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American architectural photographer behind "Case Study House No. #22" and whose works gave the genre a new recognition: 2 wds Daily Themed Crossword

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American architectural photographer behind "Case Study House No. #22" and whose works gave the genre a new recognition: 2 wds.

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American architectural photographer behind “Case Study House No. #22” and whose works gave the genre a new recognition: 2 wds. Crossword Explorer Answers

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Words Answers » Daily Themed Crossword Answers » April 13 2018 » American architectural photographer behind "Case Study House No. #22" and whose works gave the genre a new recognition: 2 wds.

American architectural photographer behind "Case Study House No. #22" and whose works gave the genre a new recognition: 2 wds. Daily Themed Crossword Answers

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J U L I U S S H U L M A N

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• JULIUSSHULMAN

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Julius Shulman’s Case Study House #22

The Greatest American Architectural Photographer of the 20th Century

Julius Shulman is often considered the greatest American architectural photographer of the 20th century. His photography shaped the image of South Californian lifestyle of midcentury America. For 70 years, he created on of the most comprehensive visual archives of modern architecture, especially focusing on the development of the Los Angeles region. The designs of some of the world’s most noted architectures including Richard Neutra, Ray Eames and Frank Lloyd Wright came to life though his photographs. To this day, it is through Shulman’s photography that we witness the beauty of modern architecture and the allure of Californian living.

Neutra and Beyond

Born in 1910 in Brooklyn, Julius Shulman grew up in a small farm in Connecticut before his family moved to Los Angeles at the age of ten. While in Los Angeles, Shulman was introduced to Boy Scouts and often went hiking in Mount Wilson. This allowed him to organically study light and shadow, and be immersed in the outdoors. While in college between UCLA and Berkeley, he was offered to photograph the newly designed Kun House by Richard Neutra. Upon photographing, Shulman sent the six images to the draftsman who then showed them to Neutra. Impressed, Richard Neutra asked Shulman to photograph his other houses and went on to introduce him to other architectures.

The Case Study Houses

Julius Shulman’s photographs revealed the true essence of the architect’s vision. He did not merely document the structures, but interpreted them in his unique way which presented the casual residential elegance of the West Coast. The buildings became studies of light and shadow set against breathtaking vistas. One of the most significant series in Shulman’s portfolio is without a doubt his documentation of the Case Study Houses. The Case Study House Program was established under the patronage of the Arts & Architectue magazine in 1945 in an effort to produce model houses for efficient and affordable living during the housing boom generated after the Second World War. Southern California was used as the location for the prototypes and the program commissioned top architects of the day to design the houses. Julius Shulman was chosen to document the designs and throughout the course of the program he photographed the majority of the 36 houses. Shulman’s photography gave new meaning to the structures, elevating them to a status of international recognition in the realm of architecture and design. His way of composition rendered the structures as inviting places for modern living, reflecting a sense of optimism of modern living.

Case Study House #22

Case Study House #22, also known as the Stahl House was one of the designs Julius Shulman photographed which later become one of the most iconic of his images. Designed by architect Pierre Koenig in 1959, the Stahl House was the residential home of American football player C.H Buck Stahl located in the Hollywood Hills. The property was initially regarded as undevelopable due to its hillside location, but became an icon of modern Californian architecture. Regarded as one of the most interesting masterpieces of contemporary architecture, Pierre Koenig preferred merging unconventional materials for its time such as steel with a simple, ethereal, indoor-outdoor feel. Julius’s dramatic image, taking in a warm evening in the May of 1960, shows two young ladies dressed in white party dresses lounging and chatting. The lights of the city shimmer in the distant horizon matching the grid of the city, while the ladies sit above the distant bustle and chaos. Pierre Koenig further explains in the documentary titled Case Study Houses 1945-1966 saying;

“When you look out along the beam it carries your eye right along the city streets, and the (horizontal) decking disappears into the vanishing point and takes your eye out and the house becomes one with the city below.”

The Los Angeles Good Life

The image presents a fantasy and is a true embodiment of the Los Angeles good life. By situating two models in the scene, Shulman creates warmth, helping the viewer to imagine scale as well as how life would be like living in this very house. In an interview with Taina Rikala De Noriega for the Archives of American Art Shulman recalls the making of the photograph;

“ So we worked, and it got dark and the lights came on and I think somebody had brought sandwiches. We ate in the kitchen, coffee, and we had a nice pleasant time. My assistant and I were setting up lights and taking pictures all along. I was outside looking at the view. And suddenly I perceived a composition. Here are the elements. I set up the furniture and I called the girls. I said, ‘Girls. Come over sit down on those chairs, the sofa in the background there.’ And I planted them there, and I said, ‘You sit down and talk. I’m going outside and look at the view.’ And I called my assistant and I said, ‘Hey, let’s set some lights.’ Because we used flash in those days. We didn’t use floodlights. We set up lights, and I set up my camera and created this composition in which I assembled a statement. It was not an architectural quote-unquote “photograph.” It was a picture of a mood.”

