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A Beginner's Guide to Writing a Book Report (with Examples)

Last Updated: March 13, 2024 Fact Checked

• Researching
• Drafting the Report
• Reviewing & Revising

Sample Book Reports & Summaries

Expert q&a.

This article was co-authored by Jake Adams and by wikiHow staff writer, Raven Minyard, BA . Jake Adams is an academic tutor and the owner of Simplifi EDU, a Santa Monica, California based online tutoring business offering learning resources and online tutors for academic subjects K-College, SAT & ACT prep, and college admissions applications. With over 14 years of professional tutoring experience, Jake is dedicated to providing his clients the very best online tutoring experience and access to a network of excellent undergraduate and graduate-level tutors from top colleges all over the nation. Jake holds a BS in International Business and Marketing from Pepperdine University. There are 9 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 1,411,170 times.

A book report is a short essay that summarizes and analyzes a work of fiction or nonfiction. Writing a book report may not seem fun at first, but it gives you a great chance to fully understand a work and its author. In this article, we’ll teach you everything you need to know about how to write a book report, from choosing a book and outlining to drafting and editing your final paper.

Things You Should Know

• Read the entire book and take notes on important themes, characters, and events. Use your notes to create an outline with evidence that supports your analysis.
• Include the title and author in your intro, then summarize the plot, main characters, and setting of the book.
• Analyze the author’s writing style, as well as the main themes and arguments of the book. Include quotes and examples to support your statements.

Researching Your Book Report

• For example, find out if your teacher wants you to include citations, such as page numbers from the book, in your report.
• Ask your teacher how much of your paper to devote to summary versus analysis. Most book reports are direct summaries with objective analysis rather than your personal opinions. In contrast, a book review or commentary is more opinion-driven.

• Some popular books for book reports include To Kill a Mockingbird by Harper Lee, Animal Farm by George Orwell, and The Hunger Games by Suzanne Collins. Choose a book at your grade level.

• Author: Who wrote the book? Do you know any other works by this author?
• Genre: Is the book fiction or nonfiction? If it’s fiction, is it historical, fantasy, horror, etc.? If it’s nonfiction, is it a biography, memoir, science, etc.?
• Audience: Who would find this book appealing? Is it intended for a specific age range or gender? Do you typically enjoy books like this?
• Title: Does the title catch your interest? Does it fit well with the book’s content?
• Book Cover/Illustrations: What does the book cover convey and does it accurately represent the book? How do you feel when you look at it? If the book has illustrations, what are they and do they hold your interest?

• Take breaks while reading to keep your attention sharp. Try to find a pace that is comfortable for you. If you get distracted after 15 minutes, read in 15-minute intervals. If you can go an hour, read for an hour at a time.
• Give yourself enough time to read the entire book. It’s very difficult to write a book report if you’ve just skimmed over everything. Don’t procrastinate!
• Don’t trust online book summaries. You can’t guarantee that they are accurate or true to the text.

• For example, look for a sentence that clearly describes a main setting in the book, such as “The castle was gloomy and made out of large black stones.”

Outlining Your Book Report

• Introduction: Introduce the title, author, and publication information. Include a brief overview of the book’s genre and main theme, and state your purpose for writing the report.
• Summary: Concisely summarize the plot or central idea, highlighting main events, characters, and conflicts. Focus on important aspects while avoiding spoilers.
• Analysis and Evaluation: Evaluate the author’s writing style and use of literary devices, like foreshadowing, metaphors, imagery, etc. Discuss the strengths and weaknesses of the book and use quotes and examples from the text.
• Themes and Messages: Identify the book’s main themes or messages and how they develop through the course of the book. Provide specific quotes and examples.
• Character Analysis: Analyze the main characters in the book, their development, and their relationships. Explain their motivations, personalities, and significance to the story. Provide examples and quotes to support your analysis.
• Personal Reflection: Depending on your teacher’s instructions, you might share your personal opinions and discuss what you liked and disliked about the book. Reflect on how the book relates to broader themes or issues.
• Conclusion: Summarize your main points and conclude with your final thoughts or reflections on the book.
• Bibliography: If required, include a works cited page or bibliography listing all the sources you used to write your book report.
• Outlining takes time, but it saves you more time once you reach the editing stage.
• Some people prefer to outline with pen and paper, while others just type up a list on the computer. Choose the method that works best for you.

• Be careful not to overuse quotes. If it seems like every other line is a quote, try to dial back. Aim to include a maximum of one quotation per paragraph. Quotes and examples should still take a backseat to your summary.

• For example, you’ll likely need to focus primarily on discussing the most important characters or the characters that appear most frequently in the text.
• When you are finished with your outline, go back through it to see if it makes sense. If the paragraphs don’t flow into one another, move them around or add/delete new ones until they do.
• Also, check to see if your outline covers all of the major elements of the book, such as the plot, characters, and setting.

Writing Your Book Report

• For example, a sentence summary might state, “This book is about the main character’s journey to Africa and what she learns on her travels.”
• Don’t take up too much space with your introduction. In general, an introduction should be 3-6 sentences long, though in rare cases, they may be longer or shorter.

• Use vivid language when you can and include plenty of details. For example, you might write, “The farm was surrounded by rolling hills.”

• For instance, if the main character moves to Africa, you might describe what happens before the move, how the move goes, and how they settle in once they arrive.

• For example, you might write that the main character is “a middle-aged woman who enjoys the finer things in life, such as designer clothes.” Then, connect this description to the plot summary by describing how her views change after her travels, if they do.
• Expect to introduce the characters in the same sentences and paragraphs as the plot introduction.

• You might write, “The author argues that travel gives you a new perspective. That is why her main characters all seem happier and more grounded after visiting new places.”
• For fiction, determine if the author is using the story to pass along a certain moral or lesson. For example, a book about an underdog athlete could encourage readers to take chances to pursue their dreams.

• For example, an author who uses lots of slang terms is probably going for a hip, approachable style.

• Some teachers require, or strongly suggest, that you include the author’s name and the book title in your concluding paragraph.
• When writing a conclusion , don’t introduce any new thoughts. Any important points should be made in your body paragraphs. Save the space for your recap.

Reviewing and Revising Your Book Report

• Before you submit your paper, make sure that you’ve spelled the author’s name and any character names correctly.
• Don’t trust your computer’s spell check to catch all the errors for you. Spell check can be helpful, but it isn’t perfect and can make mistakes.

• If you’re nervous about asking, try saying something like “It would be great if you could go over my book report and make sure that it reads smoothly.”
• Remember, no one’s first draft is perfect, so don’t get upset if someone suggests you do something differently. They want to help make your report the best it can be, so don’t take constructive criticism personally.

• For example, double-check that you are using the correct font, font size, and margins.
• Once you've finished proofreading, revising, and checking that you've addressed all the requirements, you're ready to submit your book report!

• Even though your book report is your own work, avoid using “I” too much. It can make your writing feel choppy. Thanks Helpful 1 Not Helpful 0
• It might be tempting to watch the movie or read the online notes instead of reading the book. Resist this urge! Your teacher will be able to tell the difference. Thanks Helpful 1 Not Helpful 0

Tips from our Readers

• Calm down and walk around if you get too frustrated while writing. If you write a book report while angry, you're more likely to misspell things!
• Choose a unique book. Harry Potter or Percy Jackson is an absolute no. Everyone chooses those. Try something different!
• Write when anything comes to mind! You don't want to lose your ideas!

• Give yourself plenty of time to write your report. Don’t wait until the last minute or you may feel rushed. Thanks Helpful 2 Not Helpful 0
• Stealing or using another person’s work is considered plagiarism and academic dishonesty. Make sure that the work you submit is all your own. Thanks Helpful 1 Not Helpful 0

You Might Also Like

• ↑ https://www.aresearchguide.com/write-book-report.html
• ↑ Jake Adams. Academic Tutor & Test Prep Specialist. Expert Interview. 24 July 2020.
• ↑ https://grammark.org/how-to-write-a-book-report/
• ↑ https://library.valleycollege.edu/elements_of_book_report.pdf
• ↑ https://takelessons.com/blog/steps-to-writing-a-book-report
• ↑ https://www.infoplease.com/homework-help/homework-center-writing-book-report
• ↑ https://liberalarts.oregonstate.edu/wlf/what-setting
• ↑ https://www.tcc.edu/wp-content/uploads/archive/writing-center-handouts/essay-types-plot-summary.pdf
• ↑ https://www.cornerstone.edu/blog-post/six-steps-to-really-edit-your-paper/

About This Article

To write a book report, start by introducing the author and the name of the book and then briefly summarizing the story. Next, discuss the main themes and point out what you think the author is trying to suggest to the reader. Finally, write about the author’s style of writing, paying particular attention to word choice and the overall tone of the book. For tips on editing and polishing your paper before turning it in, keep reading! Did this summary help you? Yes No

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How to Write a Book Report

Use the links below to jump directly to any section of this guide:

Book Report Fundamentals

Preparing to write, an overview of the book report format, how to write the main body of a book report, how to write a conclusion to a book report, reading comprehension and book reports, book report resources for teachers .

Book reports remain a key educational assessment tool from elementary school through college. Sitting down to close read and critique texts for their content and form is a lifelong skill, one that benefits all of us well beyond our school years. With the help of this guide, you’ll develop your reading comprehension and note-taking skills. You’ll also find resources to guide you through the process of writing a book report, step-by-step, from choosing a book and reading actively to revising your work. Resources for teachers are also included, from creative assignment ideas to sample rubrics.

Book reports follow general rules for composition, yet are distinct from other types of writing assignments. Central to book reports are plot summaries, analyses of characters and themes, and concluding opinions. This format differs from an argumentative essay or critical research paper, in which impartiality and objectivity is encouraged. Differences also exist between book reports and book reviews, who do not share the same intent and audience. Here, you’ll learn the basics of what a book report is and is not.

What Is a Book Report?

"Book Report" ( ThoughtCo )

This article, written by a professor emeritus of rhetoric and English, describes the defining characteristics of book reports and offers observations on how they are composed.

"Writing a Book Report" (Purdue OWL)

Purdue’s Online Writing Lab outlines the steps in writing a book report, from keeping track of major characters as you read to providing adequate summary material.

"How to Write a Book Report" ( Your Dictionary )

This article provides another helpful guide to writing a book report, offering suggestions on taking notes and writing an outline before drafting. 

"How to Write a Successful Book Report" ( ThoughtCo )

Another post from ThoughtCo., this article highlights the ten steps for book report success. It was written by an academic advisor and college enrollment counselor.

What’s the Difference Between a Book Report and an Essay?

"Differences Between a Book Report & Essay Writing" ( Classroom)

In this article from the education resource Classroom,  you'll learn the differences and similarities between book reports and essay writing.

"Differences Between a Book Report and Essay Writing" (SeattlePi.com)

In this post from a Seattle newspaper's website, memoirist Christopher Cascio highlights how book report and essay writing differ.

"The Difference Between Essays and Reports" (Solent Online Learning)

This PDF from Southampton Solent University includes a chart demonstrating the differences between essays and reports. Though it is geared toward university students, it will help students of all levels understand the differing purposes of reports and analytical essays.

What’s the Difference Between a Book Report and a Book Review?

"How to Write a Book Review and a Book Report" (Concordia Univ.)

The library at Concordia University offers this helpful guide to writing book report and book reviews. It defines differences between the two, then presents components that both forms share.

"Book Reviews" (Univ. of North Carolina)

The University of North Carolina at Chapel Hill’s writing guide shows the step-by-step process of writing book reviews, offering a contrast to the composition of book reports.

Active reading and thoughtful preparation before you begin your book report are necessary components of crafting a successful piece of writing. Here, you’ll find tips and resources to help you learn how to select the right book, decide which format is best for your report, and outline your main points.

Selecting and Finding a Book

"30 Best Books for Elementary Readers" (Education.com)

This article from Education.com lists 30 engaging books for students from kindergarten through fifth grade. It was written by Esme Raji Codell, a teacher, author, and children's literature specialist.

"How to Choose a Good Book for a Report (Middle School)" (WikiHow)

This WikiHow article offers suggestions for middle schoolers on how to choose the right book for a report, from getting started early on the search process to making sure you understand the assignment's requirements.

"Best Book-Report Books for Middle Schoolers" (Common Sense Media)

Common Sense Media has compiled this list of 25 of the best books for middle school book reports. For younger students, the article suggests you check out the site's "50 Books All Kids Should Read Before They're 12."

"50 Books to Read in High School" (Lexington Public Library)

The Lexington, Kentucky Public Library has prepared this list to inspire high school students to choose the right book. It includes both classics and more modern favorites.

The Online Computer Library Center's catalogue helps you locate books in libraries near you, having itemized the collections of 72,000 libraries in 170 countries.

Formats of Book Reports

"Format for Writing a Book Report" ( Your Dictionary )

Here, Your Dictionary supplies guidelines for the basic book report format. It describes what you'll want to include in the heading, and what information to include in the introductory paragraph. Be sure to check these guidelines against your teacher's requirements.

"The Good Old Book Report" (Scholastic)

Nancy Barile’s blog post for Scholastic lists the questions students from middle through high school should address in their book reports.

How to Write an Outline

"Writer’s Web: Creating Outlines" (Univ. of Richmond)

The University of Richmond’s Writing Center shows how you can make use of micro and macro outlines to organize your argument.

"Why and How to Create a Useful Outline" (Purdue OWL)

Purdue’s Online Writing Lab demonstrates how outlines can help you organize your report, then teaches you how to create outlines.

"Creating an Outline" (EasyBib)

EasyBib, a website that generates bibliographies, offers sample outlines and tips for creating your own. The article encourages you to think about transitions and grouping your notes.

"How to Write an Outline: 4 Ways to Organize Your Thoughts" (Grammarly)

This blog post from a professional writer explains the advantages of using an outline, and presents different ways to gather your thoughts before writing.

In this section, you’ll find resources that offer an overview of how to write a book report, including first steps in preparing the introduction. A good book report's introduction hooks the reader with strong opening sentences and provides a preview of where the report is going.

"Step-by-Step Outline for a Book Report" ( Classroom )

This article from Classroom furnishes students with a guide to the stages of writing a book report, from writing the rough draft to revising.

"Your Roadmap to a Better Book Report" ( Time4Writing )

Time4Writing offers tips for outlining your book report, and describes all of the information that the introduction, body, and conclusion should include.

"How to Start a Book Report" ( ThoughtCo)

This ThoughtCo. post, another by academic advisor and college enrollment counselor Grace Fleming, demonstrates how to write a pithy introduction to your book report.

"How to Write an Introduction for a Book Report" ( Classroom )

This brief but helpful post from Classroom  details what makes a good book report introduction, down to the level of individual sentences.

The body paragraphs of your book report accomplish several goals: they describe the plot, delve more deeply into the characters and themes that make the book unique, and include quotations and examples from the book. Below are some resources to help you succeed in summarizing and analyzing your chosen text.

Plot Summary and Description

"How Do You Write a Plot Summary?" ( Reference )

This short article presents the goals of writing a plot summary, and suggests a word limit. It emphasizes that you should stick to the main points and avoid including too many specific details, such as what a particular character wears.

