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Essay About Being Alone: 5 Examples and 8 Prompts

To explore your understanding of this subject, read the following examples of an essay about being alone and prompts to use in your next essay.  

Being alone and lonely are often used interchangeably, but they don’t have the same meaning.

Everyone has a different notion of what being alone means. Some think it’s physically secluding yourself from people, while others regard it as the feeling of serenity or hopelessness even in the middle of a crowd.

Being alone offers various benefits, such as finding peace and solitude to reflect and be creative. However, too much isolation can negatively impact physical and mental health . 

By understanding the contrast between the meaning of being alone and being lonely, you’ll be able to express your thoughts clearly and deliver a great essay. 

1. Why I Love Being Alone by Role Reboot and Chanel Dubofsky

2. why do i like being alone so much [19 possible reasons] by sarah kristenson, 3. things to do by yourself by kendra cherry, 4. the art of being alone, but not lonely by kei hysi, 5.  my biggest fear was being alone by jennifer twardowski, 8 writing prompts on essay about being alone, 1. why you prefer to be alone, 2. things learned from being alone, 3. pros and cons of being alone, 4. being alone vs. being lonely, 5. the difference between being alone vs. being with someone else, 6. the fear of being alone, 7. how to enjoy your own company without being lonely.

“For me, being alone is something I choose, loneliness is the result of being alone, or feeling alone when I haven’t chosen it, but they aren’t the same, and they don’t necessarily lead to one another.”

In this essay, the authors make it clear that being alone is not the same as being lonely. They also mention that it’s a choice to be alone or be lonely with someone. Being alone is something that the authors are comfortable with and crave to find peace and clarity in their minds. For more, see these articles about being lonely .

“It’s important to know why you want to be alone. It can help you make the best of that time and appreciate this self-quality. Or, if you’re alone for negative reasons, it can help you address things in your life that may need to be changed.”

Kristenson’s essay probes the positive and negative reasons a person likes being alone. Positive reasons include creativity, decisiveness, and contentment as they remove themselves from drama.

The negative reasons for being alone are also critical to identify because they lead to unhealthy choices and results such as depression. The negative reasons listed are not being able to separate your emotions from others, thinking the people around you dislike you and being unable to show your authentic self to others because you’re afraid people might not like you.

“Whether you are an introvert who thrives on solitude or a gregarious extrovert who loves socializing, a little high-quality time to yourself can be good for your overall well-being.”

In this essay, Cherry points out the importance of being alone, whether you’re an introvert or an extrovert. She also mentions the benefits of allocating time for yourself and advises on how to enjoy your own company. Letting yourself be alone for a while will help you improve your memory, creativity, and attention to detail, making them more productive.

“You learn to love yourself first. You need to explore life, explore yourselves, grow through challenges, learn from mistakes, get out of your comfort zone, know your true potential, and feel comfortable in your own skin. The moment you love yourself, you become immune to loneliness.”

Hysi explores being alone without feeling lonely. He argues that people must learn to love and put themselves first to stop feeling lonely. This can be challenging, especially for those who put themselves last to serve others. He concludes that loving ourselves leads to a better life. 

“We have to be comfortable in our own skin and be willing to be who we truly are, unapologetically. We have to love ourselves unconditionally and, through that love, be willing to seek out what our hearts truly desire — both in our relationships and in our life choices.”

The author discusses why she’s afraid of being alone and how she overcame it. Because she was scared of getting left alone, she always did things to please anyone, even if she wasn’t happy about it.  What was important to her then was that she was not alone. But she realized she would still feel lonely even if she wasn’t alone. 

Learning to be true to herself helped her overcome what she was afraid of. One key to happiness and fulfillment is loving yourself and always being genuine.

Did you finally have ideas about how to convey your thoughts about being alone after reading the samples above? If you’re now looking for ideas on what to talk about in your essay, here are 8 prompts to consider.

Read the best essay writing tips to incorporate them into your writing.

Today, many people assume that individuals who want to be alone are lonely. However, this is not the case for everyone. 

You can talk about a universal situation or feeling your readers will easily understand. Such as wanting to be alone when you’re mad or when you’re burnout from school or work. You can also talk about why you want to be alone after acing a test or graduating – to cherish the moment.

People tend to overthink when they are alone. In this essay, discuss what you learned from spending time alone. Perhaps you have discovered something about yourself, found a new hobby, or connected with your emotions.

Your essay can be an eye-opener for individuals contemplating if they want to take some time off to be alone. Explain how you felt when alone and if there were any benefits from spending this time by yourself.

While being alone has several benefits, such as personal exploration or reflection, time to reboot, etc., too much isolation can also have disadvantages. Conduct research into the pros and cons of alone time, and pick a side to create a compelling argumentative essay . Then, write these in your essay. Knowing the pros and cons of being alone will let others know when being alone is no longer beneficial and they’ll need someone to talk to.

We all have different views and thoughts about being alone and lonely. Write your notion and beliefs about them. You can also give examples using your real-life experiences. Reading different opinions and ideas about the same things broadens your and your readers’ perspectives.

Some people like being with their loved ones or friends rather than spending time alone. In this prompt, you will share what you felt or experienced when you were alone compared to when you were with someone else. For you, what do you prefer more? You can inform your readers about your choice and why you like it over the other.

While being alone can be beneficial and something some people crave, being alone for a long time can be scary for others. Write about the things you are most afraid of, such as, “What if I die alone, would there be people who will mourn for me?”  This will create an emotive and engaging essay for your next writing project.

Essay About Being Alone: How to enjoy your own company without being lonely?

Learning to be alone and genuinely enjoying it contributes to personal growth. However, being comfortable in your skin can still be challenging. This essay offers the reader tips to help others get started in finding happiness and tranquillity in their own company. Discuss activities that you can do while being alone. Perhaps create a list of hobbies and interests you can enjoy while being alone. 

Interested in learning more? Read our guide on descriptive essay s for more inspiration!

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Maria Caballero is a freelance writer who has been writing since high school. She believes that to be a writer doesn't only refer to excellent syntax and semantics but also knowing how to weave words together to communicate to any reader effectively.

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The Film “A Girl Walks Home Alone at Night” by Ana Lily Amirpour Essay (Movie Review)

A Girl Walks Home Alone at Night is a catching title that immediately makes readers assume that a young woman may get in trouble for going out at night. However, the movie has garnered massive attention for flipping the narrative as its protagonist, known only as The Girl, a vampire, stalks the dark streets at night, preying on men. The Girl is presented as a subverted image because she initially appears to unsavory men as potentially submissive, a victim, someone of whom they can take advantage. However, the narrative of victimhood is turned on its head. The chador-wearing protagonist is not afraid of walking the streets at night; instead, she walks them without fear and is the one that men should be feared (Abdi and Calafell 2017). Thus, the movie enables having meaningful discussions on such issues of Iranian conservatism, patriarchy, cultural isolation, as well as female rage.

Scene analysis may reveal further insights into the dichotomy between the name of the movie and the message that the filmmaker embedded into it. In the dance scene where The Girl finds herself in Saeeds’s apartment, the protagonist is shot from blunt angles, with the shading and the mise-en-scene giving her an eerie and non-human quality. The black hood draping her body and framing the face give her a striking impression, as if she is a snake waiting to strike her victim. The Girl watches her victim listen to upbeat dance music, snort cocaine, smoke, count his ‘dirty’ money, and dance rather provocatively. In contrast to Saeed’s energetic movements, the protagonist stands still with a piercing gaze. She is not interested in him or what he is doing – the only reason for her to track his movement is to know when to strike best. To Saeed, The Girl is just a victim whom he can use for sexual pleasure. What makes the scene crucial to the core idea of the film is that the protagonist only appears to be vulnerable. Inside, she feels power when the drug dealer is eager to get her; she relishes his desire for a second and strikes, biting off his fingers, only to see Saeed gazing at her in disbelief, shrieking with pain.

