book review short essay

How to Write a Book Review: Awesome Guide

A book review allows students to illustrate the author's intentions of writing the piece, as well as create a criticism of the book — as a whole. In other words, form an opinion of the author's presented ideas. Check out this guide from EssayPro - book review writing service to learn how to write a book review successfully.

What Is a Book Review?

You may prosper, “what is a book review?”. Book reviews are commonly assigned students to allow them to show a clear understanding of the novel. And to check if the students have actually read the book. The essay format is highly important for your consideration, take a look at the book review format below.

Book reviews are assigned to allow students to present their own opinion regarding the author’s ideas included in the book or passage. They are a form of literary criticism that analyzes the author’s ideas, writing techniques, and quality. A book analysis is entirely opinion-based, in relevance to the book. They are good practice for those who wish to become editors, due to the fact, editing requires a lot of criticism.

Book Review Template

The book review format includes an introduction, body, and conclusion.

• Introduction
• Describe the book cover and title.
• Include any subtitles at this stage.
• Include the Author’s Name.
• Write a brief description of the novel.
• Briefly introduce the main points of the body in your book review.
• Avoid mentioning any opinions at this time.
• Use about 3 quotations from the author’s novel.
• Summarize the quotations in your own words.
• Mention your own point-of-view of the quotation.
• Remember to keep every point included in its own paragraph.
• In brief, summarize the quotations.
• In brief, summarize the explanations.
• Finish with a concluding sentence.
• This can include your final opinion of the book.
• Star-Rating (Optional).

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How to Write a Book Review: Step-By-Step

Writing a book review is something that can be done with every novel. Book reviews can apply to all novels, no matter the genre. Some genres may be harder than others. On the other hand, the book review format remains the same. Take a look at these step-by-step instructions from our professional writers to learn how to write a book review in-depth.

Step 1: Planning

Create an essay outline which includes all of the main points you wish to summarise in your book analysis. Include information about the characters, details of the plot, and some other important parts of your chosen novel. Reserve a body paragraph for each point you wish to talk about.

Consider these points before writing:

• What is the plot of the book? Understanding the plot enables you to write an effective review.
• Is the plot gripping? Does the plot make you want to continue reading the novel? Did you enjoy the plot? Does it manage to grab a reader’s attention?
• Are the writing techniques used by the author effective? Does the writer imply factors in-between the lines? What are they?
• Are the characters believable? Are the characters logical? Does the book make the characters are real while reading?
• Would you recommend the book to anyone? The most important thing: would you tell others to read this book? Is it good enough? Is it bad?
• What could be better? Keep in mind the quotes that could have been presented better. Criticize the writer.

Step 2: Introduction

Presumably, you have chosen your book. To begin, mention the book title and author’s name. Talk about the cover of the book. Write a thesis statement regarding the fictitious story or non-fictional novel. Which briefly describes the quoted material in the book review.

Step 3: Body

Choose a specific chapter or scenario to summarise. Include about 3 quotes in the body. Create summaries of each quote in your own words. It is also encouraged to include your own point-of-view and the way you interpret the quote. It is highly important to have one quote per paragraph.

Step 4: Conclusion

Write a summary of the summarised quotations and explanations, included in the body paragraphs. After doing so, finish book analysis with a concluding sentence to show the bigger picture of the book. Think to yourself, “Is it worth reading?”, and answer the question in black and white. However, write in-between the lines. Avoid stating “I like/dislike this book.”

Step 5: Rate the Book (Optional)

After writing a book review, you may want to include a rating. Including a star-rating provides further insight into the quality of the book, to your readers. Book reviews with star-ratings can be more effective, compared to those which don’t. Though, this is entirely optional.

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Writing Tips

Here is the list of tips for the book review:

• A long introduction can certainly lower one’s grade: keep the beginning short. Readers don’t like to read the long introduction for any essay style.
• It is advisable to write book reviews about fiction: it is not a must. Though, reviewing fiction can be far more effective than writing about a piece of nonfiction
• Avoid Comparing: avoid comparing your chosen novel with other books you have previously read. Doing so can be confusing for the reader.
• Opinion Matters: including your own point-of-view is something that is often encouraged when writing book reviews.
• Refer to Templates: a book review template can help a student get a clearer understanding of the required writing style.
• Don’t be Afraid to Criticize: usually, your own opinion isn’t required for academic papers below Ph.D. level. On the other hand, for book reviews, there’s an exception.
• Use Positivity: include a fair amount of positive comments and criticism.
• Review The Chosen Novel: avoid making things up. Review only what is presented in the chosen book.
• Enjoyed the book? If you loved reading the book, state it. Doing so makes your book analysis more personalized.

Writing a book review is something worth thinking about. Professors commonly assign this form of an assignment to students to enable them to express a grasp of a novel. Following the book review format is highly useful for beginners, as well as reading step-by-step instructions. Writing tips is also useful for people who are new to this essay type. If you need a book review or essay, ask our book report writing services ' write paper for me ' and we'll give you a hand asap!

We also recommend that everyone read the article about essay topics . It will help broaden your horizons in writing a book review as well as other papers.

Book Review Examples

Referring to a book review example is highly useful to those who wish to get a clearer understanding of how to review a book. Take a look at our examples written by our professional writers. Click on the button to open the book review examples and feel free to use them as a reference.

Book review

Kenneth Grahame’s ‘The Wind in the Willows’

Kenneth Grahame’s ‘The Wind in the Willows’ is a novel aimed at youngsters. The plot, itself, is not American humor, but that of Great Britain. In terms of sarcasm, and British-related jokes. The novel illustrates a fair mix of the relationships between the human-like animals, and wildlife. The narrative acts as an important milestone in post-Victorian children’s literature.

Book Review

Dr. John’s ‘Pollution’

Dr. John’s ‘Pollution’ consists of 3 major parts. The first part is all about the polluted ocean. The second being about the pollution of the sky. The third part is an in-depth study of how humans can resolve these issues. The book is a piece of non-fiction that focuses on modern-day pollution ordeals faced by both animals and humans on Planet Earth. It also focuses on climate change, being the result of the global pollution ordeal.

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How To Write A Book Review?

What to include in a book review, what is a book review, related articles.

How to Write a Book Review: A Comprehensive Tutorial With Examples

You don’t need to be a literary expert to craft captivating book reviews. With one in every three readers selecting books based on insightful reviews, your opinions can guide fellow bibliophiles toward their next literary adventure.

Learning how to write a book review will not only help you excel at your assigned tasks, but you’ll also contribute valuable insights to the book-loving community and turn your passion into a professional pursuit.

In this comprehensive guide,  PaperPerk  will walk you through a few simple steps to master the art of writing book reviews so you can confidently embark on this rewarding journey.

What is a Book Review?

A book review is a critical evaluation of a book, offering insights into its content, quality, and impact. It helps readers make informed decisions about whether to read the book.

Writing a book review as an assignment benefits students in multiple ways. Firstly, it teaches them how to write a book review by developing their analytical skills as they evaluate the content, themes, and writing style .

Secondly, it enhances their ability to express opinions and provide constructive criticism. Additionally, book review assignments expose students to various publications and genres, broadening their knowledge.

Furthermore, these tasks foster essential skills for academic success, like critical thinking and the ability to synthesize information. By now, we’re sure you want to learn how to write a book review, so let’s look at the book review template first.

Table of Contents

Book Review Template

How to write a book review- a step by step guide.

Check out these 5 straightforward steps for composing the best book review.

Step 1: Planning Your Book Review – The Art of Getting Started

You’ve decided to take the plunge and share your thoughts on a book that has captivated (or perhaps disappointed) you. Before you start book reviewing, let’s take a step back and plan your approach. Since knowing how to write a book review that’s both informative and engaging is an art in itself.

Choosing Your Literature

First things first, pick the book you want to review. This might seem like a no-brainer, but selecting a book that genuinely interests you will make the review process more enjoyable and your insights more authentic.

Crafting the Master Plan

Next, create an  outline  that covers all the essential points you want to discuss in your review. This will serve as the roadmap for your writing journey.

The Devil is in the Details

As you read, note any information that stands out, whether it overwhelms, underwhelms, or simply intrigues you. Pay attention to:

• The characters and their development
• The plot and its intricacies
• Any themes, symbols, or motifs you find noteworthy

Remember to reserve a body paragraph for each point you want to discuss.

The Key Questions to Ponder

When planning your book review, consider the following questions:

• What’s the plot (if any)? Understanding the driving force behind the book will help you craft a more effective review.
• Is the plot interesting? Did the book hold your attention and keep you turning the pages?
• Are the writing techniques effective? Does the author’s style captivate you, making you want to read (or reread) the text?
• Are the characters or the information believable? Do the characters/plot/information feel real, and can you relate to them?
• Would you recommend the book to anyone? Consider if the book is worthy of being recommended, whether to impress someone or to support a point in a literature class.
• What could improve? Always keep an eye out for areas that could be improved. Providing constructive criticism can enhance the quality of literature.

Step 2 – Crafting the Perfect Introduction to Write a Book Review

In this second step of “how to write a book review,” we’re focusing on the art of creating a powerful opening that will hook your audience and set the stage for your analysis.

Identify Your Book and Author

Begin by mentioning the book you’ve chosen, including its  title  and the author’s name. This informs your readers and establishes the subject of your review.

Ponder the Title

Next, discuss the mental images or emotions the book’s title evokes in your mind . This helps your readers understand your initial feelings and expectations before diving into the book.

Judge the Book by Its Cover (Just a Little)

Take a moment to talk about the book’s cover. Did it intrigue you? Did it hint at what to expect from the story or the author’s writing style? Sharing your thoughts on the cover can offer a unique perspective on how the book presents itself to potential readers.

Present Your Thesis

Now it’s time to introduce your thesis. This statement should be a concise and insightful summary of your opinion of the book. For example:

“Normal People” by Sally Rooney is a captivating portrayal of the complexities of human relationships, exploring themes of love, class, and self-discovery with exceptional depth and authenticity.

Ensure that your thesis is relevant to the points or quotes you plan to discuss throughout your review.

Incorporating these elements into your introduction will create a strong foundation for your book review. Your readers will be eager to learn more about your thoughts and insights on the book, setting the stage for a compelling and thought-provoking analysis.

How to Write a Book Review: Step 3 – Building Brilliant Body Paragraphs

You’ve planned your review and written an attention-grabbing introduction. Now it’s time for the main event: crafting the body paragraphs of your book review. In this step of “how to write a book review,” we’ll explore the art of constructing engaging and insightful body paragraphs that will keep your readers hooked.

Summarize Without Spoilers

Begin by summarizing a specific section of the book, not revealing any major plot twists or spoilers. Your goal is to give your readers a taste of the story without ruining surprises.

Support Your Viewpoint with Quotes

Next, choose three quotes from the book that support your viewpoint or opinion. These quotes should be relevant to the section you’re summarizing and help illustrate your thoughts on the book.

Analyze the Quotes

Write a summary of each quote in your own words, explaining how it made you feel or what it led you to think about the book or the author’s writing. This analysis should provide insight into your perspective and demonstrate your understanding of the text.

Structure Your Body Paragraphs

Dedicate one body paragraph to each quote, ensuring your writing is well-connected, coherent, and easy to understand.

