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Baby Movie Review : A pathos-laden love story that'll leave you with mixed feelings

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Refrain from posting comments that are obscene, defamatory or inflammatory, and do not indulge in personal attacks, name calling or inciting hatred against any community. Help us delete comments that do not follow these guidelines by marking them offensive . Let's work together to keep the conversation civil.

Ajay 142 days ago

baby Anand move<br/><br/>

Mannem Prakash 221 149 days ago

i love movie

Dr R Sriram PhD 1170 189 days ago

Shows exactly how is modern love and definitely there is no LOVE in this so called 2k kids age

Guest 240 192 days ago

Uppara gopikrishna 401 209 days ago, visual stories.

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Release Date : July 14, 2023

123telugu.com Rating : 3.25/5

Starring: Anand Deverakonda, Vaishnavi Chaitanya, Viraj Ashwin, Naga Babu, Lirisha, Kusuma, Sathvik Anand, Babloo, Seetha, Mounika, Keerthana, and others

Director: Sai Rajesh

Producer: SKN

Music Director: Vijay Bulganin

Cinematographer: M N Balreddy

Editor: Viplav Nyshadam

Related Links : Trailer

Baby is a film that has earned a good buzz due to its chartbuster songs. Directed by Sai Rajesh, the film stars Anand Deverakonda, Vaishnavi Chaitanya, and Viraj Ashwin in the lead roles. The movie hit the screens today, and let’s see how it is.

Vaishnavi (Vaishnavi Chaitanya) and Anand (Anand Deverakonda), hailing from a slum, are high school lovebirds. Anand fails to make it to the college and becomes an auto driver, whereas Vaishnavi joins the college. Vaishnavi undergoes a massive transformation, and this is also the time she gets close to Viraj (Viraj Ashwin). Slowly problems start developing between Vaishnavi and Anand. An unexpected incident takes place, which changes the lives of Viraj, Anand, and Vaishnavi as a whole. What happened next? How did the incident affect the three? This forms part of the crux of the story.

Plus Points:

Baby is a take on modern-day relationships, and director Sai Rajesh sheds light on the chosen topic through three beautifully written characters which are diverse in their own way. By the end of the film, one would end up liking all the three lead characters due to the effective writing. The scene where Viraj and Anand meet for the first time is the biggest highlight.

The movie has a pretty good second half with a right blend of drama, emotions, and intense moments. Baby became even more captivating thanks to the wonderful dialogues that will strike a chord with the target audiences. There are a good amount of whistle-worthy moments, and youth can relate themselves to many scenes. A few scenes are intentionally placed to impress the youngsters, and they land up well.

Anand Deverakonda amazes big time with his stupendous performance. We get to see the actor in Anand through Baby, and his full potential has been tapped by the director. It is a bit challenging role, especially for a budding artist, but Anand killed it with his earnest performance.

Vaishnavi Chaitanya is a revelation in this romantic drama, and the young actress’s performance speaks volumes about her talent. Her character arc has been designed quite well. Vaishnavi performed pretty good in the emotional scenes too. Her phone call scene with Anand Deverakonda was terrific. Viraj Ashwin gets a solid role, and he performs to the tee. This is perhaps the best role done by Viraj so far, and he aced it to perfection.

When romantic dramas get a good album, the result is Baby. Every song composed by music composer Vijay Bulganin is too good, and also the effective background score enhances the impact in many sequences.

Minus Points:

The movie is quite lengthy, as it has a runtime of close to three hours. The makers could have trimmed down a few sequences, especially in the first half, for a better experience. The contemporary nature of the film might not go well with a few.

The first hour is slow paced, and the movie gets more interesting from the pre-interval portions. Though there are good moments and dialogues, they are few and far between. The pacing reduces the impact to an extent. At times, the first half gives us a feeling that it is a bit stretched.

Technical Aspects:

As mentioned earlier, music by Vijay is a major asset for Baby, which takes the film to the next level altogether. The cinematography by Balreddy is exquisite, and the visuals are easy on the eye. Particularly the songs are shot in an aesthetic manner. The editing is sloppy in the first half, but it is alright in the latter hour. The production values are first-rate.

Coming to the writer and director, Sai Rajesh, he did an impressive job with Baby. While the first hour was not that great, he makes it up with a very good second half that is a concoction of intense emotional sequences and solid dialogues. Sai Rajesh extracted the best out of his actors, and he used the music perfectly. His dialogues are fantastic and have inner depth. Had the first half been a bit racier, the movie’s range would have enhanced further.

On the whole, Baby sheds light on modern-day relationships in a neat manner, and the climax is unconventional. The performances of Anand Deverakonda, Vaishnavi Chaitanya, and Viraj Ashwin are simply superb. The second half has its heart in the right place, but the impact gets slightly reduced due to the slow-paced first half, which could have been still better. Also, the makers could have taken care of lengthy runtime. Nonetheless, Baby is a good watch this weekend. Go for it.

123telugu.com Rating: 3.25/5

Reviewed by 123telugu Team

Click Here For Telugu Review

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Anand Deverakonda and Viraj Ashwin deliver stellar performances, but Vaishnavi Chaitanya is the shining star of Baby

Baby Movie Review: A pathos-laden love story that'll leave you with mixed feelings

• Times of India

Baby - Official Trailer

Baby - Official Teaser

Baby | Song - Premisthunna (Lyrical)

Baby | Song - Deva Raaja

Baby | Song - O Rendu Prema Meghaalila

Baby | Song Promo - Deva Raaja

Baby | Song Promo - Premisthunna

Baby | Song - Ribapappa (Lyrical)

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Ajay 142 days ago

baby Anand move<br/><br/>

Mannem Prakash 221 149 days ago

i love movie

Dr R Sriram PhD 1170 189 days ago

Shows exactly how is modern love and definitely there is no LOVE in this so called 2k kids age

Guest 240 192 days ago

Uppara gopikrishna 401 209 days ago.

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• This film marks the first collaboration of uncle-nephew duo Anil Kapoor and Arjun Kapoor. Arjun is the son of Anil’s brother Boney Kapoor. Share
• This film marks the first collaboration of uncle-nephew duo Anil Kapoor and Arjun Kapoor. Arjun is the son of Anil’s brother Boney Kapoor.
• This is the second time Arjun Kapoor is playing a double role, the first being Aurangzeb (2013).
• The song ‘Yamma yamma’ from ‘Shaan’ is sampled in the song ‘Partywali Night' for the film.

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Baby Movie Review: బేబీ రివ్యూ

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Rating : 2.75 / 5

• MAIN CAST: ఆనంద్ దేవరకొండ, విరాజ్ అశ్విన్, వైష్ణవి చైతన్య, నాగబాబు, సాత్విక్ ఆనంద్, సీత తదితరులు
• DIRECTOR: సాయి రాజేష్ నీలం
• MUSIC: విజయ్ బుల్గానిన్
• PRODUCER: మారుతీ, ఎస్కేఎన్

Baby 2023 Movie Review Telugu: విజయ్ దేవరకొండ సోదరుడు ఆనంద్ దేవరకొండ హీరోగా యూట్యూబ్ స్టార్ వైష్ణవి చైతన్య హీరోయిన్ గా సాయి రాజేష్ దర్శకత్వంలో తెరకెక్కిన సినిమా బేబీ. మారుతి, ఎస్కేఎన్ కలిసి నిర్మించిన ఈ సినిమా అనౌన్స్ చేసినప్పటి నుంచి మంచి బజ్ ఏర్పరచుకుంది. ఆ తర్వాత సినిమా నుంచి విడుదలైన పోస్టర్లు, ట్రైలర్, టీజర్ ఇలా ఒకటేమిటి? దాదాపు అన్నీ సినిమా మీద అంచనాలు పెంచుతూ వెళ్లాయి. ఇక ఈ మధ్యకాలంలో చిన్న సినిమాల్లో భారీ హైప్ తో రిలీజ్ అయింది ఈ సినిమా. వాస్తవానికి శుక్రవారం నాడే రిలీజ్ అవ్వాల్సి ఉంది కానీ ఒకరోజు ముందుగానే తెలుగు రాష్ట్రాలలో పెయిడ్ ప్రీమియర్స్ ప్రదర్శించారు. మరి సినిమా ఎలా ఉంది అనేది రివ్యూలో తెలుసుకుందాం.