The second scene warranting exploration is the “Are You a Good Boy?” scene in which The Girl follows a young boy home and sneaks upon him. When the young boy notices her, he tries to run away, but the protagonist’s powers are far beyond child play, which makes the boy confront her. The sequence is dark, almost pitch-black, with the moon serving as the only source of light. The Girl asks whether the child is a good boy, suggesting that she needs an honest answer. The boy fearfully answers that he is, but the vampire is not satisfied, she smells a lie and, getting angrier, repeats her question, now with a threat in her tone. As the boy answers ‘yes,’ the second time, The Girl shows her fangs and growls, leaving the child stunned with fear. She says, “I can take your eyes out of your skull and give them to dogs to eat. Till the end of your life, I will be watching you. Understand? Be a good boy.” And, with that threat, she leaves the boy and proceeds with her hunt. The scene depicts the character’s hatred toward misogyny and the violent desire to avenge all of its victims. She understands that the boy will become a man and can be as nasty to women as Saeed was, which prompts her to severely scare the child to ensure that he never takes on a similar path.

In both scenes, The Girl is wearing a chador, which the Western world has consistently aligned with the symbol of oppression. Even in white feminism, which focused predominantly on gender inequality and patriarchy, the blind eye was turned to the concerns of women of color, including Muslim women (Chan-Malik 2018). However, in the film’s interpretation, is chador is a tool to play on the naiveté of the potential oppressors, providing the perfect disguise for the protagonist when she is on the hunt. In many ways, the chador is also a symbol of The Girl’s power as she wears it when facing her victims and takes it off when in the comfort of her home or when she is with Arash (McDavid 2914). What the Western portrayal of Muslim women gets wrong is that chador can also be a symbol of choice for women who want to wear it proudly and stand up against misogyny and convoluted gender politics of their countries.

To conclude, A Girl Walks Home Alone at Night turns the stereotypical narrative to its head, unapologetically. By drawing from Western genre inspirations, the filmmakers use the understandable format to convey a message that is rarely present in horror films. Even though some of the feminist narratives could be unintentional, the movie cannot exist without emphasizing the importance of women to reclaim their power. Crucially, the film is inspirational from the perspective of Islam, returning powers to the chador, which has been historically mistaken for the symbol of oppression.

Bibliography

Abdi, Shadee, and Bernadette Calafell. 2017. “Queer Utopias and a (Feminist) Iranian Vampire: A Critical Analysis of Resistive Monstrosity in A Girl Walks Home Alone at Night.” Critical Studies in Media Communication 34 (4): 358-370.

Chan-Malik, Sylvia. 2018. Being Muslim: A Cultural History of Women of Color in American Islam. New York: New York University Press.

McDavid, Jodi. 2014. “A Girl Walks Home Alone at Night.” A Journal of Religion & Film 18 (1): 16.

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IvyPanda. (2022, November 28). The Film "A Girl Walks Home Alone at Night" by Ana Lily Amirpour. https://ivypanda.com/essays/the-film-a-girl-walks-home-alone-at-night-by-ana-lily-amirpour/

"The Film "A Girl Walks Home Alone at Night" by Ana Lily Amirpour." IvyPanda , 28 Nov. 2022, ivypanda.com/essays/the-film-a-girl-walks-home-alone-at-night-by-ana-lily-amirpour/.

IvyPanda . (2022) 'The Film "A Girl Walks Home Alone at Night" by Ana Lily Amirpour'. 28 November.

IvyPanda . 2022. "The Film "A Girl Walks Home Alone at Night" by Ana Lily Amirpour." November 28, 2022. https://ivypanda.com/essays/the-film-a-girl-walks-home-alone-at-night-by-ana-lily-amirpour/.

1. IvyPanda . "The Film "A Girl Walks Home Alone at Night" by Ana Lily Amirpour." November 28, 2022. https://ivypanda.com/essays/the-film-a-girl-walks-home-alone-at-night-by-ana-lily-amirpour/.

IvyPanda . "The Film "A Girl Walks Home Alone at Night" by Ana Lily Amirpour." November 28, 2022. https://ivypanda.com/essays/the-film-a-girl-walks-home-alone-at-night-by-ana-lily-amirpour/.

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A girl was walking home one day by lucia - b1 level.

essay on alone girl

BI Valmontone Postato il: 18/05/21 Tempo di lettura: 0 minuti, 49 secondi

A girl was walking home one day…

By Lucia Rosetti- B1 level

A girl was walking home one day. It was a dark and rainy day, and the girl, a young sweet girl whose name was Elisa, was thinking about what she had done during the day. 

Immersed in her thoughts, suddenly, she heard a strange sound coming from the street opposite theirs, so she went to see what it could be. To her surprise, she fell into a hole and found herself in a dark and hideous wood. Scared and curious, she decided to look around. 

While she was walking, she realized that she was in another historical period, it was the 1500s! She saw many painters of that period, including Leonardo and Michelangelo. But, as she was about to approach and ask them some questions, she heard someone call her name, 'Elisa, wake up!' She opened up her eyes and understood she had had only a dream.

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The History of Loneliness

By Jill Lepore

lonely person

The female chimpanzee at the Philadelphia Zoological Garden died of complications from a cold early in the morning of December 27, 1878. “Miss Chimpanzee,” according to news reports, died “while receiving the attentions of her companion.” Both she and that companion, a four-year-old male, had been born near the Gabon River, in West Africa; they had arrived in Philadelphia in April, together. “These Apes can be captured only when young,” the zoo superintendent, Arthur E. Brown, explained, and they are generally taken only one or two at a time. In the wild, “they live together in small bands of half a dozen and build platforms among the branches, out of boughs and leaves, on which they sleep.” But in Philadelphia, in the monkey house, where it was just the two of them, they had become “accustomed to sleep at night in each other’s arms on a blanket on the floor,” clutching each other, desperately, achingly, through the long, cold night.

The Philadelphia Zoological Garden was the first zoo in the United States. It opened in 1874, two years after Charles Darwin published “The Expression of the Emotions in Man and Animals,” in which he related what he had learned about the social attachments of primates from Abraham Bartlett, the superintendent of the Zoological Society of London:

Many kinds of monkeys, as I am assured by the keepers in the Zoological Gardens, delight in fondling and being fondled by each other, and by persons to whom they are attached. Mr. Bartlett has described to me the behavior of two chimpanzees, rather older animals than those generally imported into this country, when they were first brought together. They sat opposite, touching each other with their much protruded lips; and the one put his hand on the shoulder of the other. They then mutually folded each other in their arms. Afterwards they stood up, each with one arm on the shoulder of the other, lifted up their heads, opened their mouths, and yelled with delight.

Mr. and Miss Chimpanzee, in Philadelphia, were two of only four chimpanzees in America, and when she died human observers mourned her loss, but, above all, they remarked on the behavior of her companion. For a long time, they reported, he tried in vain to rouse her. Then he “went into a frenzy of grief.” This paroxysm accorded entirely with what Darwin had described in humans: “Persons suffering from excessive grief often seek relief by violent and almost frantic movements.” The bereaved chimpanzee began to pull out the hair from his head. He wailed, making a sound the zookeeper had never heard before: Hah-ah-ah-ah-ah . “His cries were heard over the entire garden. He dashed himself against the bars of the cage and butted his head upon the hard-wood bottom, and when this burst of grief was ended he poked his head under the straw in one corner and moaned as if his heart would break.”

Nothing quite like this had ever been recorded. Superintendent Brown prepared a scholarly article, “Grief in the Chimpanzee.” Even long after the death of the female, Brown reported, the male “invariably slept on a cross-beam at the top of the cage, returning to inherited habit, and showing, probably, that the apprehension of unseen dangers has been heightened by his sense of loneliness.”

Loneliness is grief, distended. People are primates, and even more sociable than chimpanzees. We hunger for intimacy. We wither without it. And yet, long before the present pandemic, with its forced isolation and social distancing, humans had begun building their own monkey houses. Before modern times, very few human beings lived alone. Slowly, beginning not much more than a century ago, that changed. In the United States, more than one in four people now lives alone; in some parts of the country, especially big cities, that percentage is much higher. You can live alone without being lonely, and you can be lonely without living alone, but the two are closely tied together, which makes lockdowns, sheltering in place, that much harder to bear. Loneliness, it seems unnecessary to say, is terrible for your health. In 2017 and 2018, the former U.S. Surgeon General Vivek H. Murthy declared an “epidemic of loneliness,” and the U.K. appointed a Minister of Loneliness. To diagnose this condition, doctors at U.C.L.A. devised a Loneliness Scale. Do you often, sometimes, rarely, or never feel these ways?