"How to Write a Plot for a Book Report" ( The Pen & The Pad )

In this article from a resource website for writers, Patricia Harrelson outlines what information to include in a plot summary for a book report. 

"How to Write a Book Summary" (WikiHow)

Using Harry Potter and the Sorcerer’s Stone as an example, this WikiHow article demonstrates how to write a plot summary one step at a time.

Analyzing Characters and Themes

"How to Write a Character Analysis Book Report" ( The Pen & The Pad )

Kristine Tucker shows how to write a book report focusing on character. You can take her suggestions as they are, or consider  incorporating them into the more traditional book report format.

"How to Write a Character Analysis" (YouTube)

The SixMinuteScholar Channel utilizes analysis of the film  Finding Nemo to show you how to delve deeply into character, prioritizing inference over judgment.

"How to Define Theme" ( The Editor's Blog )

Fiction editor Beth Hill contributes an extended definition of theme. She also provides examples of common themes, such as "life is fragile."

"How to Find the Theme of a Book or Short Story" ( ThoughtCo )

This blog post from ThoughtCo. clarifies the definition of theme in relation to symbolism, plot, and moral. It also offers examples of themes in literature, such as love, death, and good vs. evil.

Selecting and Integrating Quotations

"How to Choose and Use Quotations" (Santa Barbara City College)

This guide from a college writing center will help you choose which quotations to use in your book report, and how to blend quotations with your own words.

"Guidelines for Incorporating Quotes" (Ashford Univ.)

This PDF from Ashford University's Writing Center introduces the ICE method for incorporating quotations: introduce, cite, explain.

"Quote Integration" (YouTube)

This video from The Write Way YouTube channel illustrates how to integrate quotations into writing, and also explains how to cite those quotations.

"Using Literary Quotations" (Univ. of Wisconsin-Madison)

This guide from the University of Wisconsin-Madison’s Writing Center helps you emphasize your analysis of a quotation, and explains how to incorporate quotations into your text.

Conclusions to any type of paper are notoriously tricky to write. Here, you’ll learn some creative ways to tie up loose ends in your report and express your own opinion of the book you read. This open space for sharing opinions that are not grounded in critical research is an element that often distinguishes book reports from other types of writing.

"How to Write a Conclusion for a Book Report" ( Classroom )

This brief article from the education resource  Classroom illustrates the essential points you should make in a book report conclusion.

"Conclusions" (Univ. of North Carolina)

The University of North Carolina at Chapel Hill’s Writing Center lays out strategies for writing effective conclusions. Though the article is geared toward analytical essay conclusions, the tips offered here will also help you write a strong book report.

"Ending the Essay: Conclusions" (Harvard College Writing Center)

Pat Bellanca’s article for Harvard University’s Writing Center presents ways to conclude essays, along with tips. Again, these are suggestions for concluding analytical essays that can also be used to tie up a book report's loose ends.

Reading closely and in an engaged manner is the strong foundation upon which all good book reports are built. The resources below will give you a picture of what active reading looks like, and offer strategies to assess and improve your reading comprehension. Further, you’ll learn how to take notes—or “annotate” your text—making it easier to find important information as you write.

How to Be an Active Reader

"Active Reading Strategies: Remember and Analyze What You Read" (Princeton Univ.)

Princeton University’s McGraw Center for Teaching and Learning recommends ten strategies for active reading, and includes sample diagrams.

"Active Reading" (Open Univ.)

The Open University offers these techniques for reading actively alongside video examples. The author emphasizes that you should read for comprehension—not simply to finish the book as quickly as possible.

"7 Active Reading Strategies for Students" ( ThoughtCo )

In this post, Grace Fleming outlines seven methods for active reading. Her suggestions include identifying unfamiliar words and finding the main idea. 

"5 Active Reading Strategies for Textbook Assignments" (YouTube)

Thomas Frank’s seven-minute video demonstrates how you can retain the most important information from long and dense reading material.

Assessing Your Reading Comprehension

"Macmillan Readers Level Test" (MacMillan)

Take this online, interactive test from a publishing company to find out your reading level. You'll be asked a number of questions related to grammar and vocabulary.

"Reading Comprehension Practice Test" (ACCUPLACER)

ACCUPLACER is a placement test from The College Board. This 20-question practice test will help you see what information you retain after reading short passages.

"Reading Comprehension" ( English Maven )

The English Maven site has aggregated exercises and tests at various reading levels so you can quiz your reading comprehension skills.

How to Improve Your Reading Comprehension

"5 Tips for Improving Reading Comprehension" ( ThoughtCo )

ThoughtCo. recommends five tips to increase your reading comprehension ability, including reading with tools such as highlighters, and developing new vocabulary.

"How to Improve Reading Comprehension: 8 Expert Tips" (PrepScholar)

This blog post from PrepScholar provides ideas for improving your reading comprehension, from expanding your vocabulary to discussing texts with friends.

CrashCourse video: "Reading Assignments" (YouTube)

This CrashCourse video equips you with tools to read more effectively. It will help you determine how much material you need to read, and what strategies you can use to absorb what you read.

"Improving Reading Comprehension" ( Education Corner )

From a pre-reading survey through post-reading review, Education Corner  walks you through steps to improve reading comprehension.

Methods of In-text Annotation

"The Writing Process: Annotating a Text" (Hunter College)

This article from Hunter College’s Rockowitz Writing Center outlines how to take notes on a text and provides samples of annotation.

"How To Annotate Text While Reading" (YouTube)

This video from the SchoolHabits YouTube channel presents eleven annotation techniques you can use for better reading comprehension.

"5 Ways To Annotate Your Books" ( Book Riot )

This article from the Book Riot  blog highlights five efficient annotation methods that will save you time and protect your books from becoming cluttered with unnecessary markings.

"How Do You Annotate Your Books?" ( Epic Reads )

This post from Epic Reads highlights how different annotation methods work for different people, and showcases classic methods from sticky notes to keeping a reading notebook.

Students at every grade level can benefit from writing book reports, which sharpen critical reading skills. Here, we've aggregated sources to help you plan book report assignments and develop rubrics for written and oral book reports. You’ll also find alternative book report assessment ideas that move beyond the traditional formats.

Teaching Elementary School Students How to Write Book Reports

"Book Reports" ( Unique Teaching Resources )

These reading templates courtesy of Unique Teaching Resources make great visual aids for elementary school students writing their first book reports.

"Elementary Level Book Report Template" ( Teach Beside Me )

This   printable book report template from a teacher-turned-homeschooler is simple, classic, and effective. It asks basic questions, such as "who are the main characters?" and "how did you feel about the main characters?"

"Book Reports" ( ABC Teach )

ABC Teach ’s resource directory includes printables for book reports on various subjects at different grade levels, such as a middle school biography book report form and a "retelling a story" elementary book report template.

"Reading Worksheets" ( Busy Teacher's Cafe )

This page from Busy Teachers’ Cafe contains book report templates alongside reading comprehension and other language arts worksheets.

Teaching Middle School and High School Students How to Write Book Reports

"How to Write a Book Report: Middle and High School Level" ( Fact Monster)

Fact Monster ’s Homework Center discusses each section of a book report, and explains how to evaluate and analyze books based on genre for students in middle and high school.

"Middle School Outline Template for Book Report" (Trinity Catholic School)

This PDF outline template breaks the book report down into manageable sections for seventh and eighth graders by asking for specific information in each paragraph.

"Forms for Writing a Book Report for High School" ( Classroom )

In this article for Classroom,  Elizabeth Thomas describes what content high schoolers should focus on when writing their book reports.

"Forms for Writing a Book Report for High School" ( The Pen & The Pad )

Kori Morgan outlines techniques for adapting the book report assignment to the high school level in this post for The Pen & The Pad .

"High School Book Lists and Report Guidelines" (Highland Hall Waldorf School)

These sample report formats, grading paradigms, and tips are collected by Highland Hall Waldorf School. Attached are book lists by high school grade level.

Sample Rubrics

"Book Review Rubric Editable" (Teachers Pay Teachers)

This free resource from Teachers Pay Teachers allows you to edit your book report rubric to the specifications of your assignment and the grade level you teach.

"Book Review Rubric" (Winton Woods)

This PDF rubric from a city school district includes directions to take the assignment long-term, with follow-up exercises through school quarters.

"Multimedia Book Report Rubric" ( Midlink Magazine )

Perfect for oral book reports, this PDF rubric from North Carolina State University's Midlink Magazine  will help you evaluate your students’ spoken presentations.

Creative Book Report Assignments

"25 Book Report Alternatives" (Scholastic)

This article from the Scholastic website lists creative alternatives to the standard book report for pre-kindergarteners through high schoolers.

"Fresh Ideas for Creative Book Reports" ( Education World )

Education World offers nearly 50 alternative book report ideas in this article, from a book report sandwich to a character trait diagram.

"A Dozen Ways to Make Amazingly Creative Book Reports" ( We Are Teachers )

This post from We Are Teachers puts the spotlight on integrating visual arts into literary study through multimedia book report ideas.

"More Ideas Than You’ll Ever Use for Book Reports" (Teachnet.com)

This list from Teachnet.com includes over 300 ideas for book report assignments, from "interviewing" a character to preparing a travel brochure to the location in which the book is set.

"Fifty Alternatives to the Book Report" (National Council of Teachers of English)

In this PDF resource from the NCTE's  English Journal,  Diana Mitchell offers assignment ideas ranging from character astrology signs to a character alphabet.

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How to Write a Book Report (+ Book Report Example) 

Download for free, specific tips for writing effective book reports..

Write better book reports using the tips, examples, and outlines presented here. This resource covers three types of effective book reports: plot summaries, character analyses, and theme analyses. It also features a specific book report example for students.

How to write a book report (+ book report example) 

Whether you're a student looking to show your comprehension of a novel, or simply a book lover wanting to share your thoughts, writing a book report can be a rewarding experience. This guide, filled with tips, tricks, and a book report example, will help you craft a report that effectively communicates your understanding and analysis of your chosen book.

Looking for a printable resource on book reports? See our Printable Book Report Outlines and Examples

What is a book report? 

Book reports can take on many different forms. Writing a book review helps you practice giving your opinion about different aspects of a book, such as an author's use of description or dialogue.

You can write book reports of any type, from fiction to non-fiction research papers, or essay writing; however, there are a few basic elements you need to include to convey why the book you read was interesting when writing a good book report.

Types of book reports 

Three types of effective book reports are plot summaries, character analyses, and theme analyses. Each type focuses on different aspects of the book and requires a unique approach. These three types of book reports will help you demonstrate your understanding of the book in different ways.

Plot summary

When you are writing a plot summary for your book report you don't want to simply summarize the story. You need to explain what your opinion is of the story and why you feel the plot is so compelling, unrealistic, or sappy. It is the way you analyze the plot that will make this a good report. Make sure that you use plenty of examples from the book to support your opinions.

Try starting the report with a sentence similar to the following:

The plot of I Married a Sea Captain , by Monica Hubbard, is interesting because it gives the reader a realistic sense of what it was like to be the wife of a whaling captain and live on Nantucket during the 19th century.

Character analysis

If you choose to write a character analysis, you can explore the physical and personality traits of different characters and the way their actions affect the plot of the book.

• Explore the way a character dresses and what impression that leaves with the reader.
• What positive characteristics does the character possess?
• Does the character have a "fatal flaw" that gets him/her into trouble frequently?
• Try taking examples of dialogue and analyzing the way a character speaks. Discuss the words he/she chooses and the way his/her words affect other characters.
• Finally, tie all of your observations together by explaining the way the characters make the plot move forward.

In the novel Charlotte's Web , by E. B. White, Templeton the rat may seem like an unnecessary character but his constant quest for food moves the plot forward in many ways.

Theme analyses

Exploring the themes (or big ideas that run throughout the story) in a book can be a great way to write a book report because picking a theme that you care about can make the report easier to write. Try bringing some of your thoughts and feelings as a reader into the report as a way to show the power of a theme. Before you discuss your own thoughts, however, be sure to establish what the theme is and how it appears in the story.

• Explain  exactly  what theme you will be exploring in your book report.
• Use as many examples and quotations from the book as possible to prove that the theme is important to the story.
• Make sure that you talk about each example or quotation you've included. Make a direct connection between the theme and the example from the book.
• After you have established the theme and thoroughly examined the way it affects the book, include a few sentences about the impact the theme had upon you and why it made the book more or less enjoyable to read.

In the novel Roll of Thunder Hear My Cry , by Mildred Taylor, the theme of racial prejudice is a major catalyst in the story.

How to write a book report

1. Thoroughly read the book

Immerse yourself in the book, taking the time to read it in its entirety. As you read, jot down notes on important aspects such as key points, themes, and character developments.

2. Identify the main elements of the book

Scrutinize the book's primary components, including its main themes, characters, setting, and plot. These elements will form the basis of your report.

3. Formulate a thesis statement

Compose a thesis statement that encapsulates your personal perspective about the book. This should be a concise statement that will guide your analysis and give your report a clear focus.

4. Create a detailed outline

Plan the structure of your book report. This outline should include an introduction, body paragraphs each focusing on a different aspect of the book, and a conclusion.

5. Craft the introduction

The introduction should provide basic information such as the book's title and author, and present your thesis statement. It should engage the reader and make them interested in your analysis.

6. Write the body of the report

In the body of your report, discuss in detail the book's main elements that you identified in step 3. Use specific examples from the text to support your analysis and to prove your thesis statement.

7. Write a strong conclusion

Your conclusion should summarize your analysis, reaffirm your thesis, and provide a closing thought or reflection on the overall book.

8. Review and edit your report

After writing, take the time to revise your report for clarity and coherence. Check for and correct any grammar or spelling errors. Ensure that your report clearly communicates your understanding and analysis of the book.

9. Include citations

If you have used direct quotes or specific ideas from the book, make sure to include proper citations . This is crucial in academic writing and helps avoid plagiarism.

10. Proofread

Finally, proofread your work. Look for any missed errors and make sure that the report is the best it can be before submitting it.

Book report example 

Below is a book report example on the novel To Kill a Mockingbird by Harper Lee.

In  To Kill a Mockingbird , Harper Lee presents a thoughtful exploration of racial prejudice, morality, and the loss of innocence. Set in the small, fictional town of Maycomb, Alabama, during the Great Depression, the book centers around the Finch family - young Scout, her older brother Jem, and their widowed father, Atticus. Scout's character provides a fresh perspective as she narrates her experiences and observations of the unjust racial prejudice in her town. Her honesty and curiosity, coupled with her father's teachings, allow her to grow from innocence to a more profound understanding of her society's inequalities. The plot revolves around Atticus Finch, a respected lawyer, defending a black man, Tom Robinson, unjustly accused of raping a white woman. As the trial progresses, it becomes clear that Robinson is innocent, and the accusation was a product of racial prejudice. Despite compelling evidence in Robinson's favor, he is convicted, symbolizing the power of bias over truth. The theme of racial prejudice is a significant part of the book. Lee uses the trial and its unjust outcome to critique the racial prejudice prevalent in society. For example, despite Atticus's solid defense, the jury's racial bias leads them to find Robinson guilty. This instance highlights how deeply ingrained prejudice can subvert justice. The book also explores the theme of the loss of innocence. Scout and Jem's experiences with prejudice and injustice lead to their loss of innocence and a better understanding of the world's complexities. For example, Scout's realization of her town's unfair treatment of Robinson demonstrates her loss of innocence and her understanding of societal biases. Overall,  To Kill a Mockingbird  is a compelling exploration of the harsh realities of prejudice and the loss of innocence. Harper Lee's intricate characters and vivid storytelling have made this book a classic.