Purity in Line and Design to Perfection

Shulman’s preference to shoot in black and white reduces the subject to its geometrical essence allowing the viewer to observe the reflections, shadows and forms. A Shulman signature, horizontal and vertical lines appear throughout the image to create depth and dimensional perspective. A mastery in composition, the photograph catches purity in line and design to perfection.

A Lifetime of Achievements

Julius Shulman retired from active architectural work in 1989, leaving behind an incredibly rich archive chronicling the development of modern living in Southern California. A large part of his archive resides at the Getty Museum in California. For the next twenty years he participated in major museum and gallery exhibitions around the world, and created numerous books by publishers such as Taschen and Nazraeli Press. Among his honors, Shulman is the only photographer to have been granted honorary lifetime membership in the American Institute of Architects. In 1998 he was given a lifetime achievement award by ICP. Julius passed away in 2009 in his home in Los Angeles.

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Ukraine and Russia trade fresh accusations of targeting a major nuclear power plant

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Russia and Ukraine are trading fresh accusations over renewed threats to Europe’s largest nuclear plant that has been caught up in the war , with Moscow alleging Ukraine was behind drone attacks on the facility that were witnessed by U.N. inspectors and Kyiv accusing Russia of disinformation tactics.

Kremlin spokesman Dmitry Peskov on Monday called the drone attacks on the Zaporizhzhia Nuclear Power Plant in Russian-occupied southern Ukraine “a very dangerous provocation.”

“This is a very dangerous practice that has very bad, negative consequences in the future,” Peskov said during his daily conference call with reporters.

The U.N.’s atomic watchdog agency on Sunday confirmed drone strikes on one of the plant’s six reactors, which caused one casualty, but did not attribute responsibility to either side.

The Associated Press was unable to verify either side’s claims in the area of heavy fighting where independent journalists are not allowed to enter.

An official at Energoatom, Ukraine’s atomic energy company, blamed Russia for the attacks, saying they were “a provocation” orchestrated to malign Ukraine.

World & Nation

Drones attack the Russian-held Zaporizhzhia nuclear plant, according to plant officials

Both Ukraine and Russia have regularly accused the other of attacking the Russian-controlled plant, which is close to the front lines.

April 7, 2024

The official spoke to The Associated Press on condition of anonymity because he was not authorized to speak on the record.

The plant has repeatedly been caught in the crossfire since Russia launched its full-scale invasion of Ukraine in February 2022 and seized the facility shortly after. The International Atomic Energy Agency, a U.N. body, has frequently expressed alarm about the plant amid fears of a potential nuclear catastrophe.

The strikes did not compromise the nuclear facility, which the Kremlin’s forces have been occupying and running in southern Ukraine since shortly after the war began, the IAEA said. The plant’s six reactors have been shut down for months, and IAEA inspectors are stationed at the site.

Propaganda and disinformation have been used as weapons by both sides during the conflict.

In July, Ukraine and Russia accused each other of planning to attack the Zaporizhzhia plant, though neither side provided evidence to support their claims.

Even with its reactors shut down, the plant still needs power and qualified staff to operate crucial cooling systems and other safety features.

Russia launches sweeping attack on Ukraine’s power sector, a sign of possible escalation

Russia attacks power facilities across Ukraine, including the largest hydroelectric plant, causing widespread outages and killing at least five people.

March 22, 2024

The IAEA team did not observe structural damage to the “systems, structures and components” important to the nuclear safety of the plant, the agency said. The team reported superficial scorching to the top of a reactor dome.

The damage “has not compromised nuclear safety, but this is a serious incident (with the) potential to undermine (the) integrity of the reactor’s containment system,” the IAEA said on X, formerly Twitter.

IAEA chief Rafael Mariano Grossi said the main reactor containment structures took at least three direct hits. “This cannot happen,” he said on X.

Zaporizhzhia is one of four regions that Russia illegally annexed in September 2022.

The Institute for the Study of War, a think tank based in Washington, said Russian authorities are seeking “to use Russia’s physical control over the (plant) to force international organizations, including the IAEA, to meet with Russian occupation officials to legitimize Russia’s occupation of the (plant) and by extension Russia’s occupation of sovereign Ukrainian land.”

Novikov writes for the Associated Press. AP Writer Yuras Karmanau in Tallinn, Estonia, contributed to this report.

More to Read

Status of Ukraine nuclear power plant is ‘extremely serious,’ U.N. watchdog says

April 9, 2024

Ukraine says it destroyed Russian warplanes in one of its biggest drone attacks of the war

April 5, 2024

Drone attack kills 4 people in Ukraine’s second-largest city as Russia builds its war strength

April 4, 2024

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