critical essay lord of the flies

Lord of the Flies: A Critical History

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• Ph.D., English Language and Literature, Northern Illinois University
• M.A., English, California State University–Long Beach
• B.A., English, Northern Illinois University

“The boy with the fair hair lowered himself down the last few feet of rock and began to pick his way toward the lagoon. Though he had taken off his school sweater and trailed it now from one hand, his grey shirt stuck to him and his hair was plastered to his forehead. All round him the long scar smashed into the jungle was a bath of head. He was clambering heavily among the creepers and broken trunks when a bird, a vision of red and yellow, flashed upwards with a witch-like cry; and this cry was echoed by another. ‘Hi!’ it said. ‘Wait a minute’” (1). 

William Golding published his most famous novel, Lord of the Flies , in 1954. This book was the first serious challenge to the popularity of J.D. Salinger’s Catcher in the Rye (1951) . Golding explores the lives of a group of schoolboys who are stranded after their airplane crashes on a deserted island. How have people perceived this literary work since its release sixty years ago?

The History of Lord of the Flies

Ten years after the release of Lord of the Flies, James Baker published an article discussing why the book is more true to human nature than any other story about stranded men, such as Robinson Crusoe (1719) or Swiss Family Robinson (1812) . He believes that Golding wrote his book as a parody of Ballantyne’s The Coral Island (1858) . Whereas Ballantyne expressed his belief in the goodness of man, the idea that man would overcome adversity in a civilized way, Golding believed that men were inherently savage. Baker believes that “life on the island has only imitated the larger tragedy in which the adults of the outside world attempted to govern themselves reasonably but ended in the same game of hunt and kill” (294). Ballantyne believes, then, that Golding’s intent was to shine a light on “the defects of society” through his Lord of the Flies (296).

While most critics were discussing Golding as a Christian moralist, Baker rejects the idea and focuses on the sanitization of Christianity and rationalism in Lord of the Flies. Baker concedes that the book does flow in “parallel with the prophecies of the Biblical Apocalypse” but he also suggests that “the making of history and the making of myth are [ . . . ] the same process” (304). In “Why Its No Go,” Baker concludes that the effects of World War II have given Golding the ability to write in a way he never had. Baker notes, “[Golding] observed first hand the expenditure of human ingenuity in the old ritual of war” (305). This suggests that the underlying theme in Lord of the Flies is war and that, in the decade or so following the release of the book, critics turned to religion to understand the story, just as people consistently turn to religion to recover from such devastation as war creates.

By 1970, Baker writes, “[most literate people [ . . . ] are familiar with the story” (446).  Thus, only fourteen years after its release, Lord of the Flies became one of the most popular books on the market. The novel had become a “modern classic” (446). However, Baker states that, in 1970, Lord of the Flies was on the decline. Whereas, in 1962, Golding was considered “Lord of the Campus” by Time magazine, eight years later no one seemed to be paying it much notice. Why is this? How did such an explosive book suddenly drop off after less than two decades? Baker argues that it is in human nature to tire of familiar things and to go on new discoveries; however, the decline of Lord of the Flies , he writes, is also due to something more (447). In simple terms, the decline in popularity of Lord of the Flies can be attributed to the desire for academia to “keep up, to be avant-garde” (448). This boredom, however, was not the main factor in the decline of Golding’s novel.

In 1970 America, the public was “distracted by the noise and color of [ . . . ] protests, marches, strikes, and riots, by the ready articulation and immediate politicization of nearly all [ . . . ] problems and anxieties” (447). 1970 was the year of the infamous Kent State shootings and all talk was on the Vietnam War, the destruction of the world. Baker believes that, with such destruction and terror ripping apart at people’s everyday lives, one hardly saw fit to entertain themselves with a book that parallels that same destruction. Lord of the Flies would force the public “to recognize the likelihood of apocalyptic war as well as the wanton abuse and destruction of environmental resources [ . . . ]” (447).     

Baker writes, “[t]he main reason for the decline of Lord of the Flies is that it no longer suits the temper of the times” (448). Baker believes that the academic and political worlds finally pushed out Golding by 1970 because of their unjust belief in themselves. The intellectuals felt that the world had surpassed the point in which any person would behave the way that the boys of the island did; therefore, the story held little relevance or significance at this time (448). 

These beliefs, that the youth of the time could master the challenges of those boys on the island, are expressed by the reactions of school boards and libraries from 1960 through 1970. “ Lord of the Flies was put under lock and key” (448). Politicians on both sides of the spectrum, liberal and conservative, viewed the book as “subversive and obscene” and believed that Golding was out-of-date (449). The idea of the time was that evil spurred from disorganized societies rather than being present in every human mind (449). Golding is criticized once again as being too heavily influenced by Christian ideals. The only possible explanation for the story is that Golding “undermines the confidence of the young in the American Way of Life” (449). 

All of this criticism was based on the idea of the time that all human “evils” could be corrected by proper social structure and social adjustments. Golding believed, as is demonstrated in Lord of the Flies , that “[s]ocial and economic adjustments [ . . . ] treat only the symptoms instead of the disease” (449). This clash of ideals is the main cause of the fall-off in popularity of Golding’s most famous novel. As Baker puts it, “we perceive in [the book] only a vehement negativism which we now wish to reject because it seems a crippling burden to carry through the daily task of living with crisis mounting upon crisis” (453). 

Between 1972 and the early-2000s, there was relatively little critical work done on Lord of the Flies . Perhaps this is due to the fact that readers simply moved on. The novel has been around for 60 years, now, so why read it? Or, this lack of study could be due to another factor that Baker raises: the fact that there is so much destruction present in everyday life, no one wanted to deal with it in their fantasy time. The mentality in 1972 was still that Golding wrote his book from a Christian point of view. Perhaps, the people of the Vietnam War generation were sick of the religious undertones of an out-of-date book. 

It is possible, also, that the academic world felt belittled by Lord of the Flies . The only truly intelligent character in Golding’s novel is Piggy. The intellectuals may have felt threatened by the abuse that Piggy has to endure throughout the book and by his eventual demise. A.C. Capey writes, “the falling Piggy, representative of intelligence and the rule of law, is an unsatisfactory symbol of fallen man ” (146).

In the late 1980s, Golding’s work is examined from a different angle. Ian McEwan analyzes Lord of the Flies from the perspective of a man who endured boarding school. He writes that “as far as [McEwan] was concerned, Golding’s island was a thinly disguised boarding school” (Swisher 103). His account of the parallels between the boys on the island and the boys of his boarding school is disturbing yet entirely believable. He writes: “I was uneasy when I came to the last chapters and read of the death of Piggy and the boys hunting Ralph down in a mindless pack. Only that year we had turned on two of our number in a vaguely similar way. A collective and unconscious decision was made, the victims were singled out and as their lives became more miserable by the day, so the exhilarating, righteous urge to punish grew in the rest of us.”

Whereas in the book, Piggy is killed and Ralph and the boys are eventually rescued, in McEwan’s biographical account, the two ostracized boys are taken out of school by their parents. McEwan mentions that he can never let go of the memory of his first reading of Lord of the Flies . He even fashioned a character after one of Golding’s in his own first story (106). Perhaps it is this mentality, the release of religion from the pages and the acceptance that all men were once boys, that re-birthed Lord of the Flies in the late 1980s.

In 1993, Lord of the Flies again comes under religious scrutiny . Lawrence Friedman writes, “Golding’s murderous boys, the products of centuries of Christianity and Western civilization, explode the hope of Christ’s sacrifice by repeating the pattern of crucifixion” (Swisher 71). Simon is viewed as a Christ-like character who represents truth and enlightenment but who is brought down by his ignorant peers, sacrificed as the very evil he is trying to protect them from. It is apparent that Friedman believes the human conscience is at stake again, as Baker argued in 1970. 

Friedman locates “the fall of reason” not in Piggy’s death but in his loss of sight (Swisher 72). It is clear that Friedman believes this time period, the early 1990s, to be one where religion and reason are once again lacking: “the failure of adult morality, and the final absence of God create the spiritual vacuum of Golding’s novel . . . God’s absence leads only to despair and human freedom is but license” (Swisher 74).

Finally, in 1997, E. M. Forster writes a forward for the re-release of Lord of the Flies . The characters, as he describes them, are representational to individuals in everyday life. Ralph, the inexperienced believer, and hopeful leader. Piggy, the loyal right-hand man; the man with the brains but not the confidence. And Jack, the outgoing brute. The charismatic, powerful one with little idea of how to take care of anyone but who thinks he should have the job anyway (Swisher 98). Society’s ideals have changed from generation-to-generation, each one responding to Lord of the Flies depending on the cultural, religious, and political realities of the respective periods.

Perhaps part of Golding’s intention was for the reader to learn, from his book, how to begin to understand people, human nature, to respect others and to think with one’s own mind rather than being sucked into a mob-mentality. It is Forster’s contention that the book “may help a few grown-ups to be less complacent, and more compassionate, to support Ralph, respect Piggy, control Jack, and lighten a little the darkness of man’s heart” (Swisher 102). He also believes that “it is respect for Piggy that seems needed most. I do not find it in our leaders” (Swisher 102).

Lord of the Flies is a book that, despite some critical lulls, has stood the test of time. Written after World War II , Lord of the Flies has fought its way through social upheavals, through wars and political changes. The book and its author have been scrutinized by religious standards as well as by social and political standards. Each generation has had its interpretations of what Golding was trying to say in his novel.

While some will read Simon as a fallen Christ who sacrificed himself to bring us truth, others might find the book asking us to appreciate one another, to recognize the positive and negative characteristics in each person and to judge carefully how best to incorporate our strengths into a sustainable society. Of course, didactic aside, Lord of the Flies is simply a good story worth reading, or re-reading, for its entertainment value alone. 

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A Summary and Analysis of William Golding’s Lord of the Flies

By Dr Oliver Tearle (Loughborough University)

Lord of the Flies was first published in 1954, although it very nearly wasn’t published at all. Its author, William Golding, was a struggling grammar-school teacher when he wrote it, having been given the germ of the idea by his wife, Ann.

The novel’s title is a reference to Beelzebub, a name for the Devil, which means literally ‘lord of the flies’ (at least in most translations ). Given the fact that power, devilry, and, yes, flies are all central aspects of Lord of the Flies , the title is especially apt.

Golding (nicknamed ‘Scruff’ by his pupils) struggled to get the novel accepted by numerous publishers before Faber and Faber took it on. However, even there it was initially rejected (the initial reader at Faber dismissed it as ‘absurd and uninteresting fantasy’ and ‘rubbish and dull’) until a young editor, Charles Monteith, saw potential in the manuscript and got it accepted. It still sells tens of thousands of copies every year.

But how should we interpret this tale of post-apocalyptic barbarism? Before we offer an analysis of Golding’s novel, here’s a brief reminder of the plot.

Lord of the Flies : plot summary

The novel begins with a plane carrying a group of British schoolboys being shot down; the boys land on a desert island. Two of them, Ralph and Piggy, find a conch shell on the beach, and they use it to signal to the rest of the schoolboys, who then start to form their own ‘society’, with a leader elected among them.

Ralph is named the leader while Jack is his sort of second-in-command, in charge of finding food on the island.