The above is an excellent book report example for several reasons. First, it provides a clear, concise summary of the plot without giving away the entire story. Second, it analyzes the main characters, their roles, and their impacts on the story. Third, it discusses the major themes of the book - racial prejudice and loss of innocence - and supports these themes with evidence from the text. Finally, it presents a personal perspective on the book's impact and overall message, demonstrating a deep understanding of the book's significance.

Book report checklist

Always  include the following elements in any book report:

• The type of book report you are writing
• The book's title
• The author of the book
• The time when the story takes place
• The location where the story takes place
• The names and a  brief  description of each of the characters you will be discussing
• Many quotations and examples from the book to support your opinions
• A thesis statement
• The point of view of the narrator
• Summary of the book
• The main points or themes discussed in the work of fiction or non-fiction
• The first paragraph (introductory paragraph), body paragraphs, and final paragraph
• The writing styles of the author
• A critical analysis of the fiction or non-fiction book

Don't forget! 

No matter what type of book report you decide to write, ensure it includes basic information about the main characters, and make sure that your writing is clear and expressive so that it’s easy for audiences in middle school, high school, college-level, or any grade level to understand. Also, include examples from the book to support your opinions. Afterward, conduct thorough proofreading to complete the writing process. Book reports may seem disconnected from your other schoolwork, but they help you learn to summarize, compare and contrast, make predictions and connections, and consider different perspectives & skills you'll need throughout your life.

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How to write a book report: 9 simple steps.

• January 8, 2024

Table of Contents:

Step 1: choose the book, step 2: read the book carefully, step 3: take notes, step 4: understand the assignment guidelines, step 5: outline., step 6: write a draft, step 7: analyze and evaluate, step 8: conclude thoughtfully, step 9: submit or share, conclusion:, book report.

Press The Play Button On The Audio To Listen Complete Article!

When writing a book report, you want to do more than just list the characters’ names, describe the plot, and summarize the action. You want to give a thoughtful analysis of each of these aspects and provide a context for your ideas by explaining how your experience reading the book affected your reaction to it.

But what if you’ve never written a book report before? What if you’ve only read one or two and gotten an F on them? How can you write a great book report?

That’s why we put together this guide: by following our 9 simple steps, you’ll be able to learn how to write a book report that will wow both your teacher and yourself!

To learn how to write a report, you must first pick up a book.

When choosing a book, many options are available, especially from American book writers . Look for authors who have made significant contributions to literature and have a writing style that resonates with you.

Consider the genre and subject matter that you find intriguing. Whether it’s a classic novel, a thought-provoking non-fiction work, or a contemporary bestseller, ensure it fits your assignment or personal reading goals.

An important aspect to consider is your comprehension level. It’s essential to choose a book that you can understand and engage with fully. If the language or complexity of the book is too challenging, it might hinder your enjoyment and comprehension. To avoid this, you can read reviews or sample chapters to understand the writing style and difficulty level.

Additionally, think about how the chosen book aligns with your interests. Reading something that genuinely captivates you will make the journey more enjoyable. It will also encourage you to delve deeper, analyze different aspects, and gain a more profound understanding of the book’s themes and messages.

When reading the book, it’s crucial to approach it with careful attention and focus. As you delve into the pages, make note of the essential elements, such as the plot, characters, and themes. Doing this step will help you learn how to write a book report.

Take time to understand the details of the story and how they interconnect. Pay attention to any notable quotes or passages that resonate with you.

It’s also important to consider the author’s writing style and the book’s overall tone. Some authors have a poetic or descriptive style, while others may have a more straightforward and concise approach. Understanding the writing style can enhance your appreciation for the book and help you analyze how effectively the author communicates their ideas.

Experienced book publishers play a vital role in the selection and publication of books. They have a keen eye for quality writing and can identify books that have the potential to engage readers. Taking note of the experiences and recommendations of trusted publishers can be a helpful guide in selecting well-crafted and engaging books.

As you read, take notes in the margins and use a highlighter to mark important passages. This will help you to remember what you found interesting or relevant.

It’s also helpful to write down any questions while reading. These can be used as prompts for an introductory paragraph or section of your report.

When writing a report, it’s important to be concise. You don’t want to just list the facts and figures–you want your reader to understand what they mean and how they relate to one another.

This is where your notes will come in handy. You can use them to ensure that the information you include is relevant, clear, and concise. You might start by briefly outlining what you want to include in each section of your report.

Understanding the guidelines and expectations of a book report assignment is crucial in learning how to write a book report and create insightful analysis.

For an academic task or personal project, familiarizing yourself with the specific requirements set by your instructor or the parameters of your project is essential. Pay attention to details such as the desired report length, formatting guidelines, and the depth of analysis expected.

In addition to adhering to assignment guidelines, employing a structured approach enhances the quality of your book report. Creating an outline delineating sections like introduction, summary, analysis, and conclusion helps organize your thoughts and ensures a coherent presentation of your ideas.

As you’re reading, it’s easy to get lost in the details of a book and forget its overall structure. Before writing it out, you must think about how your paper will be organized.

Your outline should include:

• A summary of what happened in each chapter (or section). This is especially helpful if there are many characters or locations in your story; having this information written down will help keep them straight as you write about them later.
• A list of important facts from each section/chapter that support your thesis statement (the main idea behind your essay). For example, if my thesis is “This book was very confusing,” then I would want examples from throughout the book where things were confusing to use as evidence when defending this point later in my essay.

In this step, you will write a draft of your book report. You may want to use some sticky notes or index cards to help organize your thoughts. But try not to get too caught up in formatting at this point. The most important thing is that you’ve got all the information on paper, making it easy for others to read and understand.

If possible, get feedback from someone else who has also read the book. Perhaps another student who took this class with you or even one of their parents! Ask them if they agree with how much detail went into each section of your report. Also, ask them if there were any areas where more explanation would benefit readers.

Once you have finished reading the book, it’s time to dive into a deeper analysis and evaluation. Start by identifying the book’s strengths and weaknesses. Consider aspects such as character development, writing style, themes, and the overall message conveyed by the author.

This evaluation will help you understand the book better and allow you to form your own opinions and interpretations.

For instance, if you read one of the best psychological horror books , analyze how effectively the author builds suspense and delivers psychological chills. Explore how the characters are developed and whether their psychological struggles are portrayed convincingly. Evaluate the writing style and how it adds to the atmosphere of fear and unease.

Be sure to offer personal insights and opinions. Discuss what resonated with you, what surprised you, or what you found particularly effective. Share any connections you drew between the book and your own experiences or beliefs.

Concluding a book report requires a thoughtful reflection on the main points discussed throughout the report. There is a simple way to learn how to wrap a book ; Consider it a way to encapsulate your thoughts and impressions after engaging with the book.

Start by summarizing the main points you raised throughout the report. Highlight key elements such as the plot, characters, themes, and writing style that stood out to you. This summary allows the reader to recollect the important aspects of the book you discussed.

Next, reflect on the book’s impact and relevance. Did the book leave a lasting impression on you? Did it challenge your perspectives or offer new insights? Consider how the book fits into the larger literary landscape.

Lastly, share your recommendation. Would you recommend this book to others? Explain your reasoning behind your recommendation. Discuss who might enjoy the book and why it could benefit different readers.

By concluding thoughtfully, you provide a satisfying end to your book report while leaving the reader with a clear understanding of your thoughts and recommendations. Remember to combine your main points and insights to create a cohesive and impactful ending.

Sharing your insights on a book report can be as rewarding as the reading process itself. After completing the analysis and crafting a comprehensive report, the final step is crucial—submitting or sharing your work. This step aligns with the purpose of your assignment, whether it’s for academic evaluation or sharing valuable perspectives.

When submitting your book report, ensure adherence to any specific guidelines your instructor or institution provides. Format the document according to the required structure, including title pages, citations (if applicable), and additional components.

On the other hand, if you’re sharing your thoughts and recommendations informally, consider the audience. Whether it’s peers, friends, or fellow book enthusiasts, engagingly conveys your key takeaways. Highlight the aspects that resonated with you, discuss the character’s themes, and provide insightful critiques.

Remember, the essence of sharing your book report lies in enthusiasm and confidence. Embrace the opportunity to showcase your analytical skills and understanding of the book, inspiring others to explore the same literary journey. Ultimately, enjoy the process and be proud of the effort you’ve dedicated to the report!

Writing a book report is a great way to get your name and show off your writing skills. It’s also a great way to improve your reading comprehension skills, as you must read the book closely and analyze it to write a good report.

If you’re ready to get started with your book report, use these 9 steps as a guide!

By following these nine steps and considering the additional tips, you’ll be able to craft a comprehensive and insightful book report that effectively communicates your understanding and analysis of the book.

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How to Write a Killer Book Report

By melissa taylor.

Book reports (also called book reviews or critiques) check for a student’s reading comprehension skills and ability to express his or her thoughts about the book in writing.

Depending on the grade level and the teacher’s specific assignment, a book report can be from one to five or more paragraphs. But no matter the length, book reports need to include these essential elements:

Book Report Checklist

_____   title and author.

Always include the book’s title and the author’s name. If you’re writing an essay, this goes in the first sentence or first paragraph.

_____   Summary

Fiction : Summaries can be challenging. So here’s how to pare down everything that happened in the book.

Remember doing story maps? If your book is fiction, start with a story map to jot down the story elements: setting; beginning, middle, and end (or problem and resolution); and main characters. You can find story map examples here . Take the information from the story map and combine it into sentences to form a concise summary.

Fiction summary example: A blond girl entered a house in the woods where she broke furniture, ate cereal, and took a nap. When the bear homeowners returned, the little girl ran away.

Another way to summarize is to use the “ somebody-wanted-but-so-then ” method . For each word (i.e. somebod y), write the story element. For example: Somebody = the aliens, wanted = underpants, but = mom came outside to get laundry, so then = they zoomed back to space. Put this all together and you have a short and sweet summary: The aliens wanted underpants but the mom came outside to get the laundry so they zoomed back to space .

Nonfiction: If your book is nonfiction, instead of a story map, start with a graphic organizer or thinking map  to organize the most important information. Use this information to write your summary.

Nonfiction summary example: Each strata of the rainforest is home to diverse animals, from the upper canopy to the lower forest floor.

Adapt the “ somebody-wanted-but-so-then ” method for nonfiction using this formula: “ something-happened-and-then ”. Here’s an example: The hurricane destroyed the small village and made it difficult for residents to get clean water and shelter.

Reminder: Don’t put in any of those oh-so-interesting details in your summary. We don’t need to know that the main character stubbed her toe or her favorite band is The Rolling Stones. Only include the most important information.

_____   Analysis

Your teacher wants to know what you thought about the book and why. Depending on your grade level, she’ll want either your most basic thoughts ( What made it good or not good and why?) or a more complex analysis ( What was the book’s theme?) .

Here are questions to consider  when you write your analysis: (Remember to always justify your reasons with an explanation. In other words, always answer WHY after you state your thoughts.)

• Did you like this book?
• Could you relate to something in the character’s life?
• Did the book teach you anything?
• What made the book difficult or interesting?
• What surprised you and why?
• What do you know now that you didn’t know before?
• Would you read another book by this author?
• What motivated the main character?
• How did the main character change throughout the story?
• Talk about author’s craft. What about the writing was notable?
• What was the symbolism in the book?
• What wisdom did older characters impart to younger ones?

_____   Examples from the Text

Most teachers require citations, or specific examples, to support analysis, especially after a close reading . You’ll have two choices: paraphrase the part in the book in your own words or quote directly from the text.

When using a direct quote, elementary students are required to put quotation marks around the passage as well as indicate the page where the quote is found. Example: “ But wherever these friends of mine are — that’s my home. ” (480)

For middle and high school students, teachers require MLA or APA style citations. MLA citations are (last name page number) while APA citations are (last name, publication year). For more specifics, visit this helpful tutorial .

Book reports are important for a student’s academic success.  An Anchor Common Core Standard for Reading confirms this , saying that students should be able to: “Read closely to determine what the text says explicitly and to make logical inferences from it; cite specific textual evidence when writing or speaking to support conclusions drawn from the text.”

If you or your kiddos need a bit of book report inspiration, and a laugh or two along the way, check out this classic “Peanuts” video .

• pinterest-p

Book reports may be a staple of elementary and middle school education, but they are far less frequently assigned in the higher grades. High school ELA teacher Nancy Barile thinks that should change. Students in 6th grade and above can learn a lot when they are challenged to use higher order thinking skills to understand and interpret the literature they read via a good old-fashioned high school book report template. 

To start, Barile recommends that students choose the books they want to write about themselves—with teacher approval, of course. See the book list at the end of this article for engaging young adult titles and book report ideas, including books with thematic elements that are particularly appealing to older readers. 

Writing the Report

To structure the book reports, Barile recommends eight sections of analysis that will “require students to provide evidence of their choices and reasoning, which helps them think more deeply about what they have read.” For each section, students should give examples from the book to back up their analysis. The below book report template can help. 

If your students need to review the elements of fiction before beginning this assignment, Teaching Powerful Writing is a great resource. This collection of personal narratives and writing activities highlights different writing techniques and covers literary elements such as voice, using flashback, and point of view.

Book Report Breakdown

Students should identify the setting of the novel and explain why the setting is important.

• How are the time and place significant to the events of the story?
• How does the setting contribute to the overall meaning of the novel? 

2. CHARACTERIZATION

Beginning with the protagonist and then moving on to the supporting characters, students should discuss the characterizations in their novel. 

• Is the character well-developed, or are they a stock or stereotypical character? 
• Is the character static (unchanging throughout the story) or dynamic (changes by the end of the novel)? 
• What personality traits does the character possess, and how does this affect the outcome of the novel? 
• Do the character's inner thoughts and feelings reflect their outward actions? Explain. 

3. POINT OF VIEW

Students should identify the novel’s point of view and why it is significant.

• What advantages does telling the story in (first person/second person/third person) have? Why?
• Why do you think the author chose this point of view? 

4. CONFLICT

What is the primary conflict in the novel? Is it human vs. human, human vs. nature, human vs. society, or human vs. themselves? Your students should delve into conflict much more deeply than they may have in the past. If their story has more than one major conflict, they should detail the additional conflicts as well.

• Explain the conflict and how the protagonist deals with it. 
• Does the protagonist overcome the conflict? Or do they succumb to it?

Students should identify the theme of the novel and the specific meaning of the book they chose. They should avoid stock themes such as “Don’t judge a book by its cover” and think more critically on their author’s message.

• What was the author’s purpose in writing the book?

What are the symbols in the novel and how are they significant?

• How do the symbols help develop the story and contribute to the overall meaning of the book?

7. FORESHADOWING

Students should identify the foreshadowing in their novel and give examples from the text.

• Did you know what was going to come? Why? 
• Were there any hints as to what might occur? 
• Why do you think the author chose to use or not use foreshadowing? 

Finally, students should evaluate the ending of the book.