For example:

• In  Jane Eyre , Charlotte Brontë writes, “I am no bird; and no net ensnares me.” This powerful statement highlights Jane’s fierce independence and refusal to be trapped by societal expectations.
• In  Normal People , Sally Rooney explores the complexities of love and friendship when she writes, “It was culture as class performance, literature fetishized for its ability to take educated people on false emotional journeys.” This quote reveals the author’s astute observations on the role of culture and class in shaping personal relationships.
• In  Wuthering Heights , Emily Brontë captures the tumultuous nature of love with the quote, “He’s more myself than I am. Whatever our souls are made of, his and mine are the same.” This poignant line emphasizes the deep, unbreakable bond between the story’s central characters.

By following these guidelines, you’ll create body paragraphs that are both captivating and insightful, enhancing your book review and providing your readers with a deeper understanding of the literary work. 

How to Write a Book Review: Step 4 – Crafting a Captivating Conclusion

You’ve navigated through planning, introductions, and body paragraphs with finesse. Now it’s time to wrap up your book review with a  conclusion that leaves a lasting impression . In this final step of “how to write a book review,” we’ll explore the art of writing a memorable and persuasive conclusion.

Summarize Your Analysis

Begin by summarizing the key points you’ve presented in the body paragraphs. This helps to remind your readers of the insights and arguments you’ve shared throughout your review.

Offer Your Final Conclusion

Next, provide a conclusion that reflects your overall feelings about the book. This is your chance to leave a lasting impression and persuade your readers to consider your perspective.

Address the Book’s Appeal

Now, answer the question: Is this book worth reading? Be clear about who would enjoy the book and who might not. Discuss the taste preferences and circumstances that make the book more appealing to some readers than others.

For example:  The Alchemist is a book that can enchant a young teen, but those who are already well-versed in classic literature might find it less engaging.

Be Subtle and Balanced

Avoid simply stating whether you “liked” or “disliked” the book. Instead, use nuanced language to convey your message. Highlight the pros and cons of reading the type of literature you’ve reviewed, offering a balanced perspective.

Bringing It All Together

By following these guidelines, you’ll craft a conclusion that leaves your readers with a clear understanding of your thoughts and opinions on the book. Your review will be a valuable resource for those considering whether to pick up the book, and your witty and insightful analysis will make your review a pleasure to read. So conquer the world of book reviews, one captivating conclusion at a time!

How to Write a Book Review: Step 5 – Rating the Book (Optional)

You’ve masterfully crafted your book review, from the introduction to the conclusion. But wait, there’s one more step you might consider before calling it a day: rating the book. In this optional step of “how to write a book review,” we’ll explore the benefits and methods of assigning a rating to the book you’ve reviewed.

Why Rate the Book?

Sometimes, when writing a professional book review, it may not be appropriate to state whether you liked or disliked the book. In such cases, assigning a rating can be an effective way to get your message across without explicitly sharing your personal opinion.

How to Rate the Book

There are various rating systems you can use to evaluate the book, such as:

• A star rating (e.g., 1 to 5 stars)
• A numerical score (e.g., 1 to 10)
• A letter grade (e.g., A+ to F)

Choose a rating system that best suits your style and the format of your review. Be consistent in your rating criteria, considering writing quality, character development, plot, and overall enjoyment.

Tips for Rating the Book

Here are some tips for rating the book effectively:

• Be honest: Your rating should reflect your true feelings about the book. Don’t inflate or deflate your rating based on external factors, such as the book’s popularity or the author’s reputation.
• Be fair:Consider the book’s merits and shortcomings when rating. Even if you didn’t enjoy the book, recognize its strengths and acknowledge them in your rating.
• Be clear: Explain the rationale behind your rating so your readers understand the factors that influenced your evaluation.

Wrapping Up

By including a rating in your book review, you provide your readers with an additional insight into your thoughts on the book. While this step is optional, it can be a valuable tool for conveying your message subtly yet effectively. So, rate those books confidently, adding a touch of wit and wisdom to your book reviews.

Additional Tips on How to Write a Book Review: A Guide

In this segment, we’ll explore additional tips on how to write a book review. Get ready to captivate your readers and make your review a memorable one!

Hook ’em with an Intriguing Introduction

Keep your introduction precise and to the point. Readers have the attention span of a goldfish these days, so don’t let them swim away in boredom. Start with a bang and keep them hooked!

Embrace the World of Fiction

When learning how to write a book review, remember that reviewing fiction is often more engaging and effective. If your professor hasn’t assigned you a specific book, dive into the realm of fiction and select a novel that piques your interest.

Opinionated with Gusto

Don’t shy away from adding your own opinion to your review. A good book review always features the writer’s viewpoint and constructive criticism. After all, your readers want to know what  you  think!

Express Your Love (or Lack Thereof)

If you adored the book, let your readers know! Use phrases like “I’ll definitely return to this book again” to convey your enthusiasm. Conversely, be honest but respectful even if the book wasn’t your cup of tea.

Templates and Examples and Expert Help: Your Trusty Sidekicks

Feeling lost? You can always get help from formats, book review examples or online  college paper writing service  platforms. These trusty sidekicks will help you navigate the world of book reviews with ease. 

Be a Champion for New Writers and Literature

Remember to uplift new writers and pieces of literature. If you want to suggest improvements, do so kindly and constructively. There’s no need to be mean about anyone’s books – we’re all in this literary adventure together!

Criticize with Clarity, Not Cruelty

When adding criticism to your review, be clear but not mean. Remember, there’s a fine line between constructive criticism and cruelty. Tread lightly and keep your reader’s feelings in mind.

Avoid the Comparison Trap

Resist the urge to compare one writer’s book with another. Every book holds its worth, and comparing them will only confuse your reader. Stick to discussing the book at hand, and let it shine in its own light.

Top 7 Mistakes and How to Avoid Them

Writing a book review can be a delightful and rewarding experience, especially when you balance analysis, wit, and personal insights. However, some common mistakes can kill the brilliance of your review. 

In this section of “how to write a book review,” we’ll explore the top 7 blunders writers commit and how to steer clear of them, with a dash of  modernist literature  examples and tips for students writing book reviews as assignments.

Succumbing to the Lure of Plot Summaries

Mistake: Diving headfirst into a plot summary instead of dissecting the book’s themes, characters, and writing style.

Example: “The Bell Jar chronicles the life of a young woman who experiences a mental breakdown.”

How to Avoid: Delve into the book’s deeper aspects, such as its portrayal of mental health, societal expectations, and the author’s distinctive narrative voice. Offer thoughtful insights and reflections, making your review a treasure trove of analysis.

Unleashing the Spoiler Kraken

Mistake: Spilling major plot twists or the ending without providing a spoiler warning, effectively ruining the reading experience for potential readers.

Example: “In Metamorphosis, the protagonist’s transformation into a monstrous insect leads to…”

How to Avoid: Tread carefully when discussing significant plot developments, and consider using spoiler warnings. Focus on the impact of these plot points on the overall narrative, character growth, or thematic resonance.

Riding the Personal Bias Express

Mistake: Allowing personal bias to hijack the review without providing sufficient evidence or reasoning to support opinions.

Example: “I detest books about existential crises, so The Sun Also Rises was a snoozefest.”

How to Avoid: While personal opinions are valid, it’s crucial to back them up with specific examples from the book. Discuss aspects like writing style, character development, or pacing to support your evaluation and provide a more balanced perspective.

Wielding the Vague Language Saber

Mistake: Resorting to generic, vague language that fails to capture the nuances of the book and can come across as clichéd.

Example: “This book was mind-blowing. It’s a must-read for everyone.”

How to Avoid: Use precise and descriptive language to express your thoughts. Employ specific examples and quotations to highlight memorable scenes, the author’s unique writing style, or the impact of the book’s themes on readers.

Ignoring the Contextualization Compass

Mistake: Neglecting to provide context about the author, genre, or cultural relevance of the book, leaving readers without a proper frame of reference.

Example: “This book is dull and unoriginal.”

How to Avoid: Offer readers a broader understanding by discussing the author’s background, the genre conventions the book adheres to or subverts, and any societal or historical contexts that inform the narrative. This helps readers appreciate the book’s uniqueness and relevance.

Overindulging in Personal Preferences

Mistake: Letting personal preferences overshadow an objective assessment of the book’s merits.

Example: “I don’t like stream-of-consciousness writing, so this book is automatically bad.”

How to Avoid: Acknowledge personal preferences but strive to evaluate the book objectively. Focus on the book’s strengths and weaknesses, considering how well it achieves its goals within its genre or intended audience.

Forgetting the Target Audience Telescope

Mistake: Failing to mention the book’s target audience or who might enjoy it, leading to confusion for potential readers.

Example: “This book is great for everyone.”

How to Avoid: Contemplate the book’s intended audience, genre, and themes. Mention who might particularly enjoy the book based on these factors, whether it’s fans of a specific genre, readers interested in character-driven stories, or those seeking thought-provoking narratives.

By dodging these common pitfalls, writers can craft insightful, balanced, and engaging book reviews that help readers make informed decisions about their reading choices.

These tips are particularly beneficial for students writing book reviews as assignments, as they ensure a well-rounded and thoughtful analysis.!

Many students requested us to cover how to write a book review. This thorough guide is sure to help you. At Paperperk, professionals are dedicated to helping students find their balance. We understand the importance of good grades, so we offer the finest writing service , ensuring students stay ahead of the curve. So seek expert help because only Paperperk is your perfect solution!

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How to Write a Book Review: The Complete Guide

by Sue Weems | 23 comments

Free Book Planning Course!  Sign up for our 3-part book planning course and make your book writing easy . It expires soon, though, so don’t wait.  Sign up here before the deadline!

If you've ever loved (or hated) a book, you may have been tempted to review it. Here's a complete guide to how to write a book review, so you can share your literary adventures with other readers more often! 

You finally reach the last page of a book that kept you up all night and close it with the afterglow of satisfaction and a tinge of regret that it’s over. If you enjoyed the book enough to stay up reading it way past your bedtime, consider writing a review. It is one of the best gifts you can give an author.

Regardless of how much you know about how to write a book review, the author will appreciate hearing how their words touched you.

But as you face the five shaded stars and empty box, a blank mind strikes. What do I say? I mean, is this a book really deserving of five stars? How did it compare to Dostoevsky or Angelou or Dickens?

Maybe there’s an easier way to write a book review.

Want to learn how to write a book from start to finish? Check out How to Write a Book: The Complete Guide .

The Fallacy of Book Reviews

Once you’ve decided to give a review, you are faced with the task of deciding how many stars to give a book.

When I first started writing book reviews, I made the mistake of trying to compare a book to ALL BOOKS OF ALL TIME. (Sorry for the all caps, but that’s how it felt, like a James Earl Jones voice was asking me where to put this book in the queue of all books.)

Other readers find themselves comparing new titles to their favorite books. It's a natural comparison. But is it fair?

This is honestly why I didn’t give reviews of books for a long time. How can I compare a modern romance or historical fiction war novel with Dostoevsky? I can’t, and I shouldn’t.

I realized my mistake one day as I was watching (of all things) a dog show. In the final round, they trotted out dogs of all shapes, colors, and sizes. I thought, “How can a Yorkshire Terrier compete with a Basset Hound?” As if he'd read my mind, the announcer explained that each is judged by the standards for its breed.

This was my “Aha!” moment. I have to take a book on its own terms. The question is not, “How does this book compare to all books I’ve read?” but “How well did this book deliver what it promised for the intended audience?”

A review is going to reflect my personal experience with the book, but I can help potential readers by taking a minute to consider what the author intended. Let me explain what I mean. 

How to Write a Book Review: Consider a Book’s Promise

A book makes a promise with its cover, blurb, and first pages. It begins to set expectations the minute a reader views the thumbnail or cover. Those things indicate the genre, tone, and likely the major themes.