I am unhappy doing so many things alone. I have nobody to talk to. I cannot tolerate being so alone. I feel as if nobody really understands me. I am no longer close to anyone. There is no one I can turn to. I feel isolated from others.

In the age of quarantine, does one disease produce another?

“Loneliness” is a vogue term, and like all vogue terms it’s a cover for all sorts of things most people would rather not name and have no idea how to fix. Plenty of people like to be alone. I myself love to be alone. But solitude and seclusion, which are the things I love, are different from loneliness, which is a thing I hate. Loneliness is a state of profound distress. Neuroscientists identify loneliness as a state of hypervigilance whose origins lie among our primate ancestors and in our own hunter-gatherer past. Much of the research in this field was led by John Cacioppo, at the Center for Cognitive and Social Neuroscience, at the University of Chicago. Cacioppo, who died in 2018, was known as Dr. Loneliness. In the new book “ Together: The Healing Power of Human Connection in a Sometimes Lonely World ” (Harper Wave), Murthy explains how Cacioppo’s evolutionary theory of loneliness has been tested by anthropologists at the University of Oxford, who have traced its origins back fifty-two million years, to the very first primates. Primates need to belong to an intimate social group, a family or a band, in order to survive; this is especially true for humans (humans you don’t know might very well kill you, which is a problem not shared by most other primates). Separated from the group—either finding yourself alone or finding yourself among a group of people who do not know and understand you—triggers a fight-or-flight response. Cacioppo argued that your body understands being alone, or being with strangers, as an emergency. “Over millennia, this hypervigilance in response to isolation became embedded in our nervous system to produce the anxiety we associate with loneliness,” Murthy writes. We breathe fast, our heart races, our blood pressure rises, we don’t sleep. We act fearful, defensive, and self-involved, all of which drive away people who might actually want to help, and tend to stop lonely people from doing what would benefit them most: reaching out to others.

The loneliness epidemic, in this sense, is rather like the obesity epidemic. Evolutionarily speaking, panicking while being alone, like finding high-calorie foods irresistible, is highly adaptive, but, more recently, in a world where laws (mostly) prevent us from killing one another, we need to work with strangers every day, and the problem is more likely to be too much high-calorie food rather than too little. These drives backfire.

Loneliness, Murthy argues, lies behind a host of problems—anxiety, violence, trauma, crime, suicide, depression, political apathy, and even political polarization. Murthy writes with compassion, but his everything-can-be-reduced-to-loneliness argument is hard to swallow, not least because much of what he has to say about loneliness was said about homelessness in the nineteen-eighties, when “homelessness” was the vogue term—a word somehow easier to say than “poverty”—and saying it didn’t help. (Since then, the number of homeless Americans has increased.) Curiously, Murthy often conflates the two, explaining loneliness as feeling homeless. To belong is to feel at home. “To be at home is to be known,” he writes. Home can be anywhere. Human societies are so intricate that people have meaningful, intimate ties of all kinds, with all sorts of groups of other people, even across distances. You can feel at home with friends, or at work, or in a college dining hall, or at church, or in Yankee Stadium, or at your neighborhood bar. Loneliness is the feeling that no place is home. “In community after community,” Murthy writes, “I met lonely people who felt homeless even though they had a roof over their heads.” Maybe what people experiencing loneliness and people experiencing homelessness both need are homes with other humans who love them and need them, and to know they are needed by them in societies that care about them. That’s not a policy agenda. That’s an indictment of modern life.

In “ A Biography of Loneliness: The History of an Emotion ” (Oxford), the British historian Fay Bound Alberti defines loneliness as “a conscious, cognitive feeling of estrangement or social separation from meaningful others,” and she objects to the idea that it’s universal, transhistorical, and the source of all that ails us. She argues that the condition really didn’t exist before the nineteenth century, at least not in a chronic form. It’s not that people—widows and widowers, in particular, and the very poor, the sick, and the outcast—weren’t lonely; it’s that, since it wasn’t possible to survive without living among other people, and without being bonded to other people, by ties of affection and loyalty and obligation, loneliness was a passing experience. Monarchs probably were lonely, chronically. (Hey, it’s lonely at the top!) But, for most ordinary people, daily living involved such intricate webs of dependence and exchange—and shared shelter—that to be chronically or desperately lonely was to be dying. The word “loneliness” very seldom appears in English before about 1800. Robinson Crusoe was alone, but never lonely. One exception is “Hamlet”: Ophelia suffers from “loneliness”; then she drowns herself.

Modern loneliness, in Alberti’s view, is the child of capitalism and secularism. “Many of the divisions and hierarchies that have developed since the eighteenth century—between self and world, individual and community, public and private—have been naturalized through the politics and philosophy of individualism,” she writes. “Is it any coincidence that a language of loneliness emerged at the same time?” It is not a coincidence. The rise of privacy, itself a product of market capitalism—privacy being something that you buy—is a driver of loneliness. So is individualism, which you also have to pay for.

Alberti’s book is a cultural history (she offers an anodyne reading of “Wuthering Heights,” for instance, and another of the letters of Sylvia Plath ). But the social history is more interesting, and there the scholarship demonstrates that whatever epidemic of loneliness can be said to exist is very closely associated with living alone. Whether living alone makes people lonely or whether people live alone because they’re lonely might seem to be harder to say, but the preponderance of the evidence supports the former: it is the force of history, not the exertion of choice, that leads people to live alone. This is a problem for people trying to fight an epidemic of loneliness, because the force of history is relentless.

Before the twentieth century, according to the best longitudinal demographic studies, about five per cent of all households (or about one per cent of the world population) consisted of just one person. That figure began rising around 1910, driven by urbanization, the decline of live-in servants, a declining birth rate, and the replacement of the traditional, multigenerational family with the nuclear family. By the time David Riesman published “ The Lonely Crowd ,” in 1950, nine per cent of all households consisted of a single person. In 1959, psychiatry discovered loneliness, in a subtle essay by the German analyst Frieda Fromm-Reichmann. “Loneliness seems to be such a painful, frightening experience that people will do practically everything to avoid it,” she wrote. She, too, shrank in horror from its contemplation. “The longing for interpersonal intimacy stays with every human being from infancy through life,” she wrote, “and there is no human being who is not threatened by its loss.” People who are not lonely are so terrified of loneliness that they shun the lonely, afraid that the condition might be contagious. And people who are lonely are themselves so horrified by what they are experiencing that they become secretive and self-obsessed—“it produces the sad conviction that nobody else has experienced or ever will sense what they are experiencing or have experienced,” Fromm-Reichmann wrote. One tragedy of loneliness is that lonely people can’t see that lots of people feel the same way they do.

“During the past half century, our species has embarked on a remarkable social experiment,” the sociologist Eric Klinenberg wrote in “ Going Solo: The Extraordinary Rise and Surprising Appeal of Living Alone ,” from 2012. “For the first time in human history, great numbers of people—at all ages, in all places, of every political persuasion—have begun settling down as singletons.” Klinenberg considers this to be, in large part, a triumph; more plausibly, it is a disaster. Beginning in the nineteen-sixties, the percentage of single-person households grew at a much steeper rate, driven by a high divorce rate, a still-falling birth rate, and longer lifespans over all. (After the rise of the nuclear family, the old began to reside alone, with women typically outliving their husbands.) A medical literature on loneliness began to emerge in the nineteen-eighties, at the same time that policymakers became concerned with, and named, “homelessness,” which is a far more dire condition than being a single-person household: to be homeless is to be a household that does not hold a house. Cacioppo began his research in the nineteen-nineties, even as humans were building a network of computers, to connect us all. Klinenberg, who graduated from college in 1993, is particularly interested in people who chose to live alone right about then.

I suppose I was one of them. I tried living alone when I was twenty-five, because it seemed important to me, the way owning a piece of furniture that I did not find on the street seemed important to me, as a sign that I had come of age, could pay rent without subletting a sublet. I could afford to buy privacy, I might say now, but then I’m sure I would have said that I had become “my own person.” I lasted only two months. I didn’t like watching television alone, and also I didn’t have a television, and this, if not the golden age of television, was the golden age of “The Simpsons,” so I started watching television with the person who lived in the apartment next door. I moved in with him, and then I married him.

