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Higher English Model Essay: The Crucible (16/20) - Conflict with Surroundings

Higher English Model Essay: The Crucible (16/20) - Conflict with Surroundings

Subject: English

Age range: 16+

Resource type: Assessment and revision

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25 January 2021

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This is a Higher English A-grade critical essay which examines Arthur Miller’s play The Crucible in relation to the following question:

*Choose a play in which the main character is in conflict with his or her surroundings. Briefly explain the nature of this conflict and discuss how the dramatist’s presentation of this feature helps you enhance your understanding of the play as a whole. *

The essay has been colour coded to show the different types of sections to an essay. A non-colour coded version is also attached beneath.

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The Crucible Essay and Quote Booklet Bundle: NAT 5/Higher

This bundle contains 5 example Higher English critical essays and 1 example National 5 critical essay. It also contains a booklet of the most significant and useful quotes necessary for studying Arthur Miller's 'The Crucible' with accompanying analysis. This bundle is useful for teaching by example, reference for both students and teacher, and for general information of the play and playwright.

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What is the summary of the play?

Set in Salem, Massachusetts in 1692, the play focuses on the protagonist John Proctor as he struggles to overcome his past transgressions, prior to the play, when he committed adultery with Abigail Williams which subsequently controls and influences the outcome of the play. Abigail charges various citizens of practising witchcraft, leading to Proctor’s death.

What is the introduction to the play for the question - Choose a play in which there is a central character brings about his or her downfall because of a weakness within their character.

Arthur Miller’s play ‘The Crucible’ explores a character who possess a significant weakness. John Proctor, the antagonist, is unwilling to forgive himself after committing adultery with Abigail Williams. It is this inability to forgive himself that prevents him from revealing Abigail’s lies before they gather momentum and ultimately lead to his downfall in the play’s denouement.

What is the introduction to the play for the question - For a play you have studied, choose a scene in which a character is forced to face up to the truth about himself/herself?

Arthur Millers ‘The Crucible’ is a play where a character is forced to face up to the truth about themselves. John Proctor is a crucial character in the play who’s actions influence the outcome of everyone else. John’s struggles and worries of his tainted past are clearly shown throughout the play. Only through the personal sacrifice and matyrdrom can the constraints of Salem’s society be broken

What is the sentence for the techniques to convey the ideas in the play?

Through the use of characterisation, key scene and dialogue Arthur Miller successfully conveys/demonstrates and refer back to question.

What is the introduction to the play for a question about setting?

Arthur Miller’s the crucible is a play that makes use of setting to make the main ideas of the play more comprehensible and believable. After accusations of witchcraft, hysteria breaks out in Salem. Only through the use of setting can the main ideas be conveyed to the reader and the outcome of the play be explained.

What is the introduction to the play for a question on choose a play in which a central character struggles to cope with social convention or financial difficulties or family duties?

Arthur Miller’s play ‘The Crucible’ contains a central character who struggles to cope with social convention. The protagonist John Proctor, is unwilling to forgive himself after committing adultery - an act frowned upon by the Puritan community. It is his inability to forgive himself and need for self preservation that subsequently controls and influences the outcome of the play, resulting in Proctors death.

What is the introduction for choose a play in which the concluding scene provides effective clarification of the central concerns?

Arthur Miller’s play ‘ The Crucible ‘ concludes with a scene that provides effective clarification of the central concerns in the play. The protagonist John Proctor, is unwilling to forgive himself for committing adultery with Abigail Williams. Proctors need for self preservation and unwillingness to forgive himself influence the outcome of the play and result in his death in the denouement of the play.

What is the introduction for choose a play in which the conflict between two characters is an important feature?

Arthur Miller’s play ‘The Crucible’ explores a conflict between two important characters which influence the outcome of the play. John Proctor ,the protagonist, is tortured and weighed down by the guilt of his affair with Abigail Williams. Due to this, Proctor life is influenced by Abigail who is ultimately the cause of his death in the plays denouement.

What is the introduction for choose a play which focuses on a relationship which is destructive or is in crisis?

Arthur Miller’s play ‘The Crucible’ focuses on a relationship which is destructive. The protagonist, John Proctor, is tortured weighed down with guilt of his affair with Abigail Williams. Proctor tries his hardest to remove Abigail from his life. However it is his rejection of her that results in Abigail seeking revenge on his wife, ultimately leading to Proctors death in the plays denouement.