If a book cover includes a lip-locked couple in flowing linen on a beach, and I open to the first page to read about a pimpled vampire in a trench coat speaking like Mr. Knightly about his plan for revenge on the entire human race, there’s been a breach of contract before I even get to page two. These are the books we put down immediately (unless a mixed-message beachy cover combined with an Austen vampire story is your thing).

But what if the cover, blurb, and first pages are cohesive and perk our interest enough to keep reading? Then we have to think about what the book has promised us, which revolves around one key idea: What is the core story question and how well is it resolved?

Sometimes genre expectations help us answer this question: a romance will end with a couple who finds their way, a murder mystery ends with a solved case, a thriller’s protagonist beats the clock and saves the country or planet.

The stories we love most do those expected things in a fresh or surprising way with characters we root for from the first page. Even (and especially!) when a book doesn’t fit neatly in a genre category, we need to consider what the book promises on those first pages and decide how well it succeeds on the terms it sets for itself.

When I Don’t Know What to Write

About a month ago, I realized I was overthinking how to write a book review. Here at the Write Practice we have a longstanding tradition of giving critiques using the Oreo method : point out something that was a strength, then something we wondered about or that confused us, followed by another positive.

We can use this same structure to write a simple review when we finish books. Consider this book review format: 

[Book Title] by [book author] is about ___[plot summary in a sentence—no spoilers!]___. I chose this book based on ________. I really enjoyed ________. I wondered how ___________. Anyone who likes ____ will love this book.

Following this basic template can help you write an honest review about most any book, and it will give the author or publisher good information about what worked (and possibly what didn’t). You might write about the characters, the conflict, the setting, or anything else that captured you and kept you reading.

As an added bonus, you will be a stronger reader when you are able to express why you enjoyed parts of a book (just like when you critique!). After you complete a few, you’ll find it gets easier, and you won’t need the template anymore.

What if I Didn’t Like It?

Like professional book reviewers, you will have to make the call about when to leave a negative review. If I can’t give a book at least three stars, I usually don’t review it. Why? If I don’t like a book after a couple chapters, I put it down. I don’t review anything that I haven’t read the entire book.

Also, it may be that I’m not the target audience. The book might be well-written and well-reviewed with a great cover, and it just doesn’t capture me. Or maybe it's a book that just isn't hitting me right now for reasons that have nothing to do with the book and everything to do with my own reading life and needs. Every book is not meant for every reader.

If a book kept me reading all the way to the end and I didn’t like the ending? I would probably still review it, since there had to be enough good things going on to keep me reading to the end. I might mention in my review that the ending was less satisfying than I hoped, but I would still end with a positive.

How to Write a Book Review: Your Turn

As writers, we know how difficult it is to put down the words day after day. We are typically voracious readers. Let’s send some love back out to our fellow writers this week and review the most recent title we enjoyed.

What was the last book you read or reviewed? Do you ever find it hard to review a book? Share in the comments .

Now it's your turn. Think of the last book you read. Then, take fifteen minutes to write a review of it based on the template above. When you're done, share your review in the Pro Practice Workshop . For bonus points, post it on the book's page on Amazon and Goodreads, too!

Don't forget to leave feedback for your fellow writers! What new reads will you discover in the comments?

Sue Weems is a writer, teacher, and traveler with an advanced degree in (mostly fictional) revenge. When she’s not rationalizing her love for parentheses (and dramatic asides), she follows a sailor around the globe with their four children, two dogs, and an impossibly tall stack of books to read. You can read more of her writing tips on her website .

23 Comments

The Ice Dragon by George R.R. Martin is about a girl that shows no emotion befriending a ice dragon.

I chose this book based on the cover that had a little girl riding a ice dragon, and wondered what is about.

I really enjoyed the interaction the little girl had with the dragon.

I wondered how how the girl’s bond with the dragon.

Anyone who likes a coming of age story set in a fantasy will love this book.

Thanks for sharing your practice, Azure!

You’re welcome.

A interesting, at times perplexing, subject! And one on my mind lately,as I’ve agreed to do a few. I do enjoy giving reviews and am delighted when I can say, “This was a great book!” Or even, “I enjoyed this book.” It gets perplexing when I agree to review a book — and simply don’t like it. Then what to say? I hate to disappoint the writer but I’ve promised to give my honest opinion.

I’ve found some books mediocre and yet I see a dozen other reviewers saying “A great story!” Tastes do vary. But when there are obvious flaws I tend to skip all the best-friend-and-cousin reviewers and find the first person who says, “This writer has a problem with…” Usually there’ll be a number of reviewers who spot the same problems I do.

I like upbeat main characters, but not aggressive, belligerent, and/or self-centered ones. I like to meet in a story the kind of people I’d like to meet in real life— not people I’d avoid if possible. I recently read a book where the main character came across as insipid and the story only mildly interesting. Other reviewers said it was great and I know for this specific audience — readers who want a certain slant to a story — it was quite suitable. So I tried to cut the book some slack. Everyone has their limit as to how much blood and gore, smooching and snuggling, they are willing to read about.

Once I agreed to review a book and would have tossed it after the first chapter — for several reasons. A lot of “writer inserting facts for reader’s benefit”; teach/preach paragraphs; excess of description; attitudes of MCs. Once it’s live on seller’s sites like Amazon, what can you say? The one thing good it had going for it was the story line or theme. With a pro editor’s help it could have been a great story.

As for a review, one book I read lately was “A Clue for the Puzzle Lady” by Parnell Hall. It’s one of those “Stayed up half the night to finish it” books; I think anyone who likes a compelling cozy mystery would probably like it. Downside: I didn’t care for the “Puzzle Lady.” She’s a lush, hangs out at the bar getting sloshed. The upside: her sensible niece has a starring role —trying to keep her aunt on the straight-and-narrow and the mystery keeps you guessing until the end.

Christine, Thanks for sharing your insight! It sounds like you are approached often to review new books. It does make it tricky if it’s a request, especially outside your own preferences. Thanks for chiming in about your process, as I’m sure others will appreciate the perspective too. I’ll have to take a look at the Puzzle Lady– I do enjoy cozy mysteries. Sue

Here’s another cozy mystery book review in case you’re interested. I’m not approached by writers that often, but there are the Story Cartel, Book Bub and Goodreads, all sites where authors ask for review volunteers.

Reel Estate Ripoff by Renee Pawlish

The detective Reed Ferguson is a fan of Humphry Bogart, movie memorabilia of that era, and fancies himself a bit of a Sam Slade. Though not your super-sleuth, rather inept at times, he’s a likeable character. Told in first person, the story has a Philip Marlowe tone to it, but much tamer. Dialogue and story line are well done, the story well plotted and believable. I’d gladly read more stories about this particular gumshoe.

If you like cozy mystery books, I’ll send you a list later, Sue. Love them too and I’ve met many authors who write in this genre. Back on topic– you inspire me again to add some reviews to my Blog. I have been reading and writing many middle grade mysteries for a project! My latest favorite: “The World’s Greatest Detective” by Caroline Carson (who I hope to meet tomorrow in Arlington, VA!) My 12 year old grandson borrowed it and finished it before I could. “It’s the best mystery I ever read, Grandma! You’ ll never guess the ending with unpredictable twists!” What better review could we read. The target audience and I both highly recommend this 2017 mystery.

Adding it to my stack, Beth. Thanks!

Not wanting to sound life an idiot, but willing to risk it here among friends: What exactly is a cozy mystery?

Glad you asked! It’s a subgenre of mystery. The best examples of cozy mysteries are those by Agatha Christie. They usually avoid profanity, excessive gore/ violence, and sex. They focus more on the puzzle, sleuth, and their smaller world. Hope that helps!

Thanks, Sue.

Wonderful article. The first I have read by you. It especially gets those of us who don’t feel we have the formula down for review writing to be introduced to a form we can build upon with experience. You’ve kept it simple but you have given us the main ingredients needed for a good review. I printed this one off to look at the next few times I write reviews. Thank you.

Glad you found it helpful. Thanks for reading and commenting!

I haven’t gone into all this. It’s a matter of time, Joe. I gad about all over the place, not knowing where I am or where I’m going. Within weeks, I’ll be 87. I’ve books of my own that I’d like to see reviewed. Even sorting them out, however, even finding where any of them are, would be a time burden. You see the fix?

Hi Dave, You aren’t alone in feeling the press of time for getting your stories out into the world. May I gently offer this: start with finding and sorting one. If you can’t find it, write it anew. You’ve probably grown in time and perspective since you wrote the first draft, which will make for a stronger story. Good luck. I’m cheering you on!

This is an article for me, because I am happy to receive a rating. I haven’t sold many books. But, at least some thinks that it was worth the time to read. That was refreshing. And, I think I wrote two reviews, so far. It was on Amazon.com. Thank you.

You’re welcome!

Hi, Sue. Thanks for the helpful advice. I did a review on Amazon for the first of a 7-part thriller titled ‘Mosh Pit (The Rose Garden Incident)’ by Michael Hiebert. [Here it is.]

“5.0 out of 5 stars Advance copy review. By A fellow author on September 18, 2016 Format: Kindle Edition I Recommend This Book Strongly

I enjoyed reading this first part of the thriller. The author’s opening chapter/prologue was fast paced, and set me in the middle of the inciting incident along with two of the main characters. After that thrilling opening, I felt the ensuing chapters moved at a more leisurely pace, and was about to grade them as less praiseworthy when I watched a lecture by Brandon Sanderson on YouTube about building three dimensional characters and realised Michael Hiebert had done exactly that by introducing the reader to the minutiae of other characters who had parts to play in the development of the story. So, instead of cardboard cutouts of bland stock characters, the author shows us real people with real concerns that the reader can relate to.and actually care about. I look forward to reading the rest of this intriguing thriller, and highly recommend it to all lovers of well-written, and well-crafted thrillers.”

I also reviewed Part 2 of the series, but that review is too long to post here.

Footnote: The author, Michael Hiebert, was so pleased with my reviews, he recently asked me to beta-read a short story collection he plans to publish in November.

Great review, John! I like how you shared a bit of your process as a reader too, in recognizing what the writer was doing with their characterization. Thanks!

Thank you, Sue.

Five out of five stars When I picked up a copy of “The Girl with All the Gifts,” by M R Carey, at the used book store, I somehow had it in my head that it was a YA dystopian novel along the lines of “Divergent” or “The Hunger Games.” While I would definitely say that I was not right about that, I wouldn’t say that I was completely wrong. I was, however, completely unprepared for a zombie novel–which is a good thing, cause I wouldn’t have read it, and I’m glad I did. Think “The Walking Dead” meets (why do I want to say ‘The Curious Incident of the Dog in the Night”?) “Peter Pan.” I really enjoyed seeing things from, the main character, Melanie’s point of view. Her limited knowledge of her own situation was intriguing, to say the least (and probably why I thought of “The Curious Incident”). I was a bit disappointed when the POV changed to another character’s, but, as the novel progressed, I found myself sympathizing with nearly all the characters–with one exception, and I’ll leave that for you to ponder when you read it. I wondered how much of the science was real, but not enough for me to research it myself. Although, based on other reviews, I guess most of the science about the fungus is real. I also wondered about the fate of the remaining ‘lost boys’ of the cities. If you liked…. well, I don’t know. I’m not typically a fan of things zombie, so I don’t have a comparison, but the book was somewhat similar to “Divergent” and “The Hunger Games” in that the main character goes through a hellluva time and comes out the other side with a plan for her future.