బేబీ సినిమా కథ ఏమిటంటే? ఆనంద్ (ఆనంద్ దేవరకొండ), వైష్ణవి (వైష్ణవి చైతన్య) హైదరాబాదులో ఒక బస్తీలో ఎదురెదురు ఇళ్లలో నివసిస్తూ ఉంటారు. వైష్ణవి పదో తరగతి చదువుతున్నప్పుడే ఆనంద్ మీద మనసు పారేసుకుంటుంది. ముందు ఆనంద్ పట్టించుకోడు కానీ నెమ్మదిగా అతనికి కూడా వైష్ణవి మీద ప్రేమ కలుగుతుంది. అయితే ఆనంద్ టెన్త్ ఫెయిల్ అయ్యి ఆటో తోలుకుంటూ ఉంటే వైష్ణవి మాత్రం ఎలాగోలా ఇంటర్ పూర్తి చేసి బీటెక్ లో జాయిన్ అవుతుంది. కాలేజీకి చాలా దూరం వెళ్లాల్సి వస్తుంది అని భావించి ప్రతిరోజు తాను ఆటోలో ఆమెను కాలేజీలో డ్రాప్ చేయడమే కాదు తమ మధ్య దూరం పెరగకూడదు అని చెప్పి తన ఆటో తాకట్టు పెట్టి ఇద్దరికీ చెరొక స్మార్ట్ ఫోన్ కొంటాడు ఆనంద్. అయితే కాలేజీలో చేరిన వైష్ణవి అక్కడి స్నేహితుల ప్రోద్బలంతో అందం మీద శ్రద్ధ పెరగడమే కాదు వస్తువుల మీద కూడా ఆకర్షణ పెరుగుతుంది. నెమ్మదిగా ఆనంద్- వైష్ణవి మధ్య దూరం పెరగడమే కాదు వీరిద్దరి మధ్య విరాజ్(విరాజ్ అశ్విన్) అనే మూడో వ్యక్తి కూడా వస్తాడు. ఆనంద్ మీద ప్రేమ ఉందని చెబుతూనే విరాజ్ కి కూడా అట్రాక్ట్ అవుతుంది వైష్ణవి. రోజుకు ఒక సర్ప్రైజ్ గిఫ్ట్ ఇస్తూ తాను కోరుకుంటున్నట్టుగా తనని ప్రేమిస్తున్న విరాజ్ తో స్నేహం అనుకుంటూనే వైష్ణవి అతనికి దగ్గరవుతుంది. ఒకపక్క తాను ప్రేమిస్తున్న ఆనంద్ మరోపక్క తనను ప్రేమిస్తున్న విరాజ్ మధ్యలో ఆమె నలిగిపోవాల్సిన పరిస్థితులు వస్తాయి. మరి వీరిద్దరిలో వైష్ణవి ఎవరికి దగ్గరయింది? విరాజ్ ను వైష్ణవి దూరం పెట్టిందా? ఆనంద్ తో వైష్ణవి కలిసిందా? చివరికి వీరిద్దరిలో వైష్ణవి ఎవరికి దక్కింది? అనేదే సినిమా కథ.

విశ్లేషణ బేబీ సినిమా కథ కొత్తదేమీ కాదు మనం నిత్యం వార్తల్లో వినే చూసే ఒక ట్రయాంగిల్ లవ్ స్టోరీ. ఈ రోజుల్లో జరుగుతున్న వాస్తవ పరిస్థితులు, వార్తల్లో వింటున్న విషయాలను ఆధారంగా చేసుకుని ఈ కథ రాసుకున్నాడేమో సాయి రాజేష్ అనిపిస్తుంది. గతంలో హృదయ కాలేయం, కొబ్బరిమట్ట లాంటి సినిమాలు చేసిన సాయిరాజేషే ఈ కథ రాసుకున్నాడా అనే ఆశ్చర్యం అయితే కలవక మానదు. ఒక్క మాటలో చెప్పాలంటే ఈరోజుల్లో యువత మానసిక పరిస్థితులు ఎలా ఉన్నాయి? ఎంత ఈజీగా ప్రేమలో పడుతున్నారు? ప్రేమికులు ఉన్నా సరే ఇతర వ్యక్తుల మాటల గారడీకి ఎలా పడిపోతున్నారు? అందరూ వేరు నేను వేరు అనుకుంటూనే అందరిలా ఎలా బురిడీ కొడుతున్నారు అనే విషయాలను కళ్ళకు కట్టినట్లు చూపించాడు. ఎవరికి వారు నేను తప్పు చేయడం లేదు అనుకుంటూనే తప్పులు చేస్తున్న వైనాన్ని చాలా క్లియర్ గా తెరకెక్కించాడు. ఇక ఈ సినిమాలో ఆనంద్ దేవరకొండ, విరాజ్ అశ్విన్లు హీరోలు అని ముందు నుంచి ప్రచారం జరిగింది కానీ సినిమా మొత్తానికి హీరో వైష్ణవి అని చెప్పాలి. అందుకే టైటిల్ కూడా ఆమెను ఫోకస్ చేస్తూ బేబీ అని పెట్టినట్లు అనిపిస్తుంది. నిజానికి తెలుగు ప్రేక్షకులకు ట్రయాంగిల్ లవ్ స్టోరీ లు కొత్త కాదు కానీ ఈ సినిమా కాస్త భిన్నంగా అనిపిస్తుంది. క్లైమాక్స్ కాస్త కన్విన్సింగ్ అనిపించలేదు కానీ యూత్ కి మాత్రం బాగా కనెక్ట్ అయ్యే మూవీగా నిలిచిపోతుంది అనడంలో ఏ మాత్రం సందేహం లేదు. మొత్తంగా జీవితం మీద దృష్టి పెట్టండి అమ్మాయిలతో పెట్టుకుంటే చితికి పోవడం తప్ప సాధించేదేమీ లేదు అని కుండ బద్దలు కొట్టినట్టు సాయి రాజేష్ చెప్పినట్లు అనిపించింది. సినిమా యూనిట్ ముందు నుంచి చెబుతున్నట్టుగానే ఈ సినిమా చూస్తున్నప్పుడు ప్రతి ఒక్కరి ఫస్ట్ లవ్ స్టోరీ గుర్తు వస్తుంది అనడంలో కూడా ఎలాంటి సందేహం లేదు. బూతులు గట్టిగానే వాడారు కాబట్టి ఫ్యామిలీతో కలిసి చూడగలిగే సినిమా మాత్రం కాదు కేవలం స్నేహితులతో మాత్రమే చూడొచ్చు. కానీ ప్రేమలో ఇప్పుడున్నా, గతంలో ఉన్నా ఖచ్చితంగా చూడాల్సిన సినిమా.

ఎవరు ఎలా చేశారు అంటే? ఆనంద్ పాత్రలో ఆనంద్ దేవరకొండ సరిగ్గా సూట్ అయ్యాడు. గత సినిమాలతో పోల్చుకుంటే ఆనంద నటనలో పరిణితి కనిపించింది. ఎలాంటి కల్మషం లేకుండా తాను ప్రేమించిన అమ్మాయి కోసం ఎంత దూరమైనా వెళ్ళే వ్యక్తిగా ఆనంద్ దేవరకొండ జీవించాడు. వైష్ణవి పాత్రకు వైష్ణవి చైతన్య సరిగా న్యాయం చేసింది. అసలు బేబీ అనే పాత్ర ఆమె కోసమే రాసుకున్నారా అన్నట్టుగా నటనలో తనదైన శైలిలో నటించింది. నిజానికి ఈ సినిమాకి హీరో ఆమెనే అని ముందే చెప్పుకున్నాం అదేవిధంగా ఆమె సినిమా మొత్తాన్ని తన భుజస్కంధాల మీద నడిపించింది. ఒకపక్క ఆనంద్ ను ప్రేమిస్తూనే విరాజ్ మీద ఆకర్షణతో అతని మాటలకు పొంగిపోయే సాధారణ బస్తీ అమ్మాయిగా ఆమె నటన ఆకట్టుకుంటుంది. హీరోయిన్గా ఇది ఆమెకు మొదటి సినిమానే అయినా అసలు ఏమాత్రం తడబడకుండా ఔరా అనిపించేలా నటించింది. విరాజ్ అశ్విన్ కూడా తన పాత్రకు న్యాయం చేశాడు. నాగబాబు, వైవా హర్ష, సాత్విక్ ఆనంద్, కిరాక్ సీత, లిరీష కూనపరెడ్డి వంటి వారు తమ తమ పాత్రల పరిధి మేరకు నటించి ఆయా పాత్రలకు న్యాయం చేశారు. ఇక టెక్నీషియన్ల విషయానికి వస్తే దర్శకుడిగా సాయి రాజేష్ తన హండ్రెడ్ పర్సెంట్ ఇచ్చేందుకు ప్రయత్నించాడు. అయితే స్లో నేరేషన్ ఒకటి ఇబ్బందికరమనిపించినా డైలాగ్స్ విషయంలో కానీ స్క్రీన్ ప్లే విషయంలో కానీ చాలా కేర్ తీసుకున్నాడు. చాలా వరకు డైలాగులు ఒకవైపు నవ్వు తెప్పిస్తూనే మరోవైపు ఆలోచింపజేసేలా ఉన్నాయి. ముఖ్యంగా వైష్ణవి చైతన్య అమ్మాయిలు గుండెల మీద కొడతారు అని చెప్పే డైలాగ్ కానీ ఆటో వెనుక రాయించిన కొటేషన్లు కానీ ఆలోచింపజేస్తున్నాయి. ఇక సినిమాకి స్పెషల్ అసెట్ అంటే మ్యూజిక్ అనే చెప్పాలి. విజయ్ బుల్గానిన్ అందించిన మ్యూజిక్ సినిమాని మరో లెవలకు తీసుకువెళ్ళింది. బ్యాక్గ్రౌండ్ స్కోర్ కానీ కొన్ని పాటలు కానీ పూర్తిస్థాయిలో సినిమాని బాగా ఎలివేట్ చేశాయి. నటీనటుల పర్ఫామెన్స్ కు తగినట్టు బ్యాక్ గ్రౌండ్ స్కోర్ బాగా ఎలివేట్ చేసింది. ల్ రెడ్డి కెమెరా పనితనం ఆద్యంతం ఆకట్టుకుంటుంది. చాలా వరకు మంచి మంచి ఫ్రేమ్స్ తో ఆకట్టుకునే విధంగా తెరకెక్కించారు. అయితే సినిమాకి నిడివి ఒక మైనస్ పాయింట్ అయ్యే అవకాశం ఉన్న నేపథ్యంలో ఎడిటింగ్ టేబుల్ మీద మరికొంత వర్క్ చేసి ఉండాల్సింది అనిపిస్తుంది, అలా చేసి ఉంటే సినిమా మరో లెవల్ లో ఉండి ఉండవచ్చునేమో?

