The Lobster

When you want simple field notes about a food festival, you needn’t send there the formidable David Foster Wallace. He sees right through the hypocrisy and cruelty behind killing hundreds of thousands of innocent lobsters – by boiling them alive. This essay uncovers some of the worst traits of modern American people. There are no apologies or hedging one’s bets. There’s just plain truth that stabs you in the eye like a lobster claw. After reading this essay, you may reconsider the whole animal-eating business.

• When it’s important, say it plainly and stagger the reader: “[Lobsters] survive right up until they’re boiled. Most of us have been in supermarkets or restaurants that feature tanks of live lobster, from which you can pick out your supper while it watches you point”.
• In your writing, put exact quotes of the people you’ve been interviewing (including slang and grammatical errors). It makes it more vivid, and interesting.
• You can use humor in serious situations to make your story grotesque.
• Use captions to expound on interesting points of your essay.

30. David Foster Wallace – The Nature of the Fun

The famous novelist and author of the most powerful commencement speech ever done is going to tell you about the joys and sorrows of writing a work of fiction. It’s like taking care of a mutant child that constantly oozes smelly liquids. But you love that child and you want others to love it too. It’s a very humorous account of what it means to be an author. If you ever plan to write a novel, you should read that one. And the story about the Chinese farmer is just priceless.

• Base your point on a chimerical analogy. Here, the writer’s unfinished work is a “hideously damaged infant”.
• Even in expository writing, you may share an interesting story to keep things lively.
• Share your true emotions (even when you think they won’t interest anyone). Often, that’s exactly what will interest the reader.
• Read the whole essay for marvelous advice on writing fiction.

31. Margaret Atwood – Attitude

This is not an essay per se, but I included it on the list for the sake of variety. It was delivered as a commencement speech at The University of Toronto, and it’s about keeping the right attitude. Soon after leaving university, most graduates have to forget about safety, parties, and travel and start a new life – one filled with a painful routine that will last until they drop. Atwood says that you don’t have to accept that. You can choose how you react to everything that happens to you (and you don’t have to stay in that dead-end job for the rest of your days).

• At times, we are all too eager to persuade, but the strongest persuasion is not forceful. It’s subtle. It speaks to the heart. It affects you gradually.
• You may be tempted to talk about a subject by first stating what it is not, rather than what it is. Try to avoid that.
• Simple advice for writers (and life in general): “When faced with the inevitable, you always have a choice. You may not be able to alter reality, but you can alter your attitude towards it”.

32. Jo Ann Beard – The Fourth State of Matter

Read that one as soon as possible. It’s one of the most masterful and impactful essays you’ll ever read. It’s like a good horror – a slow build-up, and then your jaw drops to the ground. To summarize the story would be to spoil it, so I recommend that you just dig in and devour this essay in one sitting. It’s a perfect example of “show, don’t tell” writing, where the actions of characters are enough to create the right effect. No need for flowery adjectives here.

• The best story you will tell is going to come from your personal experience.
• Use mysteries that will nag the reader. For example, at the beginning of the essay, we learn about the “vanished husband” but there’s no explanation. We have to keep reading to get the answer.
• Explain it in simple terms: “You’ve got your solid, your liquid, your gas, and then your plasma”. Why complicate?

33. Terence McKenna – Tryptamine Hallucinogens and Consciousness

To me, Terence McKenna was one of the most interesting thinkers of the twentieth century. His many lectures (now available on YouTube) attracted millions of people who suspect that consciousness holds secrets yet to be unveiled. McKenna consumed psychedelic drugs for most of his life and it shows (in a positive way). Many people consider him a looney, and a hippie, but he was so much more than that. He dared to go into the abyss of his psyche and come back to tell the tale. He also wrote many books (the most famous being Food Of The Gods ), built a huge botanical garden in Hawaii , lived with shamans, and was a connoisseur of all things enigmatic and obscure. Take a look at this essay, and learn more about the explorations of the subconscious mind.

• Become the original thinker, but remember that it may require extraordinary measures: “I call myself an explorer rather than a scientist because the area that I’m looking at contains insufficient data to support even the dream of being a science”.
• Learn new words every day to make your thoughts lucid.
• Come up with the most outlandish ideas to push the envelope of what’s possible. Don’t take things for granted or become intellectually lazy. Question everything.

34. Eudora Welty – The Little Store

By reading this little-known essay, you will be transported into the world of the old American South. It’s a remembrance of trips to the little store in a little town. It’s warm and straightforward, and when you read it, you feel like a child once more. All these beautiful memories live inside of us. They lay somewhere deep in our minds, hidden from sight. The work by Eudora Welty is an attempt to uncover some of them and let you get reacquainted with some smells and tastes of the past.

• When you’re from the South, flaunt it. It’s still good old English but sometimes it sounds so foreign. I can hear the Southern accent too: “There were almost tangible smells – licorice recently sucked in a child’s cheek, dill-pickle brine that had leaked through a paper sack in a fresh trail across the wooden floor, ammonia-loaded ice that had been hoisted from wet Croker sacks and slammed into the icebox with its sweet butter at the door, and perhaps the smell of still-untrapped mice”.
• Yet again, never forget your roots.
• Childhood stories can be the most powerful ones. You can write about how they shaped you.

35. John McPhee – The Search for Marvin Gardens

The Search for Marvin Gardens contains many layers of meaning. It’s a story about a Monopoly championship, but also, it’s the author’s search for the lost streets visible on the board of the famous board game. It also presents a historical perspective on the rise and fall of civilizations, and on Atlantic City, which once was a lively place, and then, slowly declined, the streets filled with dirt and broken windows.

• There’s nothing like irony: “A sign- ‘Slow, Children at Play’- has been bent backward by an automobile”.
• Telling the story in apparently unrelated fragments is sometimes better than telling the whole thing in a logical order.
• Creativity is everything. The best writing may come just from connecting two ideas and mixing them to achieve a great effect. Shush! The muse is whispering.

36. Maxine Hong Kingston – No Name Woman

A dead body at the bottom of the well makes for a beautiful literary device. The first line of Orhan Pamuk’s novel My Name Is Red delivers it perfectly: “I am nothing but a corpse now, a body at the bottom of a well”. There’s something creepy about the idea of the well. Just think about the “It puts the lotion in the basket” scene from The Silence of the Lambs. In the first paragraph of Kingston’s essay, we learn about a suicide committed by uncommon means of jumping into the well. But this time it’s a real story. Who was this woman? Why did she do it? Read the essay.

• Mysterious death always gets attention. The macabre details are like daiquiris on a hot day – you savor them – you don’t let them spill.
• One sentence can speak volumes: “But the rare urge west had fixed upon our family, and so my aunt crossed boundaries not delineated in space”.
• It’s interesting to write about cultural differences – especially if you have the relevant experience. Something normal for us is unthinkable for others. Show this different world.
• The subject of sex is never boring.

37. Joan Didion – On Keeping A Notebook

Slouching Towards Bethlehem is one of the most famous collections of essays of all time. In it, you will find a curious piece called On Keeping A Notebook. It’s not only a meditation about keeping a journal. It’s also Didion’s reconciliation with her past self. After reading it, you will seriously reconsider your life’s choices and look at your life from a wider perspective.

• When you write things down in your journal, be more specific – unless you want to write a deep essay about it years later.
• Use the beauty of the language to relate to the past: “I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing ‘How High the Moon’ on the car radio”.
• Drop some brand names if you want to feel posh.

38. Joan Didion – Goodbye To All That

This one touched me because I also lived in New York City for a while. I don’t know why, but stories about life in NYC are so often full of charm and this eerie-melancholy-jazz feeling. They are powerful. They go like this: “There was a hard blizzard in NYC. As the sound of sirens faded, Tony descended into the dark world of hustlers and pimps.” That’s pulp literature but in the context of NYC, it always sounds cool. Anyway, this essay is amazing in too many ways. You just have to read it.

• Talk about New York City. They will read it.
• Talk about the human experience: “It did occur to me to call the desk and ask that the air conditioner be turned off, I never called, because I did not know how much to tip whoever might come—was anyone ever so young?”
• Look back at your life and reexamine it. Draw lessons from it.

39. George Orwell – Reflections on Gandhi

George Orwell could see things as they were. No exaggeration, no romanticism – just facts. He recognized totalitarianism and communism for what they were and shared his worries through books like 1984 and Animal Farm . He took the same sober approach when dealing with saints and sages. Today, we regard Gandhi as one of the greatest political leaders of the twentieth century – and rightfully so. But did you know that when asked about the Jews during World War II, Gandhi said that they should commit collective suicide and that it: “would have aroused the world and the people of Germany to Hitler’s violence.” He also recommended utter pacifism in 1942, during the Japanese invasion, even though he knew it would cost millions of lives. But overall he was a good guy. Read the essay and broaden your perspective on the Bapu of the Indian Nation.

• Share a philosophical thought that stops the reader for a moment: “No doubt alcohol, tobacco, and so forth are things that a saint must avoid, but sainthood is also a thing that human beings must avoid”.
• Be straightforward in your writing – no mannerisms, no attempts to create ‘style’, and no invocations of the numinous – unless you feel the mystical vibe.

40. George Orwell – Politics and the English Language

Let Mr. Orwell give you some writing tips. Written in 1946, this essay is still one of the most helpful documents on writing in English. Orwell was probably the first person who exposed the deliberate vagueness of political language. He was very serious about it and I admire his efforts to slay all unclear sentences (including ones written by distinguished professors). But it’s good to make it humorous too from time to time. My favorite examples of that would be the immortal Soft Language sketch by George Carlin or the “Romans Go Home” scene from Monty Python’s Life of Brian. Overall, it’s a great essay filled with examples from many written materials. It’s a must-read for any writer.

• Listen to the master: “This mixture of vagueness and sheer incompetence is the most marked characteristic of modern English prose.” Do something about it.
• This essay is all about writing better, so go to the source if you want the goodies.

Other Essays You May Find Interesting

The list that I’ve prepared is by no means complete. The literary world is full of exciting essays and you’ll never know which one is going to change your life. I’ve found reading essays very rewarding because sometimes, a single one means more than reading a whole book. It’s almost like wandering around and peeking into the minds of the greatest writers and thinkers that ever lived. To make this list more comprehensive, below I included more essays you may find interesting.

Oliver Sacks – On Libraries

One of the greatest contributors to the knowledge about the human mind, Oliver Sacks meditates on the value of libraries and his love of books.

Noam Chomsky – The Responsibility of Intellectuals

Chomsky did probably more than anyone else to define the role of the intelligentsia in the modern world . There is a war of ideas over there – good and bad – intellectuals are going to be those who ought to be fighting for the former.

Sam Harris – The Riddle of The Gun

Sam Harris, now a famous philosopher and neuroscientist, takes on the problem of gun control in the United States. His thoughts are clear of prejudice. After reading this, you’ll appreciate the value of logical discourse overheated, irrational debate that more often than not has real implications on policy.

Tim Ferriss – Some Practical Thoughts on Suicide

This piece was written as a blog post , but it’s worth your time. The author of the NYT bestseller The 4-Hour Workweek shares an emotional story about how he almost killed himself, and what can you do to save yourself or your friends from suicide.

Edward Said – Reflections on Exile

The life of Edward Said was a truly fascinating one. Born in Jerusalem, he lived between Palestine and Egypt and finally settled down in the United States, where he completed his most famous work – Orientalism. In this essay, he shares his thoughts about what it means to be in exile.

Richard Feynman – It’s as Simple as One, Two, Three…

Richard Feynman is one of the most interesting minds of the twentieth century. He was a brilliant physicist, but also an undeniably great communicator of science, an artist, and a traveler. By reading this essay, you can observe his thought process when he tries to figure out what affects our perception of time. It’s a truly fascinating read.

Rabindranath Tagore – The Religion of The Forest

I like to think about Tagore as my spiritual Friend. His poems are just marvelous. They are like some of the Persian verses that praise love, nature, and the unity of all things. By reading this short essay, you will learn a lot about Indian philosophy and its relation to its Western counterpart.

Richard Dawkins – Letter To His 10-Year-Old Daughter

Every father should be able to articulate his philosophy of life to his children. With this letter that’s similar to what you find in the Paris Review essays , the famed atheist and defender of reason, Richard Dawkins, does exactly that. It’s beautifully written and stresses the importance of looking at evidence when we’re trying to make sense of the world.

Albert Camus – The Minotaur (or, The Stop In Oran)

Each person requires a period of solitude – a period when one’s able to gather thoughts and make sense of life. There are many places where you may attempt to find quietude. Albert Camus tells about his favorite one.

Koty Neelis – 21 Incredible Life Lessons From Anthony Bourdain

I included it as the last one because it’s not really an essay, but I just had to put it somewhere. In this listicle, you’ll find the 21 most original thoughts of the high-profile cook, writer, and TV host, Anthony Bourdain. Some of them are shocking, others are funny, but they’re all worth checking out.

Lucius Annaeus Seneca – On the Shortness of Life

It’s similar to the Rubaiyat of Omar Khayyam because it praises life. Seneca shares some of his stoic philosophy and tells you not to waste your time on stupidities. Drink! – for once dead you shall never return.

Bertrand Russell – In Praise of Idleness

This old essay is a must-read for modern humans. We are so preoccupied with our work, our phones, and all the media input we drown in our business. Bertrand Russell tells you to chill out a bit – maybe it will do you some good.

James Baldwin – Stranger in the Village

It’s an essay on the author’s experiences as an African-American in a Swiss village, exploring race, identity, and alienation while highlighting the complexities of racial dynamics and the quest for belonging.

Bonus – More writing tips from two great books

The mission to improve my writing skills took me further than just going through the essays. I’ve come across some great books on writing too. I highly recommend you read them in their entirety. They’re written beautifully and contain lots of useful knowledge. Below you’ll find random (but useful) notes that I took from The Sense of Style and On Writing.

The Sense of Style – By Steven Pinker

• Style manuals are full of inconsistencies. Following their advice might not be the best idea. They might make your prose boring.
• Grammarians from all eras condemn students for not knowing grammar. But it just evolves. It cannot be rigid.
• “Nothing worth learning can be taught” – Oscar Wilde. It’s hard to learn to write from a manual – you have to read, write, and analyze.
• Good writing makes you imagine things and feel them for yourself – use word pictures.
• Don’t fear using voluptuous words.
• Phonesthetics – or how the words sound.
• Use parallel language (consistency of tense).
• Good writing finishes strong.
• Write to someone. Never write for no one in mind. Try to show people your view of the world.
• Don’t tell everything you are going to say in summary (signposting) – be logical, but be conversational.
• Don’t be pompous.
• Don’t use quotation marks where they don’t “belong”. Be confident about your style.
• Don’t hedge your claims (research first, and then tell it like it is).
• Avoid clichés and meta-concepts (concepts about concepts). Be more straightforward!
• Not prevention – but prevents or prevented – don’t use dead nouns.
• Be more vivid while using your mother tongue – don’t use passive where it’s not needed. Direct the reader’s gaze to something in the world.
• The curse of knowledge – the reader doesn’t know what you know – beware of that.
• Explain technical terms.
• Use examples when you explain a difficult term.
• If you ever say “I think I understand this” it probably means you don’t.
• It’s better to underestimate the lingo of your readers than to overestimate it.
• Functional fixedness – if we know some object (or idea) well, we tend to see it in terms of usage, not just as an object.
• Use concrete language instead of an abstraction.
• Show your work to people before you publish (get feedback!).
• Wait for a few days and then revise, revise, revise. Think about clarity and the sound of sentences. Then show it to someone. Then revise one more time. Then publish (if it’s to be serious work).
• Look at it from the perspective of other people.
• Omit needless words.
• Put the heaviest words at the end of the sentence.
• It’s good to use the passive, but only when appropriate.
• Check all text for cohesion. Make sure that the sentences flow gently.
• In expository work, go from general to more specific. But in journalism start from the big news and then give more details.
• Use the paragraph break to give the reader a moment to take a breath.
• Use the verb instead of a noun (make it more active) – not “cancellation”, but “canceled”. But after you introduce the action, you can refer to it with a noun.
• Avoid too many negations.
• If you write about why something is so, don’t spend too much time writing about why it is not.

On Writing Well – By William Zinsser

• Writing is a craft. You need to sit down every day and practice your craft.
• You should re-write and polish your prose a lot.
• Throw out all the clutter. Don’t keep it because you like it. Aim for readability.
• Look at the best examples of English literature . There’s hardly any needless garbage there.
• Use shorter expressions. Don’t add extra words that don’t bring any value to your work.
• Don’t use pompous language. Use simple language and say plainly what’s going on (“because” equals “because”).
• The media and politics are full of cluttered prose (because it helps them to cover up for their mistakes).
• You can’t add style to your work (and especially, don’t add fancy words to create an illusion of style). That will look fake. You need to develop a style.
• Write in the “I” mode. Write to a friend or just for yourself. Show your personality. There is a person behind the writing.
• Choose your words carefully. Use the dictionary to learn different shades of meaning.
• Remember about phonology. Make music with words .
• The lead is essential. Pull the reader in. Otherwise, your article is dead.
• You don’t have to make the final judgment on any topic. Just pick the right angle.
• Do your research. Not just obvious research, but a deep one.
• When it’s time to stop, stop. And finish strong. Think about the last sentence. Surprise them.
• Use quotations. Ask people. Get them talking.
• If you write about travel, it must be significant to the reader. Don’t bother with the obvious. Choose your words with special care. Avoid travel clichés at all costs. Don’t tell that the sand was white and there were rocks on the beach. Look for the right detail.
• If you want to learn how to write about art, travel, science, etc. – read the best examples available. Learn from the masters.
• Concentrate on one big idea (“Let’s not go peeing down both legs”).
• “The reader has to feel that the writer is feeling good.”
• One very helpful question: “What is the piece really about?” (Not just “What the piece is about?”)

Now immerse yourself in the world of essays

By reading the essays from the list above, you’ll become a better writer , a better reader, but also a better person. An essay is a special form of writing. It is the only literary form that I know of that is an absolute requirement for career or educational advancement. Nowadays, you can use an AI essay writer or an AI essay generator that will get the writing done for you, but if you have personal integrity and strong moral principles, avoid doing this at all costs. For me as a writer, the effect of these authors’ masterpieces is often deeply personal. You won’t be able to find the beautiful thoughts they contain in any other literary form. I hope you enjoy the read and that it will inspire you to do your writing. This list is only an attempt to share some of the best essays available online. Next up, you may want to check the list of magazines and websites that accept personal essays .

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Read this week's magazine

The Top 10 Essays Since 1950

Robert Atwan, the founder of The Best American Essays series, picks the 10 best essays of the postwar period. Links to the essays are provided when available.

Fortunately, when I worked with Joyce Carol Oates on The Best American Essays of the Century (that’s the last century, by the way), we weren’t restricted to ten selections. So to make my list of the top ten essays since 1950 less impossible, I decided to exclude all the great examples of New Journalism--Tom Wolfe, Gay Talese, Michael Herr, and many others can be reserved for another list. I also decided to include only American writers, so such outstanding English-language essayists as Chris Arthur and Tim Robinson are missing, though they have appeared in The Best American Essays series. And I selected essays , not essayists . A list of the top ten essayists since 1950 would feature some different writers.

To my mind, the best essays are deeply personal (that doesn’t necessarily mean autobiographical) and deeply engaged with issues and ideas. And the best essays show that the name of the genre is also a verb, so they demonstrate a mind in process--reflecting, trying-out, essaying.

James Baldwin, "Notes of a Native Son" (originally appeared in Harper’s , 1955)

“I had never thought of myself as an essayist,” wrote James Baldwin, who was finishing his novel Giovanni’s Room while he worked on what would become one of the great American essays. Against a violent historical background, Baldwin recalls his deeply troubled relationship with his father and explores his growing awareness of himself as a black American. Some today may question the relevance of the essay in our brave new “post-racial” world, though Baldwin considered the essay still relevant in 1984 and, had he lived to see it, the election of Barak Obama may not have changed his mind. However you view the racial politics, the prose is undeniably hypnotic, beautifully modulated and yet full of urgency. Langston Hughes nailed it when he described Baldwin’s “illuminating intensity.” The essay was collected in Notes of a Native Son courageously (at the time) published by Beacon Press in 1955.

Norman Mailer, "The White Negro" (originally appeared in Dissent , 1957)

An essay that packed an enormous wallop at the time may make some of us cringe today with its hyperbolic dialectics and hyperventilated metaphysics. But Mailer’s attempt to define the “hipster”–in what reads in part like a prose version of Ginsberg’s “Howl”–is suddenly relevant again, as new essays keep appearing with a similar definitional purpose, though no one would mistake Mailer’s hipster (“a philosophical psychopath”) for the ones we now find in Mailer’s old Brooklyn neighborhoods. Odd, how terms can bounce back into life with an entirely different set of connotations. What might Mailer call the new hipsters? Squares?

Read the essay here .

Susan Sontag, "Notes on 'Camp'" (originally appeared in Partisan Review , 1964)

Like Mailer’s “White Negro,” Sontag’s groundbreaking essay was an ambitious attempt to define a modern sensibility, in this case “camp,” a word that was then almost exclusively associated with the gay world. I was familiar with it as an undergraduate, hearing it used often by a set of friends, department store window decorators in Manhattan. Before I heard Sontag—thirty-one, glamorous, dressed entirely in black-- read the essay on publication at a Partisan Review gathering, I had simply interpreted “campy” as an exaggerated style or over-the-top behavior. But after Sontag unpacked the concept, with the help of Oscar Wilde, I began to see the cultural world in a different light. “The whole point of camp,” she writes, “is to dethrone the serious.” Her essay, collected in Against Interpretation (1966), is not in itself an example of camp.

John McPhee, "The Search for Marvin Gardens" (originally appeared in The New Yorker , 1972)

“Go. I roll the dice—a six and a two. Through the air I move my token, the flatiron, to Vermont Avenue, where dog packs range.” And so we move, in this brilliantly conceived essay, from a series of Monopoly games to a decaying Atlantic City, the once renowned resort town that inspired America’s most popular board game. As the games progress and as properties are rapidly snapped up, McPhee juxtaposes the well-known sites on the board—Atlantic Avenue, Park Place—with actual visits to their crumbling locations. He goes to jail, not just in the game but in fact, portraying what life has now become in a city that in better days was a Boardwalk Empire. At essay’s end, he finds the elusive Marvin Gardens. The essay was collected in Pieces of the Frame (1975).

Read the essay here (subscription required).

Joan Didion, "The White Album" (originally appeared in New West , 1979)

Huey Newton, Eldridge Cleaver, and the Black Panthers, a recording session with Jim Morrison and the Doors, the San Francisco State riots, the Manson murders—all of these, and much more, figure prominently in Didion’s brilliant mosaic distillation (or phantasmagoric album) of California life in the late 1960s. Yet despite a cast of characters larger than most Hollywood epics, “The White Album” is a highly personal essay, right down to Didion’s report of her psychiatric tests as an outpatient in a Santa Monica hospital in the summer of 1968. “We tell ourselves stories in order to live,” the essay famously begins, and as it progresses nervously through cuts and flashes of reportage, with transcripts, interviews, and testimonies, we realize that all of our stories are questionable, “the imposition of a narrative line upon disparate images.” Portions of the essay appeared in installments in 1968-69 but it wasn’t until 1979 that Didion published the complete essay in New West magazine; it then became the lead essay of her book, The White Album (1979).

Annie Dillard, "Total Eclipse" (originally appeared in Antaeus , 1982)

In her introduction to The Best American Essays 1988 , Annie Dillard claims that “The essay can do everything a poem can do, and everything a short story can do—everything but fake it.” Her essay “Total Eclipse” easily makes her case for the imaginative power of a genre that is still undervalued as a branch of imaginative literature. “Total Eclipse” has it all—the climactic intensity of short fiction, the interwoven imagery of poetry, and the meditative dynamics of the personal essay: “This was the universe about which we have read so much and never before felt: the universe as a clockwork of loose spheres flung at stupefying, unauthorized speeds.” The essay, which first appeared in Antaeus in 1982 was collected in Teaching a Stone to Talk (1982), a slim volume that ranks among the best essay collections of the past fifty years.

Phillip Lopate, "Against Joie de Vivre" (originally appeared in Ploughshares , 1986)

This is an essay that made me glad I’d started The Best American Essays the year before. I’d been looking for essays that grew out of a vibrant Montaignean spirit—personal essays that were witty, conversational, reflective, confessional, and yet always about something worth discussing. And here was exactly what I’d been looking for. I might have found such writing several decades earlier but in the 80s it was relatively rare; Lopate had found a creative way to insert the old familiar essay into the contemporary world: “Over the years,” Lopate begins, “I have developed a distaste for the spectacle of joie de vivre , the knack of knowing how to live.” He goes on to dissect in comic yet astute detail the rituals of the modern dinner party. The essay was selected by Gay Talese for The Best American Essays 1987 and collected in Against Joie de Vivre in 1989 .

Edward Hoagland, "Heaven and Nature" (originally appeared in Harper’s, 1988)

“The best essayist of my generation,” is how John Updike described Edward Hoagland, who must be one of the most prolific essayists of our time as well. “Essays,” Hoagland wrote, “are how we speak to one another in print—caroming thoughts not merely in order to convey a certain packet of information, but with a special edge or bounce of personal character in a kind of public letter.” I could easily have selected many other Hoagland essays for this list (such as “The Courage of Turtles”), but I’m especially fond of “Heaven and Nature,” which shows Hoagland at his best, balancing the public and private, the well-crafted general observation with the clinching vivid example. The essay, selected by Geoffrey Wolff for The Best American Essays 1989 and collected in Heart’s Desire (1988), is an unforgettable meditation not so much on suicide as on how we remarkably manage to stay alive.

Jo Ann Beard, "The Fourth State of Matter" (originally appeared in The New Yorker , 1996)

A question for nonfiction writing students: When writing a true story based on actual events, how does the narrator create dramatic tension when most readers can be expected to know what happens in the end? To see how skillfully this can be done turn to Jo Ann Beard’s astonishing personal story about a graduate student’s murderous rampage on the University of Iowa campus in 1991. “Plasma is the fourth state of matter,” writes Beard, who worked in the U of I’s physics department at the time of the incident, “You’ve got your solid, your liquid, your gas, and there’s your plasma. In outer space there’s the plasmasphere and the plasmapause.” Besides plasma, in this emotion-packed essay you will find entangled in all the tension a lovable, dying collie, invasive squirrels, an estranged husband, the seriously disturbed gunman, and his victims, one of them among the author’s dearest friends. Selected by Ian Frazier for The Best American Essays 1997 , the essay was collected in Beard’s award-winning volume, The Boys of My Youth (1998).

David Foster Wallace, "Consider the Lobster" (originally appeared in Gourmet , 2004)

They may at first look like magazine articles—those factually-driven, expansive pieces on the Illinois State Fair, a luxury cruise ship, the adult video awards, or John McCain’s 2000 presidential campaign—but once you uncover the disguise and get inside them you are in the midst of essayistic genius. One of David Foster Wallace’s shortest and most essayistic is his “coverage” of the annual Maine Lobster Festival, “Consider the Lobster.” The Festival becomes much more than an occasion to observe “the World’s Largest Lobster Cooker” in action as Wallace poses an uncomfortable question to readers of the upscale food magazine: “Is it all right to boil a sentient creature alive just for our gustatory pleasure?” Don’t gloss over the footnotes. Susan Orlean selected the essay for The Best American Essays 2004 and Wallace collected it in Consider the Lobster and Other Essays (2005).

Read the essay here . (Note: the electronic version from Gourmet magazine’s archives differs from the essay that appears in The Best American Essays and in his book, Consider the Lobster. )

I wish I could include twenty more essays but these ten in themselves comprise a wonderful and wide-ranging mini-anthology, one that showcases some of the most outstanding literary voices of our time. Readers who’d like to see more of the best essays since 1950 should take a look at The Best American Essays of the Century (2000).

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The 10 Best Essay Collections of the Decade

Ever tried. ever failed. no matter..

Friends, it’s true: the end of the decade approaches. It’s been a difficult, anxiety-provoking, morally compromised decade, but at least it’s been populated by some damn fine literature. We’ll take our silver linings where we can.