This experience might not fit so well into the story Klinenberg tells; he argues that networked technologies of communication, beginning with the telephone’s widespread adoption, in the nineteen-fifties, helped make living alone possible. Radio, television, Internet, social media: we can feel at home online. Or not. Robert Putnam’s influential book about the decline of American community ties, “Bowling Alone,” came out in 2000, four years before the launch of Facebook, which monetized loneliness. Some people say that the success of social media was a product of an epidemic of loneliness; some people say it was a contributor to it; some people say it’s the only remedy for it. Connect! Disconnect! The Economist declared loneliness to be “the leprosy of the 21st century.” The epidemic only grew.

This is not a peculiarly American phenomenon. Living alone, while common in the United States, is more common in many other parts of the world, including Scandinavia, Japan, Germany, France, the U.K., Australia, and Canada, and it’s on the rise in China, India, and Brazil. Living alone works best in nations with strong social supports. It works worst in places like the United States. It is best to have not only an Internet but a social safety net.

Then the great, global confinement began: enforced isolation, social distancing, shutdowns, lockdowns, a human but inhuman zoological garden. Zoom is better than nothing. But for how long? And what about the moment your connection crashes: the panic, the last tie severed? It is a terrible, frightful experiment, a test of the human capacity to bear loneliness. Do you pull out your hair? Do you dash yourself against the walls of your cage? Do you, locked inside, thrash and cry and moan? Sometimes, rarely, or never? More today than yesterday? ♦

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Essay: The film A Girl Walks Home Alone at Night

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The film A Girl Walks Home Alone at Night by Ana Lily Amirpour in 2014 is much more than your average vampire storyline. Other than Twilight, this film brings us a black and white presentation of bloodsucking vampires from Iran. This is a new wave film, which means Ana Lily Amirpour who is the director of the film, is new to cinema. This also means that this new wave is a new way of telling the story of the film, also adding new ways of viewing the film. This movie takes on the classic horror legend which ends up being the takedown of prejudice against women. Amirpour uses the clich?? of a helpless unmarried woman whom is the innocent victim of the night and the isolated girl. Many of the images used in the film let the viewers into the drama and darkness of the film. The images in the film are very suggestive and symbolic. They are full with intersecting images that sit there not moving for spans of time. For example, whenever the Girl is the main focus, the camera always centers on her face for a long time period. When the camera shows the head shot of her face, it allows us viewers to see the darkness of her and the darkness her presents bring. This inactive image also helps create and implement the tension and irritate space between people even when they are so close. A Girl Walks Home Alone at Night by Ana Lily Amirpour in 2014 has many characteristics of a Classical Hollywood Cinema film. For instance, in Classical Hollywood Cinema, films are depicted as having two lovers who end up in an argument which will get resolved throughout the film ending up in happiness and love at the ending. When The Girl met Arash who’s dressed as Dracula, the romance began right away. Their attraction and chemistry is real. The way they interact with each other is in a way that makes you feel their connection without even being there. Much of the romanticism that happens in this film is seen from the visuals. The cinematography is black and white, intense and definite. The lights from the lamp posts and car headlights bending across the screen in a hazy line. Often times the light coming through the blackness leaves fragment trails behind. Images are often seen as they are a dream or d??j?? vu which has never been presented in this way before. For example, when the black covered woman is standing on the other side of an empty parking lot, she is hard to be seen through the gloom yet bounded by nothing. This is something that would be seen in a bad dream. This has taken place in ‘Bad City’ an Iranian town that is filled with bad vibes. The film starts out as a classic Spaghetti Western film, which is a wide genre of films that appeared in the 1960’s, a kid in a white shirt, blue jeans with a pompadour haircut. The young man drives an older car that shimmers in the sun, the car showing his maneuverability and prestige. One of the other characters, Saeed who has the word ‘Sex’ tattooed on the front of his throat supplies drugs to Hossein. The vampire known as The Girl is able to walk the streets in her chador unnoticed because of her pitch black shadows she casts. She suppresses in the darkness and displays herself to her victims from a wide stretch of unoccupied lots. At a point in the film, she is on a skateboard and rides down the middle of an empty street, her chador behind her trains out like black bat wings. Civilians of the town do not understand who she is or what she is until it’s too late for them. The first crime scene in the film by The Girl is one of cinematic style. She watches the pimp pester Atti, she then chooses she’s going to follow him, he is high on drugs allows her to come into his home and watch him as he prepares for a night of sexual encounters and sniffing lines of drugs. The Girl shifts her way to him and touches his cymbal to attract him. He falls for it and she attacks, with the help of The Girls eye-popping ubiquity into the frame; it utilizes the enjoyment of cinema’s language like a brilliant linguist who takes pleasure in creativity. A Girl Walks Home Alone at Night by Ana Lily Amirpour in 2014 enchanting in its strangeness, the film comfortably appeals to the recognizable emotions such as loneliness and the feeling of being stuck in a town of dead-end life. This film, which is very temperamental yet beautiful is more about atmosphere and emotions than narrative. It is a weird story of love between the two misfits who clearly shouldn’t be together. The film is an appealing combination of horror and 1980’s pop.

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Goats and Soda

Goats and Soda

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Women & Girls

In 'girlhood,' teens across the globe write about their everyday lives.

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Isabella Gomez Sarmiento

essay on alone girl

Masuma Ahuja, author of Girlhood: Teenagers Around The World In Their Own Voices , set out to document girls' ordinary lives. Kassy Cho hide caption

Masuma Ahuja, author of Girlhood: Teenagers Around The World In Their Own Voices , set out to document girls' ordinary lives.

Masuma Ahuja can vividly recall what she wore on her first day of school in the United States: black jeans and a gray and orange T-shirt.

It was the early 2000s and her family had just moved from India to Pittsburgh. She remembers a boy at her middle school asking her, on that very first day, about what she was wearing.

"He was like, 'Oh, I didn't realize that you wore [Western] clothes in India," she says. "He thought India was very much a place where there were snake charmers and elephants on the street."

About Goats and Soda

Goats and Soda is NPR's global health and development blog. We tell stories of life in our changing world, focusing on low- and middle-income countries. And we keep in mind that we're all neighbors in this global village. Sign up for our weekly newsletter . Learn more about our team and coverage .

The India that her classmate had pictured was pulled from storybooks and fantasy — but the reality was that Ahuja grew up in more affluent neighborhoods of Mumbai and Bangalore. Those misconceptions about the lives of those in different places — especially women and girls — stuck with her as she went on to become a journalist at The Washington Post and CNN.

And it raised a question — what is life really like for girls around the world?

She sets out to answer it in her new book, Girlhood: Teenagers Around The World In Their Own Voices . Published in February, it captures snapshots of everyday life from 30 girls around the globe in the form of diary entries.

There's Claudie, a 13-year-old surfer from Pango Village in Vanuatu who dreams of becoming a lawyer; Halima, a 17-year-old from Mazar-i-Sharif, Afghanistan, who listens to Celine Dion and helps her father peel potatoes for his job before school; Sattigul, a 16-year-old who comes from a family of nomadic herders in western Mongolia, loves her pet eagle and wants to one day be an English translator.

essay on alone girl

Diza Saxena, 16, lived in Mumbai when she wrote her entries in 2019 — but moved to Dubai in 2020. Her contributions to the book discussed her wish to be "cute, cool and popular" at her school in Mumbai. Saxena says girls at her new school aspire to the same qualities. "The kids that don't fit into that standard are always alone," she says. "But when I spent time with them, we had so much fun." Diza Saxena hide caption

Diza Saxena, 16, lived in Mumbai when she wrote her entries in 2019 — but moved to Dubai in 2020. Her contributions to the book discussed her wish to be "cute, cool and popular" at her school in Mumbai. Saxena says girls at her new school aspire to the same qualities. "The kids that don't fit into that standard are always alone," she says. "But when I spent time with them, we had so much fun."

NPR talks to Ahuja about the inspiration and process behind capturing the girls' ordinary lives: their hopes, dreams, anxieties and frustrations.

This interview has been edited for length and clarity.

Why did you choose to focus on girls' "ordinary" lives?

I was in South Asia bouncing around [reporting] and I realized very quickly that the ways in which [Western media] told stories of girls generally fell into some set buckets: sexualization, victimization, gender-based violence, which are really important stories to tell.