After they start a fire to try to signal for help, they accidentally burn down a large part of the nearby forest, killing one boy. When a ship does sail past, it doesn’t stop to rescue the boys because Jack’s band of hunters have carelessly allowed the signal-fire to go out.

Jack and his gang have managed to hunt and kill a pig for them to eat. Things start to get out of hand, and some of the younger boys in particular are terrified that some sea-monster will come and kill them.

When a parachutist – part of a team of fighter-pilots flying overhead – lands on the island, several of the boys think his flapping parachute is the wings of the mysterious island ‘beast’, and they run away, terrified, and spreading fear to the other boys, who organise a hunting trip to try to catch the beast.

Jack and Ralph fall out, with Jack trying to oust the more senior boy from the position of leader – a move that the rest of the boys resist. Jack stomps off with his hunting band, and many of the other boys subsequently desert Ralph’s ‘side’ for Jack.

Jack, emboldened by his new supporters, ritually sacrifices a pig, which is decapitated, its head placed on a stick. Simon sees it, and thinks it’s talking to him: some devil-like figure known as ‘Lord of the Flies’. When Simon returns to the others, they set upon him and kill him, not realising who he is. Jack and his hunters run off with Piggy’s glasses. Jack and Ralph fight, and Piggy is killed with a rock.

Jack and the others hunt Ralph, who flees, only to be rescued by a British sailor who was on board a ship that spotted the fire raging on the island and came ashore. The other boys turn up, and when the officer confronts them over their appearance, they all break down in tears.

Lord of the Flies : analysis

Golding conceived Lord of the Flies as a sort of dark counterpart, or response, to the classic Victorian boys’ adventure novel, The Coral Island by R. M. Ballantyne, in which three boys are marooned on a Pacific island.

But whereas in Ballantyne’s 1857 novel the stranded children encounter evil as an exterior force on the island, Golding inverted this: he shows us, unsettlingly, that evil is always lurking within ourselves, and is only ever just beneath the surface in so-called ‘ordinary’ or ‘civilised’ people.

Golding’s working title for his novel, Strangers from Within , makes it clear that the devil – that ‘Lord of the Flies’ – is within us, all of us, rather than outside, elsewhere.

But although Golding’s novel is often viewed as a dystopian tale about ‘human nature’ and how, in times of desperation and disaster, certain people will seize power and others will be the victims of their oppressive control, Lord of the Flies actually has its roots in something more specific than this: the British class system.

The three principal characters of the novel – Ralph, Piggy, and Jack – represent the three main classes in England, much as the famous class sketch from The Frost Report captured in a sketch just over a decade after Golding’s novel appeared.

As John Sutherland argues in his discussion of Lord of the Flies in How to be Well Read: A guide to 500 great novels and a handful of literary curiosities , Ralph is a grammar-school boy, Piggy the product of a working-class ‘tech’ school (a short-lived post-war phenomenon), and Jack the privileged public school boy.

Ralph, therefore, is riddled with self-doubt about his middling position in English society: the Jacks of the world are above him and the Piggies below him. Jack has all of the confidence of someone born into privilege and with an almost innate sense of their right to lord it over everyone else.

The message of Lord of the Flies , then, is that if you remove these schoolchildren from Britain, the British class system will still reassert itself as they construct their own stratified ‘society’. The island on which the boys are stranded becomes like the island of Great Britain which they left.

Piggy, however, is working-class. As Sutherland argues, his use of phrases like ‘the runs’ instead of, say, ‘an upset tummy’ are subtle ways in which Golding, without hammering home Piggy’s origins, reveal his status to the reader. He was always destined to be the scapegoat because the English class system dictated it. Coupled with his physical or evolutionary disadvantage (his extreme myopia and reliance on glasses) and he was doomed from the start.

The British class system, then, informs the novel, making it a peculiarly British dissection of power structures. According to Sutherland, Golding – himself a teacher at the sort of grammar school which produced the decent and honourable Ralph – once said that he would happily blow up every public school in England, and Lord of the Flies shows how it is the Jack Merridews produced by the English public school system which are the most capable of wreaking destructive power over others.

But it’s also true that Lord of the Flies bears the influence of another important experience in Golding’s life: his experience in the Second World War fighting in the Royal Navy, which showed him first-hand how ordinary men could become capable of performing acts of great evil.

Of course, the horrors of Nazi Germany were also an important source for Golding’s depiction of evil, especially the way the other boys merrily join Jack’s command.

Along with its searing commentary on the inherent evils of the British class system, Lord of the Flies is a powerful narrative about how fear is all it takes to persuade many ‘normal’, ‘decent’ people to behave horrifically.

1 thought on “A Summary and Analysis of William Golding’s Lord of the Flies”

We “did” this at school. I don’t know why they thought a book about badly-behaved boys would interest a class of girls!

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Lord of the Flies

William golding, ask litcharts ai: the answer to your questions.

Welcome to the LitCharts study guide on William Golding's Lord of the Flies . Created by the original team behind SparkNotes, LitCharts are the world's best literature guides.

Lord of the Flies: Introduction

Lord of the flies: plot summary, lord of the flies: detailed summary & analysis, lord of the flies: themes, lord of the flies: quotes, lord of the flies: characters, lord of the flies: symbols, lord of the flies: theme wheel, brief biography of william golding.

Historical Context of Lord of the Flies

Other books related to lord of the flies.

• Full Title: Lord of the Flies
• Where Written: England
• When Published: 1954
• Literary Period: Post-war fiction
• Genre: Allegorical novel / Adventure novel
• Setting: A deserted tropical island in the middle of a nuclear world war
• Climax: Piggy's death
• Point of View: Third person omniscient

Extra Credit for Lord of the Flies

Beelzebub. The phrase "lord of the flies" is a translation of the Greek "Beelzebub," a devil mentioned in the New Testament. In the Bible, Beelzebub sometimes seems to be Satan himself, and at other times seems to be Satan's most powerful lieutenant.

Coral Island. William Golding based several of the main ideas in Lord of the Flies on Coral Island (1858), a somewhat obscure novel by Robert Ballantyne, a 19th-century British novelist. In Coral Island , three English boys create an idyllic society after being shipwrecked on a deserted island. They battle wild hogs, typhoons, hostile island visitors, and eventually Pirates on the South Seas.

• Lord of the Flies

William Golding

• Literature Notes
• Golding's Use of the Fable Structure
• Lord of the Flies at a Glance
• Book Summary
• About Lord of the Flies
• Character List
• Summary and Analysis
• Character Analysis
• Character Map
• William Golding Biography
• Critical Essays
• Major Themes
• Concept, Identity, and Manifestations of the Beast
• Famous Quotes
• Film Versions
• Full Glossary
• Essay Questions
• Practice Projects
• Cite this Literature Note

Critical Essays Golding's Use of the Fable Structure

A fable is a short fictional story intended to teach a moral lesson. Best known are Aesop's fables, which feature talking animals as the main characters and end with such truisms as "slow and steady wins the race." The one-dimensional characters and simplistic story line of a fable leave little room for argument with the concluding proverb. It is ironic, then, that Golding considered Lord of the Flies a fable, because his novel allows much room for speculation.

Instead of using cartoonish talking animals, Golding teaches his lesson with fully developed human characters representing the dominant motifs. As the characters interact with each other and with their environment, so do the forces they represent. Using the characters to embody these forces allows Golding the opportunity to compare and contrast with rich shadings of meaning rather than with simplistic oppositions. Unlike Aesop's animals, human beings act in ways that frequently conflict with the values they consciously hold, as is the case with Golding's protagonist Ralph . Because Ralph finds himself participating in the same savage behavior he condemns in the other boys, he presents a realistic picture of a humane person resorting to brutality under unusual circumstances.

Other characters also bring ambiguity to the motifs they embody. Piggy , for example, represents the scientific rationalist whose knowledge and intellect far exceed that of the other boys. Yet for all his intelligence, he cannot figure out how to speak so that the others will listen.

Golding does seek to provide a lesson in morality, but the lesson lacks the straightforward and decisive tone of the proverb that concludes most fables. At the end of Golding's fable, the reader has learned not that evil is confined to the militaristic portion of the population as epitomized by Jack ; the pacifist Ralph participated in some of the brutal tribal activities. Neither has the reader learned that science or even simple common sense will save humanity from itself; Piggy is ridiculed throughout and then killed. Mystical revelations or visionary insight into the human condition will not save us; consider the fate of the saintly Simon . Instead the reader learns that evil lives in us all, and there is no proverb to remedy that situation. By invoking the complexity that underlies human nature, Golding's tale brings depth to the fable structure and presents a complex moral lesson as well.

Previous Concept, Identity, and Manifestations of the Beast

Themes and Analysis

Lord of the flies, by william golding.

Lord of the Flies by William Golding is a powerful novel. It's filled with interesting themes, thoughtful symbols, and a particular style of writing that has made it a classic of British literature.

About the Book

Article written by Lee-James Bovey

P.G.C.E degree.

Several key themes are prevalent throughout the book. It is sometimes referred to as a “book of ideas” and these ideas are explored as the plot unfolds.

Lord of the Flies Themes

The impact of humankind on nature.

This is evident from the first chapter when the plane crashing leaves what Golding describes as a “scar” across the island. This idea is explored further in the early chapters the boys light a fire that escapes their control and yet further diminishes what might be considered an unspoiled island. Some interpret the island almost as a Garden of Eden with the children giving in to temptation by slaughtering the animals there. The final chapter furthers the destruction of nature by mankind as the whole island appears to have been ruined thanks to the effects of the boy’s presence on the island.

Civilization versus savagery

This can be seen throughout as the boys struggle with being removed from organized society. To begin with, they cope well. They construct a form of government represented by the conch that theoretically draws them together and gives them all a voice. As they break away from society this adherence to the rules they have constructed is evident. Golding’s ideas of what savagery is might be outdated and rooted in colonial stereotypes but they are evident for all to see as the boys use masks to dehumanize themselves and their increasing obsession with hunting leads to an increasingly animalistic nature.

Nature of humanity

Perhaps the biggest underlying theme is the idea of the true nature of mankind. Golding explores the idea that mankind is innately evil and that it is only the contrast between society and civilization that prevents that nature from being prevalent. Of course, this overlooks that civilization is a human construct and if all men’s biggest motivation were their inner evil, then that construct would never have existed. Golding’s views largely spring from his role in the navy where he was witness to the atrocities of war but are also informed by his work as a teacher.

Analysis of Key Moments in Lord of the Flies

There are many key moments in ‘ Lord of the Flies ‘ that highlight the boy’s descent into savagery.