“Tuesdays with Morrie” by Mitch Albom is a true story about how one man found meaning in life when his doctors gave him a death sentence. Morrie was a college professor who passed on his new found wisdom in the last year of his life to a favorite student, the author, who chronicled his professor’s perspectives on death and dying.

I chose this book because of its philosophical topic, and because it is so well written that the words just jump off the page.

Knowing we are all mortal beings, I especially liked the insights, the tidbits of wisdom imparted by the dying man. Death is a subject that few, if any of us, ever talk about seriously with friends and family. The subject of death is verboten. We deny its existence. And, if we are religious, we pretend we will not really die, but we deceive ourselves and think we will live on in some afterlife existence for all eternity. But the professor, Morrie, learns some valuable life lessons from his impending death, and Mitch Albom was gracious enough to capture them in this short but eminently readable book.

I really liked the book because it is timeless. This true story will impart serious life lessons for all future generations, and will help us gain perspectives on our lives and the relationships with those we love the most.

R. Allan Worrell

Sue, I’ve been meaning to come back since this was first posted to tell you thanks for a great article. I seldom review books for alllllll the reasons you listed. This is a perfect tool and I’ll surely use it. Cathy

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How to Write a Book Review: The Ultimate Guide

WHAT IS A BOOK REVIEW?

Traditionally, book reviews are evaluations of a recently published book in any genre. Usually, around the 500 to 700-word mark, they briefly describe a text’s main elements while appraising the work’s strengths and weaknesses. Published book reviews can appear in newspapers, magazines, and academic journals. They provide the reader with an overview of the book itself and indicate whether or not the reviewer would recommend the book to the reader.

WHAT IS THE PURPOSE OF A BOOK REVIEW?

There was a time when book reviews were a regular appearance in every quality newspaper and many periodicals. They were essential elements in whether or not a book would sell well. A review from a heavyweight critic could often be the deciding factor in whether a book became a bestseller or a damp squib. In the last few decades, however, the book review’s influence has waned considerably, with many potential book buyers preferring to consult customer reviews on Amazon, or sites like Goodreads, before buying. As a result, book review’s appearance in newspapers, journals, and digital media has become less frequent.

WHY BOTHER TEACHING STUDENTS TO WRITE BOOK REVIEWS AT ALL?

Even in the heyday of the book review’s influence, few students who learned the craft of writing a book review became literary critics! The real value of crafting a well-written book review for a student does not lie in their ability to impact book sales. Understanding how to produce a well-written book review helps students to:

●     Engage critically with a text

●     Critically evaluate a text

●     Respond personally to a range of different writing genres

●     Improve their own reading, writing, and thinking skills.

Not to Be Confused with a Book Report!

WHAT’S THE DIFFERENCE BETWEEN A BOOK REVIEW AND A BOOK REPORT?

While the terms are often used interchangeably, there are clear differences in both the purpose and the format of the two genres. Generally speaking, book reports aim to give a more detailed outline of what occurs in a book. A book report on a work of fiction will tend to give a comprehensive account of the characters, major plot lines, and themes in the book. Book reports are usually written around the K-12 age range, while book reviews tend not to be undertaken by those at the younger end of this age range due to the need for the higher-level critical skills required in writing them. At their highest expression, book reviews are written at the college level and by professional critics.

Learn how to write a book review step by step with our complete guide for students and teachers by familiarizing yourself with the structure and features.

BOOK REVIEW STRUCTURE

ANALYZE Evaluate the book with a critical mind.

THOROUGHNESS The whole is greater than the sum of all its parts. Review the book as a WHOLE.

COMPARE Where appropriate compare to similar texts and genres.

THUMBS UP OR DOWN? You are going to have to inevitably recommend or reject this book to potential readers.

BE CONSISTENT Take a stance and stick with it throughout your review.

FEATURES OF A BOOK REVIEW

PAST TENSE You are writing about a book you have already read.

EMOTIVE LANGUAGE Whatever your stance or opinion be passionate about it. Your audience will thank you for it.

VOICE Both active and passive voice are used in recounts.

A COMPLETE UNIT ON REVIEW AND ANALYSIS OF TEXTS

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ELEMENTS OF A BOOK REVIEW

As with any of the writing genres we teach our students, a book review can be helpfully explained in terms of criteria. While there is much to the ‘art’ of writing, there is also, thankfully, a lot of the nuts and bolts that can be listed too. Have students consider the following elements before writing:

●     Title: Often, the title of the book review will correspond to the title of the text itself, but there may also be some examination of the title’s relevance. How does it fit into the purpose of the work as a whole? Does it convey a message or reveal larger themes explored within the work?

●     Author: Within the book review, there may be some discussion of who the author is and what they have written before, especially if it relates to the current work being reviewed. There may be some mention of the author’s style and what they are best known for. If the author has received any awards or prizes, this may also be mentioned within the body of the review.

●     Genre: A book review will identify the genre that the book belongs to, whether fiction or nonfiction, poetry, romance, science-fiction, history etc. The genre will likely tie in, too with who the intended audience for the book is and what the overall purpose of the work is.

●     Book Jacket / Cover: Often, a book’s cover will contain artwork that is worthy of comment. It may contain interesting details related to the text that contribute to, or detract from, the work as a whole.

●     Structure: The book’s structure will often be heavily informed by its genre. Have students examine how the book is organized before writing their review. Does it contain a preface from a guest editor, for example? Is it written in sections or chapters? Does it have a table of contents, index, glossary etc.? While all these details may not make it into the review itself, looking at how the book is structured may reveal some interesting aspects.

●     Publisher and Price: A book review will usually contain details of who publishes the book and its cost. A review will often provide details of where the book is available too.

BOOK REVIEW KEY ELEMENTS

As students read and engage with the work they will review, they will develop a sense of the shape their review will take. This will begin with the summary. Encourage students to take notes during the reading of the work that will help them in writing the summary that will form an essential part of their review. Aspects of the book they may wish to take notes on in a work of fiction may include:

●     Characters: Who are the main characters? What are their motivations? Are they convincingly drawn? Or are they empathetic characters?

●     Themes: What are the main themes of the work? Are there recurring motifs in the work? Is the exploration of the themes deep or surface only?

●     Style: What are the key aspects of the writer’s style? How does it fit into the wider literary world?

●     Plot: What is the story’s main catalyst? What happens in the rising action? What are the story’s subplots? 

A book review will generally begin with a short summary of the work itself. However, it is important not to give too much away, remind students – no spoilers, please! For nonfiction works, this may be a summary of the main arguments of the work, again, without giving too much detail away. In a work of fiction, a book review will often summarise up to the rising action of the piece without going beyond to reveal too much!

The summary should also provide some orientation for the reader. Given the nature of the purpose of a review, it is important that students’ consider their intended audience in the writing of their review. Readers will most likely not have read the book in question and will require some orientation. This is often achieved through introductions to the main characters, themes, primary arguments etc. This will help the reader to gauge whether or not the book is of interest to them.

Once your student has summarized the work, it is time to ‘review’ in earnest. At this point, the student should begin to detail their own opinion of the book. To do this well they should:

i. Make It Personal

Often when teaching essay writing we will talk to our students about the importance of climbing up and down the ladder of abstraction. Just as it is helpful to explore large, more abstract concepts in an essay by bringing it down to Earth, in a book review, it is important that students can relate the characters, themes, ideas etc to their own lives.

Book reviews are meant to be subjective. They are opinion pieces, and opinions grow out of our experiences of life. Encourage students to link the work they are writing about to their own personal life within the body of the review. By making this personal connection to the work, students contextualize their opinions for the readers and help them to understand whether the book will be of interest to them or not in the process.

ii. Make It Universal

Just as it is important to climb down the ladder of abstraction to show how the work relates to individual life, it is important to climb upwards on the ladder too. Students should endeavor to show how the ideas explored in the book relate to the wider world. The may be in the form of the universality of the underlying themes in a work of fiction or, for example, the international implications for arguments expressed in a work of nonfiction.

iii. Support Opinions with Evidence

A book review is a subjective piece of writing by its very nature. However, just because it is subjective does not mean that opinions do not need to be justified. Make sure students understand how to back up their opinions with various forms of evidence, for example, quotations, statistics, and the use of primary and secondary sources.

EDIT AND REVISE YOUR BOOK REVIEW

As with any writing genre, encourage students to polish things up with review and revision at the end. Encourage them to proofread and check for accurate spelling throughout, with particular attention to the author’s name, character names, publisher etc. 

It is good practice too for students to double-check their use of evidence. Are statements supported? Are the statistics used correctly? Are the quotations from the text accurate? Mistakes such as these uncorrected can do great damage to the value of a book review as they can undermine the reader’s confidence in the writer’s judgement.

The discipline of writing book reviews offers students opportunities to develop their writing skills and exercise their critical faculties. Book reviews can be valuable standalone activities or serve as a part of a series of activities engaging with a central text. They can also serve as an effective springboard into later discussion work based on the ideas and issues explored in a particular book. Though the book review does not hold the sway it once did in the mind’s of the reading public, it still serves as an effective teaching tool in our classrooms today.

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

BOOK REVIEW GRAPHIC ORGANIZER (TEMPLATE)

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Book and Movie review writing examples (Student Writing Samples)

Below are a collection of student writing samples of book reviews.  Click on the image to enlarge and explore them in greater detail.  Please take a moment to both read the movie or book review in detail but also the teacher and student guides which highlight some of the key elements of writing a text review

Please understand these student writing samples are not intended to be perfect examples for each age or grade level but a piece of writing for students and teachers to explore together to critically analyze to improve student writing skills and deepen their understanding of book review writing.

We would recommend reading the example either a year above and below, as well as the grade you are currently working with to gain a broader appreciation of this text type .

BOOK REVIEW VIDEO TUTORIALS

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Book Review

Book Review Examples

Last updated on: Nov 20, 2023

Good Book Review Examples to Help you Write a Great Review

By: Nova A.

Reviewed By: Chris H.

Published on: Mar 30, 2021

A book review is a common assignment that allows the students to demonstrate the author’s intentions in the book. It also provides them with the chance not only to criticize but also to give constructive criticism on how they can make improvements.

The purpose of writing a book review is to come up with your opinion about the author’s ideas presented in the book. On the other hand, a book analysis is completely based on opinions that are relevant to the book.

Writing a review is something that can be done with any book that you read. However, some genres are harder to write. But with a proper plan, you can easily write a great review on any book.

Read some short book review examples in this guide. They will help you understand the key elements of writing a great review in no time.

On this Page

Academic Book Review Examples

If you are assigned to write a book review, referring to some examples will be of great help. In addition, reading examples before starting the writing process will help you understand what elements are needed for a great book review. There are also many review sites online you can get help from.

Academic book reviews follow a fairly simple structure. It usually includes an introduction, middle paragraphs, and a conclusion that sums up all the ideas.

For a great book review, here are the things you need to focus on during the writing process.

• The main argument presented by the author
• Author’s methodologyAppropriateness for the audience
• Relationship to the real world

Have a look at the following book review examples for kids before beginning the writing process.

Book Review Examples for Middle School Students

Book Review Example For Kids

Book Review Examples for High School Students

Paper Due? Why Suffer? That's our Job!

Book Review Examples for College Students

Book Review Examples for University Students

How to Write a Book Review - Examples

If you don’t know how to write a book review, look at the following steps.

The first step is to plan and create an outline that includes all the points that you will have to cover in the review. Don’t forget to include all the information about the characters, plot information, and some other parts of the chosen book.

The three parts of a book review are:

1. Provide a Summary

What is the book about? Write about the main characters and what is the conflict that is discussed in the book.

