• Lord of the Flies

William Golding

  • Literature Notes
  • Concept, Identity, and Manifestations of the Beast
  • Lord of the Flies at a Glance
  • Book Summary
  • About Lord of the Flies
  • Character List
  • Summary and Analysis
  • Character Analysis
  • Character Map
  • William Golding Biography
  • Critical Essays
  • Major Themes
  • Golding's Use of the Fable Structure
  • Famous Quotes
  • Film Versions
  • Full Glossary
  • Essay Questions
  • Practice Projects
  • Cite this Literature Note

Critical Essays Concept, Identity, and Manifestations of the Beast

Golding uses the boys' fear of a mythical beast to illustrate their assumption that evil arises from external forces rather than from themselves. This fearsome beast initially takes form in their imaginations as a snake-type animal that disguises itself as jungle vines; later, they consider the possibility of a creature that rises from the sea or the more nebulous entity of a ghost. When they spot the dead paratrooper who has landed on the mountain, the boys feel sure that they have proof of a beast's existence. In fact a beast does roam the island, but not in the form the boys imagine.

Golding wanted to illustrate in this novel the dark side of human nature and make the point that each member of humankind has this dark side. The boys conceptualize the source of all their worst impulses as a beast, some sort of actual animal or possibly supernatural creature inhabiting the island. Yet all along the boys take on the persona of the beast when they act on their animal impulses. There is no external beast.

Golding conveys the beast's identity through the literal actions of Jack and his tribe and through the abstract concept conveyed in Simon 's vision. Simon's revelation about the beast comes upon him after he witnesses the sow's death and beheading. As an observer instead of a participant, Simon is able to comprehend the brutality of the act. The sow's head becomes covered with flies, creatures that lack the capacity to feel compassion for or empathy with the dead sow, occupied entirely by their need to eat and multiply. That compassion is one of the key dividers between humanity and animality; tellingly, Jack lacks compassion for the littluns and the vulnerable Piggy . Soon his hunters lose their compassion as well, seeking only to hunt meat and increase the numbers of their tribe or kill those who will not join.

When Simon hallucinates that the staked head is speaking to him, his perception of the other boys as the island's true threat is confirmed. The Lord of the Flies confirms that "You knew, didn't you? I'm part of you? Close, close, close! I'm the reason why it's no go? Why things are what they are?"

Note that the literal translation of the Greek word Beelzebub, a term used for the Judeo-Christian idea of Satan, is "lord of the flies," and flies feast on dead animals and excrement. When Simon asks the assembly "What's the dirtiest thing there is?" he looks for the answer "evil" but also included in that answer is decay and death. Ironically, Jack's excretory answer is partially correct.

Jack provides more insight into the beast's identity when he asserts that "The beast is a hunter," unwittingly implicating himself as part of the problem, a source of the boys' fears. His lust for power and authority causes him to commit and encourage savage acts against his own kind — an accurate measure of his depravity. Sitting in front of his tribe, "Power . . . chattered in his ear like an ape." The figurative devil on his shoulder is his own animality, looking to master other creatures.

Golding pairs the devolution of Jack's character with Simon's hallucinatory revelation to paint a complete picture of humankind's dark side — that which the boys call "the beast."

Manifestations

Part of Golding's intent was to demonstrate that the evil is not restricted to specific populations or situations. On the island, the beast is manifest in the deadly tribal dances, war paint, and the manhunt; in the outside world that same lust for power and control plays out as a nuclear war. Prior to the war, some of the boys, such as the perpetually victimized Piggy, experienced the brutality of others on the playground, an environment often idealized as the joyous site of a carefree childhood. Within civilized society the beast expresses itself in various ways: through acceptable venues such as the military; in unacceptable forms such as madness or criminality, which carries punitive repercussions; or concealed in the maneuvers of politics and other nonviolent power plays. In Lord of the Flies Golding illustrates that evil is present in everyone and everywhere; humankind's work lies not in the impossible mission of eradicating it but in the struggle to keep it from becoming the dominant force in our lives.

Previous Major Themes

Next Golding's Use of the Fable Structure

Themes and Analysis

Lord of the flies, by william golding.

Lord of the Flies by William Golding is a powerful novel. It's filled with interesting themes, thoughtful symbols, and a particular style of writing that has made it a classic of British literature.

About the Book

Lee-James Bovey

Article written by Lee-James Bovey

P.G.C.E degree.