What is the introduction for choose a play in which a major character behaves in an impulsive or calculating or emotional manner?

Arthur Miller’s play ‘The Crucible’ focuses on a character who behaves in a calculating way.The protagonist, John Proctor, is tortured weighed down with guilt of his affair with Abigail Williams. Proctor tries his hardest to remove Abigail from his life. However it is his rejection of her that results in Abigail seeking revenge on his wife, ultimately leading to Proctors death in the plays denouement.

What is the introduction for choose a play in which there is a scene which influences the course of future events?

Arthur Miller’s play ‘The Crucible’ contains a scene which influences the course of future events.The protagonist, John Proctor, is tortured weighed down with guilt of his affair with Abigail Williams. Proctor tries his hardest to remove Abigail from his life. However it is his rejection of her that results in Abigail seeking revenge on his wife, by accusing her of witchcraft, ultimately leading to Proctors death in the plays denouement.

What is the introduction for choose a play which deals with the theme of honour or shame or betrayal?

Arthur Miller’s play ‘The Crucible’ explores the theme of betrayal. The protagonist, John Proctor, is tortured weighed down with guilt of his affair with Abigail Williams. Proctor tries his hardest to remove Abigail from his life and not betray his wife again. However it is his rejection of her that results in Abigail seeking revenge on his wife, by accusing her of witchcraft, ultimately leading to Proctors death in the plays denouement.

What is the introduction for choose a play which has an effective opening scene or concluding scene?

Arthur Miller’s play ‘ The Crucible ‘ which has an effective opening scene. The protagonist John Proctor, is unwilling to forgive himself for committing adultery with Abigail Williams. Proctors need for self preservation and unwillingness to forgive himself influence the outcome of the play and result in his death in the denouement of the play.

What is the introduction for choose a play in which a major character’s actions influence the emotions of others?

Arthur Miller’s play ‘The Crucible’ contains a major character who influences the emotions of others. The protagonist, John Proctor, is tortured weighed down with guilt of his affair with Abigail Williams. Proctor tries his hardest to remove Abigail from his life. However it is his rejection of her that results in Abigail seeking revenge on his wife, by accusing her of witchcraft, ultimately leading to Proctors death in the plays denouement.

What is the introduction for choose a play in which there is a scene involving a moment of conflict or of resolution to conflict?

Arthur Miller’s play ‘The Crucible’ contains a scene involving a moment of conflict. The protagonist, John Proctor, is tortured and weighed down with guilt of his affair with Abigail Williams. Proctor tries his hardest to remove Abigail from his life. However it is his rejection of her that results in Abigail seeking revenge on his wife, by accusing her of witchcraft. Proctor attends court in the hope of pleading his wife’s innocence, which results in a conflict, that ultimately leads to Proctors death in the plays denouement.

What is the introduction for choose a play which explores an important issue or issues within society?

Arthur Miller’s play ‘The Crucible’ explores the issue of suppressed desire in the Puritan community of the 1690s. The protagonist John Proctor, is unwilling to forgive himself after committing adultery - an act frowned upon by the Puritan community. It is his inability to forgive himself and need for self preservation that subsequently controls and influences the outcome of the play, resulting in Proctors death.

What is the introduction for a character who, makes a vital error?

Arthur Miller’s play ‘The Crucible’ contains a scene where a character makes a vital error. The protagonist, John Proctor, is tortured and weighed down with guilt of his affair with Abigail Williams. Proctor tries his hardest to remove Abigail from his life. However it is his rejection of her that results in Abigail seeking revenge on his wife, by accusing her of witchcraft. Proctor attends court in the hope of pleading his wife’s innocence but when presented with the chance to save herself and her husband, Elizabeth’s natural lie to protect her husband ultimately leads to Proctors death in the plays denouement.

What is the introduction for a scene that acts as a clear turning point?

What is the introduction for choose a play where the emotions of one or more characters reach a climax?