2. Provide Your Evaluation

Share your thoughts about the book and what elements work best.

3. Rate the Book

Rate and recommend the book to others who will enjoy reading this book.

If you need to submit a book review soon, we suggest you start reading some book reviews online. Here you can also find some good book review writing examples to understand how to craft each section of a book review.

Book Review Introduction Examples

Thesis Statement Book Review Examples

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Book Review Conclusion Examples

Critical Book Review Examples

A book review is a critical evaluation of the book, movie, or any other literary work. It has two goals: the first is to inform the readers about the content of the book, and the second is to evaluate your judgment about the book.

A book review is more than a book report. A review is basically a critical essay that evaluates the merits of a literary work. The purpose of writing a book review is not to prove that you have read a book but to show that you think critically about the chosen book.

When you are asked to write a critical book review, you need to identify, summarize and evaluate the ideas of the author. In simpler words, you will be examining and evaluating another person’s work from your point of view.

Science Book Review Examples

A scientific book review will contain the same elements as writing a review for a fiction book; some elements might vary. When you are reviewing a scientific text, you need to pay attention to the writing style and the validity of the content.

Most students turn to non-fictional sources of information. It is important to make sure the information you provide in your review is factual and scientific.

Book review writing can be difficult if you don’t know how to follow the standard protocols. That’s where our reliable book review writing service aims to provide the necessary help.

No matter what your academic level is, we can provide you with the best book review writing help. This type of writing assignment can be tricky and time-consuming. So, if you don’t know how to crack this task, better get professional help.

We at 5StarEssays.com provide exceptional book review writing help. Not only book reviews, but we also provide the best ‘ write an essay for me ’ help to students. Moreover, we also have an AI essay writer to help you with tight deadlines, give it a try now!

Frequently Asked Questions

How do you write a book review example.

Here are some steps that will help you to write a book review example.

• Start writing with few sentences and describe what the book is all about
• Focus on your thoughts
• Mention things that you dont like about the book.
• Summarize your thoughts.
• Give rating to the book.

Thesis, Law

As a Digital Content Strategist, Nova Allison has eight years of experience in writing both technical and scientific content. With a focus on developing online content plans that engage audiences, Nova strives to write pieces that are not only informative but captivating as well.

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Blog – Posted on Thursday, Nov 11

The only book review templates you'll ever need.

Whether you’re trying to become a book reviewer , writing a book report for school, or analyzing a book, it’s nice to follow a book review template to make sure that your thoughts are clearly presented. 

A quality template provides guidance to keep your mind sharp and your thoughts organized so that you can write the best book review possible. On Reedsy Discovery , we read and share a lot of book reviews, which helps us develop quite a clear idea what makes up a good one. With that in mind, we’ve put together some trustworthy book review templates that you can download, along with a quick run-through of all the parts that make up an outstanding review — all in this post! 

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

Should you become a book reviewer?

Find out the answer. Takes 30 seconds!

Book review templates for every type of review

With the rapid growth of the book community on Instagram, Youtube, and even TikTok, the world of book commentary has evolved far beyond your classic review. There are now many ways you can structure a book review. Some popular formats include:

• Book reports — often done for school assignments; 
• Commentary articles — think in-depth reviews in magazines and newspapers; 
• Book blog reviews — short personal essays about the book; and
• Instagram reviews — one or two-paragraph reviews captioned under a nice photo. 

But while the text in all these review styles can be organized in different ways, there are certain boxes that all good book reviews tick. So, instead of giving you various templates to use for different occasions, we’ve condensed it down to just two book review templates (one for fiction and one for nonfiction) that can guide your thoughts and help you nail just about any review. 

⭐ Download our free fiction book review template  

⭐ Download our free nonfiction book review template  

All you need to do is answer the questions in the template regarding the book you’re reading and you’ve got the content of your review covered. Once that’s done, you can easily put this content into its appropriate format. 

Now, if you’re curious about what constitutes a good book review template, we’ll explain it in the following section! 

Elements of a book review template

Say you want to build your own book review template, or you want to customize our templates — here are the elements you’ll want to consider. 

We’ve divided our breakdown of the elements into two categories: the essentials and the fun additions that’ll add some color to your book reviews.

What are the three main parts of a book review?

We covered this in detail (with the help of some stellar examples) in our post on how to write a book review , but basically, these are the three crucial elements you should know: 

The summary covers the premise of the book and its main theme, so readers are able to understand what you’re referring to in the rest of your review. This means that, if a person hasn’t read the book, they can go through the summary to get a quick idea of what it’s about. (As such, there should be no spoilers!) 

The analysis is where, if it’s a fiction book, you talk more about the book, its plot, theme, and characters. If it’s nonfiction, you have to consider whether the book effectively achieves what it set out to do. 

The recommendation is where your personal opinion comes in the strongest, and you give a verdict as to who you think might enjoy this book. 

You can choose to be brief or detailed, depending on the kind of review you’re writing, but you should always aim to cover these three points. If you’re needing some inspiration, check out these 17 book review examples as seen in magazines, blogs, and review communities like Reedsy Discovery for a little variation. 

Which review community should you join?

Find out which review community is best for your style. Takes 30 seconds!

Which additional details can you include?

Once you’ve nailed down the basics, you can jazz things up a little and add some personal flavor to your book review by considering some of these elements:

• A star-rating (the default is five stars but you can create your own scales); 
• A bullet-point pros and cons list; 
• Your favorite quotation from the book; 
• Commentary on the format you read (i.e., ebook, print, or audiobook);
• Fun facts about the book or author; 
• Other titles you think are similar.

This is where you can really be creative and tailor your review to suit your purpose and audience. A formal review written for a magazine, for instance, will likely benefit from contextual information about the author and the book, along with some comment on how that might have affected the reading (or even writing) process.

Meanwhile, if you’re reviewing a book on social media, you might find bullet points more effective at capturing the fleeting attention of Internet users. You can also make videos, take creative pictures, or even add your own illustrations for more personal touches. The floor is yours at this point, so go ahead and take the spotlight! 

That said, we hope that our templates can provide you with a strong foundation for even your most adventurous reviews. And if you’re interested in writing editorial reviews for up-and-coming indie titles, register as a reviewer on Reedsy Discovery !

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Writing a book review?

Use our free book review template to make sure you don't leave anything out.

👀 Book Review Example

🔗 references, ❓ what is a book review.

A book review is a form of literary criticism. There are several important elements to consider when writing one, such as the author’s style and themes of interest. The two most popular types are short summary reviews and critical reviews, which are longer.

Summary Book Review

The format of a book review depends on the purpose of your writing. A short summary review will not include any in-depth analysis. It’s merely a descriptive piece of writing that overviews key information about the book and its author. An effective summary review consists of:

• Reference to a chosen book in the form of a citation.
• A few words on the book’s purpose.
• Description of the main themes, ideas, and issues highlighted by the author.
• Brief information about other works on this topic, if applicable.
• A note about the author and visual materials of the book, along with its structure.

Critical Book Review

A critical book review is much longer than its summary counterpart and looks more like an analytical essay. You may be asked to write one as a college student. It includes:

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• Book citation and a hook in the introduction.
• A few words about the author’s intentions.
• An academic description of the main ideas and themes.
• Mention of errors in the text, if you found any.
• Discussion of the chosen book’s significance and how it has influenced the field.
• Some information about the author and the physical content of the book.
• Description of the audience and whether the writer’s style and ideas are engaging.

🧩 Book Review Outline

Check out the book review outline template below to learn more about structuring your paper. 

Introduction

The introduction of a book review should include some background information and your thesis statement.

• What is this book about?
• Who is the author?
• What were the reasons for writing this book?
• Who is this book for?
• What is the general problem the book addresses?

Brief book summary

A brief summary should provide an outline of the book’s main ideas or events.

• What are the main themes/ideas of the book?
• What is the plot?
• Who are the characters?
• What is the major emphasis of the work?

Critical review 

A critical review should focus on your evaluation of the author’s approach to writing about a particular issue.

• What did you like/dislike in the book?
• What are the book’s strengths and weaknesses?
• What do you agree/disagree with? Why?
• How does this book compare to other books on this topic?
• What matters does the book leave out?

The conclusion of a book review should finish with your personal assessment of the work.

• Has the author achieved the purpose of writing the book?
• Is this book worth reading?
• To whom would you recommend this book?
• What is your final opinion about it?
• What steel needs to be written on this subject?

Book Review Outline Example

We have prepared for you a book review outline example on Looking for Alaska by John Green. Check it out: 

• Hook: Have you ever searched for meaning amidst the chaos of teenage life? John Green’s Looking for Alaska embarks on that very journey, unveiling the messy realities of adolescence. 
• Overview of the book. 
• Information about the author. 
• Thesis statement: In Looking for Alaska , John Green skillfully crafts a narrative that delves into the turbulent journey of adolescence, exploring themes of friendship, identity, and the quest for meaning. 
• Introduction of the protagonist, Miles Halter. 
• Introduction of other characters and their roles in Halter’s life. 
• Key events of the book. 
• Green’s writing style and its effectiveness in portraying the turbulent emotions and confusion of adolescence. 
• The character development of Miles and his journey of self-discovery, grief, and understanding. 
• Exploration of how themes of friendship, identity, and the quest for meaning are depicted throughout the narrative. 
• Restated thesis. 
• Brief summary of main points. 
• Recommendation: I would recommend this thought-provoking book to fans of realistic fiction that doesn’t shy away from difficult topics.   

📋 Book Review Format

Here are several practical tips that can aid you in formatting your book review:

• Start with the book citation. Provide the necessary publication information about the book, including the author’s name, the full title of the book, and other elements required by your chosen citation style (e.g., APA, MLA, Chicago, etc.).
• Italicize the book title in the text. Whenever you mention the book title in your review, remember to type it in italics without using quotation marks. However, if you include the title of a book chapter, enclose it in quotation marks and don’t italicize it.
• Use a readable font. Type your book reviews using a 12-pt Arial or Times New Roman font.
• Apply standard document settings. These include 1-inch margins on all sides, double spacing, and flush left paragraph alignment.
• Use in-text citations. Always cite the information borrowed from other authors. This way, your readers will understand the origin of your ideas and distinguish your thoughts from those of others.
• Keep your review to 500-1500 words. When the professor does not indicate how many words to include in your book review, keep it to 2-5 double-spaced pages.

✍️ How to Write a Book Review?

The structure of a book review is like any other essay. That said, the process of writing one has its own idiosyncrasies. So, before moving to the three parts of the review (introduction, main body, and conclusion), you should study the chosen piece and make enough notes to work with.

Step #1: Choose a Book and Read It

Being interested in a book you’re about to analyze is one thing. Reading it deeply is quite another.

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Before you even dive into the text proper, think about what you already know about the book. Then, study the table of contents and make some predictions. What’s your first impression?

Now, it’s time to read it! Don’t take this step lightly. Keep a note log throughout the reading process and stop after each chapter to jot down a quick summary. If you find any particular point of interest along the way and feel you might want to discuss it in the review, highlight it to make it easier to find when you go back through the text. If you happen to have a digital copy, you can even use a shorten essay generator and save yourself some time.

Answering the following questions can also help you with this process.

Step #2: Create Your Book Review Outline

A solid outline should be the foundation of any worthy book review. It includes the key points you want to address and gives you a place to start from (and refer back to) throughout the writing process.

You are expected to produce at least five paragraphs if you want your review to look professional, including an introduction, three body paragraphs, and a conclusion .

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While analyzing your notes , consider the questions below.

