comparative essay fahrenheit 451

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• Fahrenheit 451

Ray Bradbury

• Literature Notes
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• Ray Bradbury Biography
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• Dystopian Fiction and Fahrenheit 451
• The Issue of Censorship and Fahrenheit 451
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Critical Essays Comparison of the Book and Film Versions of Fahrenheit 451

All these themes, dystopian society, censorship, and freedom of the individual, are addressed in the 1967 Vineyard Films' (Universal) version of  Fahrenheit   451 . Although the film reiterates the themes and basis of the book, there are many differences to contrast.

In examining the film and novel, one important item to note is that the same actress, Julie Christie, plays both Linda (Mildred's name in the film) and Clarisse. When looking at this casting decision, one can deduce that the film director, Frances Truffault, purposefully made this decision to show the audience that the women are similar in the way that they cannot continue as they are in the present society. Although the two women are dramatically different in their beliefs, Montag continually searches for signs of Clarisse's energy and enthusiasm in his wife. Montag, is not focusing upon their physical appearance; he's instead trying to find the internal wisdom and soul of the two women that he sees.

Unfortunately, Clarisse dies in the book when Montag begins to understand her. However, in the film, Clarisse survives and, in fact, becomes his teacher (she, in a way, replaces the character of Faber from the book who doesn't appear in the film). She is the character who guides Montag to the book people hiding in the woods outside the city.

Contemplate the fact that in the book, no women are present at the end of the novel, but in the film, women play a role in the reconstruction of the new society. Possibly, this difference reflects that the book was written in 1953, whereas the film was made 14 years later.

Regardless of the differences between the film and the book upon which the film is based, both stories of Fahrenheit 451 tackle the issues of a society that has allowed its government to take total control. Chillingly, people in this society have forgotten their histories and have allowed themselves to become victims of propaganda and censorship. In following the protagonist, Guy Montag, through his struggle and rebirth, the reader (and viewer) are given the opportunity to see that the human spirit triumphs and that the important knowledge that books can impart will never be destroyed.

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Home / Essay Samples / Literature / Books / Fahrenheit 451

Fahrenheit 451 vs. Modern Society: a Comparative Analysis

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Fahrenheit 451 , Ray Bradbury

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Introduction, technology's dual nature, censorship and information control, the erosion of human connection.

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The Book “Fahrenheit 451” and the Movie “Equilibrium” Report

Similarities and contrasts.

The book Fahrenheit 451 and the movie Equilibrium have some similarities and contrasts:

Suppression of Free Thought

Both the book and the movie delve into the topic of the suppression of free thought; in both cases, the concept of free thought is considered as being dangerous for society due to the potential it could have in creating subversive groups (i.e. groups that are against the actions of the government). It is due to this that the authoritarian government present in both stories focuses on the repression of free thought via the use of specialized groups of individuals (i.e. the Clerics and the Firemen) to destroy materials that encourage such thinking and to arrest the offenders that possessed them.

One of the main differences between the two is how they go about the method of suppression. In Fahrenheit 451, the government is fine with merely burning the books and keeping them out of the hands of ordinary people; in Equilibrium, the government takes a harsher stance where the population is forced to take an emotion-suppressing drug.

Origin of Suppression

While both the novel and the movie both delve into how suppression was implemented, they have different reasons as to why it was done. In the case of Equilibrium, suppression was seen as a necessity since emotion was viewed as the source of the destructive wars and conflict that nearly destroyed human civilization. Since the people in the world of Equilibrium are essentially survivors of World War III, the repression of emotion was viewed as a necessary evil to keep civilization going. In the case of Fahrenheit 451, the suppression of knowledge was apparently due to changes in society where people began to lose interest in books due to the creation of new forms of media and the short attention span of the populace.

In fact, “book burning” began as a way of appeasing the general public due to the negative perception that various groups had over the content of certain books. When looking at both reasons, the one used in Equilibrium did make sense to a certain extent, but the reasoning used in Fahrenheit 451 is simply bizarre. You cannot help but think that in Fahrenheit 451 small groups of people were able to hijack the system and get ideas they wanted to be implemented simply because the masses did not care enough to stand up and do something about it.