Arthur Miller’s play ‘The Crucible’ contains a scene involving a moment of conflict. The protagonist, John Proctor, is tortured and weighed down with guilt of his affair with Abigail Williams. Proctor tries his hardest to remove Abigail from his life. However it is his rejection of her that results in Abigail seeking revenge on his wife, by accusing her of witchcraft. Proctor attends court in the hope of pleading his wife’s innocence, which results in a climax of his emotions, that ultimately leads to Proctors death in the plays denouement.

What is the conclusion to the play?

To conclude - refer to question. Had Proctor been able to overcome his excessive pride and forgive himself for the the adultery he committed and not been so preoccupied with his past transgressions and reputation in Salem, he could have revealed his knowledge of Abigail earlier in the play and prevented the deaths of many people, as well as his own. Ultimately his inhabiting to forgive himself which was his fatal weakness and Miller successfully conveys the power conscience has over us. The play as a whole provides a powerful message about the dangers of being swept up in hysteria as well as the difficulties placed upon an individual to conform to society.

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The Crucible- Conflict & Resolution

The Crucible- Conflict & Resolution

The Crucible, a film by Arthur Miller, depicts the conflict and resolution of the Salem witch trials in 17th century Puritan New England. In this story, a group of young girls is discovered dancing and chanting in the woods at night, leading to strange occurrences in the town. The conflict begins when Reverend Parris, the local minister, finds the girls in the forest under the guidance of a black slave named Tituba. Following their exposure, two girls from the group, including Reverend Parris’s daughter Betty, fall into an unconscious state resembling a coma.

The town begins to question if witchcraft is to blame for their illnesses, prompting doubts about the events that transpired in the woods. Abigail, Reverend Parris’s niece and the story’s main character, denies anything beyond dancing occurred and warns the other girls involved to keep quiet. Concern grows and Reverend Hale, a minister renowned for his expertise in identifying witchcraft, arrives in Salem to examine the sick girls. Hale quickly develops an argument regarding the girls’ intentions on the fateful night in the forest.

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The young girls are accused of conjuring spirits, so Abigail leads them to pretend they can see spirits. Afraid of consequences, the girls accuse many townspeople of witchcraft, triggering the Salem witch trials. In The Crucible, conflict is explored in various ways. While there is internal conflict among these characters, a prominent one is between Abigail and John Proctor, a farmer who previously had an affair with her.

Despite Proctor ending their relationship, Abigail still harbors feelings for him. Consequently, she accuses Goody, Proctor’s wife, in an attempt to reunite with him. Only when Goody is imprisoned does Proctor make the decision to expose Abigail’s deceit during the trials. However, when faced with his own accusations of witchcraft, Proctor grapples with whether he should confess to save his life. His refusal to sign the public document results in his return to jail, where he is accused of consorting with the devil alongside his wife.

Goody is pregnant and will not be executed until her child is born. John wants to protect his reputation for the sake of his children. Abigail flees when she realizes her plan to be with John has failed. The trials and accusations continue, resulting in the execution of numerous individuals accused of being involved with the devil. Hale tries to persuade the accused to confess instead of facing death by hanging, but they all refuse. The Crucible explores conflict in various ways, with the court’s resolution being the execution of many townspeople.

In this story, many characters face their own inner conflicts, and the outcomes vary in each situation. Abigail decides to leave the town, fleeing from the situation she had caused. On the other hand, John Proctor refuses to confess his adultery or the witchcraft accusations against him, resulting in his death. The main conflict in the story revolves around the clash between conformity to religious practices within the community and individual conscience. The Salem community embraces its uniform lifestyle, but when the trials commence, chaos ensues, as suspicion lingers among residents. Consequently, Salem undergoes a lasting transformation.

The young girls, fearing punishment, divert attention towards others to avoid prosecution. Although The Crucible depicts several internal conflicts, the primary conflict involves the court’s confrontation with the townspeople and the concept of witchcraft. To prevent further witchcraft issues, the courts sentence numerous individuals to be hanged. Just as in the 17th century, change was unwelcome – a similarity still present in today’s society. However, the methods employed to handle and prevent these changes were exceedingly extreme. Presently, we still confront the issue of individuals resisting conformity, which is likely an unresolved problem.

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Thomas L. Friedman

Inside America’s Shadow War With Iran

In the foreground is an expanse of dirt. In the background is a radar tower and vehicles.