On the other side of it, we had a lot of stories about exceptional girls fighting back, girls like Malala [Yousafzai], Greta [Thunberg], Emma Gonzalez, [who rose to the spotlight after surviving the Parkland shooting and standing up against gun violence]. But the vast in-between is where most ordinary girls' lives exist. And there just wasn't any representation of that. So that's part of the reason I wanted to do this.

The Secret To Success? Having A Big Sister

The Secret To Success? Having A Big Sister

Why did you decide to use diary entries as a format?

Diary entries felt like a very natural way to get girls to tell their own stories and have ownership about how their lives and stories are represented.

Can you share an example of a girl's ordinary life that you highlight in the book? What makes that girl's story so special?

Chen Xi from Singapore writes about staying up late finishing her homework, her school and her teachers, her love of poetry and books, and her hopes to study English literature in college. Her story is unique to her — shaped by her circumstances, her community, her culture and her interests — but it's also deeply relatable, whether you've lived in Singapore or taken the classes she did in school.

essay on alone girl

Naya Sarah, 18, lives in Berlin. Her family moved there from Damascus, Syria when she was age 13 to escape the civil war. Her diary entries, written in 2019, chronicle her rigorous schedule in the International Baccalaureate program at her school. Her final exams for graduation ended up being cancelled because of the pandemic. And she's worried about how the pandemic may limit her opportunities. Naya Sarah hide caption

Naya Sarah, 18, lives in Berlin. Her family moved there from Damascus, Syria when she was age 13 to escape the civil war. Her diary entries, written in 2019, chronicle her rigorous schedule in the International Baccalaureate program at her school. Her final exams for graduation ended up being cancelled because of the pandemic. And she's worried about how the pandemic may limit her opportunities.

What is universally true about girls from reporting your book?

Despite the differences in circumstances, cultures and identities between the girls in this book, often the day-to-day texture of their lives looked similar:the types of conversations they had with friends and family; the things they worried about; their big hopes and dreams for the future. And while girls' circumstances vary, girls everywhere are growing up in a world that is not equitable.

How did you connect with the girls and decide who would be in the book?

Some of the girls I [found] through NGOs [nonprofit organizations]. I didn't want to ever approach a girl, like direct message her on Instagram and say, "Hey, do you want to do this?" I wanted to go through someone they trusted or knew. My only real requirement in looking for girls was I wanted to include people who felt comfortable sharing their lives and wanted to share their lives.

What kind of instructions or guidance did you provide for the diary entries?

Why A Field Hockey Champ In India Is Now Harvesting Onions And Herding Goats

Why A Field Hockey Champ In India Is Now Harvesting Onions And Herding Goats

Everyone got the same instructions in their own language, which were like, "Here are some things you can write about. Also, you are welcome to ignore all of my instructions and write about something entirely different," which often happens. And then I would ask more questions about things I wanted to know more about.

But it really varied girl to girl. The girl in Baghdad — Ruqaya — she would text me in the evening and tell me what was going on with her, so her diary entries were sent to me in real time. But on the other hand, Shanai from New Jersey pulled out her journal and was like, "Hey, I'm going to l take photos of three entries I'm thinking of exploring. What sounds good to you?" We talked through what she wanted to include, what she felt comfortable with, and she just sent me photos of her journal.

essay on alone girl

Raksa Hong, 20, is the first person in her family to go to college. She attends the University of Cambodia in Phnom Penh. Her entries in Girlhood from 2019 look back on a happy childhood that she can't help but miss amid the stress of school. Reflecting on her entries now, she says she hopes it gives people a glimpse of the sacrifices she's made to get to where she is today. Raksa Hong hide caption

Raksa Hong, 20, is the first person in her family to go to college. She attends the University of Cambodia in Phnom Penh. Her entries in Girlhood from 2019 look back on a happy childhood that she can't help but miss amid the stress of school. Reflecting on her entries now, she says she hopes it gives people a glimpse of the sacrifices she's made to get to where she is today.

Were there any stories that particularly stood out to you or resonated with you in a special way?

The cheesy answer is that I feel like I relate to all the girls in some way, and that was really surprising. I have moved many times in my life — I'm an immigrant many times over — and I am living on a different continent from my family at the moment.

I think back a lot to the girls who wrote about homesickness and moving away from their families right now. I remember when we were going through final edits, the two girls whose entries really resonated with me at that time were Ruoxiao from China, who is in the U.K. studying, and Varvara from Russia, who wrote about her wish to leave home in Saransk for Moscow.

They both talked about the very specific longing to go to a new place and live a bigger life and thinking that big, exciting things are happening elsewhere. There's so much for me to do and I just can't wait for it.

What do you hope readers take away from Girlhood ?

I hope that every reader will find themselves reflected in unexpected corners of their stories. And I hope that every girl who picks up the book recognizes that her voice is important and belongs in the pages of a book.

Home — Essay Samples — Life — Personality — My Reason for Being Alone and Being Happy about It

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My Reason for Being Alone and Being Happy About It

  • Categories: Introvert Loneliness Personality

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Words: 613 |

Published: Jun 6, 2019

Words: 613 | Page: 1 | 4 min read

Hook Examples for Loneliness Essay

  • The Echoing Silence: Loneliness is an uninvited guest that fills the room with silence. In this exploration of solitude, we’ll dive deep into the profound impact of loneliness on our minds and souls.
  • Lost in a Crowd: Amidst the bustling streets and crowded spaces, loneliness can be our most constant companion. Join us as we unravel the paradox of feeling alone in the midst of a crowd.
  • The Digital Disconnect: In an era of constant connectivity, loneliness still finds a way to creep in through our screens. This essay delves into the digital age’s contribution to the epidemic of loneliness.
  • The Loneliness Epidemic: In an increasingly interconnected world, loneliness is on the rise. Explore the factors contributing to this modern epidemic and the far-reaching consequences it has on our well-being.
  • Loneliness: A Silent Cry for Connection: Beneath the surface of a smile, loneliness often hides. Join us as we listen to the silent cries for connection and examine the strategies to combat the pervasive feeling of isolation.

Works Cited

  • Cain, S. (2012). Quiet: The Power of Introverts in a World That Can’t Stop Talking. Broadway Books.
  • Dembling, S. (2013). The Introvert’s Way: Living a Quiet Life in a Noisy World. Perigee Books.
  • Granneman, S. (2018). The Friendship Cure: Reconnecting in the Modern World. Head of Zeus.
  • Lane, L. (2018). The Art of Being Alone: How to Live a Happy and Fulfilled Single Life. Summersdale Publishers.
  • Morin, A. (2017). 13 Things Mentally Strong People Don’t Do: Take Back Your Power, Embrace Change, Face Your Fears, and Train Your Brain for Happiness and Success. William Morrow.
  • Rauch, J. (2003). Caring for Your Introvert. The Atlantic. Retrieved from https://www.theatlantic.com/magazine/archive/2003/03/caring-for-your-introvert/302696/
  • Rubin, G. (2010). The Happiness Project: Or, Why I Spent a Year Trying to Sing in the Morning, Clean My Closets, Fight Right, Read Aristotle, and Generally Have More Fun. Harper.
  • Seltzer, L. F. (2021). The Happy Introvert: A Wild and Crazy Guide to Celebrating Your True Self. Harmony.
  • Storr, W. (2018). Selfie: How We Became So Self-Obsessed and What It’s Doing to Us. Overlook Press.
  • Zimbardo, P., & Radl, L. (2019). Shyness: What It Is, What to Do About It. Pearson.

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How to Describe Loneliness in a Story

By Isobel Coughlan

how to describe loneliness in a story

There are many ways you can write a lonely character in your book. In this post, we share some tips on how to describe loneliness in a story. Read on to learn more!

Something that is intense, serious , or difficult to deal with.

“His heavy loneliness followed him everywhere, even when he was in a room full of people.”

“She was determined to shed her heavy lonely feelings, but it was proving easier said than done.”

How it Adds Description

“Heavy” shows that the feelings of loneliness are so strong that they’re weighing the character down. This adjective is usually reserved for extra powerful feelings, and it can imply characters have been suffering for a while. If a character experiences “heavy” loneliness, they might struggle to connect with others or have a fear that keeps them from reaching out for help.

Something that’s clear or easy to notice.

“She blushed as she entered the classroom alone. Her lack of companionship and loneliness was evident to everyone.”

“Though his secret feelings of loneliness weren’t evident , he was scared his peers knew he felt different.”