So, as is our hallowed duty as a literary and culture website—though with full awareness of the potentially fruitless and endlessly contestable nature of the task—in the coming weeks, we’ll be taking a look at the best and most important (these being not always the same) books of the decade that was. We will do this, of course, by means of a variety of lists. We began with the best debut novels , the best short story collections , the best poetry collections , and the best memoirs of the decade , and we have now reached the fifth list in our series: the best essay collections published in English between 2010 and 2019.

The following books were chosen after much debate (and several rounds of voting) by the Literary Hub staff. Tears were spilled, feelings were hurt, books were re-read. And as you’ll shortly see, we had a hard time choosing just ten—so we’ve also included a list of dissenting opinions, and an even longer list of also-rans. As ever, free to add any of your own favorites that we’ve missed in the comments below.

The Top Ten

Oliver sacks, the mind’s eye (2010).

Toward the end of his life, maybe suspecting or sensing that it was coming to a close, Dr. Oliver Sacks tended to focus his efforts on sweeping intellectual projects like On the Move (a memoir), The River of Consciousness (a hybrid intellectual history), and Hallucinations (a book-length meditation on, what else, hallucinations). But in 2010, he gave us one more classic in the style that first made him famous, a form he revolutionized and brought into the contemporary literary canon: the medical case study as essay. In The Mind’s Eye , Sacks focuses on vision, expanding the notion to embrace not only how we see the world, but also how we map that world onto our brains when our eyes are closed and we’re communing with the deeper recesses of consciousness. Relaying histories of patients and public figures, as well as his own history of ocular cancer (the condition that would eventually spread and contribute to his death), Sacks uses vision as a lens through which to see all of what makes us human, what binds us together, and what keeps us painfully apart. The essays that make up this collection are quintessential Sacks: sensitive, searching, with an expertise that conveys scientific information and experimentation in terms we can not only comprehend, but which also expand how we see life carrying on around us. The case studies of “Stereo Sue,” of the concert pianist Lillian Kalir, and of Howard, the mystery novelist who can no longer read, are highlights of the collection, but each essay is a kind of gem, mined and polished by one of the great storytellers of our era.  –Dwyer Murphy, CrimeReads Managing Editor

John Jeremiah Sullivan, Pulphead (2011)

The American essay was having a moment at the beginning of the decade, and Pulphead was smack in the middle. Without any hard data, I can tell you that this collection of John Jeremiah Sullivan’s magazine features—published primarily in GQ , but also in The Paris Review , and Harper’s —was the only full book of essays most of my literary friends had read since Slouching Towards Bethlehem , and probably one of the only full books of essays they had even heard of.

Well, we all picked a good one. Every essay in Pulphead is brilliant and entertaining, and illuminates some small corner of the American experience—even if it’s just one house, with Sullivan and an aging writer inside (“Mr. Lytle” is in fact a standout in a collection with no filler; fittingly, it won a National Magazine Award and a Pushcart Prize). But what are they about? Oh, Axl Rose, Christian Rock festivals, living around the filming of One Tree Hill , the Tea Party movement, Michael Jackson, Bunny Wailer, the influence of animals, and by god, the Miz (of Real World/Road Rules Challenge fame).

But as Dan Kois has pointed out , what connects these essays, apart from their general tone and excellence, is “their author’s essential curiosity about the world, his eye for the perfect detail, and his great good humor in revealing both his subjects’ and his own foibles.” They are also extremely well written, drawing much from fictional techniques and sentence craft, their literary pleasures so acute and remarkable that James Wood began his review of the collection in The New Yorker with a quiz: “Are the following sentences the beginnings of essays or of short stories?” (It was not a hard quiz, considering the context.)

It’s hard not to feel, reading this collection, like someone reached into your brain, took out the half-baked stuff you talk about with your friends, researched it, lived it, and represented it to you smarter and better and more thoroughly than you ever could. So read it in awe if you must, but read it.  –Emily Temple, Senior Editor

Aleksandar Hemon, The Book of My Lives (2013)

Such is the sentence-level virtuosity of Aleksandar Hemon—the Bosnian-American writer, essayist, and critic—that throughout his career he has frequently been compared to the granddaddy of borrowed language prose stylists: Vladimir Nabokov. While it is, of course, objectively remarkable that anyone could write so beautifully in a language they learned in their twenties, what I admire most about Hemon’s work is the way in which he infuses every essay and story and novel with both a deep humanity and a controlled (but never subdued) fury. He can also be damn funny. Hemon grew up in Sarajevo and left in 1992 to study in Chicago, where he almost immediately found himself stranded, forced to watch from afar as his beloved home city was subjected to a relentless four-year bombardment, the longest siege of a capital in the history of modern warfare. This extraordinary memoir-in-essays is many things: it’s a love letter to both the family that raised him and the family he built in exile; it’s a rich, joyous, and complex portrait of a place the 90s made synonymous with war and devastation; and it’s an elegy for the wrenching loss of precious things. There’s an essay about coming of age in Sarajevo and another about why he can’t bring himself to leave Chicago. There are stories about relationships forged and maintained on the soccer pitch or over the chessboard, and stories about neighbors and mentors turned monstrous by ethnic prejudice. As a chorus they sing with insight, wry humor, and unimaginable sorrow. I am not exaggerating when I say that the collection’s devastating final piece, “The Aquarium”—which details his infant daughter’s brain tumor and the agonizing months which led up to her death—remains the most painful essay I have ever read.  –Dan Sheehan, Book Marks Editor

Robin Wall Kimmerer, Braiding Sweetgrass (2013)

Of every essay in my relentlessly earmarked copy of Braiding Sweetgrass , Dr. Robin Wall Kimmerer’s gorgeously rendered argument for why and how we should keep going, there’s one that especially hits home: her account of professor-turned-forester Franz Dolp. When Dolp, several decades ago, revisited the farm that he had once shared with his ex-wife, he found a scene of destruction: The farm’s new owners had razed the land where he had tried to build a life. “I sat among the stumps and the swirling red dust and I cried,” he wrote in his journal.

So many in my generation (and younger) feel this kind of helplessness–and considerable rage–at finding ourselves newly adult in a world where those in power seem determined to abandon or destroy everything that human bodies have always needed to survive: air, water, land. Asking any single book to speak to this helplessness feels unfair, somehow; yet, Braiding Sweetgrass does, by weaving descriptions of indigenous tradition with the environmental sciences in order to show what survival has looked like over the course of many millennia. Kimmerer’s essays describe her personal experience as a Potawotami woman, plant ecologist, and teacher alongside stories of the many ways that humans have lived in relationship to other species. Whether describing Dolp’s work–he left the stumps for a life of forest restoration on the Oregon coast–or the work of others in maple sugar harvesting, creating black ash baskets, or planting a Three Sisters garden of corn, beans, and squash, she brings hope. “In ripe ears and swelling fruit, they counsel us that all gifts are multiplied in relationship,” she writes of the Three Sisters, which all sustain one another as they grow. “This is how the world keeps going.”  –Corinne Segal, Senior Editor

Hilton Als, White Girls (2013)

In a world where we are so often reduced to one essential self, Hilton Als’ breathtaking book of critical essays, White Girls , which meditates on the ways he and other subjects read, project and absorb parts of white femininity, is a radically liberating book. It’s one of the only works of critical thinking that doesn’t ask the reader, its author or anyone he writes about to stoop before the doorframe of complete legibility before entering. Something he also permitted the subjects and readers of his first book, the glorious book-length essay, The Women , a series of riffs and psychological portraits of Dorothy Dean, Owen Dodson, and the author’s own mother, among others. One of the shifts of that book, uncommon at the time, was how it acknowledges the way we inhabit bodies made up of variously gendered influences. To read White Girls now is to experience the utter freedom of this gift and to marvel at Als’ tremendous versatility and intelligence.

He is easily the most diversely talented American critic alive. He can write into genres like pop music and film where being part of an audience is a fantasy happening in the dark. He’s also wired enough to know how the art world builds reputations on the nod of rich white patrons, a significant collision in a time when Jean-Michel Basquiat is America’s most expensive modern artist. Als’ swerving and always moving grip on performance means he’s especially good on describing the effect of art which is volatile and unstable and built on the mingling of made-up concepts and the hard fact of their effect on behavior, such as race. Writing on Flannery O’Connor for instance he alone puts a finger on her “uneasy and unavoidable union between black and white, the sacred and the profane, the shit and the stars.” From Eminem to Richard Pryor, André Leon Talley to Michael Jackson, Als enters the life and work of numerous artists here who turn the fascinations of race and with whiteness into fury and song and describes the complexity of their beauty like his life depended upon it. There are also brief memoirs here that will stop your heart. This is an essential work to understanding American culture.  –John Freeman, Executive Editor

Eula Biss, On Immunity (2014)

We move through the world as if we can protect ourselves from its myriad dangers, exercising what little agency we have in an effort to keep at bay those fears that gather at the edges of any given life: of loss, illness, disaster, death. It is these fears—amplified by the birth of her first child—that Eula Biss confronts in her essential 2014 essay collection, On Immunity . As any great essayist does, Biss moves outward in concentric circles from her own very private view of the world to reveal wider truths, discovering as she does a culture consumed by anxiety at the pervasive toxicity of contemporary life. As Biss interrogates this culture—of privilege, of whiteness—she interrogates herself, questioning the flimsy ways in which we arm ourselves with science or superstition against the impurities of daily existence.

Five years on from its publication, it is dismaying that On Immunity feels as urgent (and necessary) a defense of basic science as ever. Vaccination, we learn, is derived from vacca —for cow—after the 17th-century discovery that a small application of cowpox was often enough to inoculate against the scourge of smallpox, an etymological digression that belies modern conspiratorial fears of Big Pharma and its vaccination agenda. But Biss never scolds or belittles the fears of others, and in her generosity and openness pulls off a neat (and important) trick: insofar as we are of the very world we fear, she seems to be suggesting, we ourselves are impure, have always been so, permeable, vulnerable, yet so much stronger than we think.  –Jonny Diamond, Editor-in-Chief 

Rebecca Solnit, The Mother of All Questions (2016)

When Rebecca Solnit’s essay, “Men Explain Things to Me,” was published in 2008, it quickly became a cultural phenomenon unlike almost any other in recent memory, assigning language to a behavior that almost every woman has witnessed—mansplaining—and, in the course of identifying that behavior, spurring a movement, online and offline, to share the ways in which patriarchal arrogance has intersected all our lives. (It would also come to be the titular essay in her collection published in 2014.) The Mother of All Questions follows up on that work and takes it further in order to examine the nature of self-expression—who is afforded it and denied it, what institutions have been put in place to limit it, and what happens when it is employed by women. Solnit has a singular gift for describing and decoding the misogynistic dynamics that govern the world so universally that they can seem invisible and the gendered violence that is so common as to seem unremarkable; this naming is powerful, and it opens space for sharing the stories that shape our lives.

The Mother of All Questions, comprised of essays written between 2014 and 2016, in many ways armed us with some of the tools necessary to survive the gaslighting of the Trump years, in which many of us—and especially women—have continued to hear from those in power that the things we see and hear do not exist and never existed. Solnit also acknowledges that labels like “woman,” and other gendered labels, are identities that are fluid in reality; in reviewing the book for The New Yorker , Moira Donegan suggested that, “One useful working definition of a woman might be ‘someone who experiences misogyny.'” Whichever words we use, Solnit writes in the introduction to the book that “when words break through unspeakability, what was tolerated by a society sometimes becomes intolerable.” This storytelling work has always been vital; it continues to be vital, and in this book, it is brilliantly done.  –Corinne Segal, Senior Editor

Valeria Luiselli, Tell Me How It Ends (2017)

The newly minted MacArthur fellow Valeria Luiselli’s four-part (but really six-part) essay  Tell Me How It Ends: An Essay in Forty Questions  was inspired by her time spent volunteering at the federal immigration court in New York City, working as an interpreter for undocumented, unaccompanied migrant children who crossed the U.S.-Mexico border. Written concurrently with her novel  Lost Children Archive  (a fictional exploration of the same topic), Luiselli’s essay offers a fascinating conceit, the fashioning of an argument from the questions on the government intake form given to these children to process their arrivals. (Aside from the fact that this essay is a heartbreaking masterpiece, this is such a  good  conceit—transforming a cold, reproducible administrative document into highly personal literature.) Luiselli interweaves a grounded discussion of the questionnaire with a narrative of the road trip Luiselli takes with her husband and family, across America, while they (both Mexican citizens) wait for their own Green Card applications to be processed. It is on this trip when Luiselli reflects on the thousands of migrant children mysteriously traveling across the border by themselves. But the real point of the essay is to actually delve into the real stories of some of these children, which are agonizing, as well as to gravely, clearly expose what literally happens, procedural, when they do arrive—from forms to courts, as they’re swallowed by a bureaucratic vortex. Amid all of this, Luiselli also takes on more, exploring the larger contextual relationship between the United States of America and Mexico (as well as other countries in Central America, more broadly) as it has evolved to our current, adverse moment.  Tell Me How It Ends  is so small, but it is so passionate and vigorous: it desperately accomplishes in its less-than-100-pages-of-prose what centuries and miles and endless records of federal bureaucracy have never been able, and have never cared, to do: reverse the dehumanization of Latin American immigrants that occurs once they set foot in this country.  –Olivia Rutigliano, CrimeReads Editorial Fellow

Zadie Smith, Feel Free (2018)

In the essay “Meet Justin Bieber!” in Feel Free , Zadie Smith writes that her interest in Justin Bieber is not an interest in the interiority of the singer himself, but in “the idea of the love object”. This essay—in which Smith imagines a meeting between Bieber and the late philosopher Martin Buber (“Bieber and Buber are alternative spellings of the same German surname,” she explains in one of many winning footnotes. “Who am I to ignore these hints from the universe?”). Smith allows that this premise is a bit premise -y: “I know, I know.” Still, the resulting essay is a very funny, very smart, and un-tricky exploration of individuality and true “meeting,” with a dash of late capitalism thrown in for good measure. The melding of high and low culture is the bread and butter of pretty much every prestige publication on the internet these days (and certainly of the Twitter feeds of all “public intellectuals”), but the essays in Smith’s collection don’t feel familiar—perhaps because hers is, as we’ve long known, an uncommon skill. Though I believe Smith could probably write compellingly about anything, she chooses her subjects wisely. She writes with as much electricity about Brexit as the aforementioned Beliebers—and each essay is utterly engrossing. “She contains multitudes, but her point is we all do,” writes Hermione Hoby in her review of the collection in The New Republic . “At the same time, we are, in our endless difference, nobody but ourselves.”  –Jessie Gaynor, Social Media Editor

Tressie McMillan Cottom, Thick: And Other Essays (2019)

Tressie McMillan Cottom is an academic who has transcended the ivory tower to become the sort of public intellectual who can easily appear on radio or television talk shows to discuss race, gender, and capitalism. Her collection of essays reflects this duality, blending scholarly work with memoir to create a collection on the black female experience in postmodern America that’s “intersectional analysis with a side of pop culture.” The essays range from an analysis of sexual violence, to populist politics, to social media, but in centering her own experiences throughout, the collection becomes something unlike other pieces of criticism of contemporary culture. In explaining the title, she reflects on what an editor had said about her work: “I was too readable to be academic, too deep to be popular, too country black to be literary, and too naïve to show the rigor of my thinking in the complexity of my prose. I had wanted to create something meaningful that sounded not only like me, but like all of me. It was too thick.” One of the most powerful essays in the book is “Dying to be Competent” which begins with her unpacking the idiocy of LinkedIn (and the myth of meritocracy) and ends with a description of her miscarriage, the mishandling of black woman’s pain, and a condemnation of healthcare bureaucracy. A finalist for the 2019 National Book Award for Nonfiction, Thick confirms McMillan Cottom as one of our most fearless public intellectuals and one of the most vital.  –Emily Firetog, Deputy Editor

Dissenting Opinions

The following books were just barely nudged out of the top ten, but we (or at least one of us) couldn’t let them pass without comment.

Elif Batuman, The Possessed (2010)

In The Possessed Elif Batuman indulges her love of Russian literature and the result is hilarious and remarkable. Each essay of the collection chronicles some adventure or other that she had while in graduate school for Comparative Literature and each is more unpredictable than the next. There’s the time a “well-known 20th-centuryist” gave a graduate student the finger; and the time when Batuman ended up living in Samarkand, Uzbekistan, for a summer; and the time that she convinced herself Tolstoy was murdered and spent the length of the Tolstoy Conference in Yasnaya Polyana considering clues and motives. Rich in historic detail about Russian authors and literature and thoughtfully constructed, each essay is an amalgam of critical analysis, cultural criticism, and serious contemplation of big ideas like that of identity, intellectual legacy, and authorship. With wit and a serpentine-like shape to her narratives, Batuman adopts a form reminiscent of a Socratic discourse, setting up questions at the beginning of her essays and then following digressions that more or less entreat the reader to synthesize the answer for herself. The digressions are always amusing and arguably the backbone of the collection, relaying absurd anecdotes with foreign scholars or awkward, surreal encounters with Eastern European strangers. Central also to the collection are Batuman’s intellectual asides where she entertains a theory—like the “problem of the person”: the inability to ever wholly capture one’s character—that ultimately layer the book’s themes. “You are certainly my most entertaining student,” a professor said to Batuman. But she is also curious and enthusiastic and reflective and so knowledgeable that she might even convince you (she has me!) that you too love Russian literature as much as she does. –Eleni Theodoropoulos, Editorial Fellow

Roxane Gay, Bad Feminist (2014)

Roxane Gay’s now-classic essay collection is a book that will make you laugh, think, cry, and then wonder, how can cultural criticism be this fun? My favorite essays in the book include Gay’s musings on competitive Scrabble, her stranded-in-academia dispatches, and her joyous film and television criticism, but given the breadth of topics Roxane Gay can discuss in an entertaining manner, there’s something for everyone in this one. This book is accessible because feminism itself should be accessible – Roxane Gay is as likely to draw inspiration from YA novels, or middle-brow shows about friendship, as she is to introduce concepts from the academic world, and if there’s anyone I trust to bridge the gap between high culture, low culture, and pop culture, it’s the Goddess of Twitter. I used to host a book club dedicated to radical reads, and this was one of the first picks for the club; a week after the book club met, I spied a few of the attendees meeting in the café of the bookstore, and found out that they had bonded so much over discussing  Bad Feminist  that they couldn’t wait for the next meeting of the book club to keep discussing politics and intersectionality, and that, in a nutshell, is the power of Roxane. –Molly Odintz, CrimeReads Associate Editor

Rivka Galchen, Little Labors (2016)

Generally, I find stories about the trials and tribulations of child-having to be of limited appeal—useful, maybe, insofar as they offer validation that other people have also endured the bizarre realities of living with a tiny human, but otherwise liable to drift into the musings of parents thrilled at the simple fact of their own fecundity, as if they were the first ones to figure the process out (or not). But Little Labors is not simply an essay collection about motherhood, perhaps because Galchen initially “didn’t want to write about” her new baby—mostly, she writes, “because I had never been interested in babies, or mothers; in fact, those subjects had seemed perfectly not interesting to me.” Like many new mothers, though, Galchen soon discovered her baby—which she refers to sometimes as “the puma”—to be a preoccupying thought, demanding to be written about. Galchen’s interest isn’t just in her own progeny, but in babies in literature (“Literature has more dogs than babies, and also more abortions”), The Pillow Book , the eleventh-century collection of musings by Sei Shōnagon, and writers who are mothers. There are sections that made me laugh out loud, like when Galchen continually finds herself in an elevator with a neighbor who never fails to remark on the puma’s size. There are also deeper, darker musings, like the realization that the baby means “that it’s not permissible to die. There are days when this does not feel good.” It is a slim collection that I happened to read at the perfect time, and it remains one of my favorites of the decade. –Emily Firetog, Deputy Editor

Charlie Fox, This Young Monster (2017)

On social media as in his writing, British art critic Charlie Fox rejects lucidity for allusion and doesn’t quite answer the Twitter textbox’s persistent question: “What’s happening?” These days, it’s hard to tell.  This Young Monster  (2017), Fox’s first book,was published a few months after Donald Trump’s election, and at one point Fox takes a swipe at a man he judges “direct from a nightmare and just a repulsive fucking goon.” Fox doesn’t linger on politics, though, since most of the monsters he looks at “embody otherness and make it into art, ripping any conventional idea of beauty to shreds and replacing it with something weird and troubling of their own invention.”

If clichés are loathed because they conform to what philosopher Georges Bataille called “the common measure,” then monsters are rebellious non-sequiturs, comedic or horrific derailments from a classical ideal. Perverts in the most literal sense, monsters have gone astray from some “proper” course. The book’s nine chapters, which are about a specific monster or type of monster, are full of callbacks to familiar and lesser-known media. Fox cites visual art, film, songs, and books with the screwy buoyancy of a savant. Take one of his essays, “Spook House,” framed as a stage play with two principal characters, Klaus (“an intoxicated young skinhead vampire”) and Hermione (“a teen sorceress with green skin and jet-black hair” who looks more like The Wicked Witch than her namesake). The chorus is a troupe of trick-or-treaters. Using the filmmaker Cameron Jamie as a starting point, the rest is free association on gothic decadence and Detroit and L.A. as cities of the dead. All the while, Klaus quotes from  Artforum ,  Dazed & Confused , and  Time Out. It’s a technical feat that makes fictionalized dialogue a conveyor belt for cultural criticism.

In Fox’s imagination, David Bowie and the Hydra coexist alongside Peter Pan, Dennis Hopper, and the maenads. Fox’s book reaches for the monster’s mask, not really to peel it off but to feel and smell the rubber schnoz, to know how it’s made before making sure it’s still snugly set. With a stylistic blend of arthouse suavity and B-movie chic,  This Young Monster considers how monsters in culture are made. Aren’t the scariest things made in post-production? Isn’t the creature just duplicity, like a looping choir or a dubbed scream? –Aaron Robertson, Assistant Editor

Elena Passarello, Animals Strike Curious Poses (2017)

Elena Passarello’s collection of essays Animals Strike Curious Poses picks out infamous animals and grants them the voice, narrative, and history they deserve. Not only is a collection like this relevant during the sixth extinction but it is an ambitious historical and anthropological undertaking, which Passarello has tackled with thorough research and a playful tone that rather than compromise her subject, complicates and humanizes it. Passarello’s intention is to investigate the role of animals across the span of human civilization and in doing so, to construct a timeline of humanity as told through people’s interactions with said animals. “Of all the images that make our world, animal images are particularly buried inside us,” Passarello writes in her first essay, to introduce us to the object of the book and also to the oldest of her chosen characters: Yuka, a 39,000-year-old mummified woolly mammoth discovered in the Siberian permafrost in 2010. It was an occasion so remarkable and so unfathomable given the span of human civilization that Passarello says of Yuka: “Since language is epically younger than both thought and experience, ‘woolly mammoth’ means, to a human brain, something more like time.” The essay ends with a character placing a hand on a cave drawing of a woolly mammoth, accompanied by a phrase which encapsulates the author’s vision for the book: “And he becomes the mammoth so he can envision the mammoth.” In Passarello’s hands the imagined boundaries between the animal, natural, and human world disintegrate and what emerges is a cohesive if baffling integrated history of life. With the accuracy and tenacity of a journalist and the spirit of a storyteller, Elena Passarello has assembled a modern bestiary worthy of contemplation and awe. –Eleni Theodoropoulos, Editorial Fellow

Esmé Weijun Wang, The Collected Schizophrenias (2019)

Esmé Weijun Wang’s collection of essays is a kaleidoscopic look at mental health and the lives affected by the schizophrenias. Each essay takes on a different aspect of the topic, but you’ll want to read them together for a holistic perspective. Esmé Weijun Wang generously begins The Collected Schizophrenias by acknowledging the stereotype, “Schizophrenia terrifies. It is the archetypal disorder of lunacy.” From there, she walks us through the technical language, breaks down the Diagnostic and Statistical Manual ( DSM-5 )’s clinical definition. And then she gets very personal, telling us about how she came to her own diagnosis and the way it’s touched her daily life (her relationships, her ideas about motherhood). Esmé Weijun Wang is uniquely situated to write about this topic. As a former lab researcher at Stanford, she turns a precise, analytical eye to her experience while simultaneously unfolding everything with great patience for her reader. Throughout, she brilliantly dissects the language around mental health. (On saying “a person living with bipolar disorder” instead of using “bipolar” as the sole subject: “…we are not our diseases. We are instead individuals with disorders and malfunctions. Our conditions lie over us like smallpox blankets; we are one thing and the illness is another.”) She pinpoints the ways she arms herself against anticipated reactions to the schizophrenias: high fashion, having attended an Ivy League institution. In a particularly piercing essay, she traces mental illness back through her family tree. She also places her story within more mainstream cultural contexts, calling on groundbreaking exposés about the dangerous of institutionalization and depictions of mental illness in television and film (like the infamous Slender Man case, in which two young girls stab their best friend because an invented Internet figure told them to). At once intimate and far-reaching, The Collected Schizophrenias is an informative and important (and let’s not forget artful) work. I’ve never read a collection quite so beautifully-written and laid-bare as this. –Katie Yee, Book Marks Assistant Editor

Ross Gay, The Book of Delights (2019)

When Ross Gay began writing what would become The Book of Delights, he envisioned it as a project of daily essays, each focused on a moment or point of delight in his day. This plan quickly disintegrated; on day four, he skipped his self-imposed assignment and decided to “in honor and love, delight in blowing it off.” (Clearly, “blowing it off” is a relative term here, as he still produced the book.) Ross Gay is a generous teacher of how to live, and this moment of reveling in self-compassion is one lesson among many in The Book of Delights , which wanders from moments of connection with strangers to a shade of “red I don’t think I actually have words for,” a text from a friend reading “I love you breadfruit,” and “the sun like a guiding hand on my back, saying everything is possible. Everything .”

Gay does not linger on any one subject for long, creating the sense that delight is a product not of extenuating circumstances, but of our attention; his attunement to the possibilities of a single day, and awareness of all the small moments that produce delight, are a model for life amid the warring factions of the attention economy. These small moments range from the physical–hugging a stranger, transplanting fig cuttings–to the spiritual and philosophical, giving the impression of sitting beside Gay in his garden as he thinks out loud in real time. It’s a privilege to listen. –Corinne Segal, Senior Editor

Honorable Mentions

A selection of other books that we seriously considered for both lists—just to be extra about it (and because decisions are hard).

Terry Castle, The Professor and Other Writings (2010) · Joyce Carol Oates, In Rough Country (2010) · Geoff Dyer, Otherwise Known as the Human Condition (2011) · Christopher Hitchens, Arguably (2011) ·  Roberto Bolaño, tr. Natasha Wimmer, Between Parentheses (2011) · Dubravka Ugresic, tr. David Williams, Karaoke Culture (2011) · Tom Bissell, Magic Hours (2012)  · Kevin Young, The Grey Album (2012) · William H. Gass, Life Sentences: Literary Judgments and Accounts (2012) · Mary Ruefle, Madness, Rack, and Honey (2012) · Herta Müller, tr. Geoffrey Mulligan, Cristina and Her Double (2013) · Leslie Jamison, The Empathy Exams (2014)  · Meghan Daum, The Unspeakable (2014)  · Daphne Merkin, The Fame Lunches (2014)  · Charles D’Ambrosio, Loitering (2015) · Wendy Walters, Multiply/Divide (2015) · Colm Tóibín, On Elizabeth Bishop (2015) ·  Renee Gladman, Calamities (2016)  · Jesmyn Ward, ed. The Fire This Time (2016)  · Lindy West, Shrill (2016)  · Mary Oliver, Upstream (2016)  · Emily Witt, Future Sex (2016)  · Olivia Laing, The Lonely City (2016)  · Mark Greif, Against Everything (2016)  · Durga Chew-Bose, Too Much and Not the Mood (2017)  · Sarah Gerard, Sunshine State (2017)  · Jim Harrison, A Really Big Lunch (2017)  · J.M. Coetzee, Late Essays: 2006-2017 (2017) · Melissa Febos, Abandon Me (2017)  · Louise Glück, American Originality (2017)  · Joan Didion, South and West (2017)  · Tom McCarthy, Typewriters, Bombs, Jellyfish (2017)  · Hanif Abdurraqib, They Can’t Kill Us Until they Kill Us (2017)  · Ta-Nehisi Coates, We Were Eight Years in Power (2017)  ·  Samantha Irby, We Are Never Meeting in Real Life (2017)  · Alexander Chee, How to Write an Autobiographical Novel (2018)  · Alice Bolin, Dead Girls (2018)  · Marilynne Robinson, What Are We Doing Here? (2018)  · Lorrie Moore, See What Can Be Done (2018)  · Maggie O’Farrell, I Am I Am I Am (2018)  · Ijeoma Oluo, So You Want to Talk About Race (2018)  · Rachel Cusk, Coventry (2019)  · Jia Tolentino, Trick Mirror (2019)  · Emily Bernard, Black is the Body (2019)  · Toni Morrison, The Source of Self-Regard (2019)  · Margaret Renkl, Late Migrations (2019)  ·  Rachel Munroe, Savage Appetites (2019)  · Robert A. Caro,  Working  (2019) · Arundhati Roy, My Seditious Heart (2019).