By Thomas L. Friedman

Opinion Columnist, who reported from the U.S. garrison in Al Tanf in southern Syria

It’s often been said that the most dangerous hot spot in the world is the waterway between Taiwan and mainland China, where the Chinese Navy and Air Force flex their muscles every day to try to intimidate Taiwan — while the U.S. Navy patrols nearby. I wonder. There is actually a stable balance of deterrence there right now. You could hold a friendly regatta in the Taiwan Straits compared to where I just visited.

I spent two days last week hopscotching in a CH-47 Chinook helicopter among seven U.S. military bases in western Jordan and eastern Syria with America’s senior Middle East Centcom commander, Gen. Michael Kurilla. There is no equilibrium here. What you have, instead, is the other Middle East war that began shortly after the tragic Israel-Hamas war that broke out on Oct. 7.

This other Middle East war pits Iran and its proxies — the Houthis, Hezbollah and Shiite militias in Iraq — against both the small network of U.S. bases in Syria, Jordan and Iraq established after 2014 to destroy the ISIS Islamic state and against the U.S. naval presence in the Red Sea and Gulf of Aden that keeps the vital shipping lanes there secure and open.

These Iranian-armed Shiite militias in Iraq and the Houthi fighters in Yemen may not look or seem like lethal threats, but do not be fooled. They have learned to arm, build, adapt and deploy some of the most sophisticated precision weaponry in the world. That weaponry, provided by Iran, can hit a three-foot-wide target 500 miles away.

The young U.S. soldiers and sailors arrayed against them cut their teeth on video games, but now find themselves playing the real thing, deploying with software and cursors the world’s most sophisticated countermeasures and interceptors to swat away almost every rocket and drone the Iranian proxies have been throwing at them.

In short, Americans may not know they’re at war with Iran, but Iran’s Revolutionary Guards know for sure they are in a shadow war with America through their proxies.

And if one of these Iranian proxies gets “lucky” and creates a mass casualty event by striking a U.S. warship or the barracks of one of the U.S. bases in Jordan or Syria — something akin to the Marine Corps barracks bombing in Beirut in 1983 — the U.S.-Iran conflict would surely come out of the shadows and become a direct shooting war in the region the world most depends on for its oil.

Just thought I’d let you know.

This other Middle East war kicked into high gear on Oct. 17, 10 days after the attack on Israel by Hamas, Centcom officials explained to me, when Iran clearly took a decision to rev up all its proxies. Under the cover of the Gaza war and tempted by the anti-American sentiment it has generated, Iran tried to see if it could significantly degrade the U.S. network of facilities in Iraq, eastern Syria and northern Jordan, or perhaps dislodge U.S. forces altogether.

I suspect Tehran also had another goal in mind: to intimidate America’s Arab allies by showing them the damage Iran could inflict on their U.S. protector.

What I know for sure, though, is that this is the most dangerous game of chicken going on anywhere on the planet today, for three reasons.

The first is the sheer volume of rockets, drones and missiles that Iran’s proxies have deployed — particularly the Houthis in Yemen and the Shiite militias in Iraq. According to Centcom, hundreds of warheads carried by Iranian-supplied land-to-sea rockets, cruise missiles, ballistic missiles, attack drones, suicide speedboats and unmanned underwater vehicles have been fired since Oct. 17 by Iran’s proxies at U.S. bases, warships and commercial vessels in the Red Sea.

Fortunately, despite the volume of attacks, the U.S. has managed to destroy or deflect most of the incoming with interceptors and a growing electronic forest of radars and countermeasures being deployed at the bases and on U.S. warships. This is no easy task; several rockets and drones have gotten through, injuring over 180 U.S. personnel so far, Centcom said, and I saw the physical damage they did at several bases we visited.

These U.S. bases are not luxury compounds. Many started as ramshackle ISIS-controlled bases or small towns that the U.S. and its Kurdish allies took over beginning in 2014 after intense firefights with ISIS in a war that threatened the governments of Syria, Iraq and Jordan all at the same time.

Today, they consist of prefab living quarters surrounded and separated by hundreds and hundreds of concrete blast walls imported by the U.S. to limit the damage of any incoming warheads. Spotty wireless enables soldiers to FaceTime with families and follow sports. Spartan kitchens serve corn dogs, chicken nuggets and the like, and at some of the “nicer” facilities, maybe even a daily selection of fresh fruit — though when you’re a 70-year-old visitor carrying around 50 pounds of body armor and a helmet, it’s amazing how good a big fat corn dog from an Army mess in the Syrian desert can taste.

