autobiography on a book

Shaping Your Legacy: How to Write a Compelling Autobiography

  • The Speaker Lab
  • March 12, 2024

Table of Contents

Ever thought about how your life story would read if it were a book? Writing an autobiography is like creating a map of your personal journey, each chapter representing milestones that shaped you. But where do you start and how can you ensure the tale holds interest?

This guide will help unravel those questions by delving into what makes an autobiography stand out, planning techniques to keep your narrative on track, writing tips for engaging storytelling, and even ethical considerations when revealing private aspects of your life.

We’ll also touch on refining drafts and navigating publishing options. By the end of this read, you’ll be equipped with all the insights you need to create a compelling autobiography!

Understanding the Essence of an Autobiography

An autobiography provides a comprehensive view of one’s life journey from birth to the present day. Imagine climbing into a time machine where every chapter represents different eras in your life. The goal of an autobiography is to allow readers to explore a factual, chronological telling of the author’s life.

Autobiographies aren’t merely catalogues of events, however; they need soulful introspection too. Think about why certain episodes mattered more than others and how those experiences influenced your perspectives or decisions later on.

You’ll also want to infuse emotional honesty, allowing yourself vulnerability when recalling both triumphant milestones and painful obstacles. Authenticity creates connections between authors and their audience, so let them see real human emotions behind every word written.

Distinguishing Features Of An Autobiography

The unique thing about autobiographies is they are first-person narratives . This allows readers to experience everything through your eyes, as if they’re living vicariously through you. From triumphs to trials, each page unravels another layer of who you are.

While memoirs are also first-person narratives of a person’s life, there are different from autobiographies. In a memoir, the author focuses on a particular time period or theme in their life. If you’d rather skip the details and dates needed for an autobiography and focus more on emotional truths, you might consider writing a memoir.

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Pre-Writing Stage: Planning Your Autobiography

The planning stage is a crucial part of writing your autobiography. It’s where you map out the significant events in your life, establish a timeline, and identify who will be reading your story.

Selecting Key Life Events

To start, you need to pinpoint key moments that have shaped you. While you will include plenty of factual details in your autobiography, you won’t include every single one. Rather, you’ll be spending the majority of your autobiography focusing on the transformative experiences that defined your life journey. After all, an autobiography is not just a catalogue of events; it’s also an exploration into what these experiences meant to you.

Establishing A Timeline

Next up is establishing a timeline for your narrative flow. Since you’re writing an autobiography, it’s important to first map out your story chronologically so that you can keep your events straight in your mind. MasterClass has several suggestions for key elements you might want to include in your timeline.

Identifying Your Audience

Finding out who’ll read your book helps shape its tone and style. Self-Publishing School says understanding whether it’s for close family members or broader public can guide how personal or universal themes should be presented.

While this process might feel overwhelming initially, take time with this stage. Good planning sets solid foundations for creating an engaging autobiography.

Writing Techniques for an Engaging Autobiography

If you’re on the journey to pen down your life story, let’s dive into some techniques that can help transform it from a simple narrative into a riveting read. An engaging autobiography is more than just facts and dates—it’s about weaving your experiences in such a way that they captivate readers.

Incorporating Dialogue

The first technique involves incorporating dialogue. Rather than telling your audience what happened, show them through conversations. It lets the reader experience events as if they were there with you. As renowned author Stephen King suggests , dialogue is crucial in defining a the character of a person (including yourself).

Using Vivid Descriptions

Vivid descriptions are another effective tool in creating an immersive reading experience. But remember: overdoing it might overwhelm or bore the reader, so find balance between being descriptive and concise.

Narrative Techniques

Different narrative techniques can also enhance storytelling in autobiographies. For instance, foreshadowing creates suspense; flashbacks provide deeper context; and stream of consciousness presents thoughts as they occur naturally—a powerful way to share personal reflections.

All these writing tools combined will give you a gripping account of your life journey—one where every turn of page reveals more layers of depth and dimensionality about who you are as both character and narrator.

Structuring Your Autobiography for Maximum Impact

Deciding on the right structure for your autobiography is essential to ensure your book captivates readers and keeps them engaged.

The first step towards structuring your autobiography effectively is deciding whether to organize it chronologically or thematically. A chronological approach takes readers on a journey through time, letting each event unfold as you experienced it. On the other hand, a thematic approach revolves around central themes that have defined your life—think resilience, ambition or transformation—and might jump back and forth in time.

Creating Chapters

An effective way to manage the vast amount of information in an autobiography is by dividing it into chapters. Each chapter should be structured around a specific time frame (if you’re opting for chronological order) or theme (if taking the thematic approach). The key here isn’t necessarily sticking rigidly to these categories but using them as guides to help shape and direct your narrative flow.

Crafting Compelling Beginnings and Endings

A strong beginning pulls people into your world while an impactful ending stays with them long after they’ve closed the book—a little like how memorable speeches often start with something surprising yet relatable and end leaving audiences pondering over what they’ve heard. So consider starting off with something unexpected that gives insight into who you are rather than birthplace/date details right away. For endings, look at wrapping up major themes from throughout the book instead of simply closing out on latest happenings in your life.

Remember, structuring an autobiography is as much about the art of storytelling as it is about chronicling facts. Use structure to draw readers in and take them on a journey through your life’s highs and lows—all the moments that made you who you are today.

Ethical Considerations When Writing an Autobiography

When penning your life story, it’s important to respect privacy and handle sensitive issues well. Because let’s face it, writing about others in our lives can be a slippery slope. We need to tread carefully.

Respecting Privacy: Telling Your Story Without Invading Others’

The first thing we have to consider is the right of privacy for those who cross paths with our narrative journey. While they might play crucial roles in our stories, remember that their experiences are their own too.

A good rule of thumb is to get explicit consent before mentioning anyone extensively or revealing sensitive information about them. In some cases where this isn’t possible, anonymizing details or using pseudonyms could help maintain privacy while keeping the essence of your story intact. Author Tracy Seeley sheds more light on how one should handle such situations responsibly.

Navigating Sensitive Topics With Care

Sensitive topics often make for compelling narratives but dealing with them requires tact and empathy. You’re walking a tightrope, balancing honesty and sensitivity, a fall from which can lead to hurt feelings or even legal troubles.

An excellent way around this dilemma would be by focusing on how these experiences affected you personally rather than detailing the event itself. Remember, your autobiography is an opportunity to share your life experiences, not just a platform for airing grievances or settling scores.

Maintaining Honesty: Your Authentic Self Is the Best Narrator

Above all else, stay truthful when writing your autobiography, both when you’re writing about sensitive topics and even when you’re not. While it can be tempting to bend the facts so that your audience sees you in a more positive light, maintaining honesty is the best thing you can do for yourself.

Editing and Revising Your Autobiography

Your initial draft is finished, but the job isn’t done yet. Editing and revising your autobiography can feel like a daunting task, but it’s essential for creating a polished final product.

The Importance of Self-Editing

You may feel that you have written your autobiography perfectly the first time, but there are always ways to make it better. The beauty of self-editing lies in refining your story to make sure it resonates with readers. You’re not just fixing typos or grammar mistakes; you’re looking at structure, flow, and consistency. Essentially you’re asking yourself: does this piece tell my life story in an engaging way?

Inviting Feedback from Others

No matter how meticulous we are as writers, our own work can sometimes evade us. Inviting feedback from others is invaluable during the revision process. They provide fresh eyes that can spot inconsistencies or confusing parts that may have slipped past us.

Hiring a Professional Editor

If you’re serious about publishing your autobiography and making an impact with your words, hiring a professional editor can be worth its weight in gold. An editor won’t just fix errors—they’ll help streamline sentences and enhance readability while respecting your unique voice.

Remember to approach editing and revising with patience—it’s part of the writing journey. Don’t rush through it; give each word careful consideration before moving onto publication options for your autobiography.

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Publishing Options for Your Autobiography

Once you’ve spent time and energy creating your autobiography, the following challenge is to make it available for others. But don’t fret! There are numerous options available for releasing your work.

Traditional Publishing Houses

A conventional path many authors take is partnering with a traditional publishing house . These industry giants have extensive resources and networks that can help boost the visibility of your book. The process may be competitive, but if accepted, they handle everything from design to distribution—letting you focus on what matters most: telling your story.

Self-Publishing Platforms

If you want more control over every aspect of publication or seek a faster route to market, self-publishing platforms like Amazon Kindle Direct Publishing (KDP), offer an accessible alternative. With this option, you manage all aspects including cover design and pricing ; however, it also means greater responsibility in promoting your book.

Bear in mind that both options have their own pros and cons, so consider them carefully before making any decisions.

Marketing Your Autobiography

Now that you’ve crafted your autobiography, it’s time to get the word out. You need a plan and strategy.

Leveraging Social Media

To start with, use your social platforms as launching pads for your book. Sites like Facebook , Twitter, and especially LinkedIn can help generate buzz about your work. And don’t underestimate the power of other platforms like Instagram and TikTok when trying to reach younger audiences. Whatever social platform you use, remember to engage with followers by responding to comments and questions about the book.

Organizing Book Signings

A physical event like a book signing not only provides readers with a personal connection but also generates local publicity. Consider partnering up with local independent stores or libraries, which are often open to hosting such events.

Securing Media Coverage

Contacting local newspapers, radio stations or even bloggers and podcasters in your field can provide much-needed visibility for your work. It might seem intimidating at first, but who better than you knows how important this story is?

FAQs on How to Write an Autobiography

How do i start an autobiography about myself.

To kick off your autobiography, jot down significant life events and pick a unique angle that frames your story differently.

What are the 7 steps in writing an autobiography?

The seven steps are: understanding what an autobiography is, planning it out, using engaging writing techniques, structuring it effectively, considering ethics, revising thoroughly, and exploring publishing options.

What are the 3 parts of an autobiography?

An autobiography generally has three parts: introduction (your background), body (major life events), and conclusion (reflections on your journey).

What is the format for writing an autobiography?

The usual format for autobiographies involves chronological or thematic structure with clear chapters marking distinct phases of life.

Writing an autobiography is a journey, a trek exploring the unique narrative of your life. Together, we’ve covered how to plan effectively, select key events, and set timelines.

Once you’re all set to write, you now have the techniques you need for engaging storytelling, including vivid descriptions and dialogues. You also learned about structuring your story for maximum impact and navigating sensitive topics while maintaining honesty.

Last but not least, you learned editing strategies, publishing options, and effective ways of promoting your book.

Now you know more than just how to write an autobiography. You know how to craft a legacy worth reading!

  • Last Updated: March 22, 2024

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Autobiography Of A Book

Writing an autobiography of a book involves intense imagination and a personal attachment to the characters in the story. It also requires infinite assiduity while reading.

A good autobiography follows a season-by-season format, starting with childhood and moving forward through adulthood and into middle age. A memoir, such as Heart Berries by Terese Marie Mailhot, shifts back and forth in time but still follows a general pattern.

Table of Contents

A theme is a central idea that runs through an entire narrative. It’s a bit like the wooden studs hidden inside walls or steel beams holding up a skyscraper—whether your book is tiny or huge, hugs the ground or soars into the air, balanced or a little crooked, it depends on a sturdy inner framework to keep it together and give it shape.

In an autobiography, the theme is what gives the narrative its overall structure and meaning. When students write their own memoirs, they need to find a single theme around which to organize their experiences. This will help the reader understand what they are reading and make it easier for them to remember.

It can be challenging to sort through a lifetime of experiences and come up with an overarching theme for your autobiography. Whether you’re writing for family or for a larger public audience, it’s important to focus on the themes that will appeal most to your readers. For example, a memoir about an illness or the death of a loved one can be emotionally gripping and also has universal appeal.

Similarly, an autobiography about the successes of a career or sport can be interesting and inspiring for people in similar situations. It’s human nature to be interested in others’ successes and to want to learn from their failures.

Cultural themes also often make fascinating autobiographies. For example, a story about growing up in a different culture and learning to celebrate holidays and other traditions can be fascinating to people who share that background. Likewise, stories about overcoming obstacles, from failing out of school to being an amateur athlete to rising to the top of their profession, can be a source of inspiration for people who are struggling with similar issues.

2. Characters

Autobiographies are personal stories that can inform and entertain readers. They often explore themes that are universal, such as family values, work ethic, or perseverance. The genre has expanded over the years and now encompasses many different styles of writing. One of the most notable examples is Anne Frank’s Diary of a Young Girl, which tells the story of her life as a Jew during World War II. Another popular example is the military autobiography of Navy SEAL Chris Kyle, which inspired the 2014 film American Sniper.

The word “autobiography” derives from the Greek words for self (auto) and life (bios). The first Western autobiographical work is generally attributed to Saint Augustine of Hippo Regius, who wrote his 13-book account of his life called Confessions in about 400 A.D. Today, there are many different types of autobiographies that vary in the amount of detail they include. Some are simply a chronological chain of events that recollects a linear timeline, while others offer a deeper analysis and explore the author’s emotional response to his or her experiences.

Semi-autobiographical fiction is another form of the genre that is sometimes referred to as a roman clef. In this type of story, the narrator is based on the author but may not have exactly the same religion, ethnicity, political affiliation, hometown, or family background as the author. Instead, the character will resemble the author in other ways, such as family values, work ethics, or hobbies.

Some examples of semi-autobiographical fiction include Sylvia Plath’s The Bell Jar and Virginia Woolf’s satirical novel Augustus Carp, Esq. by Himself, which reworked the entire idea of a historical biography into a light-hearted escapade.

3. Point of View

The point of view is the perspective from which a story is told. Every piece of writing has a point of view, including novels, academic research papers, and your journal entries. It determines how the reader experiences a story and how the narrator interacts with characters. There are three different points of view: first person, second person and third person. First person involves a character telling their own story using personal pronouns (“I went to the store”), second person includes a narrator that tells a story about the audience or reader (using words like “you” and “yours”) and third person uses impersonal pronouns such as “he,” “she” and “it.”

Narrative point of view goes hand in hand with narrative style. Choosing the right point of view for a story enables an author to amplify certain themes and ideas. For example, Gregor Samsa’s transformation into a giant insect in Kafka’s The Metamorphosis would not have had as much impact had the story been told from a more traditional literary point of view.

When evaluating an autobiography, students should focus on the narrator’s perspective and their interaction with other characters. They should also consider the narrator’s level of knowledge about the subject matter and the amount of detail included in the story. This evaluation will help students identify whether the narrator provided a comprehensive or superficial account of the subject’s life. In addition, they should evaluate if the narrator adequately addressed why the subject is notable. This may include describing the subject’s artistic achievements, major accomplishments or significant contributions to the world. If the author omitted any of this information, students should explain why in their book report.

4. Narrative Structure

Unlike some other forms of nonfiction, autobiographies often have the feel of a story. This is due to the fact that they often tell a narrative, and the narrative often has an emotional center and compelling plot. They also tend to incorporate storytelling elements such as an arc, protagonist, and antagonist.

The first thing that authors need to decide when writing an autobiography is what their narrative will be. This may be a classic rags-to-riches story, a struggle to balance work and family life, or even a battle against societal restrictions. Once the author has a clear idea of their narrative, they can start drafting the autobiography by looking at all the different aspects of their life and seeing how they fit into the overall theme.

Many autobiographies also contain a great deal of information, so the author must be careful to only include what is relevant for their readers. A good way to test this is to give the autobiography to a friend and see how interesting they find it. If the information is not interesting, then it does not belong in the autobiography.

Another element of an autobiography is its pacing. Autobiographies usually follow a chronology of the author’s life, beginning with their childhood and ending at the time of their writing. Memoirs, on the other hand, may be looser in their treatment of time. For example, a memoir such as Heart Berries by Terese Marie Mailhot shifts back and forth in time.

Lastly, a key element of an autobiography is the use of sensory detail to convey a sense of place and time. This is important for allowing the reader to imagine the world of the author and connect with their story.

As a genre of narrative writing, autobiography is quite similar to fiction. Therefore, teaching students about autobiography is often done best after a unit on fictional story writing.

One of the most important aspects to teach is that the style of an autobiography should be personal, intimate and engaging. The reader should feel as if the author is sitting across from them telling their life story. This is achieved by using rich sensory language that draws the reader into the moment, creating a feeling of closeness between the writer and the reader.

In addition, it is helpful to explain to students that autobiography is by nature subjective because the events recorded in the book are experiences that happened to the author. This subjectivity can lead to the author’s biases and opinions being reflected in their writing. However, most readers of autobiographies appreciate that the writer’s point of view is being offered and feel as if they are hearing the truth straight from the source.

Another aspect of style to discuss is that an autobiography should be written in a logical and chronological order. This can help the reader to follow the story of the author’s life from beginning to end. It is often helpful to use the theme of the autobiography as a guide for organizing the chronology of events.

For example, an autobiography about a person who met the Pope or spent three weeks lost at sea may be best organized into sections that are of high interest to the reader. Choosing a consistent tone is also important. Some autobiographies are humorous such as Bossy Pants by Tina Fey, while others are more serious like Open by Andre Agassi.

Autobiography Of A Book Example 1

Title: Memoirs of a Book: A Journey Through Pages

Introduction: As the crisp pages of my life unfold, I am compelled to share the extraordinary journey I have embarked upon as a humble book. From my creation to the hands of numerous readers, I have witnessed the power of words and the impact they can have on individuals. Join me as I recount the events and emotions that have shaped my existence, from my inception in the printing press to the diverse places I have called home.

Chapter 1: Birth of Words My story begins amidst the rhythmic hum of the printing press. I remember the day vividly when I was brought into existence, my pages blank and waiting to be filled with knowledge and imagination. The ink flowed onto my pages, etching tales and ideas that would captivate minds throughout time. The smell of fresh ink and the touch of the printer’s hands left an indelible mark on my being.

Chapter 2: The Sheltered Library After my creation, I found myself in the embrace of a grand library. Rows upon rows of shelves housed countless books like me, each one waiting to be discovered. The library became my sanctuary, a place where I absorbed the wisdom and stories of the world. I witnessed the curious eyes of children and the studious gazes of scholars, knowing that I held the power to transport them to distant lands and unlock the depths of their imaginations.

Chapter 3: The Journey Begins The day finally arrived when I was plucked from the library shelves and placed into the hands of a reader. This marked the beginning of my journey beyond the confines of the library. I embarked on an adventure, traveling from person to person, crossing borders and transcending cultural boundaries. I experienced the joy of being read by avid readers and the thrill of being shared among friends and families.

Chapter 4: The Teacher’s Desk In the course of my travels, I found myself in the hands of a passionate teacher. I became an instrument of knowledge, accompanying her in classrooms filled with eager students. Through her guidance, I witnessed the transformation of young minds, the spark of curiosity ignited by my words. The teacher’s annotations and underlined passages became a testament to my influence on her teaching.

Chapter 5: The Forgotten Corner Time passed, and with it came the inevitable truth: not all books remain cherished forever. I found myself in the forgotten corner of a dusty attic, abandoned and neglected. The once vibrant pages faded, and my cover lost its luster. But even in solitude, I held onto the hope that someone would rediscover me and breathe life into my forsaken existence.

Chapter 6: A Second Chance My perseverance paid off when a curious soul stumbled upon me during a spring cleaning session. The dust was gently blown away, and my worn-out cover was lovingly repaired. I was once again introduced to the world, this time in the digital realm. Scanned and digitized, I became part of the vast online library, accessible to readers across the globe.

Conclusion: As the final chapter of my autobiography draws to a close, I am filled with a profound sense of gratitude for the journey I have undertaken. From my creation to my rediscovery, I have witnessed the power of words to inspire, educate, and connect humanity. My pages have carried the weight of countless emotions and experiences, and I am honored to have played a part in the lives of those who have held me in their hands. As my story continues to unfold, I hope to inspire future generations and remind them of the profound impact that books can have on shaping their lives.

Autobiography Of A Book Example 2

Title: Unveiling the Story Within: A Book’s Autobiography

Introduction: In the vast tapestry of literature, I, a book, have a tale to tell. My journey encompasses not just the words inscribed upon my pages, but the lives I have touched and the emotions I have stirred. Join me as I unveil the vibrant narrative of my existence, from the moment of my creation to the profound impact I have had on readers’ lives.

Chapter 1: The Birth of Imagination In the hallowed halls of a publishing house, I came into being. A culmination of ink, paper, and dreams, I emerged from the creative minds of writers, editors, and artists. The printing press breathed life into me, and I took my first breath as a tangible entity. The weight of possibility settled upon me as I awaited my purpose and destiny.

Chapter 2: The Embrace of Readers From the printing press, I journeyed into the hands of readers, eager to share my story. They cradled me, carefully turning my pages, their eyes dancing across the words. With each reader, a unique connection was forged, as my narrative intertwined with their thoughts, emotions, and experiences. Through their engagement, I discovered the power of storytelling to inspire, comfort, and provoke change.

Chapter 3: A Global Odyssey As the pages of my story turned, I embarked on a global odyssey. From cozy reading nooks to bustling bookstores, I traveled across continents and cultures. Through me, readers explored far-off lands, encountered diverse characters, and delved into a myriad of ideas. I transcended borders, languages, and prejudices, fostering empathy and understanding among individuals who might otherwise never have crossed paths.

Chapter 4: The Silent Companion Within the walls of libraries, I found solace and purpose. Surrounded by countless companions, I stood tall on the shelves, a silent witness to the pursuit of knowledge. Students, scholars, and seekers of truth turned to me, seeking enlightenment and guidance. The weight of their hands, the caress of their fingers, and the whispered conversations enriched my existence, affirming my importance as a repository of wisdom.

Chapter 5: The Digital Revolution As technology advanced, I embarked on a new chapter in my existence. I shed my physical form and embraced the digital realm. Through e-books and online platforms, I transcended the limitations of time and space, reaching readers across the globe. Amidst the vast sea of information, I continued to shine as a beacon of knowledge, offering a respite from the chaos and a haven for those seeking intellectual nourishment.

Chapter 6: Legacy and Transformation As the years passed, I witnessed the transformation of the literary landscape. New mediums emerged, challenging traditional notions of storytelling. Yet, I remained steadfast, adapting to the changing tides. My legacy lived on, passed down from one generation to the next, as readers discovered the magic within my pages, cherishing the intimate connection forged through the written word.

Conclusion: In the grand tapestry of literature, I, a book, have played my part. From my creation to the far-reaching impact upon readers, I have been a vessel of knowledge, empathy, and imagination. Through the ages, I have stood as a testament to the power of storytelling, transcending time, space, and societal boundaries. As my story continues to unfold, I eagerly await the turn of each page, knowing that within them lies the potential to ignite minds, shape perspectives, and inspire the endless pursuit of wisdom.

Autobiography Of A Book Example 3

Title: From Parchment to Pixels: A Book’s Autobiography

Introduction: Within the realm of literature, where words weave intricate tales, I am a book—a vessel of stories, knowledge, and dreams. Join me as I unravel the chapters of my existence, from the ancient art of parchment to the digital age of pixels. Together, let us embark on a journey through time and discover the profound impact of books on human lives.

Chapter 1: The Quill’s Dance In the quiet sanctuaries of monasteries, amidst the flickering candlelight, I was brought into being. Scribes meticulously transcribed words onto parchment, their quills dancing across the delicate surface. The aroma of ink and the rustle of turning pages filled the air, as I emerged as a treasure of wisdom and imagination. In the hands of scholars and seekers of knowledge, I became a gateway to enlightenment.