If you want to show a character’s feelings are clear or obvious, “evident” is an apt adjective. This shows that everyone in the story can see the character is lonely, perhaps because of their mood or actions. Some characters might try to befriend them if their loneliness is “evident,” but others may use this to tease them.

3. Fictitious

Something that doesn’t exist or is false.

“Quit this fictitious loner act! You have so many friends and admirers.”

“He says he’s lonely, but we think his feelings are rather fictitious . Don’t you?”

Some characters might feign loneliness for sympathy or attention. In these cases, the feelings are “fictitious” because the character is lying. Characters that create “fictitious” emotions are likely to annoy others. They’re also usually manipulative and want to gain something from their fake loneliness act.

4. Agonizing

Something that causes extreme mental or physical pain.

“His agonizing loneliness left him bedridden for weeks. He could feel his isolation deep in his bones.”

“The prisoner was left alone for weeks, and his solitude was so agonizing that he wailed in the evenings.”

Though loneliness is an emotion, in severe cases, some people complain that it causes physical pain. “Agonizing” signifies that a character feels so alone that it hurts, and this could be a call for help or a sign of desperation. “Agonizing” loneliness may also debilitate the character, leaving them depressed or difficult to be around.

5. Constant

Something that’s always there or occurs all the time.

“His constant loneliness felt like a friend now. He couldn’t imagine life without eternal solitude.”

“Though she surrounded herself with friends and family, the loneliness in her heart was constant .”

If the feelings of loneliness never leave your character, “constant” is an excellent description of the situation. This shows that the character is always burdened by their feelings, and it could show they’re a more emotional or tortured soul.

6. Embarrassing

Something that leaves you ashamed or shy.

“When he thought about it, his lack of companions was embarrassing . A pink tint spread across his cheeks as he dwelled on his lonely life.”

“It’s rather embarrassing to be lonely in this day and age. Why doesn’t he make friends online?”

“Embarrassing” describes a character’s shame caused by their loneliness. This also implies they care how others perceive them, and therefore they might be a quiet or anxious character. Nasty characters or bullies might make lonely characters feel “embarrassed” by highlighting their solitary nature.

Something that’s hidden or only known by a few people.

“His secret loneliness was hidden in the day, but at night he allowed himself to feel the sadness.”

“Only her sister knew about her secret loneliness, and she didn’t dare tell anyone else.”

You can use the adjective “secret” to show how your character hides their feelings from others in the story. This could be because they’re embarrassed of feeling alone, or it could be because they want to look brave and fit in. Characters who keep their loneliness “secret” might struggle when opening up to others or when showing their true personality.

8. Intricate

Something that features many details or small parts.

“She realized her loneliness was intricate , and there was no way she could describe it to another soul.”

“Loneliness is such an intricate emotion. You wouldn’t understand it unless you’ve felt it.”

If you want to add depth or complexity to your character’s suffering, “intricate” can signify the many causes of their loneliness. “Intricate” also implies that there’s a greater level of suffering, as the causes are more complicated than a simple lonely feeling. If a character suffers from “intricate” loneliness, others may try to help them but won’t be able to grasp the layers of the problem.

9. Comforting

Something that makes you happier and less anxious.

“At this point, the lady’s loneliness was comforting to her. It was simply all she had.”

“His comforting solitude was all he needed. He’d never complained about being lonely; it was normal to him.”

Some characters might be at ease when alone, and their loneliness might feel ”comforting” to them. This can indicate that they’re an independent character and happiest when alone. Other characters might find this strange and see them as a loner or standoffish.

Something gentle, kind, and harmless .

“Despite his complaints, his feelings of loneliness were benign, and he’d forgotten about them by the morning.”

“I wish my isolation was benign ! But this loneliness eats away at me every day.”

The adjective “benign” shows that the character’s loneliness is harmless, meaning it won’t damage their mental or physical health. Characters with “benign” loneliness will likely get over their feelings quickly, especially with the help of others. Other characters might feel pity for them, but in some cases, they may think that the lonely character is being over dramatic.

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Essay on Being Alone At Home

Students are often asked to write an essay on Being Alone At Home in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on Being Alone At Home

Introduction.

Being alone at home can be a new experience for many. It can be a time of peace and quiet, or a time of fear and loneliness. It depends on how you view it.

Peace and Quiet

When you’re alone at home, there’s no noise from others. You can read, study, or watch your favorite show without interruption. The quiet can help you focus and think clearly.

Learning New Skills

Being alone at home also gives you time to learn new things. You can cook, clean, or even fix things around the house. It’s a chance to be independent and responsible.

Feeling of Loneliness

On the other hand, being alone at home can sometimes make you feel lonely. You might miss your family or friends. It’s important to remember that it’s okay to feel this way.

Staying Safe

Lastly, when you’re alone at home, you need to remember to stay safe. Keep the doors locked and don’t answer the door to strangers. It’s always good to have a trusted adult’s phone number in case of emergencies.

In conclusion, being alone at home can be a mix of feelings. It can be a time of peace, learning, and sometimes loneliness. But most importantly, it’s a time to be responsible and safe.

250 Words Essay on Being Alone At Home

Being alone at home can bring about different feelings and experiences. Some people might feel scared or bored, while others might enjoy the peace and freedom it brings.

Feeling of Freedom

When you are alone at home, you have the freedom to do what you want without interruption. You can play your favorite music loudly, dance around, or watch your favorite TV shows. You can also take this time to explore your hobbies or learn something new.

Learning Responsibility

Being alone at home also teaches you responsibility. You have to take care of the house, keep it clean, and ensure everything is in order. This can help you become more independent and responsible.

Time for Self-Reflection

Being alone gives you time to think and reflect on your thoughts and feelings. It’s a good time to understand yourself better. You can also use this time to plan your future goals.

Overcoming Fear

For some, being alone at home can be scary at first. But, it can also be an opportunity to overcome your fears. You can learn to be brave and confident when you are alone.

In conclusion, being alone at home can be a valuable experience. It gives you freedom, helps you learn responsibility, provides time for self-reflection, and even helps you overcome fear. So, the next time you’re alone at home, make the most of it!

500 Words Essay on Being Alone At Home

Being alone at home can be a different experience for different people. Some may find it peaceful, while others may find it boring or even scary. It can be a time to relax, discover oneself, or learn new skills. This essay will explore the various aspects of being alone at home.

One of the first feelings that come when you are alone at home is a sense of freedom. There are no rules to follow, no chores to do, and no one to disturb you. You can do whatever you want, whenever you want. You can watch your favorite TV show, play video games, or just sit and relax. This freedom can be very enjoyable and can make you feel happy and content.

Opportunity for Self-Discovery

Being alone at home also gives you a chance to discover yourself. It is a time when you can think about your life, your dreams, and your goals. You can reflect on your actions and decisions, and learn from your mistakes. This can be a very important time for personal growth and self-improvement.

Time for Creativity

When you are alone at home, you have the time and space to be creative. You can try out new hobbies, like painting, cooking, or writing. You can explore your artistic side and create something unique and beautiful. This can be a great way to express yourself and to find joy in your own creations.

While being alone at home can be fun and exciting, it can also make you feel lonely. You may miss your family and friends, and wish for their company. This feeling of loneliness can be hard to deal with, but it is important to remember that it is okay to feel this way. You can always reach out to your loved ones through phone calls or video chats.

Being alone at home also teaches you responsibility. You have to take care of the house, cook your own meals, and manage your time effectively. This can be a good learning experience and can prepare you for the future.

In conclusion, being alone at home can be a mix of many feelings and experiences. It can be a time of freedom, self-discovery, creativity, loneliness, and responsibility. It is a unique experience that can teach you many valuable lessons about yourself and about life. So, the next time you are alone at home, embrace the experience and make the most of it.

That’s it! I hope the essay helped you.

If you’re looking for more, here are essays on other interesting topics:

  • Essay on Being Selfless
  • Essay on Being Organized
  • Essay on Being On Time

Apart from these, you can look at all the essays by clicking here .

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Loneliness Essay Example

Loneliness is a feeling that many people experience at one point or another. The impact of it on your life can vary greatly depending on the situation. This sample will explore the different types of loneliness, how to deal with them, and some tips for overcoming loneliness in general.