• Blowing the conch – this introduces us to the conch which acts as a symbol of society and civilization throughout the novel. It is both the device that brings the children together and in theory the object which allows them all to have a say and therefore run a democratic society.
• The fire gets out of control – This shows the effects that the boys are already having on the island. It also demonstrates how lost the boys are without adults there to guide them as they lose one of the boys and nobody even knows his name.
• Jack fails to kill the pig/Roger throws stones – both of these events show how the boys are currently constrained by the expectations of society. We see as time passes these restraints are lifted and that firstly, Jack can kill a pig and finally, and perhaps more dramatically, Roger is not only okay with hitting somebody with a stone but taking their life with one.
• The hunters put on masks – By covering up their faces, they seem to become free from the constraints of society. It is if it liberates them from humanity and allows them to act on more primal, animalistic urges.
• Sam and Eric find “the beast” – When Sam and Eric feel they have discovered the beast it sets a ripple of panic throughout. This fear sways the boys towards Jack’s leadership as he continues to manipulate the situation to his advantage. If not for this then Simon might never be murdered.
• Creating of the Lord of the Flies – Successfully killing the pig is itself an iconic moment but then leaving a pigs head on a pole is both a gruesome image (one worthy of the book’s title) and also plays a pivotal role in Simon’s story arc.
• Simon’s death – Simon is the one character who never seems to succumb to primal urges and therefore his death if looked at symbolically could be seen as the death of hope for boys.
• Piggy’s death – Piggy’s character represents order and reason. With his death, any chance of resolving the issues between Jack and Ralph vanishes. The conch being smashed at the same time is also symbolic and represents the complete destruction of society.
• The rescue – This is not the happy ending that one might expect with all the boys crying due to their loss of innocence. There is an irony as well as the boys will not be rescued and taken to a Utopia but rather to a civilization plagued by a war that mirrors the war zone they have just left.

Style, Literary Devices, and Tone in Lord of the Flies

Throughout this novel, Golding’s style is straightforward and easy to read. There are no lengthy passages nor does he choose particularly poetic words to describe the events. His writing is powerful without these stylistic devices. The same can be said for his use of literary devices. When used, they are direct. For example, the use of symbolism (see below) and metaphor is very thoughtful but not hard to interpret.

William Golding also employs an aloof or distant tone throughout the book. This reflects the way that the boys treat one another.

Symbols in Lord of the Flies

The conch shell.

The conch shell is one of the major symbols of this novel. It’s used from the beginning of the novel to call the boys together for meetings on the beach. It’s a symbol of civilization and government. But, as the boys lose touch with their civilized sides, the conch shell is discarded.

The Signal Fire

The signal fire is a very important symbol in the novel. It’s first lit on the mountain and then later on the beach with the intent of attracting the attention of passion ships. The fire is maintained diligently at first but as the book progresses and the boys slip farther from civilization, their concentration on the fire wanes. They eventually lose their desire to be rescued. Therefore, as one is making their way through the book, gauging the boys’ concentration on the fire is a great way to understand how “civilized” they are.

The beast is an imaginary creature who frightens the boys. It stands in for their savage instincts and is eventually revealed to be a personification of their dark impulses. It’s only through the boy’s behaviour that the beast exists at all.

What are three themes in Lord of the Flies ?

Three themes in ‘ Lord of the Flies ‘ are civilization vs. savagery, the impact of humankind on nature, and the nature of humanity.

What is the main message of the Lord of the Flies ?

The main message is that if left without rules, society devolves and loses its grasp on what is the morally right thing to do. this is even the case with kids.

How does Ralph lose his innocence in Lord of the Flies ?

He loses his innocence when he witnesses the deaths of Simon and Piggy. These losses in addition to the broader darkness of the island change him.

About Lee-James Bovey

Lee-James, a.k.a. LJ, has been a Book Analysis team member since it was first created. During the day, he's an English Teacher. During the night, he provides in-depth analysis and summary of books.

Cite This Page

Bovey, Lee-James " Lord of the Flies Themes and Analysis 🏝️ " Book Analysis , https://bookanalysis.com/william-golding/lord-of-the-flies/themes-analysis/ . Accessed 12 April 2024.

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Critical Insights: Lord of the Flies

Tags: 2 Introductory Essays 4 Critical Context Essays 10 Critical Readings Essays Current Critical Analysis by Top Literary Scholars Introductory Essay by the Editor Chronology of Author's Life Complete List of Author's Works Publication Dates of Works Detailed Bio of the Editor General Bibliography General Subject Index

This volume explores many different dimensions of Golding's classic novel, including the novel's initial critical reception, the moral issues it raises, its film adaptations, and the ways in which commentary about the novel has evolved.

The volume also explores the ways the novel has been received on both sides of the Atlantic and additionally, examines its themes, characters, and structures from a diversity of critical perspectives. The book sums up previous work on Golding’s text while also charting new interpretive directions.

Each  Critical Insights  is divided into four sections:

An Introduction – The book and the author The present volume begins with an essay by Stephan Schaffrath which connects representations of violence in Lord of Flies to the real-world experience of violence and the resulting trauma.

Next, Courtney Lane offers a succinct overview of William Golding’s life and career, from his early life at home and school to his various vocational forays, including his experiences in the British Navy during World War II, and, finally, to his rise to critical acclaim as an author and world-renowned novelist.

Critical Contexts The essays aim to provide a background to the title and author that is an historical, cultural, and biographical foundation for the reader. The first essay in this section is a discussion of the historical context of Lord of the Flies . The second essay in the critical contexts section, advocates the necessity of critical pluralism, the notion that multiple critical interpretations are required when analyzing a complex work of literature and that no single theory is definitive. 

Following that essay is perhaps the most theoretically innovative chapter in this volume, an interpretation of Lord using cognitive criticism, more specifically the concept of motor resonance or kinesis to explore how the reactions of a reader’s nervous system to the events occurring in Lord (and when reading in general) mimic reactions to similar real-life situations—while of course stopping short of taking action in response to that fictional stimulus. The critical contexts section concludes with an essay hat compares/contrasts Golding’s depiction of human nature in Lord of the Flies with that in Robert A. Heinlein’s science fiction novel Tunnel in the Sky (1955).

Critical Readings The first four essays in the critical readings section provide essential, succinct overviews of the most significant and substantial critical articles addressing Lord of the Flies. They begin with a thorough summary of the critical commentary on Lord , both academic and in the popular press, during the first fifteen years after the novel’s publication—the height of its popularity. The next chapter summarizes the following twenty years of criticism (1970-1989) during which Lord fell into relative obscurity, at least in the United States. This is followed by a summary of critical articles from the last decade of the 20th century to the first decade of the 21st. And the final essay in this quartet summarizes some of the most significant articles on  Lord  written in foreign languages, offering readers insight into how Lord has been introduced to new audiences and discussed critically around the world.

Continuing this section is an essay closely examining the novel's treatment of Piggy's fat body, followed by a comparison between  Lord of the Flies  and a similarly named titled published in the same year, The Lord of the Rings,  J. R. R. Tolkien. In the next chapter, there is a close reading of the novel to determine whether  Lord,  as a dystopia, qualifies as a  classical dystopia  or a  critical dystopia,  or at the very least feature a eutopian enclave.

Next, the penultimate chapter of this volume offers readers the rare opportunity to engage directly with foreign language criticism on Lord with a translation and update of his 1984 article “Jeu et Sacré dans Lord of the Flies de William Golding.” The final chapter in the critical readings section explores the ways in which Lord functions as political and religious drama and satirizes Thomas Hobbes’s Leviathan (1651).

Each essay is 2,500-5,000 words in length and all essays conclude with a list of "Works Cited," along with endnotes.

Additional Resources:

• Chronology of William Golding's Life and Works
• Works by William Golding
• Bibliography
• About the Editor
• Contributors

View a Full List of Literature Titles

Additional titles of interest.

Critical Insights: The Hunger Games Trilogy

Essays in this volume analyze the importance of The Hunger Games’ Trilogy success on young adult readers, compare the world of Panem to other notable dystopias, and closely examine the relationships between literary allusions alive in this monumental trilogy.

October 2016

Critical Insights: Nineteen Eighty-Four

This title contextualizes George Orwell's final and finest novel within the author's multidisciplinary oeuvre, the complex cultural climate of its composition, and the diverse range of critical responses to the text. This volume includes essays that profiles the life of George Orwell and his politics, and compares 1984 to other dystopian novels.

September 2012

Critical Insights: Dystopia

Great starting point for students seeking an introduction to the theme and the critical discussions surrounding it.

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Lord of the flies – sample essay..

Choose a novel in which an important theme is explored. Explain how the author develops this theme throughout the novel.

            The Lord of the Flies by William Golding is a novel in which the theme of savagery versus civilisation is explored. Some British boys are stranded on an isolated island at the time of an imaginary nuclear war. On the island we see conflict between two main characters, Jack and Ralph, who respectively represent civilisation and savagery. This has an effect on the rest of the boys throughout the novel as they delve further and further into savagery.

             The theme of savagery versus civilisation is first introduced to us through the symbol of the conch shell which we associate with Ralph as he is the person who first uses it and becomes the elected leader of the boys. This symbolises authority amongst the boys. At the first assembly Ralph says “I’ll give the conch to the next person to speak…he won’t be interrupted”. This suggests civilisation as Ralph is allowing each boy to have an equal say and opinion. If they have the conch, no matter who they are or what age they are they will be given the chance to speak and will be listened to by the rest of the boys. The boys have created the island to be a democratic place which shows a civilised side to them as they try to mimic the homes they have just left.

             Contrasting with the symbol of the conch is the symbol of the beast which comes to be associated with Jack as by the end of the novel he is almost devil worshipping it. The beast begins as a  “snake thing” but by the end of the novel it has become “the Lord of the Flies”. The first quote shows us that the beast is clearly evil. Western society considers snakes to be bad omens because it was a snake that led Eve to eat from the tree of knowledge. However at this stage of the novel the beast is quite insubstantial as it is only a “thing”. As the boys fear of the beast grows so to does the beast itself until it has manifested into the devil – the ultimate and most powerful evil. He has a strong status as a Lord although it is over something pretty disgusting – the flies. The boys belief in the beast leads them to behave more like savages as they act out from their fear and they begin to loose hold of the rules, led by Jack, thus demonstrating the theme of savagery.

             One of ways Golding shows conflict between savagery and civilisation is when Jack and some of the other boys are killing the first pig. Jack chants “kill the pig, cut her throat, spill the blood”. This suggests savagery as the boys are being violent and aggressive when killing the pig and they don’t care about it. This is particularly clear through Golding’s word choice. Jack talks about cutting the pig’s throat which makes it sound like a savage action and spilling her blood which reinforces the lack of care and feeling shown towards the pug’s carcass. This shows that the boys are no longer feeling guilty about what they have done thus showing them becoming savages. 

             We can see the conflict between savagery and civilisation developing further when Piggy’s glasses are broken. We are told “Piggy cried out in terror ‘my specs!” This shows us that the boys savage natures are beginning to overule their more civilised sides. At the start of the book Jack would never have dared touch Piggy, but here he actually snaps and goes for Piggy who he despises. We can tell that Piggy is really scared as Golding chooses the words “cried” and “terror” to describe the scene. Piggy sounds like he is hurting and is genuinely terrified about what Jack might do to him and the loss of his sight. Piggy’s glasses have also come to represent intelligence on the island, with them breaking we see that the pathway to savagery is now completely open for the boys. This is the first true piece of violence between the two factions on the island and it will result in nearly all the boys becoming savages.