But because these bases were designed and situated to block ISIS from reconstituting its supply lines and critical mass, they were never meant to deter or attack the vast modern rocket arsenals of Iran and its proxies.

Which is why on Jan. 28, a one-way Iranian attack drone with a 20-pound warhead, launched by a coalition of Iranian-backed Shiite militias called the Islamic Resistance in Iraq, hit a U.S. facility, Tower 22, in northeastern Jordan.

I visited Tower 22 with General Kurilla’s team last week. The blas t killed three U.S. soldiers , who were blown right out of their bunks, and injured 47. Fortunately, the modular living quarters there were separated by blast walls. A soldier in the bunkhouse right next to the one hit told us he was talking to his wife on FaceTime when the drone struck; protected by a thick cement barrier, he emerged shaken but unscathed. Watching live, his wife thought he was dead when he disappeared in smoke but he was able to contact her three hours later and assure her otherwise.

I was surprised to learn just how aggressive the Iranians have encouraged their proxies to be, which is what leads to the second, extremely dangerous aspect of this war.

It was what General Kurilla dryly described to me as a deterrence “conversation” Centcom had with Iran after the Tower 22 attack to make clear to Tehran that it was playing with fire.

On Feb. 2, the U.S. launched airstrikes against the whole Iranian proxy network in Iraq and Syria, and the next day against Houthi sites in Yemen, hitting more than 100 targets overall, with a combination of long-range B-1 bombers out of Texas, and cruise missiles and fighter bombers launched from the Eisenhower carrier group in the Red Sea. Some 40 people were reported to have been killed in the U.S. retaliatory strikes.

The operation was then capped off on Feb. 7 when the U.S. decided to demonstrate to Iran and its proxies what kind of combined intelligence/precision warfare the U.S. can deploy by killing Abu Baqir al-Saedi, the specific commander from Kataib Hezbollah who the U.S. determined was in charge of drone attacks on its bases in Iraq, Jordan and Syria.

Al-Saedi was hit while driving on a Baghdad street by the same kind of drone-fired Hellfire missile that killed the senior Iranian Revolutionary Guard commander Qassim Suleimani in 2020. It was equipped with six swordlike blades that once it penetrates a vehicle slice and dice anything in their path like a blender, which is why the missile has been nicknamed the “ Flying Ginsu .”

This American response clearly got the Iranians’ attention, and Iran’s proxies have been observing an undeclared cease-fire on land ever since, which certainly helped ease my mind as we flew around in helicopters and a C-130 all over the ungoverned spaces of eastern Syria, too close for my comfort one day near the joint Russian-Iranian base on the western side of the Euphrates.

This informal cease-fire, though, has not been embraced by the Houthis, who have declared that they will not stop firing at international ships, the U.S. Navy or Israel, at least until there is a cease-fire in Gaza. Last weekend, the Belize-flagged cargo ship Rubymar, which the Houthis hit with an anti-ship ballistic missile on Feb. 18, became the first vessel to entirely sink in the Bab el-Mandeb Strait, as a result of a Houthi missile attack. It created a huge ecological mess of leaked fuel and the fertilizer it was carrying. Thank you, Houthis.

And that leads to the third dangerous aspect of this shadow war. At every base we visited there was a top-secret room journalists could not go into, called the combat integration center. Inside, young American soldiers (and sailors on Navy vessels) stare at screens, try to identify the myriad objects flying toward them and decide by its radar and visual signature whether to engage one, ignore another or let a third go by, figuring it is going to miss and land harmlessly. Discipline is important when you’re firing $200,000 interceptors at $20,000 Iranian drones, a Centcom officer told me.

These operators often have less than 90 seconds to make up their mind whether to engage an incoming drone with a Coyote drone-interceptor that can detect and destroy attack drones at very close range and can be launched from ground vehicles, helicopters or surface vessels.

In other words, every day is pregnant with a low-probability-but-high-consequence event. And the first, and often last, line of defense is usually a 20-something U.S. soldier or sailor squinting at a computer screen, trying to decide with software within seconds what is coming his or her way and engaging the right countermeasures.