Step #3: Write Your Book Review Introduction

With a layout firmly in place, it’s time to start writing your introduction. This process should be straightforward: mention the name of the book and its author and specify your first impression. The last sentence should always be your thesis statement, which summarizes your review’s thrust and critical findings.

Step #4: Write Your Book Review Body

Include at least three main ideas you wish to highlight. These can be about the writing style, themes, character, or plot. Be sure to support your arguments with evidence in the form of direct quotes (at least one per paragraph). Don’t be afraid to paraphrase the sentences that feel off. It’s better to aknowledge the mistakes yourself than have someone else point them out.

Step #5: Write Your Book Review Conclusion

Compose a brief summary of everything you wrote about in the main body. You should also paraphrase your thesis statement . For your closing sentence, comment on the value of the book. Perhaps it served as a source of useful insight, or you just appreciate the author’s intention to shed light on a particular issue.

Now you know how to write a book review. But if you need some more inspiration, check out the following sample review, which follows the basic outline described above.

Mary Shelley’s Frankenstein: Book Review Example

If you want more examples, check out the list below!

• “The 21 Irrefutable Laws of Leadership”: Book Review
• The Great Gatsby: A Book Review and Summary
• The Immortal Life of Henrietta Lacks Book Review
• Book Review: “They Say I Say”
• The Advancement by L. Russ Bush: Book Review
• Book Review “Religious, Feminist, Activist ” by Laurel Zwissler
• “Tell My Horse” by Zora Neale Hurston Book Review
• “Emotional Intelligence” by Daniel Goleman Book Review
• “Emotional Intelligence 2.0” by Bradberry and Greaves Book Review
• “Military Rule in America” by Karen L. Remmer: Book Review

Book Review Essay Topics

• Pride and Prejudice by Jane Austen : book review.
• The symbolic nature of the Canadian consumption culture in The Donut: A Canadian History by S. Penfold.
• The key lessons of the book Rich Dad Poor Dad by Robert Kiyosaki.
• Big Talk, Small Talk by Shola Kaye : a guide to effective communication.
• Review of the book The Handmaid’s Tale by Margaret Atwood.
• The main ideas promoted in Thinking About Crime: Sense and Sensibility in American Penal Culture by M. Tonry.
• Exposition of young boys’ problems in Nikkah’s Our Boys Speak .
• Mrs. Dalloway by Virginia Woolf : book review.
• Discuss the message to future entrepreneurs in Phil Knight’s Shoe Dog .
• The main ideas of The 7 Habits of Highly Effective People by Stephen R. Covey.
• Magical realism in The Brief Wondrous Life of Oscar Wao by Juno Diaz.
• Book review: Into the Wild by Jon Krakauer .
• Psychological struggles of identity and isolation in Frankenstein by Mary Shelley .
• The principle of negotiation in the book Getting to Yes .
• Analyze the symbolism in Ray Bradbury’s Fahrenheit 451 .
• The role of family in Montana 1948 .
• Weaving the Web by Tim Berners-Lee : book review.
• Discuss the main topic of the book Death of a Salesman .
• Tragedy of the family in A Good Man Is Hard to Find by Flannery O’Connor.
• Realistic features of Afghanistan in The Kite Runner by Khaled Hosseini.
• Review of the book Montley Fool Money Guide .
• Description of the gap between two cultures in The Spirit Catches You and You Fall Down by Anne Fadiman.
• The effect of Puritan beliefs in Nathaniel Hawthorne’s Young Goodman Brown .
• Heart of Darkness by Joseph Conrad as a prominent example of symbolism.
• The philosophical value of Oedipus the King by Sophocles .
• Discuss the description of gradual personality changes in Edgar Allan Poe’s The Black Cat .
• Review of the play Much Ado About Nothing by W. Shakespeare .
• Analyze the core theme of Sherman Alexie’s book The Absolutely True Diary of a Part-Time Indian .
• Family values and culture preservation issues in J.D. Vance Book Hillbilly Elegy .
• Problems of teenagers’ behavior in Nothing but the Truth by Avi .
• The role of women in society in Sylvia Plath’s The Bell Jar .
• Satire on the Victorian society customs in The Importance of Being Earnest by Oscar Wilde .
• Danger of obsession with new technologies in Nathaniel Hawthorne’s The Birthmark .
• Describe the controversial messages of Why Don’t You Dance by Raymond Carver .
• Examine the central problem of the novel Motorcycle Ride on the Sea of Tranquility by Patricia Santana .
• Review of the book Billy Budd by Herman Melville .
• The fundamental philosophical problems of perception and consciousness in The Invention of Morel by Adolfo Bioy Casares.
• Discuss the role of the illusory world Tennessee Williams’ The Glass Menagerie .
• Gender roles in A Doll’s House by Henrik Ibsen.
• Analyze the main topic of Death by Landscape by Margaret Atwood.
• Book Review – The New York Times
• Book Reviews – UNC Writing Center
• Writing a Book Review – USC Writing Center
• Books | The Guardian
• Book Reviews : NPR – NPR
• Book Reviews // Purdue Writing Lab
• Book Reviews | Nature
• The New York Review of Books: Home
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I need a seven page Book report on Booker T. Washington. Instructions below from instructor title, your name, and then seven paragraphs and seven pages – no more no less.

get rid of the outline format.

They combine your ideas into seven paragraphs.

Each paragraph that has quotes should have a topic sentence followed by the five sentences with quotes and endnotes, followed by the concluding sentence.

You do not need any quotes in the introduction or in the summary.

So seven paragraphs total.

Each paragraph needs to be 13 – 17 lines, lines on a page and not sentences.

So, delete the outline format.

Combine your ideas into seven paragraphs.

Make sure that each paragraph has between 13–17 lines.

And make sure your overall length is in seven pages, no more no less.

Hello! Our experts can help you with any task!

Book Review Writing Examples

Examples: learn from the efforts of others.

Learning how to write strong reviews takes time and not a little effort. Reading the reviews others have done can help you get a feel for the flow and flavor of reviews.

If I Never Forever Endeavor Review by Hayden, age 4, Southeast Michigan Mensa

This book was about a bird who didn't yet know how to fly.

The bird has to decide if it will try to fly, but it was not sure if it wants to. The bird thought, "If I never forever endeavor" then I won't ever learn. On one wing, he worries he might fail and on the other wing he thinks of how he may succeed. He worries that if he tries, he may get lost in the world. That makes him want to stay in his nest where he's safe.

I think this book would help other children to learn that trying new things can be scary, but sometimes when we try, we can find things that make us happy too. And this book will help others know that mistakes are okay and part of learning.

My favorite part is that the bird tried and learned that she could fly. I also liked that I read this book because it gave me a chance to talk to mom about making mistakes and how I don't like making them. Then I learned they are good and part of learning.

Boys and girls who are 3 to 8 years old would like this book because it teaches about trying a new thing and how it's important to get past being scared so you can learn new things.

I give the book 5 stars since I think it's important for other children to learn about courage.

Flesh & Blood So Cheap Review by Umar B., age 8, Central New Jersy Mensa

I liked this book. People who are interested in national disasters and US history as well as immigration will most probably be interested in reading this book.

Readers can gain knowledge of what it was like to work in New York City in the early 1900s. One of the things that was especially interesting was that there were no safety laws at work. Also, there was a big contrast between the rich and the poor. Some people may not like this book because it is very depressing, but it is an important event in history to remember.

This book was very well written. It has black and white photos along with descriptions of the photos. These photos give us a better idea of what people's lives were like. This book is suitable for 9-20 year olds.

I give this book 5 stars.

Galaxy Zach: Journey to Juno Review by Young Mensan Connor C., age 6, Boston Mensa

Journey To Juno is the second book of the Galaxy Zack series. It is just as good as the first one. It's awesome!

Zack joins the Sprockets Academy Explorers Club at school. They fly on a special trip to Juno, a new planet no one has ever visited. Zack gets paired up with Seth, the class bully, and that's dreadful but Zack is excited when he finds a huge galaxy gemmite. A gemmite that large had not been found in 100 years! Kids will love this book!

Boys and girls will both like it. It's an easy chapter book with pictures on every page. I love the illustrations. I think ages 6-8 would like this but younger kids would like the story being read to them.

My favorite parts are the galactic blast game (it is similar to baseball except there are robots playing), recess at Zack's school where everything is 3-D holographic images, the rainbow river in a crystal cave on Juno, and the galaxy gemmite that Zack finds on Juno. I also loved when a life-size holographic image of his Earth friend appears in Zack's room because he calls him on a hyperphone. I give this book one hundred stars! There is a "to be continued" at the end so you have to read the next book see what's in store. I can't wait to find out what happens!!!

I Capture the Castle Review by Lauren W., age 17, Mensa in Georgia

Dodie Smith's novel I Capture the Castle is a journey through the mind of a young writer as she attempts to chronicle her daily life. Seventeen-year-old Cassandra Mortmain has recently learned to speed-write, and she decides to work on her writing skills by describing the actions and conversations of those around her.

Cassandra lives in a fourteenth-century English castle with an interesting cast of characters: her beautiful older sister, Rose; her rather unsociable author father and his second wife, artist-model Topaz; Stephen, the garden boy; a cat and a bull terrier; and sometimes her brother Thomas when he is home from school. One fateful day they make the acquaintance of the Cotton family, including the two sons, and a web of tangled relationships ensues.

While I definitely recommend this book to other readers, I would recommend it to older teenagers, mainly because it will resonate better with them. The writing is tame enough that younger teens could also read it, but most of the characters are adults or on the verge of adulthood. Older readers would take the most from it since they can not only relate, but they may also better pick up on and appreciate Cassandra's sometimes subtle humor.

Over the course of the novel, Cassandra undergoes a definite transformation from child to mature young adult, even though it's only over the course of several months. I love that I could see into her mindset and read exactly what she was feeling when she thought out situations. Her thoughts flowed well and moved the book along very quickly.

Cassandra's narrative voice is wonderful. She is serious at times, but also very witty, which makes for an engaging read. It feels absolutely real, as though I'm reading someone's actual journal. Sometimes I forget that I am reading a story and not a real-life account. Her emotions and the dialogue are so genuine, and they are spot-on for a seventeen-year-old girl in her situation.

Cassandra has many wonderful insights on life, on topics ranging from writing to faith to matters of the heart. I personally have had some of the same thoughts as Cassandra, except Ms. Smith was able to put them into words.

Capture the Castle should be essential reading for aspiring writers, those looking for historical fiction or romance, or anyone who loves reading amazing classic books. Dodie Smith is an exceptional writer, and I Capture the Castle is a book that will never become obsolete.

Frankenstein's Cat Review by Zander H., age 12, Mid-America Mensa

I appreciated Frankenstein's Cat for its fascinating explanation about the often baffling subject of bioengineering and its sister sciences. Emily Anthes explains the many sides of today's modern technology, such as gene modification, cloning, pharmaceutical products (from the farm), prosthesis, animal tag and tracking and gene cryogenics. This book provides a well-rounded summary of these complicated sciences without being boring or simply factual. Her real world examples take us on a journey from the farm, to the pet store and then from the pharmacy to the frozen arc.

Have you ever wondered if the neighborhood cat is spying on you? Read about Operation Acoustic Kitty and find out if this feline fantasy fiction or fact. Do you think bugs are creepy? What about a zombified cyborg beetle? Is Fido so special that you want two of him? Money can buy you an almost exact copy of your pooch BUT don't expect the same personality. Emily Anthes makes you crave more information. She makes you want to know the future of Earth's flora and fauna, as well as humanity itself.