             A final way in which we see the theme of savagery versus civilisation being demonstrated is when Ralph sticks up for Piggy after he is attacked by Jack. Ralph says “that was a dirty trick”. This shows that Ralph is really angry at Jack for what he said and did to Piggy. He is still attempting to impose himself as leader here as he says this in an aggressive and assertive tone. This suggests there is still some glimmers of civilisation on the island at this point as there is still someone with a sense of moral goodness ready to fight for justice.

             In conclusion The Lord of the Flies by William Golding is a novel in which the theme of savagery versus civilisation is shown. Ralph represents civilisation as he wants to enforce rules and let everyone have an equal say. Whereas Jack who represents savagery as he rules over the boys and he is not interested in what they have to say. Through the boys actions Golding shows us that we need rules and to consciously impose them to make sure society functions properly.

27 thoughts on “Lord of the Flies – sample essay.”

AWESOME thanks guys!!

This essay was really helpful and thought provoking. I noticed a comment about how this essay could improve and I understand that this essay follows Scottish Qualifications, but I just have two suggestions to improve it.

At the beginning of Paragraph 4 it states “One of ways”. I think that perhaps the author meant “One of the ways”.

Also, in Paragraph 5 the author uses “We”, it may be different in Scotland, but I learnt that in essays one does not use personal pronouns.

Other than that it was really well written <3 Thank you!

I’m sorry you didn’t find the essay any help. There are mistakes in this as it was written by a National 5 class and is an exact sample essay as written by the pupils (equivalent to GCSE) and as a result of that there are some errors. It does talk about the same thing over and over again – civilisation versus savagery – but it is supposed to as this was the focus of the essay question. When writing a critical essay you need to pick out things from the text that answer the question. You will notice that different things are picked out from the text that relate to the fight between civilisation and savagery – whether this is the symbols used in the book or the actions of some of the characters. Once this has been selected to speak about you need to lift evidence from the text to support what you are saying and then explain it to your readers. I hope this has helped you understand the point of the essay a bit better.

Ms Davidson

Is this essay meant to be for a GSCE course? I am doing an essay about it now and I’m in year 8.

This text is being used by students in a Scottish Secondary School for their National 5 English qualification. They sit their exam at the equivalent age to those studying GCSEs. It doesn’t really matter what age you are when you study the text, it’s more to do with the levels of analysis you go through whilst studying the text. This essay would be a minimum pass at National 5 in Scotland. It is written by students and is simply an example of what students could write in their exam.

Hope that’s helped, Ms Davidson

I was desperate to know what to write in the conclusion but then this conclusion gave me some help, Thank you

Thank you so much!! The points in this essay are extremely helpful and I was able to interlink them in my GCSE exam today. Very helpful source!!

You are very welcome!

I’m glad you found it useful!

Thanks so much I have this 5 paragraph essay that’s due and you helped me so much for idea wise

WOOOOW amazing thank you so much

😍😍😍😍❤❤❤❤❤❤❤

this is gold as I have to write an essay on lotf and was having troubles finding main quotes the had good techniques paired to them and this helped a lot

Is this a full mark piece ?

This would probably get 15-16 out of 20 at National 5 in the Scottish system. Hope that helps.

Glad it was useful!

Thank you so much this was so extremely helpful. You are a lifesaver!

I’m glad I found this essay because i got an A on my school essay. THANK YOU SO MUCH 🙂

I wanted conflict between ralph and jack ONLY

You can change the points and the link backs (the first and last sentence in each paragraph) to focus on the conflict between Jack and Ralph if you need to. Each symbol talked about here is either associated with Jack or Ralph. Also Jack and Ralph link to the wider theme of the book with each boy respectively representing civilisation or savagery. This essay can be used to help you structure the one you need to write.

I am writing a paragraph and i need to write about the theme, charecters/groups… i cant start the paragraph with the answers, i need an intro, what can i do for an intro, i am a bit stuck

I’m not sure I understand your question Sarah. Your paragraph seems to include an awful lot of things. What is the overall point you are trying to talk about? If you were looking at the theme of civilisation then you could start with a simple sentence saying “The Lord of the Flies explores the theme of savagery versus civilisation”. If you are focusing on a particular character then begin with “The Lord of the Flies uses one of it’s main characters Jack/Ralph to explore certain ideas within the text.” I hope this helps. Ms Davidson

This helped me soon much!I’m so happy that I got an A+!My teacher was so happy.

That’s excellent!

THANK YOU SO MUCH 🙂

I need help with that essay lotf essay why should a leader read lotf base on ralph.

Take a look at the essay based on the character Ralph. Adapt it the first sentence in each paragraph (your POINT) so that it focuses on Ralph being a good example of being a leader, or how they can learn a lesson from him doing something that shows him being a bad leader. Then adapt the final sentence (your LINK BACK) so it responds to him setting an example (or not!) for leaders.

I was reading through the comments and you mentioned that the essay would be about 15-16 marks out of 20, and was wonder what improvements could be made to get the last few marks?

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Lord of the Flies

Introduction lord of the flies.

The novel , Lord of the Flies was written by a British writer, William Golding , who made a name in fiction writing with unique thematic strands. It was first published in 1954. The novel sheds light on the behavior of the children left stranded on a long island, who start behaving entirely different from what they have been in their schools and under the guidance of a parent or a teacher. The groups are divided as they begin to think differently for survival. They fight for individuality, rationality while continuing their playfulness after they are left with none to guide them. The novel won huge applause around the world for his enticing storytelling techniques also bestowed the writer with the Nobel Prize for Literature in 1983.

Summary of Lord of the Flies

During a war, a British plane involved in evacuating British schoolboys crash lands on a deserted island. It is somewhere located in tropical regions. Two young boys, Ralph and Piggy, find a conch when they stroll on the seashore. Piggy, the fatter than most boys but an intellectual one, tells Ralph, the quiet one, how to blow a horn with it. He teaches him how to use it to establish his authority over the other boys. Ralph becomes the leader of the boys and appoints Jack as in charge of the food hunters with Piggy as his unassuming adviser.

Soon after the boys assemble, Ralph takes Jack and Simon with him to explore other parts of the island for the likely existence of life. When they come back, Ralph plans to light a fire to signal the authorities or rescue them about their presence. The rest of the boys continue to roam around the island to collect woods and use Piggy’s glasses to light a fire. However, instead of keeping it alive, they quickly engage themselves in their plays and soon forget about it except Piggy. It soon dawns upon them that the youngest boy is injured and dead.

As time passes, the boys start making fun of each other as well as enjoying without having any authority of the adults around them. Ralph, as the conscious leader, however, starts complaining about the direction of Piggy that the boys are not paying attention to the fire, nor or they interested in preparing huts for them. On the other hand, Jack, with his hunters, is engaged in catching a pig, though, they fail in their act. Meanwhile, Piggy points Ralph’s attention toward a passing ship that disappears on the horizon and they lament the negligence of the boys toward keeping the fire alive. The hunters, however, do not pay much attention to his complaints despite the fury of Ralph when he points their negligence at the troublemakers with Jack as their leader. In their wild frenzy of having their first catch, they ignore the leader, Ralph, and start dancing around. When Piggy rebukes Jack, he hits him, making his glasses flying away.

As hinted by Piggy earlier, Ralph immediately catches the conch and blows it to declare his authority, yet nobody pays attention, while the “littluns” are feeling neglected, expressing their fear of some ghost or beast lurking somewhere on the island. Despite the other boys’ argument that there is no such thing, the littluns do not feel safe. When the meeting is over, a parachutist from some fighting planes land on the island but is caught in the trees to rot there. When the twins, Sam and Eric, find the man hanging on the trees, they take him as a beast and spread the terror in the camp with the news. Soon the boys form a group to hunt that monster despite a difference between Jack and Ralph, the two leading boys. They, then, inform others about that parachute and the monster that they think it is, develops further differences about the leadership of Ralph. Jack alleges his fear for further removal from the authority, while the majority of the boys veto this move. Despite this defeat, Jack takes the hunters with him to part ways, while Ralph rallies others around him to light the fire, though. Ironically, most of them flee and join Jack in his hunting game.

Soon Jack takes lead and declares himself the leader of his hunters. They hunt a sow and leave its head on a stake. When Simon dreams about it, he thinks it the Lord of the Flies that is speaking to him. He soon becomes unconscious and when comes to senses he leaves for the mountains where he comes across that dead soldier hanging with his parachute. He takes it to the Lord of the Flies and runs away to tell others, creating a mess that all the boys including Ralph and Jack, who were busy enjoying the feast of the sow, consider him a monster and kill him. However, only Piggy and Ralph are conscious of what they have done, while Jack and his hunters soon realize the loss of fire and steal the glasses of Piggy to make their own. When Ralph tries to argue with Jack, he orders his hunters to chase him to kill him. Roger, his main hunter, kills Piggy with a boulder and Ralph flees for his life, seeing the conch also shattered to pieces under the boulder.

Jack, the hunters, and other boys including Ralph chasing the game soon come to an end when British officers appear on the seashore, admonishing the boys for their mess and filthy looks, while Ralph heaves a sigh of relief after seeing an adult who has saved him from the hunters.

Major Themes in Lord of the Flies

• Loss of Innocence: The loss of innocence in the novel is shown from the way the children go astray without adults. The right path is to lead a normal life, take care of the “littluns”, pay homage to the authority, and wait for the elders to come to their rescue. Ralph’s attitude toward the littluns and Samneric is of a leader and an adult having responsibility. However, when Jack parts ways with him and Piggy, it seems that they have lost the innocence, for Jack becoming a hunter is identical to savagery.
• Savageness and Society: Lord of the Flies shows savagery in the society that is part of its members as shown through Jack and hunters. The author believes that innocence is not just an integral part; savagery is also an integral part of human nature and finds ways to come out when the times are appropriate. That is why when Ralph finds an officer on the seashore, he heaves a sigh of relief, thinking that he has saved himself from the savage hunters.
• Vice against Virtue : The novel also shows vice pitted against virtue as Ralph and Piggy represent order and virtue, while Jack and his hunters represent vice or disorder. When Ralph is made to flee from the hunters, it seems that virtue has given way to vice. However, soon the officer appears, which becomes a signal of some authority that does not let virtue face defeat.
• End of Rationalism: Piggy, the supporter of Ralph and his authority, is a lone voice of rationalism who can think with a rational mind and devise ways. However, he is physically inferior to all others except “littluns.” Therefore, Jack is always wary of him that he does not let Jack stand a chance to assume leadership. When he finds Piggy, he orders his associates to roll a boulder on him, killing him on the spot. It shows the end of rationalism, a thematic strand that appears for a short time in the storyline.
• Absence of Social Norms: The pack of children on an isolated island without the presence of an adult having authority presents a real dilemma about the social traditions, norms, and their evolutions. The author proves this thematic idea of how a person. with limited intelligence. copes with the situation of dealing with other persons in the absence of social norms. Piggy is killed on the want of laws and social regulations that emerge from norms; such as the norm of blowing a conch.
• Dehumanization: The novel shows the dark side of human nature that is to live a life of the might is right and dehumanization of nature as shown by the hunting nature of Jack, while the rational side, such as Piggy, soon witnesses his end. The hunting spree of Jack and other boys without thinking an iota about their colleague is a dehumanization of nature.
• The Nature of Evil or Vice: Evil resides in human nature side by side with virtue which comes out when authority is absent. Jack shows this side of nature when he forms his pack of hunters and attacks Piggy, killing him on the spot.
• Community against Individual: community and individual are other minor themes of the novel. The would-be leader, Ralph, is left alone in the end against the whole community of the boys chasing him. It means that an individual is left alone if he does not stand on his guard.
• Progress of Civilization: Lord of the Flies is also a critique on the progress of civilization in that a pack of English boys with rational and leading minds like Piggy and Ralph respectively go to dogs without thinking as Ralph later says what the other people will say to them that British, the crown of the civilized nation, has children as such.
• Absence of Laws: The hunting expedition of Jack, killing of Piggy, and several other such incidents show that the law protects the weak. The absence of the law is similar to giving authority to a tyrant to rule a country or allowing the criminals to roam free without fear of consequences.