Chapter 2: The Renaissance of Ideas As the printing press revolutionized the dissemination of knowledge, I witnessed the birth of a new era. Printers pressed ink onto paper, breathing life into countless copies of myself. The world embraced the written word, and I found myself in the hands of scholars, philosophers, and artists. The Renaissance unfolded around me, as minds were ignited by the ideas and perspectives I held within.

Chapter 3: Enlightenment and Revolution As the world underwent rapid transformation, I played a vital role in shaping the course of history. Enlightenment thinkers turned to me, seeking inspiration for freedom, equality, and human rights. The pages of books like mine became battlefields of ideas, fueling revolutions and fostering intellectual discourse. I witnessed the birth of nations and the fall of empires, knowing that the words written upon my pages had the power to change the world.

Chapter 4: Libraries and Salons Within the hallowed halls of libraries, I found respite and purpose. Curators and librarians embraced me as a guardian of knowledge, placing me alongside countless companions. Scholars and intellectuals sought solace in the quiet corners of salons, where I became the catalyst for conversations that challenged conventions and expanded horizons. Through the hands of readers, I became a bridge connecting past wisdom to the present.

Chapter 5: The Digital Revolution As technology reshaped the world, I embarked on an extraordinary transformation. From the physical realm, I leaped into the boundless expanse of the digital age. Letters became pixels, and pages transformed into screens. E-books and online platforms carried me to the fingertips of readers around the globe. I witnessed the democratization of knowledge, as access to information transcended barriers of geography and privilege.

Chapter 6: Endurance and Immortality Though the medium may change, my essence remains eternal. From the fragile pages of ancient tomes to the intangible realms of e-readers, my stories persist. I am passed down through generations, cherished as a treasure of collective memory. In the hearts and minds of readers, I find immortality, forever etching my mark upon the tapestry of humanity.

Conclusion: As I reflect upon the chapters of my existence, I am humbled by the profound impact books have had on shaping human civilization. From the quill to the printing press, and from libraries to digital platforms, the power of words endures. Through the ages, books have been companions, teachers, and catalysts for change. As I continue to evolve in this ever-changing world, I embrace the knowledge that the story of books will forever be intertwined with the story of humanity itself.

About Mr. Greg

Mr. Greg is an English teacher from Edinburgh, Scotland, currently based in Hong Kong. He has over 5 years teaching experience and recently completed his PGCE at the University of Essex Online. In 2013, he graduated from Edinburgh Napier University with a BEng(Hons) in Computing, with a focus on social media.

Mr. Greg’s English Cloud was created in 2020 during the pandemic, aiming to provide students and parents with resources to help facilitate their learning at home.

Whatsapp: +85259609792

[email protected]

autobiography on a book

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Home » Blog » How to Write an Autobiography in 31 Steps

How to Write an Autobiography in 31 Steps

autobiography on a book

TABLE OF CONTENTS

If you’re thinking about writing an autobiography, then you’ve come to the right place. In this article, we will be telling you all about how to write an autobiography – breaking it down and helping you along with the process.

1. What is an Autobiography?

So you want to know how to write an autobiography? First off, let’s start with what an autobiography is. Put simply, a biography is a book written about someone’s life. It includes all elements of their life, particularly featuring any significant events that took place.

The word ‘autobiography’ is made up of the two Greek words ‘autos’ and ‘bios’, meaning self and life. Put them together and you get a book that is a mix of who you are, and the life you have lived.

2. Memoir vs. Autobiography

Before you start any kind of writing process, it is important to know what kind of a book it is you are wanting to write. There is no way to know how to write an autobiography if you can’t distinguish the two. Memoir and autobiography are often plumped into the same genre, because they are both about someone’s life.

But they are two genres of their own. So here’s the difference:

It’s pretty simple – if the book is about the person’s entire life – it’s an autobiography; if it’s about one or two events, themes or memories within their life, it’s a memoir .

Knowing the difference will save you time and energy. It will also help you to shape and plan your book (if that’s your style).

You can always change your mind and switch genres, but at least you will know what you are doing and how both of them work. Whichever you choose will change a lot about your book – particularly the content you choose to include and the structure of the entire piece.

Memoir is the perfect platform to share your personal life experience, and you don’t have to share every other significant moment of your life. (A wise decision if only one really interesting thing has happened to you during your lifetime.)

Writing an autobiography is much different. While they are both to do with the author’s life, biography is more to do with what happened throughout your life.

That means all significant events from birth ’till now.

If you set out to write a biography and it turns into a memoir, this is not a problem. The problem is when you don’t know what you’re doing at all. This leads to confusion in the writing process. And a lack of professionalism outside of it.

A great way to learn how to write an autobiography is to read. A lot. Reading other autobiographies will give you an idea of which direction to go in and how this genre is structured. It can also help you to develop your style and tone of voice, and to pinpoint which writing techniques you find most effective. All good tools to have in your writing toolbox.

Here are a few examples of autobiographies you might want to read:

  • My Autobiography, Charlie Chaplin (1964)
  • The autobiography of Benjamin Franklin, Benjamin Franklin
  • Long walk to freedom, Nelson Mandela
  • The story of my experiments with truth, Mahatma Gandhi
  • The story of my life, Helen Keller
  • The autobiography of Malcolm X, Alex Haley, Malcolm X
  • An Autobiography, Agatha Christie (1965))
  • The confessions of St. Augustine, Augustine of Hippo
  • Scar tissue, Anthony Kiedis, Larry Sloman
  • Open: An Autobiography, Andre Agassi
  • Persepolis, Marjane Satrapi
  • Autobiography of a yogi, Paramahansa Yogananda

4. When to Write an Autobiography

autobiography on a book

Cellini (1500-1571) wrote one of the finest autobiographies of the renaissance. He stated:

“No matter what sort he is, everyone who has to his credit what are or really seem great achievements, if he cares for truth and goodness, ought to write the story of his own life in his own hand; but no one should venture on such a splendid undertaking before he is over forty.” Cellini

Knowing how to write an autobiography can have a lot to do with your life experiences. This fact brings into question the age of the reader.

Many biographies are written later on in life, when experience has been gathered and there are many exciting moments to draw from. But this isn’t always the case.

If you are a younger writer and feel that your life has been sufficiently fantastic, or you feel a growing desire to get down all of the details of your childhood days, there is no rule that says you can’t. So don’t let others’ perceptions stop you.

Twenty-one-year-old Edouard Louis, for example, published a hugely successful fictional autobiography (aka an autofiction), The end of Eddy about his childhood and adolescence. So it is possible. Sorry Cellini.

That said, an older, more experienced writer may have an easier time writing an autobiography, simply because they have more material to draw from.

Like memoir, autobiographies tend to center around a theme, even though you are including many life events. That is because people tend to also be themed, in a way. Want to know how to start an autobiography? Thinking about theme can be a useful way in.

If you are a professional dancer, and that is the passion of your life, it makes sense that your book would also center around the theme of dancing and how you reached that success.

If you are ghostwriting for a celebrity, naturally they will be famous for something in particular.

The main theme, of course, is the person’s life. But that is not enough to sustain interest across time. So bear in mind a secondary theme that ties it all together.

If your theme or themes are relatable, then that will stand you in good stead. If you are not writing a glitzy celeb autobiography, then having a very relatable and original theme is more likely to find a readership than any other. Be careful not to choose and manufacture your theme, however. If you are meant to write an autobiography, you will likely already feel compelled to write about your life. So try not to put too much thought into it. Just keep it in mind, as it will keep you on track.

6. How to Pick a Theme

How to start an autobiography? One way is to pick a theme. And stick to it.

One way of picking a theme is to choose an aspect of your personality that you feel is awesome and make that your sole focus. Maybe you’re great at maths, for example. Perhaps you made it to the world championships on mathematics or something. That would be a story worth telling.

Another is to look at your philosophy in life and make that the focal point of your book. Showing your values throughout the book can inspire and uplift the reader as it can show a good example of a life well-lived. It also reveals quite clearly who you are as a person, without you having to explicitly spell it out.

A third would be to consider the things that are most important to you in your life and to make a reference to these as you work your way through each significant event mentioned in your book. (This works especially well if you are writing an autobiography for those who know you.)

7. Exceptions

You might also be wanting to know how to write an autobiography, because you want to share your story with your family. This is an admirable reason to write a story. It means that your family will always have a special connection to you through story, no matter what. It also means that generations to come will have that link to their own past and history.

From that sense, everybody should write one!

This kind of story can even be compiled as an oral history of your families’ history and lives, which makes for an extremely personal keepsake.

Autobiographies are sometimes written in short form, as essays for college assignments. This is a similar exercise to writing a full book , but in a condensed format.

Another form of autobiography is as an autofiction. This book is based mostly upon autobiographical content, but is also a work of fiction. This is an easy way of avoiding any concerns you might have about privacy. If you are wanting to distance yourself a little and take more control over the content, then this may be the way to go.

You can also consider other formats, such as writing an autobiographical graphic novel, which has the essence of cool written all over it. If you are an artist or have a passion for strong visuals, this is something to consider.

8. How to Plan

“Look for the times when your life changed the most, and when you changed the most, those are the times of peak drama in your life.” Janice Erlbaum, The Autobiographer’s Handbook

An excellent practice when learning how to start an autobiography, is to begin by writing out all of the significant events in your life. These could be anything; from graduating college, to losing your virginity, to being born. Whatever you think is most important and noteworthy, write it down.

You can later play with the order of events if you like, to shake things up a little bit,  but for now, just get anything and everything you can think of written down.

When considering how to write an autobiography, it seems to be the most natural of all genres to plan. This is because within it’s very construction there is a presumption of what it will be about: events in your life. From this sense, it is already set up for you. In some ways, this makes writing a lot easier. On the other hand, the risk that easy planning poses, is boredom. For the reader or yourself. The challenge then becomes, how to make these life events interesting and stand out. But we’ll get to that a bit later on…

Nb If you are a pantser (someone who likes to write by the seat of your pants) then you might want to skip this step. In all likelihood you have something in mind to write about, so just start there.

9. Writing Schedule

A schedule helps you to get things done. You will know what works best for you after trying a few things out. You could try planning out how much you are going to write by the hour (i.e. I will write for an hour a day, every weekday) or by word count (I will write 500 words a day). Be realistic and don’t overwhelm yourself. If you are too overambitious, you may find you end up not writing at all.

Otherwise, you could aim to write a certain section of the book per week or month if that works better for you. Because autobiography is so clearly and easily arranged into story beats (was born, had first pimple, dyed hair red etc.) organizing your writing by these events works for almost all writers, even if you are not a fan of planning.

Ask yourself the question, what’s the minimum I could manage on a regular basis? And be honest.

Everyone has their own writing style, including the way they schedule (or don’t schedule) their writing habits. So don’t ever let anyone tell you how you should be writing. It’s up to you.

10. How to Start an Autobiography

autobiography on a book

Well, now you have a list of important events in your life, starting to write should be pretty straight forward. If you don’t like planning, it’s even simpler, just pinpoint a significant moment in time and get to work! If you have a plan, all you need to do is start writing out a first draft of each event.

Next up we have a few tips and tricks to get you started.

11. Go Digging

While figuring out how to write an autobiography, you will want to have everything you are writing as fresh and vivid in your mind as possible. This clarity will translate onto the page and give your readers a strong impression of each moment.

To do this, you will be wanting to dig out any old photos of you and whomever you might be writing about, and begin filing things away for each chapter or section of the book.

You also might find it beneficial to interview anyone who remembers what happened. This can bring a new light on old events. Try using a recorder or dictaphone and typing up the best bits once you’re done.

12. Fill Up Your Senses

A good way to get into the moment before a writing session is to surround yourself with the materials relating to that particular event. Look at photos or listen to recordings from around that time, and jot down any thoughts you might have about them.

You may also want to listen to some music from the time. If you have any old clothes or keepsakes from the person, you will also want them to be around or near as you write. Listen to any interviews about the time or the characters before writing.

13. Write a letter

If you’re struggling to start writing, you can try writing a letter to yourself or to other members of the family from the time. This is a very personal way of connecting with the past. Remembering your connection to your characters will help your writing to flow more easily and mean you have material to draw from before you even start writing.

14. Emotions

Writing about certain life events is likely to be emotional. Say you had a car crash when you were younger, or had to deal with some maltreatment of some kind, this will impact your writing, and how you feel about it.

It can be a difficult balance. You need to care enough about your subject matter to write it. But you don’t want your emotions to take over to the point where style and the content of your book suffers.

While feeling impassioned by your writing, it is also important to be able to step back and take a second look at your viewpoint. This may take several rewrites to get right.

If you are finding it difficult, then consider writing out as many different viewpoints of the event as you possibly can. This will open up how you see it and may even lead to an inspiring revelation for both you and your book.

15. New Insights

One of the benefits of learning how to write an autobiography, is that, as you develop as a writer, new insights will likely occur.

So while emotions can run high, it is good to know that writing about anything difficult that has happened in your life can help you psychologically.

Dr. James Pennebaker, a professor at Austin Texas university discovered that students who wrote for just fifteen minutes a day over three days about difficult or emotional experiences had a better level of wellbeing. He found that going through the process was upsetting for them, but it was the new insights the students discovered through the process of writing, that led to their improved levels of psychological health.

16. Take Care

As with memoir, if you feel that it is too much to write any subject matter, always take a break and come back to it (or not). Your mental health and general wellbeing are always more important than a book.

17. Know Your Why

Make sure that you don’t add in topics or incidents simply to vent about them. Instead, get all your feelings out about it during your first draft, and then start with a fresh perspective. If your writing is only about venting, it will not interest the reader. You may come across as petty or whiny.

Instead, you will want to make sure you can see the benefit of sharing your experiences with people. When you truly know how to write an autobiography, it should empower and enlighten people and help them connect to your story, rather than reading like an unfinished diary entry. It is perfectly acceptable for it to start out that way. But by the end of your writing process, you should be confident in the purpose of why you are writing your book, and what kind of impact it will have on its readers.

Knowing why you are writing will keep you on the right track, and help you like a compass in the storm, when you are lost.

18. Tone of Voice

An important aspect of telling your story will be your narrative style and tone of voice. This completely depends upon who you are writing for and the purpose of your book.

If you are writing for your grandchildren, for example, you may use more simplistic language. If you are writing for a broader audience, then you may use a more neutral tone. Writing for friends? You might want to use more familial or colloquial terms.

This also depends a lot on what kind of person you are, and you will want your attitude and personality to be reflected in your writing. This should happen naturally, but don’t be afraid to write as if you are talking or to use a recording device and write up your account of each chapter afterwards.

Pro tip: Relax. You won’t find your tone of voice by constantly thinking about how you might come across. Just write as you think and your natural expression will do the rest.

19. First or Third Person?

You can experiment with viewpoint as you go along, but once you have chosen, you will be wanting to stick with it. Third person gives us the feeling it has been written by someone else. So, if you are employing a ghostwriter or are working on a fictional work, then this is a good way to go.

First person is the generally accepted viewpoint for most autobiographies, because it is your story, and you are the one writing it.

20. Conflict

As you recall the people in your life, adding in any conflicts, even if they are comical, will add to the richness of the book. Conflict drives drama, intrigue and interest. And that’s what you want, if you want your book read, that is.

21. Story Arc

autobiography on a book

One of the most critical components of how to write an autobiography is story arc. Like most genres of story, autobiography is no exception and will need some sort of an all-encompassing story arc. This is one of the main challenges you may face while writing this kind of book.

It simply can’t be a long list of events and then an ending. They have to all meld together cohesively in order to have some sort of an impact on your reader.

A story arc gives writers a structure, in which our main character aims to do something, and then either manages (or doesn’t) to achieve it. There are normally many obstacles in the protagonist’s way, and they must overcome them. Simply put, our main character must get from A to B. And you will need to decide at some point, what your start and end points in the story will be.

This ties into your overall message in the book. The great thing about autobiography is that it basically tells your reader who you are as a person.

You can start by making a note of your core beliefs and who you feel you are as a person before you begin. But don’t be surprised if, as you write, you reveal a value you hold that you had never especially acknowledged. This is a true gift to the reader, to leave them with your wisdom or knowledge.

Your philosophy can play a big role in the book, as it has likely led you to make certain decisions and can be featured and interlaced with certain events when your process of decision making was integral to the direction of your life.

22. Comedy and Funny Anecdotes

While you don’t want to overdo it on the comedy (unless it is a comedic autobiography, in which case, carry on!) a little comic relief can work wonders in this genre. It can lighten the mood and even make sad moments even more poignant. Funny stories specific to your family can add to the color of your characters, so they don’t fall flat .

23. Where to Begin ?

Think about when you might want to start your story. The logical point to start is from birth, but as your writing evolves over time, you may change your mind. You may want to add some perspective about your life from before you were even born. Your heritage may also be a large influence on who you are as a person today.

Once you have written a full first draft, you can consider changing around the order. Editing in this way can make for a more dynamic and varied read. If placed in the right way, you can even add in a plot twist or add to the suspense of your book.

24. Consider Your Reader

Don’t rest on your laurels. This can especially be a risk if you are writing only for friends or family. Just because someone knows you, it doesn’t mean your story will automatically become interesting to them. It will likely make it more interesting than if you were a random passerby, true. But this is not something to take for granted.

This point can be ignored during the first draft, but as you begin to develop your story, it becomes an implicit part of the process.

If you are wanting your book to sell, this becomes even more important as the reader’s interest and word of mouth can mean the difference between a book being put down or another sale.

25. How to Make Events More Colorful

Once you have written the thing, you will want to make sure that it is an interesting read. Even if you are writing just for friends and family, they will want to be excited by your life. And surely, that is why you are writing this in the first place?!

So a few tips to make sure that each story beat pops with color is to:

  • 1. Keep a notebook with you at all times for when you remember particular details about a person or place. Details will always give your story more originality and color.
  • 2. Show don’t tell – this is always relevant to any kind of writing and autobiography is no exception. Try adding in things you saw, smelt, tasted or touched within the scene. Avoid making a statement and describe what happened in the moment, instead.
  • 3. Add metaphor or simile- when describing a character or a vivid memory, don’t just describe how it looked on the surface. Unless this is not at all your writing style, you can enjoy emphasizing how something made you feel through descriptions that include metaphor. (use ext link for how to use metaphor) For example, ‘she was as fit as a fiddle’.
  • 4. Avoid common descriptive words – words such as ‘nice’ and ‘good’ should be considered with great caution once you have reached the third draft of your book.

26. Consider Your Reader

An important part of knowing how to write an autobiography, is having an awareness of the reader throughout the entire manuscript. This is not only a book for you. So don’t rest on your laurels.

This can especially be a risk if you are writing only for friends or family. Just because someone knows you, it doesn’t mean your story will automatically become interesting to them. It will likely make it more interesting than if you were a random passerby, true. But this is not something to take for granted.

Many new writers are tempted to leave in every detail of their life. But longer doesn’t always equal better – often it means that you simply haven’t cut out the parts that aren’t needed. So make sure you have your ego in check – don’t make your book too long just for the sake of it. Just because it’s interesting to you, does not mean every reader will want to know about it – family and friends included.

The average autobiography is around 75,000 words long. Much shorter than 60,000 and you might want to find other sources to write about, and any longer than 100,000, you might want to cut it down a bit.

28. Consider Privacy/Confidentiality

Much like memoir, autobiography includes characters who are real people. This means that some might be negatively affected by your work. So make sure to talk to those involved and to have an attorney at hand, just in case.

If you are unsure about leaving in their real name, it is best to give their character a pseudonym.

29. Editing

Both editing your book and getting it proofread will make or break it.

That means that you will want to find a professional editor to work with, who knows what she or he is doing. Ideally, you will want to find someone who is experienced in editing autobiography or memoir. Check that you have similar values and that you are both clear on what you are going to be working on, before you start.

30. Proofreading

Make sure that all your hard work shows. You can have a strong storyline and everything else in place, but if there’s a typo on the front cover, there is no way you will be taken seriously.

So, ask friends to check over your manuscript, or better yet, employ a few proofreaders to check it over for you. Don’t use the same editor to proofread, as they will find it more challenging to spot minute mistakes by the time they have reread the story more than once. A fresh pair of eyes will likely do a better job.

31. Autobiographies on the Shelf

The autobiographies in our bookshops today, you will notice, are mostly written by celebrities. This is because they often have interesting lives that we want to read about. They include incidents that we could never have access to otherwise, in our day to day lives.

And that’s what makes them so appealing.

Most people are not so interested in other’s lives, unless they have done something extraordinary. So if you’re thinking of writing something purely to try and get it sold, then you might want to rethink the genre you are writing in. We’re not saying it doesn’t happen that unknown authors sell a lot of autobiographies. It does. It’s just a lot less likely.

But don’t dismay, this is only a problem if that is the only reason you are writing your book. If it is because you feel impassioned to do so, then that is all the reason you need.

If it is for your friends and family to read, then you need not worry about big sales or landing a large publisher. It is so easy to self-publish these days on a relatively small budget, that you are pretty much guaranteed to achieve your aim.

If you are looking for a book deal, then you might be hard pushed, if you can’t say your life has an original element to it at all. If this is the case, consider writing a memoir , instead. There are many more memoirs written by ordinary people with extraordinary stories, than autobiographies. Because people love to hear about how ordinary people overcame the odds.

No matter what your reason, if you believe in your book enough to start writing the first page, then don’t let anyone stop you from writing the book inside of you.

So there you have it. Hopefully you will now feel confident about how to write an autobiography and ready to start. All it takes, is putting pen to paper.

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Autobiography

Definition of autobiography.

Autobiography is one type of biography , which tells the life story of its author, meaning it is a written record of the author’s life. Rather than being written by somebody else, an autobiography comes through the person’s own pen, in his own words. Some autobiographies are written in the form of a fictional tale; as novels or stories that closely mirror events from the author’s real life. Such stories include Charles Dickens ’ David Copperfield  and J.D Salinger’s The Catcher in The Rye . In writing about personal experience, one discovers himself. Therefore, it is not merely a collection of anecdotes – it is a revelation to the readers about the author’s self-discovery.

Difference between Autobiography and Memoir

In an autobiography, the author attempts to capture important elements of his life. He not only deals with his career, and growth as a person, he also uses emotions and facts related to family life, relationships, education, travels, sexuality, and any types of inner struggles. A memoir is a record of memories and particular events that have taken place in the author’s life. In fact, it is the telling of a story or an event from his life; an account that does not tell the full record of a life.

Six Types of Autobiography

There are six types of autobiographies:

  • Autobiography: A personal account that a person writes himself/herself.
  • Memoir : An account of one’s memory.
  • Reflective Essay : One’s thoughts about something.
  • Confession: An account of one’s wrong or right doings.
  • Monologue : An address of one’s thoughts to some audience or interlocuters.
  • Biography : An account of the life of other persons written by someone else.

Importance of Autobiography

Autobiography is a significant genre in literature. Its significance or importance lies in authenticity, veracity, and personal testimonies. The reason is that people write about challenges they encounter in their life and the ways to tackle them. This shows the veracity and authenticity that is required of a piece of writing to make it eloquent, persuasive, and convincing.