Several key themes are prevalent throughout the book. It is sometimes referred to as a “book of ideas” and these ideas are explored as the plot unfolds.

Lord of the Flies Themes and Analysis

Lord of the Flies Themes

The impact of humankind on nature.

This is evident from the first chapter when the plane crashing leaves what Golding describes as a “scar” across the island. This idea is explored further in the early chapters the boys light a fire that escapes their control and yet further diminishes what might be considered an unspoiled island. Some interpret the island almost as a Garden of Eden with the children giving in to temptation by slaughtering the animals there. The final chapter furthers the destruction of nature by mankind as the whole island appears to have been ruined thanks to the effects of the boy’s presence on the island.

Civilization versus savagery

This can be seen throughout as the boys struggle with being removed from organized society. To begin with, they cope well. They construct a form of government represented by the conch that theoretically draws them together and gives them all a voice. As they break away from society this adherence to the rules they have constructed is evident. Golding’s ideas of what savagery is might be outdated and rooted in colonial stereotypes but they are evident for all to see as the boys use masks to dehumanize themselves and their increasing obsession with hunting leads to an increasingly animalistic nature.

Nature of humanity

Perhaps the biggest underlying theme is the idea of the true nature of mankind. Golding explores the idea that mankind is innately evil and that it is only the contrast between society and civilization that prevents that nature from being prevalent. Of course, this overlooks that civilization is a human construct and if all men’s biggest motivation were their inner evil, then that construct would never have existed. Golding’s views largely spring from his role in the navy where he was witness to the atrocities of war but are also informed by his work as a teacher.

Analysis of Key Moments in Lord of the Flies

There are many key moments in ‘ Lord of the Flies ‘ that highlight the boy’s descent into savagery.

  • Blowing the conch – this introduces us to the conch which acts as a symbol of society and civilization throughout the novel. It is both the device that brings the children together and in theory the object which allows them all to have a say and therefore run a democratic society.
  • The fire gets out of control – This shows the effects that the boys are already having on the island. It also demonstrates how lost the boys are without adults there to guide them as they lose one of the boys and nobody even knows his name.
  • Jack fails to kill the pig/Roger throws stones – both of these events show how the boys are currently constrained by the expectations of society. We see as time passes these restraints are lifted and that firstly, Jack can kill a pig and finally, and perhaps more dramatically, Roger is not only okay with hitting somebody with a stone but taking their life with one.
  • The hunters put on masks – By covering up their faces, they seem to become free from the constraints of society. It is if it liberates them from humanity and allows them to act on more primal, animalistic urges.
  • Sam and Eric find “the beast” – When Sam and Eric feel they have discovered the beast it sets a ripple of panic throughout. This fear sways the boys towards Jack’s leadership as he continues to manipulate the situation to his advantage. If not for this then Simon might never be murdered.
  • Creating of the Lord of the Flies – Successfully killing the pig is itself an iconic moment but then leaving a pigs head on a pole is both a gruesome image (one worthy of the book’s title) and also plays a pivotal role in Simon’s story arc.
  • Simon’s death – Simon is the one character who never seems to succumb to primal urges and therefore his death if looked at symbolically could be seen as the death of hope for boys.
  • Piggy’s death – Piggy’s character represents order and reason. With his death, any chance of resolving the issues between Jack and Ralph vanishes. The conch being smashed at the same time is also symbolic and represents the complete destruction of society.
  • The rescue – This is not the happy ending that one might expect with all the boys crying due to their loss of innocence. There is an irony as well as the boys will not be rescued and taken to a Utopia but rather to a civilization plagued by a war that mirrors the war zone they have just left.

Style, Literary Devices, and Tone in Lord of the Flies

Throughout this novel, Golding’s style is straightforward and easy to read. There are no lengthy passages nor does he choose particularly poetic words to describe the events. His writing is powerful without these stylistic devices. The same can be said for his use of literary devices. When used, they are direct. For example, the use of symbolism (see below) and metaphor is very thoughtful but not hard to interpret.

William Golding also employs an aloof or distant tone throughout the book. This reflects the way that the boys treat one another.

Symbols in Lord of the Flies

The conch shell.

The conch shell is one of the major symbols of this novel. It’s used from the beginning of the novel to call the boys together for meetings on the beach. It’s a symbol of civilization and government. But, as the boys lose touch with their civilized sides, the conch shell is discarded.