 Major Characters in Lord of the Flies

• Ralph: The leader and good-looking but moderately intelligent, Ralph leads the boys with Piggy as his advisor, who advises him to use the conch to establish authority. As such he proves not only the hero but also the protagonist of the novel after assuming leadership. Eventually, he loses the hold on the group to Jack and his hunters who drive almost all the boys to useless hunting, which resultantly leads them to savagery. In the end, he is left alone when Jack murders Piggy and chases Ralph to gain from him his authority, but he saves himself by running to a British officer, who just appears on the scene.
• Piggy: Piggy, though is quite weak, but a rational boy, who advises Ralph to assume the leadership, seeing in him a vision to lead. He takes care of the little boys and suggests lighting up the fire to save them from perishing on the island. However, he soon becomes the target of hunters, while Jack eyes him a likely opponent, not leaving any opportunity to either admonish, tease, or even to kill him, which he does by the end. His murder makes Ralph feel lonely when he wishes the presence of an adult and the British naval officer appears on the scene. His murder is the end of rationalism among the boys.
• Jack Merridew: The antagonist , Jack Merridew, is a powerful leader but has a vicious touch in his nature. He does not exhibit rationality or true leadership. As soon as he sees Piggy, a symbol of rational thinking among them, he becomes his staunch opponent. He forms a choir of the boys and manipulates their thinking to turn them into barbarous killers who start chasing Ralph, their own leader, after having shown their exploits in hunting a sow and dancing around it to celebrate this achievement. By the end, he assumes leadership of the savagery and hunts down Ralph, who runs away in the forest for his life.
• Simon: Simon is attached to nature and shows a spiritual aspect of life. That is why he stays alone and does not join any group, though, he stays with the group. A Christ-like figure, the author presents Simon to show how some people understand the arrival of evil but does not have the ability to confront or express it. Simon is also an example of staying neutral in times when you cannot choose.
• Samneric: They are twins. These two brothers are identical not only in nature but also in their appearances. They follow Ralph loyally but when Piggy is killed, they also lose direction, and soon they seem lost in the maze of the chase of Ralph.
• Maurice: A healthy boy, Maurice, proves a great hunter and starts training other hunters for Jack’s pack. He shows the mob mentality in blindly following the leader.
• Percival: A little boy, Percival, represents innocence, as he always needs some adult to take care of him. He becomes hysterical at times for the loss of his parents and home comfort.
• The Naval Officer: The British officer represents the authority and adulthood which stops chaos and brings order in the chaotic world. His appearance reminds the readers of the civilized western world.
• The Beast: Despite its hazy presence, the beast represents something unknown that is not only causing fear to the boys but also showing them a way to create something out of nothing. Jack uses this invisible beast for his own purpose to make others follow him.

Writing Style of Lord of the Flies ‎

William Golding ’s writing style in Lord of the Flies is pretty simple and straightforward. It carries great alluring subtleties, bordering a multiplicity of meanings for all types of readers. Despite its allegorical nature, the characters and objects along with the description seem quite realistic and direct. Most of the ordinary thematic strands and ideational presentations have brought a type of enticement in his style that is unique in its language and mesmerizing in its narrative .

Analysis of Literary Devices in Lord of the Flies

• Action: The main action of the novel comprises the crash landing of a British airplane having school children, who live a messy life on the island, making two groups; one wants to rescue the boys and the other intends to enjoy merrymaking. The rising action is Ralph’s struggle for order, safety, and organized life. The falling action , on the other hand, is his escape to save his life when Jack and his hunters chase him.
• Allegory : Lord of the Flies is an allegorical novel that shows it shows that when the civilization or leadership is absent and there is no fear of law and authority, human nature has more inclination to fall prey to vice. Savagery has the power to take over as the beast, despite its absence, takes over the entire group of the boys and terrifies the “littluns.” It could also be an allegory that when a war is taking place between the adults, another war is between innocence and savagery.
• Antagonist : Jack Merridew is the antagonist of the novel, Lord of the Flies, because he stands against the order and civilization that Ralph and his rational friend want to bring. He rather indulges in savagery and killing whatever comes in the way of him and his hunters.
• Allusion : There are various examples of the Biblical allusions given in the novel, Lord of the Flies. Simon alludes to Jesus Christ, while the head of the pig alludes to Satan that makes human being to go astray from the true path. On the other hand, Jack is the representative of Juda and the lone island is an example of paradise.
• Conflict : There are two types of conflicts in the novel, Lord of the Flies. The first one is between man and nature as it goes on between the boys and the situation on the island where they are to live. The second is about man and man and man and self which goes on between Ralph and Jack and Ralph and his thinking.
• Characters: Lord of the Flies presents both static as well as dynamic characters. Ralph is a dynamic character , as he goes through various changes and has several issues to deal with, while Jack Merridew is also a vibrant character on account of his ambitious and unpredictable nature. Piggy, however, is a static character in that he does not witness any change in his thinking from the first day to the last. Simon, too, is a static character.
• Climax : The climax in the novel arrives when Simon sees Lord of the Flies and realizes that it is a beast but then realizes that every boy has a beast in his mind. That is why when he tries to come back and join the boys, they kill him, considering him as prey. However, when Jack engineers the killing of Piggy, this is the anticlimax of Lord of the Flies.
• Foreshadowing : There are several examples of foreshadowing in Lord of the Flies. The first example of foreshadowing in the novel occurs when the boys gather together for voting and it is voiced that there may be a beast. The ensuing argument shows that it would be there soon, even if it does not exist. The second example is of Piggy who continuously refers to his aunt which shows that he always needs somebody to depend on him. The third good example is the discovery of conch and advice of Piggy, which points out that Piggy is the supplier of ideas to Ralph, who is nothing without him.
• Hyperbole : Hyperbole or exaggeration occurs when Piggy and Ralph find the conch on the seashore and Piggy thinks that the conch will bring order and authority to Ralph that he will use with his ideas. However, it proves a pipedream for him, for how a simple conch can bring order and authority among the unruly children.
• Imagery : Imagery means to use to present an image that shows the use of sense by the readers or audiences to identity it such as Ralph is shown having landed like a cat, Jake is shown behaving as an ape, while the littluns are shown as inspects. Also, the sea is shown as a creature, while the fire is shown as a jaguar. In fact, Lord of Flies is full of natural imagery as the location and the characters demonstrate it amply.
• Metaphor : Lord of the Flies shows decent use of various metaphors . For example, i. Then the creature stepped from mirage on to clear sand, and they saw that the darkness was not all shadow but mostly clothing. (Chapter-1) ii. He was a shrimp of a boy, about six years old, and one side of his face was blotted bout by a mulberry-colored birthmark. (Chapter-1) iii. On one side the air was cool, but on the other, the fire thrust out a savage arm of heat that crinkled hair on the instant. (Chapter-2)The first metaphor shows the comparison of darkness with the clothing, the second boy with the shrimp, and the third fire with a savage creature.
• Mood : The novel, Lord of the Flies, shows a serious mood of horror and grief. Even though the start is quite interesting and entertaining, it suddenly transforms into somber and then sorrowful when the boys start making groups, hunting and finally killing each other.
• Motif : Most important motifs of the novel, Lord of the Flies, are the conch, glasses of Piggy, and the beast.
• Narrator : The novel, Lord of the Flies, uses the third person as a narrator of the story , which is also called an omniscient narrator. Here the author, William Golding is the narrator of the story.
• Personification : Personification means to attribute human acts and emotions to non-living objects. For example, i. Smoke was rising here and there among the creepers that festooned the dead or dying trees. As they watched, a flash of fire appeared at the root of one wisp, and then the smoke thickened. Small flames stirred at the trunk of a tree and crawled away through leaves and brushwood, dividing and increasing. (Chapter-2) ii. The flames, as though they were a kind of wildlife, crept as a jaguar creeps on its belly toward a line of birch-like saplings that fledged an outcrop of the pink rock. iii. Then the roof of leaves broke up and they halted, breathing quickly, looking at the few stars that pricked round the head of the mountain. (Chapter-7)These three examples show smoke, flame, and then roof as if they have human emotions.
• Protagonist : Ralph is the protagonist of the novel. He starts the novel and captures the interest of the readers until the last page when he flees for his life. Besides, he is the primary motivator of the order and civilization on the island.
• Paradox : Lord of the Flies shows the use of paradox in the behavior of the boys that fear is not outside but in their minds. Therefore, it is a paradox.
• Theme : A theme is a central idea that the novelist or the writer wants to stress upon. The novel, Lord of the Flies , not only shows the theme of conflict between vice and virtue, but also various other themes such as loss of innocent, value of the order, and above all the nature of man.
• Setting : The setting of the novel, Lord of the Flies, is the sea and the coastal area as well as the lonely island with thick forest.
• Simile : The novel shows great use of various similes such as; i. A rock, almost detached, standing like a fort , facing them across the green with one bold, pink bastion. (Chapter-1) ii. The breezes that on the lagoon had chased their tails like kittens were finding their way across the platform and into the forest. (Chapter-2) iii. One patch touched a tree trunk and scrambled up like a bright squirrel . (Chapter-2)The first simile compares a rock to a fort, the second breezes to kittens, and the third the patch to a squirrel.
• Symbol: Lord of the Flies shows that the symbols of the best, glasses, fire, adults, ocean, and the island.
• Irony : The novel shows irony when the boys are engaged in talking about the beast but only Simon knows it, though, he is unable to express it.

Related posts:

• Lord of the Flies Quotes
• Lord of the Flies Themes
• Lord of the Flies Characters
• Lord of the Flies Symbolism
• As The Crow Flies
• Alfred Lord Tennyson
• William Golding

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Lord of the Flies William Golding

Lord of the Flies essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Lord of the Flies by William Golding.

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Lord of the Flies Essays

Two faces of man anonymous, lord of the flies.

William Golding was inspired by his experiences in the Royal Navy during World War II when he wrote Lord of the Flies (Beetz 2514). Golding has said this about his book:

The theme is an attempt to trace the defeats of society back to the defects of...

The Relationship Between Symbolism and Theme in Lord of the Flies Anonymous

In real life, common objects that are used everyday are often taken for granted and even unusual sights, as well as ideas, are often unrecognized. However, this is seldom the case with similar objects and ideas that literary characters encounter....