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Baby movie review: రివ్యూ: బేబీ.. ముక్కోణపు ప్రేమకథ మెప్పించిందా?

Baby movie review in telugu: ఆనంద్‌ దేవరకొండ (anand devarakonda), వైష్ణవి (vaishnavi chaitanya), విరాజ్‌ (Viraj Ashwin) కీలక పాత్రల్లో నటించిన ముక్కోణపు ప్రేమకథ ఎలా ఉంది? నేటి యువతరాన్ని మెప్పించేలా సాయిరాజేశ్‌ తెరకెక్కించారా?

Baby movie review: చిత్రం: బేబీ; న‌టీన‌టులు: ఆనంద్ దేవ‌ర‌కొండ‌, వైష్ణ‌వి చైత‌న్య‌, విరాజ్ అశ్విన్‌, నాగ‌బాబు, సాత్విక్ ఆనంద్, బబ్లూ, లిరిష, కుసుమ త‌దిత‌రులు; సంగీతం: విజయ్ బుల్గానిన్; ఛాయాగ్రహణం: ఎం.ఎన్. బాల్ రెడ్డి; రచన, దర్శకత్వం: సాయి రాజేష్ నీలం; నిర్మాత: ఎస్.కె.ఎన్; విడుదల తేదీ:  14-07-2023

ఇ టీవ‌ల కాలంలో విడుద‌ల‌కు ముందే పాట‌లు, ప్ర‌చార చిత్రాల‌తో అంద‌రి దృష్టినీ ఆక‌ర్షించిన చిత్రం ‘బేబీ’(Baby movie). ఆనంద్ దేవ‌ర‌కొండ, వైష్ణ‌వి చైత‌న్య‌, విరాజ్ అశ్విన్ ప్ర‌ధాన పాత్ర‌ల్లో న‌టించిన చిత్ర‌మిది. ‘క‌ల‌ర్ ఫొటో’ వంటి సినిమాకి క‌థ అందించిన సాయి రాజేష్ ఈ చిత్రానికి ద‌ర్శ‌క‌త్వం వ‌హించ‌డం..  ‘టాక్సీవాలా’ వంటి హిట్ త‌ర్వాత ఎస్‌కేఎన్ సోలోగా నిర్మించిన సినిమా కావ‌డం.. టీజ‌ర్‌,  ట్రైల‌ర్లు యువ‌త‌రం మెచ్చేలా కొత్త‌ద‌నం నింపుకొని ఆక‌ర్ష‌ణీయంగా ఉండ‌టంతో దీనిపై ప్రేక్ష‌కుల్లో మంచి అంచ‌నాలు ఏర్ప‌డ్డాయి. మ‌రి ఆ అంచ‌నాల్ని ఈ  ‘బేబీ’ అందుకుందా? (Baby movie review in telugu) ఈ సినిమాతో ఆనంద్ దేవ‌ర‌కొండ హిట్ ట్రాక్ ఎక్కారా?  సాయి రాజేష్ ద‌ర్శ‌కుడిగా స‌త్తా చాటారా? 

క‌థేంటంటే: వైషు అలియాస్ వైష్ణ‌వి (వైష్ణ‌వి చైత‌న్య‌) ఓ బ‌స్తీ అమ్మాయి. చిన్న‌ప్ప‌టి నుంచి త‌న ఎదురింట్లో ఉండే ఆనంద్ (ఆనంద్ దేవ‌ర‌కొండ‌)ను ప్రేమిస్తుంటుంది. ఆ ప్రేమ‌ను అత‌నూ అంగీక‌రిస్తాడు. వీరి ప్రేమ స్కూల్ డేస్‌లోనే ముదిరి పాకాన ప‌డుతుంది. అయితే ప‌దో త‌ర‌గ‌తి త‌ప్ప‌డంతో ఆనంద్ (Anand devarakonda) ఆటో డ్రైవ‌ర్‌గా స్థిర‌ప‌డ‌తాడు. వైష్ణవి (Vaishnavi chaitanya) మాత్రం ఇంట‌ర్ పూర్తి చేసి పేరున్న ప్రైవేట్ ఇంజినీరింగ్ కాలేజీలో చేరుతుంది. అక్క‌డ కొత్త ప‌రిచ‌యాల వ‌ల్ల వైషూ ఆలోచ‌నా విధానంలో మార్పులు మొద‌ల‌వుతాయి. ఈ క్ర‌మంలోనే ఆమె త‌న క్లాస్‌మెట్‌ విరాజ్ (విరాజ్ అశ్విన్)కు దగ్గరవుతుంది. స్నేహం పేరుతో మొద‌లైన ఆ బంధం ఆ త‌ర్వాత అడ్డ‌దారులు తొక్కుతుంది. ఈ క్ర‌మంలోనే అనుకోని ప‌రిస్థితుల వ‌ల్ల విరాజ్‌కు వైష్ణ‌వి శారీర‌కంగా ద‌గ్గ‌ర‌వ్వాల్సి వ‌స్తుంది. మ‌రి ఆ త‌ర్వాత ఏమైంది?  వీరిద్ద‌రి వ్య‌వ‌హారం ఆనంద్‌కు తెలిసిందా?  నిజం తెలిశాక త‌ను ఎలా స్పందించాడు?  అలాగే విరాజ్‌కు వైష్ణ‌వి - ఆనంద్‌ల ప్రేమ‌క‌థ తెలిసిందా? అస‌లు ఆనంద్ - విరాజ్‌ల‌లో వైష్ణ‌వి ఎవ‌ర్ని ప్రేమించింది?  (Baby movie review in telugu)అన్న‌ది తెర‌పై చూసి తెలుసుకోవాలి.

ఎలా సాగిందంటే: ‘మొదటి ప్రేమకి మరణం లేదు. మనసు పొరల్లో శాశ్వతంగా సమాధి చేయబడి ఉంటుంది’ బేబీ ట్రైలర్ ఆరంభంలో రాసిన కొటేషన్ ఇది. ఈ మాట‌కు త‌గ్గ‌ట్లుగానే చిత్ర క‌థ‌న‌మంతా సాగుతుంది. స్కూల్ డేస్‌లో తెలిసీ తెలియ‌ని వ‌య‌సులో ఓ అమ్మాయి, అబ్బాయి మ‌ధ్య పుట్టిన ప్రేమ‌క‌థ.. వారు ఎదిగే క్ర‌మంలో ఎలాంటి మ‌లుపులు తిరిగింది? ఆ ప్రేమ ఏ కంచికి చేరింది? అన్న‌ది క్లుప్తంగా ఈ చిత్ర క‌థాంశం.  చిన్న‌వో.. పెద్ద‌వో నిజానికి ఇలాంటి చిన్న‌నాటి  తొలి ప్రేమ‌క‌థ‌లు చాలా మంది జీవితాల్లో క‌నిపిస్తూనే ఉంటాయి.  అయితే వాటిలో కాలంతో పరిణ‌తి చెందుతూ పెళ్లి పీట‌లు దాకా ఎక్కేవి కొన్ని మాత్ర‌మే. వీటిలో ఎక్కువ శాతం విషాద ప్రేమ‌క‌థ‌లే ఉంటాయి. అలాంటి ఓ సున్నిత‌మైన ప్రేమ‌క‌థ‌నే ‘బేబీ’ (Baby movie review in telugu) రూపంలో ఎంతో స‌హ‌జంగా తెర‌పైకి తీసుకొచ్చే ప్ర‌య‌త్నం చేశారు ద‌ర్శ‌కుడు సాయి రాజేష్‌.

• ఇదీ చదవండి: ఎనిమిదేళ్ల కష్టం.. యూట్యూబ్‌ స్టార్‌ నుంచి.. కథానాయికగా..

ఇది ముఖ్యంగా ఈత‌రం యువ‌త‌కు బాగా క‌నెక్ట్ అయ్యేలా ఉంటుంది. సినిమాలో క‌నిపించే చాలా స‌న్నివేశాలు ఈ కాలం యువ‌తీ యువ‌కుల మ‌ధ్య ఉన్న ప్రేమ‌కు.. వారి ఆలోచ‌నా విధానాల‌కు అద్దం ప‌ట్టేలాగే ఉంటాయి. భ‌గ్న ప్రేమికుడిగా ఆనంద్‌ను ప‌రిచ‌యం చేసి.. అత‌ని కోణం నుంచి అస‌లు క‌థ‌ను ఆరంభించిన తీరు బాగుంటుంది. (Baby movie review) అక్క‌డి నుంచి తొలి ఇర‌వై నిమిషాల పాటు వైష్ణ‌వి - ఆనంద్‌ల స్కూల్ డేస్ ప్రేమ‌క‌థే ప్ర‌ధానంగా సాగుతుంది. ఈ పాఠ‌శాల ప్రేమ‌క‌థ స‌హ‌జ‌త్వం నింపుకొని మ‌న‌సులకు హ‌త్తుకునేలా సాగినా.. కాస్త సాగదీశారేమో అనిపిస్తుంది.  పెద్ద‌గా మాట‌లు లేకుండా కేవ‌లం హావభావాలు, నేప‌థ్య సంగీతంతో వారి ప్రేమ‌ను హైలైట్ చేసిన తీరు ఆక‌ట్టుకుంటుంది. ఆనంద్ టెన్త్ ఫెయిలై ఆటో డ్రైవ‌ర్‌గా మార‌డం..  వైష్ణ‌వి ఇంట‌ర్ పూర్తి చేసి పై చ‌దువుల‌కు కాలేజ్‌లో చేర‌డంతో వీరి ప్రేమ‌కథ మ‌రో మ‌లుపు తీసుకుంటుంది.