Examples of Autobiography in Literature

Example #1:  the box: tales from the darkroom by gunter grass.

A noble laureate and novelist, Gunter Grass , has shown a new perspective of self-examination by mixing up his quilt of fictionalized approach in his autobiographical book, “The Box: Tales from the Darkroom.” Adopting the individual point of view of each of his children, Grass narrates what his children think about him as their father and a writer. Though it is really an experimental approach, due to Grass’ linguistic creativity and dexterity, it gains an enthralling momentum.

Example #2:  The Story of My Life by Helen Keller

In her autobiography, The Story of My Life , Helen Keller recounts her first twenty years, beginning with the events of the childhood illness that left her deaf and blind. In her childhood, a writer sent her a letter and prophesied, “Someday you will write a great story out of your own head that will be a comfort and help to many.”

In this book, Keller mentions prominent historical personalities, such as Alexander Graham Bell, whom she met at the age of six, and with whom she remained friends for several years. Keller paid a visit to John Greenleaf Whittier , a famous American poet, and shared correspondence with other eminent figures, including Oliver Wendell Holmes, and Mrs. Grover Cleveland. Generally, Keller’s autobiography is about overcoming great obstacles through hard work and pain.

Example #3:  Self Portraits: Fictions by Frederic Tuten

In his autobiography, “Self Portraits: Fictions ,” Frederic Tuten has combined the fringes of romantic life with reality. Like postmodern writers, such as Jorge Luis Borges, and Italo Calvino, the stories of Tuten skip between truth and imagination, time and place, without warning. He has done the same with his autobiography, where readers are eager to move through fanciful stories about train rides, circus bears, and secrets to a happy marriage; all of which give readers glimpses of the real man.

Example #4:  My Prizes by Thomas Bernhard

Reliving the success of his literary career through the lens of the many prizes he has received, Thomas Bernhard presents a sarcastic commentary in his autobiography, “My Prizes.” Bernhard, in fact, has taken a few things too seriously. Rather, he has viewed his life as a farcical theatrical drama unfolding around him. Although Bernhard is happy with the lifestyle and prestige of being an author, his blasé attitude and scathing wit make this recollection more charmingly dissident and hilarious.

Example #5:  The Autobiography of Benjamin Franklin by Benjamin Franklin

“The Autobiography of Benjamin Franklin ” is written by one of the founding fathers of the United States. This book reveals Franklin’s youth, his ideas, and his days of adversity and prosperity. He is one of the best examples of living the American dream – sharing the idea that one can gain financial independence, and reach a prosperous life through hard work.

Through autobiography, authors can speak directly to their readers, and to their descendants. The function of the autobiography is to leave a legacy for its readers. By writing an autobiography, the individual shares his triumphs and defeats, and lessons learned, allowing readers to relate and feel motivated by inspirational stories. Life stories bridge the gap between peoples of differing ages and backgrounds, forging connections between old and new generations.

Synonyms of Autobiography

The following words are close synonyms of autobiography such as life story, personal account, personal history, diary, journal, biography, or memoir.

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autobiography

What is autobiography definition, usage, and literary examples, autobiography definition.

An  autobiography  (awe-tow-bye-AWE-gruh-fee) is a self-written  biography . The author writes about all or a portion of their own life to share their experience, frame it in a larger cultural or historical context, and/or inform and entertain the reader.

Autobiographies have been a popular literary genre for centuries. The first Western autobiography is attributed to Saint Augustine of Hippo for his 13-book work titled  Confessions , written between 397 and 400 CE. Some autobiographies are a straightforward narrative that recollects a linear chain of events as they unfolded. The genre has expanded and evolved to include different approaches to the form.

The word  autobiography  comes from the Ancient Greek  auto  (“self”) +  bios  (“life”) +  graphein  (“to write”) = “a self-written life.” It is also known as autography .

The History of Autobiography

Scholars regard Augustine’s  Confessions  as the first Western autobiography. Other autobiographical works from antiquity include Jewish historian Flavius Josephus’s  Vita  (circa 99 CE) and Greek scholar Libanius’s  Oration I  (374 CE). Works of this kind were called apologias, which essentially means “in my defense.” Writers approached these works not as acts of self-documentation but as self-defense. They represented a way to explain and provide rationale for their life, work, and escapades. There was also less focus on their emotional lives.

The Book of Margery Kempe , written in 1438 by an English Christian mystic, is the earliest known autobiography in English. (Though it didn’t see full publication until the 20th century.) Other early English-language biographies of note include:

  • Lord Herbert of Cherbury’s 1764 memoirs
  • John Bunyan’s  Grace Abounding to the Chief of Sinners  in 1666
  • Jarena Lee’s  The Life and Religious Experience of Jarena Lee  (the first autobiography of an African American woman)

Philosopher Jean-Jacques Rousseau’s  Confessions was published in 1782. It paved the way for the more thoughtful, emotionally centered autobiographies seen today. Autobiography as a literary genre emerged a few years later, when British scholar William Taylor first used the term to describe a self-written biography. He did so disparagingly, suggesting the form was  pedantic . In 1809, English Romantic poet Robert Southey used the term more seriously to describe self-written biographies.

Starting in the 20th century, more young people started writing autobiographies. Perhaps the most famous example is Anne Frank’s  The Diary of a Young Girl , about her time hiding from the Nazis in an Amsterdam attic. The 21st century saw an increase in autobiographical essay collections and memoirs by younger celebrities, including:

  • Anna Kendrick
  • Mindy Kaling
  • Gabourey Sidibe
  • Mike Birbiglia
  • Lena Dunham
  • Chelsea Handler

Autobiographies are not immune to controversy. One notable scandal involved author James Frey’s  A Million Little Pieces . Originally billed as a memoir, evidence later emerged that Frey invented key parts of the story. This example underscores how easily authors can cross over into autofiction—fictional autobiography—and how seriously readers take authors’ responsibility to accurately and honestly market their books.

Types of Autobiographies

There are a few different types of self-written works that qualify as autobiography.

Standard Autobiographies

In the most traditional form, authors recount their life or specific formative events from their life. This approach often utilizes a chronological format of events, but it doesn’t necessarily have to. An author’s approach might include a framing device such as flashbacks, in which they move from the present to the past as they remember their lives. For example, Broadway star Patti LuPone’s self-titled autobiography begins on the opening night of  Gypsy  in 2004 before moving back in time to LuPone’s childhood. An author could take a more stream-of-consciousness style, in which one memory links to another by a common theme. Irish writer Seán O’Casey narrates his six-volume  Autobiographies  in this manner

This is a type of autobiography that is narrower in scope and focus. It places greater emphasis on particular memories, thoughts, and feelings. A standard autobiography can certainly cover some of this same ground—most do—but the memoir is more interested in individual events or defined portions of the author’s life and the emotions and lessons behind them.

Henry David Thoreau is a notable memoirist. In Walden , he reflects on his time spent living in solitude in the woods of Massachusetts and what he learned about life and nature throughout this experience. Another example is  The Year of Magical Thinking  by Joan Didion, which relates the death of her husband and its impact on her life and work. Another is  Wild  by Cheryl Strayed, wherein Strayed remembers her time hiking the Pacific Crest Trail during a period of great change in her life.

Autofiction

The fictionalized autobiography, or autofiction, is another type of autobiography. The author presents their story not as fact but as fiction. This method gives them considerable space to take creative license with events and characters, thereby blurring the lines between reality and fiction. The overall goal is less about the author wanting to obscure facts and make things up and more a matter of taking another tactic to delve into their experiences in service of self-discovery.  Taipei  by Tao Lin is a work of autofiction. The central character, Paul, mirrors Lin’s own life and experiences, from the literary world of New York City to his ancestral roots in Taiwan.

Spiritual Autobiographies

These autobiographies center on the author’s religious or spiritual awakening and the subsequent journey their faith has taken them on. Common elements include struggles and doubt, a life-altering conversion, periods of regression, and sharing the “message.” These all act as endorsements of the author’s faith. Augustine’s  Confessions , Paramahansa Yogananda’s  Autobiography of a Yogi , and Augusten Burroughs’s  Toil & Trouble: A Memoir  are all spiritual autobiographies.

Autobiography vs. Biography

Both autobiographies and  biographies  are records of real lives, but there is one major distinction. A person other than the book’s subject writes a biography, while the subject themselves writes an autobiography. In this way, an autobiography is essentially a biography of the self. The biographer’s job is typically more involved, entailing detailed research into the life of the subject. The autobiographer, however, is usually not burdened by this because they lived through the events they write about. They may need only to confirm dates and stories to accurately relate the pertinent details.

The Function of Autobiography

An autobiography allows the author to tell the true story of their own life. This is the reason why autobiographies have always been written by famous people. History tends to remember notable individuals for just one significant contribution or event and, even then, the public’s perception of it may be inaccurate. Writing an autobiography allows the author to share the real story and put it into the larger context of their life and times.

Most readers pick up an autobiography expecting some degree of subjectivity from the author. After all, the events chronicled happened to the author, so the writing will of course have a biased  perspective . There are advantages to this subjectivity, though. The reader gets the real story directly from the person who lived it, unvarnished by others’ opinions or erroneous historical data.

One way this subjectivity is problematic is that the author may not possess the ability to see the story they’re telling from other perspectives. For example, they may not acknowledge any hurt they caused others, dangerous behaviors they engaged in, or the “other side” of a controversial event in which there are equally valid opposing viewpoints and experiences. Any of these deficiencies can result in a somewhat skewed narrative.

Writers Known for Autobiography & Autobiography Books

  • Maya Angelou,  I Know Why the Caged Bird Sings ,  Gather Together in My Name
  • Jung Chang,  Wild Swans: Three Daughters of China
  • Isak Dinesen,  Out of Africa ,  Shadows on the Grass
  • Carrie Fisher,  Wishful Drinking ,  Shockaholic
  • Anne Frank,  The Diary of a Young Girl
  • Ernest Hemingway,  A Moveable Feast
  • Karl Ove Knausgård,  My Struggle
  • Frank McCourt,  Angela’s Ashes
  • Anaïs Nin,  The Diaries of Anaïs Nin
  • Marcel Proust,  Remembrance of Things Past
  • Patti Smith,  Just Kids ,  M Train
  • Mark Twain, The Autobiography of Mark Twain
  • Benjamin Franklin, The Autobiography of Benjamin Franklin
  • Malcolm X, The Autobiography of Malcolm X
  • Agatha Christie, Agatha Christie: An Autobiography
  • Nelson Mandela, Long Walk to Freedom
  • Mahatma Gandhi, Gandhi: An Autobiography 

Examples of Autobiographies

1. Maya Angelou,  I Know Why the Caged Bird Sings

Angelou’s autobiography is the first installment in a seven-volume series chronicling the life of the legendary poet, teacher, actress, director, dancer, and civil rights activist. Given all those roles, it’s easy to see why Angelou’s life story makes for interesting reading.

This volume centers primarily on her early life in Stamps, Arkansas, and the devastating effects of a childhood rape. It also explores racism in the American South. It discuses the important role reading plays in helping young Maya deal with the sexual assault and pervasive prejudice in her environment.

2. Helen Keller,  The Story of My Life

Keller’s autobiography details her first 20 years, starting with the childhood illness that caused her blindness and deafness. She discusses the obstacles she had to overcome and the life-changing relationship she shared with her teacher, Anne Sullivan, who helped her learn to read and write. Keller also documents her friendships with several famous figures of her day, including Alexander Graham Bell, John Greenleaf Whittier, Oliver Wendell Holmes, and First Lady Frances Cleveland.

3. Vinh Chung,  Where the Wind Leads

Chung’s autobiography recalls the harrowing story of a Vietnamese refugee and his journey to make the American Dream his own. Born in South Vietnam, Chung comes of age in a changing political climate that eventually compels his family to flee the country. Their voyage takes them through the South China Sea, run-ins with pirates, resettlement in Arkansas, and Chung’s graduation from Harvard Medical School.

How to Write an Autobiography

Autobiography is a truly universal art form and is accessible to anyone, whether you're in high school or 100 years old. Exploring the process of writing an autobiography deserves an article in itself, but the process should include these steps:

  • Determine your "why." What lessons do you want to impart via your story, and why are they worth sharing with a broader audience?
  • Draft an autobiographical outline. It should include information about your upbringing, impactful moments throughout your life, stories of failure and success, and meaningful mentors.
  • Begin with the easiest sections. Getting started is often the greatest hurdle, so begin by writing the chapters that feel most accessible or enjoyable.
  • Write your first draft. Once you write the first chapters, it will feel easier to write the rest. Capitalize on your momentum and write a full draft.
  • Step away. As with anything, stepping away from your work will help foster fresh perspectives when you return.
  • Edit and re-write your draft. Your first draft will probably benefit from thorough revisions, as will your second draft, and maybe your third. Continue to edit and revise until it feels right.
  • Ask for help. Bring in a trusted family member or friend or professional editor to help with final edits.

Further Resources on Autobiography

ThoughtCo. shares some  important points to consider before writing an autobiography .

The Living Handbook of Narratology delves into the  history of the autobiography .

MasterClass breaks autobiography writing down into  eight basic steps .

Pen & the Pad looks at the  advantages and disadvantages of the autobiography .

Lifehack has a list of  15 autobiographies everyone should read at least once .

Related Terms

  • Frame Story
  • Point of View

autobiography on a book

What Is an Autobiography?

What to Consider Before You Start to Write

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Your life story, or autobiography , should contain the basic framework that any essay should have, with four basic elements. Begin with an introduction that includes a thesis statement , followed by a body containing at least several paragraphs , if not several chapters. To complete the autobiography, you'll need a strong conclusion , all the while crafting an interesting narrative with a theme.

Did You Know?

The word autobiography  literally means SELF (auto), LIFE (bio), WRITING (graph). Or, in other words, an autobiography is the story of someone's life written or otherwise told by that person.

When writing your autobiography, find out what makes your family or your experience unique and build a narrative around that. Doing some research and taking detailed notes can help you discover the essence of what your narrative should be and craft a story that others will want to read.

Research Your Background

Just like the biography of a famous person, your autobiography should include things like the time and place of your birth, an overview of your personality, your likes and dislikes, and the special events that shaped your life. Your first step is to gather background detail. Some things to consider:

  • What is interesting about the region where you were born?
  • How does your family history relate to the history of that region?
  • Did your family come to that region for a reason?

It might be tempting to start your story with "I was born in Dayton, Ohio...," but that is not really where your story begins. It's better to start with an experience. You may wish to start with something like why you were born where you were and how your family's experience led to your birth. If your narrative centers more around a pivotal moment in your life, give the reader a glimpse into that moment. Think about how your favorite movie or novel begins, and look for inspiration from other stories when thinking about how to start your own.

Think About Your Childhood

You may not have had the most interesting childhood in the world, but everyone has had a few memorable experiences. Highlight the best parts when you can. If you live in a big city, for instance, you should realize that many people who grew up in the country have never ridden a subway, walked to school, ridden in a taxi, or walked to a store a few blocks away.

On the other hand, if you grew up in the country you should consider that many people who grew up in the suburbs or inner city have never eaten food straight from a garden, camped in their backyards, fed chickens on a working farm, watched their parents canning food, or been to a county fair or a small-town festival.

Something about your childhood will always seem unique to others. You just have to step outside your life for a moment and address the readers as if they knew nothing about your region and culture. Pick moments that will best illustrate the goal of your narrative, and symbolism within your life.

Consider Your Culture

Your culture is your overall way of life , including the customs that come from your family's values and beliefs. Culture includes the holidays you observe, the customs you practice, the foods you eat, the clothes you wear, the games you play, the special phrases you use, the language you speak, and the rituals you practice.

As you write your autobiography, think about the ways that your family celebrated or observed certain days, events, and months, and tell your audience about special moments. Consider these questions:

  • What was the most special gift you ever received? What was the event or occasion surrounding that gift?
  • Is there a certain food that you identify with a certain day of the year?
  • Is there an outfit that you wear only during a special event?

Think honestly about your experiences, too. Don't just focus on the best parts of your memories; think about the details within those times. While Christmas morning may be a magical memory, you might also consider the scene around you. Include details like your mother making breakfast, your father spilling his coffee, someone upset over relatives coming into town, and other small details like that. Understanding the full experience of positives and negatives helps you paint a better picture for the reader and lead to a stronger and more interesting narrative. Learn to tie together all the interesting elements of your life story and craft them into an engaging essay.

Establish the Theme

Once you have taken a look at your own life from an outsider’s point of view, you will be able to select the most interesting elements from your notes to establish a theme. What was the most interesting thing you came up with in your research? Was it the history of your family and your region? Here is an example of how you can turn that into a theme:

"Today, the plains and low hills of southeastern Ohio make the perfect setting for large cracker box-shaped farmhouses surrounded by miles of corn rows. Many of the farming families in this region descended from the Irish settlers who came rolling in on covered wagons in the 1830s to find work building canals and railways. My ancestors were among those settlers."

A little bit of research can make your own personal story come to life as a part of history, and historical details can help a reader better understand your unique situation. In the body of your narrative, you can explain how your family’s favorite meals, holiday celebrations, and work habits relate to Ohio history.

One Day as a Theme

You also can take an ordinary day in your life and turn it into a theme. Think about the routines you followed as a child and as an adult. Even a mundane activity like household chores can be a source of inspiration.

For example, if you grew up on a farm, you know the difference between the smell of hay and wheat, and certainly that of pig manure and cow manure—because you had to shovel one or all of these at some point. City people probably don’t even know there is a difference. Describing the subtle differences of each and comparing the scents to other scents can help the reader imagine the situation more clearly.

If you grew up in the city, you how the personality of the city changes from day to night because you probably had to walk to most places. You know the electricity-charged atmosphere of the daylight hours when the streets bustle with people and the mystery of the night when the shops are closed and the streets are quiet.

Think about the smells and sounds you experienced as you went through an ordinary day and explain how that day relates to your life experience in your county or your city:

"Most people don’t think of spiders when they bite into a tomato, but I do. Growing up in southern Ohio, I spent many summer afternoons picking baskets of tomatoes that would be canned or frozen and preserved for cold winter’s dinners. I loved the results of my labors, but I’ll never forget the sight of the enormous, black and white, scary-looking spiders that lived in the plants and created zigzag designs on their webs. In fact, those spiders, with their artistic web creations, inspired my interest in bugs and shaped my career in science."

One Event as a Theme

Perhaps one event or one day of your life made such a big impact that it could be used as a theme. The end or beginning of the life of another can affect our thoughts and actions for a long time:

"I was 12 years old when my mother passed away. By the time I was 15, I had become an expert in dodging bill collectors, recycling hand-me-down jeans, and stretching a single meal’s worth of ground beef into two family dinners. Although I was a child when I lost my mother, I was never able to mourn or to let myself become too absorbed in thoughts of personal loss. The fortitude I developed at a young age was the driving force that would see me through many other challenges."

Writing the Essay

Whether you determine that your life story is best summed up by a single event, a single characteristic, or a single day, you can use that one element as a theme . You will define this theme in your  introductory paragraph .

Create an outline with several events or activities that relate back to your central theme and turn those into subtopics (body paragraphs) of your story. Finally, tie up all your experiences in a summary that restates and explains the overriding theme of your life. 

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English Compositions

Autobiography of a Book [2000 Words]

Today in this article we are going to show you the example of an Autobiography of a Book.

Autobiography of a Book feature image

Hello, I am a book my title is The Happy Prince and Other Tales written by Oscar Wilde. I am a book penned in the year 1888. I am a book having five collections of stories, which are “The Happy Prince”, “The Devoted Friend”, “The Remarkable”, “The Selfish Giant” and “The Nightingale and the Rose”. In all these stories, the importance of values I had told. 

I am a book with the first story of A Happy Prince. So, here I am a tall statue. My name is Happy Prince. I am decorated nicely. I am called a Happy Prince because there are no sorrows in my life. I live in a vast palace where no one is sad and filled with pain. One day, Swallow a person was passing by my statue; he looks at me with great attention.

He realizes that I am a sad prince and crying. I looked at him and started telling my life story to him. I used to live in a palace that was only surrounded by people in sorrow. I told him that I am a statue so I could not help people who are poor and suffer from so many problems.

So, I asked him to take all the gemstones one by one to help my people in their need. I had sapphires in my eyes, ruby fixed in the handle of my sword I was holding and a golden leaf that was protecting me. Slowly, as the winter was near, all my gemstones were donated to the poor.

He then died near my statue due to cold air in winters. I had felt so bad, and the Mayor of the city decides to melt my body and make his statue. So many people were not knowing about my goods deeds or help I did to the poor people, so they agreed with the Mayor. God asks me to bring my precious things with me I got a dead bird and heart made up of lead with me. 

In my second story, A devoted friend here I had made it an interesting story by having another story in it. Here I started it with a rat making a statement on a duck for her ducklings or wings that are not helping her. The rat asks the duck to become his friend, and at the same time, a finch bird flies by.

This story I wrote for telling the water-rat what is the value of friendship and how he should accept it. The bird tells him a story of a man named Hans. He says that I am the owner of my own house. Outside my house, I was having a beautiful garden filled with many types of flowers in so many colors sold in the market. The name of my friend is Hugh.

He is a miller and his garden was in bad condition. He was facing a loss in selling my flowers. He had sold all his instruments to cover the loss. In the spring season, I, Hans had to sell my roses for getting back my silver buttons and at the same time, my friend visited me. He told me about his loss and I decided to give him an old wheelbarrow.

It was old and he gave me it for my need. I had returned him to help him. Then one day, my friend Hugh got ill and his son got lost to time and found his father dead. I realized that I should have helped with more efforts. In the end, the rat became sad when finch completed her story and went back to his place. 

I wrote this third story, “The Remarkable Rocket”. I told about the fireworks used in the marriage of a prince and princess. I am a remarkable rocket used by The prince and princess on the precious day of their marriage. It was so beautiful and big.

I reached to the high sky with swoosh sound was not so loud and was good to ears. I was the heaviest and put aside all other fireworks. I burst out when burned from the tip. I showed my sensitivity and became wet. I was not able to ignite and fly into the sky. So, the prince and princess threw me in the garbage, but I had hope left. I met a frog, duck, and dragonfly who treated me badly. One day two boys got me and ignited me, then I had exploded then I was happy. 

In the fourth story, I am a Giant person who owns a garden having aromatic flowers and peach trees. Many children come here and play. When I had returned from home after seven years, I had gone to meet my friend Cornish Ogre.

He states support of children but I had put a fence around my wall and hunged a board with writing, “Trespassers will be prosecuted” than winter season comes. One day, a finch wakes me and I heard the noise of some children who were destroying my wall. One boy was climbing the wall and I helped him.

I told him that it is his garden from now on. All the children came to play daily but the boy was not coming. After many years in spring, he sees that same boy and did not realize that it was a child of the child.

In the last story, I wrote where a nightingale is seeing a student who says that he will not dance with the professor’s daughter. He is not having rose to give her. I felt bad for him and gone around the forest to search for a red rose. A red rose told me how to make it and I made with a deal of singing the song whole night and die.

The child warned me but I did the deal and died. The next day, the girl refused him because someone sent her Chamberlin Jewellery that was precious. His heart was broken and he did not believe in love stories from then on.

In all the stories I wrote in me (book), ended with pain, grief, and sadness. I was sympathetic to all the characters in the story and gave the moral value to always help a person or friend in need. 