A Tainted View of Society Crystal Epps

William Golding's Lord of the Flies is "An unfashionable aberration, a throwback to earlier, simpler forms of literature in which symbolic, fablelike elements predominate over psychological or social realism" (Magill 1126). Lord of the Flies, a...

Death and Social Collapse in Lord of the Flies Rebekah Bunting

Oscar Hammling has said, "We die ourselves every time we kill in others something that deserved to live." Man's relationship with death from the hour of his birth and his inherent concern for himself above others are themes often used in literary...

Lumination: The Conquest of Mankind's Darkness Anonymous

When freed from the moral manacles of society, humans must embrace moderate, disciplined lifestyles in order to avoid a fatal plunge into barbarism. In William Golding's Lord of the Flies, marooned schoolboys exchange the confines of civility for...

An Inborn Condemnation: Mankind's Potential for Evil Margaret Hsieh

Despite the progression of civilization and society's attempts to suppress man's darker side, moral depravity proves both indestructible and inescapable; contrary to culturally embraced views of humanistic tendencies towards goodness, each...

A Grim Ending Laura Lee

Lord of the Flies ends on a bleak note in order to emphasize the recurring theme throughout the novel: the idea that every human contains the beast within him/herself. By making the finale of the book so depressing, Golding illustrates the...

A Beacon in the Abyss Brad Champion

A Beacon in the Abyss

The voice of reason in this modern morality play, the physically flawed, socially inept Piggy serves as a confidant in The Lord of the Flies, providing Ralph with a balancing presence while embodying the principles of...

Corruption vs. Civilization in Lord of the Flies Anonymous

William Golding's The Lord of the Flies is not simply a book about outward conflict between individuals. It is, rather, a novel about one's inner being. When the formerly-civilized British boys of Golding's novel are stranded on a desert island...

Piggy: Brains, Wisdom, and the Human Spirit Anonymous

In the introduction to William Golding’s novel Lord of the Flies, E.M Forster describes Piggy as not only “the brains of the party” but also “the wisdom of the heart” and “the human spirit.” This description of Piggy becomes more accurate as the...

Lord of the Flies - 'The Darkness of Man's Heart' Jennifer Liu 10th Grade

Lord of the Flies delves into the subject of ‘the darkness of man’s heart’. It explores the primitivism and savagery that comes with the human nature through the various characters and language choices. William Golding uses the concept of ‘fear of...

Savagery versus Civilisation: Representations of Power in Lord of the Flies Leon Frank-Rath 10th Grade

Golding’s exploration of the human condition continues to be read, year after year, because it challenges the reader to consider notions that are fundamental to the human condition. Through a simple premise, Golding creates an environment in which...

Natural Evil in Lord of the Flies Holly McKinney 12th Grade

In his work "Essay Concerning Human Understanding," John Locke explains his belief that the human mind is what he called a "tabula rasa," which is Latin for "clean sheet of paper." It assumes that infants know nothing when they are born and human...

Killer Savagery in "Lord of the Flies" Anonymous 10th Grade

Civilization, at its core, was created to suppress barbaric instinct. However, in extreme circumstances, it is possible for instinct to prevail over civility. William Golding’s timeless Lord of the Flies is a prime example of instinct overpowering...

Golding & Nietzsche: Compared and Contrasted Anonymous 11th Grade

Friedrich Nietzsche, a German philosopher, and William Golding, an English author, lived and died in two seemingly separate worlds. They came from different time periods, places of origin, and had perceptions of humanity that draw no mass...

Panopticon in Lord of the Flies Drexel Feeling 10th Grade

The Panopticon theory. Imagine there is a prison with no bars, no chains, no guards patrolling around, but there is a watchtower which can see into every cell. It has one-way glass so no one can see in, and only zigzag pathways to walk through....

Non vi, sed verbo (Not by force, but by the word) Chelsea Santos 10th Grade

Sylvia Plath, a confessional poet, once said, “I talk to God but the sky is empty,” (Plath 199). When one talks to God, they know He is there, but they do not see Him. They ask for help and expect it right away, which leads to conflict. Plath is...

Natural Settings in "Lord of the Flies" Serena Siciliano 10th Grade

Natural occurrences are often portrayed in literature as accurate reflections of mankind’s actions. In William Golding’s Lord of the Flies , the weather patterns frequently correspond to the happenings on the island. Upon the arrival of the...

How does Golding make Jack such a frightening figure in the novel? Amy Allison 10th Grade

In his novel, ‘Lord of the Flies’, Golding highlights Jack and one of the story’s pivotal characters. Whilst it may originally appear that Jack is just one of the many confused boys on the island, Golding quickly sets Jack aside from the other...

The Symbolic Importance of the Killing of the Sow Amy Allison 10th Grade

In the novel, ‘Lord of the Flies’, the killing of the sow is a pivotal moment whereby the boys reach a point of no return; they have lost themselves completely and are now so immersed in savagery that there is no turning back. Golding emphasises...

The Littluns: Analysis of "Lord of the Flies" Jimmy Jay Chassi 10th Grade

What do you think of when someone says “children?" Sweet, innocent, and naive are just some of the adjectives that today’s society has placed on the common image of society's own youngest members. Yet in Lord of the Flies by William Golding, the...

Ralph: Was He a Good Leader? Anonymous 8th Grade

As First Lady Rosalynn Carter once said, “A leader takes people where they want to go. A great leader takes people where they don’t necessarily want to go, but ought to be,” applies to many leaders and one of them is Ralph. In Lord of the Flies by...

The Symbolic Use of Color in Lord of the Flies Anonymous 10th Grade

In Sir William Golding’s Lord of the Flies , the symbolic use of color conveys the innocence and the evil on the island, as well as each of the boys' personalities. The contrasting light and dark colors in the book symbolize the goodness and evil,...

Water, Water, Everywhere David You 9th Grade

In the novel Lord of the Flies , William Golding explores the savagery and bloodlust in humanity. Written right after the end of World War II, this narrative depicts roughly 40 children as they try to stay alive on a desert island in the middle of...

89 Lord of the Flies Essay Topic Ideas & Examples

🔝 top-10 lord of the flies research paper topics, 🏆 best lord of the flies essay titles, 📌 creative lord of the flies thesis ideas, 👍 good titles for lord of the flies essay, ❓ lord of the flies: important questions.

• Ralph’s character development in “Lord of the Flies.”
• The main theme in “Lord of the Flies.”
• The success of William Golding’s debut novel.
• “Lord of the Flies”: a discussion of innocence and power.
• The role of the conch in “Lord of the Flies.”
• Civilization vs. savagery in “Lord of the Flies.”
• William Golding’s commentary on human nature and evil.
• The symbolism of fear in “Lord of the Flies.”
• A literary analysis of “Lord of the Flies.”
• “Lord of the Flies”: a summary of events.
• Evil in “Lord of the Flies” by William Golding The idea is that we are born with both the capacity of good and the capacity of evil and that the way we are raised, or the environment in which we live determines how we […]
• “Lord of the Flies” by William Golding The reader will wonder that all the boys respond in the same manner to the sound of the blown shell. The author uses aesthetics to drive emotions out of the reader about the value of […]
• Symbolism in “Lord of the Flies” by William Golding In The Lord of the Flies, the fire in the story is lit as a symbol of hope and rescue. The island in The Lord Of The Flies resembled the perfect type of Utopia at […]
• Lord of the Flies, an Allegorical Novel by William Golding As the auction proceeds, the reader follows the heartbreaking events of the book. Boys hunt down a pig and place its head on a stick as an ‘offering’ to the ‘beast’.
• Literature Studies: “Lord of the Flies” by W. Golding Although Jack Merridew, one of the lead characters of William Golding’s shockingly unforgettable Lord of the Flies novel, is a child and still has a lot to learn in terms of how society works, the […]
• Writing on the Novel I Love: Lord of the Flies In a given Lord of the Flies essay, one needs to illustrate the different themes used by Golding in his novel.
• Lord of the Flies: Novel Analysis The sinister nature of the novel is inferred in the title which derives from the Hebrew word, Ba’al-zvuv which means god of the fly, host of the fly or literally the Lord of Flies a […]
• Human Nature in “Lord of the Flies” by Golding Considering this, the present paper will analyze the validity of the given statement by drawing on the experiences of characters in Lord of the Flies and evaluating the conditions in which they lived.
• A Comprehensive Analysis of the Key Elements of “Lord of the Flies” by William Golding
• The Role of Simon in “Lord of the Flies” by William Golding
• Literary Comparison of Ballantyne’s “Coral Island” and Golding’s Island in “Lord of the Flies”
• Attitude Towards Children in the Story “Lord of the Flies”
• Jack as a Symbol of Savagery and Anarchy in “Lord of the Flies” by William Golding
• A Description of the Potential for Evil in Everyone as One of the Theme in the Novel “Lord of the Flies” by William Golding
• Evil in Humanity in “Lord of the Flies” by William Golding
• Savagery and the Beast Theme in “Lord of the Flies”
• The Fall of Civilization Into Savagery in “Lord of the Flies” by William Golding
• An Allegory of Sigmund Freud’s Psychoanalysis Theory in William Golding’s “Lord of the Flies”
• A Literary Analysis of the Symbolism in “Lord of the Flies” by William Golding
• A Comparison Between the Movie and Novel “Lord of the Flies”
• Abuse of Power and the Effect of Tyrannical Leadership Between “Lord of the Flies” and “The Chrysalids”
• Fear of the Unknown in “Lord of the Flies” by William Golding
• A Comparison of “Lord of the Flies” by William Golding and “A Separate Peace” by John Knowles on Peer Pressure
• Internal and External Conflicts in “Lord of the Flies” by William Golding
• Importance of the Extract in the Development of the Main Themes in “Lord of the Flies”
• Destructiveness of Jealousy Depicted in “Lord of the Flies” and “Woman Warrior”
• A Demonstration of the Influence and Power of People Over One Another Through the Character of Piggy in “Lord of the Flies” by William Golding
• A Character of Piggy as the Character Who Most Deserved to Be Saved in “Lord of the Flies” by William Golding
• The Role of Government in “Lord of the Flies” by William Golding
• Moral Consequences in “Lord of the Flies” by William Golding
• The Symbolism of Power in “Lord of the Flies”
• An Analysis of Human Behavior in “All Quiet on the Western Front” and “Lord of the Flies”
• Changes in the Conception of God in “Lord of the Flies”
• Inate Evil in “To Kill a Mocking Bird” and “Lord of the Flies”
• A Look at Disturbing Events Highlighted in William Golding’s “Lord of the Flies”
• Allegory of Social Dissolution “Lord of the Flies” by William Golding
• Ralph as a Good Leader in “Lord of the Flies”
• An Analysis of Democratic and Authoritarian Power in “Lord of the Flies” by William Golding
• Leaders and Leadership in “Lord of the Flies” by William Golding
• Golding’s Pessimistic View on People and Society in His Book “Lord of the Flies”
• Analyzing the Themes of Innocence and Fear in William Golding’s “Lord of the Flies”
• A Description of the Occurrence of Civilization in “Lord of the Flies” by William Golding
• Importance of the Beast in “Lord of the Flies” by William Golding
• Golding’s “Lord of the Flies”: A Dream of a Deserted Island Into Reality
• Adventures, Conflicts, and Struggles in “Lord of the Flies”
• Good and Evil in Human Nature in “Lord of the Flies” by William Golding
• Failure of Paradise in Margaret Atwood’s “The Handmaid’s Tale” and William Golding’s “Lord of the Flies”
• Immorality of Human Nature Depicted in Golding’s “Lord of the Flies”
• Formation of Rules and Perception of Civilisation in “Lord of the Flies”
• How Golding Presents the Decline From Civilisation to Savagery in “Lord of the Flies”?
• What Does Piggy Symbolize in “Lord of the Flies”?
• How Does the Second World War Reflect on “Lord of the Flies”?
• What Ideas About Human Nature and Behavior Golding Was Trying to Express in “Lord of the Flies”?
• What Does the Plane Crash Symbolize in “Lord of the Flies”?
• How Does William Golding Present the Character of Jack in “Lord of the Flies”?
• How Does Golding Express His Ideas About Leadership in “Lord of the Flies”?
• How Does Roger Change in “Lord of the Flies” by William Golding?
• How the Society Suppresses Evil in the Novel “Lord of the Flies”?
• How Does Golding Create a Setting in “Lord of the Flies”?
• How Does the Author Present Human Nature in “Lord of the Flies”?
• How Does William Golding Show Evil at Work in “Lord of the Flies”?
• How Anybody Could Regress Into Savagery in Golding’s “Lord of the Flies”?
• How Is the Author’s Characterisation and Language Attributed to the Novel of the “Lord of the Flies”?
• Why Did William Golding Name His Novel “Lord of the Flies”?
• How Does Golding Present Death in “Lord of the Flies”?
• How Does the Setting Affect the Story “Lord of the Flies”?
• How Children Are Treated in the Story of “Lord of the Flies”?
• How Does Golding Make the Physical World Seem Important in “Lord of the Flies”?
• What Is Ralph’s Attitude Toward Piggy in the First Chapter of “Lord of the Flies”?
• How Many Boys Are in “Lord of the Flies”?
• How Golding Creates Tension in “Lord of the Flies”?
• How Does the Opening Prepare the Reader for the Rest of the Novel “Lord of the Flies”?
• Why the Boys Were Doomed to Fail in “Lord of the Flies”?
• What Influenced William Golding to Write “Lord of the Flies”?
• Ways That Golding Presents the Island in “Lord of the Flies”?
• How Golding Uses Symbols in “Lord of the Flies”?
• How Does William Golding Use the Setting to Develop the Main Theme of His Novel “Lord of the Flies”?
• How Does Piggy’s Character Develop Through Golding’s “Lord of the Flies”?
• What Ruined Ralph and Jack’s Friendship in “Lord of the Flies”?
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Home — Essay Samples — Literature — Books — Lord of The Flies