ఇక వైషూ కాలేజీలో చేరిన‌ప్ప‌టి నుంచి ఏమ‌వుతుందోన‌ని ఆనంద్ కంగారు ప‌డ‌టం.. ఈ క్ర‌మంలో ఆమెపై అనుమానం పెంచుకోవ‌డం.. కాలేజీలో ఫ్రెండ్స్‌ను చూసి వైషూ త‌న లైఫ్ స్టైల్ మార్చుకోవ‌డం..  అది చూసి ఆనంద్ మ‌రింత ఆందోళ‌న ప‌డ‌టం.. ఈ క్ర‌మంలో ఇద్ద‌రి మ‌ధ్య అభిప్రాయ భేదాలు.. ఆయా స‌న్నివేశాల‌న్నీ ఎంతో స‌హ‌జంగా ఆస‌క్తిరేకెత్తిస్తూ సాగుతాయి. (Baby movie review in telugu) ఇక ఎప్పుడైతే విరాజ్‌.. వైష్ణ‌వి జీవితంలోకి ఎంట్రీ ఇస్తాడో... అక్క‌డి నుంచి ఆనంద్ - వైషూల ప్రేమ‌క‌థ‌లో సంఘ‌ర్ష‌ణ మొద‌ల‌వుతుంది. సాఫీగా సాగుతున్న క‌థ కాస్త ర‌స‌వ‌త్త‌రంగా మారుతుంది. విరామానికి ముందు వైష్ణ‌వితో ఆనంద్ గొడ‌వ ప‌డ‌టం.. అనంత‌రం బాధ‌తో వైషూ ప‌బ్‌లో త‌ప్ప‌తాగి ఆనంద్‌కు ఫోన్ చేసి క్లాస్ పీక‌డం.. ఈ రెండు ఎపిసోడ్లకు థియేట‌ర్ల‌లో క్లాప్స్ ప‌డ‌తాయి.

ఇక ఇంట‌ర్వెల్ ఎపిసోడ్ ఒక్క‌సారిగా క‌థ‌లో హీట్ పెంచ‌డ‌మే కాక ద్వితీయార్ధంపై మ‌రింత ఆస‌క్తిరేకెత్తించేలా చేస్తుంది. అయితే ఈ ఆస‌క్తిని ఇలాగే కొన‌సాగించ‌డంలో ద‌ర్శ‌కుడు త‌డ‌బ‌డ్డాడు. (Baby movie review) ఓవైపు ఆనంద్‌కు నిజాన్ని తెలియ‌కుండా దాచి పెడుతూ.. మ‌రోవైపు విరాజ్‌తో బంధాన్ని కొన‌సాగిస్తూ వైష్ణ‌వి న‌డిపే ముక్కోణ‌పు ప్రేమ‌క‌థ కాస్త సాగతీత వ్య‌వ‌హారంగా అనిపిస్తుంది. ఇక విరాజ్ కుట్ర పూరిత మ‌న‌స్త‌త్వం బ‌య‌ట ప‌డ్డాక అత‌ని నుంచి బ‌య‌ట ప‌డేందుకు వైష్ణ‌వి ప‌డే మాన‌సిక సంఘ‌ర్ష‌ణ ఆక‌ట్టుకుంటుంది. ప‌తాక స‌న్నివేశాలు భావోద్వేగ‌భ‌రితంగా ఉంటాయి. అయితే ఆ ఎపిసోడ్ మ‌రీ న‌త్త‌నడ‌క‌న సాగిన‌ట్లు అనిపిస్తుంది. క్లైమాక్స్ ఏమాత్రం సంతృప్తిక‌రంగా అనిపించ‌దు. ప్రేమిస్తే త‌ర‌హా సినిమాల్ని గుర్తుకు వస్తాయి.

• ఇదీ చదవండి:   రివ్యూ: మిషన్‌ ఇంపాజిబుల్‌: డెడ్‌ రెకొనింగ్‌ (పార్ట్‌-1)

ఎవ‌రెలా చేశారంటే: ఈ సినిమాలో ఆనంద్ పాత్ర‌లో ఆనంద్ దేవ‌ర‌కొండ (Anand devarakonda) చాలా కొత్త‌గా క‌నిపించారు. స్కూల్ డేస్ పాత్ర త‌న‌కంతగా న‌ప్ప‌లేద‌నిపించింది. ఆటోడ్రైవ‌ర్‌గా స‌హ‌జ‌మైన న‌ట‌న‌తో ఆక‌ట్టుకున్నారు. భావోద్వేగ‌భ‌రిత స‌న్నివేశాలు బాగా చేసినా.. ప‌తాక స‌న్నివేశాల్లో న‌ట‌న కాస్త తేలిపోయిన‌ట్ల‌నిపించింది. కాకపోతే వైష్ణ‌వికి ఆయ‌న‌కూ మ‌ధ్య కెమిస్ట్రీ చూడ‌ముచ్చ‌ట‌గా ఉంది.  క‌థానాయిక‌గా వైష్ణ‌వికి (vaishnavi chaitanya) మంచి పరిచయ చిత్రమిది. ఇందులో ఆమె బ‌స్తీ అమ్మాయిగా.. గ్లామ‌ర్ గ‌ర్ల్‌గా లుక్స్‌లోనే కాదు న‌ట‌న‌లోనూ చ‌క్క‌టి వేరియేష‌న్స్ చూపించింది. (Baby movie review in telugu) ఆమె పాత్రే సినిమాకి ప్ర‌ధాన ఆక‌ర్ష‌ణ‌. బోల్డ్ స‌న్నివేశాల్లో ఆమె అందాలు ఒలికించింది. భావోద్వేగ‌భ‌రిత స‌న్నివేశాల్లో చ‌క్క‌టి న‌ట‌న క‌న‌బ‌రిచింది.

ప్ర‌తినాయ‌క ఛాయ‌లున్న పాత్ర‌లో విరాజ్ న‌ట‌న ఆక‌ట్టుకుంటుంది. నాగ‌బాబు, హ‌ర్ష త‌దిత‌రుల పాత్ర‌లు ప‌రిధి మేర‌కు ఉంటాయి. సాయి రాజేష్ ఎంచుకున్న క‌థ.. రాసుకున్న సంభాష‌ణ‌లు.. సినిమాని స‌హ‌జంగా తెర‌పై ఆవిష్క‌రించిన తీరు యువ‌త‌రాన్ని మెప్పిస్తాయి. అయితే కథ, కథనాలను ఎక్కువ స్ట్రెచ్‌ చేశారేమో అనిపిస్తుంది. సినిమాలో ఏ పాత్ర‌కూ అర్థవంతమైన ముగింపు ఇవ్వ‌లేదు. దీని ప్ర‌భావం క్లైమాక్స్‌పై ప‌డింది. విజ‌య్ బుల్గానిన్ నేప‌థ్య సంగీతం, పాట‌లు సినిమాకి ప్ర‌ధాన ఆక‌ర్ష‌ణ‌గా నిలుస్తాయి. బాల్‌రెడ్డి విజువ‌ల్స్ ఎంతో స‌హ‌జంగా ఉన్నాయి. నిర్మాణ విలువ‌లు క‌థ‌కు త‌గ్గ‌ట్లుగా ఉన్నాయి.

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గమనిక: ఈనాడు.నెట్‌లో కనిపించే వ్యాపార ప్రకటనలు వివిధ దేశాల్లోని వ్యాపారస్తులు, సంస్థల నుంచి వస్తాయి. కొన్ని ప్రకటనలు పాఠకుల అభిరుచిననుసరించి కృత్రిమ మేధస్సుతో పంపబడతాయి. పాఠకులు తగిన జాగ్రత్త వహించి, ఉత్పత్తులు లేదా సేవల గురించి సముచిత విచారణ చేసి కొనుగోలు చేయాలి. ఆయా ఉత్పత్తులు / సేవల నాణ్యత లేదా లోపాలకు ఈనాడు యాజమాన్యం బాధ్యత వహించదు. ఈ విషయంలో ఉత్తర ప్రత్యుత్తరాలకి తావు లేదు.

రివ్యూ: మైదాన్‌.. అజయ్‌ దేవ్‌గణ్‌ కీలక పాత్రలో నటించిన స్పోర్ట్స్‌ డ్రామా మెప్పించిందా?

రివ్యూ: ప్రాజెక్ట్‌-Z.. సందీప్‌ కిషన్‌, లావణ్య త్రిపాఠి సైన్స్‌ ఫిక్షన్‌ థ్రిల్లర్‌ ఎలా ఉంది?