Amid all of this, I should add, we also visited Al Hol detention camp in the middle of nowhere in northeastern Syria, where some 43,000 people — mostly ISIS “brides” and their children — are being held in tents and prefabs under Kurdish guards until they can be deprogrammed and returned to their home countries. It is pretty strange to talk to an American or British woman who got drawn into the ISIS cult and hear that she has five or six kids by three or four different ISIS combatants, all of whom were killed by the U.S.-led coalition. Judging from the number of rocks some of the kids threw at our armored convoy, the deprogramming process has a way to go.

Given all the risks and open sores out here, it’s worth asking: Why stay? First let me describe a scene, and then offer an answer.

The scene: General Kurilla’s team was visiting the Tanf garrison, a small logistics support base inside Syria, near where Syria, Iraq and Jordan meet. Kurilla took the opportunity to do a battlefield promotion, from second lieutenant to first lieutenant, for a medical platoon leader stationed there. We were standing in an alley and around us were all just different shades of brown — the desert, the buildings, you name it.

Kurilla first asked for someone to get him an American flag and a couple of minutes later two platoon members showed up with a small one and held it up at shoulder level, framing Kurilla and the young officer being promoted.

“Our army is unique in the world,” Kurilla said to the young man. “We don’t swear an oath to a person or a king, we swear an oath to an idea, embodied in the Constitution and ingrained in our democracy, that all men and women are created equal. We swear an oath to defend that idea.”

Kurilla then administered the oath that every U.S. soldier — this one an enlistee who had worked his way up — repeats as he or she rises in rank. His oath complete, the newly minted first lieutenant slapped on a cap displaying his new rank and then gave a shout-out to each member of his platoon.

There was something about that scene that hit me: the two soldiers holding up their little Stars and Stripes that provided the only color in this vast brown tableau, and the oath of allegiance to an idea, not a king, muffled by the protective blast walls of this far-flung base in a region that has mostly known only the opposite.

During the post-Cold War era, from the early 1990s to the 2010s, I thought it might actually be possible to bring more consensual politics and pluralism to this part of the world — thanks to the Oslo Accords, the Jordanian-Israeli peace treaty, the Arab Spring uprisings and the greater integration that was resulting from globalization.

But it did not happen. Rather than the spread of democracy this region experienced metastasizing disorder and failing states. At the same time, the big divide in the world became no longer between democracy and autocracy, but between order and disorder.

The best case for U.S. forces remaining in eastern Syria, Iraq and the Red Sea is precisely so that the disorder “over there” — from the likes of ISIS, failed states like Syria and the eating away of nation-states by Iranian proxy militias — doesn’t come “over here.”

It is not a pretty or heroic mission — living in body armor all day in a harsh and hostile environment, with all the corn dogs you can eat as one of the few pleasures — but it’s probably worth it. That said, we should have no illusions about the risks because the shadow war playing out there could come screaming out of the shadows at any moment.

The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips . And here’s our email: [email protected] .

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Shape peace: Your story of overcoming conflict in the 2024 essay competition!

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conflict in the crucible essay

Are you ready to make a difference in the world? The Goi Peace Foundation invites young minds from all corners of the globe to participate in an exciting essay contest designed to bring out the best in youth creativity, energy, and initiative.

This prestigious contest is held under the auspices of the Ministry of Education, Culture, Sports, Science and Technology of Japan, alongside esteemed organizations such as the Japanese National Commission for UNESCO, and the Japan Private High School Federation, and supported by two corporations.

This year’s contest is delving into the theme of “My Experience of Overcoming Conflict.” In a world where conflicts arise due to differences in opinions and values, your unique story of resolution could light the way for others. Have you ever faced a conflict and come out stronger on the other side? What valuable lessons did you learn, and how can they be applied to promote peace and sustainable development?

Who Can Participate?

This contest is open to anyone up to 25 years old, categorized into two age groups:

  • Children: up to 14 years old
  • Youth: 15 to 25 years old

We’re looking for essays that are 700 words or less in English or French, or 1600 characters in Japanese. Remember to include your name, email address, and essay title at the top of your submission, and ensure your essay is original and unpublished.

How to Enter

Submit your essay online by June 15, 2024, through the Goi Peace Foundation’s website . Please note that we accept only one entry per person, and make sure your essay is your work, as entries including plagiarized content or content created by AI will be rejected.