Essays on Lord of The Flies

Choosing the right essay topic is a crucial step in your academic journey. It's an opportunity to explore your creativity, delve into personal interests, and engage with the themes and ideas presented in the novel Lord of the Flies by William Golding. We aim to provide you with a variety of essay topics, introduction paragraph examples, and conclusion paragraph examples for different essay types. Remember, a well-chosen topic can make your essay more engaging and insightful.

Essay Types and Topics

Argumentative essays.

In argumentative essays, you'll analyze and present arguments related to the novel. Here are some topic examples:

• 1. The role of fear in the descent into savagery on the island.
• 2. The symbolism of the "beast" in Lord of the Flies and its impact on the characters.

Example Introduction Paragraph for an Argumentative Essay: In William Golding's Lord of the Flies , the pervasive fear among the stranded boys serves as a catalyst for their descent into savagery. This essay explores the profound influence of fear on the characters and the consequences it has on their civilization, ultimately demonstrating the fragile nature of human society on the isolated island.

Example Conclusion Paragraph for an Argumentative Essay: In conclusion, the exploration of fear in Lord of the Flies highlights its ability to unravel the thin threads of civilization. Through the lens of Golding's narrative, we see how fear can lead individuals to abandon reason and morality. As we reflect on this gripping tale, we must consider the implications of fear in our own lives and societies, striving for a world where humanity remains steadfast in the face of adversity.

Compare and Contrast Essays

In compare and contrast essays, you'll examine the similarities and differences within the novel or between it and other literary works. Consider these topics:

• 1. Compare and contrast the leadership styles of Ralph and Jack.
• 2. Analyze the parallels between Lord of the Flies and George Orwell's Animal Farm in terms of power and control.

Example Introduction Paragraph for a Compare and Contrast Essay: The comparison between the leadership styles of Ralph and Jack in William Golding's Lord of the Flies provides valuable insights into the dynamics of human leadership and its consequences. This essay delves into the contrasting approaches taken by these two characters and their impact on the island's civilization.

Example Conclusion Paragraph for a Compare and Contrast Essay: In conclusion, the juxtaposition of Ralph's democratic leadership and Jack's authoritarian rule in Lord of the Flies serves as a powerful commentary on the complexities of human governance. By examining these characters in parallel, we gain a deeper understanding of leadership dynamics and their consequences both in fiction and the real world.

Descriptive Essays

Descriptive essays in the context of Lord of the Flies allow you to vividly depict settings, characters, or events. Here are some topic ideas:

• 1. Describe the lush beauty of the island in detail.
• 2. Paint a picture of the transformation in the appearance and behavior of the characters as they descend into savagery.

Example Introduction Paragraph for a Descriptive Essay: The lush and untouched beauty of the island in William Golding's Lord of the Flies serves as a captivating backdrop for the unfolding drama of the stranded boys. This essay aims to provide a sensory and detailed exploration of the island, evoking the senses and immersing the reader in its natural wonders.

Example Conclusion Paragraph for a Descriptive Essay: In conclusion, the vivid description of the island in Lord of the Flies not only serves as a beautiful canvas but also mirrors the fragile balance of nature and humanity. Through this exploration, we are reminded of the profound connection between our environment and our actions.

Persuasive Essays

Persuasive essays allow you to argue a point of view related to the novel. Consider these persuasive topic examples:

• 1. Persuade your readers that the conch shell symbolizes the only hope for order and civilization on the island.
• 2. Argue for or against the idea that the boys' descent into savagery is inevitable given their circumstances.

Example Introduction Paragraph for a Persuasive Essay: The conch shell in William Golding's Lord of the Flies has been a symbol of order and democracy. This essay takes a persuasive stance in advocating for the significance of the conch as the beacon of hope for maintaining civilization and harmony on the isolated island.

Example Conclusion Paragraph for a Persuasive Essay: In conclusion, the persuasive argument in favor of the conch shell as a symbol of order and civilization underscores the importance of symbols in society and their ability to rally individuals around shared values. As we reflect on the power of the conch, we are reminded of the delicate balance between chaos and order in the human experience.

Narrative Essays

Narrative essays offer you the opportunity to tell a story or share personal experiences related to the themes of Lord of the Flies . Explore these narrative essay topics:

• 1. Narrate your own survival story as a character stranded on the same island as the boys in the novel.
• 2. Share a personal experience where you faced a moral dilemma similar to those encountered by the characters in the story.

Example Introduction Paragraph for a Narrative Essay: Imagine finding yourself on the same remote island as the characters in William Golding's Lord of the Flies . In this narrative essay, we embark on a journey where I, as a fellow survivor, recount the challenges and moral dilemmas faced while striving for survival and maintaining humanity in our isolated microcosm.

Example Conclusion Paragraph for a Narrative Essay: In conclusion, the narrative of my survival journey on the island parallels the timeless themes explored by Golding in Lord of the Flies . It serves as a testament to the human spirit's resilience and the constant struggle to balance our innate instincts with our moral compass. Through this narrative, we are reminded of the enduring relevance of these themes in our lives.

Conflict in Lord of The Flies

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Lord of The Flies Death Analysis

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Depiction of Humans as Inherently Evil in The Lord of The Flies

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The Ralph's Leadership in The Lord of The Flies by William Golding

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17 September 1954, William Golding

Allegorical novel

Ralph, Piggy, Jack, Simon, twins Sam and Eric

William Golding wrote "Lord of the Flies" as a response and counterpoint to R.M. Ballantyne's youth novel "The Coral Island" published in 1857. While Ballantyne's novel presented a romanticized portrayal of young boys stranded on an uninhabited island, depicting them as cooperative and civilized, Golding sought to challenge this idealistic view. Golding was dissatisfied with the notion that children, when left to their own devices, would naturally form a harmonious and idyllic society. He believed that human nature was inherently flawed and prone to darkness and savagery, even in the absence of adult supervision. "Lord of the Flies" served as a critique of the optimistic perspective presented in "The Coral Island," aiming to explore the potential for moral degradation and the loss of innocence in a primal environment.

Innocence, Friendship, Childhood, Fear, Anger, Allegories.

The story follows a group of British boys who find themselves stranded on a deserted island after their plane crashes during a wartime evacuation. Without any adult supervision, the boys must establish their own society and survive until rescue arrives. Initially, the boys attempt to create order and maintain a sense of civilization by electing a leader, Ralph, and establishing rules. However, as time passes, the inherent savagery within some of the boys begins to emerge. Jack, the antagonist, gradually rebels against Ralph's leadership and forms his own tribe, indulging in hunting and violence. The conflict between Ralph and Jack symbolizes the battle between order and chaos, reason and instinct. As the boys succumb to their primal instincts, they gradually lose their sense of morality and descent into brutality. The novel explores themes of power, the loss of innocence, and the darkness that resides within all individuals. Ultimately, the arrival of a naval officer interrupts the boys' descent into savagery, revealing the horrors they have unleashed upon themselves.

"Lord of the Flies" by William Golding is set on a deserted tropical island in the midst of an unspecified global war. The location remains undisclosed, allowing the focus to be on the boys' struggle for survival rather than the specific geopolitical context. The island itself is described as a paradise, with its lush vegetation, beautiful beaches, and abundant resources. The island serves as an isolated microcosm where the boys' behavior unfolds without the influence of adult society. It becomes a blank canvas upon which the boys project their own fears, desires, and conflicts. The absence of adults and external authority creates a vacuum that allows the boys to establish their own social order and rules.

Symbolism (the conch shell, the signal fire, the beast, etc.), allegory (the boys' descent into savagery and the struggle for power), foreshadowing (the appearance of the sow's head), irony, imagery.

"Lord of the Flies" has had a significant influence on literature and popular culture since its publication. The novel's exploration of the darkness within human nature and its commentary on the fragility of civilization continue to resonate with readers worldwide. One notable influence of "Lord of the Flies" is its impact on dystopian and post-apocalyptic literature. The story's portrayal of a society descending into chaos and the exploration of power dynamics have influenced numerous works in this genre, such as Suzanne Collins' "The Hunger Games" and Margaret Atwood's "The Handmaid's Tale." The novel has also had a profound influence on the study of human behavior and psychology. It raises important questions about the nature of evil, the role of society in shaping individuals, and the impact of isolation on human relationships. These themes have sparked discussions and academic analyses across disciplines, including psychology, sociology, and philosophy. Furthermore, "Lord of the Flies" has become a cultural touchstone, frequently referenced in various forms of media, including films, television shows, and music. Its enduring popularity and ability to provoke introspection and critical thinking contribute to its ongoing influence in contemporary society.