రివ్యూ: మంజుమ్మ‌ల్ బాయ్స్‌.. మలయాళ సూపర్‌హిట్‌ తెలుగులో ఎలా ఉంది?

రివ్యూ: ఫ్యామిలీస్టార్‌.. విజయ్‌ దేవరకొండ ఖాతాలో హిట్‌ పడిందా?

రివ్యూ: టిల్లు స్క్వేర్‌.. సిద్ధు, అనుపమ జోడీ మేజిక్‌ చేసిందా?

రివ్యూ: ఆడుజీవితం: ది గోట్‌లైఫ్‌.. పృథ్వీరాజ్‌ సుకుమారన్‌ సర్వైవల్‌ థ్రిల్లర్‌ ఎలా ఉంది?

Om Bhim Bush Review; రివ్యూ: ఓం భీమ్ బుష్‌.. కామెడీ ఎంటర్‌టైనర్‌ అలరించిందా?

ThulasiVanam Review: రివ్యూ: తులసీవనం: మిడిల్‌క్లాస్‌ కుర్రాడి బయోపిక్‌

Abraham Ozler review: రివ్యూ: అబ్రహాం ఓజ్లర్‌.. మలయాళ క్రైమ్‌ థ్రిల్లర్‌ ఎలా ఉంది?

Save The Tigers 2 Review: రివ్యూ: సేవ్‌ ది టైగర్స్‌ సీజన్‌ 2.. నవ్వులు రిపీట్‌ అయ్యాయా?

Sharathulu Varthisthai Review: రివ్యూ: షరతులు వర్తిస్తాయి.. సినిమా ఎలా ఉందంటే?

Yodha Review: రివ్యూ: యోధ.. యాక్షన్‌ థ్రిల్లర్‌ మెప్పించిందా?

Razakar Movie Review: రివ్యూ: ర‌జాకార్‌.. బాబీ సింహా, అనసూయ నటించిన మూవీ ఎలా ఉంది?

Merry Christmas review: రివ్యూ: మెర్రీ క్రిస్మస్‌.. విజయ్‌ సేతుపతి, కత్రినా కైఫ్‌ నటించిన చిత్రం ఎలా ఉందంటే?

Anweshippin Kandethum Review: రివ్యూ: అన్వేషిప్పిన్‌ కండెతుమ్‌.. మలయాళ బ్లాక్‌బస్టర్‌ ఎలా ఉంది?

Shaitaan Movie Review: రివ్యూ: షైతాన్‌.. మాధవన్‌ నెగెటివ్‌ షేడ్స్‌లో నటించిన మూవీ మెప్పించిందా?

Breathe Review: రివ్యూ: బ్రీత్‌.. నందమూరి చైతన్య కృష్ణ హీరోగా నటించిన సినిమా ఎలా ఉందంటే?

Bhimaa movie review: రివ్యూ: భీమా.. గోపిచంద్‌ ఖాతాలో హిట్‌ పడిందా?

Gaami review: విశ్వక్‌సేన్‌ నటించిన ‘గామి’ ఎలా ఉందంటే..!

Premalu Movie Review: రివ్యూ: ప్రేమలు.. మలయాళ బ్లాక్‌బస్టర్‌ తెలుగులో ఎలా ఉంది?

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Baby movie review: Anand Deverakonda film is impressive, divisive

Baby movie review: anand deverakonda, vaishnavi chaitanya-starrer is bound to be as divisive as arjun reddy and its moral ambiguities and characters will inspire much discussion..

Baby is designed like a cautionary tale. It is the story of a girl’s aspirations wreaking havoc around her. On the surface, the film is a simple tale of a ‘basti’ girl losing her way in the glitter of city life and how her naivety impacts the lives of the three lead characters, including herself.

Anand and Vaishnavi live in the same basti and have loved each other since they were in school. While Anand drops out and now drives an auto-rickshaw while Vaishnavi is studying to become an engineer. Her wide-eyed innocence and love of material things pushes her from one mistake to another. She gets too close to Viraj, the rich and handsome hunk of the college. She makes some wrong choices but refuses to back down, even if that means getting into impossible situations. Soon she is two-timing both Viraj and Anand, as she heads down a morally questionable path, finally pulling them all into the chaos she creates around herself.

To the credit of the filmmaker, he keeps the tone neutral, so as not to paint any of the characters in black or white. The driving force of the film entirely is Vaishnavi. It is her desires, her ambition, and her mistakes that take control of the fate of both the male leads and runs the narrative. Debutant Vaishnavi Chaitanya plays the character so perfectly that whenever the camera is on her, we accept her choices. She will get awards and appreciation in plenty for this role.

Anand Deverakonda surprises us with his wonderful performance as the suffering lover. He gives a performance of a lifetime in the scenes before the interval, when he first learns of his betrayal and decides to confront the girl, as well as in the scene towards the climax on the foot bridge. Viraj Ashwin leaves a mark with his performance.

Naga Babu plays the father of the girl, and Viva Harsha and others help in pushing the narrative further. Vaishnavi’s friend in college just disappears after a while without adding anything substantial to the story. The rationale behind a mute mother and Anand’s irritation with her somehow is not explained in the film. The tough money lender also turns into a compassionate human being towards the end.

Vijay Bulganin’s songs and background score perfectly fit and elevate the mood throughout. Bal Reddy’s camera work is praiseworthy.

Looking at the slapstick comedy films Sai Rajesh did earlier, Baby is a shockingly deep and emotional writing that asks viewers many questions. Producers SKN and Maruthi should be appreciated for backing this bold film and letting the maker stay true to his vision.

This film will be as divisive as Arjun Reddy. There will be lengthy discussions on the moral ambiguities, the characters and the ending. Talking about the commercial success of the film would be too soon, but this film is sure to be mentioned in the list of cult classics like 7/G Brindavan Colony, Premiste, RX 100 and Arjun Reddy.

Baby is a must watch this season.

Baby movie cast: Anand Deverakonda, Vaishnavi Chaitanya, Viraj Ashwin, Naga Babu, Viva Harsha Baby movie director: Sai Rajesh Baby movie rating: 3 stars

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• Vijay Deverakonda

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• Anand Deverakonda And Vaishnavi Chaitanya Baby Movie Review And Rating

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‘బేబీ’ మూవీ రివ్యూ

విమర్శకుల రేటింగ్, యూజర్ రేటింగ్, మూవీకు రేటింగ్ ఇవ్వడానికి స్లైడ్ చెయ్యండి.

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• Movie Reviews

Baby Review

Baby (2023) Movie: What's Behind

Anand Devarakonda is making rapid strides in the industry with his feel-good youthful entertainers. His upcoming film Baby starring Vaishnavi Chaitanya under Sai Rajesh's direction is attracting the attention of Genex movie lovers with the youthful teaser and trailer. The film's OTT deal is yet to be inked and the streaming will be done after the end of its theatrical run. Let us see whether Baby made movie lovers fall in love or not.

Baby Telugu Movie: Story Review

Baby story is all about a young girl and the happens in her life eversince she experiences love. Where her love journey leads to interesting developments in her life. Vaishu aka Vaishnavi (Vaishnavi Chaitanya) since childhood is deeply in love with Anand (Vijay Devarakonda) and even he reciprocates. Vaishu joins engineering while Anand who couldn't clear X, earn his livelihood plying an auto. How Vaishu reacts when she meets Viraj (Viraj Ashwin) and where this leads to form the rest of the story.

Baby Movie: Artists Review

Anand Devarakonda lived in the role of a young auto driver. He performed the role well as an innocent and sincere lover who goes to any extent to keep his lady love happy. He looked innocent while expressing his love and showed good emotional outbursts when he comes to know about the dark secrets of his lover. His body language, dialogue delivery, and expressions are natural and realistic. However at times, seeing him on screen, one gets a feeling that he is imitating his brother Vijay Devarakonda while trying to show more powerful emotions and intensity. He showed good feelings as a protective and possessive lover.

Vaishnavi Chaitanya steals the hearts of all with her intense and impactful performance. Vaishnavi Chaitanya's expressions and emotions while showing variations in her character are top-class. She did full justice to her role and carried the film on her shoulders as the entire film revolved around her. She not only delivered bold and powerful dialogues but also looked ultra glamorous. She also did intimate and kissing scenes with ease. Her scenes with Anand Devarakonda and Viraj Ashwin came out pretty well.

Viraj Ashwin looked stylish and handsome in the role of a rich and affluent student. He came up with good performance and at times dominated the lead pair. He also elevated the scenes with his expressions and emotions. The scenes featuring him, Anand Devarakonda, and Vaishnavi Chaitanya are good.

Naga Babu who played the role of Vaishnavi's father got an inconsequential role with just two dialogues. Others like Lirisha, Kusuma Degalamarri, Sathvik Anand, Babloo, Seetha, Mounika, and Keerthana performed accordingly.

Baby Movie: Technicians Review

Baby story readied by Sai Rajesh is a youthful romantic entertainer with an interesting twist. Sai Rajesh seems to have drawn inspiration from the real-life happenings in the Genex love stories and came up with the hard-hitting love story. He started the narration in a simple manner showing the blossoming of love between the lead pair Anand and Vaishnavi. Then Viraj is introduced and as the story progresses in a routine predictable and slow pace, the first half assumes the routine shades. However, the way the scenes between Aand and Vaishhavi are shown on the screen, maintained the curiosity feel among movie lovers intact.