• Was the ending justified? (Was the ending viable and believable?) 
• Was it a satisfactory ending that fit the rest of the novel? 
• Was there a catharsis of some kind? Explain.

If your students follow this structure in their book report, it will help them explore each of the elements of fiction in a very specific way. As Barile discovered in her decades of teaching: “Students who explain, interpret, and synthesize what they have read gain a deeper understanding and appreciation of literature.”

Shop great classroom titles for book reports below! You can find all books and activities at The Teacher Store .

Book Report: Definition, Guidelines, and Advice

Glossary of Grammatical and Rhetorical Terms

• An Introduction to Punctuation
• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

A book report is a written composition or oral presentation that describes, summarizes , and (often, but not always) evaluates a work of fiction or nonfiction .

As Sharon Kingen points out below, a book report is primarily a school exercise, "a means of determining whether or not a student has read a book" ( Teaching Language Arts in Middle Schools , 2000).

Characteristics of a Book Report

Book reports generally follow a basic format that includes the following information:

• the title of the book and its year of publication
• the name of the author
• the genre (type or category) of the book (for example, biography , autobiography , or fiction)
• the main subject, plot , or theme of the book
• a brief summary of the key points or ideas treated in the book
• the reader's response to the book, identifying its apparent strengths and weaknesses
• brief quotations from the book to support general observations

Examples and Observations

• "A book report is a way for you to let others know about a book you have read. A good book report will help others decide whether they want to read the book or not." (Ann McCallum, William Strong, and Tina Thoburn, Language Arts Today . McGraw-Hill, 1998)
• Contrasting Views on Book Reports - "Keep in mind always that a book report is a hybrid, part fact and part fancy. It gives hard information about the book, yet it is your own creation, giving your opinion and judgment of it." (Elvin Ables, Basic Knowledge and Modern Technology . Varsity, 1987) - "Your instructor may occasionally assign a book report . A book report is to be sharply distinguished from a research paper , for it deals with one book in its entirety—not with certain aspects of several books and documents . . .. The book report is also to be clearly distinguished from a book review or a critical essay , for it merely reports on a book without undertaking to compare it with other books or to pass judgment on its value." (Cleanth Brooks and Robert Penn Warren, Modern Rhetoric . Harcourt, 1972) - "A book report is a summary of the contents, plot , or thesis of a particular book, . . . preceded by a full bibliographical citation . The writer of a book report is not required to evaluate the author, although he oftentimes does so." (Donald V. Gawronski, History: Meaning and Method . Sernoll, 1967)
• Quick Tips "I'll give you some tips on how to write a good book report right now. "Tell the name of the book. Tell the name of the author. The Wizard of Oz was written by L. Frank Baum. "Tell if you think he's a good writer. Tell the names of all the characters in the book. Tell what they did. Tell where they went. Tell who they were looking for. Tell what they finally found. Tell how they treated each other. Tell about their feelings. "Tell that you read some to your sister. Tell that she liked it. "Read some to a friend. Then you can even tell that your friend liked it." (Mindy Warshaw Skolsky, Love From Your Friend, Hannah . HarperCollins, 1999)
• Problems Associated With Book Reports "Typically a book report is a means of determining whether or not a student has read a book. Some teachers also consider these reports as a major part of their composition program. However, there are several problems associated with book reports. First, students can generally find out enough about a book to write a report without actually reading it. Second, book reports tend to be boring to write and boring to read. The writing is usually uninspired because students have no ownership of the task and no commitment to it. Furthermore, book reports are not real-world writing tasks. Only students write book reports." (Sharon Kingen, Teaching Language Arts in Middle Schools: Connecting and Communicating . Lawrence Erlbaum, 2000)
• The Lighter Side of Book Reports "I took a speed-reading course and read War and Peace in 20 minutes. It involves Russia." (Woody Allen)
• How to Write a Great Book Report
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• 20 Book Activities to Try With Grades 3-5
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• Interior Monologues

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Writing a Book Report

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This resource discusses book reports and how to write them.

Book reports are informative reports that discuss a book from an objective stance. They are similar to book reviews but focus more on a summary of the work than an evaluation of it. Book reports commonly describe what happens in a work; their focus is primarily on giving an account of the major plot, characters, thesis, and/or main idea of the work. Most often, book reports are a K-12 assignment and range from 250 to 500 words.

Book reviews are most often a college assignment, but they also appear in many professional works: magazines, newspapers, and academic journals. If you are looking to write a book review instead of a book report, please see the OWL resource, Writing a Book Review .

Before You Read

Before you begin to read, consider what types of things you will need to write your book report. First, you will need to get some basic information from the book:

• Publisher location, name of publisher, year published
• Number of Pages

You can either begin your report with some sort of citation, or you can incorporate some of these items into the report itself.

Next, try to answer the following questions to get you started thinking about the book:

• Author: Who is the author? Have you read any other works by this author?
• Genre: What type of book is this: fiction, nonfiction, biography, etc.? What types of people would like to read this kind of book? Do you typically read these kinds of books? Do you like them?
• Title: What does the title do for you? Does it spark your interest? Does it fit well with the text of the book?
• Pictures/Book Jacket/Cover/Printing: What does the book jacket or book cover say? Is it accurate? Were you excited to read this book because of it? Are there pictures? What kinds are there? Are they interesting?

As You Read

While reading a work of fiction, keep track of the major characters. You can also do the same with biographies. When reading nonfiction works, however, look for the main ideas and be ready to talk about them.

• Characters: Who are the main characters? What happens to them? Did you like them? Were there good and bad characters?
• Main Ideas: What is the main idea of the book? What happens? What did you learn that you did not know before?
• Quotes: What parts did you like best? Are there parts that you could quote to make your report more enjoyable?

When You Are Ready to Write

Announce the book and author. Then, summarize what you have learned from the book. Explain what happens in the book, and discuss the elements you liked, did not like, would have changed, or if you would recommend this book to others and why. Consider the following items as well:

• Principles/characters: What elements did you like best? Which characters did you like best and why? How does the author unfold the story or the main idea of the book?
• Organize: Make sure that most of your paper summarizes the work. Then you may analyze the characters or themes of the work.
• Your Evaluation: Choose one or a few points to discuss about the book. What worked well for you? How does this work compare with others by the same author or other books in the same genre? What major themes, motifs, or terms does the book introduce, and how effective are they? Did the book appeal to you on an emotional or logical way?
• Recommend: Would you recommend this book to others? Why? What would you tell them before they read it? What would you talk about after you read it?

Revising/Final Copy

Do a quick double check of your paper:

• Double-check the spelling of the author name(s), character names, special terms, and publisher.
• Check the punctuation and grammar slowly.
• Make sure you provide enough summary so that your reader or instructor can tell you read the book.
• Consider adding some interesting quotes from the reading.

• Grades 6-12
• School Leaders

FREE Book Bracket Template. For March and Beyond!

42 Creative Book Report Ideas for Students

Inspire your students to share their love of books.

Responding to what you read is an important literacy skill. Reading about other people’s experiences and perspectives helps kids learn about the world. And although students don’t need to dive deeply into every single book they read, occasionally digging into characters, settings, and themes can help them learn to look beyond the prose. Here are 42 creative book report ideas designed to make reading more meaningful.

1. Concrete Found Poem

This clever activity is basically a shape poem made up of words, phrases, and whole sentences found in the books students read. The words come together to create an image that represents something from the story.

2. Graphic Novel

Have students rewrite the book they are reading, or a chapter of their book, as a graphic novel. Set parameters for the assignment such as including six scenes from the story, three characters, details about the setting, etc. And, of course, include detailed illustrations to accompany the story.

3. Book Snaps

Book Snaps are a way for students to visually show how they are reacting to, processing, and/or connecting with a text. First, students snap a picture of a page in the book they are reading. Then, they add comments, images, highlights, and more.

4. Diary Entry

Have your students place themselves in the shoes of one of the characters from their book and write a first-person diary entry of a critical moment from the story. Ask them to choose a moment in the story where the character has plenty of interaction and emotion to share in a diary entry.

5. Character To-Do List

This fun activity is an off-the-beaten-path way to dive deep into character analysis. Get inside the head of the main character in a book and write a to-do list that they might write. Use actual information from the text, but also make inferences into what that character may wish to accomplish.

6. Mint Tin Book Report

There are so many super-creative, open-ended projects you can use mint tins for. This teacher blogger describes the process of creating book reports using them. There’s even a free template for cards that fit inside.

7. Fictional Yearbook Entries

Ask your students to create a yearbook based on the characters and setting in the book. What do they look like? Cut out magazine pictures to give a good visual image for their school picture. What kind of superlative might they get? Best looking? Class clown? What clubs would they be in or lead? Did they win any awards? It should be obvious from their small yearbooks whether your students dug deep into the characters in their books. They may also learn that who we are as individuals is reflected in what we choose to do with our lives.

8. Book Report Cake

This project would be perfect for a book tasting in your classroom! Each student presents their book report in the shape of food. See the sandwich and pizza options above and check out this blog for more delicious ideas.

9. Current Events Comparison

Have students locate three to five current events articles a character in their book might be interested in. After they’ve found the articles, have them explain why the character would find them interesting and how they relate to the book. Learning about how current events affect time, place, and people is critical to helping develop opinions about what we read and experience in life.

10. Sandwich Book Report

Yum! You’ll notice a lot of our creative book report ideas revolve around food. In this oldie but goodie, each layer of this book report sandwich covers a different element of the book—characters, setting, conflict, etc. A fun adaptation of this project is the book report cheeseburger.

11. Book Alphabet

Choose 15 to 20 alphabet books to help give your students examples of how they work around themes. Then ask your students to create their own Book Alphabet based on the book they read. What artifacts, vocabulary words, and names reflect the important parts of the book? After they find a word to represent each letter, have them write one sentence that explains where the word fits in.

12. Peekaboo Book Report

Using cardboard lap books (or small science report boards), students include details about their book’s main characters, plot, setting, conflict, resolution, etc. Then they draw a head and arms on card stock and attach them to the board from behind to make it look like the main character is peeking over the report.

13. T-Shirt Book Report

Another fun and creative idea: Create a wearable book report with a plain white tee. Come up with your own using Sharpie pens and acrylic paint. Get step-by-step directions .

14. Book Jacket

Have students create a new book jacket for their story. Include an attractive illustrated cover, a summary, a short biography of the author, and a few reviews from readers.

15. Watercolor Rainbow Book Report

This is great for biography research projects. Students cut out a photocopied image of their subject and glue it in the middle. Then, they draw lines from the image to the edges of the paper, like rays of sunshine, and fill in each section with information about the person. As a book report template, the center image could be a copy of the book cover, and each section expands on key information such as character names, theme(s), conflict, resolution, etc.

16. Act the Part

Have students dress up as their favorite character from the book and present an oral book report. If their favorite character is not the main character, retell the story from their point of view.

17. Pizza Box Book Report

If you’re looking for creative book report ideas that use upcycled materials, try this one using a pizza box. It works well for both nonfiction and fiction book reports. The top lid provides a picture of the book cover. Each wedge of the pizza pie tells part of the story.

18. Bookmark

Have students create a custom illustrated bookmark that includes drawings and words from either their favorite chapter or the entire book.

19. Book Reports in a Bag

Looking for book report ideas that really encourage creative thinking? With book reports in a bag, students read a book and write a summary. Then, they decorate a paper grocery bag with a scene from the book, place five items that represent something from the book inside the bag, and present the bag to the class.

20. Reading Lists for Characters

Ask your students to think about a character in their book. What kinds of books might that character like to read? Take them to the library to choose five books the character might have on their to-be-read list. Have them list the books and explain what each book might mean to the character. Post the to-be-read lists for others to see and choose from—there’s nothing like trying out a book character’s style when developing your own identity.

21. File Folder Book Report

Also called a lap book, this easy-to-make book report hits on all the major elements of a book study and gives students a chance to show what they know in a colorful way.

22. Collage

Create a collage using pictures and words that represent different parts of the book. Use old magazines or print pictures from the Internet.

23. Book Report Triorama

Who doesn’t love a multidimensional book report? This image shows a 3D model, but Elisha Ann provides a lesson to show students how to glue four triangles together to make a 4D model.

24. Timeline

Have students create a timeline of the main events from their book. Be sure to include character names and details for each event. Use 8 x 11 sheets of paper taped together or a long portion of bulletin board paper.

25. Clothes Hanger Book Report Mobile

This creative project doesn’t require a fancy or expensive supply list. Students just need an ordinary clothes hanger, strings, and paper. The body of the hanger is used to identify the book, and the cards on the strings dangling below are filled with key elements of the book, like characters, setting, and a summary.

26. Public Service Announcement

If a student has read a book about a cause that affects people, animals, or the environment, teach them about public service announcements . Once they understand what a PSA is, have them research the issue or cause that stood out in the book. Then give them a template for a storyboard so they can create their own PSA. Some students might want to take it a step further and create a video based on their storyboard. Consider sharing their storyboard or video with an organization that supports the cause or issue.

27. Dodecahedron Book Report

Creative book report ideas think outside the box. In this case, it’s a ball! SO much information can be covered on the 12 panels , and it allows students to take a deep dive in a creative way.

28. Character Cards

Make trading cards (like baseball cards) for a few characters from the book. On the front side, draw the character. On the back side, make a list of their character traits and include a quote or two.

29. Book Report Booklets

This clever book report is made from ordinary paper bags. Stack the paper bags on top of each other, fold them in half, and staple the closed-off ends of the bags together. Students can write, draw, and decorate on the paper bag pages. They can also record information on writing or drawing paper and glue the paper onto the pages. The open ends of the bags can be used as pockets to insert photos, cut-outs, postcards, or other flat items that help them tell their story.

30. Letter to the Author

Write a letter to the author of the book. Tell them three things you really liked about the story. Ask three questions about the plot, characters, or anything else you’re curious about.

31. Book Report Charm Bracelet

What a “charming” way to write a book report! Each illustrated bracelet charm captures a character, an event in the plot, setting, or other detail.

32. Fact Sheet

Have students create a list of 10 facts that they learned from reading the book. Have them write the facts in complete sentences, and be sure that each fact is something that they didn’t know before they read the book.

33. Cereal Box TV Book Report

This book report project is a low-tech version of a television made from a cereal box and two paper towel rolls. Students create the viewing screen cut-out at the top, then insert a scroll of paper with writing and illustrations inside the box. When the cardboard roll is rotated, the story unfolds.

34. Be a Character Therapist

Therapists work to uncover their clients’ fears based on their words and actions. When we read books, we must learn to use a character’s actions and dialogue to infer their fears. Many plots revolve around a character’s fear and the work it takes to overcome that fear. Ask students to identify a character’s fear and find 8 to 10 scenes that prove this fear exists. Then have them write about ways the character overcame the fear (or didn’t) in the story. What might the character have done differently?

35. Mind Maps

Mind maps can be a great way to synthesize what students have learned from reading a book. Plus, there are so many ways to approach them. Begin by writing a central idea in the middle of the page. For example, general information, characters, plot, etc. Then branch out from the center with ideas, thoughts, and connections to material from the book.

36. Foldables

From Rainbows Within Reach , this clever idea would be a great introduction to writing book reports. Adapt the flap categories for students at different levels. Adjust the number of categories (or flaps) per the needs of your students.