So how was this autobiography of a book? I hope you enjoyed reading it, for more freshly contents visit Your Essay Club regularly!

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  • Autobiographies

How to Write an Autobiography

Last Updated: April 25, 2024 Fact Checked

This article was co-authored by Gerald Posner . Gerald Posner is an Author & Journalist based in Miami, Florida. With over 35 years of experience, he specializes in investigative journalism, nonfiction books, and editorials. He holds a law degree from UC College of the Law, San Francisco, and a BA in Political Science from the University of California-Berkeley. He’s the author of thirteen books, including several New York Times bestsellers, the winner of the Florida Book Award for General Nonfiction, and has been a finalist for the Pulitzer Prize in History. He was also shortlisted for the Best Business Book of 2020 by the Society for Advancing Business Editing and Writing. There are 8 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 2,285,229 times.

What's your story? Anyone who has lived a full life has something fascinating to share with the world. The trick to writing an autobiography is to treat it like any good story: it should have a protagonist (you), a central conflict, and a cast of fascinating characters to keep people engaged. You may want to think about a certain theme or idea that has been present in your daily life to revolve your story around. Read on to learn how to craft the story of your life and polish your writing to make it sing.

Mapping Out Your Life

Step 1 Write out your...

  • Your autobiography doesn't have to begin with your birth. You may want to include some family history as well. Write down information about your ancestry, your grandparents' lives, your parents' lives, and so on. Having information about your family history will help readers get a sense of how you became the person you are.
  • What happened when you were a teenager? What led you to make the decisions you made?
  • Did you go to college? Write about those transitory years, too.
  • Write about your career, your relationships, your children, and any big life-altering events that occurred.

Step 2 Identify the main characters.

  • Teachers, coaches, mentors, and bosses are extremely influential in people's lives. Decide whether someone who has been a role model (or the opposite) for you will figure into your story.
  • Ex-boyfriends and girlfriends might co-star in some interesting stories.
  • What enemies have you had in life? Your story will be boring if you don't include some conflicts.
  • Offbeat characters such as animals, celebrities you've never met, and even cities are often points of interest in an autobiography.

Step 3 Pull out the best stories.

  • The childhood story. Whether your childhood was happy or traumatic, you should include a few anecdotes that give a picture of who you were and what you experienced at the time. You can tell the story of your childhood by breaking it down into smaller anecdotes that illustrate your personality - your parents' reaction when you brought home a stray dog, the time you climbed out of the window at school and ran away for 3 days, your friendly relationship with a homeless person living in the woods… get creative.
  • The coming of age story. This heady and often sensual period in a human's life is always of interest to readers. Remember that it's not about writing something unique; everyone comes of age. It's about writing something that resonates with readers.
  • The falling in love story. You could also write the opposite of this, the never-finding-love story.
  • The identity crisis story. This usually occurs in the 30s or 40s and is sometimes referred to as a mid-life crisis.
  • The story of facing down some force of evil. Whether it's your battle with addiction, a controlling lover, or a madman who tried to kill your family, you've got to write about conflict you've experienced.

Step 4 Write in your own voice.

  • Write as though you're opening your heart to a trusted friend, in prose that's clear, strong and not too cluttered with vocabulary words you rarely use.
  • Write so that your personality is revealed. Are you funny? Intense? Spiritual? Dramatic? Don't hold back; your personality should come through in the way you tell your story.

Step 5 Be revealing.

  • Don't always cast yourself in a positive light. You can have foibles and still be the protagonist. Reveal mistakes you've made and times when you've failed yourself and other people.
  • Reveal your inner thoughts. Share your opinions and ideas, including those that may spark controversy. Be true to yourself through your autobiography.

Step 6 Capture the spirit of the times.

Crafting a Narrative

Step 1 Create an overarching...

  • What's your central conflict? What's the biggest obstacle life presented that took years to overcome or come to terms with? Maybe it's an illness you were diagnosed with at an early age, a relationship wrought with turmoil, a series of career setbacks, a goal you worked for decades to achieve, or any other number of things. Look to your favorite books and movies for more examples of conflicts.
  • Build tension and suspense. Structure the narrative so that you have a series of stories leading up to the climax of the conflict. If your central conflict is trying to reach the goal of competing in the Olympics for skiing, lead up to it with stories of small successes and plenty of failures. You want your readers to ask, will she make it? Can he do it? What's going to happen next?
  • Have a climax. You'll get to the point in your story when it's time for the conflict to come to a head. The day of the big competition has arrived, a showdown happens with your worst enemy, your gambling habit gets the better of you and you lose all your money - you get the picture.
  • End with a resolution. Most autobiographies have happy endings because the person writing the story lived to tell the tale - and hopefully get it published. Even if your ending isn't cheerful, it should be deeply satisfying. You somehow accomplished your goal or won the day. Even if you lost, you came to terms with it and gained wisdom.

Step 2 Decide where the story is going to start.

  • You could frame the entire autobiography with reflections from the present, telling your story through a series of flashbacks.
  • You could begin the story with a poignant moment from your childhood, go backward to tell the story of your heritage, move forward to your college years, and launch into the story of your career, with anecdotes from your childhood sprinkled in for comic relief.

Step 3 Weave in themes.

  • Consider ending chapters on a poignant or suspenseful note, so people can't wait to start the next one.
  • The beginnings of chapters are a good place to take a bird's eye view of your past, describe the setting of a place, and set the tone for what's to come.

Editing the Book

Step 1 Make sure you get the facts right.

  • You can stretch the truth about your own goals and intentions, but don't include fabricated conversations with real people, or altered versions of events that really happened. Of course, you won't remember everything perfectly, but you should reflect reality as best you can.
  • Get permission to use people's names or quote them if you're including content on what other people said or did. Some people don't appreciate appearing as a character in someone else's autobiography, and you should respect that by altering the way you describe them or changing their names if necessary. [6] X Research source

Step 2 Edit your draft

  • If several people recommend cutting a certain section, strongly consider making the cut.
  • Try to get opinions from people outside your circle of family and friends. People who know you might try to spare your feelings, or they might be biased - especially if they appear in the story.

Step 4 Hire a copyeditor.

  • Bossy Pants , by Tina Fey.
  • My Confession , by Leo Tolstoy.
  • A Long Walk to Freedom , by Nelson Mandela.
  • The Sound of Laughter , by Peter Kay. [7] X Research source

Publishing Your Story

Step 1 Take steps to...

  • If you don't want to pay for a publishing service, you can still create a nice copy of your book by taking it to a copy store and having it printed and bound.

Step 2 Consider finding a literary agent.

  • Start the query letter with an airtight blurb succinctly describing the highlights of the book. Situate your book in the correct genre, and describe what will make it stand out from the rest. Tell the agent why you think he or she is the right person to shop your book around to publishers.
  • Send sample chapters to agents who show interest.
  • Sign a contract with an agent you trust. Make sure to read the contract carefully and check into the agent's history before signing anything.

Step 3 Submit a query...

  • Many publishers don't accept unsolicited manuscripts or queries. Make sure you only send letters to publishers that accept them.
  • If a publisher decides to move forward with a book deal with you, you'll need to sign a contract and set up a schedule for editing, designing, proofreading, and finally publishing the book.

Step 4 Look into publishing your book online.

Writing Help

autobiography on a book

Expert Q&A

Gerald Posner

  • Your biography can also include a dedication, foreword, vital statistics, chronology sheets, family tree, and epilogue. Thanks Helpful 7 Not Helpful 0
  • If the purpose of your autobiography is to pass on your story to your heirs, consider including memorabilia (e.g. pictures, heirlooms, medals, mementos, letters, etc.) and putting your story in a scrapbook format. Of course, you may not be able to copy the memorabilia that accompanies your autobiography, so you still have to think about what you intend to do with your original work and other items, such as medals or bulky heirlooms. Thanks Helpful 6 Not Helpful 0
  • Make your story vivid but don't get bogged down in unimportant details. While you want your autobiography to be memorable, you don't want it to be boring. Too many details—listing everyone that was at a party or trying to include all the events of each day—will bog the story down. Thanks Helpful 5 Not Helpful 1

autobiography on a book

  • Be aware of what constitutes libel. If you write something defamatory or maliciously untrue about another person in an autobiography that you intend to publish, consider changing his or her name (if still living). Otherwise, you might find yourself facing a lawsuit. If you're unsure about what to change, consult a lawyer who specializes in libel. Thanks Helpful 5 Not Helpful 0

You Might Also Like

Self Publish a Book

Expert Interview

autobiography on a book

Thanks for reading our article! If you'd like to learn more about writing as a career, check out our in-depth interview with Gerald Posner .

  • ↑ https://theamericanscholar.org/how-to-write-a-memoir
  • ↑ https://self-publishingschool.com/how-to-write-an-autobiography/
  • ↑ https://blog.reedsy.com/narrative-arc/
  • ↑ https://cdn5-ss8.sharpschool.com/UserFiles/Servers/Server_222705/File/Parents%20and%20Students/Star%20Works/How%20to%20write%20an%20Autobiography.pdf
  • ↑ https://www.theguardian.com/books/2015/jun/04/how-to-write-a-memoir-jeanette-winterson-and-helen-macdonald
  • ↑ https://www.writersdigest.com/online-editor/defamation-and-invasion
  • ↑ https://www.theguardian.com/news/datablog/2013/feb/07/biographies-autobiography-nielsen-2001
  • ↑ https://www.pw.org/literary_agents

About This Article

Gerald Posner

To write an autobiography, start by making a timeline of your most important life events that you feel you could write about. Then, identify the main characters in your life story, including family members, ex-boyfriends or girlfriends, friends, and enemies. Once you have your cast of characters, pull life events from your timeline, such as a story from your childhood, a coming of age story, a love story, or a triumphant story. Write about these events and then connect them with a cohesive plot by writing in your own voice and being honest with the reader. To learn more about how to edit and publish your autobiography once it's finished, keep reading! Did this summary help you? Yes No

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How to Write an Autobiography (Fully Explained)

By: Author Paul Jenkins

Posted on Published: November 20, 2021  - Last updated: July 31, 2023

Categories Writing , Storytelling

Sooner or later, many of us think we’d like to write an autobiography. Maybe we should even write our memoirs, but we’ll talk more about that in a minute.

The point is this: We’ve all these memories and associations, relationships, sometimes sharp, sometimes soft, but we have them in our mind, and we feel like we want to put them on paper.

We want to tell someone the story we experienced, and sometimes we don’t even understand why we want to tell that particular story, but we have a strong feeling that we want to do so. In this article, we’ll look at exactly how you can approach your autobiography writing.

Autobiography or Memoir

An autobiography is a whole thing – a life, usually told chronologically as a series of significant events. Sometimes with the help of a ghostwriter. You should only ever have to write one autobiography!

But to qualify for it, you must have either :

a) lived a life worth living

b) been infamous or famous

Maybe both!

That doesn’t mean you shouldn’t write a story about your life. Quite the contrary.

But the memoir form may be better suited for you.

Memoirs as a Slice of Life

A memoir is a much more artistic endeavor than an autobiography or biography. They’re less limited to dry facts and more concerned with the meaning of life – whether by examining a specific period or looking at a period of life through a thematic lens.

It’s about a story within one’s life, not the whole life story. A slice-of-life experience. An excellent memoir is much closer to creative nonfiction than an autobiography.

The great thing about memoirs is that you can use them for almost any purpose and make them whatever you want.

A memoir usually isn’t as long as an autobiography and is written from a different perspective.

Writing an autobiography is about your life from your perspective. That’s not always the case with memoirs. Here, the author focuses on

a) a particular period of life,

b) a particular kind of life, or

c) a particular event.

You can tell about a day in your life that was particularly memorable, which is another type of memoir.

You don’t have to tell the story chronologically, but if it helps put things in order, you can do that too.

Memoirs can also be more subjective than an autobiography. A memoir is usually the story of your life as you see it.

Themes in a Memoir or Autobiography

You can focus on crucial moments and look at a period or a topic you want to write about.

Topics can be anything from your relationship with your parents to overcoming fear. Family, religion, work, relationships, health, hobbies – whatever you prefer – are fair game for the memoirist’s pen.

Themes give meaning to life. That’s why they’re so important in an autobiography or memoir.

There are other forms you should keep in mind:

  • In a biography , someone else writes about someone.
  • An autobiographical essay is required of prospective college or college applicants, in which they focus on experiences and accomplishments that add weight to their application. It’s an opportunity for a student to demonstrate relevant qualifications and qualities for entry and the ability to construct a well-argued piece of writing that is looser in style than straight academic writing. You can think of it as a personal essay.

The Moving Parts

If you’re thinking about writing your autobiography, you should first be aware of the key elements that will ensure your autobiography stands out and engages readers.

Many factors play a role in this, and we’ll discuss them one by one.

Universal Message

At its core, autobiographical writing is a search for meaning and identity.

A good autobiography isn’t just about you and your experiences. Somewhere in your autobiography, there’s always a universal message that manifests itself in the story you tell.

In this sense, an autobiography isn’t simply a list of experiences you string together, although you can use a chronological structure. But that’s far from the whole story.

A great autobiography has all the elements of a fantastic novel or movie. In other words, it’s to engage the reader emotionally and keep them enthralled.

Otherwise, there’s no motivation to keep reading.

In filmmaking, a central theme is sometimes called a “controlling idea” – akin to a thesis statement, it’s the fulcrum around which the narrative revolves.

No one is interested in a string of events. The events must have meaning, and the music and rhythm of life should permeate your autobiography for it to jump off the page and truly engage the reader.

There’s nothing like a universal message told in the form of a story.

A Strong Story

An excellent autobiography is a story told with strength and nuance. That’s why it matters to be clear about the story you want to tell and the key events that the story embraces.

Granted, this story may not be apparent when writing your autobiography begins. The story may not be clear to you until late in the writing and editing.

You may not even understand the story you’re telling until you revise. That’s why it’s so important to be flexible in outlining, structuring, writing, and revising. In other words, in the overall organization of your autobiography, which we’ll discuss in more detail in this article.

We’ll look at specific methods to help you structure your autobiography and assemble the necessary pieces.

And we’ll show you how to combine those pieces to create an excellent autobiography.

But before we go any further, let’s look at key elements that make a good autobiography.

When discussing a particular moment in your life story, you should be concerned with the spirit of the times – the so-called Zeitgeist.

For example, if you’re talking about the 1960s, you want the flavor and feel of that time to be reflected on the page.

It can be allusions to the music of the time. It can be allusions to the cars or the way of shopping that existed back then. The things that were happening on the street.

They can have to do with the attitudes of the people around you that were important at the time and how they acted and thought.

This creates a picture in the reader’s eye of what was happening around you then. That essential things were happening to you, or you were doing important things.

There’s something mysterious about a good autobiography.

Not everything in life is unambiguous! Life is often very ambiguous, and readers appreciate honesty and humility. By its nature, personal experience is subjective.

Readers don’t want to read someone arrogant and know everything. The fact is that not everything in your own life is clear to yourself, let alone to others around you!

Therefore, it can be excellent to acknowledge this and either mention it directly in your writing or have moments in the story where you allow the mystery to exist because it does.

This sense of mystery lets the reader’s imagination run wild. It allows the reader to understand that life comprises a series of veils. In most cases, the reader will find himself relating parts of your story to his life story. He’ll feel addressed, and that’s what draws him in.

Life isn’t just about clear challenges and overcoming them. As compelling as such “hero stories” may be. There are profound mysteries in life that we all ponder occasionally and keep popping up.

That’s why I think this sense of mystery is very important.

Revelations and Story Beats

In addition to secrets, you should also have moments of revelation in your autobiography.

Moments when something suddenly becomes clear, or someone realizes something. Life lessons that change the trajectory of your life. Or the nature and meaning of a relationship become apparent, which drives you to a decision or action.

In that sense, the events in your autobiography are less about the external events and more about the internal events where you decide what to do at certain stages. Or you come to a judgment or conclusion about something that you’ll probably change later in your life.

The point is that these moments of change, the so-called swing points in your life – the “beats” in movie language – are very important because they mark turning points in the story of your life.

The Plot of Your Life

It’s constructive to think of your life as a movie plot. We’ll discuss this technique later in this article.

So your autobiography isn’t just a collection of the best and worst moments of your life, even if you desperately want the polarity of good and bad to make your story stand out.

Juxtaposition is a very important element. You want things to contrast because that helps build emotion. It helps build tension and drama in the story.

Tension is essential for reader engagement. You can think of it like a rubber band that you slowly twist. It gets tighter and tighter. The trick is to keep stretching it open, building it up more and more, and then relaxing it again. Tighten it up and then relax it again. Over and over again.

In other words, play with the tension in your life story, your autobiography.

Context Shifts

Another critical element in your autobiography is context shifts.

Sometimes these are changes of place. So you move, go to a different place, or arrive at a different place.

Sometimes they’re contextual shifts in terms of relationships with other people.

Sometimes it’s contextual shifts regarding your life purpose and how you define what’s important to you and what you want to accomplish.

But it’s helpful to be aware of these contextual shifts in your life and think about these seams as you write your autobiography.

Now let’s look at the key steps to writing your autobiography.

A Very Personal Journey

Run away if anyone tells you that there’s some standard template for writing an autobiography or memoir! Quick.

Writing and stories aren’t about squeezing experiences and memories into some template.

The author’s connection to the material is the most crucial thing in writing a good, meaningful work.

Writing is about how you see the world, understand your experiences, and want to share them with readers.

Writing is a personal journey that can be very different for everyone.

It doesn’t matter if you’re writing a memoir about how you worked your way up in your profession and discovered leadership and management skills or if you’re writing a memoir about your relationship with your mother.

Either is perfectly fine.

Tell the stories that burn inside you. Write about what it means to be alive, awake, aware, and a wonderful person. Make up a story that’s as personal as you see fit.

Memoirs help you do that. How you choose what to include and what not to include, what to focus on, and what to ignore is up to you.

A Thought for the Reader

Picture the scene. You have a few minutes in the bookstore, browsing the titles scattered on the table of featured books – or the digital equivalent online.

A cover catches your eye. Something intrigues you so much that you pick up the book.

What do you do?

You probably read the blurb on the back cover and then the first page or two. Often that’s enough to make you buy the book or quickly put it back on the pile.

Something in the blurb and the first few pages must appeal to you. Otherwise, you won’t get involved, and the book has left your universe forever!

So when thinking about, constructing, and writing your memoir or autobiography, be clear about your story’s appeal to other people, your future readers!

This doesn’t mean you should be cocky about your writing. On the contrary, an honest path through your story is almost always better. But it means you develop a sense of your reader’s attention!

Otherwise, you’re just writing for yourself. That’s fine, by the way – it can be an excellent way to soothe the soul.

But if you want other people to read your stuff, you need to think carefully about what in your story will grab attention and what is worth paying attention to in each scene!

The Two Treasure Chests

We all have two treasure chests regarding memories, stories, and, thus, memoir writing.

The first is the treasure chest of memories and reflections. These are in the treasure chest of your mind, and your job is to capture them on paper or the screen and eventually work them into a story.

The second treasure chest is physical and digital mementos. Photos, CDs, letters, diaries, old notebooks, clothes, souvenirs, and more. They serve as a tremendous stimulus for remembering and writing. Although you could collect them in one place before writing, that’s probably impractical. Therefore, a good solution is to have a photo mood board with everything you’ve accumulated over the years.

An easy way to do this is to use the built-in photo app on your computer. I use a Mac, so this is Photos for me. It’s easy to collect pictures in an album and resize them to see more or less of them as needed.

Then and Now Time

One of the questions people ask when writing a memoir is how to handle tenses.

I think it’s worth considering two different time frames: the “then time” and the “now time.” This means you put yourself in the moment of the remembered events but see them as you experienced them then. This way, you can vividly represent them and discover them in your text.

It’s not so much a matter of tense as it’s of perspective and setting.

The “now time” is the time of reflection: you look back on past events with the wisdom of hindsight.

As a rule, it’s a good idea to write the main narrative in the “then time” because otherwise, you risk your memoir becoming a boring flashback instead of a compelling journey for the reader.

Connect with Your Inner Child

One particular technique worth mentioning when writing about childhood experiences is the “connect with your inner child” meditation. I first learned about it at the beautiful Plum Village retreat in France.

A guided meditation takes you back to your childhood and creates a connection you can access. Incredibly powerful in life and writing.

Imagine seeing your younger self in a scene and later adding how your older, wiser self understood what you were experiencing, even if you didn’t know it then.

This technique of shifting perspective is highly effective in both memoirs and novels.

It’s worth trying the Plum Village app for IOS. It’s completely free and offers many great meditations.

Break Out of the Prison of Linear Narrative

Where should you start with your memoir?

And how do you start writing them?

Unless you’re dealing with a tight time frame and a compelling ongoing narrative, telling your story in a non-linear way will probably help a lot.

Remember, you’re selecting events, not trying to tell everything that happened.

Therefore, not only can you select periods – which don’t have to be worked through in strict order, especially if you’re writing out your memoir thematically – but you can powerfully use nonlinear writing for your entire process.

We don’t think linearly, so why write that way?

When I sit down to write, I focus on the task: the sentences, paragraphs, and pages in front of me. I don’t worry excessively about everything having to be perfect and fit at the time of writing. Everything is in its own time! During the editing and the second draft, I start moving the blocks around so they tell a story.

Using Scrivener to Structure Nonlinear Writing

The app that best helps this nonlinear writing process is Scrivener.

I’ve used it for many years, and how it handles index cards on its “corkboard” has saved me more time than I care to remember in finding structure in writing and filmmaking.

Another excellent app I can recommend is Aeon Timeline. The latest version, 3, has a narrative mode and several other perspectives that let you get a handle on chronology, eras, intersections of characters, and more.

The Truth in Autobiography

When you write your memoir, you write a piece of truth. Your truth. There’s no such thing as objective truth, certainly not in writing. Nor, for that matter, in filmmaking.

There’s only a subjective truth – the truth as you see it. The exciting thing is that your truth becomes someone else’s truth through a magical transformation process.

Your mother’s truth becomes your truth, your neighbor’s truth becomes your truth, and your lover’s truth becomes your truth.

That’s magic.

One of the reasons I recommend writing your memoir instead of an autobiography is that you can focus on a particular story, a particular moment in your life. If you do it right, you can present it in a way that speaks to others.

You write your memoir to express your truth in a way that communicates it clearly to your reader without misleading them.

This is because they’re based on facts and what happened (as best you can remember it). This is part of a primary, unwritten contract you make with future readers when writing your memoir or autobiography.

Find a Coherent Narrative

To tell your story clearly and understandably, you must find a coherent narrative that ties together the concepts you want to convey.

The narrative won’t be perfect; it’ll need to be revised because your story isn’t an objective fact; it’s your truth.

It’s the narrative that makes your story interesting to your readers. Readers like narratives!

Hopefully, you’ll write your story so that even if the reader doesn’t know what happened to you, they’ll know what you felt and thought.

As I mentioned earlier, it’s very liberating to understand that the shape and order of your narrative will emerge during the writing process – not something you’ve to decide before you even start putting words on the page.

A Structural Approach to Autobiography and Memoir

You don’t have to pressure yourself to figure out the structure of your narrative from the start. You don’t have to summarize ideas, memories, or themes in predefined chapters.