Essay Example On Loneliness

  • Thesis Statement – Loneliness Essay
  • Introduction – Loneliness Essay
  • Main Body – Loneliness Essay
  • Conclusion – Loneliness Essay
Thesis Statement – Loneliness Essay Loneliness is a consequence of being robbed of one’s freedom. It can be due to imprisonment, loss of liberty, or being discriminated against. Introduction – Loneliness Essay Loneliness is a social phenomenon that has been the subject of much research since time immemorial. Yet there still does not exist any solid explanation as to why some people are more prone to loneliness than others. This paper will seek to analyze this potentially debilitating condition from different perspectives. It will cover the relationship between loneliness and incarceration or loss of liberty; then it will proceed into discussing how emotions play a role in making us feel lonely; finally, it will look at how these feelings can affect our mental stability and overall well-being. Get Non-Plagiarized Custom Essay on Loneliness in USA Order Now Main Body – Loneliness Essay Loneliness is a universal feeling which has the ability to create its own culture within different societies. In detention facilities, there is a unique kind of loneliness that prevails between prisoners who are often divided into various categories and population groups. This has been described by Mandela as a consequence of being robbed of one’s freedom. The fact that it can be due to imprisonment, loss of liberty, or being discriminated against makes it even clearer why this isolation from other people occurs so frequently among detainees. In addition, when one spends time incarcerated in solitary confinement, they may become more experienced at coping with feelings of loneliness and despondency; however, these feelings do not tend to dissipate completely because living in an artificial environment cannot be compared with living out in the open. There is also a difference between feeling lonely and actually being alone; many individuals who do not feel social pressure, meaning that they are more than happy spending time on their own without any external stimulation, may still find themselves surrounded by people every day. Yet even this does not guarantee that one will escape feelings of isolation or rejection. Loneliness becomes an issue when it is chronic and experienced frequently, if only fleetingly. It can affect our psychological balance as well as our physical health because it usually initiates stress responses within the body which cause high blood pressure and prompt addiction to drugs or alcohol consumption. All these reasons may lead to decreased productivity and ultimately affect one’s ability to develop or maintain social connections. Buy Customized Essay on Loneliness At Cheapest Price Order Now Conclusion – Loneliness Essay Loneliness is a condition that we can’t always avoid, but it is something we should be aware of and try to limit. Thus, while the effects of loneliness on the individual may not be able to stimulate any significant changes in society, at least there will always remain one person more who understands what you are going through. Ultimately, it all comes down to empathy and sharing our own stories so that more people learn how to cope with this potentially dangerous emotional response. Hire USA Experts for Loneliness Essay Order Now

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This essay sample has given you some insights into the psychology of loneliness as well as suggestions for how to combat it in your own life.

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What It's Really Like to Travel Alone in the Era of Social Media

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My wanderlust started with a Billy Joel song. Yes, some might say it's stupid to visit a city just because of a catchy tune. (They'd also probably say that it's stupid that I fell in love with said song, "Vienna," after seeing the movie 13 Going on 30 , and I'd have to agree with them on that.) But that's how I made my way to Austria--solo--with only good ol' Billy for a travel buddy.

In college, I took part in a spring work/study program in London, and while I loved the U.K. and my job working for a health website, what excited me most was the opportunity to travel. I spent my weekends sipping sangria in Barcelona with my roommates and admiring Edinburgh accompanied by friends, but no one wanted to stay and explore Europe more extensively after our 16 weeks were up. Except me.

So, I decided to go alone. I wanted to see more of France, more of Italy, and, most importantly, I wanted to see Vienna.

I didn't set out wanting to travel by myself. It's something that young women are discouraged from doing: My own mother was desperate to talk me out of the idea. "It's dangerous for girls to travel by themselves," she'd warn me every time we spoke. I insisted that I knew women my age who'd done it (which was a bit of a stretch: I knew of girls who'd traveled alone), and that I'd be fine. My friends back home were skeptical, too. "Wait, no one's going with you?" they'd ask. No doubt they wondered who would be taking my Instagrams. (God bless the selfie.)

But after convincing them that just because I'm a Millennial woman does not mean I have to be constantly surrounded by a crew, I had to make myself believe it. The night before my departure, I was terrified. While everyone else was flying back to the States, I'd be on the Chunnel to Paris to start my two week trip alone. The thought was crippling. I've always been a person who recharges with alone time, but this suddenly seemed like too much to take on, especially in unfamiliar places.

I was forced to remind myself of my somewhat cheesy screensaver quote: "Life begins at the end of your comfort zone." I sucked it up. I wanted this badly enough to outweigh both the safety risk and the potential of FOMO.

The journey was, in a word, liberating. While I was nervous that my first meal alone would be pretty damn awkward, I wasn't tempted by the idea of eating takeout in my hostel bunk bed, either. So I faced the fear. I slipped on the flowy (albeit a tad wrinkly) LBD, channeled my inner Cool French Girl, and stepped out into the cool spring air of the Montmartre quarter. I was going to dinner.

It ended up being one of my most memorable dining experiences of my life. I savored the otherworldly steak frites for which Le Relais de l'Entrecôte is famous, observed the elegant Parisian women adorned in their Saturday evening pearls, and even ordered in the language of love. I enjoyed my glass of cabernet and devoured a plate of the most mouthwatering profiteroles in the entire City of Light without fear of judgment. No one knew me; I didn't know anyone.

This freedom ended up being one of the most indulgent aspects of my trip, and for once, that didn't mean feeling guilty. I spent hours riding on a vaporetto in Venice; I decided not to climb the Duomo in Florence because it just seemed like too many stairs; I read for hours in the lush gardens of the Schönbrunn Palace in Vienna. (The trip wasn't without its uncomfortable moments, of course. A couples' wine tour in Tuscany was a mistake, for sure.)

I spent the final hours of my trip wandering around the gorgeous, pastel façade-lined streets of Vienna. 15 minutes prior to leaving, I pulled out my iPod and listened to "Vienna." After the familiar piano trills, Billy's familiar voice flooded in: "Slow down you crazy child," he sang. "You're so ambitious for a juvenile." I began to cry—partially from exhaustion, perhaps, but mostly because the moment felt intensely profound. Here I was, in a city I'd always escaped to in my mind through a song, closing out the most incredible experience of my life. A little crazy, a little ambitious. All me.

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Our Trump reporting upsets some readers, but there aren’t two sides to facts: Letter from the Editor

  • Updated: Apr. 06, 2024, 10:27 a.m. |
  • Published: Mar. 30, 2024, 8:16 a.m.

Trump Biden collage

Some readers complain that we have different standards involving Donald Trump and Joe Biden. (AP Photo, File) AP

  • Chris Quinn, Editor, cleveland.com/The Plain Dealer

A more-than-occasional arrival in the email these days is a question expressed two ways, one with dripping condescension and the other with courtesy:

Why don’t our opinion platforms treat Donald Trump and other politicians exactly the same way. Some phrase it differently, asking why we demean the former president’s supporters in describing his behavior as monstrous, insurrectionist and authoritarian.

I feel for those who write. They believe in Trump and want their local news source to recognize what they see in him.

The angry writers denounce me for ignoring what they call the Biden family crime syndicate and criminality far beyond that of Trump. They quote news sources of no credibility as proof the mainstream media ignores evidence that Biden, not Trump, is the criminal dictator.

The courteous writers don’t go down that road. They politely ask how we can discount the passions and beliefs of the many people who believe in Trump.

Chris Quinn's recent Letters from the Editor

  • Around the globe and the nation, thousands thank us for telling the truth about Trump: Letter from the Editor
  • Voices of hope. Voices of anxiety. Tears of gratitude. A global response to how we tell the truth about Donald Trump
  • Let’s hang it up on polling. In election after election, they get it wrong: Letter from the Editor

This is a tough column to write, because I don’t want to demean or insult those who write me in good faith. I’ve started it a half dozen times since November but turned to other topics each time because this needle is hard to thread. No matter how I present it, I’ll offend some thoughtful, decent people.

The north star here is truth. We tell the truth, even when it offends some of the people who pay us for information.

The truth is that Donald Trump undermined faith in our elections in his false bid to retain the presidency. He sparked an insurrection intended to overthrow our government and keep himself in power. No president in our history has done worse.