37. Board games

This is a great project if you want your students to develop a little more insight into what they’re reading. Have them think about the elements of their favorite board games and how they can be adapted to fit this assignment. For more, here are step-by-step directions .

38. Comic strips

If you’re looking for creative book report ideas for students who like graphic novels, try comic strips. Include an illustrated cover with the title and author. The pages of the book should retell the story using dialogue and descriptions of the setting and characters. Of course, no comic book would be complete without copious illustrations and thought bubbles.

39. Timeline

Create a timeline using a long roll of butcher paper, a poster board, or index cards taped together. For each event on the timeline, write a brief description of what happens. Add pictures, clip art, word art, and symbols to make the timeline more lively and colorful.

40. Cereal Box

Recycle a cereal box and create a book report Wheaties-style. Decorate all sides of the box with information about the book’s characters, setting, plot, summary, etc.

41. Wanted Poster

Make a “wanted” poster for one of the book’s main characters. Indicate whether they are wanted dead or alive. Include a picture of the character and a description of what the character is “wanted” for, three examples of the character showing this trait, and a detailed account of where the character was last seen.

42. Movie Version

If the book your students have read has been made into a movie, have them write a report about how the versions are alike and different. If the book has not been made into a movie, have them write a report telling how they would make it into a movie, using specific details from the book.

What creative book report ideas did we miss? Come share in our We Are Teachers HELPLINE group on Facebook.

Plus, check out the most popular kids’ books in every grade..

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The Best Book-Report Books for Middle Schoolers

No need to dread a book report! When kids find titles that are engaging, interesting, and thought-provoking, they're hooked. If it's fiction, students can dissect plot, theme, and characters. If it's nonfiction, they can plunge into a subject that fascinates them or learn a lot about something they've never heard of before. Here's a list of surefire selections for students in sixth, seventh, and eighth grades. For even more ideas, check out 50 Books All Kids Should Read Before They're 12 .

Anne Frank: The Diary of a Young Girl

Inspiring wartime journal reveals teen's inner life.

The Apothecary, Book 1

Cold War kids use magic to save world in brilliant novel.

Everything Sad Is Untrue: (A True Story)

Young refugee's story is told in memories, myths, fables.

Goodbye Stranger

Bittersweet, lovely story of friendship and social media.

Genesis Begins Again

Teen learns to love herself in uplifting tale of misfits.

Hold on tight for an intense tale of survival.

A Long Walk to Water

Touching take on Lost Boys of Sudan, based on true story.

One Crazy Summer

A gem, with strong girl characters, '60s black history.

Poverty, being unhoused explored in hopeful tale.

The Port Chicago 50: Disaster, Mutiny, and the Fight for Civil Rights

Little-known disaster gets overdue, in-depth treatment.

The Red Badge of Courage

Compelling Civil War novel questions morality of battle.

Uglies: Uglies Quartet, Book 1

Thoughtful sci-fi about the price of beauty.

Interned girl, Native boy find common ground in moving tale.

All-American Muslim Girl

Captivating coming-of-age tale explores identity, racism.

American Ace

Moving, fast-paced novel-in-verse; great for teen boys.

Bomb: The Race to Build -- and Steal -- the World's Most Dangerous Weapon

Complex, suspenseful story of developing The Bomb.

The Boys Who Challenged Hitler: Knud Pedersen and the Churchill Club

Thrilling true story of teenagers who stood up to the Nazis.

Enchanted Air: Two Cultures, Two Wings

Poignant memoir-in-verse recalls Cuban American's childhood.

Long Way Down

Gripping, unnerving story of teen boy contemplating revenge.

My Name Is Not Easy

Fascinating story of Alaskan kids growing up in the 1960s.

Other great lists from our editors

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How to Write a Book Report Successfully as a New Author

• January 20, 2024
• 10 min read

Table of Contents:

What is a book report, how to write a book report, 1. choose the book:, 2. read the book thoroughly:, 3. understand the assignment guidelines:, 4. create an outline:, 5. write the introduction:, 6. summarize the plot:, 7. analyze the characters:, 8. explore the themes:, 9. discuss the setting:, 10. critique the writing style:, 11. reflect on your insights:, 12. write the conclusion:, 13. revise and edit:, 14. follow formatting guidelines:, 15. include a title page and bibliography (if required):, book report examples & samples, example 1: fiction book report.

• Title: "The Great Gatsby" by F. Scott Fitzgerald

Example 2: Non-Fiction Book Report

• Title: "Sapiens: A Brief History of Humankind" by Yuval Noah Harari

What is the proper format for a book report?

What is a cereal box book report, which report shows the book (purchase or cost) value of inventory items with quantity on hand, how to write a book report 6th grade, how long should a book report be, can i pay a writer to do a book report for me, conclusion:.

Writing a book report is a common task for students and book enthusiasts alike. However, writing a book report could be daunting for a new author. But with the right approach, writing a book report can be an enjoyable and rewarding experience.

From engaging introductions to thorough analysis and thoughtful reflections, you will learn how to write a compelling book report that showcases your understanding of the book and sharpens your skills as a writer.

According to top eBook writing services in the USA , the idea of condensing thoughts and impressions about a piece of literature can be particularly daunting, yet it is a crucial step in fostering a deeper understanding of storytelling intricacies.

Becoming a new author is an exciting and fulfilling venture, with endless possibilities for storytelling and self-expression.

A book report is a written summary and analysis of a book. It typically includes a brief overview of the plot, a discussion of the characters, an exploration of the themes and messages conveyed in the book, and the reviewer’s reflections and opinions.

Writing a book report aims to demonstrate your comprehension of the book’s content and provide a critical evaluation of its strengths and weaknesses. It allows readers to gain insight into the book without reading it themselves, making it a valuable tool for recommendations and discussions. 

Book reports also help readers develop critical thinking skills by encouraging them to analyze and interpret literature.

When writing a book report, providing a balanced and objective analysis is essential while expressing your perspective. Whether you are a student or a new author looking to improve your writing skills, writing book reports can enhance your understanding of storytelling and literary analysis.

It is expected that a book report would have the essential aspects. However, an excellent will focus on a particular subject or viewpoint and provide instances that support this topic via symbols and motifs. 

Follow these steps that will help you find and include those crucial features:

If you haven’t been assigned a specific book, choose one that aligns with your interests or academic requirements. Ensure it is appropriate in length and complexity for your assignment.

Before you begin writing, carefully read the book. Take notes on key plot points, book report ideas, characters, themes, and significant quotes. Understanding the nuances of the story, like Investigating Trails Carolina Horror Stories , is crucial for an effective book report.

Familiarize yourself with the specific criteria and guidelines provided for the book report. This may include the required length, format, and any questions or prompts you must address.

If the book report is for a class or a specific purpose, carefully read the assignment guidelines. Pay attention to requirements regarding length, format, and any specific elements the instructor wants you to address.

Organize your thoughts by creating a book report outline. Include the introduction, summary, analysis, reflections, and conclusion sections. This will help maintain a logical flow in your report.

Begin your book report with a compelling introduction. According to book publishers in NYC , include the book’s title, author, publication information, and offer a brief overview of the story’s setting and main characters.

Consider including a hook or an interesting fact about the book to make your introduction compelling.

Include the book’s title, author, and a brief overview of the plot. State your initial thoughts or expectations before reading the book.

In the body paragraphs, provide a concise and accurate summary of the book’s plot. Avoid including excessive details or spoilers; focus on the major events that drive the story forward. 

Mention the main conflict, climax, and resolution. Pay attention to the author’s writing style or any unique narrative techniques.

Discuss the main characters in the book. Explore their personalities, motivations, and how they contribute to the story. Comment on character development and any changes they undergo.

Identify and discuss the major themes or messages conveyed in the book. Analyze how these themes are developed throughout the narrative. Consider the author’s intent and the relevance of the themes to the story.

Describe the setting of the story and its significance. Explain how the setting contributes to the overall atmosphere or mood of the book. Note any unique or memorable settings.

Assess the author’s writing style. Discuss whether it was engaging, descriptive, or thought-provoking. Provide examples from the book to support your evaluation. Consider how the writing style contributes to the overall impact of the narrative.

Share your thoughts and reactions to the book. Discuss what you liked or disliked and why. Consider how the book impacted you emotionally or intellectually. This section allows you to express your unique perspective.

Summarize your main points in the conclusion. Restate your overall impression of the book and whether you would recommend it. End with a strong closing statement that leaves a lasting impression.

Before submitting your book report, proofread and edit for grammar, spelling, and clarity. Ensure that your ideas flow logically and that your report is well-organized. Consider seeking feedback from instructors or professional eBook editing services .

Adhere to any formatting guidelines provided in the assignment. This may include specific font, spacing, or citation requirements.

If the assignment calls for it, include a title page with essential information such as your name, the book title, and the publication date. Also, you can consider best ghost writing services for professional suggestions. Additionally, create a bibliography or works cited page if you’ve used external sources.

Title: “The Great Gatsby” by F. Scott Fitzgerald

Introduction:

“The Great Gatsby” by F. Scott Fitzgerald is a classic exploration of the American Dream set against the backdrop of the Roaring Twenties.

In this tale of love, wealth, and societal decadence, Fitzgerald delves into the lives of Jay Gatsby, a mysterious millionaire, and Nick Carraway, the novel’s narrator. 

As a new author engaging with this iconic work, the challenge was not merely to summarize the plot but to dissect its nuanced characters and themes.

The novel unfolds through Nick’s eyes as he becomes entangled in the lives of his enigmatic neighbor, Gatsby, and his cousin, Daisy Buchanan. The narrative explores Gatsby’s relentless pursuit of success and love, juxtaposed against the moral disintegration of the era. 

Themes of illusion, the corrupting influence of wealth, and the fragility of the American Dream permeate the story.

Fitzgerald’s lyrical prose and vivid imagery create a captivating atmosphere, immersing readers in the luxury and disillusionment of the Jazz Age. The characters, particularly Gatsby, are richly layered, with their flaws and aspirations laid bare. The novel’s exploration of societal expectations and the consequences of unbridled ambition is as relevant today as it was in the 1920s.

Reflection:

As a new author, navigating the intricacies of “The Great Gatsby” provided valuable insights into crafting complex characters and exploring timeless themes. The novel serves as both a cautionary tale and an inspiration, showcasing the enduring power of storytelling to illuminate the human condition.

Title: “Sapiens: A Brief History of Humankind” by Yuval Noah Harari

“Sapiens: A Brief History of Humankind” by Yuval Noah Harari is a thought-provoking journey through the evolution of Homo sapiens, from ancient ancestors to the present. As a new author delving into non-fiction, the task was to convey the author’s ideas, critically engage with the narrative and present a cohesive analysis.

Harari skillfully traces the history of Homo sapiens, exploring the cognitive, agricultural, and scientific revolutions that shaped human societies. The narrative encompasses the rise and fall of empires, the impact of cultural and technological advancements, and the intricate interplay between biology and belief systems.

Harari’s interdisciplinary approach, blending history, anthropology, and biology, offers a comprehensive understanding of human development. The author challenges conventional wisdom and prompts readers to reevaluate familiar narratives. The book encourages critical thinking about the forces that have shaped our collective destiny.

Navigating the labyrinth of “Sapiens” as a new author expanded the horizon of storytelling beyond fiction. Engaging with real-world events and ideas required a different set of analytical skills. Harari’s ability to distill complex concepts into accessible prose serves as inspiration for conveying intricate narratives with clarity and depth.

These examples illustrate how a book report can go beyond summarization, delving into analysis and personal reflection, creating a nuanced understanding of the book and its impact on the reader.

The specific format of a book report can vary depending on the requirements provided by your teacher or professor. However, a common format to write a book report includes an introduction, summary, analysis, and conclusion. Include details such as the book’s title, author, publisher, genre, and publication date.

A cereal box book report is a creative and engaging way for students to present a book they have read. Instead of a traditional written report, the book’s main elements and themes are represented using an empty cereal box. Students decorate the box with illustrations, information about the book, and other relevant details.

The report that shows the book (purchase or cost) value of inventory items with quantity on hand is commonly referred to as an “Inventory Valuation Report” or a “Stock Valuation Report.” This report summarizes the inventory items, their respective quantities on hand, and their associated book values or costs.

When writing a book report in 6th grade, it is important to include key elements such as the book’s title, author, main characters, plot summary, and analysis of themes or messages. Focus on providing a balanced evaluation of the book’s strengths and weaknesses, and support your opinions with examples from the text. Follow any specific instructions given by your teacher.

The length of a book report can vary depending on the specific requirements provided to you. Typically, book reports in 6th grade, like  best Christmas books for kids , may range from one to three pages. However, always refer to your teacher’s guidelines or instructions to determine the appropriate length.

Yes, professional writers or any online book writing company can assist you in writing a book report. However, it is important to consider affordable ghostwriting solutions and convey all the policies your educational institution sets. Always check with your teacher or professor to ensure that hiring a writer or using external help is acceptable.

Begin with a clear and engaging introduction that grabs the reader’s attention. Provide a concise summary of the book, highlighting the key elements without giving excessive details.

Use specific examples and evidence from the text to support your analysis. This will demonstrate your understanding of the book and showcase your writing abilities.

Additionally, it is beneficial to include your personal opinions and reflections on the book. Discuss what resonated with you, what you found compelling or thought-provoking, and any criticisms you may have. Again, support your opinions with evidence from the text to give weight to your arguments.

Lastly, conclude your report with a concise summary of your main points and an overall evaluation of the book. Highlight its strengths and weaknesses, and provide closure to your analysis.

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Non Fiction Book Report: How to Write the Perfect Paper

The thought of a non fiction book report may bring to mind early school days. In fact, a parent could easily use this article to help their kids complete one of these report assignments. However, even college students may be asked to review or report on a nonfiction book. Thankfully, the standards for what makes a perfect analysis paper doesn’t change across grade levels. The content itself becomes more complicated but the principles stay the same.

There are two main principles to writing a perfect book report: describe and evaluate. Knowing how to perform each and how to balance them can help you, your students, or your kids write the best paper they can.

Describe: The Facts of the Non Fiction Book Report

Description in a book report includes names and major points in the book. This is not the time to state your analysis of the work but simply to list the relevant information so the reader knows where your analysis will go.

The information in the description portion of a nonfiction book report includes background on the author and relevant information on the creation of the book. State how the book has been assembled or organized, especially if it takes a unique genre form. This includes the author’s intention with the book as a thesis or a statement of purpose. Let the reader know that you have a big picture of the nonfiction book being discussed.

Finally, offer a summary of the nonfiction book to get your readers on the same “page” for your evaluation. By selectively summarizing information, the reader (or grader) knows what they should take from your analysis.

Evaluate: Make Your Points

When you begin evaluating, use the information you reviewed and summarized in the description section. Evaluation involves your opinion, but a supported opinion that includes relevant scholarship. This means that other writers’ reviews and journal articles that discuss the nonfiction book you’re studying can come in handy to back up your points.

You can observe the strengths and faults of the book based on your observations and experience. However, the more you can support your statements with the words of others and of the book itself, the better your report will be.