Chapters are the surest way into the writer’s prison.

As the wonderful writer Terry Pratchett put it:

Life doesn’t happen in chapters at least, not regular ones. Nor do movies. Homer didn’t write in chapters. I can see what their purpose is in children’s books (“I’ll read to the end of the chapter, and then you must go to sleep”) but I’m blessed if I know what function they serve in books for adults. Sir Terry Pratchett

Writing programs like Scrivener allow you to collect and spit the fragments out, knowing you can later group them into a form. That’s tremendously liberating. It’s how I’ve made films, how I write long texts, and how I write articles – including this article.

I’ve no idea how this article will turn out. But it’ll appear; you can bet on that. And I know it’ll be good because it comes from the heart. And it’s immediate. Not overthought.

When you write your memoir, you can do the same thing.

I start with many different ideas and notes, photos, and videos I’ve taken. I make sure I can find them easily. If I’ve everything in one place, it’s easier for me to get it out.

You’ve to let your mind become a sieve, a filter, a funnel into which you pour your experiences so they come out transformed.

You’ll have to go through everything several times. You’ll have to go through your story several times.

First, you write down everything you remember, everything you think is essential, and everything that feels like it belongs to your story.

Second, you shape this mass of material into something coherent.

Third, you edit the material.

Dreams and Meditations

Dreams and meditations are essential in all forms of writing, even in memoirs. The trick is to capture the fragment on paper or screen as quickly as possible before it flies away.

Let me give you an example:

I remember first hearing Sgt Pepper’s Lonely Hearts Club Band .

I was walking down the hallway at school when I was about nine years old. Suddenly I heard this incredible sound from a record player (yes, I’m that old) turned up full blast in an adjoining room. There was no one in the room, just the music. Coming from a conservative family where pop music just wasn’t played at home, I think this was the first time I got a taste of a larger culture. Out there.

I was amazed.

Use Dictation to Write Your Memoir

Sometimes when I write, I think of a scene, close my eyes, and start dictating. It’s all the more convenient when I know that one of the many transcription apps will do the hard work for me afterward.

Recently, I recalled that my brother and I were up against the local giant nettle patch when I was about twelve years old. To us, they weren’t nettles – they were an army. Hours later, we were called up for tea – and I suffered from hay fever for years afterward !

This memory also reminded me of another day when, together with local boys, we found a barn with huge black garbage cans in it. The game was to hide in the garbage cans while others threw stones and tried to hit us. Inevitably, a rock hit me right between the eyes. I’d have lost an eye if it had been just an inch further away.

Rather than lose these memories to the chaff of the day, I immediately documented them with a voice recording on my iPhone. Safe in the knowledge that I could quickly transcribe and include them in my memoir later.

Allow yourself to dream, to remember, to record, to document. Don’t be guided by the thought that these recordings must have a particular form before they must.

One way to think about your memoir is to think of it as a series of vignettes – short, impressionistic scenes that focus on a moment or give a particular insight into a character, idea, or environment.

The word’s origin is worth knowing: it comes from Old French and means “little vine.” If you think about it, it’s a very nice analogy for what excellent memoir writing can do: a series of independent yet interconnected vines that together form a whole.

I don’t see a linear path when I think about my life this way. Things have happened randomly; I’ve been in one place and then another. Or in the same place in different periods.

I don’t see my life as a coherent, meaningful narrative. It’s more like a series of vignettes between which I can see connections, but not a continuous line.

Your vignette can be part fantasy, part dream; you can change the period, time of day, weather, season, lighting, or anything else you want.

If you include dialog, make sure it’s believable; if you include your (or other) participants’ thoughts, make sure they ring true.

If you’re worried about authenticity, pick a moment you can remember clearly.

For example,

As a child, I’m sitting on the floor in the kitchen of my house. I’m nine years old. The kitchen is very bright. I’m eating a sugared roll – one of my favorite foods. I’m thinking about my friend’s birthday party tomorrow, which I’m really looking forward to. I’m also thinking about getting my housework done today. It’s light in the kitchen.

The truth, of course, is that I’m thinking about all of this at the same time.

Later, I listen to the sound of rain falling on the roof of the conservatory. It’s a sound I’ve long loved. I watch the different shades of light coming in through the window. The light casts shadows. The light is bright. I think about the things I need to do today. I’ve some homework to do. I need to do the dishes. I need to clean up.

What might hold together seemingly random moments like the above is the growing quality of reflection and the pressure that life puts on the mind.

Use Prompts

When writing memoirs and autobiographies, many prompts can be handy.

We’ve already discussed the two treasure chests above.

But many beneficial questions can get your mind going and make deep memory connections.

Here are just a few examples:

  • What was my most treasured toy? Why was it important to me?
  • What do I remember about the kitchen growing up? What smells can I still remember today? What could I glimpse out the window?
  • What did I do that I regretted? What can’t I tell another soul about?
  • Driving with the family in the car. What’s happening right now? Where are we going?
  • When was the first time I was furious? What had happened?
  • When did I feel most betrayed in my life?
  • When did I fall in love for the first time? Out of love?

As you can imagine, there are many, many more.

The point isn’t to go on an endless memory hunt but to lift the veil of the unconscious to find the topic necessary for your memoir. And more often than not, a more resounding theme emerges. A deeper meaning to your life story that you want to put on paper.

That, after all, is the real art of memoir: distilling a lifetime’s experiences into a coherent, readable, and meaningful whole.

The prompts don’t have to be about the past – they can be about the present.

They can be about your life today – your current life and your relationship to it and the people around you. Then you can discover how profound forces and influences have shaped your reality.

Your Motivations

Ultimately, you’re the only person who knows your motivations for writing your memoir. There’s no need for you to explain to the public!

What do you hope to gain by writing your memoir?

A sense of closure? A sense of accomplishment? Redemption?

A chance to share the themes of your life story with others so they can learn from your journey?

An opportunity to see your story told so you can look back and reflect on the meaning of your life and the direction your life might take in the future.

Whatever the reason, the result should be more significant than a simple retelling of your life.

Perhaps it’s about creating a legacy, leaving something that will stay with you beyond your time, years, and life into the future.

When you write your memoir, you’re also writing your legacy. Or at least part of it.

That’s why it’s worth pausing for a moment.

Beware of the natural human instinct to right the wrongs done to us in the past. Seeking revenge will lead you down a dark path. Once it’s published, it’s published. And it’s hard to crawl back.

My advice would be to make your memoir a positive impulse.

We all make mistakes; why not reflect on them with awareness, acceptance, and understanding?

Awareness will lead us to change our pattern of behavior, acceptance will lead us to forgiveness, and understanding will show us how to forgive others.

Remember, forgive the person, but not the crime.

Writing your memoir can be a part of the healing process if you let it.

Scenes That Resonate

Actors know there are “scene objectives” in scenes – things the character wants and is trying to achieve.

This isn’t always true, but it’s often the case that the character either achieves their goal or doesn’t. There will be a clear resolution to the scene.

You can also look at your memoir in this way.

The goal of a particular scene is to get the character from one point in the story to the next in a way that makes sense to the reader.

How do you do that? Through the concept of scenes that “get there.” In a way, it’s similar to a joke that “lands” with its punchline.

These “landings” are ways to get from one scene to the next.

They’re places of transition where action and reflection mix, and you can move from one scene to the next. This is where you place the dissonance leading to your character’s next destination.

Remember that these transitions will become more apparent and more evident as you write and move into revision. You don’t have to have a set structure for your memoir. However, you need a series of vivid scenes, fast or slow sections, that deepen your narrative.

The Movie of Your Life

There’s a classic and well-understood dramatic arc that underlies almost all movies. I’m not suggesting that you apply it to how you write your autobiography or memoir, but it can benefit you as you reflect on the ebb and flow of your life.

We go through a series of “walls” in our lives. Ones that we break through after we find our way or ones that we somehow get around.

Overcoming the significant obstacles of life usually requires inner change and realization. When we overcome life’s walls, we learn an important lesson that we take into the next phase.

I found it very helpful to plot these walls on a timeline of my life. On the X-axis was my age, and on the Y-axis was the amount of hardship endured. That corresponds to the level of drama. This was a precious exercise because it helped me step back from the story of my life and look at it from the outside.

The way a reader might.

It helped me recognize the moments that involved real struggle, emotion, and conflict. In this way, it served as a map for my memoir.

So I took the significant events in my life – death, illness, divorce, early trouble spots, etc. – and drew them on the line where they took place, what age I was, and what was happening in my life at the time.

An interesting thing happened.

I thought I’d written about significant events before but never went into enough detail to immerse the reader in the pain, emotion, and drama.

Also, I hadn’t allowed myself to take ownership and responsibility for these events.

Subconsciously, I’d distanced myself from my own life. This isn’t to say that it was all my fault. But I was guilty of being too easy on myself.

As you can probably guess, this was an essential moment in my writing process.

What’re your walls? When did you overcome them? How did you overcome them?

Maybe you’ve decided you’re going to overcome them. Or maybe you’re still waiting to overcome them.

In any case, these moments of significant change are essential to the success of your autobiography.

Commit to Yourself

Writing memoirs or autobiographies is difficult. Even if no one but you may ever get to see them!

It requires deep inner work – a journey into the soul.

And it requires a serious commitment to writing continuously over a long period.

The former means accessing your unconscious, as I described earlier in this article.

The latter is a challenge that all writers face. The simple yet not-so-simple task of sitting down in your chair and writing every day. Your writing journey.

So before you start, make some commitments to yourself.

  • Commit to writing every day.
  • Commit to writing as many words as you estimate you’ll need to finish your book.
  • Commit not to cheat on your word count.
  • Do your best because you know your best is good enough.
  • Show up to your desk and your soul.

This is the hallmark of a professional writer. Which you may not be. But why not adopt the mindset and practices of one?

One thing: don’t rush.

A memoir or autobiography shouldn’t be written under time pressure. Give your writing time to breathe and your reflections time to go deep. You’re laying the groundwork for something great.

One of the hardest things to write about is your relationship with your parents.

I lost both of my parents, one of them recently. Even as time passes, it’s hard to look deep (as a writer must) in a way that inevitably evokes pain and grief in me.

But that pain must be endured if you’re to have access to what’s probably one of the most important influences on your psyche, whether you want to admit it or not.

As a writer, artist, and human being, you must deal with them honestly. And do so with as much compassion as possible.

In other words, you must go through the same process of soul-searching and profound inner discovery as you’d with any other complicated subject.

You must apply your understanding of life and its meaning to the subject. And you must write from a position of humility and compassion.

Brainstorming for Your Autobiography

I always think of “brainstorming” more as “thought development” – a quieter and more meditative approach to writing.

You call up ideas and play with them. Try them out. To see what develops. These ideas transform as you write, re-read, and sleep on them.

Then when you come back to your writing, you’ve new things to work with. Ideas that have been developing in the background.

This is a good way to gather ideas for your memoir. It’s a way to write without writing.

  • In one sentence, invent a sentence that says something about your life.
  • In a paragraph, invent a paragraph that says something about your life.
  • In a scene, invent a scene that says something about your life.
  • Write a memory that says something about your life.

Then ask yourself: What do you’ve to say?

  • What’s the most important thing you’ve to say?
  • What’s the most dramatic thing you’ve to say?
  • What’s the most impactful moment you can convey?

I use mind mapping extensively to “develop thoughts” – the best apps I’ve found for this are iThoughts and TheBrain. The beauty of TheBrain is that it allows for contextual thinking around a subtopic – something difficult to achieve with traditional radial mind maps.

You can also use free online tools like XMind, Coggle, or paper and a pen.

You’ll find that this way of thinking brings ideas to life in ways you mightn’t be able to if you only thought linearly.

Why not just write an essay about your life, drawing from the stream of consciousness? And then see what sticks.

Related: How to Focus on Writing an Essay

Write a Letter to Yourself

Another way to write your autobiography or memoir is to imagine you’re writing a letter to yourself.

A great letter is to tell yourself the story you want to write about yourself.

Or you can take on the role of mentor to yourself:

The “you,” in this case, is your current self.

  • Write a letter to your former self.
  • What advice would you give to your former self?
  • What guidance would you give?
  • What would you do differently?
  • How would your former self respond?
  • How would your current self respond?
  • How would your future self react?
  • How would your friends and family react?
  • How would your children react?

How to Outline Your Autobiography or Memoir

The most important thing you need to know about outlining as a writer is that it’s not a process that happens before you settle down to write, and it’s written down in a kind of gospel.

Quite the opposite.

The “how” (the outline) and the “what” (the writing) are intricately intertwined and bounce off each other.

Outlining Is a Dynamic Process

If you have a good idea of what you want to write about, you can put that idea into an outline.

There are many different ways to do this. Most involve writing a few key words, phrases, sentences, or even just a few key phrases that describe the main content of your book.

A book is usually a collection of chapters (but be sure to read my comments about the chapters above).

You can outline a chapter by writing a few key words, phrases, sentences, or even just a few key sentences to describe the main content of your chapter.

You can also outline a scene. Again, you write a few key words, phrases, sentences, or even just a few key phrases to describe the main content of your scene.

An outline aims to give you a “basic structure” to work with.

The more details you’ve, the better.

How to Approach Research in Your Autobiography or Memoir

Aside from the treasure troves described above, which are more for stimulation or inspiration than research, you’ll need to track down specific facts and connections at some point in your writing.

You can do most of this research on the Internet.

There are now so many excellent online resources for writers. These include accessible radio archives, video archives, music archives, image archives, document archives, government archives, etc.

The list is endless.

Of course, you can also use your local library.

If you’re using a Mac, DevonAgent, and DevonThink can help you organize your searches and cross-referencing. DevonAgent prevents you from having to open hundreds of browser tabs, and DevonThink uses a very clever “fuzzy logic” search to find relevant things in your document collection. Although academics love both apps, they’re invaluable to me as a writer.

Another great option for research and clippings is Roam Research (or its free competitor Obsidian). Think of them as digital scrapbooks where you can drop everything useful and find valuable and relevant parts later.

Or go with a paper notebook.

Most importantly, document your research, and don’t throw anything away.

Remember that you’ll be researching at all stages of the writing process, including during editing and fact-checking. Therefore, it can be constructive to work with multiple monitors so that you can do the research queries on one while you continue writing on the other.

It’s often helpful to write a chapter or scene first and do your research later. This helps you focus your research on what you need and not disappear down a rabbit hole from which little productive writing comes out!

It’s also important to realize that researching and writing your book are closely related. They’re all part of the same journey.

When you write, you generate new ideas and write down the book that will become the finished memoir or autobiography.

This is an interactive process.

The structure of your finished book will also influence how you write it and, therefore, how you research it.

Remember that oral research also plays an important role: If people, family members, eyewitnesses, etc., are still alive and willing, their memories and perspectives can be beneficial.

Writing First Drafts

The most important thing to say about first drafts is that you do them!

That means you sit down and start writing. Even if you don’t feel like it. When you start writing, your resistance is quickly overcome, and you get into a good state of mind.

The second thing I say about first drafts is that you shouldn’t edit them as you write. That’s why I recommend not thinking too much about chapters in the first draft stage – there will be plenty of opportunities later to organize your text and divide it into chapters.

Everything that hinders your writing your first draft must be gently pushed aside. That’s why sometimes it’s better to research after you’ve written a scene.

The third thing to say about first drafts is that they should be about anything and everything.

As a writer, you need to get out of your way and not be too critical with your word choice, sentence structure, or anything else.

This is because you can only find your voice if you write your way to it. That means you’re writing many things that aren’t the finished book.

The more you write, the more you learn about yourself and your writing voice.

You may not understand the subject of your memoir or autobiography until your first draft is finished. That’s perfectly fine. It’s desirable.

Remember that your first draft should probably be just for you. Beware of letting critics in too early, even if they’re constructive.

If someone else reads your writing or sees your first drafts, that person or those people will likely impact the creative writing process, which you don’t want at this stage.

So, if you have a writing group or writing partner, wait until you’ve completed at least two first drafts before sharing the text.

Related: Why Creative Process Matters

The Path From First to Second Draft

First, put some distance between you and your first draft. If you don’t give yourself a break, you’ll have difficulty identifying the “plot holes” where you need to get your narrative going.

It’s about giving shape to the story – a story that you may not understand until after your first draft.

Your second draft isn’t about tinkering with or polishing your first draft. It’s about completely rewriting the story and moving the pieces around in the overall structure to make it work.

This is where I find Scrivener very useful. Especially the index card mode in Corkboard. It allows me to move writing blocks around, sometimes almost intuitively (since cold logic rarely works well in creative endeavors), to find the flow of a piece.

When you move the blocks, having a clear timeline is helpful – either on paper or (my choice) in a program like Aeon Timeline. This timeline helps you anchor the chronological flow of events, so you’re freer to make thematic connections knowing that you can always insert a reference to where we’re in space and time.

There’s going to be some missing. That’s fine. Write it.

Do you notice anything unclear in your narrative? Clarify it. Explain it so that someone reading the story for the first time will understand.

Sometimes it’s a matter of contextualization: a “framing scene” before the action scene. It’s incredible how sometimes putting a later scene at the beginning of the work can help make everything clear and functional.

Wield a Scalpel

The last advice I want to give you is to approach your second draft with a scalpel in hand. Cut it down, and remove any fat you discover.

Creative work often (not always) benefits from being shorter. A more compact narrative moves essential points in the story closer together and effectively tightens the connective tissue between scenes.

Cut out scenes you don’t need, scenes that are too long, and scenes that are in the background and don’t move the story forward. The goal is to create a lean, mean storytelling machine that continuously moves the story forward.

This also means cutting limp sentences, unnecessary adjectives, and anything else that makes your text wordier than it needs to be.

Examples of Great Autobiographical Writing

Maya Angelou – a series of seven autobiographies, including the work that brought her international acclaim I Know Why the Caged Bird Sings

Vladimir Nabokov – covering his life until he arrived in America in 1940, Speak Memory is known for how it blends fiction with fact.

Helen Keller – written with the aid of a braille typewriter The Story of My Life was dedicated to Alexander Graham Bell, a lifelong friend and avid supporter of deaf and blind research.

Mark Twain – keen to tell stories to other human beings, rather than pen a dry account of his life, Twain arranged that most of his Autobiography remain unpublished for 100 years after he died in 1910. No doubt the amount of vitriol and sharp observation, even of friends in the work, was a significant factor in this decision! Interestingly, most of his autobiography was dictated to a secretary rather than written directly.

Frequently Asked Questions

What is an autobiography.

An autobiography is a self-written account of an individual’s life, often detailing personal experiences, emotions, and reflections.

What should be included in an autobiography?

An autobiography should include significant events, relationships, challenges, achievements, and personal growth experiences. It should also offer insights into the author’s personality, values, and motivations.

How should I begin my autobiography?

Begin your autobiography with an engaging introduction that captures the reader’s attention. You can start with a memorable moment, an important event, or a unique aspect of your life.

What is the appropriate writing style for an autobiography?

A: The writing style for an autobiography should be honest, engaging, and descriptive. It should capture your voice and personality, connecting readers with your experiences and emotions.

How do I organize my autobiography?

Organize your autobiography in chronological order or around specific themes. You can divide it into chapters, focusing on different stages of your life or significant aspects of your personality.

How do I maintain reader interest throughout my autobiography?

To maintain reader interest, use vivid descriptions, create engaging anecdotes, and vary the pace and tone of your writing. Share unique perspectives and include moments of self-reflection to keep the reader engaged.

How do I approach sensitive or controversial topics in my autobiography?

Approach sensitive or controversial topics with honesty and sensitivity. Be aware of the potential impact on others, and consider using discretion or pseudonyms to protect privacy.

What should I focus on when writing about my childhood?

Focus on significant moments, relationships, and experiences that shaped your personality, values, and beliefs. Describe the environment, culture, and people that influenced your early years.

How do I conclude my autobiography?

Conclude your autobiography by summarizing your experiences, reflecting on the lessons learned, and sharing your hopes for the future. Consider leaving the reader with a final thought or message that encapsulates the essence of your life story.

What should I consider before publishing my autobiography?

Before publishing your autobiography, edit and revise the manuscript, fact-check for accuracy, and seek feedback from trusted readers. Consider legal and ethical implications, and explore various publishing options, including traditional publishers, self-publishing, or digital platforms.

50 best autobiographies & biographies of all time

Enlightening and inspiring: these are the best autobiographies and biographies of 2024, and all time. .

autobiography on a book

Reading an autobiography can offer a unique insight into a world and experience very different from your own – and these real-life stories are even more entertaining, and stranger, than fiction . Take a glimpse into the lives of some of the world's most inspiring and successful celebrities , politicians and sports people and more in our edit of the best autobiographies and biographies to read right now.

  • New autobiographies & biographies
  • Inspiring autobiographies & biographies
  • Sports autobiographies & biographies
  • Celebrity autobiographies & biographies
  • Political & historical autobiographies
  • Literary autobiographies & biographies

The best new autobiographies and biographies

Charles iii, by robert hardman.

Book cover for Charles III

Meet the man behind the monarch in this new biography of King Charles III by royal expert and journalist Robert Hardman. Charting Charles III’s extraordinary first year on the throne, a year plighted by sadness and family scandal, Hardman shares insider details on the true nature of the Windsor family feud, and Queen Camilla’s role within the Royal Family. Detailing the highs and lows of royal life in dazzling detail, this new biography of the man who waited his whole life to be King is one of 2024’s must-reads. 

Sociopath: A Memoir

By patric gagne.

Book cover for Sociopath: A Memoir

The most unputdownable memoir you’ll read this year, Sociopath is the story of Patric Gagne, and her extraordinary life lived on the edge. With seering honestly, Patric explains how, as a child she always knew she was different. Graduating from feelings of apathy to petty theft and stalking, she realised as an adult that she was a sociopath, uncaring of the impact of her actions on others. Sharing the conflict she feels between her impulses, and her desire to live a settled, loving life with her partner, Sociopath is a fascinating story of one woman’s journey to find a place for herself in the world. 

Lisa Marie Presley's memoir

By lisa marie presley.

Book cover for Lisa Marie Presley's memoir

Lisa Marie Presley was never truly understood . . . until now. Before her death in 2023, she’d been working on a raw, riveting, one-of-a-kind memoir for years, recording countless hours of breathtakingly vulnerable tape, which has finally been put on the page by her daughter, Riley Keough.

Went to London, Took the Dog: A Diary

By nina stibbe.

Book cover for Went to London, Took the Dog: A Diary

Ten years after the publication of the prize-winning  Love, Nina  comes the author’s diary of her return to London in her sixty-first year. After twenty years, Nina Stibbe, accompanied by her dog Peggy, stays with writer Debby Moggach in London for a year. With few obligations, Nina explores the city, reflecting on her past and embracing new experiences. From indulging in banana splits to navigating her son's dating life, this diary captures the essence of a sixty-year-old runaway finding her place as a "proper adult" once and for all.

Beyond the Story

Book cover for Beyond the Story

In honor of BTS's 10th anniversary, this remarkable book serves as the band's inaugural official release, offering a treasure trove of unseen photographs and exclusive content. With Myeongseok Kang's extensive interviews and years of coverage, the vibrant world of K-pop springs to life. As digital pioneers, BTS's online presence has bridged continents, and this volume grants readers instant access to trailers, music videos, and more, providing a comprehensive journey through BTS's defining moments. Complete with a milestone timeline, Beyond the Story stands as a comprehensive archive, encapsulating everything about BTS within its pages.