The introduction of Viraj and the happenings between Viraj and Vaishnavi liven up the proceedings. The first half ends with a decent interval twist setting the tone for the second half. The real story starts in the second half and emotions reach the next level as the story progresses. The powerful dialogues and screenplay and script keep viewers glued to the screen. Sai Rajesh got the optimum performances from Anand, Viraj, and Vaishnavi and this elevated the emotions taking the film to another level.

The dialogues though bold, made a stunning impact. Sai Rajesh's story may be routine but he made it up for it with intense and powerful screenplay and impactful scenes. The pre-climax increases interest and the climax at times was dragged and finally it ends in an interesting manner.

Bal Reddy's cinematography is colorful. He beautified the film with his camera angles. The editing of Viplav Nyshadham is ok but could have been far better as there are many dags in the film which slowed the pace of the film. Production values of Mass Movie Makers are good.

Baby Movie: Advantages

• Vaishnavi Chaitanya, Anand Devarakonda
• Bold Dialogues
• Interval Block
• Cinematography

Baby Movie: Disadvantages

• Few Unconvincing Scenes
• Lengthy Screenplay
• Rushed Climax

Baby Movie: Rating Analysis

Altogether, Baby is a hard-hitting Genex love story. Sai Rajesh who penned the story highlighted how current generation youngsters view love in such a shallow perspective. Sai Rajesh got impactful performances from Anand Devarakonda, Vaishnavi Chaitanya, and Viraj Ashwin, and the bold scenes and dialogues, connect chords with the current generation of youngsters. With an interesting story, screenplay, and direction, Sai Rajesh drove home the point of the way love is viewed by the majority of youngsters and how young girls and guys are falling prey to it. A powerful message to the Genex youngsters cautioning about love hits them hard in their hearts. Considering all these points, Cinejosh goes with a 3 Rating for Baby .

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'Baby' Review: Lengthy Lousy Lusty

Film: Baby Rating: 2.25/5 Cast: Anand Devarakonda, Viraj Ashwin, Vaishnavi Chaitanya, Naga Babu, Lirisha etc Cinematography: MN Balreddy Editor: Viplav Nyshadam Music: Vijay Bulganin Producer: SKN Written and Directed By: Sai Rajesh Release Date: 14 July 2023

Anand Devarakonda, after a series of flops, came up with this film featuring Vaishnavi in her debut as a full-length heroine. Viraj Ashwin played the second lead, and the film was directed by Sai Rajesh. The trailer appealed to a specific audience, giving the impression of a poetic love story.

Let's delve into the plot and find out what it offers.

Story: Vaishnavi (Vaishnavi Chaitanya) has been in love with Anand (Anand Devarakonda) since their high school days. While Vaishnavi joins an Engineering College, Anand, who fails his 10th standard, becomes an auto driver over time.

Viraj (Viraj Ashwin), a wealthy young man in the college, falls in love with Vaishnavi and proposes to her. Although Vaishnavi develops feelings for Viraj, she remains loyal to Anand.

However, a series of events eventually push Vaishnavi to accept Viraj's kiss-proposal, leading her into trouble. What happens next? Who is the actual culprit, and who are the victims? How does her kiss affect the lives of each one?

The rest of the story answers these questions.

Artiste's Performance: Anand Devarakonda delivered a commendable performance, excelling in several scenes. He portrayed a character with strong values and morals, while also portraying a victim of love.

Vaishnavi showcased her talent by playing a girl-next-door from a below middle-class family, as well as an urban girl with a makeover. She portrayed a graceful lover and a confused teenager, displaying versatility in her acting.

Viraj performed well in his role, although there weren't many opportunities for him to showcase his diverse acting skills. His character lacked surprises or additional shades.

Naga Babu's portrayal was adequate but didn't offer anything noteworthy. Viva Harsha's role was like an extra actor with a few scenes and a couple of dialogues.

Technical Expertise: The cinematography was good, and the background score adequately supported the film. The songs were situation-based and pleasing to ears.

The editing was not sharp, causing scenes to drag on. On a whole the making standards are good. 

Highlights: Anand Devarakonda Vaishnavi Music

Drawbacks: Run-time Vulgarity

Analysis: Sai Rajesh, known for directing films with a blend of comedy and spoof value like "Hrudaya Kaleyam" and "Kobbari Matta," attempted to break away from that image with this film. He aimed to create an intense cult love story, but unfortunately, the result was a lethargically made, overly lengthy film with confusing characters.

While the director intended to present characters with real-life emotions, it became burdensome for the audience to bear the confusion and indecisiveness shown on screen.

The characterization of the female lead began subtly as a girl next door but later transformed into an urban girl who behaved contrary to her initial character. Despite the director's attempt to attribute her actions to alcohol, the overall narrative shifted toward hating the main lead rather than empathizing with her. Additionally, the heroine, who crossed several boundaries with her new friends, is surprisingly unaware of what 'dating' means, creating further confusion in her characterization.

Furthermore, the main lead's character felt contrived, with an excessive focus on idealistic traits. Instead of sympathizing with him, the audience sometimes trolled the character with loud laughs and shouts, revealing a mismatch between the director's imagination and the contemporary audience's mindset.

While the director may have aimed for a film akin to Balu Mahendra's "Vasantha Kokila" with a shattered hero at the end, the result felt forced and excessively long.

It is essential to maintain the right balance and not drag the narrative beyond what is necessary to achieve the desired effect. In this film, the story was dragged out too long, making it unbearable for the audience. The first half was slow but steady, while the interval part was intriguing. The second half followed predictable patterns, and the climax was never ending and pale.

The film runs like a moral story. It is a lesson for young girls of college age not to get trapped into the urban evils like pubs, alcohol and smoke and spoil personal lives. But the way it was dealt was vulgar. 

In spite of that moral theme, the film included objectionable cuss words like L@#j# (multiple times), G#dd#, De#g# Thaagi, Lan$ak#d#ka, Kud$si##tav. The filmmakers may have intentionally included these words, knowing that they would be muted by the Censor Board, but still understood by the audience in context. However, this choice speaks more about the director's vulgar taste than anything else. The words are not getting muted in American prints causing a lot of embarrassment and inconvenience to the NRI audience.

There is also a dialogue- "Nuvvu theravaalsindi kallu kaadu- kaallu" which is vulgar. 

There is a dialogue suggesting that men must spend the rest of their lives consuming alcohol sitting in a corner if their love fails. This outdated filmy thought process reflects the director's perspective.

The film appears loosely inspired by "RX100," where the heroine herself is the villain. In this case, the heroine is a villain but primarily driven by circumstances rather than her character.

The film emphasized more lust than love. All the main characters are victims at the end as per the story and of course the audience too are the victims of the length!

Bottom Line: Shabby

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Tags: Baby Baby Movie Review Baby Review Baby Telugu Movie Review Baby Rating Baby Movie Rating Baby Telugu Movie Rating

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Baby Movie Review

Article by Nanda Gopal Published by GulteDesk --> Published on: 9:12 am, 14 July 2023

2 Hr 28 Mins   |   Love   |   14-07-2023

Cast - Anand Deverakonda, Vaishnavi Chaitanya, Viraj Ashwin, Naga Babu and others

Director - Sai Rajesh

Producer - SKN

Banner - Mass Movie Makers

Music - Vijay Bulganin

Anand Deverakonda, the younger brother of Vijay Deverakonda, returns with Baby where he collaborated with Colour Photo writer-producer Sai Razesh. Anand isn’t successful yet like his brother. So, Anand is in search of success and cementing his position. Baby looks promising for him. Thanks to its musical-hit songs and good round of promotions, the film garnered good buzz. Will Anand and the makers succeed with Baby? Let’s find out.

Hailing from the same basti, Anand and Vaishnavi are childhood sweethearts who go to the same school. Vaishnavi loves Anand madly and he too falls for her. After school, Anand becomes an auto-driver and Vaishnavi joins engineering college where she enters a new world. She gets new friends and she meets a good-looking rich guy named Viraj. What happens when situations create a gap between Anand and Vaishnavi? The rest of the story is how Vaishnavi deals with Anand and Viraj.

Performances

Anand Deverakonda is alright as the protagonist who loves his girl unconditionally. His character goes through a lot of emotions. There are moments where Anand reminds us of brother Vijay Deverakonda, particularly the dialogue, ‘Na Pilla Bey’ which became popular with Vijay’s Arjun Reddy. Anand is still evolving as an actor.

Vaishnavi Chaitanya is the show-stealer. She carries off the film single-handedly from the start to end. As a Basti girl and as a modern girl, Vaishnavi shows she’s the best of both the worlds. She is a perfect cast for the role and she won the hearts. Kudos to the makers for their gutsy decision to rope in her for the role.

Viraj Ashwin is decent. His character lacks consistency. It is also not clear what exactly he wants and whether he loves Vaishnavi sincerely or not. Naga Babu’s role has no significance in the first beginning, but as the film progresses, his character gains weight in the story. Anand’s bonding with his own mother was irritating initially, whereas it tries to stir emotion towards the end. All the friends of the lead actors do a decent performance. Viva Harsha’s role has importance as the character reveals a crucial twist of the film.

Technicalities

On the surface, Baby has a very thin point. This becomes challenging in writing and narrating. Story requires more depth which is lacking. Yet, director Sai Rajesh scored points with his craft. Visuals and music make the film appeal. Music composer Vijay Bulganin is the winner as he delivered nice songs and a compelling background score. Two songs in the film are good. The film has slow narration. Editing is fine, but the film needed more crispness.