Emily Temple

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Classic British and American Essays and Speeches

English Prose From Jack London to Dorothy Parker

U.S. National Archives and Records Administration / Wikimedia Commons / Public Domain

• An Introduction to Punctuation
• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

From the works and musings of Walt Witman to those of Virginia Woolf, some of the cultural heroes and prolific artists of prose are listed below--along with some of the world's greatest essays and speeches  ever composed by these British and American literary treasures.

George Ade (1866-1944)

George Ade was an America playwright, newspaper columnist and humorist whose greatest recognition was "Fables in Slang" (1899), a satire that explored the colloquial vernacular of America. Ade eventually succeeded in doing what he set out to do: Make America laugh.

• The Difference Between Learning and Learning How : "In due time the Faculty gave the Degree of M.A. to what was left of Otis and still his Ambition was not satisfied."
• Luxuries: "About sixty-five per cent of all the people in the world think they are getting along great when they are not starving to death."
• Vacations: "The planet you are now visiting may be the only one you ever see."

Susan B. Anthony (1820-1906)

American activist Susan B. Anthony crusaded for the women's suffrage movement, making way for the Nineteenth Amendment to the US Constitution in 1920, giving women the right to vote. Anthony is principally known for the six-volume "History of Woman Suffrage." 

• On Women's Right to Vote : "The only question left to be settled now is: Are women persons?"

Robert Benchley (1889-1945)

The writings of American humorist, actor and drama critic Robert Benchley are considered his best achievement. His socially awkward, slightly confused persona allowed him to write about the inanity of the world to great effect.

• Advice to Writers : "A terrible plague of insufferably artificial and affected authors"
• Business Letters : "As it stands now things are pretty black for the boy."
• Christmas Afternoon : "Done in the Manner, If Not in the Spirit of Dickens"
• Do Insects Think? : "It really was more like a child of our own than a wasp, except that it looked more like a wasp than a child of our own."
• The Most Popular Book of the Month: "In practice, the book is not flawless. There are five hundred thousand names, each with a corresponding telephone number."

Joseph Conrad (1857-1924)

British novelist and short-story writer Joseph Conrad rendered about the "tragedy of loneliness" at sea and became known for his colorful, rich descriptions about the sea and other exotic places. He is regarded as one of the greatest English novelists of all time.

• Outside Literature : "A sea voyage would have done him good. But it was I who went to sea--this time bound to Calcutta."

Frederick Douglass (1818-1895)

American Frederick Douglass' great oratory and literary skills helped him to become the first African American citizen to hold high office in the US government. He was one of the 19th century's most prominent human rights activist, and his autobiography, "Life and Times of Frederick Douglass" (1882), became an American literary classic.

• The Destiny of Colored Americans : "Slavery is the peculiar weakness of America, as well as its peculiar crime."
• A Glorious Resurrection: "My long-crushed spirit rose."

W.E.B. Du Bois (1868-1963)

W.E.B. Du Bois was an American scholar and human rights activist, a respected author and historian of literature. His literature and studies analyzed the unreachable depths of American racism. Du Bois' seminal work is a collection of 14 essays titled "The Souls of Black Folk" (1903). 

• Of Mr. Booker T. Washington and Others : "Mr. Washington represents in Negro thought the old attitude of adjustment and submission."
• Of the Passing of the First-Born : "He knew no color-line, poor dear--and the Veil, though it shadowed him, had not yet darkened half his sun."

F. Scott Fitzgerald (1896-1940)

Known foremost for his novel "The Great Gatsby," American novelist and short-story writer F. Scott Fitzgerald was also a renown playboy and had a tumultuous life compounded by alcoholism and depression. Only after his death did he become known as a preeminent American literary author. 

• What I Think and Feel at 25: "The main thing is to be your own kind of a darn fool."

Ben Hecht  (1894-1964)

American novelist, short-story writer and playwright Ben Hecht is remembered as one of Hollywood's greatest screenplay writers and may best be remembered for "Scarface," Wuthering Heights" and "Guys and Dolls."

• Fog Patterns : "Yes, we are all lost and wandering in the thick mists. We have no destinations."
• Letters: "You would see a procession of mysterious figures flitting through the streets, an unending swarm of dim ones, queer ones."

Ernest Hemingway  (1899-1961)

American novelist Ernest Hemingway won the 1954 Nobel Prize in Literature for "his mastery of the art of narrative ... and for the influence he has exerted on contemporary style" as demonstrated in his brilliant novel "The Old Man and the Sea."

• American Bohemians in Paris: "The scum of Greenwich Village, New York, has been skimmed off and deposited in large ladles on that section of Paris adjacent to the Café Rotonde."
• Camping Out : "Any man of average office intelligence can make at least as good a pie as his wife."

Martin Luther King Jr.  (1929-1968)

Civil rights activist and minister Martin Luther King Jr., winner of the Nobel Peace Prize in 1964, may be best known for "I Have A Dream," in which he wrote about love, peace, nonviolent activism and equality between all races.

• I Have a Dream : "Now is the time to make justice a reality for all of God's children."
• Reading Quiz on "I Have a Dream"
• Ten Things You Should Know About Dr. King's "I Have a Dream" Speech

Jack London  (1876-1916)

Nineteenth-century American author and journalist Jack London is best known for his adventures "White Fang" and "The Call of the Wild." London published more than 50 books over the last 16 years of his life, including "John Barleycorn," which was somewhat of a memoir about his lifelong battle with alcohol.

• The Somnambulists : "[T]his archdeceiver believes all that they tell him. He reads only the newspapers and magazines that tell him what he wants to be told."
• The Story of an Eyewitness: The San Francisco Earthquake : "Not in history has a modern imperial city been so completely destroyed."
• Reading Quiz on "The San Francisco Earthquake"
• What Life Means to Me : "I accepted that up above me was all that was fine and noble and gracious, all that gave decency and dignity to life."

H.L. Mencken  (1880-1956)

American journalist, activist and editor H.L. Mencken was also a very influential literary critic. His columns were popular not only for their literary criticism, but also for their questioning of popular political, social and cultural views.

• The Hills of Zion : "Dayton was having a roaring time. It was better than the circus."
• The Libido for the Ugly : "Out of the melting pot emerges a race which hates beauty."
• Literature and the Schoolma'm : "The essence of a sound style is that it cannot be reduced to rules."
• The Lower Depths : "The worst idiots, even among pedagogues, are the teachers of English."
• Portrait of an Ideal World : "All the great villainies of history have been perpetrated by sober men, and chiefly by teetotalers."

Christopher Morley  (1890-1957)

American writer Christopher Morley was popular for his literary columns in the "New York Evening Post," among other literary magazines. His many collections of essays and columns were "lighthearted, vigorous displays of the English language." 

• 1100 Words : "Let us be brief, crisp, packed with thought."
• The Art of Walking : "Sometimes it seems as though literature were a co-product of legs and head."
• A Morning in Marathon: "[W]e flashed onto the Hackensack marshes and into the fully minted gold of superb morning."
• On Going to Bed : "The happier creatures ... take the tide of sleep at the flood and are borne calmly and with gracious gentleness out to great waters of nothingness."

George Orwell  (1903-1950)

This British novelist, essayist and critic is best known for his novels "1984" and "Animal Farm." George Orwell's disdain for imperialism (he considered himself an anarchist) guided him in his life as well as through some of his writings.

• A Hanging : "We all began laughing again. ... The dead man was a hundred yards away."
• Why Are Beggars Despised? : "A beggar, looked at realistically, is simply a businessman, getting his living."

Dorothy Parker  (1893-1967)

Witty American poet and short-story writer Dorothy Parker began as an editorial assistant at "Vogue" and eventually became the book reviewer known as the "Constant Reader" for "The New Yorker." Among her hundreds of works, Parker won the 1929 O. Henry Award for her short story "Big Blond."

• Good Souls: "They are fated to go through life, congenial pariahs. They live out their little lives, mingling with the world, yet never a part of it."
• Mrs. Post Enlarges on Etiquette : "As one delves deeper and deeper into  Etiquette , disquieting thoughts come."

Bertrand Russell  (1872-1970)

British philosopher and social reformer Bertrand Russell won the Nobel Prize in Literature in 1950 "in recognition of his varied and significant writings in which he champions humanitarian ideals and freedom of thought." Russell was one of the foremost philosophers of the 20th century.

• In Praise of Idleness : "The road to happiness and prosperity lies in an organized diminution of work."

Margaret Sanger  (1879-1966)

American activist Margaret Sanger was a sex educator, nurse and women's rights advocate. She began the first feminist publication, "The Woman Rebel," in 1914. 

• The Turbid Ebb and Flow of Misery: "My own cozy and comfortable family existence was becoming a reproach to me."

George Bernard Shaw  (1856-1950)

An Irish dramatist and critic, George Bernard Shaw was also a socialist propagandist and winner of the 1925 Nobel Prize in Literature (which he didn't receive until 1926) for "his work which is marked by both idealism and beauty." Shaw wrote more than 60 plays during his lifetime.

• Preface to Pygmalion: "It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him."
• She Would Have Enjoyed It: "Why does a funeral always sharpen one's sense of humor?"
• Why Law Is Indispensable: "Laws deaden the conscience of individuals by relieving them of responsibility."
• The Art of Political Lying : "Considering that natural disposition in many men to lie, and in multitudes to believe, I have been perplexed what to do with that maxim so frequent in everybody's mouth, that truth will at last prevail."
• Hints Toward an Essay on Conversation : "This degeneracy of conversation ... hath been owing, among other causes, to the custom arisen, for sometime past, of excluding women from any share in our society."
• A Meditation Upon a Broomstick : "But a broomstick is an emblem of a tree standing on its head."

Henry David Thoreau  (1817-1862)

American essayist, poet and philosopher Henry David Thoreau is most known for his masterful work, "Walden," about living a life close to nature. He was a dedicated abolitionist and a strong practitioner of civil disobedience.

• The Battle of the Ants : "I never learned which party was victorious, nor the cause of the war."
• The Landlord: "If we do not look up to the Landlord, we look round for him on all emergencies, for he is a man of infinite experience, who unites hands with wit."
• The Last Days of John Brown : "[T]he one great rule of composition--and if I were a professor of rhetoric I should insist on this--is, to  speak the truth ."

James Thurber  (1894-1961)

American author and illustrator James Thurber is best known for his contributions to "The New Yorker." Via his contributions to the magazine, his cartoons became some of the most popular in the United States.

• The Subjunctive Mood : "Husbands are suspicious of all subjunctives. Wives should avoid them."
• Which: "Never monkey with 'which.'"

Anthony Trollope  (1815-1882)

British author Anthony Trollope is best known for his writing in the Victorian Era--some of his work includes a series of novels known as "The Chronicles of Barsetshire." Trollope also wrote on political, social and gender issues.

• The Plumber : "The plumber is doubtless aware that he is odious. He feels himself, like Dickens's turnpike-man, to be the enemy of mankind."

Mark Twain  (1835-1910)

Mark Twain was an American humorist, journalist, lecturer and novelist best known for his classic American novels "The Adventures of Tom Sawyer" and "Adventures of Huckleberry Finn." With his wit and grand telling of tales, Twain is nothing short of an American national treasure. 

• Advice to Youth : "Always obey your parents, when they are present."
• Corn-Pone Opinions : "Tell me whar a man gits his corn pone, en I'll tell you what his 'pinions is."
• The Danger of Lying in Bed : "The danger isn't in traveling by rail, but in trusting to those deadly beds."
• A Fable : "You can find in a text whatever you bring."
• Fenimore Cooper's Literary Offences : " Deerslayer  is just simply a literary delirium tremens."
• The Lowest Animal : "[W]e have descended and degenerated ... till we have reached the bottom stage of development."
• On the Decay of the Art of Lying: "Lying is universal: we all do it; we all must do it."
• Two Ways of Seeing a River : "All the grace, the beauty, the poetry had gone out of the majestic river!"
• Unconscious Plagiarism : "[P]ride protects a man from deliberately stealing other people's ideas."

H.G. Wells  (1866-1944)

British author and historian H.G. Wells is best known for his works of science fiction, including "The Time Machine," "The First Men in the Moon" and "The War of the Worlds." Wells wrote an astounding 161 full-length books. 

• For Freedom of Spelling: The Discovery of an Art: "Why should correct spelling be the one absolutely essential literary merit?"
• Of Conversation: An Apology: "I am no blowfly to buzz my way through the universe."
• The Pleasure of Quarrelling : "Without quarreling you have not fully appreciated your fellow-man."
• The Possible Collapse of Civilisation: "Modern warfare is an insanity, not a sane business proposition."
• The Writing of Essays: "The art of the essayist ... may be learnt in a brief ten minutes or so."

Walt Whitman  (1819-1892)

American poet and journalist Walt Whitman's verse collection "Leaves of Grass" is an American literature landmark. Ralph Waldo Emerson praised the collection as "the most extraordinary piece of wit and wisdom" America had yet contributed.

• A Glimpse of War's Hell Scenes: "There was no exultation, very little said, almost nothing, yet every man there contributed his shot."
• Slang in America : "Language in the largest sense ... is really the greatest of studies."
• Street Yarn: "Come and walk in New York streets."

Virginia Woolf  (1882-1941)

British author Virginia Woolf may be best known for her modernist classics "Mrs. Dalloway" and "To the Lighthouse." But she also produced feminist texts such as "A Room of One's Own" and "Three Guineas" and wrote pioneering essays on the politics of power, artistic theory and literary history.

• The Decay of Essay Writing : "Under the decent veil of print one can indulge one's egoism to the full."
• The Modern Essay : "The essay must lap us about and draw its curtain across the world."
• The Patron and the Crocus : "Be sure you choose your patron wisely."
• Street Haunting: A London Adventure : "Into each of these lives one could penetrate a little way."
• Writing for My Eye Only: "I can trace some increase of ease in my professional writing which I attribute to my casual half hours after tea."
• A List of Every Nobel Prize Winner in Literature
• 42 Must-Read Feminist Female Authors
• 6 Speeches by American Authors for Secondary ELA Classrooms
• Notable Authors of the 19th Century
• A Brief Overview of American Literary Periods
• American Author Maps: Informational Texts in the English Classroom
• Top 100 Women of History
• Biography of Ernest Hemingway, Pulitzer and Nobel Prize Winning Writer
• What Are the Different Types and Characteristics of Essays?
• A Brief Overview of British Literary Periods
• Five African American Women Writers
• 100 Most Important Women in World History
• Controversial and Banned Books
• How to Use Repetition to Develop Effective Paragraphs
• Ralph Ellison
• Biography of Jorge Luis Borges, Argentina's Great Storyteller

The Best George Orwell Essays Everyone Should Read

By Dr Oliver Tearle (Loughborough University)

George Orwell (1903-50) is known around the world for his satirical novella Animal Farm and his dystopian novel Nineteen Eighty-Four , but he was arguably at his best in the essay form. Below, we’ve selected and introduced ten of Orwell’s best essays for the interested newcomer to his non-fiction, but there are many more we could have added. What do you think is George Orwell’s greatest essay?

1. ‘ Why I Write ’.

This 1946 essay is notable for at least two reasons: one, it gives us a neat little autobiography detailing Orwell’s development as a writer; and two, it includes four ‘motives for writing’ which break down as egoism (wanting to seem clever), aesthetic enthusiasm (taking delight in the sounds of words etc.), the historical impulse (wanting to record things for posterity), and the political purpose (wanting to ‘push the world in a certain direction’).

2. ‘ Politics and the English Language ’.

The English language is ‘in a bad way’, Orwell argues in this famous essay from 1946. As its title suggests, Orwell identifies a link between the (degraded) English language of his time and the degraded political situation: Orwell sees modern political discourse as being less a matter of words chosen for their clear meanings than a series of stock phrases slung together.

Orwell concludes with six rules or guidelines for political writers and essayists, which include: never use a long word when a short one will do, or a specialist or foreign term when a simpler English one should suffice.

We have analysed this classic essay here .

3. ‘ Shooting an Elephant ’.

This is an early Orwell essay, from 1936. In it, he recalls his (possibly fictionalised) experiences as a police officer in Burma, when he had to shoot an elephant that had got out of hand. Orwell extrapolates from this one event, seeing it as a microcosm of imperialism, wherein the coloniser loses his humanity and freedom through oppressing others.

We have analysed this essay here .

4. ‘ Decline of the English Murder ’.

In this 1946 essay, Orwell writes about the British fascination with murder, focusing in particular on the period of 1850-1925, which Orwell identifies as the golden age or ‘great period in murder’ in the media and literature. But what has happened to murder in the British newspapers?

Orwell claims that the Second World War has desensitised people to brutal acts of killing, but also that there is less style and art in modern murders. Oscar Wilde would no doubt agree with Orwell’s point of view!

5. ‘ Confessions of a Book Reviewer ’.

This 1946 essay makes book-reviewing as a profession or trade – something that seems so appealing and aspirational to many book-lovers – look like a life of drudgery. Why, Orwell asks, does virtually every book that’s published have to be reviewed? It would be best, he argues, to be more discriminating and devote more column inches to the most deserving of books.

6. ‘ A Hanging ’.

This is another Burmese recollection from Orwell, and a very early work, dating from 1931. Orwell describes a condemned criminal being executed by hanging, using this event as a way in to thinking about capital punishment and how, as Orwell put it elsewhere, a premeditated execution can seem more inhumane than a thousand murders.

We discuss this Orwell essay in more detail here .

7. ‘ The Lion and the Unicorn ’.

Subtitled ‘Socialism and the English Genius’, this is another essay Orwell wrote about Britain in the wake of the outbreak of the Second World War. Published in 1941, this essay takes its title from the heraldic symbols for England (the lion) and Scotland (the unicorn). Orwell argues that some sort of socialist revolution is needed to wrest Britain out of its outmoded ways and an overhaul of the British class system will help Britain to defeat the Nazis.

The long essay contains a section, ‘England Your England’, which is often reprinted as a standalone essay, written as the German bomber planes were whizzing overhead during the Blitz of 1941. This part of the essay is a critique of blind English patriotism during wartime and an attempt to pin down ‘English’ values at a time when England itself was under threat from Nazi invasion.

8. ‘ My Country Right or Left ’.

This 1940 essay shows what a complex and nuanced thinker Orwell was when it came to political labels such as ‘left-wing’ and ‘right-wing’. Although Orwell was on the left, he also held patriotic (although not exactly fervently nationalistic) attitudes towards England which many of his comrades on the left found baffling.

As with ‘England Your England’ above, the wartime context is central to Orwell’s argument, and lends his discussion of the relationship between left-wing politics and patriotic values an urgency and immediacy.

9. ‘ Bookshop Memories ’.

As well as writing on politics and being a writer, Orwell also wrote perceptively about readers and book-buyers – as in this 1936 essay, published the same year as his novel Keep the Aspidistra Flying , which combined both bookshops and writers (the novel focuses on Gordon Comstock, an aspiring poet).

In ‘Bookshop Memories’, reflecting on his own time working as an assistant in a bookshop, Orwell divides those who haunt bookshops into various types: the snobs after a first edition, the Oriental students, and so on.

10. ‘ A Nice Cup of Tea ’.

Orwell didn’t just write about literature and politics. He also wrote about things like the perfect pub, and how to make the best cup of tea, for the London Evening Standard in the late 1940s. Here, in this essay from 1946, Orwell offers eleven ‘golden rules’ for making a tasty cuppa, arguing that people disagree vehemently how to make a perfect cup of tea because it is one of the ‘mainstays of civilisation’. Hear, hear.

3 thoughts on “The Best George Orwell Essays Everyone Should Read”

Thanks, Orwell was a master at combining wisdom and readability. I also like his essay on Edward Lear, although some of his observations are very much of their time: https://edwardleartrail.wordpress.com/2018/10/16/george-orwell-on-edward-lear/

The Everyman edition of Orwell’s essays (1200 pages !) is my desert island book. I like Shooting the Elephant altho Julian Barnes seems to believe this is fictitious. Is this still a live debate ?

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The 25 Greatest Essay Collections of All Time

Today marks the release of Aleksandar Hemon’s excellent book of personal essays, The Book of My Lives , which we loved, and which we’re convinced deserves a place in the literary canon. To that end, we were inspired to put together our list of the greatest essay collections of all time, from the classic to the contemporary, from the personal to the critical. In making our choices, we’ve steered away from posthumous omnibuses (Michel de Montaigne’s Complete Essays , the collected Orwell, etc.) and multi-author compilations, and given what might be undue weight to our favorite writers (as one does). After the jump, our picks for the 25 greatest essay collections of all time. Feel free to disagree with us, praise our intellect, or create an entirely new list in the comments.

The Book of My Lives , Aleksandar Hemon

Hemon’s memoir in essays is in turns wryly hilarious, intellectually searching, and deeply troubling. It’s the life story of a fascinating, quietly brilliant man, and it reads as such. For fans of chess and ill-advised theme parties and growing up more than once.

Slouching Towards Bethlehem , Joan Didion

Well, obviously. Didion’s extraordinary book of essays, expertly surveying both her native California in the 1960s and her own internal landscape with clear eyes and one eyebrow raised ever so slightly. This collection, her first, helped establish the idea of journalism as art, and continues to put wind in the sails of many writers after her, hoping to move in that Didion direction.

Pulphead , John Jeremiah Sullivan

This was one of those books that this writer deemed required reading for all immediate family and friends. Sullivan’s sharply observed essays take us from Christian rock festivals to underground caves to his own home, and introduce us to 19-century geniuses, imagined professors and Axl Rose. Smart, curious, and humane, this is everything an essay collection should be.

The Boys of My Youth , Jo Ann Beard

Another memoir-in-essays, or perhaps just a collection of personal narratives, Jo Ann Beard’s award-winning volume is a masterpiece. Not only does it include the luminous, emotionally destructive “The Fourth State of the Matter,” which we’ve already implored you to read , but also the incredible “Bulldozing the Baby,” which takes on a smaller tragedy: a three-year-old Beard’s separation from her doll Hal. “The gorgeous thing about Hal,” she tells us, “was that not only was he my friend, he was also my slave. I made the majority of our decisions, including the bathtub one, which in retrospect was the beginning of the end.”

Consider the Lobster , David Foster Wallace

This one’s another “duh” moment, at least if you’re a fan of the literary essay. One of the most brilliant essayists of all time, Wallace pushes the boundaries (of the form, of our patience, of his own brain) and comes back with a classic collection of writing on everything from John Updike to, well, lobsters. You’ll laugh out loud right before you rethink your whole life. And then repeat.

Notes of a Native Son , James Baldwin

Baldwin’s most influential work is a witty, passionate portrait of black life and social change in America in the 1940s and early 1950s. His essays, like so many of the greats’, are both incisive social critiques and rigorous investigations into the self, told with a perfect tension between humor and righteous fury.

Naked , David Sedaris

His essays often read more like short stories than they do social criticism (though there’s a healthy, if perhaps implied, dose of that slippery subject), but no one makes us laugh harder or longer. A genius of the form.

Against Interpretation , Susan Sontag

This collection, Sontag’s first, is a dazzling feat of intellectualism. Her essays dissect not only art but the way we think about art, imploring us to “reveal the sensuous surface of art without mucking about in it.” It also contains the brilliant “Notes on ‘Camp,'” one of our all-time favorites.

The Common Reader , Virginia Woolf

Woolf is a literary giant for a reason — she was as incisive and brilliant a critic as she was a novelist. These witty essays, written for the common reader (“He is worse educated, and nature has not gifted him so generously. He reads for his own pleasure rather than to impart knowledge or correct the opinions of others. Above all, he is guided by an instinct to create for himself, out of whatever odds and ends he can come by, some kind of whole- a portrait of a man, a sketch of an age, a theory of the art of writing”), are as illuminating and engrossing as they were when they were written.

Teaching a Stone to Talk , Annie Dillard

This is Dillard’s only book of essays, but boy is it a blazingly good one. The slender volume, filled with examinations of nature both human and not, is deft of thought and tongue, and well worth anyone’s time. As the Chicago Sun-Times ‘s Edward Abbey gushed, “This little book is haloed and informed throughout by Dillard’s distinctive passion and intensity, a sort of intellectual radiance that reminds me both Thoreau and Emily Dickinson.”

Thirteen Ways of Looking at a Black Man , Henry Louis Gates Jr.

In this eloquent volume of essays, all but one of which were originally published in the New Yorker , Gates argues against the notion of the singularly representable “black man,” preferring to represent him in a myriad of diverse profiles, from James Baldwin to Colin Powell. Humane, incisive, and satisfyingly journalistic, Gates cobbles together the ultimate portrait of the 20th-century African-American male by refusing to cobble it together, and raises important questions about race and identity even as he entertains.

Otherwise Known As the Human Condition , Geoff Dyer

This book of essays, which won the National Book Critics Circle Award in the year of its publication, covers 25 years of the uncategorizable, inimitable Geoff Dyer’s work — casually erudite and yet liable to fascinate anyone wandering in the door, witty and breathing and full of truth. As Sam Lipsyte said, “You read Dyer for his caustic wit, of course, his exquisite and perceptive crankiness, and his deep and exciting intellectual connections, but from these enthralling rants and cultural investigations there finally emerges another Dyer, a generous seeker of human feeling and experience, a man perhaps closer than he thinks to what he believes his hero Camus achieved: ‘a heart free of bitterness.'”

Art and Ardor , Cynthia Ozick

Look, Cynthia Ozick is a genius. One of David Foster Wallace’s favorite writers, and one of ours, Ozick has no less than seven essay collections to her name, and we could have chosen any one of them, each sharper and more perfectly self-conscious than the last. This one, however, includes her stunner “A Drugstore in Winter,” which was chosen by Joyce Carol Oates for The Best American Essays of the Century , so we’ll go with it.

No More Nice Girls , Ellen Willis

The venerable Ellen Willis was the first pop music critic for The New Yorker , and a rollicking anti-authoritarian, feminist, all-around bad-ass woman who had a hell of a way with words. This collection examines the women’s movement, the plight of the aging radical, race relations, cultural politics, drugs, and Picasso. Among other things.

The War Against Cliché , Martin Amis

As you know if you’ve ever heard him talk , Martin Amis is not only a notorious grouch but a sharp critical mind, particularly when it comes to literature. That quality is on full display in this collection, which spans nearly 30 years and twice as many subjects, from Vladimir Nabokov (his hero) to chess to writing about sex. Love him or hate him, there’s no denying that he’s a brilliant old grump.

Cultural Amnesia: Necessary Memories From History and the Arts , Clive James

James’s collection is a strange beast, not like any other essay collection on this list but its own breed. An encyclopedia of modern culture, the book collects 110 new biographical essays, which provide more than enough room for James to flex his formidable intellect and curiosity, as he wanders off on tangents, anecdotes, and cultural criticism. It’s not the only who’s who you need, but it’s a who’s who you need.

I Feel Bad About My Neck: And Other Thoughts on Being a Woman , Nora Ephron

Oh Nora, we miss you. Again, we could have picked any of her collections here — candid, hilarious, and willing to give it to you straight, she’s like a best friend and mentor in one, only much more interesting than any of either you’ve ever had.

Arguably , Christopher Hitchens

No matter what you think of his politics (or his rhetorical strategies), there’s no denying that Christopher Hitchens was one of the most brilliant minds — and one of the most brilliant debaters — of the century. In this collection, packed with cultural commentary, literary journalism, and political writing, he is at his liveliest, his funniest, his exactingly wittiest. He’s also just as caustic as ever.