How to Start Writing a Book Report

As you read, you have to read the right way ! This means observing the author’s purpose quickly, learning the background information that will go into your report beforehand, and taking notes. As you read, note the author’s expertise and how they incorporate their thesis. When you see quotes that support the author’s ideas (or yours), take note of where they occur. This can only make writing the report easier in the long run.

The Takeaway

A non fiction book report sounds like a hefty obligation. However, whether it’s a college paper or a child’s school project, a book report doesn’t have to be a burden. Get the two qualities of description and evaluation clearly distinct in your head so that when you read, you can already sort and note the informtation that will make your paper work.

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3/17: The Book Report by Washington Post critic Ron Charles

Over 6,200 homeschool resources and growing!

33 Free Book Report Forms and Templates for Kids

Published: April 11, 2019

Contributor: Annette Breedlove

Disclosure: This post may contain affiliate links, meaning if you decide to make a purchase via my links, I may earn a commission at no additional cost to you. See my disclosure for more info.

I loved writing book reports growing up. My kids, however, do not share the same sentiment. They love to read books and retell the stories to me, but they have a disconnect when it comes to putting it down on paper. That’s why I love using a free book report template to give them a little extra help. 

Fun Book Report Ideas

There are many different ways children can share about a book they read other than writing about it. Check out all of these fun ideas:

• Act it out. Young students and even older students may enjoy acting out a story that they read in lieu of writing about it. 
• Make a 3D diorama . This is a great way for students who like to work with their hands and create visuals.
• Draw it out on a poster . For young kids who don’t have strong writing skills yet, drawing out what they read is a great option.
• Make a comic book with a free comic book template we have included below. 
• Oral narration . Narrating back a brief summary of the book  they read is another alternative to writing a book report. You can see if your children comprehended what they read or at least got the main points of the story by asking them basic questions about the book.

Types of Book Reports

If you prefer using book reports, they come in a variety of types and styles. You can write plain-Jane ones or get a little more creative, like the comic strip option below for a different way to format a book report. Whichever you choose, having the option to use a book report template can be helpful for kids. 

While I enjoy book reports and see their value, I much prefer my kids enjoy reading a lot of books and sharing, over the finer points of proper form. So if we can use a simple book report template to keep them excited about reading and not dread the reports, I call that a win-win.

Mix it up with the different types of book reports that you assign to your children. Keep it fun and engaging and they will want to read more books and tell everyone about what they have read. 

Using Book Report Templates

As with anything we print out for school, I like to find cute printables with book report designs and age-appropriate graphics. This is especially for my middle school-aged daughter, who thinks some of the free worksheets I find are too childish.

Using a book report template for 3rd grade might look a little different than what I’d want to use for 7th grade. A pdf book report template for high school students definitely needs to be less kid-friendly and more informative.

There are simple book report templates for beginning writers and more advanced ones. The options are endless when it comes to choosing a book report template for your homeschool children.

Printable Book Report Forms

Whether you are looking for a short book report template or one for high school, book report templates will help students get their thoughts on paper. They will learn to organize their thoughts so that their finished book report project is a success!

Book report templates can encourage all the readers in your homeschool to crank out an organized, thorough book report that they are proud of! Once you select a free template, you can get started. Let your children choose one of their favorite books for their first report as it will help to keep them engaged.

How to Use a Book Report Template

When you are looking for the perfect book report template, keep in mind the age of your child. Some one-page forms are perfect for young children and beginning readers with boxes to draw, lines to write down main characters, setting, the plot, etc.

When you have a high school student needing to write a paper or a book report, you obviously need something more in-depth. A book report template can help them get their ideas on paper well enough to organize thoughts and personal opinions for an essay, or even a research paper. 

The key point of using worksheets for book reports is to have an easy way to get thoughts on paper. A book report template can help your student stay organized so they are able to draft a well-written paper. These types of graphic organizers make book reports a breeze!

What’s included in a book report?

• A good book report will consist of the book title, author’s name, main idea, main theme, plot points and important details.
• It will explain the narrative and setting, and cover the main elements of the story as well as describe important characters of the book.
• You’ll also want to include details on the time period, major conflicts and the book details, or rather a plot summary of the book.
• Don’t forget to include unusual facts and key elements that stand out. 

Character Description

Besides adding basic details about the key characters in the book, it’s a good idea to include character details. You will want to include details such as; appearance, interests, and list out some adjectives that describe characters on the book report form . 

Analyze what your character looks like so the reader of the book report gets a vivid description of the character. What color is their hair and skin? What is their clothing style like? Do they have a best friend or an animal that is constantly with them?

Is the character an animal? If so, what type of animal are they and what do they look like?

Character Development

Characters develop on in the story as you read about them. Make sure to make note of positive and negative character traits and how those change throughout the plot. Is there a hidden message or reason why the character is behaving the way that they are?

Make notes of how your character has changed and why you think they changed and the reasons for the actions that they took. You can take it a step further and explain how their actions either harmed or helped the story to move along.

Printable Book Report Templates and Forms

If you want a book report template quickly, simply scroll to the bottom of this post to download ours FREE.

DIY Book Report Kit {works with ANY book} This printable book report template is more like a graphic organizer , in my opinion. You can print several different template pages to organize different aspects of the book so you can create a great book report. 

Free Book Report Template for Elementary Students Get your 1st -4th graders writing book reports with ease with these pdf book report pages.

Book Review Templates This cute pack of 5 different book report template pages would be perfect for early learners who know how to write . 

Printable Book Report Form I like this simple book report template that’s perfect for a new reader. The free printable book report template is organized and will prompt your kids to be creative. 

Elementary Book Reports Made Easy An easy one-page pdf download of a book report worksheet that would be good for elementary students.

Printable Book Report Forms (Non-Fiction, Fiction, Biography, Mystery & Fable) You have lots of different options for book report templates. Whether or not you need a book report form for a biography, non-fiction resource , or even a fable, there are several  different pdf templates to choose from. There are also multiple book report poster forms for those kids who prefer to draw.

7 Different Versions of Book Report – If you are looking for different versions for different age levels or grades then these reports are worth reviewing.

Easy Book Report – This features an easy form for younger students as well as outline form for older students.

Book Report Templates for Younger Students

There are different styles of book report templates that you will want to focus on for younger students. A book report template that you use with your middle school aged child will be too difficult for beginning writers.

You will want to look for a book report format with dashed lines, boxes to draw a picture in, and more. 

My Book Report Worksheets These book report worksheets are suitable for children in kindergarten or first grade. 

Comic Strip Book Reports If you have a reluctant writer , or a comic book lover, these free printable comic strip book report templates will likely make a book report less dreaded!

Reading Logs and Bookmarks

Reading Log and Book Report Templates If you are on the hunt for cute reading log printables, these are perfect for elementary students. There are a few different templates that offer options to rate the book and write a review. Using a creative book report template like this might take the sting out of writing book reports for reluctant writers. 

Free Reading Log and Book Report Forms   My Joy-Filled Life has a 2-page book report template and a printable reading log that you can slip into your homeschool binder . 

Free Reading Logs, Bookmarks and Charts – Encourage your readers with fun and colorful bookmarks and charts that they can use to track their reading time as well as the books they have read. Free Instant Download included!

Book Report Template

Book reports don’t have to be boring or something that your children dread. They may be overwhelmed because it is a new thing that they have never done before and may need just a little guidance to get started.

Our FREE DIY Book Report template pack includes four pages of graphic organizers, question prompts, illustration boxes, and more. It is a great start to guiding your children on how to write a book report in a non-threatening way. 

You can download it for free in our subscriber library . 

In Conclusion

The body of the book report should include the title, the author of the book, characters, setting, major conflicts, direct quotes, and plot. The conclusion can include a personal opinion. Book reports are a fun way to develop critical thinking skills and teach students how to gather information to format into a writing assignment.

Annette Breedlove

Annette has been married to her husband and best friend since 2003. Together they are raising their six children to follow the Lord’s will, no matter what. Annette longs for the day when she will meet her angel babies who have entered heaven before her. She enjoys creating UNIT STUDIES and FREE PRINTABLES for homeschool families. You can follow her crazy life at In All You Do where she blogs about homeschooling, homemaking and marriage while trying to maintain her sanity. She is also the owner of Thrifty Homeschoolers where she shares her tips on homeschooling without breaking the bank.

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Lorrie Moore Is Among National Book Critics Circle Award Winners

The awards included a lifetime achievement honor given to Judy Blume.

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By Alexandra Alter and Elizabeth A. Harris

The novelist Lorrie Moore on Thursday won a National Book Critics Circle Award for fiction for “I Am Homeless if This Is Not My Home,” her novel that follows a devastated high school teacher who goes on a road trip with the animated corpse of his ex-girlfriend, who has died by suicide.

In a citation, one of the judges, David Varno, praised the novel as “a heartbreaking and hilarious ghost story” and “an unforgettable achievement from a landmark American author.”

The awards, which were announced at a ceremony at the New School in New York City, are among the most prestigious literary prizes in the United States. Unlike other major awards, the recipients are chosen by book critics instead of committees made up of authors or academics.

The critics organization, which was founded in 1974, is made up of more than 700 critics and review editors. Thursday’s awards recognized works published last year and were open to authors of books published in English in the United States.

In addition to giving prizes in literary categories like biography, criticism, autobiography, fiction and poetry, the group also recognizes individuals and organizations for their contributions to literary culture.

This year, Becca Rothfeld, the nonfiction book critic for The Washington Post and the author of a forthcoming debut essay collection, “All Things Are Too Small,” received the Nona Balakian Citation for Excellence in Reviewing. The award, named after a former New York Times Book Review editor, is given to an N.B.C.C. member for criticism.

The organization’s service award was given to the author and critic Marion Winik, a former treasurer for the group who helped to steer it through the pandemic.

The lifetime achievement award was given to Judy Blume, a novelist beloved for classics like “Are You There God? It’s Me, Margaret” and “Tales of a Fourth Grade Nothing.”

In a recorded speech to accept the honor, the Ivan Sandrof Lifetime Achievement Award, named for the organization’s first president, Blume acknowledged librarians for their work promoting intellectual freedom. She also thanked her parents for giving her “the freedom to choose my own books.”

Librarians, who have come under pressure from some parents and lawmakers as book bans have surged across the country, were also honored when the American Library Association received the Toni Morrison Achievement Award. “At a time when our nation’s libraries remain under relentless assault from both political and economic forces, the A.L.A. towers over the literary landscape as a beacon for our most vulnerable voices,” the award chair, Jacob M. Appel, said in a citation.

Below is a complete list of this year’s winners.

“ I Am Homeless if This Is Not My Home ” by Lorrie Moore

A young man goes on a road trip with the animated corpse of his ex-girlfriend, who died by suicide, in a ghost story and zombie romance that takes place in both the 19th and 21st centuries. In a Times review of the novel, Moore’s first in 14 years, Dwight Garner praised Moore as “a consummate user of the English language; her moisture-wicking sentences confirm and reconfirm your sanity.”

Autobiography

“ How to Say Babylon: A Memoir ” by Safiya Sinclair

A memoir about growing up in a strict Rastafarian household and trying to break away from her father and the obedience he required. The Times review of the memoir said: “For its sheer lusciousness of prose, the book’s a banquet. Sinclair’s Montego Bay drips with tender sensuality and complexity that seduces you like a fresh wound to slow pokes and feels.”

“ Winnie and Nelson: Portrait of a Marriage ” by Jonny Steinberg

This biography chronicles the marriage of the South African leader Nelson Mandela and Winnie Madikizela-Mandela, including their decades apart while Mandela was imprisoned on Robben Island and Madikizela-Mandela became a major figure in the resistance to apartheid.

“ We Were Once a Family: A Story of Love, Death, and Child Removal in America ,” by Roxanna Asgarian

Asgarian, a journalist who has written about legal issues for The Texas Tribune, investigates a shocking tragedy that occurred in 2018, when an S.U.V. plunged off a cliff along a coastal highway, killing a family of eight. She recounts the horrifying details of what investigators concluded was not an accident, but a murder-suicide, and also reveals the ways in which systemic failures in the foster care system may have contributed to the children’s deaths.

“ Phantom Pain Wings ” by Kim Hyesoon

Translated from Korean by Don Mee Choi, this poetry collection “reads like a variety of horror — haunted, grotesque, futureless,” Elisa Gabbert wrote in a review in The Times.

The Gregg Barrios Book in Translation Prize

“ Cold Nights of Childhood ” by Tezer Özlü , translated by Maureen Freely

The translation prize, awarded jointly to authors and translators, was given to a novel by Özlü, a Turkish writer who died in 1986. Originally published in 1980 and released in English in the United States last year by Transit Books, the narrative follows a woman who is battling mental illness and exploring her sexuality. The prize is named for Barrios, a poet, playwright and critic who died in 2021.

John Leonard Prize

“ Waiting to Be Arrested at Night: A Uyghur Poet’s Memoir of China’s Genocide ” by Tahir Hamut Izgil, translated by Joshua L. Freeman

In this memoir, which won the prize for best debut book, Izgil, a poet, recounts the persecution and terror he faced as a member of China’s Muslim Uyghur minority when he was living in Urumqi, a city in China’s western Xinjiang region. “This is in effect a psychological thriller, although the narrative unfolds like a classic horror movie as relative normalcy dissolves into a nightmare,” Barbara Demick wrote in a review in The Times. The prize is named for Leonard, a literary critic and co-founder of the critics organization who died in 2008.

“ Deadpan: The Aesthetics of Black Inexpression ” by Tina Post

Post, an assistant professor of English at the University of Chicago, explores purposeful withholding as a tool used by makers of Black culture.

Alexandra Alter writes about books, publishing and the literary world for The Times. More about Alexandra Alter

  More about Elizabeth A. Harris

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How did gender become a scary word? Judith Butler, the theorist who got us talking about the subject , has answers.

You never know what’s going to go wrong in these graphic novels, where Circus tigers, giant spiders, shifting borders and motherhood all threaten to end life as we know it .

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Each week, top authors and critics join the Book Review’s podcast to talk about the latest news in the literary world. Listen here .

New Historical Fiction for Your Book Club

Erica Ezeifedi

Erica Ezeifedi, Associate Editor, is a transplant from Nashville, TN that has settled in the North East. In addition to being a writer, she has worked as a victim advocate and in public libraries, where she has focused on creating safe spaces for queer teens, mentorship, and providing test prep instruction free to students. Outside of work, much of her free time is spent looking for her next great read and planning her next snack. Find her on Twitter at @Erica_Eze_ .

View All posts by Erica Ezeifedi

Historical fiction has remained a pretty popular genre and one excellent for book clubs and their discussions. The genre has a special place in my heart since reading it as a kid made me more interested in history as a subject than classes did, and I owe it for my knowledge of certain times in history.

Our fascination with the past can be good and even necessary, but it can also be…kinda weird. Take, for instance, the current Trad Wife movement. It’s a trend that basically espouses living as a “traditional” wife. The movement, and its influencers, take traditional to mean that very narrow view of how they think women were living as wives in, like, the ’50s or something. Listen, it’s goofy (and highly idealized and therefore inaccurate), but it’s also none of my business how other people live, and I support women’s right to make goofy decisions.