One notable adaptation of "Lord of the Flies" is the 1963 film directed by Peter Brook, which brought the story to life on the big screen. The film received critical acclaim for its raw portrayal of the boys' descent into savagery and its faithful adaptation of the novel's themes. The novel has also inspired theatrical productions, with stage adaptations being performed in different parts of the world. These adaptations provide a unique opportunity to experience the story in a live setting, further emphasizing the intensity and psychological depth of the narrative. Furthermore, the influence of "Lord of the Flies" can be seen in popular culture references, such as television shows, music, and literature. Its impact has sparked discussions and inspired creative works that explore similar themes of civilization, power, and human nature.

1. William Golding expressed dissatisfaction with his own work, describing his novel as dull and unrefined, a sentiment he later expressed in interviews and private conversations. 2. The impact of "Lord of the Flies" extends globally, as the book has been translated into more than 30 languages, allowing readers from diverse cultures to engage with its themes and messages. 3. Before finding a publishing home, "Lord of the Flies" faced considerable rejection, with publishers rejecting the manuscript a staggering 21 times. This highlights the initial challenges Golding faced in getting his work recognized. 4. Esteemed author Stephen King has publicly expressed his admiration for "Lord of the Flies," identifying it as one of his favorite books. King's endorsement speaks to the lasting influence and appeal of Golding's work. 5. "Lord of the Flies" has served as a source of inspiration for a range of musicians across different genres, including rap and metal. Bands like Iron Maiden have drawn inspiration from the novel, incorporating its themes and imagery into their music. 6. "Lord of the Flies" holds a significant place among the most banned books in the United States. Its exploration of dark themes and depiction of violence has led to challenges and attempts to restrict its availability in educational settings.

“Ralph wept for the end of innocence, the darkness of man's heart, and the fall through the air of the true, wise friend called Piggy.” “The thing is - fear can't hurt you any more than a dream.” “Maybe there is a beast… maybe it's only us.” “What are we? Humans? Or animals? Or savages?” “We've got to have rules and obey them. After all, we're not savages. We're English, and the English are best at everything.”

The novel "Lord of the Flies" holds a significant place in literary discourse and continues to captivate readers across generations. Exploring timeless themes of human nature, morality, power, and civilization, it presents a compelling narrative that provokes introspection and critical analysis. Writing an essay about "Lord of the Flies" allows one to delve into the complexities of human behavior, the fragility of societal structures, and the potential for darkness within individuals. The novel's depiction of the descent into savagery and the loss of innocence offers a profound examination of the human condition. Moreover, "Lord of the Flies" serves as a cautionary tale, urging readers to reflect on the consequences of unchecked power, societal breakdown, and the thin veneer of civilization. It prompts discussions on leadership, group dynamics, and the inherent conflicts that arise in challenging circumstances. By exploring the multifaceted layers of the story, an essay on "Lord of the Flies" allows students to sharpen their critical thinking skills, analyze complex themes, and engage in meaningful conversations about the darker aspects of human nature and society. It remains a relevant and thought-provoking piece of literature that invites examination and interpretation from various perspectives.

1. Bhalla, R., & Kowalski, C. (2017). What Lord of the Flies teaches us about primitive defence mechanisms and societal discontent. https://www.cambridge.org/core/journals/the-british-journal-of-psychiatry/article/what-lord-of-the-flies-teaches-us-about-primitive-defence-mechanisms-and-societal-discontent/348B50D2158ABAC55B3E94B2DB6F20BA The British Journal of Psychiatry, 210(3), 189-189. 2. Tippetts, C. S. (1926). The End of the Par Collection Litigation. The American Economic Review, 16(4), 610–621. (https://www.jstor.org/stable/2) 3. Alnajm, A. L. (2015). The main themes in Lord of the Flies. International Journal of English and Literature, 6(6), 98-102. (https://academicjournals.org/journal/IJEL/article-full-text/011E73A53478) 4. Gilfillan, James (1963) "Review: "Lord of the Flies"," Calliope (1954-2001): Vol. 10 , Article 25. (https://scholarworks.wmich.edu/calliope/vol10/iss1/25) 5. Arnold Kruger (1999) Golding's Lord of the Flies, The Explicator, 57:3, 167-169. (https://www.tandfonline.com/doi/abs/10.1080/00144949909596859?journalCode=vexp20) 6. Chougule, R. B., & Hanash, M. M. SCARCE LIFE BETWEEN LEADERSHIP AND NATURE OF SAVAGERY IN WILLIAM GOLDING'S LORD OF THE FLIES. (https://www.literaryendeavour.org/files/9x6upa7d5i55pltczctm/2020-01%2007%20SCARCE%20LIFE%20BETWEEN%20LEADERSHIP%20AND%20NATURE%20OF%20SAVAGERY%20IN%20WILLIAM%20GOLDING%E2%80%99S%20LORD%20OF%20THE%20FLIES%20%20-%20Dr.%20R.%20B.%20Chougule%20&%20Manee%20M.%20Hanash.pdf) 7. Kabra, S. (2021). Lord of the Flies: International Intellectual Property Laws. UC Davis J. Int'l L. & Pol'y, 28, 1. (https://heinonline.org/HOL/LandingPage?handle=hein.journals/ucdl28&div=4&id=&page=) 8. Burgess, J. (1963). Lord of the Flies by Peter Brook, Lewis Allen, Dana Hodgdon. (https://online.ucpress.edu/fq/article-abstract/17/2/31/38032/Review-Lord-of-the-Flies-by-Peter-Brook-Lewis)

Relevant topics

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Navigating the Wilderness of Humanity: Insights from the ‘Lord of the Flies’ Movie

This essay offers a compelling examination of the film adaptations of William Golding’s ‘Lord of the Flies’, delving deep into the narrative’s exploration of human nature and societal breakdown. It highlights how the film portrays the transformation of a group of marooned boys from civilized individuals to embodiments of primal instincts, emphasizing the conflict between order and chaos. The essay discusses the film’s use of symbolism and powerful cinematography to amplify themes of morality, leadership, and the innate propensity for savagery within humans. It underscores the portrayal of leadership struggles, the corrupting influence of power, and the haunting realization of the ‘beast’ within. The piece reflects on how ‘Lord of the Flies’ serves not just as a tale of survival but as a profound commentary on the fragility of civilization and the dark undercurrents of the human psyche. Additionally, PapersOwl presents more free essays samples linked to Lord Of The Flies.

How it works

The cinematic adaptation of William Golding’s ‘Lord of the Flies’ is much more than a mere survival narrative; it’s a profound exploration of the human psyche under the duress of societal collapse. Released in 1963 and later remade in 1990, the film translates the raw intensity and the nuanced undercurrents of Golding’s novel onto the screen, offering viewers a stark glimpse into the darkness and complexity of human nature.

From the opening scenes, the movie plunges its audience into a disturbingly idyllic setting: a deserted island, initially a picture of paradise, soon to become a stage for chaos and moral disintegration.

The story unfolds around a group of boys marooned on this island, away from the confines and constructs of society. The initial joy of freedom quickly spirals into a harrowing saga of survival, power struggles, and the eventual disintegration of order and civility.

The film’s power lies in its raw and unflinching portrayal of this descent. The characters, initially bound by the common goal of survival, gradually succumb to their primal instincts. The conch shell, a symbol of order and civilization, loses its influence as the veneer of societal norms fades, revealing the unsettling truth about human nature’s inherent duality. The transformation of characters, especially that of Ralph, Jack, and Piggy, is portrayed with an intensity that resonates with the viewer, forcing one to confront uncomfortable questions about morality, leadership, and the innate propensity for savagery.

The directors of both film adaptations, Peter Brook (1963) and Harry Hook (1990), use the visual medium to amplify themes present in Golding’s text. The starkness of the black and white film in Brook’s version adds a layer of grim reality, while Hook’s use of color in the latter adaptation highlights the stark contrast between the lushness of the surroundings and the dark events unfolding within it. The cinematography, focusing on the hauntingly beautiful yet increasingly menacing landscape, mirrors the internal tumult and deterioration of the boys’ societal structure.

Perhaps one of the most compelling aspects of the film is its exploration of leadership and power dynamics. The rivalry between Ralph, the embodiment of order and democracy, and Jack, who represents anarchy and tyranny, is a microcosm of larger societal conflicts. This power struggle, underlined by the haunting use of symbolism such as Piggy’s glasses or the ominous ‘Lord of the Flies’, adds a layer of depth to the narrative, making it a study of power and its corrupting influence.

Moreover, the film does not just depict the breakdown of civilization; it also offers a commentary on the nature of evil and the concept of innocence. The chilling realization that the ‘beast’ the boys fear is nothing but a manifestation of their own inner darkness is a profound commentary on human nature. The innocence of the children, juxtaposed with their capability for unspeakable cruelty, poses unsettling questions about the inherent goodness of humanity.

In conclusion, the ‘Lord of the Flies’ movie is a compelling cinematic venture that delves deep into the complexities of human nature. It’s a narrative that doesn’t merely narrate a tale of survival but forces viewers to confront the unsettling aspects of human nature and society. The haunting imagery, powerful performances, and the underlying philosophical questions make the film an enduring piece of cinematic art. It serves as a mirror, reflecting the inherent chaos and order within each individual, reminding us of the fragile veneer of civilization that separates order from chaos, civility from savagery.

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Navigating the Wilderness of Humanity: Insights from the 'Lord of the Flies' Movie. (2024, Jan 26). Retrieved from https://papersowl.com/examples/navigating-the-wilderness-of-humanity-insights-from-the-lord-of-the-flies-movie/

"Navigating the Wilderness of Humanity: Insights from the 'Lord of the Flies' Movie." PapersOwl.com , 26 Jan 2024, https://papersowl.com/examples/navigating-the-wilderness-of-humanity-insights-from-the-lord-of-the-flies-movie/

PapersOwl.com. (2024). Navigating the Wilderness of Humanity: Insights from the 'Lord of the Flies' Movie . [Online]. Available at: https://papersowl.com/examples/navigating-the-wilderness-of-humanity-insights-from-the-lord-of-the-flies-movie/ [Accessed: 12 Apr. 2024]

"Navigating the Wilderness of Humanity: Insights from the 'Lord of the Flies' Movie." PapersOwl.com, Jan 26, 2024. Accessed April 12, 2024. https://papersowl.com/examples/navigating-the-wilderness-of-humanity-insights-from-the-lord-of-the-flies-movie/

"Navigating the Wilderness of Humanity: Insights from the 'Lord of the Flies' Movie," PapersOwl.com , 26-Jan-2024. [Online]. Available: https://papersowl.com/examples/navigating-the-wilderness-of-humanity-insights-from-the-lord-of-the-flies-movie/. [Accessed: 12-Apr-2024]

PapersOwl.com. (2024). Navigating the Wilderness of Humanity: Insights from the 'Lord of the Flies' Movie . [Online]. Available at: https://papersowl.com/examples/navigating-the-wilderness-of-humanity-insights-from-the-lord-of-the-flies-movie/ [Accessed: 12-Apr-2024]

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