Vaishnavi Contemporary Concept Songs & Background Score

Thumbs Down

Thin Story Slow-paced Narration Improper Message

Baby is all about Vaishnavi and her life involving two guys – one childhood lover Anand and other college friend Viraj. How Vaishnavi tackles both forms the crux of the story. The film begins by showing Anand devastated and seen in a regretful mood. This raises curiosity and the story quickly takes us into the past. Director doesn’t waste much time in taking audiences into the story. The mood is set right and all the characters are well-established. The film just revolves around the lead characters. The scenes of phone, gifts and shopping, pub scenes connect to youth. The film is aimed for college-goers and youth who connect to the film. There are scenes which many guys relate to. The references about Pawan Kalyan, Trivikram Srinivas bring cheers to fans.

The success of Baby lies with the choosing Vaishnavi as the film’s heroine. It is her show completely. How she slipped into situations and how she tries her best to cover-up her mistakes but ends up making bigger mistakes that make for an engaging watch. The makers choose the topic that is very much relevant to the present generation and relatable to youths.

Vaishnavi is portrayed as a smart girl who doesn’t pay heed to parents or her love Anand. But she falls prey to a college ‘friend’ Sita who misguides her. This portion is alright. The transformation of Vaishnavi isn’t completely convincing. She puffs hookah, cigarette, gulps alcohol shots without much hesitation. Here the director tells us that Vaishnavi, a basti girl, attempts to change the way she looks and is perceived by others around her. This sets the tone for the film. The first half is engaging.

There are cuss words liberally used. Whilst these cuss words are muted, censored in India, they are used as it is in the US and overseas content. The latter-half has bold content as well. Director Sai Rajesh has handled some scenes with a lot of maturity which is laudable. But some scenes are dragged beyond the point.

Baby has a core problem. Writer-director Sai Rajesh tries to strike a fine balance. He tries to portray that everyone is good, but it is just situations that make one change and transform resulting in cheating. He tries to justify the wrongdoings too. But he fails to create enough sympathy or hatred for the principal characters. Unlike Arjun Reddy or 7/G Brindavan Colony or RX 100, Baby doesn’t hit hard or convey straight to the point. In fact, it just oscillates and beats around the bush.

The film deals with the new-age concept of a girl falling for attractions and end-up cheating an honest lover.

During an important scene, Vaishnavi wears Anand’s saree on his birthday and goes in his auto. The writing here is superior. In another scene in auto in the pre-climax where all the three lead characters encounter one another. This is well conceived. The climax is dragged and stretched beyond a point. And the end may not be convincing for many. The message of the film is not clear.

There is enough scope for humour. But the director stays true to the honesty. It has an intense love story. The film goes on at a serious tempo at max, till the end. To sum up, Baby is ambitious and as an idea it was good. Whereas, it suffers in its narration. The first half works and the second-half has bold moments. It manages to hold interest as it progresses. The film neither leaves you completely satisfied nor it disappoints. It just strikes midway between both.

Despite all its shortcomings, the film caters to youth with relevant scenes. Thanks to good buzz owing to hit songs and promotions, Baby got a good opening. We have to see how the movie is received in the coming days.

Verdict: Bold Baby !

Rating: 2.5/5

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Frequently Asked Questions (FAQs) About Baby

In this Baby film, Anand Deverakonda , Vaishnavi Chaitanya played the primary leads.

The Baby was released in theaters on 14 Jul 2023.

The Baby was directed by Sai Rajesh

Movies like Family Star , Tillu Square , Swayambhu and others in a similar vein had the same genre but quite different stories.

The Baby had a runtime of 177 minutes.

The soundtracks and background music were composed by Vijay Bulganin for the movie Baby.

The cinematography for Baby was shot by M N Balreddy .

You can watch the Baby movie on Aha,.

On 25 Aug 2023 Baby was released on the Aha, platform.

The movie Baby belonged to the Drama,Romance, genre.

Baby User Review

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Baby Movie Telugu (2023) in Cinemas Now! Cast, Trailer, Review

The Telugu movie “ Baby ” is a romantic entertainer starring Anand Deverakonda, Vaishnavi Chaitanya, and Viraj Ashwin in lead roles, while Viraj Ashwin, Nagababu, and others play supporting roles. The film is written and directed by Sai Rajesh . The music is composed by Vijai Bulganin . Produced by ESK Entertainments.

Baby Movie Release Date:

Released in theatres on July 14, 2023 . (Now Playing in Cinemas)

Baby Movie OTT Release Date:

Digital streaming of Baby Telugu film has been acquired by Aha Telugu OTT platform. Release yet to announced.

• Release Date:   July 14, 2023
• Language :  Telugu (Original)
• Genre : Love, Drama
• Director & Screenplay:   Sai Rajesh
• Cast :  Anand Deverakonda, Vaishnavi Chaitanya, Viraj Ashwin , Lirisha, Kusuma Degalamarri, Sathvik Anand, Babloo, Seetha, Mounika, Keerthana
• Music Director :  Vijai Bulganin
• Cinematography : MN Bal Reddy
• Editor : Viplav Nyshadam
• Production :  Mass Movie Makers

Baby Movie Trailer:

Baby Movie Review:

Baby is a romantic drama film about a young man who falls in love with a girl who is already in a relationship. The film explores love, betrayal, and redemption. Talking about the movie results Baby is a must watch film. It begins with a blockbuster talk across the Telugu states and the USA.

Baby: A heartwarming story of love, loss, and redemption.

• Too good performances by lead cast and supporting cast.
• Anand Deverakonda gives a standout performance as Anand will be in the hearts of youth. His acting will touch your heart for sure.
• Heroine Vaishnavi Chaitanya as Vaishnavi is soul to this Baby film.
• Viraj Ashwin look cute and handsome. He justified his role.
• A very good well designed story and direction by Sai Rajesh. There are some meaningful and hard hitting dialogues with will connect to present youth. Director is successful in connect with audience.
• Beautiful cinematography by MN Bal Reddy and Music by Vijai Bulganin is excellent. They deserves a shoutout. These two plays a crucial success of the this Baby film.
• Overall a good heartwarming film to watch.

Baby Movie Rating:

Anand deverakonda movies:.

Anand Deverakonda is a Telugu actor who made his film debut in 2019 with Dorasaani. He has since starred in several critically acclaimed films, including Middle Class Melodies and Pushpaka Vimanam. He is the younger brother of actor Vijay Deverakonda.

Vaishnavi Chaitanya Movies:

Vaishnavi Chaitanya is an Indian Tollywood Telugu actress. She is best known for her roles in the films “Baby” (2023), “Love Story” (2022), and “Ala Vaikunthapurramuloo” (2020).

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Anand Deverakonda teamed up with director Sai Rajesh for the film Baby, which was released today. The film features Vaishnavi Chaitanya as the leading lady, and Viraj Ashwin in a key role. The trailer of the film was released recently, and gained a massive response from the audience, increasing the expectations on the film, which has been released today. Let’s see how the film has turned out to be.

Anand and Vaishnavi are in love since class 10, and everything seems fine until Vaishnavi gets into a top college in the city. There, she befriends rich people and meets Viraj, a rich guy, who falls in love with Vaishnavi. One night, Anand and Vaishnavi get into a huge fight with each other, which changes their lives forever. What is this fight, how does it change their lives and what happens in the end forms the rest of the story.

On-Screen Performances:

Anand Deverakonda has improved tremendously as an actor and brings out every emotion of his character quite well. He is good in emotional scenes and strikes all the right chords. The pain and heartbreak that he exhibits during the pre-climax portion of the film is touching and makes everyone feel for him.

Vaishnavi Chaitanya gives a spectacular performance. She lives her character, and perfectly displays the various emotions and phases of her character. The kind of depth she brings to her character and her actions is especially impressive. She has a substantial role in the film, with the entire story revolving around her, and she doesn’t disappoint a bit.

Viraj Ashwin is good in his character and does well with what he is given. He looks quite good too, and while his performance is good, he could have been slightly better in emotional scenes.

The supporting cast of the movie is also good, but Nagendra Babu and Viva Harsha could have been utilized much better, as it looks like they’ve been underutilized.

Off-Screen Talents:

Director Sai Rajesh has come up with a very heart-touching story, which is heartbreaking at the same time. It is a story that is very much contemporary and has elements that are very close to the ones that we see or hear of in real life. He has come up with a highly entertaining and relatable first half, and ended the first half with a banger of an interval, upping the ante for the second half. While the second half of the film starts off fine, the pacing of the second half is all over the place, with many scenes dragging out unnecessarily. Viraj Ashwin’s character arc is not properly sketched and is abandoned abruptly, with no proper closure. The climax of the film, while extremely painful and emotional, may not resonate with all, and is something that the audiences may not be able to take, which is in contrast to the remaining film, which managed to entertain the audience until then. Apart from that, the director should have taken more care when it came to the direction he took regarding the story in the second half, as it feels all over the place and unnecessarily stretched.

The background score and music by Vijai Bulganin are extremely good, and perfectly assist the story telling process. Because of the background score, which is exceptional, certain scenes provide a lot more depth, and are much more enjoyable. The cinematography is good as well.

The production values are rich, but the editing could have been slightly better, especially with the pacing of the second half.