But then there are the trad wife influencers, who all seem to make the same softly narrated videos that show them spending all day making things like PB&J’s and frolicking in dainty sundresses in the field with their young children. Again, no shade, but it is funny that they all seem to follow the same script, more or less, which leads me to why I’m describing all of this in the first place. If you’re familiar with the trad wife influencers and their whole deal, this hag wife day-in-the-life video will give you a good cackle.

Now for club things! The books below will take you back in time to the height of the Aztec empire, 1900s Manchuria, and the U.S. in the ’60s. There’s also a Meiji-era Japanese story of the sisterhood of courtesans that is based on real events.

But first, some nibbles.

Nibbles and Sips: Strawberry Brownies

I’d never heard of strawberry brownies before they popped up on my Instagram feed, but I have to say that I’m not mad. There are recipes for the puree (fresh strawberries), the batter (butter, white chocolate, sugar, puree, egg, yolks, flours, and salt), and a ganache (puree, heavy cream, white chocolate).

For the full list of ingredients, amounts, and instructions, visit the Pies&Tacos site or the Insta .

The Fox Wife by Yangsze Choo

Choo’s latest is a glorious blend of historical, mystery, and folklore. In 1908 Manchuria, a young woman is found frozen in the snow, her death thought to be caused by fox spirits. Detective Bao is assigned her case, and, as a result, may finally be brought closer to the beautiful fox gods he’s always been intrigued by. Elsewhere in the narrative is a cursed family that runs a Chinese medicine shop. Their sons have all died before their 24th birthdays, and their grandson is now 23. When a woman shows up, it seems their curse is finally broken, but is this woman as modest as she presents to be, or a fox spirit?

You Dreamed of Empires by Álvaro Enrigue, translated by Natasha Wimmer

In 1519, conquistador Hernán Cortés entered Tenochtitlan (what is now Mexico City) with his cadre of captains, troops, and enslaved people and is ceremonially welcomed by Atotoxli, emperor Moctezuma’s sister. The Spaniards have conquering on their minds, but they can’t help but feel intimidated by the grandeur of the city and people. Here, that fateful meeting — and the fate of Tenochtitlan — is reimagined, breathing fresh life into the splendor of the city at the height of the Aztec empire.

Hard by a Great Forest by Leo Vardiashvili

Years ago, Saba and his brother fled the conflict of the former Soviet Republic of Georgia with their father while their mother stayed behind, ensuring their escape. Now that they’re adults, their mother is dead, and their father has returned to a changed Georgia. And disappeared. When Saba’s brother tries to find him, he disappears, too. So, Saba returns to a land he’d been pushed out of by violence and follows a string of clues through a path filled with new faces and reminders of traumas he thought he’d left behind.

The Women by Kristin Hannah

In the ’60s, a young nursing student, Frankie, comes of age. When her brother is deployed to Vietnam, she joins the Army Nurse Corps, thinking of herself as serving her country. But the reality of war sets in, and she finds her friends and herself broken. What’s more, her return to the U.S. and normalcy is anything but — the country is divided on its involvement in Vietnam, making her and other women’s sacrifices that much easier to forget.

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The Forgotten History of Hitler’s Establishment Enablers

By Adam Gopnik

Hitler is so fully imagined a subject—so obsessively present on our televisions and in our bookstores—that to reimagine him seems pointless. As with the Hollywood fascination with Charles Manson , speculative curiosity gives retrospective glamour to evil. Hitler created a world in which women were transported with their children for days in closed train cars and then had to watch those children die alongside them, naked, gasping for breath in a gas chamber. To ask whether the man responsible for this was motivated by reading Oswald Spengler or merely by meeting him seems to attribute too much complexity of purpose to him, not to mention posthumous dignity. Yet allowing the specifics of his ascent to be clouded by disdain is not much better than allowing his memory to be ennobled by mystery.

So the historian Timothy W. Ryback’s choice to make his new book, “ Takeover: Hitler’s Final Rise to Power ” (Knopf), an aggressively specific chronicle of a single year, 1932, seems a wise, even an inspired one. Ryback details, week by week, day by day, and sometimes hour by hour, how a country with a functional, if flawed, democratic machinery handed absolute power over to someone who could never claim a majority in an actual election and whom the entire conservative political class regarded as a chaotic clown with a violent following. Ryback shows how major players thought they could find some ulterior advantage in managing him. Each was sure that, after the passing of a brief storm cloud, so obviously overloaded that it had to expend itself, they would emerge in possession of power. The corporate bosses thought that, if you looked past the strutting and the performative antisemitism, you had someone who would protect your money. Communist ideologues thought that, if you peered deeply enough into the strutting and the performative antisemitism, you could spy the pattern of a popular revolution. The decent right thought that he was too obviously deranged to remain in power long, and the decent left, tempered by earlier fights against different enemies, thought that, if they forcibly stuck to the rule of law, then the law would somehow by itself entrap a lawless leader. In a now familiar paradox, the rational forces stuck to magical thinking, while the irrational ones were more logical, parsing the brute equations of power. And so the storm never passed. In a way, it still has not.

Podcast: The New Yorker Radio Hour Adam Gopnik considers Hitler’s rise to power.

Ryback’s story begins soon after Hitler’s very incomplete victory in the Weimar Republic’s parliamentary elections of July, 1932. Hitler’s party, the National Socialist German Workers’ Party (its German initials were N.S.D.A.P.), emerged with thirty-seven per cent of the vote, and two hundred and thirty out of six hundred and eight seats in the Reichstag, the German parliament—substantially ahead of any of its rivals. In the normal course of events, this would have led the aging warrior Paul von Hindenburg, Germany’s President, to appoint Hitler Chancellor. The equivalent of Prime Minister in other parliamentary systems, the Chancellor was meant to answer to his party, to the Reichstag, and to the President, who appointed him and who could remove him. Yet both Hindenburg and the sitting Chancellor, Franz von Papen, had been firm never-Hitler men, and naïvely entreated Hitler to recognize his own unsuitability for the role.

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The N.S.D.A.P. had been in existence since right after the Great War, as one of many völkisch , or populist, groups; its label, by including “national” and “socialist,” was intended to appeal to both right-wing nationalists and left-wing socialists, who were thought to share a common enemy: the élite class of Jewish bankers who, they said, manipulated Germany behind the scenes and had been responsible for the German surrender. The Nazis, as they were called—a put-down made into a popular label, like “Impressionists”—began as one of many fringe and populist antisemitic groups in Germany, including the Thule Society, which was filled with bizarre pre- QAnon conspiracy adepts. Hitler, an Austrian corporal with a toothbrush mustache (when Charlie Chaplin first saw him in newsreels, he assumed Hitler was aping his Little Tramp character), had seized control of the Party in 1921. Then a failed attempt at a putsch in Munich, in 1923, left him in prison, but with many comforts, much respect, and paper and time with which to write his memoir, “Mein Kampf.” He reëmerged as the leader of all the nationalists fighting for election, with an accompanying paramilitary organization, the Sturmabteilung (S.A.), under the direction of the more or less openly homosexual Ernst Röhm, and a press office, under the direction of Joseph Goebbels. (In the American style, the press office recognized the political significance of the era’s new technology and social media, exploiting sound recordings, newsreels, and radio, and even having Hitler campaign by airplane.) Hitler’s plans were deliberately ambiguous, but his purposes were not. Ever since his unsuccessful putsch in Munich, he had, Ryback writes, “been driven by a single ambition: to destroy the political system that he held responsible for the myriad ills plaguing the German people.”

Ryback skips past the underlying mechanics of the July, 1932, election on the way to his real subject—Hitler’s manipulation of the conservative politicians and tycoons who thought that they were manipulating him—but there’s a notable academic literature on what actually happened when Germans voted that summer. The political scientists and historians who study it tell us that the election was a “normal” one, in the sense that the behavior of groups and subgroups proceeded in the usual way, responding more to the perception of political interests than to some convulsions of apocalyptic feeling.

The popular picture of the decline of the Weimar Republic—in which hyperinflation produced mass unemployment, which produced an unstoppable wave of fascism—is far from the truth. The hyperinflation had ended in 1923, and the period right afterward, in the mid-twenties, was, in Germany as elsewhere, golden. The financial crash of 1929 certainly energized the parties of the far left and the far right. Still, the results of the July, 1932, election weren’t obviously catastrophic. The Nazis came out as the largest single party, but both Hitler and Goebbels were bitterly disappointed by their standing. The unemployed actually opposed Hitler and voted en masse for the parties of the left. Hitler won the support of self-employed people, who were in decent economic shape but felt that their lives and livelihoods were threatened; of rural Protestant voters; and of domestic workers (still a sizable group), perhaps because they felt unsafe outside a rigid hierarchy. What was once called the petite bourgeoisie, then, was key to his support—not people feeling the brunt of economic precarity but people feeling the possibility of it. Having nothing to fear but fear itself is having something significant to fear.

It was indeed a “normal” election in that respect, responding not least to the outburst of “normal” politics with which Hitler had littered his program: he had, in the months beforehand, damped down his usual ranting about Jews and bankers and moneyed élites and the rest. He had recorded a widely distributed phonograph album (the era’s equivalent of a podcast) designed to make him seem, well, Chancellor-ish. He emphasized agricultural support and a return to better times, aiming, as Ryback writes, “to bridge divides of class and conscience, socialism and nationalism.” By the strange alchemy of demagoguery, a brief visit to the surface of sanity annulled years and years of crazy.

The Germans were voting, in the absent-minded way of democratic voters everywhere, for easy reassurances, for stability, with classes siding against their historical enemies. They weren’t wild-eyed nationalists voting for a millennial authoritarian regime that would rule forever and restore Germany to glory, and, certainly, they weren’t voting for an apocalyptic nightmare that would leave tens of millions of people dead and the cities of Germany destroyed. They were voting for specific programs that they thought would benefit them, and for a year’s insurance against the people they feared.

Ryback spends most of his time with two pillars of respectable conservative Germany, General Kurt von Schleicher and the right-wing media magnate Alfred Hugenberg. Utterly contemptuous of Hitler as a lazy buffoon—he didn’t wake up until eleven most mornings and spent much of his time watching and talking about movies—the two men still hated the Communists and even the center-left Social Democrats more than they did anyone on the right, and they spent most of 1932 and 1933 scheming to use Hitler as a stalking horse for their own ambitions.

Schleicher is perhaps first among Ryback’s too-clever-for-their-own-good villains, and the book presents a piercingly novelistic picture of him. Though in some ways a classic Prussian militarist, Schleicher, like so many of the German upper classes, was also a cultivated and cosmopolitan bon vivant, whom the well-connected journalist and diarist Bella Fromm called “a man of almost irresistible charm.” He was a character out of a Jean Renoir film, the regretful Junker caught in modern times. He had no illusions about Hitler (“What am I to do with that psychopath?” he said after hearing about his behavior), but, infinitely ambitious, he thought that Hitler’s call for strongman rule might awaken the German people to the need for a real strongman, i.e., Schleicher. Ryback tells us that Schleicher had a strategy he dubbed the Zähmungsprozess , or “taming process,” which was meant to sideline the radicals of the Nazi Party and bring the movement into mainstream politics. He publicly commended Hitler as a “modest, orderly man who only wants what is best” and who would follow the rule of law. He praised Hitler’s paramilitary troops, too, defending them against press reports of street violence. In fact, as Ryback explains, the game plan was to have the Brown Shirts crush the forces of the left—and then to have the regular German Army crush the Brown Shirts.

Schleicher imagined himself a master manipulator of men and causes. He liked to play with a menagerie of glass animal figurines on his desk, leaving the impression that lesser beings were mere toys to be handled. In June of 1932, he prevailed on Hindenburg to give the Chancellorship to Papen, a weak politician widely viewed as Schleicher’s puppet; Papen, in turn, installed Schleicher as minister of defense. Then they dissolved the Reichstag and held those July elections which, predictably, gave the Nazis a big boost.

Ryback spends many mordant pages tracking Schleicher’s whirling-dervish intrigues, as he tried to realize his fantasy of the Zähmungsprozess . Many of these involved schemes shared with the patriotic and staunchly anti-Nazi General Kurt von Hammerstein-Equord (familiar to viewers of “Babylon Berlin” as Major General Seegers). Hammerstein was one of the few German officers to fully grasp Hitler’s real nature. At a meeting with Hitler in the spring of 1932, Hammerstein told him bluntly, “Herr Hitler, if you achieve power legally, that would be fine with me. If the circumstances are different, I will use arms.” He later felt reassured when Hindenburg intimated that, if the Nazi paramilitary troops acted, he could order the Army to fire on them.

Yet Hammerstein remained impotent. At various moments, Schleicher, as the minister of defense, entertained what was in effect a plan for imposing martial law with himself in charge and Hammerstein at his side. In retrospect, it was the last hope of protecting the republic from Hitler—but after President Hindenburg rejected it, not out of democratic misgivings but out of suspicion of Schleicher’s purposes, Hammerstein, an essentially tragic figure, was unable to act alone. He suffered from a malady found among decent military men suddenly thrust into positions of political power: his scruples were at odds with his habits of deference to hierarchy. Generals became generals by learning to take orders before they learned how to give them. Hammerstein hated Hitler, but he waited for someone else of impeccable authority to give a clear direction before he would act. (He went on waiting right through the war, as part of the equally impotent military nexus that wanted Hitler dead but, until it was too late, lacked the will to kill him.)

The extra-parliamentary actions that were fleetingly contemplated in the months after the election—a war in the streets, or, more likely, a civil confrontation leading to a military coup—seemed horrific. The trouble, unknowable to the people of the time, is that, since what did happen is the worst thing that has ever happened, any alternative would have been less horrific. One wants to shout to Hammerstein and his cohorts, Go ahead, take over the government! Arrest Hitler and his henchmen, rule for a few years, and then try again. It won’t be as bad as what happens next. But, of course, they cannot hear us. They couldn’t have heard us then.

Ryback’s gift for detail joins with a nice feeling for the black comedy of the period. He makes much sport of the attempts by foreign journalists resident in Germany, particularly the New York Times’ Frederick T. Birchall, to normalize the Nazi ascent—with Birchall continually assuring his readers that Hitler, an out-of-his-depth simpleton, was not the threat he seemed to be, and that the other conservatives were far more potent in their political maneuvering. When Papen made a speech denying that Hitler’s paramilitary forces represented “the German nation,” Birchall wrote that the speech “contained dynamite enough to change completely the political situation in the Reich.” On another occasion, Birchall wrote that “the Hitlerites” were deluded to think they “hold the best cards”; there was every reason to think that “the big cards, the ones that will really decide the game,” were in the hands of people such as Papen, Hindenburg, and, “above all,” Schleicher.

Ryback, focussing on the self-entrapped German conservatives, generally avoids the question that seems most obvious to a contemporary reader: Why was a coalition between the moderate-left Social Democrats and the conservative but far from Nazified Catholic Centrists never even seriously attempted? Given that Hitler had repeatedly vowed to use the democratic process in order to destroy democracy, why did the people committed to democracy let him do it?

Many historians have jousted with this question, but perhaps the most piercing account remains an early one, written less than a decade after the war by the émigré German scholar Lewis Edinger, who had known the leaders of the Social Democrats well and consulted them directly—the ones who had survived, that is—for his study. His conclusion was that they simply “trusted that constitutional processes and the return of reason and fair play would assure the survival of the Weimar Republic and its chief supporters.” The Social Democratic leadership had become a gerontocracy, out of touch with the generational changes beneath them. The top Social Democratic leaders were, on average, two decades older than their Nazi counterparts.