Prizes and Recognition

Winners will be celebrated in both the Children’s and Youth categories, with prizes including invitations to an exclusive Winners Gathering held online. Moreover, special awards will be given to outstanding schools. All prize winners will be announced on October 31, 2024, and will receive certificates and gifts by January 2025.

Why Participate?

This isn’t just an essay contest; it’s a chance to contribute to a global conversation on peace and sustainable development. By sharing your story, you’re not only gaining a platform to showcase your ideas but also the opportunity to inspire change in society. The Goi Peace Foundation is eager to hear how young individuals like you are paving the way for a brighter, more peaceful future.

Ready to Make a Difference?

Your voice matters. Your story is important. Embrace this chance to let the world hear your thoughts on overcoming conflict and building a more peaceful society. Visit the Goi Peace Foundation website to submit your essay and for more information on how you can contribute to a global movement of change.

Let’s inspire, innovate, and instigate change together. Join us in promoting a culture of peace through the power of the written word. Your journey towards making a difference starts here!

https://www.goipeace.or.jp/en/work/essay-contest/

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DR Congo: Civilians in the firing line as use of heavy weapons signals alarming new phase of armed conflict in the east

conflict in the crucible essay

"What we are seeing now in eastern DRC is in many ways unprecedented and extremely worrying. With the latest upsurge in hostilities since early February, hundreds of badly injured civilians, many of them women and children, have been streaming into healthcare facilities in North Kivu – 40 percent of them victims of shelling or other heavy weapons used in densely populated urban areas. This new dynamic is adding to the deep suffering of huge numbers of civilians already worn down by decades of conflict," said Mr Mardini.

Under international humanitarian law, parties to a conflict have a responsibility to protect civilians and civilian infrastructure and must take all feasible precautions to spare them from harm.

"The use of explosive weapons in populated areas – including near displaced camps – is very likely to have indiscriminate effects, meaning they can kill and wound civilians. This is precisely what we see happening in North Kivu today – with devastating consequences," Mr Mardini added.

Fighting has intensified in recent weeks between DRC government forces and the M23 armed group – the most prominent of more than 100 armed groups reported to be active in the strategically important and resource-rich region, which has been at the epicentre of multiple conflicts since the 1990s.

Civilians are bearing the brunt, with some 7 million displaced from their homes, many of them multiple times – 2.5 million of them in North Kivu alone.

The complexity of humanitarian challenges is in stark evidence at the ICRC-supported Ndosho hospital in Goma, North Kivu's provincial capital. With a daily influx of wounded civilians – many of them children – the hospital is at more than double its normal capacity with more than 130 beds, many of them in tents.

Patients arrive on the backs of motorbikes or public transport from conflict zones around the town of Sake, a mere 25 kilometres away, often fleeing with nothing and separated from their families. Increasing numbers have very serious injuries requiring complex surgery and amputations; some die while trying to reach the hospital.

In one ward, a young mother – visibly traumatised – tries to comfort her four-year-old daughter suffering from shrapnel wounds on her face and body. Her other two children were killed in the attack on their home in Sake. Another woman whose leg had to be amputated following an attack on the displaced camp where she was living near Sake similarly lost two of her children. Nearby, a five-year-old girl who saw her mother killed and who was herself badly injured lies motionless and silent. Dozens of others have their own harrowing stories.

Other patients' injuries remain largely hidden. Sexual and gender-based violence became endemic during DRC's multiple conflicts and remains a major concern in this current phase. Many cases are never reported, for fear of stigma or reprisals, so the full magnitude of the problem is unclear. ICRC-trained psychologists provide mental health and psychosocial support – but needs far outstrip the limited response capacity.

Former child combatants are also among those recovering from physical and mental trauma in the hospital. One 15-year-old boy recruited by an armed group now desperately wants to return home and go to school, but he's afraid of being rejected by his family. Recruitment of children into armed groups is a major concern – with a 45 percent increase recorded by the UN in the first six months of 2023 compared to the previous year.

"Seeing the levels of suffering here is really distressing – and this is just a snapshot of the scale and complexity of humanitarian challenges in the DRC," said Mr Mardini at Ndosho hospital. "We are witnessing a protection crisis on a vast scale, one that is preventable."