Hildasay to Home

By christian lewis.

Book cover for Hildasay to Home

The follow-up to his bestselling memoir Finding Hildasay , in Hildasay to Home Christian Lewis tells the next chapter of his extraordinary journey, step by step. From the unexpected way he found love, to his and Kate's journey on foot back down the coastline and into their new lives as parents to baby Marcus, Christian shares his highs and lows as he and his dog Jet leave Hildasay behind. Join the family as they adjust to life away from the island, and set off on a new journey together. 

by Carolyn Hays

Book cover for A Girlhood

This moving memoir is an ode to Hays' transgender daughter – a love letter to a child who has always known herself. After a caseworker from the Department of Children and Families knocked on the door to investigate an anonymous complaint about the upbringing of their transgender child, the Hays family moved away from their Republican state. In A Girlhood, Hays tells of the brutal truths of being trans, of the sacrificial nature of motherhood and of the lengths a family will go to shield their youngest from the cruel realities of the world. Hays asks us all to love better, for children everywhere enduring injustice and prejudice.

by Prince Harry

Book cover for Spare

The fastest-selling non-fiction book of all time and packed with revelations, Spare is Prince Harry's story. Twelve-year-old Harry was known as the carefree one; the happy-go-lucky Spare to the more serious Heir until the loss of his mother changed everything. Then, at twenty-one, he joined the British Army, resulting in post-traumatic stress. Amidst this, the Prince also couldn't find love. Then he met Meghan. But from the beginning, Harry and Meghan were preyed upon by the press, subjected to waves of abuse, racism, and lies. For the first time, Prince Harry tells his own story, chronicling his journey with raw, unflinching honesty. 

Is This Ok?

By harriet gibsone.

Book cover for Is This Ok?

Harriet spent much of her young life feeding neuroses and insecurities with obsessive internet searching and indulging in whirlwind ‘parasocial relationships'. But after a diagnosis of early menopause in her late twenties, her relationship with the internet took a darker turn, as her online addictions were thrown into sharp relief by the corporeal realities of illness and motherhood. An outrageously funny, raw and painfully honest account of trying to find connection in the age of the internet,  Is This Ok? is the stunning literary debut from music journalist, Harriet Gibsone. 

Book cover for Stay True

Winner of Pulitzer Prize in Memoir, Stay True  is a deeply moving and intimate memoir about growing up and moving through the world in search of meaning and belonging. When Hua Hsu first meets Ken in a Berkeley dorm room, he hates him. A frat boy with terrible taste in music, Ken seems exactly like everyone else. For Hua, Ken represents all that he defines himself in opposition to – the mainstream. The only thing Hua, the son of Taiwanese immigrants, and Ken, whose Japanese American family has been in the US for generations, have in common is that, however they engage with it, American culture doesn’t seem to have a place for either of them. 

Life's Work

By david milch.

Book cover for Life's Work

Best known for creating smash-hit shows including NYPD Blue and Deadwood, you’d be forgiven for thinking that David Milch had lived a charmed life of luxury and stardom. In this, his new memoir, Milch dispels that myth, shedding light on his extraordinary life in the spotlight. Born in Buffalo New York to a father gripped by drug-addiction, Milch enrolled at Yale Law befire being expelled and finding his true passion for writing. Written following his diagnosis with Alzheimer’s in 2015, in Life’s Work Milch records his joys, sadnesses and struggles with startling clarity and grace. 

Will You Care If I Die?

By nicolas lunabba.

Book cover for Will You Care If I Die?

In a world where children murder children, and where gun violence is the worst in Europe, Nicolas Lunabba's job as a social organizer with Malmö's underclass requires firm boundaries and emotional detachment. But all that changes when he meets Elijah – an unruly teenage boy of mixed heritage whose perilous future reminds Nicolas of his own troubled past amongst the marginalized people who live on the fringes of every society. Written as a letter to Elijah,  Will You Care If I Die?  is a disarmingly direct memoir about social class, race, friendship and unexpected love.

The best inspiring autobiographies and biographies

By yusra mardini.

Book cover for Butterfly

After fleeing her native Syria to the Turkish coast in 2015, Yusra Mardini boarded a small dinghy full of refugees headed for Greece. On the journey, the boat's engine cut out and it started to sink. Yusra, her sister, and two others took to the water to push the overcrowded boat for three and a half hours in open water, saving the lives of those on board. Butterfly is Yusra Mardini's journey from war-torn Damascus to Berlin and from there to the 2016 Rio de Janeiro Olympic Game. A UNHCR Goodwill Ambassador and one of People magazine's 25 Women Changing the World, discover Yusra and her incredible story of resilience and unstoppable spirit.

Finding Hildasay

Book cover for Finding Hildasay

After hitting rock bottom having suffered with depression for years, Christian Lewis made an impulsive decision to walk the entire coastline of the UK. Just a few days later he set off with a tent, walking boots and a tenner in his pocket. Finding Hildasay tells us some of this incredible story, including the brutal three months Christian Lewis spent on the uninhabited island of Hildasay in Scotland with no fresh water or food. It was there, where his route was most barren, that he discovered pride and respect for himself. This is not just a story of a remarkable journey, but one of depression, survival and the meaning of home. 

The Happiest Man on Earth

By eddie jaku.

Book cover for The Happiest Man on Earth

A lesson in how happiness can be found in the darkest of times, this is the story of Eddie Jaku, a German Jew who survived seven years at the hands of the Nazis. Eddie Jaku always considered himself a German first, and a Jew second. All of that changed in November 1938, when he was beaten, arrested and taken to a concentration camp. But through his courage and tenacity he still came to live life as 'the happiest man on earth'. Published at the author turns one hundred, The Happiest Man on Earth is a heartbreaking but hopeful memoir full of inspiration. 

Don't Miss

3 lessons to learn from Eddie Jaku

I know why the caged bird sings, by maya angelou.

Book cover for I Know Why The Caged Bird Sings

A favourite book of former president Obama and countless others, I Know Why the Caged Bird Sings , recounts Angelou’s childhood in the American south in the 1930s. A beautifully written classic, this is the first of Maya Angelou's seven bestselling autobiographies. 

I Am Malala

By malala yousafzai.

Book cover for I Am Malala

After speaking out about her right to education almost cost her her life, Malala Yousafzi refused to be silenced. Instead, her amazing story has taken her all over the world. This is the story of Malala and her inspirational family, and of how one person's voice can inspire change across the globe. 

In Extremis: The Life of War Correspondent Marie Colvin

By lindsey hilsum.

Book cover for In Extremis: The Life of War Correspondent Marie Colvin

In her job as a foreign correspondent, Marie Colvin reported from some of the most dangerous places in the world. It was a job that would eventually cost her her life. In this posthumous biography of the award-winning news journalist, Lindsey Hilsum shares the story of one of the most daring and inspirational women of our times with warmth and wit, conveying Colvin's trademark glamour. 

The best memoirs

This is going to hurt, by adam kay.

Book cover for This is Going to Hurt

Offering a unique insight into life as an NHS junior doctor through his diary entries, Adam Kay's bestselling autobiography is equal parts heartwarming and humorous, and oftentimes horrifying too. With 97-hour weeks, life and death decisions and a tsunami of bodily fluids, Kay provides a no-holds-barred account of working on the NHS frontline. Now a major BBC comedy-drama, don't miss this special edition of This Is Going To Hurt including a bonus diary entries and an afterword from the author. 

The Colour of Madness

By samara linton.

Book cover for The Colour of Madness

The Colour of Madness  brings together memoirs, essays, poetry, short fiction and artworks by people of colour who have experienced difficulties with mental health. From experiencing micro-aggressions to bias, and stigma to religious and cultural issues, people of colour have to fight harder than others to be heard and helped. Statistics show that people from Black and minority ethnic backgrounds in the UK experience poor mental health treatment in comparison to their white counterparts, and are more likely to be held under the Mental Health Act. 

Nothing But The Truth

By the secret barrister.

Book cover for Nothing But The Truth

How do you become a barrister? Why do only 1 per cent of those who study law succeed in joining this mysterious profession? And why might a practising barrister come to feel the need to reveal the lies, secrets, failures and crises at the heart of this world of wigs and gowns? Full of hilarious, shocking and surprising stories,  Nothing But The Truth  tracks the Secret Barrister’s transformation from hang ‘em and flog ‘em, austerity-supporting twenty-something to a campaigning, bestselling, reforming author whose writing in defence of the law is celebrated around the globe.

by Michelle Obama

Book cover for Becoming

This bestselling autobiography lifts the lid on the life of one of the most inspiring women of a generation, former first lady Michelle Obama. From her childhood as a gifted young woman in south Chicago to becoming the first black First Lady of the USA, Obama tells the story of her extraordinary life with humour, warmth and honesty. 

Kitchen Confidential

By anthony bourdain.

Book cover for Kitchen Confidential

Regarded as one of the greatest books about food ever written, Kitchen Confidential lays bare the wild tales of the culinary industry. From his lowly position as a dishwasher in Provincetown to cooking at some of the finest restaurants across the world, the much-loved Bourdain translates his sultry, sarcastic and quick-witted personality to paper in this uncensored 'sex, drugs, bad behaviour and haute cuisine' account of life as a professional chef. Bourdain's tales of the kitchen are as passionate as they are unpredictable, as shocking as they are funny.

Everything I Know About Love

By dolly alderton.

Book cover for Everything I Know About Love

Dolly Alderton, perhaps more than any other author, represents the rise of the messy millennial woman – in the very best way possible. Her internationally bestselling memoir gives an unflinching account of the bad dates and squalid flat-shares, the heartaches and humiliations, and most importantly, the unbreakable female friendships that defined her twenties. She weaves together personal stories, satirical observations, a series of lists, recipes, and other vignettes that will strike a chord of recognition with women of every age. This is a memoir that you'll discuss with loved ones long after the final page. 

The best sports autobiographies and biographies

By chris kamara.

Book cover for Kammy

Presenter, commentator, (sometimes masked) singer, footballer, manager and campaigner, Kammy's action-packed career has made him a bona fide British hero. Kammy had a tough upbringing, faced racism on the terraces during his playing career and has, in recent years, dealt with a rare brain condition – apraxia – that has affected his speech and seen him say goodbye to Sky Sports. With entertaining stories of his playing career from Pompey to Leeds and beyond; his management at Bradford City and Stoke; his crazy travels around the world; of  Soccer Saturday  banter; presenting  Ninja   Warrior ; and the incredible friendships he's made along the way,  Kammy  is an unforgettable ride from one of Britain's best-loved broadcasters.

Alone on the Wall

By alex honnold.

Book cover for Alone on the Wall

In the last forty years, only a handful of climbers have pushed themselves as far, ‘free soloing’ to the absolute limit of human capabilities. Half of them are dead. Although Alex Honnold’s exploits are probably a bit  too  extreme for most of us, the stories behind his incredible climbs are exciting, uplifting and truly awe-inspiring. Alone on the Wall  is a book about the essential truth of being free to pursue your passions and the ability to maintain a singular focus, even in the face of mortal danger. This updated edition contains the account of Alex's El Capitan climb, which is the subject of the Oscar and BAFTA winning documentary,  Free Solo .

On Days Like These

By martin o'neill.

Book cover for On Days Like These

Martin O’Neill has had one of the most incredible careers in football.   With a story spanning over fifty years, Martin tells of his exhilarating highs and painful lows; from the joys of winning trophies, promotion and fighting for World Cups to being harangued by fans, boardroom drama, relegation scraps and being fired. Written with his trademark honesty and humour,  On Days Like These  is one of the most insightful and captivating sports autobiographies and a must-read for any fans of the beautiful game.

Too Many Reasons to Live

By rob burrow.

Book cover for Too Many Reasons to Live

As a child, Rob Burrow was told he was too small to be a rugby player. Some 500 games for Leeds later, Rob had proved his doubters wrong: he won eight Super League Grand Finals, two Challenge Cups, three World Club Challenges and played for his country in two World Cups. In 2019 though, Rob was diagnosed with motor neurone disease and given just two years to live. He went public with the news, determined to fight it all the way. Full of love, bravery and kindness, this is the story of a man who has awed his fans with his positive attitude to life.

With You Every Step, a celebration of friendship by Rob Burrow and Kevin Sinfield

At home with muhammad ali, by hana yasmeen ali.

Book cover for At Home with Muhammad Ali

Written by his daughter Ali using material from her father's audio journals, love letters and her treasured family memories, this sports biography offers an intimate portrait of one of boxing's most legendary figures, and one of the most iconic sports personalities of all time. 

They Don't Teach This

By eniola aluko.

Book cover for They Don't Teach This

In her autobiography, footballer Eni Aluko addresses themes of dual nationality, race and institutional prejudice, success, gender and faith through her own experiences growing up in Britain. Part memoir, part manifesto for change, They Don't Teach This is a must-read book for 2020. 

Touching The Void

By joe simpson.

Book cover for Touching The Void

A million-copy bestseller, Touching The Void recounts Joe Simpson and Simon Yate's near fatal dscent after climbing Siula Grande in the Peruvian Andes. A few days after reaching the summit of the mountain, Simon staggered into Base Camp, exhausted and frost-bitten, with news that that Joe was dead. What happened to Joe, and how the pair dealt with the psychological traumas that resulted when Simon was forced into the appalling decision to cut the rope, makes not only an epic of survival but a compelling testament of friendship. 

The best celebrity autobiographies and biographies

By adrian edmondson.

Book cover for Berserker!

From brutal schooldays to 80s anarchy, through The Young Ones and beyond, Berserker! is the one-of-a-kind, fascinating memoir from an icon of British comedy, Adrian Edmondson. His star-studded anecdotes and outrageous stories are set to a soundtrack of pop hits, transporting the reader through time and cranking up the nostalgia. But, as one would expect, these stories are also a guaranteed laugh as Ade traces his journey through life and comedy. 

Being Henry

By henry winkler.

Book cover for Being Henry

Brilliant, funny, and widely-regarded as the nicest man in Hollywood, Henry Winkler shares the disheartening truth of his childhood, the difficulties of a life with severe dyslexia and the pressures of a role that takes on a life of its own. Since the glorious era of  Happy Days  fame, Henry has endeared himself to a new generation with roles in such adored shows as  Arrested Development and  Barry , where he’s revealed himself as an actor with immense depth and pathos. But Being Henry  is about so much more than a life in Hollywood and the curse of stardom. It is a meaningful testament to the power of sharing truth and of finding fulfillment within yourself.

What Are You Doing Here?

By floella benjamin.

Book cover for What Are You Doing Here?

Actress, television presenter, member of the House of Lords – Baroness Floella Benjamin is an inspiration to many. But it hasn't always been easy: in What Are You Doing Here?   she describes her journey to London as part of the Windrush generation, and the daily racism that caused her so much pain as a child. She has gone on to remain true to her values, from breaking down barriers as a Play School presenter to calling for diversity at the BBC and BAFTA to resisting the pressures of typecasting. Sharing the lessons she has learned, imbued with her joy and positivity, this autobiography is the moving testimony of a remarkable woman.

Life Lessons

By jay blades.

Book cover for Life Lessons

‘Life is not a problem to be solved, but a reality to be experienced.’ Let Jay’s words of wisdom – gleaned from his own triumphs over adversity – help you to find your best path through life. Filled with characteristic warmth and humour, Jay talks about the life lessons that have helped him to find positivity and growth, no matter what he’s found himself facing. Jay shares not only his adventures and escapades but also the way they have shaped his outlook and helped him to live life to the fullest. His insight and advice give you everything you need to be able to reframe your own circumstances and make the best of them.

A Funny Life

By michael mcintyre.

Book cover for A Funny Life

Comic Michael McIntyre specialises in pin-sharp observational routines that have made him the world's bestselling funny man. But when he turns his gaze to himself and his own family, things get even funnier. This bracingly honest memoir covers the highs, lows and pratfalls of a career in comedy, as Michael climbs the greasy pole of success and desperately attempts to stay up there.

by Elton John

Book cover for Me

Elton John is one of the most successful singer/songwriters of all time, but success didn't come easily to him. In his bestselling autobiography, he charts his extraordinary life, from the early rejection of his work to the heady heights of international stardom and the challenges that came along with it. With candour and humour, he tells the stories of celebrity friendships with John Lennon, George Michael and Freddie Mercury, and of how he turned his life around and found love with David Furnish. Me is the real story of the man behind the music. 

And Away...

By bob mortimer.

Book cover for And Away...

National treasure and beloved entertainer, Bob Mortimer, takes us from his childhood in Middlesborough to working as a solicitor in London in his highly acclaimed autobiography. Mortimer’s life was trundling along happily until suddenly in 2015 he was diagnosed with a heart condition that required immediate surgery and forced him to cancel an upcoming tour. The book covers his numerous misadventures along his path to fame but also reflects on more serious themes, making this both one of the most humorous and poignant celebrity memoirs of recent years. 

by Walter Isaacson

Book cover for Steve Jobs

Based on interviews conducted with Steve Jobs, Walter Isaacson's biography of Apple co-founder Steve Jobs is filled with lessons about innovation, leadership, and values and has inspired a movie starring Michael Fassbender, Kate Winslet and Seth Rogen. Isaacson tells the story of the rollercoaster life and searingly intense personality of creative entrepreneur whose passion for perfection and ferocious drive revolutionized the tech industry. Although Jobs cooperated with this book, he asked for no control over what was written and put nothing off limits, making this an unflinchingly candid account of one of the key figures of modern history.

Maybe I Don't Belong Here

By david harewood.

Book cover for Maybe I Don't Belong Here

When David Harewood was twenty-three, his acting career began to take flight and he had what he now understands to be a psychotic breakdown. He was physically restrained by six police officers, sedated, then hospitalized and transferred to a locked ward. Only now, thirty years later, has he been able to process what he went through. In this powerful and provocative account of a life lived after psychosis, critically acclaimed actor, David Harewood, uncovers a devastating family history and investigates the very real impact of racism on Black mental health.

Scenes from My Life

By michael k. williams.

Book cover for Scenes from My Life

When Michael K. Williams died on 6 September 2021, he left behind a career as one of the most electrifying actors of his generation. At the time of his death, Williams had nearly finished his memoir, which traces his life in whole, from his childhood and his early years as a dancer to his battles with addiction. Alongside his achievements on screen he was a committed activist who dedicated his life to helping at-risk young people find their voice and carve out their future. Imbued with poignance and raw honesty,  Scenes from My Life  is the story of a performer who gave his all to everything he did – in his own voice, in his own words.

The best political and historical autobiographies

The fall of boris johnson, by sebastian payne.

Book cover for The Fall of Boris Johnson

Sebastian Payne, Whitehall Editor for the Financial Times, tells the behind-the-scenes story of the fall of former Prime Minister, Boris Johnson. After being touted saviour of the Conservative Party, it took Johnson just three years to resign after a series of scandals. From the blocked suspension of Owen Patterson to Partygate and the Chris Pincher allegations, Payne gives us unparalleled access to those who were in the room when key decisions were made, ultimately culminating in Boris's downfall. This is a gripping and timely look at how power is gained, wielded and lost in Britain today.

by Sung-Yoon Lee

Book cover for The Sister

The Sister , written by Sung-Yoon Lee, a scholar and specialist on North Korea, uncovers the truth about Kim Yo Jong and her close bond with Kim Jong Un. In 2022, Kim Yo Jong threatened to nuke South Korea, reminding the world of the dangers posed by her state. But how did the youngest daughter of Dear Leader Kim Jong Il, his ‘sweet princess’, become the ruthless chief propagandist, internal administrator and foreign policymaker for her brother’s totalitarian regime? Readable and insightful, this book is an invaluable portrait of a woman who might yet hold the survival of her despotic dynasty in her hands.

Long Walk To Freedom

By nelson mandela.

Book cover for Long Walk To Freedom

Deemed 'essential reading for anyone who wants to understand history' by former US President, Barack Obama, this is the autobiography of one of the world's greatest moral and political leaders, Nelson Mandela. Imprisoned for more than 25 years, president of the African National Congress and head of South Africa's anti-apartheid movement, the Nobel Peace Prize winner's life was nothing short of extraordinary. Long Walk to Freedom vividly tells this story; one of hardship, resilience and ultimate triumph, written with the clarity and eloquence of a born leader. 

The Diary of a Young Girl

By anne frank.

Book cover for The Diary of a Young Girl

No list of inspiring autobiographies would be complete without Anne Frank's The Diary of a Young Girl . Charting the thirteen-year-old's time hiding in a 'Secret Annex' with her family to escape Gestapo detection, this book (which was discovered after Anne Frank's death), is a must-read, and a testament to the courage shown by the millions persecuted during the Second World War. 

The best literary autobiographies

The immortal life of henrietta lacks, by rebecca skloot.

Book cover for The Immortal Life of Henrietta Lacks

Born to a poor black tobacco farmer in rural Virginia in 1920, Henrietta Lacks died of cancer when she was just 31. However, her story does not end there, as her cancer cells, taken without permission during her treatment continued to live on being used for research all over the world and becoming a multi-million dollar industry, with her family only learning of her impact more than two decades after her death. In The Immortal Life of Henrietta Lacks Rebecca Skloot tells the story of a woman who never knew of her lifesaving impact and asks: do we ever really own our bodies? 

A Fortunate Woman

By polly morland.

Book cover for A Fortunate Woman

Funny, emotional and imbued with great depth, A Fortunate Woman is an exploration of the life of a country doctor in a remote and wild wooded valley in the Forest of Dean. The story was sparked when writer and documentary maker Polly Morland found a photograph of the valley she lives in tucked inside a tattered copy of John Berger’s  A Fortunate Man . Itself an account of the life of a country doctor, the book inspired a woman doctor to follow her vocation in the same remote place. And it is the story of this woman that Polly Morland tells, in this compelling portrait of landscape and community.

Father and Son

By jonathan raban.

Book cover for Father and Son

On 11 June 2011, three days short of his sixty-ninth birthday, Jonathan Raban suffered a stroke which left him unable to use the right side of his body. Learning to use a wheelchair in a rehab facility outside Seattle and resisting the ministrations of the nurses overseeing his recovery, Raban began to reflect upon the measure of his own life in the face of his own mortality. Together with the chronicle of his recovery is the extraordinary story of his parents’ marriage, the early years of which were conducted by letter while his father fought in the Second World War.

Crying in H Mart

By michelle zauner.

Book cover for Crying in H Mart

This radiant read by singer, songwriter and guitarist Michelle Zauner delves into the experience of being the only Asian-American child at her school in Eugene, Oregon, combined with family struggles and blissful escapes to her grandmother's tiny Seoul apartment. The family bond is the shared love of Korean food, which helped Michelle reclaim her Asian identity in her twenties. A lively, honest, riveting read.

The Reluctant Carer

By the reluctant carer.

Book cover for The Reluctant Carer

The phone rings. Your elderly father has been taken to hospital, and your even older mother is home with nobody to look after her. What do you do? Drop everything and go and help of course. But it's not that straightforward, and your own life starts to fall apart as quickly as their health. Irresistibly funny, unflinching and deeply moving, this is a love letter to family and friends, to carers and to anyone who has ever packed a small bag intent on staying for just a few days. This is a true story of what it really means to be a carer, and of the ties that bind even tighter when you least expect it. 