The Solace of Open Spaces , Gretel Ehrlich

Gretel Ehrlich is a poet, and in this collection, you’ll know it. In 1976, she moved to Wyoming and became a cowherd, and nearly a decade later, she published this lovely, funny set of essays about rural life in the American West.”Keenly observed the world is transformed,” she writes. “The landscape is engorged with detail, every movement on it chillingly sharp. The air between people is charged. Days unfold, bathed in their own music. Nights become hallucinatory; dreams, prescient.”

The Braindead Megaphone , George Saunders

Saunders may be the man of the moment, but he’s been at work for a long while, and not only on his celebrated short stories. His single collection of essays applies the same humor and deliciously slant view to the real world — which manages to display nearly as much absurdity as one of his trademark stories.

Against Joie de Vivre , Phillip Lopate

“Over the years,” the title essay begins, “I have developed a distaste for the spectacle of joie de vivre , the knack of knowing how to live.” Lopate goes on to dissect, in pleasantly sardonic terms, the modern dinner party. Smart and thought-provoking throughout (and not as crotchety as all that), this collection is conversational but weighty, something to be discussed at length with friends at your next — oh well, you know.

Sex and the River Styx , Edward Hoagland

Edward Hoagland, who John Updike deemed “the best essayist of my generation,” has a long and storied career and a fat bibliography, so we hesitate to choose such a recent installment in the writer’s canon. Then again, Garrison Keillor thinks it’s his best yet , so perhaps we’re not far off. Hoagland is a great nature writer (name checked by many as the modern Thoreau) but in truth, he’s just as fascinated by humanity, musing that “human nature is interstitial with nature, and not to be shunned by a naturalist.” Elegant and thoughtful, Hoagland may warn us that he’s heading towards the River Styx, but we’ll hang on to him a while longer.

Changing My Mind , Zadie Smith

Smith may be best known for her novels (and she should be), but to our eyes she is also emerging as an excellent essayist in her own right, passionate and thoughtful. Plus, any essay collection that talks about Barack Obama via Pygmalion is a winner in our book.

My Misspent Youth , Meghan Daum

Like so many other writers on this list, Daum dives head first into the culture and comes up with meat in her mouth. Her voice is fresh and her narratives daring, honest and endlessly entertaining.

The White Album , Joan Didion

Yes, Joan Didion is on this list twice, because Joan Didion is the master of the modern essay, tearing at our assumptions and building our world in brisk, clever strokes. Deal.

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The Ten Best American Essays Since 1950, According to Robert Atwan

in Books , Literature | November 15th, 2012 3 Comments

“Essays can be lots of things, maybe too many things,” writes Atwan in his fore­ward to the 2012 install­ment in the Best Amer­i­can series, “but at the core of the genre is an unmis­tak­able recep­tiv­i­ty to the ever-shift­ing process­es of our minds and moods. If there is any essen­tial char­ac­ter­is­tic we can attribute to the essay, it may be this: that the truest exam­ples of the form enact that ever-shift­ing process, and in that enact­ment we can find the basis for the essay’s qual­i­fi­ca­tion to be regard­ed seri­ous­ly as imag­i­na­tive lit­er­a­ture and the essay­ist’s claim to be tak­en seri­ous­ly as a cre­ative writer.”

In 2001 Atwan and Joyce Car­ol Oates took on the daunt­ing task of trac­ing that ever-shift­ing process through the pre­vi­ous 100 years for  The Best Amer­i­can Essays of the Cen­tu­ry . Recent­ly Atwan returned with a more focused selec­tion for  Pub­lish­ers Week­ly :  “The Top 10 Essays Since 1950.”  To pare it all down to such a small num­ber, Atwan decid­ed to reserve the “New Jour­nal­ism” cat­e­go­ry, with its many mem­o­rable works by Tom Wolfe, Gay Talese, Michael Herr and oth­ers, for some future list. He also made a point of select­ing the best essays , as opposed to exam­ples from the best essay­ists. “A list of the top ten essay­ists since 1950 would fea­ture some dif­fer­ent writ­ers.”

We were inter­est­ed to see that six of the ten best essays are avail­able for free read­ing online. Here is Atwan’s list, along with links to those essays that are on the Web:

• James Bald­win, “Notes of a Native Son,” 1955 (Read it here .)
• Nor­man Mail­er, “The White Negro,” 1957 (Read it here .)
• Susan Son­tag, “Notes on ‘Camp,’ ” 1964 (Read it here .)
• John McPhee, “The Search for Mar­vin Gar­dens,” 1972 (Read it here with a sub­scrip­tion.)
• Joan Did­ion, “The White Album,” 1979
• Annie Dil­lard, “Total Eclipse,” 1982
• Phillip Lopate, “Against Joie de Vivre,” 1986 (Read it here .)
• Edward Hoagland, “Heav­en and Nature,” 1988
• Jo Ann Beard, “The Fourth State of Mat­ter,” 1996 (Read it here .)
• David Fos­ter Wal­lace, “Con­sid­er the Lob­ster,” 2004 (Read it here  in a ver­sion dif­fer­ent from the one pub­lished in his 2005 book of the same name.)

“To my mind,” writes Atwan in his arti­cle, “the best essays are deeply per­son­al (that does­n’t nec­es­sar­i­ly mean auto­bi­o­graph­i­cal) and deeply engaged with issues and ideas. And the best essays show that the name of the genre is also a verb, so they demon­strate a mind in process–reflecting, try­ing-out, essay­ing.”

To read more of Atwan’s com­men­tary, see his  arti­cle in Pub­lish­ers Week­ly .

The pho­to above of Susan Son­tag was tak­en by Peter Hujar in 1966.

Relat­ed Con­tent:

30 Free Essays & Sto­ries by David Fos­ter Wal­lace on the Web

by Mike Springer | Permalink | Comments (3) |

Related posts:

Comments (3), 3 comments so far.

Check out Michael Ven­tu­ra’s HEAR THAT LONG SNAKE MOAN: The VooDoo Ori­gins of Rock n’ Roll

Wow I think there’s oth­er greater ones out there. Just need to find them.

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Harry Mount's top 10 essays

Harry Mount is a journalist, author and editor of the Notting Hill Editions Journal , which commissions a new essay every week. The latest series of essays are published this month.

Buy Notting Hill Editions essays

"There's not much point in trying to define an essay. Its parameters are so broad and slack that they encompass practically any shortish passage of non-fiction which makes a general argument.

"As a rough rule of thumb, I'd say anything that creeps over 40,000 words is entering book territory; and anything too autobiographical strays into memoir. But, still, you could write 50,000 words about yourself, and it could be an essay in every regard.

"It sounds banal, but all that matters is quality of writing and thought. Here are 10 that are exceptional in both departments."

1. George Orwell, Why I Write (1946)

Not an original choice of writer, or of essay. But it would be churlish not to include the man who, more than any other writer over the last century, fine-tuned the form. He applied his essayistic touch to an extreme variety of subjects – the ideal pub, school stories, what makes England England - but this one, on how he became a writer, is my favourite.

The word "intellectual" often brings a lot of dull baggage with it. But Orwell's honesty and humour mean that you're never in danger of being bored. His four reasons for writing - aesthetic enthusiasm, historical impulse, political purpose, sheer egoism - still seem unassailably true today.

2. Martha Gellhorn, Eichmann and the Private Conscience (1962)

You might call Gellhorn's account of Adolf Eichmann's trial in Jerusalem reportage. But that just shows up the flexibility of the essay. A routine bit of reportage remains reportage; brilliant reportage leaps its chains and becomes an essay.

Gellhorn's essay begins with a straight description of the conditions in the court, albeit an atmospheric, closely-observed description: "The air conditioning was too cold, and yet one sweated." But she constantly jumps from factual observation to general, philosophical thought. The seamlessly stitched combination of facts and thoughts becomes a compulsive essay.

3. Evelyn Waugh, A Call to the Orders (1938)

Evelyn Waugh considered life as a printer, cabinet-maker and carpenter before becoming a novelist. He maintained an interest in the visual arts throughout his life; this plea in defence of the classical orders of architecture appeared some time after his literary success began.

The essay is full of angry argument, deep architectural knowledge and lyrical description. "The baroque has never had a place in England; its brief fashion was of short duration; it has been relegated to the holidays – a memory of the happy days in sunglasses, washing away the dust of the southern roads with heady southern wines."

You don't have to agree with the argument to be compelled by it – a rare thing in an essay.

4. Michel de Montaigne, On the Cannibals (1595)

Montaigne is regularly wheeled out as the father of the essay. Debatable, I'd say – the baggy definition of the essay includes much older works.

Still, as well as being early on the essay scene, Montaigne was a natural essay-writer. His essay on cannibalism introduces devices that crop up again and again among the essayists that followed through the centuries. Taking the cannibalism of the Tupinamba tribesmen of Brazil, he uses it as a general analogy for barbarism. "Every man calls barbarous anything he is not accustomed to," he writes, expanding the subject into a discussion on the ideas of primitivism, natural purity and perfection.

5. JM Barrie, Courage (1922)

If you thought Steve Jobs's address to the graduating class of Stanford in 2005 was impressive, prepare to be even more deeply moved by Barrie's speech to the students of St Andrews University in 1922, where he had been voted rector.

Ostensibly about courage, the essay is really about how to deal with the loss of friends and brothers in the first world war; it's aimed at those "who still hear their cries [of the war dead] being blown across the links".

It opens up from the particular to the general, to the qualities needed to deal with such loss, and all with astonishing prescience: "By the time the next eruption comes it may be you who are responsible for it and your sons who are in the lava."

6. Truman Capote, The Duke in his Domain (1957)

Capote is best remembered for his novels, but his non-fiction was exceptional: acidly witty, to the point of nastiness; hyper-observational, to the point of even deeper nastiness. But what is more enjoyable – or, often, truer – than nastiness?

This is the essay-as-interview - in this case with Marlon Brando, at the height of his fame. There's a good deal of nastiness, and racism – "You come see Marron?" says Capote's Japanese guide. But it also gives a rare insight into the perils of celebrity: of too big an entourage, of isolation, of too many appetites being too readily satisfied.

For dinner, Brando, on a diet, orders soup, beefsteak with French-fried potatoes, three supplementary vegetables, a side dish of spaghetti, rolls and butter, a bottle of sake, salad, and cheese and crackers.

7. Jonathan Swift, A Modest Proposal (1729)

Extremely well-known, but that doesn't take away from the effectiveness of Swift's satirical suggestion that the way for the Irish to beat their poverty was to sell their children to the rich as meat and leather.

The best essays, like Swift's, use wit – not just to sugar the pill of heavy prose, but also to ramp up the argument beyond the merely prosaic statement of a thesis.

8. Thomas Paine, Common Sense; Addressed to the Inhabitants of America, on the following interesting subjects (1776)

Paine's pamphlet, anonymous at the time of publication, had a direct effect on the Declaration of Independence.

An argument in the real sense of an argument, it's as if Paine is shouting at you as he rips into the unfairness of a king on one island ruling a continent on the other side of an ocean: "If we will suffer ourselves to examine the component parts of the English Constitution, we shall find them to be the base remains of two ancient tyrannies, compounded with some new Republican materials."

The course of a couple of centuries often turns writing a bit Olde Worlde and quaint. Not here.

9. Isaiah Berlin, The Hedgehog and the Fox (1953)

For all his reputation as the planet-sized brain of the 20th century, Isaiah Berlin was better at the short sprint than the magnum opus. His lectures stick in the minds of those who heard them half a century ago. This essay is just as memorable.

The inspiration came from the Ancient Greek idiom: "The fox knows many things, but the hedgehog knows one big thing."

Berlin then sifts through his storage room of a brain to divide writers into one or the other category. Tolstoy, who forms the heart of the essay, wanted to be a hedgehog but was really a fox. Other foxes include Aristotle, Montaigne and Shakespeare. Plato and Proust are hedgehogs.

All a bit reductive perhaps, but really enjoyable, and a useful boilerplate when it comes to considering the ideas of other writers.

10. AN Wilson, In Defence of Gay Priests (2003)

Normally, a newspaper comment piece would never be long, or substantial, enough to constitute an essay. But this article – justifying the appointment of Jeffrey John, the Dean of St Albans, as Bishop of Reading – went way beyond tomorrow's-chip-wrapper material. The personal anecdote and light, jokey manner disguise serious thought and a deeply convincing argument; and the article becomes an essay.

• Evelyn Waugh
• George Orwell
• Jonathan Swift
• Truman Capote
• Michel de Montaigne

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Top 10 Unforgettable Editorials

These editorial voices rose above the America clamor with words we will never forget

1. “Yes, Virginia.…” “Is there a Santa Claus?,” 8-year-old Virginia O’Hanlon asked The Sun of New York in a letter to the editor. Francis P. Church’s answer, printed on September 21, 1897, was a masterpiece of decisiveness (“Yes, Virginia, there is a Santa Claus”) and evasion (“He exists as certainly as love and generosity and devotion exist, and you know that they abound and give to your life its highest beauty and joy.”) Church’s judgment that “a thousand years from now, Virginia, nay, ten times ten thousand years from now, he will continue to make glad the heart of childhood” could also stand for his prose.

2. “Manifest destiny” John L. O’Sullivan, editor of both a magazine titled The Democratic Review and the New York Morning News , first used the phrase in the July-August 1845 issue of the Review, to argue for annexing Texas. But, writes historian Julius W. Pratt, the phrase didn’t gain much traction because that issue was pretty much settled. While the United States and Britain were arguing over Oregon, O’Sullivan repeated himself in the Morning News of December 27, 1845: “Away, away with all these cobweb issues of rights of discovery, exploration, settlement, continuity, etc.… our claim to Oregon would still be best and strongest. And that claim is by the right of our manifest destiny to overspread and to possess the whole of the continent which Providence has given us.” And suddenly, American expansionism had a new motto.

3. “Go West, young man.” Horace Greeley’s corollary to manifest destiny has stood for a century and a half. Except Greeley seems never to have written or said it. Thomas Fuller, writing in the Indiana Magazine of History in September 2004, says the phrase occurs nowhere in Greeley’s New York Tribune . Fred R. Shapiro, editor of the Yale Book of Quotations , says it doesn’t appear in Greeley’s book Hints Toward Reform (1850), a commonly cited source for the quote. An 1855 Greeley biography, Shapiro writes, records his counsel to aspiring young men as: “[T]urn your face to the Great West, and there build up a home and fortune.” Thus the difference between good advice and a great phrase.

4. “What’s the matter with Kansas?” In 1896, the Sunflower State had been losing population, wealth and prestige for years. The legendary William Allen White of the Emporia Gazette blamed the state’s leadership and electorate, which he saw as backward and self-destructive. On August 15 of that year, he published a screed of such cold reasoning and pyrotechnic fury (sample indictment: “We have raked the ash heap of human failure in the state and have found an old hoop skirt of a man who has failed as a business man, who has failed as an editor, who has failed as a preacher, and we are going to run him for congressman-at-large”) that the question he used to frame his argument became its own answer.

5. “Ford to City: Drop Dead” Yes, it’s a headline, not an editorial, but it reflects no mean exercise of editorial license by the New York Daily News , which put it on its front page of October 30, 1975. The day before, President Gerald R. Ford did say he would veto any bill “that has as its purpose a federal bailout of New York” because responsibility for the city’s looming bankruptcy “is being left on the front doorstep of the federal government—unwanted and abandoned by its real parents,” whom he identified as city and New York State officials. He also said that if the city defaulted, his administration would help ensure that essential services weren’t interrupted, and one of his economic advisers said that help “could include money.” Eventually, the city got its finances in order, with the help of federal loans and loan guarantees. By then the headline had become immortal.

6. “The hot squat” In 1975, Leonard Edwards of Philadelphia was awaiting trial for murder and the rape of a 14-year-old girl. But he had already been convicted of two murders, and a jury had sentenced him to death for one of them. Richard Aregood of the Philadelphia Daily News believed that “it’s about time for Leonard Edwards to take the Hot Squat,” and said so in an editorial on November 21. But Edwards never got the electric chair; the Pennsylvania Supreme Court invalidated the state’s death-penalty statute, and he died in prison in 1988. But “hot squat,” which had been a fading remnant of 1920s slang, received new life, even as lethal injection replaced the chair for state-sanctioned execution.

7. “Wrong, wrong, wrong” Historically, the Jackson Clarion-Ledger helped lead the charge against the civil rights movement in Mississippi. But in September 1982, to mark the 20th anniversary of James Meredith’s integration of the University of Mississippi, it printed an editorial that began, “We were wrong, wrong, wrong.” That was the work of a new editor, Jackson native Charles Overby, who was working for a new owner, the Gannett chain. “But for the reader, it was the same newspaper,” says Overby, now chairman and CEO of the Freedom Forum and the Newseum in Washington, D.C., “and I thought we owed it to the community to recognize a change in consciousness that had taken place, both within the paper and out in the community.” He lays no claim to originating the phrase. But given the context, his use of it resonates.

8. “War to end all wars” Actually, it began as “the war that will end war,” which was the headline on an H.G. Wells article in the British newspaper the Daily News and Leader on August 14, 1914, arguing for war against German militarism because such a cataclysm would lead to a permanently improved society. “We mean to conquer,” he wrote. “We are prepared for every disaster, for intolerable stresses, for bankruptcy, for hunger, for anything but defeat.” Popular usage soon honed the phrase into the “war to end all wars,” which turned out to be an all-too-hopeful reference to World War I.

9. “Times that try men’s souls” Thomas Paine (writing under the pseudonym “the Author of Common Sense ”) entered the American lexicon even before there was an American lexicon: “These are the times that try men’s souls” is the first line of the first of 16 pamphlets he published over the course of the American Revolution, from 1776 to 1783. Paine’s second line—“The summer soldier and the sunshine patriot will, in this crisis, shrink from the service of their country…”—immediately expanded the lexicon.

10. “The American century” Ten months before the attack on Pearl Harbor, Henry Luce sought to rouse the readers of LIFE magazine from any lingering isolationism in a 6,600-word essay bearing that headline and rising to a distillation of Luce’s credo: “Throughout the 17th Century and the 18th Century and the 19th Century, this continent teemed with manifold projects and magnificent purposes. Above them all and weaving them all together into the most exciting flag of all the world and of all history was the triumphal purpose of freedom. It is in this spirit that all of us are called, each to his own measure of capacity, and each in the widest horizon of his vision, to create the first great American Century.” In time, Americans did.

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T.A. Frail | READ MORE

Tom Frail is a senior editor for Smithsonian magazine. He previously worked as a senior editor for the Washington Post and for Philadelphia Newspapers Inc.

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Nonfiction Books » Essays

The best essays: the 2021 pen/diamonstein-spielvogel award, recommended by adam gopnik.

WINNER OF the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the Essay

Had I Known: Collected Essays by Barbara Ehrenreich

Every year, the judges of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay search out the best book of essays written in the past year and draw attention to the author's entire body of work. Here, Adam Gopnik , writer, journalist and PEN essay prize judge, emphasizes the role of the essay in bearing witness and explains why the five collections that reached the 2021 shortlist are, in their different ways, so important.

Interview by Benedict King

Unfinished Business: Notes of a Chronic Re-Reader by Vivian Gornick

Nature Matrix: New and Selected Essays by Robert Michael Pyle

Terroir: Love, Out of Place by Natasha Sajé

Maybe the People Would be the Times by Luc Sante

1 Had I Known: Collected Essays by Barbara Ehrenreich

2 unfinished business: notes of a chronic re-reader by vivian gornick, 3 nature matrix: new and selected essays by robert michael pyle, 4 terroir: love, out of place by natasha sajé, 5 maybe the people would be the times by luc sante.

W e’re talking about the books shortlisted for the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the Essay . As an essayist yourself, or as a reader of essays, what are you looking for? What’s the key to a good essay ?

Let’s turn to the books that made the shortlist of the 2021 PEN Award for the Art of the Essay. The winning book was Had I Known: Collected Essays by Barbara Ehrenreich , whose books have been recommended a number of times on Five Books. Tell me more. 

One of the criteria for this particular prize is that it should be not just for a single book, but for a body of work. One of the things we wanted to honour about Barbara Ehrenreich is that she has produced a remarkable body of work. Although it’s offered in a more specifically political register than some essayists, or that a great many past prize winners have practised, the quiddity of her work is that it remains rooted in personal experience, in the act of bearing witness. She has a passionate political point to make, certainly, a series of them, many seeming all the more relevant now than when she began writing. Nonetheless, her writing still always depends on the intimacy of first-hand knowledge, what people in post-incarceration work call ‘lived experience’ (a term with a distinguished philosophical history). Her book Nickel and Dimed is the classic example of that. She never writes from a distance about working-class life in America. She bears witness to the nature and real texture of working-class life in America.

“One point of giving awards…is to keep passing the small torches of literary tradition”

Next up of the books on the 2021 PEN essay prize shortlist is Unfinished Business: Notes of a Chronic Re-Reader by Vivian Gornick.

Vivian Gornick is a writer who’s been around for a very long time. Although longevity is not in itself a criterion for excellence—or for this prize, or in the writing life generally—persistence and perseverance are. Writers who keep coming back at us, again and again, with a consistent vision, are surely to be saluted. For her admirers, her appetite to re-read things already read is one of the most attractive parts of her oeuvre , if I can call it that; her appetite not just to read but to read deeply and personally. One of the things that people who love her work love about it is that her readings are never academic, or touched by scholarly hobbyhorsing. They’re readings that involve the fullness of her experience, then applied to literature. Although she reads as a critic, she reads as an essayist reads, rather than as a reviewer reads. And I think that was one of the things that was there to honour in her body of work, as well.

Is she a novelist or journalist, as well?

Let’s move on to the next book which made the 2021 PEN essay shortlist. This is Nature Matrix: New and Selected Essays by Robert Michael Pyle.

I have a special reason for liking this book in particular, and that is that it corresponds to one of the richest and oldest of American genres, now often overlooked, and that’s the naturalist essay. You can track it back to Henry David Thoreau , if not to Ralph Waldo Emerson , this American engagement with nature , the wilderness, not from a narrowly scientific point of view, nor from a purely ecological or environmental point of view—though those things are part of it—but again, from the point of view of lived experience, of personal testimony.

Let’s look at the next book on the shortlist of the 2021 PEN Awards, which is Terroir: Love, Out of Place by Natasha Sajé. Why did these essays appeal?

One of the things that was appealing about this book is that’s it very much about, in every sense, the issues of the day: the idea of place, of where we are, how we are located on any map as individuals by ethnic identity, class, gender—all of those things. But rather than being carried forward in a narrowly argumentative way, again, in the classic manner of the essay, Sajé’s work is ruminative. It walks around these issues from the point of view of someone who’s an expatriate, someone who’s an émigré, someone who’s a world citizen, but who’s also concerned with the idea of ‘terroir’, the one place in the world where we belong. And I think the dialogue in her work between a kind of cosmopolitanism that she has along with her self-critical examination of the problem of localism and where we sit on the world, was inspiring to us.

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Last of the books on the shortlist for the 2021 Pen essay award is Maybe the People Would Be the Times by Luc Sante.

Again, here’s a writer who’s had a distinguished generalised career, writing about lots of places and about lots of subjects. In the past, he’s made his special preoccupation what he calls ‘low life’, but I think more broadly can be called the marginalized or the repressed and abject. He’s also written acute introductions to the literature of ‘low life’, the works of Asbury and David Maurer, for instance.

But I think one of the things that was appealing about what he’s done is the sheer range of his enterprise. He writes about countless subjects. He can write about A-sides and B-sides of popular records—singles—then go on to write about Jacques Rivette’s cinema. He writes from a kind of private inspection of public experience. He has a lovely piece about tabloid headlines and their evolution. And I think that omnivorous range of enthusiasms and passions is a stirring reminder in a time of specialization and compartmentalization of the essayist’s freedom to roam. If Pyle is in the tradition of Thoreau, I suspect Luc Sante would be proud to be put in the tradition of Baudelaire—the flaneur who walks the streets, sees everything, broods on it all and writes about it well.

One point of giving awards, with all their built-in absurdity and inevitable injustice, is to keep alive, or at least to keep passing, the small torches of literary tradition. And just as much as we’re honoring the great tradition of the naturalist essay in the one case, I think we’re honoring the tradition of the Baudelairean flaneur in this one.

April 18, 2021

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Adam Gopnik

Adam Gopnik has been a staff writer at the New Yorker since 1986. His many books include A Thousand Small Sanities: The Moral Adventure of Liberalism . He is a three time winner of the National Magazine Award for Essays & Criticism, and in 2021 was made a chevalier of the Legion d'Honneur by the French Republic.

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The Absolute 21 Most Influential And Greatest Writers In History

Throughout our history writers have inspired greatness and influenced the development of society, nations, religions, governments, and our overall human history.

This article outlines the absolute 21 most influential writers of all time. Each of the following great men and women has written books, pamphlets, essays, and letters that have altered entire societies and even defined historic ages.

Each of the following authors has been judged by a list of 3 grading criteria. I outline this grading criteria below.

The 3 Grading Criteria For Writers To Be On This List

Each of the following writers have impacted billions of people worldwide and forever altered the course of history. In order to have landed on this list of the absolute 21 most influential and greatest writers of history each of the following writers would have to match 3 criteria.

• The writer needs to have influenced billions of people worldwide
• Modern scholarship still studies their influence and routinely publishes academic articles on the continuing greatness of their works
• The works of the following writers need to have had a direct impact upon the development of their society and history.

Further, I have purposely omitted religious prophets as their impact upon history is hard to quantify accurately. The following list of 21 writers were either poets, novel writers, historians, philosophers, or literary authors.

List Of The Absolute 21 Most Influential And Greatest Writers In History

For those who wish to simply see the list I have provided a brief list below.

Geoffrey Chaucer

William shakespeare, thomas hobbes, miguel de cervantes.

• J.K.R Tolkien

Fyodor Dostoyevsky

Jane austen, george orwell, gabriel garcia marques.

• Edgar Allen Poe

Charles Dickens

Friedrich nietzsche.

Below each of the following authors I give an outline of why they are considered to be one of the absolute top 21 greatest and most influential writers in history. There is a section for further reading where you can read more about an individual writer if you would like more information.

Without further ado, here are the absolute 21 most influential and greatest writers of history.

One of the greatest and most influential writers in history is undoubtedly the 8th century Greek poet Homer.

We know very little about Homer himself. We know that he was a Greek poet that is credited with being the first person to write down the Greek epic poems of the Iliad and the Odyssey . We have primary source evidence that he might have been a blind wandering bard who gathered stories across Greece.

However, there are 3 reasons that Homer ends up on this list of the absolute 25 most influential writers of history. First, Homer established oration as a key facet of western society. Second, Homer created the foundational epic texts. Third, Homer is credited with creating the modern western poetry style of dactylic hexameter.

Each of these 3 reasons have led to the modern society that you and I interact with today. All subsequent writers and authors interact with Homer’s influence.

(I go into full detail on each of these 3 reasons why Homer is considered one of the greatest and most influential writers in history in this article here .)

Simply put, Homer began a process of creating modern western literature way back in the 8th century BC. This western literature helped to create a shared societal identity that all people in the world today have been influenced by.

Of all the Golden-Era Latin poets none are greater or more influential than Virgil. Today billions of people around the world have been influenced by his iconic writing which helped to solidify the authority of the early Roman Empire.

Virgil lived during a time of transition from the Roman Republic to the Roman Empire. The people of Rome traded the power of the Republican Senate for the power of the first Roman Emperor Augustus .

Virgil had to create a national novel that would help to cement the legitimacy of the Roman Empire. Drawing inspiration from Homer’s Odyssey Virgil would create the foundational national epic the Aeneid .

However, it was not the Aeneid itself which made Virgil one of the greatest and most influential writers of history. It was his ability to both critique the Augustan regime while also glorifying the Roman People that forever cemented Virgil’s legacy and reason for being on this list.

Virgil created one of the world’s best examples of a societal critique in the form of an epic poem. What we see in the Aeneid is a primitive version of Virgil demonstrating the legitimacy of a government cemented in the happiness and security of its citizens.