This is not subjective. We all saw it. Plenty of leaders today try to convince the masses we did not see what we saw, but our eyes don’t deceive. (If leaders began a yearslong campaign today to convince us that the Baltimore bridge did not collapse Tuesday morning, would you ever believe them?) Trust your eyes. Trump on Jan. 6 launched the most serious threat to our system of government since the Civil War. You know that. You saw it.

The facts involving Trump are crystal clear, and as news people, we cannot pretend otherwise, as unpopular as that might be with a segment of our readers. There aren’t two sides to facts. People who say the earth is flat don’t get space on our platforms. If that offends them, so be it.

As for those who equate Trump and Joe Biden, that’s false equivalency. Biden has done nothing remotely close to the egregious, anti-American acts of Trump. We can debate the success and mindset of our current president, as we have about most presidents in our lifetimes, but Biden was never a threat to our democracy. Trump is. He is unique among all American presidents for his efforts to keep power at any cost.

Personally, I find it hard to understand how Americans who take pride in our system of government support Trump. All those soldiers who died in World War II were fighting against the kind of regime Trump wants to create on our soil. How do they not see it?

The March 25 edition of the New Yorker magazine offers some insight. It includes a detailed review of a new book about Adolf Hitler, focused on the year 1932. It’s called “Takeover: Hitler’s Final Rise to Power” and is by historian Timothy W. Ryback. It explains how German leaders – including some in the media -- thought they could use Hitler as a means to get power for themselves and were willing to look past his obvious deficiencies to get where they wanted. In tolerating and using Hitler as a means to an end, they helped create the monstrous dictator responsible for millions of deaths.

How are those German leaders different from people in Congress saying the election was stolen or that Jan. 6 was not an insurrection aimed at destroying our government? They know the truth, but they deny it. They see Trump as a means to an end – power for themselves and their “team” – even if it means repeatedly telling lies.

Sadly, many believe the lies. They trust people in authority, without questioning the obvious discrepancies or relying on their own eyes. These are the people who take offense to the truths we tell about Trump. No one in our newsroom gets up in the morning wanting to make a segment of readers feel bad. No one seeks to demean anyone. We understand what a privilege it is to be welcomed into the lives of the millions of people who visit our platforms each month for news, sports and entertainment. But our duty is to the truth.

Our nation does seem to be slipping down the same slide that Germany did in the 1930s. Maybe the collapse of government in the hands of a madman is inevitable, given how the media landscape has been corrupted by partisans, as it was in 1930s Germany.

I hope not.

In our newsroom, we’ll do our part. Much as it offends some who read us, we will continue to tell the truth about Trump.

I’m at mailto:[email protected]

Thanks for reading.

( Note: A follow-up column about the overwhelming international response to this piece can be found here , and a sampling of the responses can be found here .)

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Lawmaker Is Left With ‘Lifetime Trauma’ as Attacker Pleads Guilty

Andrey Desmond pleaded guilty to three felony charges this week in the attack on Maryam Khan, a member of the Connecticut House of Representatives, last June.

A portrait of Maryam Khan, wearing a dark blazer and a pink hijab, stands in a dim wood-paneled room looking toward the camera with a serious expression.

By Erin Nolan

It has been nearly 10 months since a man attacked Maryam Khan, the first Muslim elected to the Connecticut House of Representatives, outside an Eid al-Adha prayer service in Hartford, Conn. She is still struggling to heal, she said.

“I have a lot of things to get through, both emotionally and physically,” Ms. Khan said. “I’m still working on trying to heal and process what happened.”

But she felt some closure in a courtroom on Tuesday, she said, when she watched her attacker plead guilty to felony charges related to the attack.

The man, Andrey Desmond, 30, of New Britain, Conn., pleaded guilty to attempted third-degree sexual assault, strangulation and risk of injury to a child, according to the clerk’s office at the State Superior Court in Hartford.

“He claimed to understand what was happening, and for me, personally, it was helpful to be there and to witness that,” Ms. Khan said.

Under the terms of a plea agreement, Mr. Desmond is required to serve five years in prison, register as a sex offender and receive mental health treatment after he is released. His sentencing is scheduled for June 4.

The attack occurred on June 28, after a morning prayer service hosted by the Islamic Center of Connecticut and held at the XL Center, an arena and conference center. Ms. Khan was taking pictures with her family, including her three children, outside the arena when Mr. Desmond approached and made numerous suggestive and threatening comments, she said.

When Ms. Khan tried to walk away, Mr. Desmond put his arm around her neck, tried to kiss her, slapped her across the face and threw her to the ground, the police said in June.

Ms. Khan thought she was going to die during the attack, she said on Wednesday.

After the attack, Mr. Desmond tried to run away but was chased down by bystanders and held until the police arrived and arrested him.

Some Muslim groups and state lawmakers, including Ms. Khan, initially called for Mr. Desmond to be charged with a hate crime, but after an investigation hate crime charges were not added.

Ms. Khan said she still wondered why Mr. Desmond targeted her and her family.

“I don’t think it was totally random,” she said. “I think there was something about us, I don’t know what, that made him think it was easy to accomplish what he wanted to with us.”

Mr. Desmond had been diagnosed with schizophrenia before the attack and has a long history of psychiatric hospitalizations and time in inpatient facilities in New York and Connecticut. He was released from prison in 2020 and placed under intensive monitoring under Kendra’s Law, New York’s court-ordered outpatient treatment program for people with severe mental illness who are most at risk of committing acts of violence.

By the spring of 2023, it was clear that the nonprofit contractor assigned to coordinate the man’s care was not responding promptly to signs that he was unraveling. Just weeks before the attack, in conversations with a reporter as part of a New York Times investigation into the Kendra’s Law program, Mr. Desmond described delusions, saying he sometimes thought that people were “raping” him in his sleep. “They think things are going to turn out well? If this country puts me out on the street?” he asked.

Mr. Desmond left his housing program in the Bronx that May and returned to Connecticut, where he grew up. For weeks, his mother tried to reach a member of the team coordinating his care, calling and texting frantically to ask the worker to find her son. Days after her last text went unanswered, he attacked Ms. Khan.

Aaron Romano, Ms. Khan’s lawyer, called the situation “a confluence of tragedy.” He said Mr. Desmond was exhibiting signs of severe mental illness at the time of the attack, but that a court-ordered evaluation determined Mr. Desmond was competent to stand trial.

The violent episode “highlights just how broken our mental health system is and how the brokenness of that system turns other people in society, like me and my children, into victims,” Ms. Khan said. She said that she was exploring the issue of mental health treatment in Connecticut as she looked toward the next legislative session.

Ms. Khan said Mr. Desmond had left her and her children with “a lifetime trauma.”

“I think this is going to be something that sticks with them for a long time,” she said of her children, who were 10, 12 and 15 at the time of the attack. “Even when we go out in public and they hear a man yelling, my children immediately have panic attacks. They can’t sit in spaces where people are yelling.”

Still, she said, her feelings toward Mr. Desmond are complicated. He is the product of a “revolving door system” that “puts people back on the street even though they don’t know how to take care of themselves yet,” she said.

“If he had received proper care, we may not have been here,” she said.

Jan Ransom contributed reporting.

Erin Nolan is a reporter covering New York City and the metropolitan region. She is a member of the 2023-24 Times Fellowship class. Email her at [email protected] . More about Erin Nolan

Politics in the New York Region

A Housing Deal: The deal could clear the way for the construction of new homes and make it more difficult for landlords to evict renters , if lawmakers in Albany can find a compromise.

A Jail Project: The demolition of a Manhattan jail complex in Chinatown to make way for a bigger one has damaged a neighboring building  and raised concerns about years of dust and disruption.

Adultery as Crime: An antiquated but seldom-enforced state law categorizes adultery as a crime, and past efforts to repeal it have gone nowhere . But that seems poised to change.

Limiting Social Media’s Hold: New York’s governor and attorney general joined forces to pass a law  trying to restrict social media companies’ ability to use algorithms to shape content for children. Big Tech is putting up a battle with a high-stakes lobbying effort.

Targeting Trans Athletes: A proposed ban on transgender women playing on women’s sports teams  has turned a Long Island county into the latest battleground for conservatives who have put cultural issues at the center of a nationwide political strategy.

Illegal Donations: A Chinese business titan pleaded guilty to federal charges that he made more than $10,000 in straw donor contributions to political candidates  — including, a person familiar with the case said, to a New York congressman and Mayor Eric Adams.

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