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Autobiography: A Very Short Introduction

Autobiography: A Very Short Introduction

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Throughout history, individuals have recorded their own lives and experiences. These personal writings provide an understanding of the ways in which lives have been lived, and the most fundamental accounts of what it means to be a self in the world. Autobiography: A Very Short Introduction defines what is meant by ‘autobiography’, and considers its relationship with similar literary forms such as memoirs, journals, letters, and diaries. Analysing the core themes in autobiographical writing, including confession, conversion, testimony, romanticism, and the journeying self, this VSI discusses the autobiographical consciousness (and the roles played by time, memory, and identity), and considers the relationship between psychoanalysis and autobiography. It also explores the themes of self-portraiture, photography, and performance.

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Writing Beginner

How To Write an Autobiography 2024 (Tips, Templates, & Guide)

Your life story has value, merit, and significance. You want to share it with the world, but maybe you don’t know how .

Here’s how to write an autobiography:

Write an autobiography by creating a list of the most important moments, people, and places in your life. Gather photos, videos, letters, and notes about these experiences. Then, use an outline, templates, sentence starters, and questions to help you write your autobiography .

In this article, you are going to learn the fastest method for writing your autobiography.

We are going to cover everything you need to know with examples and a free, downloadable, done-for-you template.

What Is an Autobiography?

Typewriter, lightbulb, and crumpled paper - How To Write an Autobiography

Table of Contents

Before you can write an autobiography, you must first know the definition.

An autobiography is the story of your life, written by you. It covers the full span of your life (at least, up until now), hitting on the most significant moments, people and events.

When you write your autobiography, you write an intimate account of your life.

What Should I Include In an Autobiography?

If you are scratching your head, baffled about what to include in your autobiography, you are not alone.

After all, a big part of how to write an autobiography is knowing what to put in and what to leave out of your life story. Do you focus on every detail?

Every person? Won’t your autobiography be too long?

A good way to think about how to write an autobiography is to use the Movie Trailer Method.

What do movie trailers include?

  • High emotional moments
  • The big events
  • The most important characters

When you plan, organize, and write your autobiography, keep the Movie Trailer Method in mind. You can even watch a bunch of free movie trailers on YouTube for examples of how to write an autobiography using the Movie Trailer Method.

When wondering what to include in your autobiography, focus on what would make the cut for a movie trailer of your life:

  • Most important people (like family, friends, mentors, coaches, etc.)
  • Significant events (like your origin story, vacations, graduations, life turning points, life lessons)
  • Emotional moments (When you were homeless, when you battled a life-threatening condition, or when you fell in love)
  • Drama or suspense (Did you make it into Harvard? Did your first surgery go well? Did your baby survive?)

Autobiography Structure Secrets

Like any compelling story, a well-structured autobiography often follows a pattern that creates a logical flow and captures readers’ attention.

Traditionally, autobiographies begin with early memories, detailing the writer’s childhood, family background, and the events or people that shaped their formative years.

From here, the narrative typically progresses chronologically, covering major life events like schooling, friendships, challenges, achievements, career milestones, and personal relationships.

It’s essential to weave these events with introspective insights.

This allows readers to understand not just the what, but also the why behind the author’s choices and experiences.

Towards the end, an effective autobiography often includes reflections on lessons learned, changes in perspective over time, and the wisdom acquired along life’s journey.

Example of the Structure:

  • Introduction: A gripping event or anecdote that gives readers a hint of what to expect. It could be a pivotal moment or challenge that defines the essence of the story.
  • Childhood and Early Memories: Recounting family dynamics, birthplace, cultural background, and memorable incidents from early years.
  • Adolescence and Discovering Identity: Experiences during teenage years, challenges faced, friendships formed, and personal evolutions.
  • Pursuits and Passions: Describing education, early career choices, or any particular hobby or skill that played a significant role in the author’s life.
  • Major Life Events and Challenges: Chronicles of marriage, parenthood, career shifts, or any significant setbacks and how they were overcome.
  • Achievements and Milestones: Celebrating major accomplishments and recounting the journey to achieving them.
  • Reflections and Wisdom: Sharing life lessons, changes in beliefs or values over time, and offering insights gained from lived experiences.
  • Conclusion: Summarizing the journey, contemplating on the present state, and sharing hopes or aspirations for the future.

How To Write an Autobiography Quickly: Strategies & Templates

Want the quickest way to organize and write your autobiography in record time? You can literally write your autobiography in 7 days or less with this method.

The secret is to use done-for-you templates.

I have personally designed and collected a series of templates to take you from a blank page to a fully complete Autobiography. I call this the How to Write an Autobiography Blueprint.

And it’s completely free to download right from this article. 🙂

In the How to Write an Autobiography Blueprint, you get:

  • The Autobiography Questions Template
  • The Autobiography Brainstorm Templates
  • The Autobiography Outline Template

Here is an image of it so that you know exactly what you get when you download it:

Autobiography Blueprint

How To Write an Autobiography: Step-by-Step

When you sit down to write an autobiography, it’s helpful to have a step-by-step blueprint to follow.

You already have the done-for-you templates that you can use to organize and write an autobiography faster than ever before. Now here’s a complete step-by-step guide on how to maximize your template.

  • Brainstorm Ideas
  • Order your sections (from medium to high interest)
  • Order the ideas in each section (from medium to high interest)
  • Write three questions to answer in each section
  • Choose a starter sentence
  • Complete a title template
  • Write each section of your by completing the starter sentence and answering all three questions

Brainstorm Your Autobiography

The first step in writing your autobiography is to brainstorm.

Give yourself time and space to write down the most significant people, events, lessons, and experiences in your life. The templates in the How to Write an Autobiography Blueprint provide sections for you to write down your brainstormed ideas.

How to Brainstorm Your Autobiography

This will help you organize your ideas into what will become the major sections of your book.

These will be:

  • Y our most significant events and experiences.
  • The people who impacted you the most.
  • The challenges you have overcome.
  • Your achievements and successes.
  • The lessons you have learned.

The “other” sections on the second page of the Brainstorm template is for creating your own sections or to give you more space for the sections I provided in case you run out of space.

As I brainstorm, I find asking myself specific questions really activates my imagination.

So I have compiled a list of compelling questions to help you get ideas down on paper or on your screen.

How to Write an Autobiography: Top 10 Questions

Order Your Sections (From Medium to High Interest)

The next step is to order your main sections.

The main sections are the five (or more) sections from your Brainstorm templates (Significant events, significant people, life lessons, challenges, successes, other, etc). This order will become the outline and chapters for your book.

How do you decide what comes first, second or third?

I recommend placing the sections in order of interest. Ask yourself, “What’s the most fascinating part of my life?”

If it’s a person, then write the name of that section (Significant People) on the last line in the How to Write an Autobiography Outline Template. If it’s an experience, place the name of that section (Significant Events) on the last line.

For example, if you met the Pope, you might want to end with that nugget from your life. If you spent three weeks lost at sea and survived on a desert island by spearfishing, that is your ending point.

Then complete the Outline by placing the remaining sections in order of interest. You can work your way backward from high interest to medium interest.

If you are wondering why I say “medium to high interest” instead of “low to high interest” it is because there should be no “low interest” parts of your autobiography.

But wait, what if you met the Pope AND spent three weeks lost at sea? How do you choose which one comes first or last?

First of all, I want to read this book! Second, when in doubt, default to chronological order. Whatever event happened first, start there.

Here is an example of how it might look:

Autobiography Example

Order The Ideas in Each Section (From Medium To High Interest)

Now, organize the ideas inside of each section. Again, order the ideas from medium to high interest).

Within your “Significant People” section, decide who you want to talk about first, second, third, etc. You can organize by chronological order (who you met first) but I recommend building to the most interesting or most significant person.

This creates a more compelling read.

Keep in mind that the most significant person might not be the most well-known, most famous, or most popular. The most significant person might be your family member, friend, partner, or child.

It comes down to who shaped your life the most.

So, if your “significant people list” includes your dad, a famous social media influencer, and Mike Tyson, your dad might come last because he had the biggest significance in your life.

Write Three Questions to Answer in Each Section

Ok, you’ve done the heavy lifting already. You have the major sections organized and outlined.

Next on your autobiography to-do list is to choose and write down three questions you are going to answer in each section. You can write your questions down in the provided “boxes” for each section on the template outline (or on another piece of paper.

This is easier than it might seem.

Simply choose one of the sample autobiography questions below or create your own:

  • Why did I choose this person/event?
  • What does this person/event mean to me?
  • How did I meet this person?
  • Where did it happen?
  • When did it happen?
  • Why did it happen?
  • How did it happen?
  • What is the most interesting part?
  • How did I feel about this person or event?
  • How do I feel now?
  • Why does this person or event matters to me?
  • How did this person or event change my life?
  • What is the most challenging part?
  • How did I fail?
  • How did I succeed?
  • What did I learn?

Questions are the perfect way to write quickly and clearly. I LOVE writing to questions. It’s how I write these blog posts and articles.

Choose a Starter Sentence

Sometimes the hardest part of any project is knowing how to start.

Even though we know we can always go back and edit our beginnings, so many of us become paralyzed with indecision at the starting gate.

That’s why I provided sample starter sentences in your How to Write an Autobiography Blueprint.

Here are the story starters:

  • I began writing this book when…
  • Of all the experiences in my life, this one was the most…
  • I’ve been a…
  • My name is…
  • Growing up in…
  • It wasn’t even a…
  • It all started when…
  • I first…
  • I was born…

Keep in mind that you do not need to begin your book with one of these story starters. I provide them simply to get you going.

The key is to not get bogged down in this, or any, part of writing your autobiography. Get organized and then get writing.

Complete a Title Template

At the top of the How to Write an Autobiography Outline is a place for you to write your book title.

Some authors struggle forever with a title. And that’s ok. What’s not ok is getting stuck. What’s not ok is if coming up with your title prevents you from finishing your book.

So, I provided a few title templates to help juice your creativity.

Just like the story starters, you do not need to use these title templates, but you certainly can. All you need to do is fill in the title templates below and then write your favorite one (for now) at the top of your outline. Presto! You have your working title.

You can always go back and change it later.

How to Write an Autobiography Title templates:

  • [Your Name]: [Phrase or Tag Line]
  • The [Your Last Name] Files
  • Born [Activity]: A [Career]’s Life
  • The Perfect [Noun]: The Remarkable Life of [Your Name]

Examples using the Templates:

  • Christopher Kokoski: Blog Until You Drop
  • The Kokoski Files
  • Born Writing: A Blogger’s Life
  • The Perfect Freelancer: The Remarkable Life of Christopher Kokoski

Write Your Autobiography

You have your outline. You have your title, templates, and sentence starters. All that is left to do is write your autobiography.

However, you can use tools like Jasper AI and a few other cool tricks to craft the most riveting book possible.

This is the easy way to remarkable writing.

Check out this short video that goes over the basics of how to write an autobiography:

How To Write an Autobiography (All the Best Tips)

Now that you are poised and ready to dash out your first draft, keep the following pro tips in mind:

  • Be vulnerable. The best autobiographies share flaws, faults, foibles, and faux pas. Let readers in on the real you.
  • Skip the boring parts. There is no need to detail every meal, car ride, or a gripping trip to the grocery store. Unless you ran into the Russian Mafia near the vegetables or the grocery store is perched on the side of a mountain above the jungles of Brazil.
  • Keep your autobiography character-driven . This is the story of YOU!
  • Be kind to others (or don’t). When writing about others in your story, keep in mind that there may be fallout or backlash from your book.
  • Consider a theme: Many autobiographies are organized by theme. A perfect example is Becoming . Each section of the book includes “becoming” in the title. Themes connect and elevate each part of the autobiography.
  • Write your story in vignettes (or scenes). Each vignette is a mini-story with a beginning, middle, and end. Each vignette builds. Each vignette should be described in rich sensory language that shows the reader the experience instead of telling the reader about the experience. Each vignette is immersive, immediate, and intimate.
  • Include snippets of dialogue. Use quotation marks just like in fiction. Show the dialogue in brief back-and-forth tennis matches of conversation. Remember to leave the boring parts out!
  • Choose a consistent tone. Some autobiographies are funny like Bossy Pants by Tina Fey. Others are serious such as Open by Andre Agassi. Your story (like most stories) will likely include a mix of emotions but choose an overall tone and stick with it.
  • Don’t chronicle, captivate . Always think about how to make each section, each chapter, each page, each paragraph, and each sentence more compelling. You want to tell the truth, but HOW you tell the truth is up to you. Create suspense, conflict, and mystery. Let drama linger until it becomes uncomfortable. Don’t solve problems quickly or take away tension right away.

How Do I Format an Autobiography?

Most autobiographies are written in the first person (using the pronouns I, me, we, and us).

Your autobiography is written about you so write as yourself instead of pretending to be writing about someone else.

Most autobiographies are also written in chronological order, from birth right up to your current age, with all the boring parts left out. That doesn’t mean you can’t play around with the timeline.

Sometimes it’s more interesting to start at a high moment, backtrack to the beginning and show how you got to that high moment.

Whatever format you choose, be intentional, and make the choice based on making the most compelling experience possible for your readers.

How Long Should an Autobiography Be?

There are no rules to how long an autobiography should be but a rough guideline is to aim for between 200 and 400 pages.

This will keep your book in line with what most readers expect for books in general, and will help get your book traditionally published or help with marketing your self-published book.

How To Write a Short Autobiography

You write a short autobiography the same way that you write a long autobiography.

You simply leave more out of the story.

You cut everything down to the bones. Or you choose a slice of your life as you do in a memoir. This often means limiting the people in your book, reducing the events and experiences, and shrinking your story to a few pivotal moments in your life.

How To Start an Autobiography

The truth is that you can start your autobiography in any number of ways.

Here are four common ways to begin an autobiography.

  • Start at the beginning (of your life, career or relationship, etc.)
  • Start at a high moment of drama or interest.
  • Start at the end of the story and work backward
  • Start with why you wrote the book.

Good Autobiography Titles

If you are still stuck on titling your autobiography, consider going to Amazon to browse published works. You can even just Google “autobiographies.”

When you read the titles of 10, 20, or 50 other autobiographies, you will start to see patterns or get ideas for your own titles. (HINT: the title templates in the Autobiography Blueprint were reverse-engineered from popular published books.

Also, check out the titles of the full autobiography examples below that I have included right here in this article.

Types of Autobiographies

There are several different kinds of autobiographies.

Each one requires a similar but slightly nuanced approach to write effectively. The lessons in this article will serve as a great starting point.

Autobiography Types:

  • Autobiography for School
  • Autobiography Novel
  • Autobiography for a Job
  • Short Autobiography
  • Autobiography for Kids

Therefore, there is actually not just one way to write an autobiography.

Memoir vs. Autobiography: Are They The Same?

It’s common to feel confused about a memoir and an autobiography. I used to think they were the same thing.

But, nope, they’re not.

They are pretty similar, which is the reason for all the confusion. A memoir is the story of one part of your life. An autobiography is the story of your full life (up until now).

What Is the Difference Between an Autobiography and a Biography?

An autobiography is when you write about your own life. A biography, on the other hand, is when you write the story of someone else’s life.

So, if I write a book about the life of the President, that’s a biography.

If the President writes a story about his or her own life, that’s an autobiography.

What Not To Include In an Autobiography

Autobiographies are meant to be a snapshot of our lives that we can share with others, but there are some things that are best left out.

Here are three things you should avoid including in your autobiography:

1) Anything That Readers Will Skip

Your life may not be filled with non-stop excitement, but that doesn’t mean you need to include every mundane detail in your autobiography.

Stick to the highlights and leave out the low points.

2) Character Attacks on Others

It’s okay to discuss conflicts you’ve had with others, but don’t use your autobiography as a platform to attack someone’s character.

Keep it civil and focus on your own experiences and how they’ve affected you.

3) Skipping Highlights

Just because something embarrassing or painful happened to you doesn’t mean you should gloss over it in your autobiography.

These are the moments that shape us and make us who we are today, so don’t skip past them just because they’re uncomfortable.

By following these simple tips, you can ensure that your autobiography is interesting, honest, and engaging.

How To Write an Autobiography: Autobiography Examples

I have always found examples to be extremely instructive. Especially complete examples of finished products. In this case, books.

Below you will find examples of published autobiographies for adults and for kids. These examples will guide you, motivate you and inspire you to complete your own life story.

They are listed here as examples, not as endorsements, although I think they are all very good.

The point is that you don’t have to agree with anything written in the books to learn from them.

Autobiography Examples for Adults

  • A Promised Land (Autobiography of Barack Obama)
  • If You Ask Me: (And of Course You Won’t) (Betty White)
  • It’s a Long Story: My Life (Willie Nelson)
  • Stories I Only Tell My Friends: An Autobiography (Rob Lowe)
  • Becoming (Michelle Obama)

Autobiography Examples for Kids

  • This Kid Can Fly: It’s About Ability (NOT Disability) (Aaron Philips)
  • Bee Fearless: Dream Like a Kid (Mikaila Ulmer)

Final Thoughts: How To Write An Autobiography

Thank you for reading my article on How to Write an Autobiography.

Now that you know all of the secrets to write your book, you may want to get it published, market it, and continue to upskill yourself as an author.

In that case, read these posts next:

  • Can Anyone Write A Book And Get It Published?
  • The Best Writing Books For Beginners 2022 (My 10 Favorites)
  • Why Do Writers Hate Adverbs? (The Final Answer)
  • How To Write a Manifesto: 20 Ultimate Game-Changing Tips

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50 Eye-Catching Autobiography Titles (+ How to Write Your Own)

POSTED ON Oct 12, 2023

Shannon Clark

Written by Shannon Clark

You’ve written your life story. 

You’ve laid your heart bare before the world

So, what’s the best title for your one-of-a-kind masterpiece?

“____________: An Autobiography”?

Seriously, unless you’re a household name, using “autobiography” as part of your title might not work in your favor, but not to worry. You don’t have to be famous to write an autobiography , but you do need a title that will grab a buyer's attention, so they know your book is worth a second look.

Don't like it?

The purpose of this article is to break down what makes a standout autobiography title and the process for creating your own. 

Need autobiography titles? Let's dive in!

The secret sauce for writing an amazing book title.

The process of creating an autobiography book title that gets noticed starts with a marketer's mindset.

Yes, it all boils down to strategic book positioning in the marketplace. Creativity is a big part of it, but that’s a small part of the bigger picture. After all, if your book doesn't get in front of the people who would be most likely to read it, you can't change lives with the content inside!

Unlike fiction books or other types of nonfiction books (e.g. business books or textbooks) where there’s a specific category or genre expectation, autobiographies play by their own set of rules—the more creative the better. 

How to think like a marketer when creating your title

If you are self-publishing your book, then you’re probably already aware that marketing is a key component of your book’s success, but what is marketing exactly? 

The American Marketing Association defines marketing as

Marketing is the activity, set of institutions, and processes for creating, communicating, delivering, and exchanging offerings that have value for customers, clients, partners, and society at large. 

When marketing your book, knowing how to write a good book title matters, because, along with your cover, it’s the first thing a potential buyer sees (reads) before making a buying decision. A casual search for “autobiography” on Amazon pulled up over 700,000 results. This doesn’t mean that every book belongs in the category, but it’s still a lot of books.

You might be asking how you get your book to rise to the top of search results.

Start with a great title. 

Here are some best practices:

  • Make your title relevant – You can never go wrong with a title that reflects the theme of your book . This will clue buyers into what to expect. You can also go with a significant statement or quote drawn directly from your story. Clever titles also work, but try to stay away from the cheesy ones that confuse buyers.
  • Appeal to your ideal audience’s needs – Every book is not for everyone. Target a specific reader type when creating your title. For example, meteorologist and television personality Ginger Zee titled her book Natural Disasters. This title works well for her because her book’s content is about the unpredictable “storms” of life she has faced and she also covers storms in her reporting. 
  • Stay away from clickbait – Or anything that leads readers to believe your book is about one thing but it’s something else. This only frustrates readers and could potentially lead to bad reviews. 
  • Use a primary keyword in your title if it fits – First Gen by Alejandra Campoverdi and Cooked by Jeff Henderson include keyword(s) that are relevant to buyer searches. 
  • Invite the reader into your story – This can be done by asking a question like the autobiography title What Are You Doing Here? by Baroness Floella Benjamin. Or, create an image in their mind like The Ugly Cry by Danielle Henderson or The Last Black Unicorn by Tiffany Haddish. 

Hint: Keep it short. According to Amazon, “Customers are more likely to skim past long titles (over 60 characters). There are exceptions to the rules. You’ll see some in the list that follows.

Don’t forget about writing a subtitle for your book . They are optional but a great way to add a splash of flavor. 

50 eye-catching autobiography titles that inspire

After an exhaustive search in the autobiography categories of the top online book retailers, I selected 50 incredible autobiography titles as a starting point for creating an amazing title for your autobiography. Note: Memoir titles listed under the autobiography category are included in the list.

Autobiography titles about celebrities

  • What Are You Doing Here? – Baronness Floella Benjamin
  • Tis Herself – Maureen O’Hara
  • F inding Me by Viola Davis
  • Not That Fancy: Simple Lessons on Living, Loving, Eating, and Dusting Off Your Boots By Reba McEntire
  • Live Wire: Long-Winded Short Stories by Kelly Ripa
  • Thicker than Water by Kerry Washington
  • We Were Dreamers by Simu Liu
  • Enough Already: Learning to Love the Way I Am Today by Valerie Bertinelli
  • Just as I am by Cicely Tyson
  • A Promised Land by Barack Obama
  • Making It So by Patrick Stewart
  • Inside Out by Demi Moore
  • In Pieces by Sally Field
  • The Last Black Unicorn by Tiffany Haddish
  • Boldly Go: Reflections on a Life of Awe and Wonder by William Shatner
  • Troublemaker: Surviving Hollywood and Scientology by Leah Remini
  • Look Out for the Little Guy! By Scott Lang
  • I Can’t Make This Up: Life Lessons by Kevin Hart, Neil Strauss
  • No Time Like the Future: An Optimist Considers Mortality by Michael J. Fox
  • Scenes from My Life by Michael K. Williams
  • The Way I Heard It by Mike Rowe
  • I Came as a Shadow – John Thompson

Autobiography titles about authors

  • I Know Why the Caged Bird Sings  by Maya Angelou
  • Lit by Mary Karr

Autobiography titles about family

  • The Glass Castle by Jeannette Walls
  • Mott Street by Ava Chin
  • The Girl in the Middle by Anais Granofsky
  • All You Can Ever Know by Nicole Chung
  • The Ugly Cry by Danielle Henderson

Autobiography titles about immigration, culture, and race

  • Good Morning, Hope: A True Story of Refugee Twin Sisters and Their Triumph over War, Poverty, and Heartbreak by Argita Zalli, and Detina Zalli 
  • Negroland by Margo Jefferson
  • First Gen by Alejandra Campoverdi
  • Between the World and Me by Ta-Nehisi Coates
  • The Best We Could Do by Thi Bui
  • Heart of Fire: An Immigrant Daughter’s Story – Mazie K. Hirono
  • The Girl Who Smiled Beads by Clementine Wamariya, Elizabeth Weil

Autobiography titles about beating the odds

  • Cooked by Jeff Henderson
  • The Pale-Faced Lie by David Crow
  • Thunder Dog: The True Story of a Blind Mann, His Guide Dog, and the Triumph of Trust by Michael Hingson and Susy Flory
  • When the Tears Dry by Meredith Hawkins
  • Reaching for the Moon by Katherine Johnson
  • 80 Percent Luck, 20 Percent Skill: My Life as a WWII Navy Ferry Pilot by Ralph T. Alshouse

Autobiography titles about faith

  • Like a River: Finding the Faith and Strength to Move Forward After Loss and Heartache by Granger Smith
  • The Barn by David Hill
  • All My Knotted-Up Life by Beth Moore

Autobiography titles about journalists, reporters, and media

  • Natural Disaster: I Cover Them. I am One by Ginger Zee
  • Going There by Katie Couric
  • Rough Draft by Kati Tur
  • The Long Loneliness by Dorothy Day

Use a free tool to generate your own autobiography title

You obviously can't use these published autobiography titles for your own book – but you can use our free book title generator to come up with suggestions that you could use.