The Journey of John Preston and Guy Montag

The characters John Preston (Equilibrium) and Guy Montag (Fahrenheit 451) have remarkably similar journeys throughout the course of their respective plotlines. This can be seen in the following stages in their character development:

Duty to the Government

Initially, both characters are shown to be devout members of the government and perform jobs that are connected to the suppression of free thought. For Preston, this comes in the form of destroying emotionally stimulating materials (ex: books) and arresting/killing “sense offenders”. In the case of Montag, he also performs a similar task as a “fireman” where he also destroys books and sometimes is guilty of being complicit in the deaths of the people that continue to protect them.

Both characters encounter what can only be described as “the event” that causes them to look at their jobs and the world in a new light. For Preston, this came in two stages where he first encounters and kills his partner Partridge for reading a book of poems and then subsequently feels emotions when he does not take his dose of premium. For Montag, his “event” manifested when he had to burn down a home filled with books with the old woman who was protecting them decided to die in the burning home. In both instances, the characters experienced an emotional situation that caused them to look at what they have done and to question whether it is truly “right.”

The Questioning

The “questioning” is a stage in their character development where Preston and Partridge start to question their world and everything about it. Preston manifests this stage by being reluctant to kill sense offenders and destroying the emotionally stimulating material that the government raids. He continues this path by refusing to take his daily doses of Prozium so that he can continue to explore the full gamut of his emotions. On the other end of the spectrum, Montague starts his path of questioning the world he lives in by reading the book that he stole from the burning home. He continues to read other books he has secretly acquired and begins to question whether banning books had any wisdom at all.

It is at this point that both characters enter a period that can be described as “the search”. They both attempt to search out answers from someone that is more knowledgeable than them. Montag seeks out a former English professor by the name of Faber to help him know more about the various messages that are in the books he reads. Preston, on the other hand, sought out Jurgen, the leader of the resistance, so that he could understand more about the problems in the world and what is necessary to correct it.

The Realization

In the end, both characters enter into a stage that can be described as “the realization” where they come to see the society they are in as being cruel, repressive and in desperate need of change. Both characters come to this realization as a result of their respective relationships with women (Mildred for Montag and Mary for Preston). It is through this realization that both characters now seek to confront the “ills” of the society they are in.

The Confrontation

This stage of their character development involves a confrontation with what can only be described as a manifestation of their former lives. For Preston, it is his new partner Brandt while for Montag it is his boss Beatty. In both cases, the individuals the main characters confront symbolize who they once were, namely, people that work for the government without thinking about how their actions could have socially damaging consequences.

The Rebirth

The end of their character development is a stage of rebirth where the world that they live in undergoes a massive change. For Preston, this comes in the form of the premium factory and the government being destroyed resulting in the rebirth of his society. Montag experiences a more destructive rebirth where the city he once lived in was destroyed by a nuclear bomb. Fortunately, Montag and several survivors who protected the knowledge of books were outside of the city at the time and approached it in the aftermath with the hope of creating a rebirth of society.

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1984 versus Fahrenheit 451 – a comparison

by Theodora · Published November 26, 2013 · Updated November 2, 2015

1984 was published by George Orwell, or Eric Blair, in 1948. Fahrenheit 451 was published in 1951 by Ray Bradbury. Both are works of dystopian fiction, though of a somewhat different nature. In this essay, I hope to illustrate the differences and similarities between the two novels.

One of the most glaring similarities, perhaps, is the character development arc. Both main characters, at the start, lead meaningless, bland lives; one day, a girl (or woman) appears, changing them forever; they rebel completely against their society, but eventually they calm down.

However, the character of Guy Montag ( Fahrenheit 451 ) ultimately triumphs – he evades the government, finds peace in a community of like-minded people, and escapes destruction in the nuclear war. Winston Smith, on the other hand, fails and eventually submits to brainwashing.

While the theme of a government which alters history is present in both of said books, the alteration is much more in the foreground of 1984 than it is in Fahrenheit 451 , and it is used extensively to indicate the nature of the regime itself.

This is shown in the way Orwell transitions from a war with Eurasia, changing suddenly to a war with Eastasia halfway through, to an ending of: “Oceania was at war with Eurasia: Oceania had always been at war with Eurasia”.

The role of Smith in the vast machine of the party is similar to that of the “Fireman” Guy Montag in that he frequently alters writing (as incineration is also a form of alteration) to suit the needs of those in power. However, the figures IN power are fundamentally different.