The Aeneid remains today one of the world’s best-selling books. Even though Virgil would not live to see the Aeneid published, his impact can be felt across the Western world. Today very few of our modern institutions can’t be traced back to the Roman Empire, which Virgil helped to create.

As such, Virgil easily lands on this list of the absolute 21 most influential and greatest writers in history.

One of the greatest and most influential writers in history is Dante Alighieri, simply known today as Dante.

Although Dante could be considered a religious writer it is the way he published his books that is the reason for him being on this list.

Dante was educated in the 14th-century Italian church. He would spend hours studying and writing in Latin. He would notice that only the clergy and a select few of society would read his work.

Instead of writing his popular books such as The Divine Comedy in Latin, Dante would combine several Italian languages into one and write in a new common Italian language.

This allowed Dante’s work to be spread throughout the Italian common people and eventually across Europe. This would result in the 3 lasting influences of Dante, and the reason why he is studied today.

First, by Dante publishing his works in common Italian he made a stance against the church. During his life he was exiled from Florence and in death he would be attacked by the European Catholic church during the Reformation.

Second, by publishing in the common Latin Dante began a unification process across Italy and Europe. People began to communicate ideals and iconography shared in Dante’s Divine Comedy . This helped to create national communities that spread across Europe, which lead to modern nation-states.

Third, In writing his works and defending his use of common Italian Dante started a revival of ancient sources such as Cicero. This directly led to what we now call the Italian Renaissance which forever changed history.

As such, Dante lands on this list of the absolute 21 most influential and greatest writers in history for his work on group formation. Today his influence impacts billions of people worldwide.

One of the greatest and most influential writers of all time is Geoffrey Chaucer.

Chaucer lived during a tumultuous time period in England. During his lifetime he would see the end of the Bubonic Plague in London as well as the Peasants Revolt. Both of these events drastically changed his perception of English society.

From this Chaucer would write several books that seek to entertain and inform audiences across England. Much like Dante, he wrote these works not in Latin but in a common English language.

However, the problem was that no such common English language existed for Chaucer to use in his writings. Instead of giving up on his books he instead created the world’s first common English language.

Today academics estimate that there are over 2,000 common English words created by Geoffrey Chaucer. As such his works have impacted nearly all of the current 1.5 billion English-speaking people around the world.

However, Chaucer’s greatness and influence does not stop there. Chaucer would create one of the most important pieces of Western literature called The Canterbury Tales . This book was written during the time of the Peasants Revolt where the common people of England sought to have societal reform and stop the practice of serfdom.

On the surface level, The Canterbury Tales is a simple piece of literature that only entertains. However, when one takes a closer look the true reason for Chaucer’s writings surfaces.

Chaucer’s The Canterbury Tales is a witty satire on the nature of English society. It positions the entirety of his current English society as inherently backwards and full of strife.

Chaucer gives us one of the world’s finest examples of societal criticism in the form of literary text. As a result of Chaucer’s book English history would forever be changed. As such, he remains one of the greatest and most influential writers in history.

To nobody’s surprise, William Shakespeare lands on the list of the absolute 21 most influential and greatest writers in history.

Shakespeare’s greatest influence on the development of history is his mixture of ancient iambic pentameter with his then-modern philosophy of natural law to create world-class narratives.

Not much is known about Shakespeare himself. He left no autobiography that has survived and it’s doubtful that he wrote all of his own works. However, one thing remains certain and that is his influence.

Shakespeare was likely educated to read the ancient Latin writers of Virgil, Horace, Ovid, and Livy. These ancient Latin writers wrote to have their work spoken aloud as well as read. As such the workflows off the page and into the ears of the audience.

Shakespeare would copy this technique of writing while also improving upon it. Before Shakespeare’s time most plays and books were written for the nobility or literate people of England. Shakespeare would write his work to appeal towards the common English man as well as the nobility.

This was groundbreaking for its time and remains one of the primary reasons why Shakespeare is researched today. By critically reading his work we can peer into how English society was structured and run during the 16th and 17th centuries.

It should come to nobody’s surprise that Shakespeare has landed on this list of the absolute 21 most influential and greatest writers in history.

One of the greatest and most influential writers of history is Voltaire. So influential was Voltaire that the 18th century in Europe is often called the Age of Voltaire.

Voltaire was not only a great writer but a prolific one as well. Over the course of his life, he would write over 20,000 letters, 2,000 books, and a significant portion of literature coming out of Western Europe during the 18th century.

However, Voltaire has impacted the development of human history in 3 distinct ways. First, Voltaire advocated for the concept of the freedom of speech. Second, Voltaire believed firmly in the separation of church and state. Third, Voltaire spent his helping to shift the Western world’s style of government from authoritarian monarchies towards democratic republics.

Few people today truly understand how important Voltaire was to the creation of the modern systems of government we have today. He would be jailed for his letters by the King of France, after which he would spend time in England writing one of his most influential pamphlets that helped to start the French and American Revolution ( Letters on The English ).

As a result of this Voltaire remains one of the most influential and greatest writers in history.

When you hear the name Cicero you might not think of the greatest writer in history but there is a solid reason for him being on the list.

Cicero was a politician, orator, and statesman during the height of the Late Roman Republic. However, the reason for him being on this list is due to his groundbreaking stance on political philosophy.

Cicero created many of the modern legal and government systems that we enjoy today. All of this from a man who lived almost two millennia ago.

The biggest contribution of Cicero towards history was his establishment of natural law as a right to government. This simply means that people hold natural rights in them being human beings.

To Cicero, the power of government came from the average Roman person. This is a foundational concept of all modern governments today.

Further, Cicero gave us natural law. Humans in our modern legal institutions have a right to defend themselves, speak freely, and hold liberty over their own actions. This started with Cicero.

As such Cicero lands on this list of the top 21 most influential and greatest writers in history.

Thomas Hobbes remains one of the most influential and greatest writers in history due to his work on social contract theory.

Thomas Hobbes was born into 16th-century England and would see the English Civil War firsthand. This drastically changed his worldview and helped to inspire him to write his massively influential book Leviathan .

In Leviathan Thomas Hobbes presents the argument that man inherently gives up certain natural rights to secure life, liberty, and safety under a government. This profoundly impacted the development of modern governments and history.

Before Hobbes much of Western Europe followed a divine mandate in having monarchs control power. This divine mandate would be passed down through the Church which would then pass it through to a monarchy. This presented a top-down right-to-rule model which most of society followed.

However, Thomas Hobbes in watching the English Civil War unfold saw a different government model. This new model would be called the Social Contract and it presented the argument that people held natural rights to rule over themselves.

This forever altered history and the development of nearly all nations today. The American and French Revolution’s of the 18th century quoted Hobbes’s work to justify their separation from monarchies and moving towards Republics.

As such Hobbes has influenced billions of people across the world and today remains one of the greatest writers in history.

Miguel de Cervantes wrote what many academics call the most important novel in history, the 14th-century Don Quixote .

Don Quixote tells the story of a man named Alonso Quijano who becomes fascinated with reviving the concept of chivalry in 16th-century Spain. Along with his trusty farmer-squire Sancho Panza Don Quixote provides a subtle critique of 16th-century Spanish society.

The reason that Miguel de Cervantes lands on this list is due to the effects that his publication of Don Quixote had upon the intellectual development of the Western world. On the surface level, Don Quixote is just an entertaining story with little substance. However, upon a close inspection one can begin to see the emergence of the concept of liberty over chivalry.

Don Quixote outlines the transition of European society from the medieval period to the modern. To this day Don Quixote remains one of the most cited books in the history of the world.

Further, Cervantes’s influence is directly cited in major literary works such as The Three Musketeers , The Count of Monte Cristo , The Idiot , and Shakespeare’s Cardenio .

Simply put, Cervantes’s work remains one of the most influential books that has ever been published. In many ways Don Quixote began to defined the development of the modern era.

As such, Miguel de Cervantes lands on this list of the absolute 21 most influential and greatest writers in history.

One of the absolute most influential writers in history would easily be Karl Marx.

Most people remember Karl Marx for his inspiration in the rise of communism as a form of government during the 20th century. However, this is not why Marx has ended up on this list.

The reason that Karl Marx remains one of the greatest writers in history is because of his creation of the modern field of economic history.

Before Karl Marx, the field of economics was built around statistics and agricultural production. Influential works such as Thomas Malthus’s An Essay on the Principle of Population outlined how economic theory should be tied to physical land production and population growth.

Marx however believed that instead of agricultural production creating the basis of economies it was instead population labor. Further, Marx used historical sources to demonstrate that throughout the whole of human history production was created not from agriculture but rather control of a labor force.

To Marx labor forces and their relation to the owners of labor forces created a constant state of conflict. Out of this conflict arose historical events and all societal production. This was what Karl Marx called “historical materialism.” Or that the struggle for material goods powered society and history.

Marx’s work forever altered society. Now people are more aware than ever of the power dynamic within society. In the 20th century alone hundreds of millions of people have been impacted by his work.

This is the reason that Karl Marx has landed firmly on this list of the absolute 21 most influential and greatest writers in history.

J.R.R Tolkien

Considered by many to be the father of modern fiction writing it should be to no one’s surprise that J.R.R Tolkien has landed on this list.

Tolkien would serve in World War One at the Battle of the Somme. This would forever alter his view of the world and profoundly impact his writing career.

Upon returning home Tolkien would begin to tell his children bedtime stories that he made up. In order to remember these stories Tolkien would begin to write them down. They followed the tale of a hobbit as he would leave his quant home on an adventure to save the home of another group of people, the Dwarfs.

These bedtime stories would become one of the history’s best selling children’s books, The Hobbit . This alone would be enough to cement Tolkien’s legacy, however it would be his next book that would forever change the world and mark him as one of the greatest writers of all time.

After the literary success of The Hobbit Tolkien decided he would expand upon his world by creating an epic national novel that helped to explain the modern British Nation. This was the foundation of The Lord of The Rings .

Today all modern fantasy books, movies, video games, and shows have been inspired by the literary genius of Tolkien. As such he easily lands on this list of the absolute 21 most influential and greatest writers in history.

Of all the Eastern 19th-century writers, none are greater and more influential than Fyodor Dostoevsky for his stance on totalitarianism and the social contract.

Dostoevsky wrote in 19th century Russia. His first career was serving in the Russian Tsar’s military but after a couple publications he decided to resign and pursue a career as a full-time writer.

However, in attempting to do this Dostoevsky would begin to read forbidden texts that could be seen as hyper-critical of the Tsar’s reign. As a result, Dostoevsky would spend several years in solitary confinement in a prison in Siberia.

This had a profound impact upon his subsequent philosophy and writing. Dostoevsky is remembered today for his highly unique view on how government and society should be run.

According to Dostoevsky a government should have an authoritarian leader, but that this leader should be responsive to the people’s desires and wishes. In turn this leader had absolute control over the government. This according to Dostoevsky would allow a nation to rapidly respond to both domestic and external threats efficiently.

From this, we get some of the most influential philosophers in the 20th century. Further, Dostoevsky remains an important figure in history due to his impact upon the subsequent development of the Soviet Union after World War II.

Today Dostoevsky remains an important figure in Eastern philosophy. He is still cited and studied worldwide. This in combination with this impact upon billions of lives worldwide has firmly landed him on this list of the absolute 21 most influential and greatest writers in history.

Mark Twain remains one of the most influential and greatest writers in history for one simple reason, helping to create the monumental literary culture of the United States.

Mark Twain was born into the antebellum south in Mississippi. He would live through the American civil war which had an impact upon his worldview and most importantly his writings.

Twain was a prolific writer. To this day academics are still finding more written material by one of his many pseudonyms.

However, it is not his body of written material that lands him on this list. Rather it is the creation of the modern field of American literature during the mid part of the 19th century. This would inspire subsequent North American literary authors such as Ernest Hemingway, F. Scott Fitzgerald, Toni Morrison, and J.D Salinger.

During Mark Twain’s time most of American literature was centered around emulating European stories of romance, history, and high literature. Twain on the other hand created something completely new and American.

Mark Twain’s literary style took childhood stories of his life in the antebellum south and combined them with American folk tales. This created a whimsical world of mystery and adventure.

Almost overnight the American style of literature was born. This was centered around adventure and exploration. Today this has drastically influenced the development of the United States.

Modern scholarship such as Alan Gribben’s article “The Importance of Mark Twain” states that “Mark Twain is the only writer we have recognized as an author of immortal American prose.” A quote that I believe perfectly symbolizes the importance of this author upon the development of the American culture of adventure, humility, kindness, and tenacity.

Today Twain’s influence has impacted billions of people worldwide. As such he firmly lands on this list of the absolute 21 most influential and greatest writers in history.

Jane Austen remains one of the most influential and greatest writers of all time, but not for the reason that people might suspect.

Jane Austen wrote novels such as Pride and Prejudice that on the surface level were tales of romantic 18th-century English love. These novels would become best sellers and many people would romanticize her books as the ideal courtship romantic books.

However, Jane Austen wrote her works in a certain way to get past the English censorship office which was controlled by the English landholding elite. This English landholding elite were hyper-critical of their power structure within society, including the power dynamic within marriage.

Jane Austen’s work is a satire upon the lifestyles of the English Landholding elite families that lived in the London countryside. All of Jane Austen’s work highlights how Women would hold no power within society and were forced to marry against their will suitors so that they could be provided for.

Austen’s work presents a witty satire of the elite of English societies. During a time when the English were preaching that they were egalitarian and proper in Austen’s eyes they were still barbaric in wedlock.

As a result of Jane Austen’s works the 19th century saw a radical transformation in the rights of Women across the western world. As such she remains one of the most influential and greatest writers of all time and firmly lands on this list.

Almost the entire known world has heard of the influential author George Orwell. This is because of his stance upon the power of centralized and unchecked government.

George Orwell was writing during a transformative time in world history. This was the 20th century which saw the rise of totalitarian regimes that attempted to directly control their populations through propaganda and rhetoric.

Orwell’s work reflects this observance of the world. To George Orwell nothing was scarier than a strong central government that would remove liberties and freedoms from its populace in the name of security.

This is the recurring theme in his foundational texts 1984 and Animal Farm . In both of these monumental works Orwell provides a world where in the name of security the people have given up their natural ingrained rights. As a result, totalitarianism rises even out of utopian governments such as in Animal Farm .

Today we often hear of words that directly come out of Orwell’s work and are highly critical of strong central government actions. These words are normal such as “big brother” and “thoughtcrime.”

From Orwell’s work his biggest influence remains the creation of strong representative governments and the pushing towards world peace. Today few authors are cited more in United Nations meetings as Orwell.

Because of his impact upon our modern society he remains one of the greatest and most influential writers in history.

Before the 20th century, the literary world failed to recognize the developing community of intellectual writers in South and Latin America.

In 1967 however, that forever changed with the publication of Gabriel Garcia Marquez’s One Hundred Years of Solitude . This book became a worldwide sensation and influenced the importance of South and Latin American culture on the world stage.

More importantly, Marquez’s book One Hundred Years of Solitude introduced to the world a wholly American style of writing. This was the style of magical realism or the act of portraying mythical portions of art in a boring and realistic way. However, on the contrary the boring and realistic parts of life would be portrayed in mythical and magical ways.

This style of writing was so popular that it influenced the entire world. Almost overnight the South and Latin American culture became sought after and tourism boomed.

However, Marques was not alone in his writing. For nearly 100 years before him Latin and South America had been producing astounding works of literary art. Marques opened up the path for the world to fall in love with the vivid culture of the Americas.

Today Marquez is remembered for his work on successfully saving the culture of the Americas from being forgotten. As a result of his great writings in April of 2014 the president of Colombia Juan Manuel Santos named Marques “The greatest Columbian who ever lived.”

As a result of his massive influence on the development of Latin and South America on the world stage Gabriel Garcia Marquez easily lands on this list of the absolute top 25 most influential and greatest writers in history.

Edgar Allan Poe

Almost everybody around the world has heard of the famous American poet Edgar Allen Poe. He is known for writing what is widely considered the most famous poem of all time, The Raven .

However, it is not his written works that have landed him on this list. Rather, it is instead his impact on developing the image of the United States in the eyes of Europe and later Asia.

Many people know of Poe’s influence upon the United States on the domestic level. During his time in the United States he was largely poor and would regard himself as unsuccessful.

Poe would never live to see his greatest accomplishment. That across the Atlantic in Europe his work was being hailed as a masterpiece. Poe’s work created the modern detective thriller genre that would inspire works such as Sherlock Holmes.

While this creation of a whole genre of literature is great alone it is not why he is on this list. What landed him on this list was the influence his works had upon developing the image of the United States across the world.

Through Poe’s literature the United States was pictured as a dark, brooding, and mesmerizing place. Readers in Europe would read stories such as The Pit and the Pendulum and The Tell-Tale Heart and begin to associate the United States with a new kind of mysterious humanism.

The image of a dark brooding yet human and loving American started with Poe. To this day you can find the influences of Poe in modern monster thriller movies, romance books, and noir comics.

Simply put, Edgar Allan Poe created the modern American stereotype throughout Europe along with creating a whole genre of thriller works of art. Every day billions of people worldwide interact with his writings.

As such he lands upon this list.

One of the most influential writers of all time is none other than Charles Dickens.

Charles Dickens was born into Victorian London shortly after the industrial revolution. To most this was a time of profound change and a perceived higher quality of life. Dickens at an early age would have to work 14-16 hour days to help pay off his fathers debt while he served time in a debtors prison.

This profoundly impacted the writing of Dickens. Today we remember him for the widely popular stories of Oliver Twist , David Copperfield, A Tale of Two Cities, and his most famous work A Christmas Carol .

Each of Dickens’s works revolves around one core concept. Highlighting how barbaric the London industrial revolution actually was. To Dickens his work would show how certain members of society who held the capital production of factories lived lavish lives while the workers barely could survive.

The reason that Charles Dickens is so influential today is because his widely popular books forced the reader to ask questions on the nature of industrialization and human rights.

Today we remember Dickens for his influence in developing the world’s modern labor rights. Without him it’s doubtful that our modern society would look the same without him.

As such it should be no surprise that Dickens lands on this list of the absolute 21 most influential and greatest writers in history.

One of the most influential philosophers and writers of the modern era is Friedrich Nietzsche. Many people know of Nietzsche’s great works but few understand just how impactful his writings have become.

Nietzsche would write his works during the transition of Europe from Feudal empires to the modern nations of today. For Nietzsche, he was fascinated with how some of the greatest people in history rise above others to become successful and influential.

Using past historical examples such as Ancient Egypt Nietzsche comes to the conclusion that the greatest people in the world became great by existing outside society and pursuing power through their own willpower.

From this comes Nietzsche’s foundational theory of The Will To Power . This theory states that all power in society comes from a person’s stronger will to abandon society and pursue more power that only can exist outside society. This person in Nietzsche’s eyes would be something he called the Ubermensch or Superman.

Once this Ubermensch was identified in society it was the job of the super human to teach society how to become better. Thus uplifting society as a whole. Over time Nietzsche argued this would significantly advance the human race.

Nietzsche would die as a nearly unknown writer. His sister after his death would rework and market his works to radical groups throughout Europe.

Today Nietzsche’s philosophical works are remembered for their massive impact upon the first and second world wars.

As a result of continuing scholarly debate surrounding the exact nature of Nietzsche and the massive impact his work has had upon society he is on this list of the absolute 21 most influential and greatest writers in history.

Plato is perhaps the most cited philosopher and writer in all of history. His influence can be felt across every society in our modern society.

The reason for this was that he created the world’s first university. On top of this Plato is considered the father of modern education for his foundational theories on how human minds develop and learn.

Plato lived in the golden age of ancient Greece. He would found a University called the Academy just north of the modern city of Athens. Within this university Plato would hold classes and teach physics, mathematics, history, rhetoric, and many other fields.

While not all of his theories remain, his most influential theory is his stance on how the mind learns. The modern field of epistemology was created with Plato who believed that the human mind learned by combining all previous knowledge gained from a human’s interaction with their observable universe.

Today this is called the theory of Platonic Epistemology. Here the teacher serves as only a guiding force for the student to learn on their own. If you attended a 4th-century Plato lecture you would engage with Plato on topics such as theocracy, philosophy, and nature. From this dialog you would gain valuable information.

This was the foundational theory that all modern universities stem from.

Because of this Plato’s influence as a writer marks him as one of the most influential and greatest writers of all time.

The last writer on our list of the absolute 21 most influential and greatest writers in history is none other than Seneca.

Seneca lived a very hard life of constant struggle and turmoil. He lived during the early Roman Empire and would be exiled by Emperor Caligula. While in exile he would begin to form his foundational philosophical works that have forever changed history.

Today Seneca is remembered for his view on the nature of happiness in the lives of humans. Seneca’s work reminds us that our lives are short but long enough to live well if we know how to pursue worthy goals.

This was the foundation of Seneca’s stoic philosophy. That we should find happiness in ourselves and not in outside events. These theories have profoundly impacted the development of history.

Subsequent Roman Emperors such as Marcus Aurelius followed Seneca’s teachings. Today leaders around the world practice stoicism as a means of controlling their own emotions while pursuing life goals.

Seneca is often cited as one of the most influential philosophers of all time. We can see examples of his great works in other great writers such as Shakespeare .

Billions of people throughout history have been impacted by the writings of Seneca. As a result he firmly lands on this list of the absolute 21 most influential and greatest writers in history.

There you have it; an entire article that goes over the absolute 21 most influential and greatest writers of history.

There were several other great candidates to put on this list. However, those candidates often drew immense inspiration from the authors on this list. In an effort to keep the list manageable I have distilled it down to the 21 most influential and greatest in history.

If you think a writer should be on this list let me know by emailing me. This list is by no means complete.

I hope you enjoyed this article. Here at The History Ace I strive to publish the best history articles on the internet. Feel free to sign up for the free newsletter and share it around the web.

Further, you can check out some of the other articles below. 

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I hold a bachelor’s and master’s in history. I have published research in Cambridge University Press, presented research at the University of Toronto, and write extensively about history, philosophy, mathematics, coding, stock investments, and GIS.

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Federalist Papers

By: History.com Editors

Updated: June 22, 2023 | Original: November 9, 2009

The Federalist Papers are a collection of essays written in the 1780s in support of the proposed U.S. Constitution and the strong federal government it advocated. In October 1787, the first in a series of 85 essays arguing for ratification of the Constitution appeared in the Independent Journal , under the pseudonym “Publius.” Addressed to “The People of the State of New York,” the essays were actually written by the statesmen Alexander Hamilton , James Madison and John Jay . They would be published serially from 1787-88 in several New York newspapers. The first 77 essays, including Madison’s famous Federalist 10 and Federalist 51 , appeared in book form in 1788. Titled The Federalist , it has been hailed as one of the most important political documents in U.S. history.

Articles of Confederation

As the first written constitution of the newly independent United States, the Articles of Confederation nominally granted Congress the power to conduct foreign policy, maintain armed forces and coin money.

But in practice, this centralized government body had little authority over the individual states, including no power to levy taxes or regulate commerce, which hampered the new nation’s ability to pay its outstanding debts from the Revolutionary War .

In May 1787, 55 delegates gathered in Philadelphia to address the deficiencies of the Articles of Confederation and the problems that had arisen from this weakened central government.

A New Constitution

The document that emerged from the Constitutional Convention went far beyond amending the Articles, however. Instead, it established an entirely new system, including a robust central government divided into legislative , executive and judicial branches.

As soon as 39 delegates signed the proposed Constitution in September 1787, the document went to the states for ratification, igniting a furious debate between “Federalists,” who favored ratification of the Constitution as written, and “Antifederalists,” who opposed the Constitution and resisted giving stronger powers to the national government.

The Rise of Publius

In New York, opposition to the Constitution was particularly strong, and ratification was seen as particularly important. Immediately after the document was adopted, Antifederalists began publishing articles in the press criticizing it.

They argued that the document gave Congress excessive powers and that it could lead to the American people losing the hard-won liberties they had fought for and won in the Revolution.

In response to such critiques, the New York lawyer and statesman Alexander Hamilton, who had served as a delegate to the Constitutional Convention, decided to write a comprehensive series of essays defending the Constitution, and promoting its ratification.

Who Wrote the Federalist Papers?

As a collaborator, Hamilton recruited his fellow New Yorker John Jay, who had helped negotiate the treaty ending the war with Britain and served as secretary of foreign affairs under the Articles of Confederation. The two later enlisted the help of James Madison, another delegate to the Constitutional Convention who was in New York at the time serving in the Confederation Congress.

To avoid opening himself and Madison to charges of betraying the Convention’s confidentiality, Hamilton chose the pen name “Publius,” after a general who had helped found the Roman Republic. He wrote the first essay, which appeared in the Independent Journal, on October 27, 1787.

In it, Hamilton argued that the debate facing the nation was not only over ratification of the proposed Constitution, but over the question of “whether societies of men are really capable or not of establishing good government from reflection and choice, or whether they are forever destined to depend for their political constitutions on accident and force.”

After writing the next four essays on the failures of the Articles of Confederation in the realm of foreign affairs, Jay had to drop out of the project due to an attack of rheumatism; he would write only one more essay in the series. Madison wrote a total of 29 essays, while Hamilton wrote a staggering 51.

Federalist Papers Summary

In the Federalist Papers, Hamilton, Jay and Madison argued that the decentralization of power that existed under the Articles of Confederation prevented the new nation from becoming strong enough to compete on the world stage or to quell internal insurrections such as Shays’s Rebellion .

In addition to laying out the many ways in which they believed the Articles of Confederation didn’t work, Hamilton, Jay and Madison used the Federalist essays to explain key provisions of the proposed Constitution, as well as the nature of the republican form of government.

'Federalist 10'

In Federalist 10 , which became the most influential of all the essays, Madison argued against the French political philosopher Montesquieu ’s assertion that true democracy—including Montesquieu’s concept of the separation of powers—was feasible only for small states.

A larger republic, Madison suggested, could more easily balance the competing interests of the different factions or groups (or political parties ) within it. “Extend the sphere, and you take in a greater variety of parties and interests,” he wrote. “[Y]ou make it less probable that a majority of the whole will have a common motive to invade the rights of other citizens[.]”

After emphasizing the central government’s weakness in law enforcement under the Articles of Confederation in Federalist 21-22 , Hamilton dove into a comprehensive defense of the proposed Constitution in the next 14 essays, devoting seven of them to the importance of the government’s power of taxation.

Madison followed with 20 essays devoted to the structure of the new government, including the need for checks and balances between the different powers.

'Federalist 51'

“If men were angels, no government would be necessary,” Madison wrote memorably in Federalist 51 . “If angels were to govern men, neither external nor internal controls on government would be necessary.”

After Jay contributed one more essay on the powers of the Senate , Hamilton concluded the Federalist essays with 21 installments exploring the powers held by the three branches of government—legislative, executive and judiciary.

Impact of the Federalist Papers

Despite their outsized influence in the years to come, and their importance today as touchstones for understanding the Constitution and the founding principles of the U.S. government, the essays published as The Federalist in 1788 saw limited circulation outside of New York at the time they were written. They also fell short of convincing many New York voters, who sent far more Antifederalists than Federalists to the state ratification convention.

Still, in July 1788, a slim majority of New York delegates voted in favor of the Constitution, on the condition that amendments would be added securing certain additional rights. Though Hamilton had opposed this (writing in Federalist 84 that such a bill was unnecessary and could even be harmful) Madison himself would draft the Bill of Rights in 1789, while serving as a representative in the nation’s first Congress.

HISTORY Vault: The American Revolution

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Ron Chernow, Hamilton (Penguin, 2004). Pauline Maier, Ratification: The People Debate the Constitution, 1787-1788 (Simon & Schuster, 2010). “If Men Were Angels: Teaching the Constitution with the Federalist Papers.” Constitutional Rights Foundation . Dan T. Coenen, “Fifteen Curious Facts About the Federalist Papers.” University of Georgia School of Law , April 1, 2007. 

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40 famous persuasive speeches you need to hear.

Written by Kai Xin Koh

Across eras of calamity and peace in our world’s history, a great many leaders, writers, politicians, theorists, scientists, activists and other revolutionaries have unveiled powerful rousing speeches in their bids for change. In reviewing the plethora of orators across tides of social, political and economic change, we found some truly rousing speeches that brought the world to their feet or to a startling, necessary halt. We’ve chosen 40 of the most impactful speeches we managed to find from agents of change all over the world – a diversity of political campaigns, genders, positionalities and periods of history. You’re sure to find at least a few speeches in this list which will capture you with the sheer power of their words and meaning!