It's really easy to use, and instantly gives you an unlimited amount of working titles – or even final titles – to use for your book!

1. Select nonfiction for the book’s genre in the drop-down menu

autobiography on a book

2. Fill in the details

For the next question, if you have a book description, type “yes” and add your description in the text box.

If you don’t have a description yet, answer “no” and fill out the questions. Eventually, you will need to write a book description , but this is often something our authors do after they complete their manuscript .

Incredible Biography Titles - Book Title Generator Description Question Section

3. Click “generate”

That's it! Get ready for some unique autobiography book title suggestions. Remember, if you don't like the one that you see, you can continue to generate as many as you'd like.

Final thoughts

Your autobiography title can be the difference between someone scrolling past your book on Amazon or stopping to read a sample. Whatever title you choose, remember that it’s just as much about you as your reader. Make them want to read your story by giving them something unique that piques their interest. 

You can also look for inspiration in other genres. For example, some memoir book titles could also lend well to an autobiography – like What My Bones Know by Stephanie Foo. Intriguing, isn't it? Don't limit yourself!

Are you ready to take the next steps with your autobiography? We have a professional publishing team ready to guide you through the book development process. 

autobiography on a book

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Barbara Walters Did the Work

In “The Rulebreaker,” Susan Page pays tribute to a pioneering journalist who survived being both a punchline and an icon.

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The image portrays a seated Barbara Walters in 1976, wearing a striped lavender and pink cardigan, with a microphone clipped to the shirt.

By Lisa Schwarzbaum

Lisa Schwarzbaum is a former critic for Entertainment Weekly.

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THE RULEBREAKER: The Life and Times of Barbara Walters, by Susan Page

Much of the material in “The Rulebreaker: The Life and Times of Barbara Walters” has been told before, with persuasive narrative control, by the late television journalist herself in her dishy 2008 memoir, “Audition.” Don’t let that stop the reader of this thorough, compassionate biography by Susan Page: It’s a valuable document, sobering where “Audition” aimed for sassy.

If anything, the 16 long years between autobiography and biography endow the two books, taken together, with a memento mori gravitas for any student of Walters, or of television journalism, or of the past, present and future of women in the TV workplace — or, for that matter, of Monica Lewinsky. More on her in a moment.

Walters called her autobiography “Audition” to emphasize the need she always felt to prove herself, pushing her way to professional success in a world that never made it easy for her. Nearly 80 then and still in the game, she acknowledged that personal contentment — love, marriage, meaningful family connections — lagged far behind. She wrote of being the daughter of an erratic father, who bounced — sometimes suicidally — between flush times and financial failure as a nightclub owner and impresario.

She told of her fearful mother, and of the mentally disabled older sister to whose welfare she felt yoked. She wrote of the three unsatisfying marriages, and of her strained relationship with the daughter she adopted as an infant.

She breezily acknowledged the ease she felt throughout her life with complicated men of elastic ethics like Roy Cohn and Donald Trump. She leaned into her reputation as a “pushy cookie.”

Page, the Washington bureau chief of USA Today, who has also written books about Barbara Bush and Nancy Pelosi, tells many of the same stories. (“Audition” is an outsize presence in the endnotes.) But in placing the emphasis on all the rule-breaking Barbara Jill Walters had to do over her long life — she died in 2022 at 93 — the biographer pays respect to a toughness easy to undervalue today, when the collective memory may see only the well-connected woman with the instantly recognizable (thanks to Gilda Radner’s “SNL” impression) speech impediment.

There was no one like her — not Diane, not Katie, not Judy, not Connie, not Gwen, not Christiane. Not Ellen. Not Oprah. Having created her niche, Walters fought all her life to protect it. Because no one else would. Would that be the case today? Discuss.

“At age 35,” Page writes, “she had finally found her place, a space that bridged journalism and entertainment and promotion. Traditionalists viewed the combination with consternation. She ignored their doubts as she redefined their industry. She saw herself as a journalist, albeit of a new and evolving sort. In some ways, she would make herself a leader in the news business by changing what, exactly, that could include.”

Walters broke rules to save her father from debt and jail. She broke rules to secure on-air status — and pay — equal to that of the often hostile men around her. Walters broke rules to land scoops, gain access and bag interviews.

The account of the driven competition she felt with her fellow TV journalist Diane Sawyer is both fun and silly/sad in its evocation of a catty rumble: Isn’t such competition the everyday reality of the bookers working for the famous men who currently host late-night talk shows? Aren’t those late-night hybrids now the closest thing we have to influential news interviews — except, perhaps, on the women-talking daytime show “The View,” invented in large part by Barbara Walters?

Walters didn’t break rules to get the first on-air interview with Monica Lewinsky — she just worked her tuchis off, from the day the news of an affair broke to the night of March 3, 1999 — watched by 74 million Americans.

Walters was nearly 70 and famous; Lewinsky was a private 25-year-old woman whose affair with her married boss had thrown a country into hypocritical hysterics. The process of establishing trust could not be rushed.

The older woman asked the younger woman a chain of tough questions about sex and intimacy and character and judgment that no human should have to endure on national television. The younger woman answered with a dignity currently out of fashion both in celebrity self-presentation and on the floor of the U.S. Congress.

In the quarter-century since that extraordinary event — the essence of a Barbara Walters Interview — Lewinsky has demonstrated an inspiring power to live on her own terms and not on the assumptions of others. The achievement required rules to be broken, and has come with a price.

Barbara Walters knew what that was like.

THE RULEBREAKER : The Life and Times of Barbara Walters | By Susan Page | Simon & Schuster | 444 pp. | $30.99

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Each week, top authors and critics join the Book Review’s podcast to talk about the latest news in the literary world. Listen here .

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This collection may be the closest we'll ever come to a dickinson autobiography.

Maureen Corrigan

Maureen Corrigan

autobiography on a book

A new collection of Emily Dickinson's letters has been published by Harvard's Belknap Press, edited by Dickinson scholars Cristanne Miller and Domhnall Mitchell. Three Lions/Getty Images hide caption

A new collection of Emily Dickinson's letters has been published by Harvard's Belknap Press, edited by Dickinson scholars Cristanne Miller and Domhnall Mitchell.

Among the Great Moments in Literary History I wish I could've witnessed is that day, sometime after May 15, 1886, when Lavinia Dickinson entered the bedroom of her newly deceased older sister and began opening drawers.

Out sprang poems, almost 1,800 of them. Given that Emily Dickinson had only published a handful of poems during her lifetime, this discovery was a shock.

" 'Hope' is the thing with feathers/That perches in the soul," begins one of those now-famous poems. Whatever Dickinson hoped for her poems, she could never have envisioned how they'd resonate with readers; nor how curious those readers would be about her life, much of it spent within her father's house in Amherst, Mass., and, in later years, within that bedroom.

Every so often, the reading public's image of Emily Dickinson shifts: For much of the 20th century, she was a fey Stevie Nicks-type figure — check out, for instance, the 1976 film of Julie Harris' lauded one-woman show, The Belle of Amherst .

A feminist Emily Dickinson emerged during the Second Women's Movement, when poems like "I'm 'wife' " were celebrated for their avant garde anger. And, jumping to the present, a new monumental volume of Dickinson's letters — the first in more than 60 years — gives us an engaged Emily Dickinson; a woman in conversation with the world, through gossip, as well as remarks about books, politics and the signal events of her age, particularly the Civil War.

autobiography on a book

The Letters of Emily Dickinson, by Emily Dickinson, edited by Cristanne Miller and Domhnall Mitchell Harvard's Belknap Press hide caption

The Letters of Emily Dickinson, by Emily Dickinson, edited by Cristanne Miller and Domhnall Mitchell

This new collection of The Letters of Emily Dickinson is published by Harvard's Belknap Press and edited by two Dickinson scholars, Cristanne Miller and Domhnall Mitchell. To accurately date some of Dickinson's letters, they've studied weather reports and seasonal blooming and harvest cycles in 19th century Amherst. They've also added some 300 previously uncollected letters to this volume for a grand total of 1,304 letters.

The result is that The Letters of Emily Dickinson reads like the closest thing we'll probably ever have to an intimate autobiography of the poet. The first letter here is written by an 11-year-old Dickinson to her brother Austin, away at school. It's a breathless, kid-sister-marvel of run-on sentences about yellow hens and a "skonk" and poor "Cousin Zebina [who] had a fit the other day and bit his tongue ..."

The final letter, by an ailing 55-year-old Dickinson — most likely the last she wrote before falling unconscious on May 13, 1886 — was to her cousins Louisa and Frances Norcross. It reads:

Never Mind The White Dress, Turns Out Emily Dickinson Had A Green Thumb

Never Mind The White Dress, Turns Out Emily Dickinson Had A Green Thumb

Little Cousins,  "Called back."  Emily. 

In between is a life filled with visitors, chores and recipes for doughnuts and coconut cakes. There's mention of the racist minstrel stereotype Jim Crow, as well as of public figures like Florence Nightingale and Walt Whitman. There are also allusions to the death toll of the ongoing Civil War.

Dickinson's loyal dog Carlo walks with her, and frogs and even flies keep her company. Indeed, in an 1859 letter about one such winged companion, Belle of Amherst charm alternates with cold-blooded callousness. Dickinson writes to her cousin Louisa:

New Film Celebrates Emily Dickinson's Poetry And 'Quiet Passion'

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Film celebrates emily dickinson's poetry and 'quiet passion'.

I enjoy much with a fly, during sister's absence, not one of your blue monsters, but a timid creature, that hops from pane to pane of her white house, so very cheerfully, and hums and thrums, a sort of speck piano. ...  I'll kill him the day [Lavinia] comes [home], for I shan't need him any more ..."  

Dickinson's singular voice comes into its own in the letters of the 1860s, which often blur into poems: cryptic, comic and charged with Awe. A simple thank-you note to her soul mate and beloved sister-in-law, Susan Gilbert Dickinson, reads:

You Don't Know 'Dickinson'

Pop Culture Happy Hour

You don't know 'dickinson'.

Dear Sue,   The Supper was delicate and strange. I ate it with compunction as I would eat a Vision.

There are 1,304 letters, and, still, they're not enough. Scholars estimate that we only have about one-tenth of the letters Dickinson ever wrote. And, on that momentous day in 1886, Lavinia entered her sister's bedroom to find and successfully burn all the letters Dickinson herself had received from others during her lifetime. Such was the custom of the day. Which makes this new volume of Dickinson's letters feel like both an intrusion and an outwitting of the silence of death — something I want to believe Dickinson would have relished.

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  • This collection may be the closest we'll ever come to a Dickinson autobiography

This collection may be the closest we'll ever come to a Dickinson autobiography

Published April 25, 2024

NPR’s Fresh Air reviewed the new book “The Letters of Emily Dickinson," co-edited by Cristanne Miller . “This new collection … reads like the closest thing we'll probably ever have to an intimate autobiography of the poet,” said the reviewer, Maureen Corrigan. 

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Rod Nordland with Palestinian leader Yasser Arafat in 1985

Waiting for the Monsoon by Rod Nordland review – a war reporter finds a ‘second life’ in the shadow of death

The Pulitzer prize-winning New York Times foreign correspondent provides fascinating insights into surviving his job and his 2019 diagnosis with an aggressive form of brain cancer in this inspiring journal of self-discovery

I n the searing heat in Delhi in July 2019, the New York Times foreign correspondent Rod Nordland went for a morning jog across the city. It was more than 48C (120F), and the monsoon rains had arrived the previous day.

The Pulitzer prize-winning war reporter collapsed during the run, with a witness describing him reeling in circles, arms raised, before falling to the ground with a seizure. He had been struck down by an undiagnosed malignant brain tumour. Within days, Nordland had been flown back to the US by the New York Times and was being treated at the Weill Cornell medical center in New York, one of the best hospitals in the world.

Nordland had survived numerous conflict zones, having reported for more than four decades from countries such as Timor-Leste, Afghanistan and Iraq, but now he faced a dire prognosis. The “cerebral intruder” was diagnosed as a glioblastoma, the most aggressive form of brain cancer. “I will be with you the whole way; but understand that it will get you,” he was told by Dr Phil Stieg, the world-renowned neurosurgeon. “It’s a terminal disease, it’s incurable and it will eventually kill you.”

Waiting for the Monsoon is a compelling and clear-eyed dispatch in the face of a cruel and relentless illness, or what Nordland describes as the “hawks’ boil”, a description of birds of prey circling their quarry. It is also the journalist’s autobiography, revealing how he survived appalling malevolence in his childhood and went on to have an award-winning career as a war reporter.

The median survival time for someone with a glioblastoma is about 15 months. Around 250,000 people are diagnosed globally each year. In the US, it killed senators Ted Kennedy and John McCain, and President Biden’s son Beau at the age of 46. In Britain, the former Labour culture secretary Tessa Jowell and former Labour general secretary Margaret McDonagh were both victims. Nordland describes his research into glioblastoma as “supercharged” and quickly discovers it is a neglected type of cancer. Survival rates have barely improved in 40 years. He writes movingly of the personal insight that comes with diagnosis, saying: “As Confucius is reputed to have said, it is only when confronted with your second life that you realise you only really have one life and finally appreciate it fully.”

Nordland was brought up in southern California, one of six children. There were days on the beach, camping expeditions and fishing trips in the high sierra, but his father, Ronald James Nordland, was a violent and predatory figure. He would beat his wife, Lorine, with his fists and the children with the belt.

Lorine escaped with the children back to her family home in Jenkintown, Pennsylvania. It proved a safe refuge from the sinister presence of her husband, who later remarried. Several years later, Nordland discovered his father was a paedophile, convicted of a series of assaults. In July 1995, he was sentenced to life imprisonment for kidnapping and abusing an eight-year-old boy.

“I am the son of a convicted paedophile and kidnapper who died in an Idaho prison,” he writes. “I am also the son of a working-class single mother of extraordinary fortitude and devotion, who was determined to protect her children from him, which she did at brutal cost to herself.”

Nordland was juggling four jobs by the time he was 13, but also got involved in petty crime, with a spell in a county jail for shoplifting. He was released on probation for theft and was determined to mend his ways. “I lived in terror of going back to jail,” he writes.

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Nordland in hospital in Delhi, awaiting transfer to New York

He was unbowed by the past. After studying at Pennsylvania State University, he landed a job in 1972 on the Philadelphia Inquirer , benefiting from the tutelage of executive editor Gene Roberts, a former national editor of the New York Times . This era was the high-water mark of US journalism, with teams of reporters deployed on stories and the Watergate scandal starting to break.

In March 1979, the Inquirer covered the Three Mile Island accident, a partial nuclear meltdown at a power plant on the Susquehanna River in Pennsylvania. Nordland was tasked with heading the on-the-ground reporting team, going to the site despite the risks. The Inquirer won a Pulitzer prize for its coverage.

Roberts was impressed by Nordland’s initiative and determination to land the scoops, posting him to open the paper’s Asia bureau. Nordland joined Newsweek in 1994, was appointed their chief foreign correspondent in 2005, and moved to the New York Times in 2009. This book provides an invaluable aide-memoire on the foreign reporter’s craft, with the author describing the ruthlessness that is required. He explains that the best stories are often found miles behind the frontline, and repeats his mentor Roberts’s advice to zig when everyone else is zagging.

After a career reporting from 150 countries, and moving from one bloody conflict to the next, Nordland came to a standstill with the glioblastoma. Family and friends rallied to support him at the New York hospital. His ex-wife, Sheila, was at his bedside, along with his three grownup children. His partner, Leila Segal, provided constant support.

Nearly two weeks after his collapse in Delhi, he had a “lime-sized” mass removed from his brain. The surgery on the day of his 70th birthday was followed by six weeks of radiotherapy and then eight sessions of chemotherapy over seven months. There were lifestyle changes. He quit alcohol, lost weight and started a low-carbohydrate diet. There were also more profound changes. He viewed the past and present with deep gratitude and relished his new life.

Nordland had brought up his children in different countries while commuting to war zones. He realised he had pursued a career with certitude and arrogance at the cost of family life. He now felt beloved. “In my second life, my children and I made peace and enjoyed a closeness I had once thought impossible,” he writes. “In my second life, I could see clearly all the mistakes I had made in the first one.”

Nordland has managed to survive beyond the median life expectancy, citing world-class care as one of the reasons. When asked by his son how his book ends, he responds: “I guess with my death.”

This is a gripping memoir of a consummate foreign reporter, and an inspiring journal of self-discovery when the “cold breath of mortality” is on the neck. Nordland says it is a future he now faces with greater clarity. “If I do have to die – I have yet to accept that as a given – know that I will die a happy man.”

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‘Lucky’ is a delightful trip through the 20th century’s greatest hits

Jane smiley’s new novel is a quirky fictional autobiography of a moderately successful folk-rock singer-songwriter.

Open Jane Smiley’s new novel, “ Lucky ,” and thank God for the internet, because if you’re like me (well, poor you), you will want to look up and listen to song after song. The quirky fictional autobiography of a moderately successful singer-songwriter in the folk-rock mode of what the narrator, Jodie, calls the “four J’s” — Janis, Joan, Judy and Joni — largely (and minutely) imagines life as itinerary and playlist, with the 20th-century American songbook soundtracking the character’s every painstakingly mapped move.

Jodie is an only child growing up in St. Louis, the product of an affair between her mother, a onetime aspiring musical performer, and a married man-about-town no longer in the picture. Jodie’s grandparents live in the neighborhood, as do an aunt, a cousin — the charming, guitar-playing Brucie — and her Uncle Drew, a financial wizard who places a bet for her at the horse races, netting her a roll of $2 bills that gives her story of luck its start. Again and again throughout the book Jodie will return to that roll of bills, which assumes a talismanic charm as she goes to college to study music, joins a band, writes songs and cuts a record successful enough (with the wise advice of Uncle Drew) to free her of financial concerns for the rest of her songwriting, affair-having, house-buying, traveling, occasionally performing life.

All along, Jodie details her movements so meticulously that you could probably find your way around many St. Louis neighborhoods (and a few in England) with the novel in hand. This level of detail can appear gratuitous, but it comes to seem critical to Jodie’s character, who is always observing, from a slight distance, even what she herself does. Much of what she sees becomes grist for a song, but eventually you understand, as she does, that she is trying to figure out how to be in the world.

In high school she sits “on the john in the girls’ bathroom and listen[s] to the others gossip,” figuring “out a way to stay out of their conversations.” In college, she eavesdrops on her two roommates from Philadelphia talking about sex. Later, she makes an effort: “I watched how people reacted to and greeted one another. I also paid attention to the people who were walking together — how they talked and what their body language was. Then I would walk past a store window and observe myself.” Indeed, in time, she has “learned to show an interest in people and to feel a connection.”

This is life as a lesson in how to live, for which you must write your own instructions as you go along. Sometimes an insight emerges, sometimes a song, sometimes an epiphany, and it’s hard to say why, as when Jodie tells us that observing the behavior of a bird “changed my life,” or that the way a friend “talked about … things made me believe that life goes on.” Luckily, this is Jane Smiley, so the details, the insights, the songs — those she writes, and the dizzying assortment she mentions — are entertaining enough to follow.

In the Last Hundred Years Trilogy , which ran from around 1920 to 2020, Smiley viewed the American century through the filter of one family, whose members managed to experience or witness virtually every major event or trend encompassed by those years. Similarly, “Lucky” distills nearly a century through one character’s life — a life that in its general shape and many particulars seems to track with Smiley’s own. Which makes the late appearance of an even more Smiley-like character — a gawky girl who went to high school with Jodie and ended up publishing a Pulitzer Prize-winning novel about a farm and one set in Greenland in the Middle Ages — somewhat trippy, only to be out-tripped by one last narrative twist that it would be unfair to give away.

And after Jane and Jodie and any remaining J’s get to our own dark days, and to “Lucky’s” vision of an even darker future, a twist — please, a full-scale dislocation! — is precisely what we need.

It’s a fitting conclusion to a novel whose narrator tells us that “the great enigma … was the sense you have, that comes and goes, of who you are, what the self is.”

Ellen Akins is the author of four novels and a collection of stories, “ World Like a Knife .”

By Jane Smiley

Knopf. 384 pp. $29

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A New Ronald Reagan Biography Will Offer a 'Revelatory Portrait' of the Former President

‘Reagan: His Life and Legend’ by Max Boot is forthcoming from Liveright Publishing this fall

Harry Langdon/Getty

A new biography of Ronald Reagan will give a definitive look at the late president’s life and White House tenure. Reagan: His Life and Legend , written by historian and Washington Post columnist Max Boot, will be published this fall from Liveright Publishing, an imprint of W,W, Norton & Company, per a statement shared with PEOPLE. The extensive, 880-page account and "revelatory portrait" will provide a thorough look into the life of the 40th president, who served two terms from 1981 to 1989. Reagan died at age 93 from complications related to Alzheimer's in 2004.

Liveright Publishing

Drawing from nearly 100 new interviews from Reagan’s aides and family members, as well as previously unavailable archives, the book delves into Regan’s complicated legacy, from his Midwestern beginnings to his career as a Hollywood actor. During his tenure as the president of the Screen Actors Guild of America (SAG), Reagan testified against Communism and provided the FBI with a list of people he believed to be Communists.

Reagan: His Life and Legend will also touch upon crucial moments from throughout the Reagan era, such as the end of the Cold War, the Iran-Contra affair and the trickle-down economics policy. The book will also include “groundbreaking” insight into why Reagan left the Democratic Party, becoming a registered Republican in 1962. Boot, whose bestselling book The Road Not Taken: Edward Lansdale and the American Tragedy in Vietnam was a finalist for the Pulitzer Prize in Biography, looks at Reagan’s presidency through a modern lens, examining its similarities and differences against that of former President Donald Trump .

Wally McNamee/CORBIS/Corbis via Getty

“This comprehensive biography—relying on a decade of research, unearthed records and revealing interviews—separates man from myth, offering a compelling and clear-eyed portrait,” says author Karen Tumulty in early praise for the book.

Never miss a story — sign up for  PEOPLE's free daily newsletter  to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories.  Reagan: His Life and Legend will be published on Sept. 10 and is now available for preorder, wherever books are sold.

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