For example, while both of the books involve war as a background, the nature of war in 1984 is fundamentally different from that of Fahrenheit 451 , as Orwell’s concept of war is that of a tool for the perpetuation of scarcity and paranoia, while Bradbury’s is all-out total annihilation.

Furthermore, the government in 1984 relies largely on brainwashing and totalitarian policies that involve mass surveillance and spies, with organisations, namely the Spies and the Youth League, similar to the Hitler Youth: “’You’re a traitor!’ yelled the boy”. In short, the Party cares for the thought, not the act.

In contrast, Bradbury’s government keeps tabs on all those who deviate from the majority, but does not care too much about thoughts of rebellion. It prefers to use television to numb the minds of the population and it will gladly burn the opposition to reach this goal, be they books or humans.

In short, both societies are desensitised, with governments that control the people through the control of the flow of information and a system whereby deviants are simply marked down and eliminated. However, the novels are noticeably different on a fine level, from the writer’s perspective to the book’s atmosphere.

Apart from anything else, 1984 can also be considered a sort of satirical romance, whereas Fahrenheit 451 has no real element of romance whatsoever. It involves an inner conflict and occasionally uses Montag’s wife as a McGuffin, while in 1984 Julia’s relationship is the act of rebellion in itself.

The setting is in fact post-nuclear war for both books (“We’ve started and won two atomic wars since 2022”, “when the atom bomb was dropped on Coventry”), though of course the effects these wars have had on the respective settings of both books is very different.

For example, in Fahrenheit 451 , the USA has emerged from at least two wars victorious and eventually embroils itself in another one, causing the obliteration of at least one of its cities (“City looks like a heap of baking powder”).

On the contrary, in 1984 the nuclear war has stopped any further use of atomic weapons and in fact has ensured the dictatorships will remain stable forever. The idea behind this is a possible reference to the theory of mutually-assured destruction, or MAD for short.

The focus, it is to be noted, of Fahrenheit 451 is that of a silent revolution going on outside the vision of the government, whereas in 1984 it is that of a depressed world where there is no ‘outside the vision of the government’, because the government sees and knows all.

As well as this, there is the character of O’brien, seen as an intelligent, powerful and utterly invincible zealot, who is seen as the primary antagonist of the novel, contrasted with Beatty, a disillusioned but ultimately expendable character, killed off by Montag at the end of the book.

The government, although occasionally referred to in either novel, remains largely a mystery in Fahrenheit 451 , but in 1984 its structure is well-explained and understood; in fact, the inner workings of Smith’s rulers is key to the plot of the book.

In conclusion, I will re-state my earlier point that the two books have many fine, inconspicuous differences that nonetheless very much separate them under close examination. Therefore, one can safely say they are very different novels while at the same time putting them in the same category.

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I was surprised at how late the date given in the story was, coenidsring how long ago it was written it makes sense maybe that they would push the date back in order for it to still have a punch at the end. The short story was bleak and fleeting but powerful: all the humans gone, their creations still continue to function, but eventually time and the elements will wipe out any trace of them. Audiences would have to read the final date as in the future or the story loses a lot of its drama. If the date is in the past then of course the threatening idea could never come to fruition in the eyes of the reader. It would come across as more of a re-imagined history than a what-if . Though the mechanized technology in the story has inevitably become dated one now thinks of everything super-futuristic in terms of holographic images and advanced electronics the end date in the future still makes the story chilling.

fahrenheit was published in 1953, not 51, in 51 Bradbury published his short story the “Pedastrian” which shares similarities to 451.

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Comparing Fahrenheit 451 and The Crucible

My essay compares and contrasts 2 literary works, “Fahrenheit 451” written by ray Bradbury, and the play “The Crucible” authored by Arthur Miller. The purpose of the essay is to study society and its idiosyncrasies while exploring literary style at the same time. The audiences most likely to benefit from the essay include classical literature enthusiasts keen to identify patterns in literature and art across generations, geography and timelines. It may also benefit social scientists keen to spot trends in society from historical and speculative perspectives.

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The essay assumes a point-by-point format in which similarities and differences are highlighted one after the next. An example of an internet site that might be interested in my essay is iMdb.com, a movie review site. With so many competing sites online, iMdb.com does need to add value to its product offering by exploring deeper and connecting dots to give an enriching experience. My essay is just the kind of value addition that might prove helpful.