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Worse, the Social Democrats remained in the grip of a long struggle with Bismarckian nationalism, which, however oppressive it might have been, still operated with a broad idea of legitimacy and the rule of law. The institutional procedures of parliamentarianism had always seen the Social Democrats through—why would those procedures not continue to protect them? In a battle between demagoguery and democracy, surely democracy had the advantage. Edinger writes that Karl Kautsky, among the most eminent of the Party’s theorists, believed that after the election Hitler’s supporters would realize he was incapable of fulfilling his promises and drift away.

The Social Democrats may have been hobbled, too, by their commitment to team leadership—which meant that no single charismatic individual represented them. Proceduralists and institutionalists by temperament and training, they were, as Edinger demonstrates, unable to imagine the nature of their adversary. They acceded to Hitler’s ascent with the belief that by respecting the rules themselves they would encourage the other side to play by them as well. Even after Hitler consolidated his power, he was seen to have secured the Chancellorship by constitutional means. Edinger quotes Arnold Brecht, a fellow exiled statesman: “To rise against him on the first night would make the rebels the technical violators of the Constitution that they wanted to defend.”

Meanwhile, the centrist Catholics—whom Hitler shrewdly recognized as his most formidable potential adversaries—were handicapped in any desire to join with the Democratic Socialists by their fear of the Communists. Though the Communists had previously made various alliances of convenience with the Social Democrats, by 1932 they were tightly controlled by Stalin, who had ordered them to depict the Social Democrats as being as great a threat to the working class as Hitler.

And, when a rumor spread that Hitler had once spat out a Communion Host, it only made him more popular among Catholics, since it called attention to his Catholic upbringing. Indeed, most attempts to highlight Hitler’s personal depravities (including his possibly sexual relationship with his niece Geli, which was no secret in the press of the time; her apparent suicide, less than a year before the election, had been a tabloid scandal) made him more popular. In any case, Hitler was skilled at reassuring the Catholic center, promising to be “the strong protector of Christianity as the basis of our common moral order.”

Hitler’s hatred of parliamentary democracy, even more than his hatred of Jews, was central to his identity, Ryback emphasizes. Antisemitism was a regular feature of populist politics in the region: Hitler had learned much of it in his youth from the Vienna mayor Karl Lueger. But Lueger was a genuine populist democrat, who brought universal male suffrage to the city. Hitler’s originality lay elsewhere. “Unlike Hitler’s anti-Semitism, a toxic brew of pseudoscientific readings and malignant mentoring, Hitler’s hatred of the Weimar Republic was the result of personal observation of political processes,” Ryback writes. “He hated the haggling and compromise of coalition politics inherent in multiparty political systems.”

Second only to Schleicher in Ryback’s accounting of Hitler’s establishment enablers is the media magnate Alfred Hugenberg. The owner of the country’s leading film studio and of the national news service, which supplied some sixteen hundred newspapers, he was far from an admirer. He regarded Hitler as manic and unreliable but found him essential for the furtherance of their common program, and was in and out of political alliance with him during the crucial year.

Hugenberg had begun constructing his media empire in the late nineteen-teens, in response to what he saw as the bias against conservatives in much of the German press, and he shared Hitler’s hatred of democracy and of the Jews. But he thought of himself as a much more sophisticated player, and intended to use his control of modern media in pursuit of what he called a Katastrophenpolitik —a “catastrophe politics” of cultural warfare, in which the strategy, Ryback says, was to “flood the public space with inflammatory news stories, half-truths, rumors, and outright lies.” The aim was to polarize the public, and to crater anything like consensus. Hugenberg gave Hitler money as well as publicity, but Hugenberg had his own political ambitions (somewhat undermined by a personal aura described by his nickname, der Hamster) and his own party, and Hitler was furiously jealous of the spotlight. While giving Hitler support in his media—a support sometimes interrupted by impatience—Hugenberg urged him to act rationally and settle for Nazi positions in the cabinet if he could not have the Chancellorship.

What strengthened the Nazis throughout the conspiratorial maneuverings of the period was certainly not any great display of discipline. The Nazi movement was a chaotic mess of struggling in-groups who feared and despised one another. Hitler rightly mistrusted the loyalty even of his chief lieutenant, Gregor Strasser, who fell on the “socialist” side of the National Socialists label. The members of the S.A., the Storm Troopers, meanwhile, were loyal mainly to their own leader, Ernst Röhm, and embarrassed Hitler with their run of sexual scandals. The N.S.D.A.P. was a hive of internal antipathies that could resolve only in violence—a condition that would endure to the last weeks of the war, when, standing amid the ruins of Germany, Hitler was enraged to discover that Heinrich Himmler was trying to negotiate a separate peace with the Western Allies.

The strength of the Nazis lay, rather, in the curiously enclosed and benumbed character of their leader. Hitler was impossible to discourage, not because he ran an efficient machine but because he was immune to the normal human impediments to absolute power: shame, calculation, or even a desire to see a particular political program put in place. Hindenburg, knowing of Hitler’s genuinely courageous military service in the Great War, appealed in their meetings to his patriotism, his love of the Fatherland. But Hitler, an Austrian who did not receive German citizenship until shortly before the 1932 election, did not love the Fatherland. He ran on the hydrogen fuel of pure hatred. He did not want power in order to implement a program; he wanted power in order to realize his pain. A fascinating and once classified document, prepared for the precursor of the C.I.A. , the O.S.S., by the psychoanalyst Walter Langer, used first-person accounts to gauge the scale of Hitler’s narcissism: “It may be of interest to note at this time that of all the titles that Hitler might have chosen for himself he is content with the simple one of ‘Fuehrer.’ To him this title is the greatest of them all. He has spent his life searching for a person worthy of the role but was unable to find one until he discovered himself.” Or, as the acute Hungarian American historian John Lukacs, who spent a lifetime studying Hitler’s psychology, observed, “His hatred for his opponents was both stronger and less abstract than was his love for his people. That was (and remains) a distinguishing mark of the mind of every extreme nationalist.”

In November of 1932, one more Reichstag election was held. Once again, it was a bitter disappointment to Hitler and Goebbels—“a disaster,” as Goebbels declared on Election Night. (An earlier Presidential election had also reaffirmed Hindenburg over the Hitler movement.) The Nazi wave that everyone had expected failed to materialize. The Nazis lost seats, and, once again, they could not crack fifty per cent. The Times explained that the Hitler movement had passed its high-water mark, and that “the country is getting tired of the Nazis.” Everywhere, Ryback says, the cartoonists and editorialists delighted in Hitler’s discomfiture. One cartoonist showed him presiding over a graveyard of swastikas. In December of 1932, having lost three elections in a row, Hitler seemed to be finished.

The subsequent maneuverings are as dispiriting to read about as they are exhausting to follow. Basically, Schleicher conspired to have Papen fired as Chancellor by Hindenburg and replaced by himself. He calculated that he could cleave Gregor Strasser and the more respectable elements of the Nazis from Hitler, form a coalition with them, and leave Hitler on the outside looking in. But Papen, a small man in everything except his taste for revenge, turned on Schleicher in a rage and went directly to Hitler, proposing, despite his earlier never-Hitler views, that they form their own coalition. Schleicher’s plan to spirit Strasser away from Hitler and break the Nazi Party in two then stumbled on the reality that the real base of the Party was fanatically loyal only to its leader—and Strasser, knowing this, refused to leave the Party, even as he conspired with Schleicher to undermine it.

Then, in mid-January, a small regional election in Lipperland took place. Though the results were again disappointing for Hitler and Goebbels—the National Socialist German Workers’ Party still hadn’t surmounted the fifty-per-cent mark—they managed to sell the election as a kind of triumph. At Party meetings, Hitler denounced Strasser. The idea, much beloved by Schleicher and his allies, of breaking a Strasser wing of the Party off from Hitler became obviously impossible.

Hindenburg, in his mid-eighties and growing weak, became fed up with Schleicher’s Machiavellian stratagems and dispensed with him as Chancellor. Papen, dismissed not long before, was received by the President. He promised that he could form a working majority in the Reichstag by simple means: Hindenburg should go ahead and appoint Hitler Chancellor. Hitler, he explained, had made significant “concessions,” and could be controlled. He would want only the Chancellorship, and not more seats in the cabinet. What could go wrong? “You mean to tell me I have the unpleasant task of appointing this Hitler as the next Chancellor?” Hindenburg reportedly asked. He did. The conservative strategists celebrated their victory. “So, we box Hitler in,” Hugenberg said confidently. Papen crowed, “Within two months, we will have pressed Hitler into a corner so tight that he’ll squeak!”

“The big joke on democracy is that it gives its mortal enemies the tools to its own destruction,” Goebbels said as the Nazis rose to power—one of those quotes that sound apocryphal but are not. The ultimate fates of Ryback’s players are varied, and instructive. Schleicher, the conservative who saw right through Hitler’s weakness—who had found a way to entrap him, and then use him against the left—was killed by the S.A. during the Night of the Long Knives, in 1934, when Hitler consolidated his hold over his own movement by murdering his less loyal lieutenants. Strasser and Röhm were murdered then, too. Hitler and Goebbels, of course, died by their own hands in defeat, having left tens of millions of Europeans dead and their country in ruins. But Hugenberg, sidelined during the Third Reich, was exonerated by a denazification court in the years after the war. And Papen, who had ushered Hitler directly into power, was acquitted at Nuremberg ; in the nineteen-fifties, he was awarded the highest honorary order of the Catholic Church.

Does history have patterns or merely circumstances and unique contingencies? Certainly, the Germany of 1932 was a place unto itself. The truth, that some cycles may recur but inexactly, is best captured in that fine aphorism “History does not repeat itself, but it sometimes rhymes.” Appropriately, no historian is exactly sure who said this: widely credited to Mark Twain , it was more likely first said long after his death.

We see through a glass darkly, as patterns of authoritarian ambition seem to flash before our eyes: the demagogue made strong not by conviction but by being numb to normal human encouragements and admonitions; the aging center left; the media lords who want something like what the demagogue wants but in the end are controlled by him; the political maneuverers who think they can outwit the demagogue; the resistance and sudden surrender. Democracy doesn’t die in darkness. It dies in bright midafternoon light, where politicians fall back on familiarities and make faint offers to authoritarians and say a firm and final no—and then wake up a few days later and say, Well, maybe this time, it might all work out, and look at the other side! Precise circumstances never repeat, yet shapes and patterns so often recur. In history, it’s true, the same thing never happens twice. But the same things do. ♦

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Trump is selling ‘God Bless the USA’ Bibles for $59.99 as he faces mounting legal bills

FILE - President Donald Trump holds a Bible as he visits outside St. John’s Church across Lafayette Park from the White House, June 1, 2020, in Washington. Trump is now selling Bibles as he runs to return to the White House. The presumptive Republican nominee released a video on his Truth Social platform Tuesday urging his supporters to purchase the “God Bless The USA Bible.” (AP Photo/Patrick Semansky, File)

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NEW YORK (AP) — Former President Donald Trump is now selling Bibles as he runs to return to the White House.

Trump, who became the presumptive Republican nominee earlier this month, released a video on his Truth Social platform on Tuesday urging his supporters to buy the “God Bless the USA Bible,” which is inspired by country singer Lee Greenwood’s patriotic ballad. Trump takes the stage to the song at each of his rallies and has appeared with Greenwood at events.

“Happy Holy Week! Let’s Make America Pray Again. As we lead into Good Friday and Easter, I encourage you to get a copy of the God Bless the USA Bible,” Trump wrote, directing his supporters to a website selling the book for $59.99.

The effort comes as Trump has faced a serious money crunch amid mounting legal bills while he fights four criminal indictments along with a series of civil charges. Trump was given a reprieve Monday when a New York appeals court agreed to hold off on collecting the more than $454 million he owes following a civil fraud judgment if he puts up $175 million within 10 days. Trump has already posted a $92 million bond in connection with defamation cases brought by the writer E. Jean Carroll , who accused Trump of sexual assault.

“All Americans need a Bible in their home, and I have many. It’s my favorite book,” Trump said in the video posted on Truth Social. “I’m proud to endorse and encourage you to get this Bible. We must make America pray again.”

Billing itself as “the only Bible endorsed by President Trump!” the new venture’s website calls it “Easy-to-read” with “large print” and a “slim design” that “invites you to explore God’s Word anywhere, any time.”

Besides a King James Version translation, it includes copies of the U.S. Constitution, the Bill of Rights, the Declaration of Independence and the Pledge of Allegiance, as well as a handwritten chorus of the famous Greenwood song.

The Bible is just the latest commercial venture that Trump has pursued while campaigning.

Last month, he debuted a new line of Trump-branded sneakers , including $399 gold “Never Surrender High-Tops,” at Sneaker Con in Philadelphia. The venture behind the shoes, 45Footwear, also sells other Trump-branded footwear, cologne and perfume.

Trump has also dabbled in NFTs, or nonfungible tokens, and last year reported earning between $100,000 and $1 million from a series of digital trading cards that portrayed him in cartoon-like images, including as an astronaut, a cowboy and a superhero.

Donald Trump is facing four criminal indictments, and a civil lawsuit. You can track all of the cases here .

He has also released books featuring photos of his time in office and letters written to him through the years.

The Bible’s website states the product “is not political and has nothing to do with any political campaign.”

“GodBlessTheUSABible.com is not owned, managed or controlled by Donald J. Trump, The Trump Organization, CIC Ventures LLC or any of their respective principals or affiliates,” it says.

Instead, it says, “GodBlessTheUSABible.com uses Donald J. Trump’s name, likeness and image under paid license from CIC Ventures LLC, which license may be terminated or revoked according to its terms.”

CIC Ventures LLC, a company that Trump reported owning in his 2023 financial disclosure, has a similar arrangement with 45Footwear, which also says it uses Trump’s “name, likeness and image under paid license from CIC Ventures LLC, which license may be terminated or revoked according to its terms.”

A Trump spokesperson and God Bless the USA Bible did not immediately respond to questions about how much Trump was paid for the licensing deal or stands to make from each book sale.

Trump remains deeply popular with white evangelical Christians , who are among his most ardent supporters, even though the thrice-married former reality TV star has a long history of behavior that often seemed at odds with teachings espoused by Christ in the Gospels.

When he was running in 2016, Trump raised eyebrows when he cited “Two Corinthians” at Liberty University, instead of the standard “Second Corinthians.”

When asked to share his favorite Bible verse in an interview with Bloomberg Politics in 2015, he demurred.

“I wouldn’t want to get into it. Because to me, that’s very personal,” he said. “The Bible means a lot to me, but I don’t want to get into specifics.”

When he was president, law enforcement officers aggressively removed racial justice protesters from a park near the White House, allowing Trump to walk to nearby St. John’s Church, where he stood alone and raised a Bible. The scene was condemned at the time by the bishop of the Episcopal Diocese of Washington.

Before he ran for office, Trump famously hawked everything from frozen steaks to vodka to a venture named Trump University, which was later sued for fraud .