I would highly recommend this book to anyone who desires a guide to the future of biological science and technology. Frankenstein's Cat is best read by the light of a glow-in-the-dark fish, while cuddling your favorite cloned dog and drinking a glass of genetically modified milk.

About Marsupials Review by Connor C., age 6, Boston Mensa

About Marsupials is the title so the book is about...marsupials, of course. It's non-fiction. I really think everyone would like the book. I think someone who likes animals would especially like to read it.

The glossary of facts in the back of About Marsupials is the most useful part. I thought the most interesting parts were that some marsupials have their pouch at their back legs and one marsupial, the Yellow-footed Rock Wallaby, is very small but can jump 13 feet wide!

Kids in the 4-8 age range would like this book. Even though it's not a story book, 4 year olds would like the few words on each page and they would love the beautiful pictures. But older kids would like it because of all the facts in the back of the book. There's a lot of information for each animal. I think boys and girls (and parents) would enjoy reading it. This book is very interesting. I give it 4 stars.

Mapping the World Review by Umar A., age 10, Central New Jersey Mensa

Every day, people around the world use maps. Whether it is an airplane pilot or businessman, housewife or museum group, maps have always and will continue to provide useful information for all.

Mapping the World talks about the uses of maps, as well as how to differentiate between the type of map projection and type of map.

In this series, we travel to the past and learn about historical mapmakers, from Claudius Ptolemy (who stated the idea that the Earth is at the center of the universe) to Gerardus Mercator (who created one of the most widely used map projections) and more. This series goes into tremendous detail on the cartographer's life and maps. We then journey to the present era to learn about map projections and the diverse types of maps used today. You might ask, "What is the difference between the two? They sound the same to me." No map projection is perfect, because you cannot really flatten a sphere into a rectangle. An uncolored projection could be used in many ways. We could use it for population concentration, highways, land elevation, and so many other things!

For example, we could make a topographic map of the U.S., which shows land elevation. We could make it a colorful map that shows the amount of pollution in different areas, or it could be a population map, or it could even be a map that shows the 50 states, their capitals and borders! Our last step in this amazing excursion is the near future, where we see some hypothetical solutions as to what maps will be used for. Currently, we are working on better virtual map technology.

Now, scientists have been able to put maps on phones. Back in the early 1900s, people had to lug a lot of maps around to find your way from place to place, or just keep asking for directions. Now, all the information is on a phone or global positioning system (GPS). It is amazing how much maps have changed technology and the world in this century.

The Mapping the World 8-book set goes into amazing levels of detail. It is a long read, but it gives an immense range and amount of information that you would not find in any other book or series on maps. The flowing way the chapters and books are organized makes it easy to link passages from different books in this series together. Mapping the World is a treasure box, filled with the seeds of cartography. Collect and plant them, and you soon will have the fruits of cartography, beneficial to those who want to be cartographers. Use this series to the utmost, then the fruits of mapping will be sweet for all who endeavor to succeed in cartography.

This series of lessons was designed to meet the needs of gifted children for extension beyond the standard curriculum with the greatest ease of use for the educator. The lessons may be given to the students for individual self-guided work, or they may be taught in a classroom or a home-school setting. Assessment strategies and rubrics are included at the end of each section. The rubrics often include a column for "scholar points," which are invitations for students to extend their efforts beyond that which is required, incorporating creativity or higher level technical skills.

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How to Start a Book Review Essay

Table of contents

When we talk about book review essays, many people immediately think of them as something only avid bookworms or readers can write.

Guess what, that’s not true.

Anyone can write a book review essay but how do you write one that creates a solid first impression? It all begins with how you choose to start a book review. In this article, we will cover how to start a book review essay along with tips to help you deliver a polished piece of work.

Order Now: 100% Original, High-Quality Book Review Essay

One of the things you must have heard as a student is how important essay introductions are. If your introduction is weak, there’s no way the reader is going to remain engaged to get to the end of your paper. The same holds true for book review essays.

Let’s take a look at how you can start a book review essay with a bang. We’ve also shared examples of actual book reviews for your inspiration.

1. Introduce the author

Good writing practice recommends that every book review essay must mention the author of the book. This is because the first thing we look at when buying a book is its author. The same for a book review essay.

So, start the review by mentioning the author’s full name. There are two ways you can use to reveal the name of the author to your readers. You can highlight the name next to the title.

Another way is to mention the author in the beginning sentences of your book essay review.

Always use APA format when referencing the author. In subsequent paragraphs, you can reference the author using his/her first or last name.

2. Introduce the title of the book

Another important element to include when starting a book review essay is the title of the book. Readers need to know the type of book they are reading. Remember also to mention when the book was launched.

If the book is part of a series, tell your readers the part of the series it belongs to and also mention if it has been played on TV. This will help the reader know what other books in the series they can read.

3. Show the reader what the book is about

To save your reader’s time, quickly state the genre of the book. Is it fiction or nonfiction? Is it about history or biography?

Show your audience early the type of book so that they can decide if they can invest their time. In our previous example, you can see that the reviewer has highlighted the genre, literary fiction and the next as fantasy. This makes it easier for your audience to focus more on the genre they love.

4. Hook the audience’s attention

You have probably heard it said several times that the attention span of humans is less than that of a jellyfish.

Aside from that, people these days prefer to skim content. To ensure your readers don’t just scroll past the review, start your book review essay with a strong hook . There are many ways of capturing your audience’s attention.

a) Question or a catchy phrase

If you want to easily pique your audience's interest, consider looking for something with a dash of drama.

Starting your book review essay with storytelling puts your readers on the scene. To succeed, pick a scene from the story and try to describe it. Remember to keep it short.

Did any quotes strike you while reading the book? If the quote is interesting, tear-jerking, or thought-provoking, consider using it at the start of the review essay.

A good quote will add weight to your review and even make it share-worthy. But ensure to keep it short. Large blocks of text will be a put off to your readers. So look for the most salient phrase, and if possible, include only a single word.

5. Share an interesting fact about the time the book was written

To pique your readers’ curiosity, share something from an era when the book was published, especially if it is from a famous person. You could also choose something that influenced the author to write the book.

6. Introduce the characters briefly

Characters are another important element that readers look for in a book review essay. This is because book readers want to relate with them. Without highlighting the characters, your introductory paragraphs may feel flat.

You don’t need to mention all the characters, but it would be ideal if you can briefly mention the protagonist and antagonist as they are usually the main characters that bring life to a story.

7. Highlight the book or author’s success

Is the book a bestseller? How many positive reviews has it gained on Amazon? Has it been endorsed by another talented author or an actor? Mention that when starting any book review essay.

People love to be associated with success and successful people and the quickest way to get readers to read through your book review essay is by highlighting its success now or even at its time of publication.

8. State your opinion

Depending on where you are writing the review, sometimes you may need to start with the rating. For example, if you are reviewing it on your blog or to readers who love to skim, showing your ratings in the first paragraph or below the title will quickly hook your audience’s attention, and consider reading the whole review.

It encourages your audience to find out why you gave a good or bad review.

9. Introduce the major findings or thesis

The thesis statement is the one main idea you will be reviewing. It is usually a sentence, but it must reflect the author’s goal. Your thesis statement shows the reader your argument about the book, and it should come at the end of this introductory paragraph.

To write the best thesis statement, inquire from your lecturer first how much interpretation is needed. Remember that you are sharing your own opinion, reflecting on the goal the author wanted to achieve. Here are a couple of questions to ask yourself when writing a thesis statement:

• What was the purpose of the book? To inform or entertain?
• What was your learning outcome?
• What is your position?

The response to your questions should lead you to your thesis statement, which you use to discuss the success or failure of the book.

7 Tips to Consider while Starting a Book Review Essay

The reason your professor may assign you this type of work is to learn how to carefully analyze a text and improve your writing, reading, and thinking skills. As a result, there are tips to consider when starting a book review essay.

1. Make it short and streamlined: Book review essays are generally 500-1500 words. Keep your introduction brief. Get to the point faster. Avoid rambling or lengthy words. Every word should count to keep the length as short as possible. If it is long, it will be time-consuming to read, which moves away from what a review is.

2. Proofread and edit carefully: Spelling and grammar mistakes, especially of names of characters or the book author signal you haven’t thoroughly read the book. To be taken seriously, don’t publish a review without proofreading carefully to correct mistakes in spelling and grammar.

3. Don’t exaggerate: As much as you are giving a subjective evaluation, don’t exaggerate, use derogatory terms, or harsh words even if the book didn’t meet your expectations. Be honest and avoid prejudice.

4. Use past tense since it is work you have already read.

5. Use adjectives that show passion and easily express your opinion and stance.

6. Be specific: Explain why you like or hate the book without beating about the bush.

7. Focus on the book, not the author.

In this post, we have covered all the ways of starting a book review. Now you know that any time you are reviewing a book, what will make the reader read your review lies in how you set the introduction. As a result, most of your effort must go into how you start the review.

Whether you use storytelling, an anecdote, or highlight a book’s success, how you start your book review essay should give the reader the benefit they will get or show why the author is an expert and immediately get the reader interested in reading the rest of the book review essay. Besides, it should guide you on the theme to use in the body of the book review.

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Organizing Your Social Sciences Research Assignments

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A multiple book review essay involves assessing the quality of two or more books that cover the same overall subject area [e.g., analysis of the European debt crisis] or that are related to each other in a particular way [e.g., applying grounded theory methods to study student access to education]. The review is written in the form of a short scholarly paper [essay] rather than as a descriptive book review. The purpose is to compare and contrast the works under review, to identify key themes and critical issues, and to evaluate each writer's contributions to understanding the overarching topics common to each book. Professors assign reviews of multiple books to help students gain experience critically evaluating the ways in which different researchers examine and interpret issues related to a specific research problem.

Erwin, R. W. “Reviewing Books for Scholarly Journals.” In Writing and Publishing for Academic Authors . Joseph M. Moxley and Todd Taylor. 2 nd edition. (Lanham, MD: Roman and Littlefield, 1997), pp. 83-90.

How to Approach Writing Your Review

Developing an Assessment Strategy

An important first step in approaching how to write a review of two or more books is to identify and think critically about the research problem that ties each of the books together. This information is usually summarized in the preface or introductory chapter of each book. The challenge is to develop an argument about each book you are reviewing and then clearly compare, contrast, and ultimately synthesize your analysis into an well organized and well supported essay.

Think of a multiple book review essay as a type of compare and contrast paper similar to what you may have written for a general issue-oriented composition class . As you read through each book, write down questions concerning what you want to know about each book and answer them as you read [remember to note the page numbers from the book you got the information from so you can refer back it later!]. Which questions to ask yourself will depend upon the type of books you are reviewing and how the books are related to each other.

Here are a series of questions to focus your thinking:

• What is the thesis—or main argument—of each book? If the author wanted you to get one idea from the book, what would it be? How does it compare or contrast to the world you know? What has the book accomplished?
• What exactly is the subject or topic of each book? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? Can you detect any biases? What is the approach to the subject [topical, historical, analytical, chronological, descriptive]?
• How does the author of each book support his or her argument? What evidence [i.e., sources cited and data collection] does each author use to prove their point? Do you find that evidence convincing? Why or why not? Does any of the author's information [or conclusions] conflict with other books you've read, courses you've taken, or just previous assumptions you had about the research problem under study?
• How does the author structure their argument? What are the parts that make up the whole? Does the argument make sense to you? Does it persuade you? Why or why not? Were there any questions left unanswered? Were limitations to the study effectively addressed?
• How has each book helped you understand the subject? Would you recommend the books to others? Why or why not? In what ways have the books collectively expanded your understanding of the research problem?