"Humanitarian response – while vital – is clearly not the solution. For our part, the ICRC works closely with the DRC Red Cross to protect and assist people affected by the conflict – for example by strengthening physical and mental healthcare for the wounded, sick, and traumatized; improving water supply and sanitation; and reuniting families.

"Yet the single most effective way to reduce the suffering we are witnessing is for the parties to the conflict to meet their obligations under international humanitarian law to protect civilians. We call on them to do so as a matter of the greatest urgency," added Mr Mardini. "Failure will spell a bleak future for millions of Congolese who have known war all their lives."

About the ICRC The International Committee of the Red Cross (ICRC) is a neutral, impartial and independent organization with an exclusively humanitarian mandate that stems from the Geneva Conventions of 1949. It helps people around the world affected by armed conflict and other violence, doing everything it can to protect their lives and dignity and to relieve their suffering, often alongside its Red Cross and Red Crescent partners.

For more information, please contact: Nagham Awada, ICRC Goma, Tel.: +243 812 256 360, [email protected] Eleonore Asomani, ICRC Dakar, Tel.: (+221) 781 864 687, [email protected] Fatima Sator, ICRC Geneva, Tel.: (+41) 79 848 49 08, [email protected]

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Home — Essay Samples — History — John Proctor — John Proctors Motivation In The Crucible

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John Proctors Motivation in The Crucible

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conflict in the crucible essay

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  1. What are the main conflicts in The Crucible and why?

    Quick answer: The main Man vs. Self conflict concerns John Proctor's internal struggle to preserve his reputation or undermine Abigail's authority by exposing his own infidelity.

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    The Crucible presents two central conflicts, one an internal conflict (Man vs. self) and the other an external conflict (Man vs Society). John Proctor is critical to each conflict in the play. His ...

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  4. The Crucible: Mini Essays

    The trials in The Crucible take place against the backdrop of a deeply religious and superstitious society, and most of the characters in the play seem to believe that rooting out witches from their community is God's work. However, there are plenty of simmering feuds and rivalries in the small town that have nothing to do with religion, and many Salem residents take advantage of the trials ...

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    Higher English Model Essay: The Crucible (16/20) - Conflict with Surroundings Subject: English Age range: 16+ Resource type: Assessment and revision File previews docx, 22.72 KB This is a Higher English A-grade critical essay which examines Arthur Miller's play The Crucible in relation to the following question:

  8. The Issue of Internal and External Conflict in 'The Crucible' Play

    Throughout the Crucible many characters were faced with internal and external conflict that resulted in their need to surmount difficulties. The characters had different conflicts but were all sparked by one event, the Salem witch trials. In 1692, in Salem, Massachusates there was a growing amount of people that were being accused of witchcraft which caused uncontrollable hysteria within the town.

  9. Internal and External Conflict in Arthur Miller's 'The Crucible'

    In modern day societies we consider conflict a part of our everyday lives, making it easier to handle. Throughout The Crucible any conflict presented, resulted in a world of chaos which they did not know how to properly handle. Elizabeth Proctor deals with internal and external conflict in Arthur Miller's The Crucible, as she showcases the fluctuation of her personality throughout the play.

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    3 Pages Open Document In Salem, during the times of the Salem witch trials, the church and the people were very close. This is what led to the hysteria and chaos which was the Salem witch trials. It also led to many conflicts between the characters in this book, because anyone who was against the church was considered a criminal.

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    The Crucible is one of the most well-known examples of political theater, with the witch hunt functioning as a direct allegory for the anti-communist hysteria of the period when Miller wrote the play. Political theater refers to theater that addresses and condemns political institutions to incite change. After premiering on Broadway in 1953, the play only ran for 197 performances, and Miller ...

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    Get original paper Without paying upfront The young girls are accused of conjuring spirits, so Abigail leads them to pretend they can see spirits. Afraid of consequences, the girls accuse many townspeople of witchcraft, triggering the Salem witch trials. In The Crucible, conflict is explored in various ways.

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    Frustrated at every turn, Abigail turns to violent scheming. When the spells she asks Tituba to perform snowball into a hunt for witches, Abigail sees a chance to get rid of Elizabeth Proctor, the woman she holds responsible for impeding her sexual fulfillment.

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