1. I have a dream by MLK

“I have a dream that one day down in Alabama, with its vicious racists, with its governor having his lips dripping with the words of interposition and nullification – one day right there in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers. I have a dream today. I have a dream that one day every valley shall be exalted, and every hill and mountain shall be made low, the rough places will be made plain, and the crooked places will be made straight, and the glory of the Lord shall be revealed and all flesh shall see it together. This is our hope. This is the faith that I go back to the South with. With this faith we will be able to hew out of the mountain of despair a stone of hope. With this faith we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood. With this faith we will be able to work together, to pray together, to struggle together, to go to jail together, to stand up for freedom together, knowing that we will be free one day. This will be the day, this will be the day when all of God’s children will be able to sing with new meaning “My country ’tis of thee, sweet land of liberty, of thee I sing. Land where my father’s died, land of the Pilgrim’s pride, from every mountainside, let freedom ring!”

Unsurprisingly, Martin Luther King’s speech comes up top as the most inspiring speech of all time, especially given the harrowing conditions of African Americans in America at the time. In the post-abolition era when slavery was outlawed constitutionally, African Americans experienced an intense period of backlash from white supremacists who supported slavery where various institutional means were sought to subordinate African American people to positions similar to that of the slavery era. This later came to be known as the times of Jim Crow and segregation, which Martin Luther King powerfully voiced his vision for a day when racial discrimination would be a mere figment, where equality would reign.

2. Tilbury Speech by Queen Elizabeth I

“My loving people, We have been persuaded by some that are careful of our safety, to take heed how we commit our selves to armed multitudes, for fear of treachery; but I assure you I do not desire to live to distrust my faithful and loving people. Let tyrants fear. I have always so behaved myself that, under God, I have placed my chiefest strength and safeguard in the loyal hearts and good-will of my subjects; and therefore I am come amongst you, as you see, at this time, not for my recreation and disport, but being resolved, in the midst and heat of the battle, to live and die amongst you all; to lay down for my God, and for my kingdom, and my people, my honour and my blood, even in the dust. I know I have the body of a weak, feeble woman; but I have the heart and stomach of a king, and of a king of England too, and think foul scorn that Parma or Spain, or any prince of Europe, should dare to invade the borders of my realm; to which rather than any dishonour shall grow by me, I myself will take up arms, I myself will be your general, judge, and rewarder of every one of your virtues in the field. I know already, for your forwardness you have deserved rewards and crowns; and We do assure you on a word of a prince, they shall be duly paid. In the mean time, my lieutenant general shall be in my stead, than whom never prince commanded a more noble or worthy subject; not doubting but by your obedience to my general, by your concord in the camp, and your valour in the field, we shall shortly have a famous victory over these enemies of my God, of my kingdom, and of my people.”

While at war with Spain, Queen Elizabeth I was most renowned for her noble speech rallying the English troops against their comparatively formidable opponent. Using brilliant rhetorical devices like metonymy, meronymy, and other potent metaphors, she voiced her deeply-held commitment as a leader to the battle against the Spanish Armada – convincing the English army to keep holding their ground and upholding the sacrifice of war for the good of their people. Eventually against all odds, she led England to victory despite their underdog status in the conflict with her confident and masterful oratory.

3. Woodrow Wilson, address to Congress (April 2, 1917)

“The world must be made safe for democracy. Its peace must be planted upon the tested foundations of political liberty. We have no selfish ends to serve. We desire no conquest, no dominion. We seek no indemnities for ourselves, no material compensation for the sacrifices we shall freely make. We are but one of the champions of the rights of mankind. We shall be satisfied when those rights have been made as secure as the faith and the freedom of nations can make them. Just because we fight without rancor and without selfish object, seeking nothing for ourselves but what we shall wish to share with all free peoples, we shall, I feel confident, conduct our operations as belligerents without passion and ourselves observe with proud punctilio the principles of right and of fair play we profess to be fighting for. … It will be all the easier for us to conduct ourselves as belligerents in a high spirit of right and fairness because we act without animus, not in enmity toward a people or with the desire to bring any injury or disadvantage upon them, but only in armed opposition to an irresponsible government which has thrown aside all considerations of humanity and of right and is running amuck. We are, let me say again, the sincere friends of the German people, and shall desire nothing so much as the early reestablishment of intimate relations of mutual advantage between us—however hard it may be for them, for the time being, to believe that this is spoken from our hearts. We have borne with their present government through all these bitter months because of that friendship—exercising a patience and forbearance which would otherwise have been impossible. We shall, happily, still have an opportunity to prove that friendship in our daily attitude and actions toward the millions of men and women of German birth and native sympathy who live among us and share our life, and we shall be proud to prove it toward all who are in fact loyal to their neighbors and to the government in the hour of test. They are, most of them, as true and loyal Americans as if they had never known any other fealty or allegiance. They will be prompt to stand with us in rebuking and restraining the few who may be of a different mind and purpose. If there should be disloyalty, it will be dealt with with a firm hand of stern repression; but, if it lifts its head at all, it will lift it only here and there and without countenance except from a lawless and malignant few. It is a distressing and oppressive duty, gentlemen of the Congress, which I have performed in thus addressing you. There are, it may be, many months of fiery trial and sacrifice ahead of us. It is a fearful thing to lead this great peaceful people into war, into the most terrible and disastrous of all wars, civilization itself seeming to be in the balance. But the right is more precious than peace, and we shall fight for the things which we have always carried nearest our hearts—for democracy, for the right of those who submit to authority to have a voice in their own governments, for the rights and liberties of small nations, for a universal dominion of right by such a concert of free peoples as shall bring peace and safety to all nations and make the world itself at last free. To such a task we can dedicate our lives and our fortunes, everything that we are and everything that we have, with the pride of those who know that the day has come when America is privileged to spend her blood and her might for the principles that gave her birth and happiness and the peace which she has treasured. God helping her, she can do no other.”

On April 2, 1917, President Woodrow Wilson of the USA delivered his address to Congress, calling for declaration of war against what was at the time, a belligerent and aggressive Germany in WWI. Despite his isolationism and anti-war position earlier in his tenure as president, he convinced Congress that America had a moral duty to the world to step out of their neutral observer status into an active role of world leadership and stewardship in order to liberate attacked nations from their German aggressors. The idealistic values he preached in his speech left an indelible imprint upon the American spirit and self-conception, forming the moral basis for the country’s people and aspirational visions to this very day.

4. Ain’t I A Woman by Sojourner Truth

“That man over there says that women need to be helped into carriages, and lifted over ditches, and to have the best place everywhere. Nobody ever helps me into carriages, or over mud-puddles, or gives me any best place! And ain’t I a woman? Look at me! Look at my arm! I have ploughed and planted, and gathered into barns, and no man could head me! And ain’t I a woman? I could work as much and eat as much as a man – when I could get it – and bear the lash as well! And ain’t I a woman? I have borne thirteen children, and seen most all sold off to slavery, and when I cried out with my mother’s grief, none but Jesus heard me! And ain’t I a woman? … If the first woman God ever made was strong enough to turn the world upside down all alone, these women together ought to be able to turn it back , and get it right side up again! And now they is asking to do it, the men better let them.”

Hailing from a background of slavery and oppression, Sojourner Truth was one of the most revolutionary advocates for women’s human rights in the 1800s. In spite of the New York Anti-Slavery Law of 1827, her slavemaster refused to free her. As such, she fled, became an itinerant preacher and leading figure in the anti-slavery movement. By the 1850s, she became involved in the women’s rights movement as well. At the 1851 Women’s Rights Convention held in Akron, Ohio, she delivered her illuminating, forceful speech against discrimination of women and African Americans in the post-Civil War era, entrenching her status as one of the most revolutionary abolitionists and women’s rights activists across history.

5. The Gettsyburg Address by Abraham Lincoln

“Fondly do we hope, fervently do we pray, that this mighty scourge of war may speedily pass away. Yet, if God wills that it continue until all the wealth piled by the bondsman’s two hundred and fifty years of unrequited toil shall be sunk, and until every drop of blood drawn with the lash shall be paid by another drawn with the sword, as was said three thousand years ago, so still it must be said “the judgments of the Lord are true and righteous altogether.” With malice toward none, with charity for all, with firmness in the right as God gives us to see the right, let us strive on to finish the work we are in, to bind up the nation’s wounds, to care for him who shall have borne the battle and for his widow and his orphan, to do all which may achieve and cherish a just and lasting peace among ourselves and with all nations.”

President Abraham Lincoln had left the most lasting legacy upon American history for good reason, as one of the presidents with the moral courage to denounce slavery for the national atrocity it was. However, more difficult than standing up for the anti-slavery cause was the task of unifying the country post-abolition despite the looming shadows of a time when white Americans could own and subjugate slaves with impunity over the thousands of Americans who stood for liberation of African Americans from discrimination. He urged Americans to remember their common roots, heritage and the importance of “charity for all”, to ensure a “just and lasting peace” among within the country despite throes of racial division and self-determination.

6. Woman’s Rights to the Suffrage by Susan B Anthony

“For any State to make sex a qualification that must ever result in the disfranchisement of one entire half of the people is to pass a bill of attainder, or an ex post facto law, and is therefore a violation of the supreme law of the land. By it the blessings of liberty are for ever withheld from women and their female posterity. To them this government has no just powers derived from the consent of the governed. To them this government is not a democracy. It is not a republic. It is an odious aristocracy; a hateful oligarchy of sex; the most hateful aristocracy ever established on the face of the globe; an oligarchy of wealth, where the right govern the poor. An oligarchy of learning, where the educated govern the ignorant, or even an oligarchy of race, where the Saxon rules the African, might be endured; but this oligarchy of sex, which makes father, brothers, husband, sons, the oligarchs over the mother and sisters, the wife and daughters of every household–which ordains all men sovereigns, all women subjects, carries dissension, discord and rebellion into every home of the nation. Webster, Worcester and Bouvier all define a citizen to be a person in the United States, entitled to vote and hold office. The only question left to be settled now is: Are women persons? And I hardly believe any of our opponents will have the hardihood to say they are not. Being persons, then, women are citizens; and no State has a right to make any law, or to enforce any old law, that shall abridge their privileges or immunities. Hence, every discrimination against women in the constitutions and laws of the several States is today null and void, precisely as in every one against Negroes.”

Susan B. Anthony was a pivotal leader in the women’s suffrage movement who helped to found the National Woman Suffrage Association with Elizabeth Cady Stanton and fight for the constitutional right for women to vote. She courageously and relentlessly advocated for women’s rights, giving speeches all over the USA to convince people of women’s human rights to choice and the ballot. She is most well known for her act of righteous rebellion in 1872 when she voted in the presidential election illegally, for which she was arrested and tried unsuccessfully. She refused to pay the $100 fine in a bid to reject the demands of the American system she denounced as a ‘hateful oligarchy of sex’, sparking change with her righteous oratory and inspiring many others in the women’s suffrage movement within and beyond America.

7. Vladimir Lenin’s Speech at an International Meeting in Berne, February 8, 1916

“It may sound incredible, especially to Swiss comrades, but it is nevertheless true that in Russia, also, not only bloody tsarism, not only the capitalists, but also a section of the so-called or ex-Socialists say that Russia is fighting a “war of defence,” that Russia is only fighting against German invasion. The whole world knows, however, that for decades tsarism has been oppressing more than a hundred million people belonging to other nationalities in Russia; that for decades Russia has been pursuing a predatory policy towards China, Persia, Armenia and Galicia. Neither Russia, nor Germany, nor any other Great Power has the right to claim that it is waging a “war of defence”; all the Great Powers are waging an imperialist, capitalist war, a predatory war, a war for the oppression of small and foreign nations, a war for the sake of the profits of the capitalists, who are coining golden profits amounting to billions out of the appalling sufferings of the masses, out of the blood of the proletariat. … This again shows you, comrades, that in all countries of the world real preparations are being made to rally the forces of the working class. The horrors of war and the sufferings of the people are incredible. But we must not, and we have no reason whatever, to view the future with despair. The millions of victims who will fall in the war, and as a consequence of the war, will not fall in vain. The millions who are starving, the millions who are sacrificing their lives in the trenches, are not only suffering, they are also gathering strength, are pondering over the real cause of the war, are becoming more determined and are acquiring a clearer revolutionary understanding. Rising discontent of the masses, growing ferment, strikes, demonstrations, protests against the war—all this is taking place in all countries of the world. And this is the guarantee that the European War will be followed by the proletarian revolution against capitalism”

Vladimir Lenin remains to this day one of the most lauded communist revolutionaries in the world who brought the dangers of imperialism and capitalism to light with his rousing speeches condemning capitalist structures of power which inevitably enslave people to lives of misery and class stratification. In his genuine passion for the rights of the working class, he urged fellow comrades to turn the “imperialist war” into a “civil” or class war of the proletariat against the bourgeoisie. He encouraged the development of new revolutionary socialist organisations, solidarity across places in society so people could unite against their capitalist overlords, and criticised nationalism for its divisive effect on the socialist movement. In this speech especially, he lambasts “bloody Tsarism” for its oppression of millions of people of other nationalities in Russia, calling for the working class people to revolt against the Tsarist authority for the proletariat revolution to succeed and liberate them from class oppression.

8. I Have A Dream Speech by Mary Wollstonecraft

“If, I say, for I would not impress by declamation when Reason offers her sober light, if they be really capable of acting like rational creatures, let them not be treated like slaves; or, like the brutes who are dependent on the reason of man, when they associate with him; but cultivate their minds, give them the salutary, sublime curb of principle, and let them attain conscious dignity by feeling themselves only dependent on God. Teach them, in common with man, to submit to necessity, instead of giving, to render them more pleasing, a sex to morals. Further, should experience prove that they cannot attain the same degree of strength of mind, perseverance, and fortitude, let their virtues be the same in kind, though they may vainly struggle for the same degree; and the superiority of man will be equally clear, if not clearer; and truth, as it is a simple principle, which admits of no modification, would be common to both. Nay, the order of society as it is at present regulated would not be inverted, for woman would then only have the rank that reason assigned her, and arts could not be practised to bring the balance even, much less to turn it.”

In her vindication of the rights of women, Mary Wollstonecraft was one of the pioneers of the feminist movement back in 1792 who not only theorised and advocated revolutionarily, but gave speeches that voiced these challenges against a dominantly sexist society intent on classifying women as irrational less-than-human creatures to be enslaved as they were. In this landmark speech, she pronounces her ‘dream’ of a day when women would be treated as the rational, deserving humans they are, who are equal to man in strength and capability. With this speech setting an effective precedent for her call to equalize women before the law, she also went on to champion the provision of equal educational opportunities to women and girls, and persuasively argued against the patriarchal gender norms which prevented women from finding their own lot in life through their being locked into traditional institutions of marriage and motherhood against their will.

9. First Inaugural Speech by Franklin D Roosevelt

“So, first of all, let me assert my firm belief that the only thing we have to fear is…fear itself — nameless, unreasoning, unjustified terror which paralyzes needed efforts to convert retreat into advance. In every dark hour of our national life a leadership of frankness and of vigor has met with that understanding and support of the people themselves which is essential to victory. And I am convinced that you will again give that support to leadership in these critical days. … More important, a host of unemployed citizens face the grim problem of existence, and an equally great number toil with little return. Only a foolish optimist can deny the dark realities of the moment. Our greatest primary task is to put people to work. This is no unsolvable problem if we face it wisely and courageously. There are many ways in which it can be helped, but it can never be helped merely by talking about it. We must act and act quickly. … I am prepared under my constitutional duty to recommend the measures that a stricken Nation in the midst of a stricken world may require. These measures, or such other measures as the Congress may build out of its experience and wisdom, I shall seek, within my constitutional authority, to bring to speedy adoption. But in the event that the Congress shall fail to take one of these two courses, and in the event that the national emergency is still critical, I shall not evade the clear course of duty that will then confront me. I shall ask the Congress for the one remaining instrument to meet the crisis — broad Executive power to wage a war against the emergency, as great as the power that would be given to me if we were in fact invaded by a foreign foe.”

Roosevelt’s famous inaugural speech was delivered in the midst of a period of immense tension and strain under the Great Depression, where he highlighted the need for ‘quick action’ by Congress to prepare for government expansion in his pursuit of reforms to lift the American people out of devastating poverty. In a landslide victory, he certainly consolidated the hopes and will of the American people through this compelling speech.

10. The Hypocrisy of American Slavery by Frederick Douglass

“What to the American slave is your Fourth of July? I answer, a day that reveals to him more than all other days of the year, the gross injustice and cruelty to which he is the constant victim. To him your celebration is a sham; your boasted liberty an unholy license; your national greatness, swelling vanity; your sounds of rejoicing are empty and heartless; your shouts of liberty and equality, hollow mock; your prayers and hymns, your sermons and thanksgivings, with all your religious parade and solemnity, are to him mere bombast, fraud, deception, impiety, and hypocrisy – a thin veil to cover up crimes which would disgrace a nation of savages. There is not a nation of the earth guilty of practices more shocking and bloody than are the people of these United States at this very hour. Go search where you will, roam through all the monarchies and despotisms of the Old World, travel through South America, search out every abuse and when you have found the last, lay your facts by the side of the everyday practices of this nation, and you will say with me that, for revolting barbarity and shameless hypocrisy, America reigns without a rival.”

On 4 July 1852, Frederick Douglass gave this speech in Rochester, New York, highlighting the hypocrisy of celebrating freedom while slavery continues. He exposed the ‘revolting barbarity and shameless hypocrisy’ of slavery which had gone unabolished amidst the comparatively obscene celebration of independence and liberty with his potent speech and passion for the anti-abolition cause. After escaping from slavery, he went on to become a national leader of the abolitionist movement in Massachusetts and New York with his oratory and incisive antislavery writings. To this day, his fierce activism and devotion to exposing virulent racism for what it was has left a lasting legacy upon pro-Black social movements and the overall sociopolitical landscape of America.

11. Still I Rise by Maya Angelou

“You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise. Does my sassiness upset you? Why are you beset with gloom? ’Cause I walk like I’ve got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I’ll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don’t you take it awful hard ’Cause I laugh like I’ve got gold mines Diggin’ in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I’ve got diamonds At the meeting of my thighs? Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I’m a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.”

With her iconic poem Still I Rise , Maya Angelou is well-known for uplifting fellow African American women through her empowering novels and poetry and her work as a civil rights activist. Every bit as lyrical on the page, her recitation of Still I Rise continues to give poetry audiences shivers all over the world, inspiring women of colour everywhere to keep the good faith in striving for equality and peace, while radically believing in and empowering themselves to be agents of change. A dramatic reading of the poem will easily showcase the self-belief, strength and punch that it packs in the last stanza on the power of resisting marginalization.

12. Their Finest Hour by Winston Churchill

“What General Weygand called the Battle of France is over. I expect that the Battle of Britain is about to begin. Upon this battle depends the survival of Christian civilization. Upon it depends our own British life, and the long continuity of our institutions and our Empire. The whole fury and might of the enemy must very soon be turned on us. Hitler knows that he will have to break us in this Island or lose the war. If we can stand up to him, all Europe may be free and the life of the world may move forward into broad, sunlit uplands. But if we fail, then the whole world, including the United States, including all that we have known and cared for, will sink into the abyss of a new Dark Age made more sinister, and perhaps more protracted, by the lights of perverted science. Let us therefore brace ourselves to our duties, and so bear ourselves that, if the British Empire and its Commonwealth last for a thousand years, men will still say, “This was their finest hour.””

In the darkest shadows cast by war, few leaders have been able to step up to the mantle and effectively unify millions of citizens for truly sacrificial causes. Winston Churchill was the extraordinary exception – lifting 1940 Britain out of the darkness with his hopeful, convicted rhetoric to galvanise the English amidst bleak, dreary days of war and loss. Through Britain’s standalone position in WWII against the Nazis, he left his legacy by unifying the nation under shared sacrifices of the army and commemorating their courage.

13. A Room of One’s Own by Virginia Woolf

“Life for both sexes – and I looked at them (through a restaurant window while waiting for my lunch to be served), shouldering their way along the pavement – is arduous, difficult, a perpetual struggle. It calls for gigantic courage and strength. More than anything, perhaps, creatures of illusion as we are, it calls for confidence in oneself. Without self-confidence we are babes in the cradle. And how can we generate this imponderable quality, which is yet so invaluable, most quickly? By thinking that other people are inferior to oneself. By feeling that one has some innate superiority – it may be wealth, or rank, a straight nose, or the portrait of a grandfather by Romney – for there is no end to the pathetic devices of the human imagination – over other people. Hence the enormous importance to a patriarch who has to conquer, who has to rule, of feeling that great numbers of people, half the human race indeed, are by nature inferior to himself. It must indeed be one of the great sources of his power….Women have served all these centuries as looking-glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size. Without that power probably the earth would still be swamp and jungle. The glories of all our wars would be on the remains of mutton bones and bartering flints for sheepskins or whatever simple ornament took our unsophisticated taste. Supermen and Fingers of Destiny would never have existed. The Czar and the Kaiser would never have worn their crowns or lost them. Whatever may be their use in civilised societies, mirrors are essential to all violent and heroic action. That is why Napoleon and Mussolini both insist so emphatically upon the inferiority of women, for if they were not inferior, they would cease to enlarge. That serves to explain in part the necessity that women so often are to men. And it serves to explain how restless they are under her criticism; how impossible it is for her to say to them this book is bad, this picture is feeble, or whatever it may be, without giving far more pain and rousing far more anger than a man would do who gave the same criticism. For if she begins to tell the truth, the figure in the looking-glass shrinks; his fitness in life is diminished. How is he to go on giving judgment, civilising natives, making laws, writing books, dressing up and speechifying at banquets, unless he can see himself at breakfast and at dinner at least twice the size he really is?”

In this transformational speech , Virginia Woolf pronounces her vision that ‘a woman must have money and a room of her own if she is to write fiction’. She calls out the years in which women have been deprived of their own space for individual development through being chained to traditional arrangements or men’s prescriptions – demanding ‘gigantic courage’ and ‘confidence in oneself’ to brave through the onerous struggle of creating change for women’s rights. With her steadfast, stolid rhetoric and radical theorization, she paved the way for many women’s rights activists and writers to forge their own paths against patriarchal authority.

14. Inaugural Address by John F Kennedy

“In the long history of the world, only a few generations have been granted the role of defending freedom in its hour of maximum danger. I do not shrink from this responsibility–I welcome it. I do not believe that any of us would exchange places with any other people or any other generation. The energy, the faith, the devotion which we bring to this endeavor will light our country and all who serve it–and the glow from that fire can truly light the world. And so, my fellow Americans: ask not what your country can do for you–ask what you can do for your country. My fellow citizens of the world: ask not what America will do for you, but what together we can do for the freedom of man. Finally, whether you are citizens of America or citizens of the world, ask of us here the same high standards of strength and sacrifice which we ask of you. With a good conscience our only sure reward, with history the final judge of our deeds, let us go forth to lead the land we love, asking His blessing and His help, but knowing that here on earth God’s work must truly be our own.”

For what is probably the most historically groundbreaking use of parallelism in speech across American history, President JFK placed the weighty task of ‘asking what one can do for their country’ onto the shoulders of each American citizen. Using an air of firmness in his rhetoric by declaring his commitment to his countrymen, he urges each American to do the same for the broader, noble ideal of freedom for all. With his crucial interrogation of a citizen’s moral duty to his nation, President JFK truly made history.

15. Atoms for Peace Speech by Dwight Eisenhower

“To pause there would be to confirm the hopeless finality of a belief that two atomic colossi are doomed malevolently to eye each other indefinitely across a trembling world. To stop there would be to accept helplessly the probability of civilization destroyed, the annihilation of the irreplaceable heritage of mankind handed down to us from generation to generation, and the condemnation of mankind to begin all over again the age-old struggle upward from savagery towards decency, and right, and justice. Surely no sane member of the human race could discover victory in such desolation. Could anyone wish his name to be coupled by history with such human degradation and destruction?Occasional pages of history do record the faces of the “great destroyers”, but the whole book of history reveals mankind’s never-ending quest for peace and mankind’s God-given capacity to build. It is with the book of history, and not with isolated pages, that the United States will ever wish to be identified. My country wants to be constructive,not destructive. It wants agreements, not wars, among nations. It wants itself to live in freedom and in the confidence that the peoples of every other nation enjoy equally the right of choosing their own way of life. So my country’s purpose is to help us to move out of the dark chamber of horrors into the light, to find a way by which the minds of men, the hopes of men, the souls of men everywhere, can move forward towards peace and happiness and well-being.”

On a possibility as frightful and tense as nuclear war, President Eisenhower managed to convey the gravity of the world’s plight in his measured and persuasive speech centred on the greater good of mankind. Using rhetorical devices such as the three-part paratactical syntax which most world leaders are fond of for ingraining their words in the minds of their audience, he centers the discourse of the atomic bomb on those affected by such a world-changing decision in ‘the minds, hopes and souls of men everywhere’ – effectively putting the vivid image of millions of people’s fates at stake in the minds of his audience. Being able to make a topic as heavy and fraught with moral conflict as this as eloquent as he did, Eisenhower definitely ranks among some of the most skilled orators to date.

16. The Transformation of Silence into Language and Action by Audre Lorde

“I was going to die, if not sooner then later, whether or not I had ever spoken myself. My silences had not protected me. Your silence will not protect you. But for every real word spoken, for every attempt I had ever made to speak those truths for which I am still seeking, I had made contact with other women while we examined the words to fit a world in which we all believed, bridging our differences. What are the words you do not have yet? What do you need to say? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence? Perhaps for some of you here today, I am the face of one of your fears. Because I am a woman, because I am black, because I am myself, a black woman warrior poet doing my work, come to ask you, are you doing yours?”

Revolutionary writer, feminist and civil rights activist Audre Lorde first delivered this phenomenal speech at Lesbian and Literature panel of the Modern Language Association’s December 28, 1977 meeting, which went on to feature permanently in her writings for its sheer wisdom and truth. Her powerful writing and speech about living on the margins of society has enlightened millions of people discriminated across various intersections, confronting them with the reality that they must speak – since their ‘silence will not protect’ them from further marginalization. Through her illuminating words and oratory, she has reminded marginalized persons of the importance of their selfhood and the radical capacity for change they have in a world blighted by prejudice and division.

17. 1965 Cambridge Union Hall Speech by James Baldwin

“What is dangerous here is the turning away from – the turning away from – anything any white American says. The reason for the political hesitation, in spite of the Johnson landslide is that one has been betrayed by American politicians for so long. And I am a grown man and perhaps I can be reasoned with. I certainly hope I can be. But I don’t know, and neither does Martin Luther King, none of us know how to deal with those other people whom the white world has so long ignored, who don’t believe anything the white world says and don’t entirely believe anything I or Martin is saying. And one can’t blame them. You watch what has happened to them in less than twenty years.”

Baldwin’s invitation to the Cambridge Union Hall is best remembered for foregrounding the unflinching differences in white and African Americans’ ‘system of reality’ in everyday life. Raising uncomfortable truths about the insidious nature of racism post-civil war, he provides several nuggets of thought-provoking wisdom on the state of relations between the oppressed and their oppressors, and what is necessary to mediate such relations and destroy the exploitative thread of racist hatred. With great frankness, he admits to not having all the answers but provides hard-hitting wisdom on engagement to guide activists through confounding times nonetheless.

18. I Am Prepared to Die by Nelson Mandela

“Above all, My Lord, we want equal political rights, because without them our disabilities will be permanent. I know this sounds revolutionary to the whites in this country, because the majority of voters will be Africans. This makes the white man fear democracy. But this fear cannot be allowed to stand in the way of the only solution which will guarantee racial harmony and freedom for all. It is not true that the enfranchisement of all will result in racial domination. Political division, based on colour, is entirely artificial and, when it disappears, so will the domination of one colour group by another. The ANC has spent half a century fighting against racialism. When it triumphs as it certainly must, it will not change that policy. This then is what the ANC is fighting. Our struggle is a truly national one. It is a struggle of the African people, inspired by our own suffering and our own experience. It is a struggle for the right to live. During my lifetime I have dedicated my life to this struggle of the African people. I have fought against white domination, and I have fought against black domination. I have cherished the ideal of a democratic and free society in which all persons will live together in harmony and with equal opportunities. It is an ideal for which I hope to live for and to see realised. But, My Lord, if it needs be, it is an ideal for which I am prepared to die.”