The Signal Fire

The signal fire is a very important symbol in the novel. It’s first lit on the mountain and then later on the beach with the intent of attracting the attention of passion ships. The fire is maintained diligently at first but as the book progresses and the boys slip farther from civilization, their concentration on the fire wanes. They eventually lose their desire to be rescued. Therefore, as one is making their way through the book, gauging the boys’ concentration on the fire is a great way to understand how “civilized” they are.

The beast is an imaginary creature who frightens the boys. It stands in for their savage instincts and is eventually revealed to be a personification of their dark impulses. It’s only through the boy’s behaviour that the beast exists at all.

What are three themes in Lord of the Flies ?

Three themes in ‘ Lord of the Flies ‘ are civilization vs. savagery, the impact of humankind on nature, and the nature of humanity.

What is the main message of the Lord of the Flies ?

The main message is that if left without rules, society devolves and loses its grasp on what is the morally right thing to do. this is even the case with kids.

How does Ralph lose his innocence in Lord of the Flies ?

He loses his innocence when he witnesses the deaths of Simon and Piggy. These losses in addition to the broader darkness of the island change him.

Lee-James Bovey

About Lee-James Bovey

Lee-James, a.k.a. LJ, has been a Book Analysis team member since it was first created. During the day, he's an English Teacher. During the night, he provides in-depth analysis and summary of books.

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The Symbolism of Power in “Lord of the Flies”

How it works

Russian dictatorship is a topic that is fitting when discussing power comes from fear. Stalin was an infamous dictator who used his power to create fear in the eyes of the Russian citizens. This is similar to William Golding’s the Lord of the Flies, he demonstrates that those in power will take advantage of people’s fear. In the book, Jack and Ralph both are in a struggle for power and both struggle to remain in power as they attack each other at any moment.

At various points throughout the story, Jack uses the boys’ fear of the beast to overthrow Ralph and the conch. When talking to the little ones jack would scare them, “(Jack) expect the beast disguised himself. We’d better keep on the right side of him, anyhow. You can’t tell what he might do. (142-143) This quote represented William golding’s idea of fear being the most effective way of control, with Jack using fear to get his tribe to do what he wishes. The book portrayed how terrifying the impact fear can have on people and how far it can manipulate them. Throughout the book, the idea of the beast developed into fear which resulted in the crippling of the conch, the link to society and sanity and the barrier that was stopping them from turning into savages. Right after the plane crash, Ralph and Jack get on exceptionally well. Jack changes throughout this novel. At first, he states, (Jack) agree with Ralph we’ve got to have rules and obey them, (25) This shows us that at the beginning of the novel, just like Ralph, he wants to uphold a civilized society.

Jack is one factor in why fear is going around the little ones and is the reason why he is starting to gain more power. Jack uses the fear of the little ones to gain power and be able to take advantage of them. Another thing that gave power to Jack which gave him his power was the beast, which embodies the power of the boys’ fears. All the boys can be frightened. They are scared of something that does not even exist. When finally converts this fright into a creature, the boys call it the beast. Especially the littluns are afraid, and jack uses this fear to make his dictatorial power system stronger. Jack uses the existence to make the other boys willing followers of his commands. Fear is the source of Jack’s power. After that, most of the boys join Jack’s new-found tribe to find safety, which he promises. Jack thinks that he can win over even more hearts of the boys by hunting the beast down (Golding 91). He can convince the boys that there is no beast, he never tells anyone about his fright. That is why Ralph always has to go first when the littluns think that the beast might be near (Golding 104). Simon is the only one to know the truth about the beast. The beast, only dreamt about by littluns, has always been in their minds, but never before their eyes.

Although the boys mistake Simon for the beast, while he was running towards them, they never saw the beast. Ralph tried to keep a sense of stability and eliminate the sense of fear while jack took all of their fears and gave himself the power to rule over all. Jack was able to misuse his power. It caused the majority of the boys to commit acts of violence and immorality. The boy’s mind and feeling were manipulated as the power was becoming unbalanced. Jack and Ralph were both in a tangle with who gets to be the leader and fought against each other’s ideas. This also affected the boys as they don’t know who to trust because they’re afraid that the beast would get them. Their fears were rooted in beasts throughout the novel. This led the boys offering a gift to this beast, killing Simon as they thought that he was the beast and losing their independence and having Jack take over.

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