Plus Points:

• Lead cast performances
• Background score and music
• Relatable story and characters

Minus Points:

• Lag in second half

Verdict: Baby tells a story that is very close to real life, which makes it worthwhile and highly relatable. However, it’s lagging second half is a minus point. Nevertheless, it is a movie that can be watched once.

Telguubulletin.com Rating: 2.75/5

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Baby is a Romantic drama written and directed by Sai Rajesh. The film stars Anand Deverakonda, Vaishnavi Chaitanya, and Viraj Ashwin in lead roles. It is produced by SKN under the Mass Movie Makers Productions banner in association with GeethaArts. The music is composed by Vijay Buliganin, while M N Balreddy handles the cinematography and Viplav Nyashadam edits the film.

First Half Report: 

The film’s first half ends with a banger, setting up an exciting second half. Baby is racy and interesting in the first half, making the second half very anticipatory

Final Report:

Second half slows down a bit when compared to the first half. It is high on emotions and has a hard hitting message to convey that depicts contemporary relationships. Movie’s range depends on how general public receives the climax

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Baby Movie Review – Youthful and Bold film

Baby Movie Review

TELUGU360 RATING: 2.75/5

Story : Anand (Anand Devarakonda) and Vaishnavi (Vaishnavi Chaitanya) are from the same Basti and have loved each other since the 10th class. Anand and Vaishnavi’s love, which was comfortable till then, gets disturbed due to Vaishnavi’s new contacts in engineering college. Viraj (Viraj Ashwin), a rich boy studying there, gets close to Vaishnavi. He buys expensive gifts for Vaishnavi. Vaishnavi completely changes her appearance and becomes ultra-modern. Seeing Vaishnavi’s attire, Anand scolds her with a rude word. In a confused state, Vaishnavi gets physically close to Viraj. At this point, both Anand and Viraj start hating Vaishnavi. The rest of the story is how this triangular love story moves forward.

‘ Baby ‘ is a hard-hitting love story that echoes with youngsters well. The story mirrors the current generation’s love stories in a bold manner. Director Sai Rajesh and the team pulled off a truly contemporary and realistic script. The trailers hinted at this film as a class love story, but the scenes are bold, and the dialogues are rebellious. The film takes off in a routine manner, continuing at a slow pace until Vaishnavi goes to college. Then onwards the director shows command over the proceedings. The pre-interval, Interval episodes are highlights of the film. At the beginning of the second half, the way Vaishnavi is shown to make forced errors is interesting. On the flip side, the pre-climax episodes dragged on, duration of the film is a bit lengthy. With some fine-tuning, the film would have been a path breaker but now falls far short of it. Few scenes worked out emotionally and some of the dialogues are outrageously rebellious. God only knows how the censor allowed those dialogues which are of web series grade. The songs are excellent and picturized well. The artists performed well; Vaishnavi stands out. Cinematography, Music, and background score like the technical departments did their work well. Production values by Mass movie makers are very good.

Anand Deverakonda did the best performance of his short career. In emotional scenes, he has acted so well. Show Stealer is Vaishnavi Chaitanya’s debutante heroine. Viraj Aswin looks okay and suits the character.

Anand Deverakonda, Vaishanvi’s superb performance Music and background score Youth appealing content Emotional Scenes

Negatives: Excessive usage of cuss words Weak climax

‘Baby’ is a film aimed at youngsters and it works for them. This film showcases contemporary love relations adequately. Solid performances by the cast, soothing songs, and pleasant background music make this film a watchable one. The excessive usage of swear words deters the family audience. Overall, Youth go and watch it.

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Baby Movie Review: An odious, operatic tragedy of errors

Rating: ( 3 / 5).

Is there any genre more inconsistent in its treatment than romantic films? On one hand, we have films that are all froth and fluff, unrealistic from the get-go. On the other end, you have your pain-ridden odysseys acting as a gateway for catharsis. One is sheer escapism, the other a polarising poke into the pus-filled warts of human experience. There is an uneasiness so distinct after watching  Baby , a lot of the appreciation I have for this film comes from the very uneasiness it effectively evoked in me. But how can one appreciate something that makes you feel uneasy? Maybe it is some degree of novelty, combined with a congruence to a certain strain of reality. Maybe the existence of 'feel good' cinema conversely implies the existence of 'feel bad' cinema, for  Baby , easily earns itself a distinction in the latter category. Director - Sai Rajesh Cast - Vaishavi Chaitanya, Anand Deverakonda, Viraj Ashwin, Harsha Chemudu, Nagababu Konidela

For a film that deals with something so intimate and humble in scale — first love, growing up, infidelity, heartbreak and regrets — Director Sai Rajesh mounts it with an assured grandeur. The music of the film, composed by Vijai Bulganin, helps immensely, elevating the story even when the actors are struggling to find their feet. Not so long ago, this exact feat was achieved by composer duo Ajay-Atul for Sairat , a Marathi adaptation of Romeo and Juliet . But Baby is far pricklier in comparison. The movie has three leads and the makers intentionally name characters after their real names. Vaishnavi Chaitanya plays Vaishnavi, Anand Deverakonda is Anand and Viraj Ashwin’s character is called…you get the drift. If Jeo Baby’s The Great Indian Kitchen wanted to convey to its viewers that they are narrating the tale of *every* Indian family by not naming their characters, Baby takes a different route to arrive at the same location.   What gives Baby its edge is the way it presents two varying arguments about the film’s central love story at the same time. Sure, this is the story of many, if not every couple but, more often than not, these couples also believe they are exceptional, their love story is but the greatest in the world. Sample this song from Baby whose lyrics say, “ Mana katha lanti maro katha, charithalo undadhantane… ” (There is no story as unique as ours, history will stand proof to it). There is an echo to this display of exceptionalism on a more personal level when Vaishnavi declares, “ andaru veru, nenu veru ” (I am not like everybody else), which is followed by Anand rudely replying “ andaru porilu veru kaadhu, andaru okkate. ” (all girls are the same).  The exceptionalism of the characters is balanced by an inquiry on identity. As Vaishnavi leaves her ghetto to a swanky private engineering college, we see her self-esteem crack as she gets ridiculed about her dark skin and her economic background. We see her family, a cranky, insecure mother and a well-meaning but emotionally absent father play a role in this. This sets the tone for the rest of her arc. Staying committed to its “feel bad” vibe, Vaishnavi’s story is essentially an unbe'coming' of age one. Baby’s twin themes of exceptionalism and identity meet at the moment when Anand, after hurling abuses at Vaishnavi, declares that her identity only comes from him loving her. That she is who she is, because he chose to love her out of all the other people he could have loved. Vaishnavi, responds a little while later, that he gets his arrogance because she loved him first. She follows this up with a “ nuvvu mundhu preminche unte nen ninnu nelanu naakinche danini. ” What a beautiful insult. 

As much as Baby is about Vaishnavi, the film also belongs to Anand and his bookended grief, as its plays out like a flashback, a lengthy follow-up to the “ modhati premaku maranam ledhu ” (first love is immortal) hypothesis.  Anand is introduced with a shot of his feet as a fly lingers around. He is drunk, visibly overwhelmed with memories. We first see Vaishnavi dancing away outside her basthi’s Ganesh pandal. Their high school love is all innocence, aptly punctuated by children singing the chorus of  'O Rendu Prema Meghalila' . But alas, their innocence is only built to have it every last bit of it destroyed. Vaishnavi is the first to fall for Anand, he reciprocates it later. Vaishnavi, receiving a soap dabba as a gift, declares how she loves receiving gifts. These seemingly cute details are foreshadowed, weaponised even, for regrettable consequences and cruel pay-offs. 

Baby is well aware of its own foreboding, so much so that Vaishnavi and Anand find themselves talking about feeling, and later failing to see bad omens come in their way. If Anand and Vaishnavi form the film’s more obvious love story, Baby ’s tryst with tragedy is the film’s second, hidden love story. Viraj is the face and form of this story’s ugliness. Echoes of identity and exceptionalism find themselves in his story as well. Viraj is a rich guy who drives a Cooper to his college. Why would he like Vaishnavi, a basthi girl? But look at his introduction scene plays. Every girl is impressed by his looks, his wealth. Vaishnavi is not only different than all the other girls, but she is also indifferent to who he is on the outside. Much like Anand, this is the girl he chooses, to bequeath her a new identity, to be her only identity. 

While Baby also portrays love as something special, something irreplaceable and magical in theory, the film succeeds in its ugly depiction of narcissism, pettiness and violence. The film is generating enough hate as I type this sentence, but there is a good reason for that. Not a single main character is good or right. Vaishnavi is undone by her fear, Anand is destroyed by his insecurity and Viraj, well, Viraj is the most nightmarish version of the nice guy/boy bestie trope. Imagine Revi from Love Today , but crazy manipulative instead of just stupid. There is also a laughably bad and infantilized class divide angle in the form of a character named Seetha thrown in. While it does not work on its own, it does its bit in pushing the story forward. 

The film’s biggest shortcoming is in its direction. Its 177-minute-long runtime, consisting of scene after scene of theatre-style staging where the camera never moves and the dialogues never end does prove to be taxing to the viewer. For a story so haunting, its filmmaking is flat and tepid, wasting an opportunity to go from interesting to…well, exceptional. For now, and for a while, I shall continue to remain how the characters have been throughout the film. Confused. Like everybody else.

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• Runtime 2 hours 2 minutes

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