Apartheid is still considered one of these most devastating events of world history, and it would not have ended without the crucial effort and words of Nelson Mandela during his courageous political leadership. In this heartbreaking speech , he voices his utter devotion to the fight against institutionalised racism in African society – an ideal for which he was ‘prepared to die for’. Mandela continues to remind us today of his moral conviction in leading, wherein the world would likely to be a better place if all politicians had the same resolve and genuine commitment to human rights and the abolition of oppression as he did.

19. Critique on British Imperialism by General Aung San

“Do they form their observations by seeing the attendances at not very many cinemas and theatres of Rangoon? Do they judge this question of money circulation by paying a stray visit to a local bazaar? Do they know that cinemas and theatres are not true indicators, at least in Burma, of the people’s conditions? Do they know that there are many in this country who cannot think of going to these places by having to struggle for their bare existence from day to day? Do they know that those who nowadays patronise or frequent cinemas and theatres which exist only in Rangoon and a few big towns, belong generally to middle and upper classes and the very few of the many poor who can attend at all are doing so as a desperate form of relaxation just to make them forget their unsupportable existences for the while whatever may be the tomorrow that awaits them?”

Under British colonial rule, one of the most legendary nationalist leaders emerged from the ranks of the thousands of Burmese to boldly lead them towards independence, out of the exploitation and control under the British. General Aung San’s speech criticising British social, political and economic control of Burma continues to be scathing, articulate, and relevant – especially given his necessary goal of uniting the Burmese natives against their common oppressor. He successfully galvanised his people against the British, taking endless risks through nationalist speeches and demonstrations which gradually bore fruit in Burma’s independence.

20. Nobel Lecture by Mother Teresa

“I believe that we are not real social workers. We may be doing social work in the eyes of the people, but we are really contemplatives in the heart of the world. For we are touching the Body Of Christ 24 hours. We have 24 hours in this presence, and so you and I. You too try to bring that presence of God in your family, for the family that prays together stays together. And I think that we in our family don’t need bombs and guns, to destroy to bring peace–just get together, love one another, bring that peace, that joy, that strength of presence of each other in the home. And we will be able to overcome all the evil that is in the world. There is so much suffering, so much hatred, so much misery, and we with our prayer, with our sacrifice are beginning at home. Love begins at home, and it is not how much we do, but how much love we put in the action that we do. It is to God Almighty–how much we do it does not matter, because He is infinite, but how much love we put in that action. How much we do to Him in the person that we are serving.”

In contemporary culture, most people understand Mother Teresa to be the epitome of compassion and kindness. However, if one were to look closer at her speeches from the past, one would discover not merely her altruistic contributions, but her keen heart for social justice and the downtrodden. She wisely and gracefully remarks that ‘love begins at home’ from the individual actions of each person within their private lives, which accumulate into a life of goodness and charity. For this, her speeches served not just consolatory value or momentary relevance, as they still inform the present on how we can live lives worth living.

21. June 9 Speech to Martial Law Units by Deng Xiaoping

“This army still maintains the traditions of our old Red Army. What they crossed this time was in the true sense of the expression a political barrier, a threshold of life and death. This was not easy. This shows that the People’s Army is truly a great wall of iron and steel of the party and state. This shows that no matter how heavy our losses, the army, under the leadership of the party, will always remain the defender of the country, the defender of socialism, and the defender of the public interest. They are a most lovable people. At the same time, we should never forget how cruel our enemies are. We should have not one bit of forgiveness for them. The fact that this incident broke out as it did is very worthy of our pondering. It prompts us cool-headedly to consider the past and the future. Perhaps this bad thing will enable us to go ahead with reform and the open policy at a steadier and better — even a faster — pace, more speedily correct our mistakes, and better develop our strong points.”

Mere days before the 4 June 1989 Tiananmen Square uprising, Chinese Communist Party leader Deng Xiaoping sat with six party elders (senior officials) and the three remaining members of the Politburo Standing Committee, the paramount decision-making body in China’s government. The meeting was organised to discuss the best course of action for restoring social and political order to China, given the sweeping economic reforms that had taken place in the past decade that inevitably resulted in some social resistance from the populace. Deng then gave this astute and well-regarded speech, outlining the political complexities in shutting down student protests given the context of reforms encouraging economic liberalization already taking place, as aligned with the students’ desires. It may not be the most rousing or inflammatory of speeches, but it was certainly persuasive in voicing the importance of taking a strong stand for the economic reforms Deng was implementing to benefit Chinese citizens in the long run. Today, China is an economic superpower, far from its war-torn developing country status before Deng’s leadership – thanks to his foresight in ensuring political stability would allow China to enjoy the fruits of the massive changes they adapted to.

22. Freedom or Death by Emmeline Pankhurst

“You won your freedom in America when you had the revolution, by bloodshed, by sacrificing human life. You won the civil war by the sacrifice of human life when you decided to emancipate the negro. You have left it to women in your land, the men of all civilised countries have left it to women, to work out their own salvation. That is the way in which we women of England are doing. Human life for us is sacred, but we say if any life is to be sacrificed it shall be ours; we won’t do it ourselves, but we will put the enemy in the position where they will have to choose between giving us freedom or giving us death. Now whether you approve of us or whether you do not, you must see that we have brought the question of women’s suffrage into a position where it is of first rate importance, where it can be ignored no longer. Even the most hardened politician will hesitate to take upon himself directly the responsibility of sacrificing the lives of women of undoubted honour, of undoubted earnestness of purpose. That is the political situation as I lay it before you today.”

In 1913 after Suffragette Emily Davison stepped in front of King George V’s horse at the Epsom Derby and suffered fatal injuries, Emmeline Pankhurst delivered her speech to Connecticut as a call to action for people to support the suffragette movement. Her fortitude in delivering such a sobering speech on the state of women’s rights is worth remembering for its invaluable impact and contributions to the rights we enjoy in today’s world.

23. Quit India by Mahatma Gandhi

“We shall either free India or die in the attempt; we shall not live to see the perpetuation of our slavery. Every true Congressman or woman will join the struggle with an inflexible determination not to remain alive to see the country in bondage and slavery. Let that be your pledge. Keep jails out of your consideration. If the Government keep me free, I will not put on the Government the strain of maintaining a large number of prisoners at a time, when it is in trouble. Let every man and woman live every moment of his or her life hereafter in the consciousness that he or she eats or lives for achieving freedom and will die, if need be, to attain that goal. Take a pledge, with God and your own conscience as witness, that you will no longer rest till freedom is achieved and will be prepared to lay down your lives in the attempt to achieve it. He who loses his life will gain it; he who will seek to save it shall lose it. Freedom is not for the coward or the faint-hearted.”

Naturally, the revolutionary activist Gandhi had to appear in this list for his impassioned anti-colonial speeches which rallied Indians towards independence. Famous for leading non-violent demonstrations, his speeches were a key element in gathering Indians of all backgrounds together for the common cause of eliminating their colonial masters. His speeches were resolute, eloquent, and courageous, inspiring the hope and admiration of many not just within India, but around the world.

24. 1974 National Book Award Speech by Adrienne Rich, Alice Walker, Audre Lorde

“The statement I am going to read was prepared by three of the women nominated for the National Book Award for poetry, with the agreement that it would be read by whichever of us, if any, was chosen.We, Audre Lorde, Adrienne Rich, and Alice Walker, together accept this award in the name of all the women whose voices have gone and still go unheard in a patriarchal world, and in the name of those who, like us, have been tolerated as token women in this culture, often at great cost and in great pain. We believe that we can enrich ourselves more in supporting and giving to each other than by competing against each other; and that poetry—if it is poetry—exists in a realm beyond ranking and comparison. We symbolically join together here in refusing the terms of patriarchal competition and declaring that we will share this prize among us, to be used as best we can for women. We appreciate the good faith of the judges for this award, but none of us could accept this money for herself, nor could she let go unquestioned the terms on which poets are given or denied honor and livelihood in this world, especially when they are women. We dedicate this occasion to the struggle for self-determination of all women, of every color, identification, or derived class: the poet, the housewife, the lesbian, the mathematician, the mother, the dishwasher, the pregnant teen-ager, the teacher, the grandmother, the prostitute, the philosopher, the waitress, the women who will understand what we are doing here and those who will not understand yet; the silent women whose voices have been denied us, the articulate women who have given us strength to do our work.”

Adrienne Rich, Audre Lorde, and Alice Walker wrote this joint speech to be delivered by Adrienne Rich at the 1974 National Book Awards, based on their suspicions that the first few African American lesbian women to be nominated for the awards would be snubbed in favour of a white woman nominee. Their suspicions were confirmed, and Adrienne Rich delivered this socially significant speech in solidarity with her fellow nominees, upholding the voices of the ‘silent women whose voices have been denied’.

25. Speech to 20th Congress of the CPSU by Nikita Khruschev

“Considering the question of the cult of an individual, we must first of all show everyone what harm this caused to the interests of our Party. Vladimir Ilyich Lenin had always stressed the Party’s role and significance in the direction of the socialist government of workers and peasants; he saw in this the chief precondition for a successful building of socialism in our country. Pointing to the great responsibility of the Bolshevik Party, as ruling Party of the Soviet state, Lenin called for the most meticulous observance of all norms of Party life; he called for the realization of the principles of collegiality in the direction of the Party and the state. Collegiality of leadership flows from the very nature of our Party, a Party built on the principles of democratic centralism. “This means,” said Lenin, “that all Party matters are accomplished by all Party members – directly or through representatives – who, without any exceptions, are subject to the same rules; in addition, all administrative members, all directing collegia, all holders of Party positions are elective, they must account for their activities and are recallable.””

This speech is possibly the most famed Russian speech for its status as a ‘secret’ speech delivered only to the CPSU at the time, which was eventually revealed to the public. Given the unchallenged political legacy and cult of personality which Stalin left in the Soviet Union, Nikita Khruschev’s speech condemning the authoritarian means Stalin had resorted to to consolidate power as un-socialist was an important mark in Russian history.

26. The Struggle for Human Rights by Eleanor Roosevelt

“It is my belief, and I am sure it is also yours, that the struggle for democracy and freedom is a critical struggle, for their preservation is essential to the great objective of the United Nations to maintain international peace and security. Among free men the end cannot justify the means. We know the patterns of totalitarianism — the single political party, the control of schools, press, radio, the arts, the sciences, and the church to support autocratic authority; these are the age-old patterns against which men have struggled for three thousand years. These are the signs of reaction, retreat, and retrogression. The United Nations must hold fast to the heritage of freedom won by the struggle of its people; it must help us to pass it on to generations to come. The development of the ideal of freedom and its translation into the everyday life of the people in great areas of the earth is the product of the efforts of many peoples. It is the fruit of a long tradition of vigorous thinking and courageous action. No one race and on one people can claim to have done all the work to achieve greater dignity for human beings and great freedom to develop human personality. In each generation and in each country there must be a continuation of the struggle and new steps forward must be taken since this is preeminently a field in which to stand still is to retreat.”

Eleanor Roosevelt has been among the most well-loved First Ladies for good reason – her eloquence and gravitas in delivering every speech convinced everyone of her suitability for the oval office. In this determined and articulate speech , she outlines the fundamental values that form the bedrock of democracy, urging the rest of the world to uphold human rights regardless of national ideology and interests.

27. The Ballot or The Bullet by Malcolm X

“And in this manner, the organizations will increase in number and in quantity and in quality, and by August, it is then our intention to have a black nationalist convention which will consist of delegates from all over the country who are interested in the political, economic and social philosophy of black nationalism. After these delegates convene, we will hold a seminar; we will hold discussions; we will listen to everyone. We want to hear new ideas and new solutions and new answers. And at that time, if we see fit then to form a black nationalist party, we’ll form a black nationalist party. If it’s necessary to form a black nationalist army, we’ll form a black nationalist army. It’ll be the ballot or the bullet. It’ll be liberty or it’ll be death.”

Inarguably, the revolutionary impact Malcolm X’s fearless oratory had was substantial in his time as a radical anti-racist civil rights activist. His speeches’ emancipatory potential put forth his ‘theory of rhetorical action’ where he urges Black Americans to employ both the ballot and the bullet, strategically without being dependent on the other should the conditions of oppression change. A crucial leader in the fight for civil rights, he opened the eyes of thousands of Black Americans, politicising and convincing them of the necessity of fighting for their democratic rights against white supremacists.

28. Living the Revolution by Gloria Steinem

“The challenge to all of us, and to you men and women who are graduating today, is to live a revolution, not to die for one. There has been too much killing, and the weapons are now far too terrible. This revolution has to change consciousness, to upset the injustice of our current hierarchy by refusing to honor it, and to live a life that enforces a new social justice. Because the truth is none of us can be liberated if other groups are not.”

In an unexpected commencement speech delivered at Vassar College in 1970, Gloria Steinem boldly makes a call to action on behalf of marginalized groups in need of liberation to newly graduated students. She proclaimed it the year of Women’s Liberation and forcefully highlighted the need for a social revolution to ‘upset the injustice of the current hierarchy’ in favour of human rights – echoing the hard-hitting motto on social justice, ‘until all of us are free, none of us are free’.

29. The Last Words of Harvey Milk by Harvey Milk

“I cannot prevent some people from feeling angry and frustrated and mad in response to my death, but I hope they will take the frustration and madness and instead of demonstrating or anything of that type, I would hope that they would take the power and I would hope that five, ten, one hundred, a thousand would rise. I would like to see every gay lawyer, every gay architect come out, stand up and let the world know. That would do more to end prejudice overnight than anybody could imagine. I urge them to do that, urge them to come out. Only that way will we start to achieve our rights. … All I ask is for the movement to continue, and if a bullet should enter my brain, let that bullet destroy every closet door…”

As the first openly gay elected official in the history of California, Harvey Milk’s entire political candidature was in itself a radical statement against the homophobic status quo at the time. Given the dangerous times he was in as an openly gay man, he anticipated that he would be assassinated eventually in his political career. As such, these are some of his last words which show the utter devotion he had to campaigning against homophobia while representing the American people, voicing his heartbreaking wish for the bullet that would eventually kill him to ‘destroy every closet door’.

30. Black Power Address at UC Berkeley by Stokely Carmichael

“Now we are now engaged in a psychological struggle in this country, and that is whether or not black people will have the right to use the words they want to use without white people giving their sanction to it; and that we maintain, whether they like it or not, we gonna use the word “Black Power” — and let them address themselves to that; but that we are not going to wait for white people to sanction Black Power. We’re tired waiting; every time black people move in this country, they’re forced to defend their position before they move. It’s time that the people who are supposed to be defending their position do that. That’s white people. They ought to start defending themselves as to why they have oppressed and exploited us.”

A forceful and impressive orator, Stokely Carmichael was among those at the forefront of the civil rights movement, who was a vigorous socialist organizer as well. He led the Black Power movement wherein he gave this urgent, influential speech that propelled Black Americans forward in their fight for constitutional rights in the 1960s.

31. Speech on Vietnam by Lyndon Johnson

“The true peace-keepers are those men who stand out there on the DMZ at this very hour, taking the worst that the enemy can give. The true peace-keepers are the soldiers who are breaking the terrorist’s grip around the villages of Vietnam—the civilians who are bringing medical care and food and education to people who have already suffered a generation of war. And so I report to you that we are going to continue to press forward. Two things we must do. Two things we shall do. First, we must not mislead the enemy. Let him not think that debate and dissent will produce wavering and withdrawal. For I can assure you they won’t. Let him not think that protests will produce surrender. Because they won’t. Let him not think that he will wait us out. For he won’t. Second, we will provide all that our brave men require to do the job that must be done. And that job is going to be done. These gallant men have our prayers-have our thanks—have our heart-felt praise—and our deepest gratitude. Let the world know that the keepers of peace will endure through every trial—and that with the full backing of their countrymen, they are going to prevail.”

During some of the most harrowing periods of human history, the Vietnam War, American soldiers were getting soundly defeated by the Vietnamese in guerrilla warfare. President Lyndon Johnson then issued this dignified, consolatory speech to encourage patriotism and support for the soldiers putting their lives on the line for the nation.

32. A Whisper of AIDS by Mary Fisher

“We may take refuge in our stereotypes, but we cannot hide there long, because HIV asks only one thing of those it attacks. Are you human? And this is the right question. Are you human? Because people with HIV have not entered some alien state of being. They are human. They have not earned cruelty, and they do not deserve meanness. They don’t benefit from being isolated or treated as outcasts. Each of them is exactly what God made: a person; not evil, deserving of our judgment; not victims, longing for our pity ­­ people, ready for  support and worthy of compassion. We must be consistent if we are to be believed. We cannot love justice and ignore prejudice, love our children and fear to teach them. Whatever our role as parent or policymaker, we must act as eloquently as we speak ­­ else we have no integrity. My call to the nation is a plea for awareness. If you believe you are safe, you are in danger. Because I was not hemophiliac, I was not at risk. Because I was not gay, I was not at risk. Because I did not inject drugs, I was not at risk. The lesson history teaches is this: If you believe you are safe, you are at risk. If you do not see this killer stalking your children, look again. There is no family or community, no race or religion, no place left in America that is safe. Until we genuinely embrace this message, we are a nation at risk.”

Back when AIDS research was still undeveloped, the stigma of contracting HIV was even more immense than it is today. A celebrated artist, author and speaker, Mary Fisher became an outspoken activist for those with HIV/AIDS, persuading people to extend compassion to the population with HIV instead of stigmatizing them – as injustice has a way of coming around to people eventually. Her bold act of speaking out for the community regardless of the way they contracted the disease, their sexual orientation or social group, was an influential move in advancing the human rights of those with HIV and spreading awareness on the discrimination they face.

33. Freedom from Fear by Aung San Suu Kyi

“The quintessential revolution is that of the spirit, born of an intellectual conviction of the need for change in those mental attitudes and values which shape the course of a nation’s development. A revolution which aims merely at changing official policies and institutions with a view to an improvement in material conditions has little chance of genuine success. Without a revolution of the spirit, the forces which produced the iniquities of the old order would continue to be operative, posing a constant threat to the process of reform and regeneration. It is not enough merely to call for freedom, democracy and human rights. There has to be a united determination to persevere in the struggle, to make sacrifices in the name of enduring truths, to resist the corrupting influences of desire, ill will, ignorance and fear. Saints, it has been said, are the sinners who go on trying. So free men are the oppressed who go on trying and who in the process make themselves fit to bear the responsibilities and to uphold the disciplines which will maintain a free society. Among the basic freedoms to which men aspire that their lives might be full and uncramped, freedom from fear stands out as both a means and an end. A people who would build a nation in which strong, democratic institutions are firmly established as a guarantee against state-induced power must first learn to liberate their own minds from apathy and fear.”

Famous for her resoluteness and fortitude in campaigning for democracy in Burma despite being put under house arrest by the military government, Aung San Suu Kyi’s speeches have been widely touted as inspirational. In this renowned speech of hers, she delivers a potent message to Burmese to ‘liberate their minds from apathy and fear’ in the struggle for freedom and human rights in the country. To this day, she continues to tirelessly champion the welfare and freedom of Burmese in a state still overcome by vestiges of authoritarian rule.

34. This Is Water by David Foster Wallace

“Our own present culture has harnessed these forces in ways that have yielded extraordinary wealth and comfort and personal freedom. The freedom all to be lords of our tiny skull-sized kingdoms, alone at the centre of all creation. This kind of freedom has much to recommend it. But of course there are all different kinds of freedom, and the kind that is most precious you will not hear much talk about much in the great outside world of wanting and achieving…. The really important kind of freedom involves attention and awareness and discipline, and being able truly to care about other people and to sacrifice for them over and over in myriad petty, unsexy ways every day. That is real freedom. That is being educated, and understanding how to think. The alternative is unconsciousness, the default setting, the rat race, the constant gnawing sense of having had, and lost, some infinite thing.”

Esteemed writer David Foster Wallace gave a remarkably casual yet wise commencement speech at Kenyon College in 2005 on the importance of learning to think beyond attaining a formal education. He encouraged hundreds of students to develop freedom of thought, a heart of sacrificial care for those in need of justice, and a consciousness that would serve them in discerning the right choices to make within a status quo that is easy to fall in line with. His captivating speech on what it meant to truly be ‘educated’ tugged at the hearts of many young and critical minds striving to achieve their dreams and change the world.

35. Questioning the Universe by Stephen Hawking

“This brings me to the last of the big questions: the future of the human race. If we are the only intelligent beings in the galaxy, we should make sure we survive and continue. But we are entering an increasingly dangerous period of our history. Our population and our use of the finite resources of planet Earth are growing exponentially, along with our technical ability to change the environment for good or ill. But our genetic code still carries the selfish and aggressive instincts that were of survival advantage in the past. It will be difficult enough to avoid disaster in the next hundred years, let alone the next thousand or million. Our only chance of long-term survival is not to remain inward-looking on planet Earth, but to spread out into space. The answers to these big questions show that we have made remarkable progress in the last hundred years. But if we want to continue beyond the next hundred years, our future is in space. That is why I am in favor of manned — or should I say, personned — space flight.”

Extraordinary theoretical physicist, cosmologist, and author Stephen Hawking was a considerable influence upon modern physics and scientific research at large, inspiring people regardless of physical ability to aspire towards expanding knowledge in the world. In his speech on Questioning the Universe, he speaks of the emerging currents and issues in the scientific world like that of outer space, raising and answering big questions that have stumped great thinkers for years.

36. 2008 Democratic National Convention Speech by Michelle Obama

“I stand here today at the crosscurrents of that history — knowing that my piece of the American dream is a blessing hard won by those who came before me. All of them driven by the same conviction that drove my dad to get up an hour early each day to painstakingly dress himself for work. The same conviction that drives the men and women I’ve met all across this country: People who work the day shift, kiss their kids goodnight, and head out for the night shift — without disappointment, without regret — that goodnight kiss a reminder of everything they’re working for. The military families who say grace each night with an empty seat at the table. The servicemen and women who love this country so much, they leave those they love most to defend it. The young people across America serving our communities — teaching children, cleaning up neighborhoods, caring for the least among us each and every day. People like Hillary Clinton, who put those 18 million cracks in the glass ceiling, so that our daughters — and sons — can dream a little bigger and aim a little higher. People like Joe Biden, who’s never forgotten where he came from and never stopped fighting for folks who work long hours and face long odds and need someone on their side again. All of us driven by a simple belief that the world as it is just won’t do — that we have an obligation to fight for the world as it should be. That is the thread that connects our hearts. That is the thread that runs through my journey and Barack’s journey and so many other improbable journeys that have brought us here tonight, where the current of history meets this new tide of hope. That is why I love this country.”

Ever the favourite modern First Lady of America, Michelle Obama has delivered an abundance of iconic speeches in her political capacity, never forgetting to foreground the indomitable human spirit embodied in American citizens’ everyday lives and efforts towards a better world. The Obamas might just have been the most articulate couple of rhetoricians of their time, making waves as the first African American president and First Lady while introducing important policies in their period of governance.

37. The Audacity of Hope by Barack Obama

“I’m not talking about blind optimism here — the almost willful ignorance that thinks unemployment will go away if we just don’t think about it, or the health care crisis will solve itself if we just ignore it. That’s not what I’m talking about. I’m talking about something more substantial. It’s the hope of slaves sitting around a fire singing freedom songs; the hope of immigrants setting out for distant shores; the hope of a young naval lieutenant bravely patrolling the Mekong Delta; the hope of a millworker’s son who dares to defy the odds; the hope of a skinny kid with a funny name who believes that America has a place for him, too. Hope — Hope in the face of difficulty. Hope in the face of uncertainty. The audacity of hope! In the end, that is God’s greatest gift to us, the bedrock of this nation. A belief in things not seen. A belief that there are better days ahead.”

Now published into a book, Barack Obama’s heart-capturing personal story of transformational hope was first delivered as a speech on the merits of patriotic optimism and determination put to the mission of concrete change. He has come to be known as one of the most favoured and inspiring presidents in American history, and arguably the most skilled orators ever.

38. “Be Your Own Story” by Toni Morrison

“But I’m not going to talk anymore about the future because I’m hesitant to describe or predict because I’m not even certain that it exists. That is to say, I’m not certain that somehow, perhaps, a burgeoning ménage a trois of political interests, corporate interests and military interests will not prevail and literally annihilate an inhabitable, humane future. Because I don’t think we can any longer rely on separation of powers, free speech, religious tolerance or unchallengeable civil liberties as a matter of course. That is, not while finite humans in the flux of time make decisions of infinite damage. Not while finite humans make infinite claims of virtue and unassailable power that are beyond their competence, if not their reach. So, no happy talk about the future. … Because the past is already in debt to the mismanaged present. And besides, contrary to what you may have heard or learned, the past is not done and it is not over, it’s still in process, which is another way of saying that when it’s critiqued, analyzed, it yields new information about itself. The past is already changing as it is being reexamined, as it is being listened to for deeper resonances. Actually it can be more liberating than any imagined future if you are willing to identify its evasions, its distortions, its lies, and are willing to unleash its secrets.”

Venerated author and professor Toni Morrison delivered an impressively articulate speech at Wellesley College in 2004 to new graduates, bucking the trend by discussing the importance of the past in informing current and future ways of living. With her brilliance and eloquence, she blew the crowd away and renewed in them the capacity for reflection upon using the past as a talisman to guide oneself along the journey of life.

39. Nobel Speech by Malala Yousafzai

“Dear brothers and sisters, the so-called world of adults may understand it, but we children don’t. Why is it that countries which we call “strong” are so powerful in creating wars but so weak in bringing peace? Why is it that giving guns is so easy but giving books is so hard? Why is it that making tanks is so easy, but building schools is so difficult? As we are living in the modern age, the 21st century and we all believe that nothing is impossible. We can reach the moon and maybe soon will land on Mars. Then, in this, the 21st century, we must be determined that our dream of quality education for all will also come true. So let us bring equality, justice and peace for all. Not just the politicians and the world leaders, we all need to contribute. Me. You. It is our duty. So we must work … and not wait. I call upon my fellow children to stand up around the world. Dear sisters and brothers, let us become the first generation to decide to be the last. The empty classrooms, the lost childhoods, wasted potential-let these things end with us.”

At a mere 16 years of age, Malala Yousafzai gave a speech on the severity of the state of human rights across the world, and wowed the world with her passion for justice at her tender age. She displayed tenacity and fearlessness speaking about her survival of an assassination attempt for her activism for gender equality in the field of education. A model of courage to us all, her speech remains an essential one in the fight for human rights in the 21st century.

40. Final Commencement Speech by Michelle Obama

“If you are a person of faith, know that religious diversity is a great American tradition, too. In fact, that’s why people first came to this country — to worship freely. And whether you are Muslim, Christian, Jewish, Hindu, Sikh — these religions are teaching our young people about justice, and compassion, and honesty. So I want our young people to continue to learn and practice those values with pride. You see, our glorious diversity — our diversities of faiths and colors and creeds — that is not a threat to who we are, it makes us who we are. So the young people here and the young people out there: Do not ever let anyone make you feel like you don’t matter, or like you don’t have a place in our American story — because you do. And you have a right to be exactly who you are. But I also want to be very clear: This right isn’t just handed to you. No, this right has to be earned every single day. You cannot take your freedoms for granted. Just like generations who have come before you, you have to do your part to preserve and protect those freedoms. … It is our fundamental belief in the power of hope that has allowed us to rise above the voices of doubt and division, of anger and fear that we have faced in our own lives and in the life of this country. Our hope that if we work hard enough and believe in ourselves, then we can be whatever we dream, regardless of the limitations that others may place on us. The hope that when people see us for who we truly are, maybe, just maybe they, too, will be inspired to rise to their best possible selves.”

Finally, we have yet another speech by Michelle Obama given in her final remarks as First Lady – a tear-inducing event for many Americans and even people around the world. In this emotional end to her political tenure, she gives an empowering, hopeful, expressive speech to young Americans, exhorting them to take hold of its future in all their diversity and work hard at being their best possible selves.