Comparison and Contrast Between “Fahrenheit 451” and “The Crucible”

Both works of literature have very strong themes that overall flow in similar direction, though the differences in their various facets remain clear. This section explores the similarities and differences between them, starting with a comparison followed by a contrast.

·                     Both plays are centered on official extremism and the antagonism between the extremist forces and those that try to advocate moderation. In Fahrenheit 451, the government has brainwashed the people into an anti-intellectualist hysteria and has sanctioned the burning of all books. Any form of intellectual discourse is discouraged, and instead a hedonistic society is promoted where leisure is predominant. Montag’s grows to be a dissenting voice over time, and faces immense challenges in its fight to free itself from the shackles of hedonism. In ‘The Crucible’, society is bent on witch-hunting and all manner of injustices are being committed under the guise of ridding society of evil. Proctor is the most pronounced advocate for a just system that tries individuals fairly using evidence.

·                     Both works were turned into films; owing to their centrality to literature in the western world. “The Crucible” was turned into a film produced in 1996 by Niholas Hytner, with the screenplay being authored by Arthur Miller. “Fahrenheit 451” was turned into a 1996 film directed by Francois Truffaut. An adaptation of the same has been in the works for a prolonged period of time now, dogged by numerous setbacks.

·                     Besides highlighting extremism, both works also feature a lot of witch-hunting of dissenting views; radicals are not simply maligned, but actively hunted down. In Fahrenheit, Montag, upon realizing the folly of society’s majority, goes ahead to steal and hide books for his own reading. When this is discovered, his own peers at the fire station accompany him to burn not just the books but his entire house. He is forced to flee when things get violent and a dramatic chase ensues. He’s forced into exile. In The Crucible, Proctor is an otherwise straight farmer who works hard to fend for his family, though is dogged by an extra-marital affair. He is the strongest voice against the methodology being used by the courts in conviction of suspects where evidence is scarcely used. He gets grilled for his stance and is suspected of defending witchcraft. Ultimately, he is accused of witchcraft when he defends his wife who has been put on the dock thanks to a jealous former employee. He is hanged without cause.

·                     Both films also highlight the way in which society’s feuds can ruin family relationships. We see Montag and Mildred facing marital problems because of the former’s increasing inclination toward intellectualism. In The Crucible, Proctor and Elizabeth get into arguments because their housemaid, Mary, has joined the courts in Salem which Proctor detests but which Elizabeth considers an honor to serve in.

·                     In developing their themes, both works highlight what is seen as any good cause’s biggest enemy – fear. In Fahrenheit, Faber is a Professor who knows the perils of society’s anti-intellectualism but is too afraid to challenge. He’s forced to hide books and act in unorthodox ways to maintain his intellectualism. In The Crucible, Mary is the only one who can save proctor from imminent death by telling the truth in court, but is too afraid to do so lest she be accused of defending a witch, and be suspected herself. They also highlight vices in society; greed in The Crucible as Putnam tries to grab Corey’s land. In Fahrenheit, government monstrosity is highlighted in how an innocent man is killed simply so that the public can be hoodwinked that culprits can’t escape.

·                     In both films, extremism leads to a breakdown of order in society.

·                     The plays are set in different eras; Fahrenheit 451 is set in an imaginary time, though at some point it is intoned that the time might be the mid 1990s. The plot is hypothetical, as it speculates a possible future. It is futuristic at the least. On the other hand, The Crucible is historical, basing its story on actual events – the witch-hunting in Salem that took place in America’s New England in the 17th Century at the height of Puritan activity.

·                     While one is a novel, the other is a play. The Crucible was written in 1953 as a script and has been shown as a play since. Fahrenheit on the other hand started off as a short story, then a novella before being novel in its own right.

·                     The protagonists in the plays differ in that when we’re introduced to them, Montag is an evolving dissenter who starts from towing society’s line to one that is radically against and actively fighting the establishment. Proctor in Crucible is a dissenter from the start.

·                     The most important difference however lies in how the works end; in Fahrenheit, good triumphs when nuclear war destroys the hedonistic city, necessitating the creation of a new society by pro-intellectuals. In The Crucible however, the hysteria and extremism still triumphs at the end as Proctor and 2 other innocent men are executed.

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