Amidst the bleak era of our current time with Trump as president of the USA, not only Michelle Obama, but all 40 of these amazing speeches can serve as sources of inspiration and hope to everyone – regardless of their identity or ambitions. After hearing these speeches, which one’s your favorite? Let us know in the comments below!

Article Written By: Kai Xin Koh

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The first amendment, looking at 10 great speeches in american history.

August 28, 2017 | by NCC Staff

Dr. Martin Luther King Jr.’s “I Have A Dream” speech certainly ranks highly in the pantheon of public speaking. Here is a look at the Dream speech and other addresses that moved people – and history.

King’s “Dream” speech from August 28, 1963 topped the list, followed by John F. Kennedy’s 1961 inaugural address and Franklin Roosevelt’s first inaugural address in 1933. In fact, three of King’s speeches were included in the top 50 speeches listed by the experts.

The eclectic list included public speeches from Barbara Jordan, Richard Nixon, Malcom X and Ronald Reagan in the top 10 of the rankings.

Link : Read The List

Public speaking has played an important role in our country’s story. Here is a quick look at some of the landmark speeches that often pop up in the discussion about public rhetoric.

1. Patrick Henry. “ Give Me Liberty Or Give Me Death .” In March 1775, Henry spoke to a Virginia convention considering a breakaway from British rule. “The war is actually begun. The next gale that sweeps from the north will bring to our ears the clash of resounding arms,” said Henry, who spoke without notes. “I know not what course others may take; but as for me, give me liberty, or give me death!”

2. George Washington’s first inaugural address . In 1789, the First President addressed the First Congress after his inauguration, setting the precedent for all inaugural speeches to follow. Washington enforced the need for the Constitution, concluding that “Parent of the Human Race  … has been pleased to favor the American people with opportunities for deliberating in perfect tranquillity, and dispositions for deciding with unparalleled unanimity on a form of government for the security of their union and the advancement of their happiness.”

3. Frederick Douglass. “ The Hypocrisy Of American Slavery .” In 1852, Douglass was invited to speak at a public Fourth of July celebration in Rochester, N.Y. Instead of talking about the celebration, Douglass addressed the issue that was dividing the nation. “I will, in the name of humanity, which is outraged, in the name of liberty, which is fettered, in the name of the Constitution and the Bible, which are disregarded and trampled upon, dare to call in question and to denounce, with all the emphasis I can command, everything that serves to perpetuate slavery,” he said.

4. Abraham Lincoln. “ The Gettysburg Address .” The best known of Lincoln’s speeches was one of his shortest. Lincoln was asked to make a few remarks in November 1863 after featured speaker Edward Everett spoke for about two hours. “Fourscore and seven years ago our fathers brought forth, upon this continent, a new nation, conceived in liberty and dedicated to the proposition that all men are created equal,” Lincoln said in his opening paragraph. He spoke for two minutes.

5. William Jennings Bryan. “ Cross of Gold Speech .” A lesser-known contender for the Democratic presidential nomination in 1896, Bryan created a sensation with his speech that condemned the gold standard and held the promise of debt relief for farmers. “We shall answer their demands for a gold standard by saying to them, you shall not press down upon the brow of labor this crown of thorns. You shall not crucify mankind upon a cross of gold,” Bryan said with his arms spread in a crucifix-like position.

6. FDR’s first inaugural address . In 1933, the new President faced a nation in the grips of a deep economic recession. “First of all, let me assert my firm belief that the only thing we have to fear is fear itself -- nameless, unreasoning, unjustified terror which paralyzes needed efforts to convert retreat into advance,” Roosevelt said as he opened his powerful speech. The inaugural set the agenda for FDR’s 12 years in office.

7. Richard Nixon’s Checkers speech . Facing controversy as a vice presidential candidate, Nixon showed how television could be used as a powerful communications tool. In a stroke of political genius, Nixon spoke to the nation about his family finances, and then said the only gift he wouldn’t return was Checkers, the family dog.

8. JFK’s first inaugural address . The well-written 1961 speech is considered one of the best inaugural speeches ever. Rhetoric expert Dr. Max Atkinson told the BBC in 2011 what made the Kennedy speech special. “Tt was the first inaugural address by a U.S. president to follow the first rule of speech-preparation: analyze your audience - or, to be more precise at a time when mass access to television was in its infancy, analyze your audiences.”

9. Dr. King’s “I Have A Dream” speech . King’s speech at the Lincoln Memorial in August 1963, in front of 250,000 people, is also one of the most-analyzed speeches in modern history. But King hadn’t included the sequence about the “Dream” in his prepared remarks. Singer Mahalia Jackson yelled for King to speak about “the Dream,” and King improvised based on remarks he had made in earlier speeches.

10. Ronald Reagan in Berlin . President Reagan appeared at the 750 th birthday celebration for Berlin in 1987, speaking about 100 yards away from the Berlin Wall. Reagan first cited President Kennedy’s famous 1963 speech in Berlin, and then asked, “General Secretary Gorbachev, if you seek peace, if you seek prosperity for the Soviet Union and Eastern Europe, if you seek liberalization: Come here to this gate! Mr. Gorbachev, open this gate! Mr. Gorbachev, tear down this wall!” A Reagan speech writer later said the State Department didn’t want Reagan to use the famous line, but Reagan decided to do it anyway.

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Selected Writings of Lord Acton

By John Emerich Edward Dalberg-Acton Edited by J. Rufus Fears

Lord Acton was among the most illustrious historians of nineteenth-century England, a man of great learning with a deep devotion to individual liberty and a profound understanding of history. Liberty Fund is proud to offer the most complete collection of Acton essays ever published.

Volume I: Essays in the History of Liberty

Included are his two famous essays on the history of freedom (“The History of Freedom in Antiquity” and “The History of Freedom in Christianity”) as are writings on the tradition of liberty in England, America, and Europe.

Volume II: Essays in the Study and Writing of History

Volume II brings together Acton’s distinguished writings on history. Included is his famous Inaugural Lecture at Cambridge, “The Study of History.”

Volume III: Essays in Religion, Politics, and Morality

Included are three important essays, “Human Sacrifice,” “George Eliot’s Life,” and “Buckle’s Philosophy of History.” Nearly two hundred pages of excerpts from Acton’s remarkable letters and unpublished notes are also included.

J. Rufus Fears has taught classical history at Indiana University, Boston University, and the University of Oklahoma.

Jan 1986 | 6 x 9 | 1911 Pages

Three-Volume Set

Biographical note, foreword, 9-page essay "The Essays in This Volume," list of abbreviations, index.

Make Lists, Not War

The meta-lists website, best essays of all time – chronological.

A reader suggested I create a meta-list of the best essays of all time, so I did.  I found over 12 best essays lists and several essay anthologies and combined the essays into one meta-list.  The meta-list below includes every essay that was on at least two of the original source lists. They are organized chronologically, by date of publication. For the same list organized by rank, that is, with the essays on the most lists at the top, go HERE .

Note 1:  Some of the essays are actually chapters from books.  In such cases, I have identified the source book.

Note 2: Some of the essays are book-length, such as Virginia Woolf’s A Room of One’s Own .  One book listed as an essay by two listers – Fernando Pessoa’s The Book of Disquiet – is also regularly categorized as a work of fiction.

11 th Century Sei Shonagon – Hateful Things (from The Pillow Book ) (1002) (on 2 lists)

14 th Century Yoshida Kenko – Essays in Idleness (1332) (on 2 lists)

16 th Century Michel de Montaigne – On Some Verses of Virgil (1580) (on 2 lists)

17 th Century Robert Burton – Anatomy of Melancholy (1621) (on 2 lists) John Milton – Areopagitica (1644) (on 2 lists)

18 th Century Jonathan Swift – A Modest Proposal  (1729) (on 3 lists)

19 th Century William Hazlitt – On Going a Journey (1822) (on 2 lists) Charles Lamb – The Superannuated Man (1823) (on 2 lists) William Hazlitt – On the Pleasure of Hating (1823) (on 4 lists) Ralph Waldo Emerson – Self-Reliance (1841) (on 4 lists) Henry David Thoreau – Civil Disobedience (1849) (on 2 lists) Henry David Thoreau – Where I Lived, and What I Lived For (from  Walden ) (1854) (on 2 lists)Henry David Thoreau – Economy (from  Walden ) (1854) (on 2 lists) Henry David Thoreau – Walking (1861) (on 2 lists) Robert Louis Stevenson – The Lantern-Bearers (1888) (on 2 lists)

20 th Century Zora Neale Hurston – How It Feels to Be Colored Me (1928) (on 2 lists) Virginia Woolf – A Room of One’s Own (1928) (on 4 lists) Virginia Woolf – Street Haunting: A London Adventure (1930) (on 3 lists) George Orwell – A Hanging (1931) (on 2 lists) Junichiro Tanizaki – In Praise of Shadows (1933) (on 2 lists) Fernando Pessoa – The Book of Disquiet (1935) (on 2 lists) George Orwell – Shooting an Elephant (1936) (on 6 lists) E.B. White – Once More to the Lake (1941) (on 6 lists) James Agee and Walker Evans – Let Us Now Praise Famous Men (1941) (on 2 lists) Virginia Woolf – The Death of a Moth (1942) (on 4 lists) Simone Weil – On Human Personality (1943) (on 2 lists) M.F.K. Fisher – The Flaw (1943) (on 2 lists) Vladimir Nabokov – Speak, Memory (1951, revised 1966) (on 2 lists) George Orwell – Such, Such Were the Joys (1952) (on 4 lists) Mary McCarthy – Artists in Uniform: A Story (1953) (on 2 lists) James Baldwin – Notes of a Native Son (1955) (on 11 lists) E.B. White – Goodbye to Forty-Eighth Street (1957) (on 2 lists) Martin Luther King, Jr. – Letter from Birmingham Jail (1963) (on 2 lists) Joseph Mitchell – Joe Gould’s Secret (1964) (on 2 lists) Susan Sontag – Against Interpretation (1966) (on 2 lists) Joan Didion – Goodbye To All That (1968) (on 6 lists) Joan Didion – On Keeping A Notebook (1968) (on 5 lists) Joan Didion – In Bed (1968) (on 4 lists) Edward Hoagland – The Courage of Turtles (1970) (on 2 lists) John McPhee – The Search for Marvin Gardens (1972) (on 3 lists) Annie Dillard – Seeing (from  Pilgrim at Tinker Creek ) (1974) (on 2 lists) Maxine Hong Kingston – No Name Woman (from The Woman Warrior ) (1976) (on 2 lists) Joan Didion – The White Album (1968-1978) (on 3 lists) Eudora Welty – The Little Store (1978) (on 3 lists) Annie Dillard – Total Eclipse (1982) (on 5 lists) Annie Dillard – Living Like Weasels (1982) (on 2 lists) Roland Barthes – Camera Lucida: Reflections on Photography (1982) (on 2 lists) Gloria E. Anzaldúa – How to Tame a Wild Tongue (1987) (on 2 lists) Italo Calvino – Exactitude (1988) (on 2 lists) Phillip Lopate – Against Joie de Vivre (1989) (on 3 lists) Richard Rodriguez – Late Victorians (1990) (on 2 lists) Amy Tan – Mother Tongue (1991) (on 4 lists) Seymour Krim – To My Brothers & Sisters in the Failure Business (1991) (on 2 lists) David Wojnarowicz – Being Queer in America: A Journal of Disintegration (1991) (on 2 lists) Anne Carson – The Anthropology of Water (1995) (on 2 lists) Jo Ann Beard – The Fourth State of Matter (1996) (on 5 lists) David Foster Wallace – A Supposedly Fun Thing I Will Never Do Again (1996) (on 5 lists)

21 st Century Susan Sontag – Regarding the Pain of Others (2003) (on 2 lists) David Foster Wallace – Consider The Lobster (2005) (on 4 lists) Etel Adnan – In the Heart of the Heart of Another Country (2005) (on 2 lists) Paul LaFarge – Destroy All Monsters (2006) (on 2 lists) Brian Doyle – Joyas Voladoras (2012) (on 2 lists)

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Exploring Historical Events: Crafting Informative Essays for Readers

Share share tweetin our pursuit of understanding the past, the art of writing essays on historical events stands as a bridge. it connects yesterday’s stories and today’s curious minds. hence, this guide has been crafted with that in mind. it is a sort of expedition into the heart of history itself. this piece seeks to […].

by Andrei Tapalaga | Dec 21, 2023 | Uncategorized

In our pursuit of understanding the past, the art of writing essays on historical events stands as a bridge. It connects yesterday’s stories and today’s curious minds. Hence, this guide has been crafted with that in mind. It is a sort of expedition into the heart of history itself. This piece seeks to equip you with tools and perspectives. They allow you to delve into the depths of historical narratives, breathing life into the details.

This article will unravel the means of writing a history paper. It will also examine cause and effect, tools for research, and storytelling. As you dive into the article, you will explore some resources to use, allowing you to write an excellent piece that surpasses expectations. 

Best Writing Resources for History Writers

If you want to write a piece about a historical event, there are various means of honing your skills. However, everyone needs editing services, as they provide expert help when you most need it. Explore the best essay writing service US , presenting itself as the most helpful resource. Not only will you be able to produce winning papers, but these services are staffed with history and academic writing experts. You can access customized essays, editing efforts, and unlimited support. You can ensure your pieces meet academic standards and engage readers with compelling content. 

However, there are a myriad of resources you should access while you’re writing your history piece. First and among the most valuable tools are comprehensive historical databases and archives. These are a treasure of primary sources and scholarly articles. These are essential for an authentic historical narrative. Don’t forget to use academic journals as well, allowing you to enrich your perspective and depth of understanding. Lastly, utilize online forums and communities for historians and writers. They allow you to gain access to discussion, feedback, and the ability to exchange ideas. 

The Art of Historical Storytelling

A good history essay is about how you tell the story and explore different perspectives. At its core, narrative history is about finding the human element in past events. Hence, you should examine the motivations, emotions, and experiences of those who lived through these times. An excellent historical storyteller can transport readers in time. It allows them to witness significant events unfolding. 

Furthermore, narrative history often involves exploring different perspectives and voices. In particular, it consists of discussing and elaborating on the voices of those who have been marginalized. Doing so can present a more nuanced and inclusive view of the past. 

Researching the Past

 Image Credit: Pexels

The importance of history can be emphasized only by meticulous research. Here are some steps and resources to follow when conducting your research about the past:

·        Finding reliable sources . Primary sources offer insights into the studied period. They include original documents, letters, diaries, and artifacts. Secondary sources, such as books and academic papers, interpret primary data.

·        Source evaluation. This involves assessing the authenticity, bias, and relevance of the source. You must consider the origin of the source, its purpose, and the context. Don’t forget to scrutinize the credentials and biases of secondary source authors.

·        Cross-referencing. By comparing information from multiple sources, you can corroborate facts. You also gain a more accurate picture of the events. This also helps in identifying discrepancies or contradictions in historical accounts. 

·        Use technology. You can access digital archives, online databases, and search tools through technology. However, there is the challenge of discerning credible information from misinformation.

·        Oral histories and interviews. There is nothing better than oral histories and interviews with experts or individuals from the event. These personal narratives can offer perspectives that are not captured in written records. 

Analyzing Historical Cause and Effect

When writing a historical paper, cause and effect is crucial. This analytical approach moves beyond a mere description of events. It dives into a more profound analysis of dynamics. You can write an excellent piece on cause and effect by accessing extensive essay examples. Access college essay writing help to learn more about resources to help you write this piece. Such editing services allow you to dive deep into the analysis. It enables you to format a more impactful research of the events. This is particularly helpful as this analytical approach is complex yet incredibly effective. 

This is the simple yet practical guide you need to write compelling historical essays. We delved into the art of narrative history, the rigorous process of research, and the importance of causes and effects. All these allow you to present a comprehensive view of the past. 

The guide underscores the value of diverse resources. We discuss everything from expert essay-writing services to digital archives. They are all vital to crafting academically robust pieces. Hence, utilize this resource as a reference to creating narratives that vividly bring history to life.

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Essays About History: Top 5 Examples and 7 Prompts

History is the study of past events and is essential to an understanding of life and the future; discover essays about history in our guide.

In the thousands of years, humans have been on earth, our ancestors have left different marks on the world, reminders of the times they lived in. Curiosity is in our nature, and we study our history on this planet by analyzing these marks, whether they be ancient artifacts, documents, or grand monuments. 

History is essential because it tells us about our past. It helps us to understand how we evolved on this planet and, perhaps, how we may develop in the future. It also reminds us of our ancestors’ mistakes so that we do not repeat them. It is an undisputed fact that history is essential to human society, particularly in the world we live in today. 

If you are writing essays about history, start by reading the examples below. 

5 Examples On Essays About History

1. history of malta by suzanne pittman, 2. why study history by jeff west, 3. history a reflection of the past, and a teacher for the future by shahara mcgee, 4. the most successful crusade by michael stein, 5. god, plagues and pestilence – what history can teach us about living through a pandemic by robyn j. whitaker, writing prompts for essays about history, 1. what we can learn from history, 2. analyzing a historical source, 3. reflection on a historical event, 4. your country’s history, 5. your family history, 6. the impact of war on participating nations, 7. the history of your chosen topic.

“The famous biblical figure St. Paul came to Malta due to his ship getting wrecked and he first set foot on Malta at the beautiful location of what it know called St. Paul’s bay. St Paul spread Christianity throughout Malta which at the time has a mostly pagan population and the vast majority of Malta inhabitants have remained Christian since the days that St Paul walked the streets of Malta.”

Short but informative, Pittman’s essay briefly discusses key events in the history of Malta, including its founding, the spread of Christianity, and the Arab invasion of the country. She also references the Knights of Malta and their impact on the country. 

“Every person across the face of this Earth has been molded into what they are today by the past. Have you ever wondered sometime about why humanity is the way it is, or why society works the way it does? In order to find the answer, you must follow back the footprints to pinpoint the history of the society as a whole.”

West’s essay explains history’s importance and why it should be studied. Everything is how it is because of past events, and we can better understand our reality with context from the past. We can also learn more about ourselves and what the future may hold for us. West makes essential points about the importance of history and gives important insight into its relevance.

“While those stories are important, it is vital and a personal moral imperative, to share the breadth and depth of Black History, showing what it is and means to the world. It’s not just about honoring those few known for the 28 days of February. It’s about everyday seizing the opportunities before us to use the vastness of history to inspire, educate and develop our youth into the positive and impactful leaders we want for the future.”

In her essay, McGee explains the importance of history, mainly black history, to the past and the future. She writes about how being connected to your culture, history, and society can give you a sense of purpose. In addition, she reflects on the role black history had in her development as a person; she was able to learn more about black history than just Martin Luther King Jr. She was able to understand and be proud of her heritage, and she wishes to use history to inspire people for the future.  

“Shortly afterwards, Egyptians and Khwarazmians defeated an alliance of Crusaders-States and Syrians near Gaza. After Gaza, the Crusaders States were finished as a political force, although some cities along the coast hung on for more than forty years. The Egyptian Ayyubids occupied Jerusalem itself in 1247. The city now was not much more than a heap of ruins, becoming an unimportant backwater for a long time.”

Stein describes the Sixth Crusade, during which Emperor Frederick II could resolve the conflict through diplomacy, even gaining Christian control of Jerusalem by negotiating with the Sultan. He describes important figures, including the Popes of the time and Frederick himself, and the events leading up to and after the Crusade. Most importantly, his essay explains why this event is noteworthy: it was largely peaceful compared to the other Crusades and most conflicts of the time.

“Jillings describes the arrest of a Scottish preacher in 1603 for refusing to comply with the government’s health measures because he thought they were of no use as it was all up to God. The preacher was imprisoned because he was viewed as dangerous: his individual freedoms and beliefs were deemed less important than the safety of the community as a whole.”

In her essay, Whitaker explains the relevance of history in policymaking and attitudes toward the COVID-19 pandemic. She first discusses the human tendency to blame others for things beyond our control, giving historical examples involving discrimination against particular groups based on race or sexual orientation. She then describes the enforcement of health measures during the black plague, adding that religion and science do not necessarily contradict each other. From a historical perspective, we might just feel better about the situations we are in, as these issues have repeatedly afflicted humanity. 

In your essay, write about the lessons we can learn from studying history. What has history taught us about human nature? What mistakes have we made in the past that we can use to prevent future catastrophes? Explain your position in detail and support it with sufficient evidence.

We have been left with many reminders of our history, including monuments, historical documents, paintings, and sculptures. First, choose a primary historical source, explain what it is,  and discuss what you can infer about the period it is from. Then, provide context by using external sources, such as articles.

What historical event interests you? Choose one, whether it be a devastating war, the establishment of a new country, or a groundbreaking new invention, and write about it. Explain what exactly transpired in the event and explain why you chose it. You can also include possible lessons you could learn from it. You can use documentaries, history books, and online sources to understand the topic better. 

Research the history of a country of your choice and write your essay on it. Include how it was formed, essential people, and important events. The country need not be your home country; choose any country and write clearly. You can also focus on a specific period in your country’s history if you wish to go more in-depth. 

For a personal angle on your essay, you can write about your family’s history if there is anything you feel is noteworthy about it. Do you have any famous ancestors? Did any family members serve in the military? If you have the proper sources, discuss as much as you can about your family history and perhaps explain why it is essential to you. 

Throughout history, war has always hurt one or both sides. Choose one crucial historical war and write about its effects. Briefly discuss what occurred in the war and how it ended, and describe its impact on either or both sides. Feel free to focus on one aspect, territory, culture, or the economy.

From the spread of Christianity to the horrible practice of slavery, research any topic you wish and write about its history. How did it start, and what is its state today? You need not go too broad; the scope of your essay is your decision, as long as it is written clearly and adequately supported.

For help with your essay, check our round-up of best essay writing apps .If you’re looking for inspiration, check out our round-up of essay topics about nature .

Martin is an avid writer specializing in editing and proofreading. He also enjoys literary analysis and writing about food and travel.

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41 Famous Women in History Who Have Changed the World

These female figures will inspire and empower you.

From influencing major Supreme Court decisions or making history at the Oscars to being the first female pilot to fly across the Atlantic Ocean or becoming the world’s youngest Nobel Peace Prize recipient , we’ve found women from many time periods, backgrounds, and professions to demonstrate the scope of incredible female accomplishments.

Read on to learn about how some of the greatest leaders , athletes , entertainers , philanthropists, activists , inventors , and other famous influential women have shattered glass ceilings and made women everywhere very, very proud.

Maya Angelou

From her powerful poetry to her moving autobiography I Know Why the Caged Bird Sings , Angelou forever changed the literary world and opened doors for Black authors everywhere. Her love of books started as a child, when she struggled with selective mutism for five years. Decades later, in 2014, she died at age 86.

Lucille Ball

While she was an undeniable light onscreen in I Love Lucy , Ball was an extremely powerful figure off camera as well. She was the first woman to own a major studio, called Desilu Productions. She died at age 77 in 1989.

Read More about Lucille Ball

Queen Elizabeth II

Queen Elizabeth II served as head of the royal family for 70 years, making her the longest-reigning monarch in British history. She celebrated her Platinum Jubilee in June 2022, just three months before she passed away at 96 years old.

Parks famously became a leader in the 1950s Civil Rights Movement when she refused to give up her seat on the bus for a white passenger. Her bravery sparked the Montgomery Bus Boycott and was a major factor in the end of legal segregation. She continued her activism well into her later years before dying at age 92 in 2005.

Related: A Timeline of Rosa Parks’ Life and Activism

Halle Berry

Aside from being a talented actor and fashion icon , Berry has left a special mark on Hollywood. In 2002, she became the first Black woman to win the Best Actress Oscar for Monster’s Ball . In 2023, she presented the same award to Michelle Yeoh —the second woman of color to ever win the award.

Read More about Halle Berry

Amelia Earhart

As the first female pilot to fly across the Atlantic Ocean, Earhart forever changed the world of aviation. Her mysterious disappearance while flying over the Pacific Ocean in 1937 has sparked a range of theories, from a potentially fatal crash to her spending her final days on a remote island.

Read More about Amelia Earhart

Michelle Kwan

Kwan dominated the ice throughout the ’90s, quickly becoming the most decorated figure skater in American history. She represented both the United States and Asian Americans on the world stage, winning 43 championships and two Olympic medals.

Malala Yousafzai

Yousafzai began fighting for girls’ rights to education in Pakistan at just 11 years old. After surviving an assassination attempt a few years later, she has courageously continued to be a worldwide voice for young women. In 2014, she became the world’s youngest Nobel Peace Prize recipient.

Related: 10 Inspiring Malala Yousafzai Quotes

Rita Moreno

Moreno’s singing, dancing, and acting skills shined in classics like Singin’ in the Rain (1952) and West Side Story (1961) , making her a true triple threat in Hollywood. In 1962, she became the first Latina woman to win an Oscar. Fifteen years later, she achieved EGOT status .

Read More about Rita Moreno

Ruth Bader Ginsburg

Ginsburg made history as the first Jewish woman to be appointed to the Supreme Court. Her entire career was highlighted with pivotal moments in American history. Consistently standing up for gender equality and civil rights, she helped pass historic rulings on topics ranging from the Affordable Care Act to the legalization of same-sex marriage before her 2020 death at age 87.

Aretha Franklin

As one of the most angelic voices in history and an 18-time Grammy winner , Franklin popularized hits like “Respect” and “I Say a Little Prayer.” In 1987, she became the first female artist to be inducted into the Rock & Roll Hall of Fame. Franklin died at age 76 in 2018.

Read More about Aretha Franklin

Wang , a first-generation Chinese-American fashion designer, has become one of the most beloved bridal designers of all time. Before launching her own brand, she worked at Vogue and Ralph Lauren. In 2005, the Council of Fashion Designers of America selected her as the Womenswear Designer of the Year.

Marie Curie

Curie was the scientific genius behind radioactivity and X-rays as we know them today. Not only did she become the first woman to ever win the Nobel Peace Prize in 1903, but she also became the first person to ever win it twice in 1911. Curie was 66 when she died in 1934.

Elizabeth Taylor

The Old Hollywood star captivated moviegoers in hits like Cleopatra (1963) and Suddenly, Last Summer (1959). The two-time Best Actress Oscar winner was also one of the first celebrities to speak openly about the AIDS crisis, creating the Elizabeth Taylor HIV/AIDS Foundation in 1991. She died in 2011 at age 79.

Read More about Elizabeth Taylor

Serena Williams

Williams served as the face of tennis for years—alongside her sister Venus —and inspired young female athletes around the world. With 23 Grand Slam singles titles and four Olympic gold medals , she retired in September 2022 as one of the best players to ever step foot on a court.

Jane Austen

Austen changed the course of English literature with her social commentary in 1813’s Pride and Prejudice . Interestingly enough, she wasn’t revealed as the author of her first three novels until after her death in 1817 at age 41.

In 1983, Ride became the first American woman to travel to space. Before that moment, she beat out 1,000 other applicants for a spot in NASA’s astronaut program. She died in 2012 when she was 61 years old.

Read More about Sally Ride

Oprah Winfrey

From 1986 to 2011, Winfrey hosted her popular talk show, which turned her into an Emmy-winning media sensation. Aside from her successful magazine, TV network, and producing career, she is also an esteemed philanthropist and political activist.

Read More about Oprah Winfrey

Rachel Balkovec

Balkovec made history in 2022 when she was named the first woman to manage an affiliate of a Major League Baseball team. Before the New York Yankees hired her to lead its Low-A Tampa Tarpons, she worked as the team’s minor league hitting coach.

Princess Diana

The Princess of Wales’ bold independence, daring fashion , and close bond with her sons made her a beloved member of the royal family. She also spoke openly about mental health and HIV awareness and continued to support several charities after her 1992 separation from then- Prince Charles . Five years later, she died in a car crash at age 36.

Read More about Princess Diana

Women’s History

Deb Haaland

14 Hispanic Women Who Have Made History

5 Crowning Achievements of Maya Angelou

Ava DuVernay

Betty Friedan

Madeleine Albright

Greta Gerwig

Jane Goodall

Hillary Clinton

Margaret Sanger

Eleanor Roosevelt