Beyond the content of the book, you may also consider some information about each author and the circumstances of the text's production:

• Who is the author? Nationality, political persuasion, education, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the author is affiliated with a particular organization? What difference would it make if the author participated in the events he or she writes about? What other topics has the author written about? Does this work build on prior research or does it seem to represent a new area of research?
• What is each book's genre? Out of what discipline do they emerge? Do they conform to or depart from the conventions of its genre? These questions can provide a historical or other contextual standard upon which to base your evaluations. If you are reviewing a book described as the first book ever written on the subject, it will be important for your readers to know this. Keep in mind, though, that declarative statements about being the “first,” the "best," or the "only" book of its kind can be a risky unless you're absolutely certain because your professor [presumably] has a much better understanding of the overall research literature.

Bazerman, Charles. Comparing and Synthesizing Sources. The Informed Writer: Using Sources in the Disciplines. Writing@CSU. Colorado State University; Comparing and Contrasting. The Writing Center. University of North Carolina; Comparison and Contrast Essays. Writing Support Centre. University of Western Ontario; Hartley, James. “Reading and Writing Book Reviews Across the Disciplines.” Journal of the American Society for Information Science and Technology 57 (July 2006): 1194-1207; Walk, Kerry. How to Write a Compare-and-Contrast Paper. Writing Center. Princeton Writing Program; Rhetorical Strategies: Comparison and Contrast. The Reading/Writing Center. Hunter College; Visvis, Vikki and Jerry Plotnick; Writing a Compare/Contrast Essay. The Comparative Essay. The Lab Report. University College Writing Centre. University of Toronto; Writing a Compare/Contrast Essay. CLRC Writing Center. Santa Barbara City College.

Structure and Writing Style

I.  Bibliographic Information

Provide the essential information about each book using the writing style asked for by your professor [e.g., APA, MLA, Chicago, etc.]. Depending on how your professor wants you to organize your review, the bibliographic information represents the heading of your review. In general, they would be arranged alphabetically by title and look like this:

Racing the Storm: Racial Implications and Lessons Learned from Hurricane Katrina . Hillary Potter, ed. (Lanham, MD: Lexington Books, 2007. 320 pp) The Sociology of Katrina: Perspectives on a Modern Catastrophe . David L. Brunsma, David Overfelt, and J. Steven Picou, eds. (Lanham, MD: Rowman and Littlefield, 2007. 288 pp.) Through the Eye of Katrina: Social Justice in the United States . Kristin A. Bates and Richelle S. Swan, eds. (Durham, NC: Carolina Academic Press, 2007. 440 pp.) Reviewed by [your full name]

II.  Thesis Statement

The thesis statement of an essay that compares and contrasts multiple works should contain an idea or claim that unites the discussion of each text under review . It should include the argument that will be advanced in support of the claims being made. To begin, ask yourself: What is the overarching subject or issue that ties together all of the books? Why is it important? In most scholarly works, the author(s) will state the purpose of their book in the preface or in an introductory chapter. Look for common themes or points of divergence among the books.

If you cannot find an adequate statement in the author's own words or if you find that the thesis statement is not well-developed, then you will have to compose your own introductory thesis statement that does cover all the material. The comparative thesis statement will vary in length depending on the number and complexity of the books under review. Regardless of length, it must be succinct, accurate, unbiased, and clear.

If you find it difficult to discern the overall aims and objectives of each book [and, be sure to point this out in your review if you believe it to be a deficiency], you may arrive at an understanding of the purpose by asking yourself a the following questions:

• Scan the table of contents because it can help you understand how the book is organized and will aid in determining the author's main ideas and how they are developed [e.g., chronologically, topically, historically, etc.].
• Why did the authors write on this subject rather than on some other subject?
• From what point of view is each work written?
• Were the authors trying to provide information, to explain something technical, or to convince the reader of a belief’s validity by dramatizing it in action?
• What is the general field or genre, and how does each book fit into it? If necessary, review related literature from other books and journal articles to familiarize yourself with the field.
• Who is the intended audience for each book? Is it the same or are the books intended for difference sets of readers?
• What is each author's style? Is it formal or informal? You can evaluate the quality of the writing style by noting some of the following standards: coherence, clarity, originality, forcefulness, accurate use of technical words, conciseness, fullness of development, and fluidity.
• How did the books affect you? Were any prior assumptions you had on the subject that were changed, abandoned, or reinforced after reading the books? How are the books related to your own personal beliefs or assumptions? What personal experiences have you had that relate to the subject?
• How well has each book achieved the goal(s) set forth in the preface, introduction, and/or foreword?
• Would you recommend this book to others? Why or why not?

A useful strategy to help organize your thoughts is to create a table with a column for each book and rows for each question. Enter your answer to each book in the chart. When completed, you'll have an easy guide to how each author has addressed the questions.

NOTE:   Your thesis statement underpins the purpose of your review and helps the reader understand how the books are related. However, while a book review essay should evaluate books about the same topic [e.g., hurricane Katrina recovery], there may not be an overarching issue that ties the books together. If this is the case, then the thesis could, for example, center around the diversity of issues scholars have chosen to examine a topic or the fractured nature of scholarship on the subject.

ANOTHER NOTE :   Your thesis statement should include the rationale for why the key points you highlight or compare and contrast among the books being reviewed were deliberate and meaningful and not random. Explain their significance.

III.  Methods of Organizing the Essay

Organization is critical to writing an essay that compares and contrasts multiple works because you will most likely be discussing a variety of evidence and you must be certain that the logic and narrative flow of your paper can be understood by the reader. Here are some general guidelines to consider:

• If your professor asks you to choose the books to review, identify works that are closely related in some way so they can be easily compared or contrasted.
• Compare according to a single organizing idea [e.g., analysis of how each author assessed the effectiveness of post-Katrina recovery efforts].
• Choose a method of development [see below] that works well with your organizing idea.
• Use specific and relevant examples to support your analysis.
• Use transitional words or phrases to help the reader understand the similarities and differences in your subject.
• Conclude your paper by restating your thesis, summarizing the main points, and giving the reader a final "so what" answer to the major similarities and/or differences that you discussed [i.e., why are they important?

There are two general methods of organizing your multiple book review essay. If you believe one work extends another, you'll probably use the block method; if you find that two or more works are essentially engaged in a debate or examine a topic from different perspectives, the point-by-point method will help draw attention to the conflict. However, the point-by-point method can come off as a rhetorical ping-pong match. You can avoid this effect by grouping more than one point together, thereby cutting down on the number of times you alternate from one work to another. No matter which method you choose, you do not need to give equal time to similarities and differences. In fact, your paper will be more interesting if you state your main argument(s) as quickly as possible. For example, a book review essay evaluating three research studies that examine different interpretations of conflict resolution among nations in the Middle East might have as few as two or three sentences in the introduction regarding similarities and only a paragraph or two to set up the contrast between the author’s positions. The rest of the essay, whether organized by block method or point-by-point, will be your analysis of the key differences among the books.

The Block Method Present all the information about A, and then present parallel information about B. This pattern tends to work better for shorter book review essays, and those with few sub-topics. The method looks like this:

I. Introduction     A. Briefly introduce the significance of the overall subject matter     B. Thesis Statement         --First supporting point         --Second supporting point         --Third supporting point II. First book     A. Summary of book         --Relationship of work to first point         --Relationship of work to second point         --Relationship of work to third point III. Second book     A. Summary of book         --Relationship of work to first point         --Relationship of work to second point         --Relationship of work to third point IV. Third book     A. Summary of book         --Relationship of work to first point         --Relationship of work to second point         --Relationship of work to third point V. Conclusion     A. Restate thesis     B. Briefly summarize how you proved your argument The Point-by-Point Method Present one point about A, and then go to the parallel point about B. Move to the next point, and do the same thing. This pattern tends to work better for long book review essays and those with many sub-topics. The method looks like this:

I. Introduction     A. Briefly introduce significance of overall subject matter     B. Thesis statement II. Brief explanation of first book III. Brief explanation of second book IV. First comparative point     A. Relation of point to first book     B. Relation of point to second book V. Second comparative point     A. Relation of point to first book     B. Relation of point to second book VI. Third comparative point     A. Relation of point to first book     B. Relation of point to second book VII. Conclusion     A. Restate thesis     B. Briefly summarize how your proved your argument

IV.  Critically Evaluate the Contents

Regardless of whether you choose the block method or the point-by-point method, critical comments should form the bulk of your book review essay . State whether or not you feel the author's treatment of the subject matter is appropriate for the intended audience. Ask yourself:

• Has the objectives of each author(s) been achieved?
• What contribution do the books make to the field of study or discipline?
• Is the treatment of the subject matter objective?
• Are there facts and evidence that have been omitted, either in one of the books or collectively?
• What kinds of data, if any, are used to support each author's thesis statement?
• Can the same data be interpreted to alternate ends?
• Is the writing style clear and effective?
• Do the books raise important or provocative issues or topics for discussion and further research?
• What has been left out?

Support your evaluation with evidence from the text of each book and, when possible, in relation to other sources. If relevant, make note of each book's format, such as, layout, binding, typography, etc. Are there maps, illustrations? Do they aid in understanding the research problem? This is particular important in books that contain a lot of non-textual elements, such as tables, charts, pictures, and illustrations.

NOTE:   It is important to carefully distinguish your views from those of the authors, so that you don’t confuse your reader.

V.  Examine the Front Matter and Back Matter

Front matter refers to anything before the first chapter of the book. Back matter refers to any information included after the final chapter of the book . Front matter is most often numbered separately from the rest of the text in lower case Roman numerals [i.e. i-xi ]. Critical commentary about front or back matter is generally only necessary if you believe there is something that diminishes the overall quality of the work [e.g., the indexing is poor] or there is something that is particularly helpful in understanding the book's contents [e.g., foreword places the book in an important context].

The following front matter may be included in a book and may be considered for evaluation when reviewing its overall quality:

• Table of contents -- is it clear? Is it detailed or general? Does it reflect the true contents of the book?
• Author biography -- also found as back matter, the biography of author(s) can be useful in determining the authority of the writer and whether the book builds on prior research or represents new research. In scholarly reviews, noting the author's affiliation can be a factor in helping the reader determine the overall validity of the work [i.e., are they associated with a research center devoted to studying the research problem under investigation].
• Foreword -- the purpose of a foreword is to introduce the reader to the author as well as the book itself, and to help establish credibility for both. A foreword may not contribute any additional information about the book's subject matter, but it serves as a means of validating the book's existence. Later editions of a book sometimes have a new foreword prepended [appearing before an older foreword, if there was one], which may be included to explain in how the latest edition differs from previous ones.
• Acknowledgements -- scholarly studies in the social sciences often take many years to write, so authors frequently acknowledge the help and support of others in getting their research published. This can be as innocuous as acknowledging the author's family or the publisher. However, an author may acknowledge prominent scholars or subject experts, staff at key research centers, or people who curate important archival collections. In these particular cases, it may be worth noting these sources of support in your review.
• Preface -- generally describes the genesis, purpose, limitations, and scope of the book and may include acknowledgments of indebtedness to people who have helped the author complete the study. Is the preface helpful in understanding the study? Does it provide an effective framework for understanding what's to follow?
• Chronology -- also may be found as back matter, a chronology is generally included to highlight key events related to the subject of the book. Do the entries contribute to the overall work? Is it detailed or very general?
• List of non-textual elements -- a book that contains a lot of charts, photographs, maps, etc. will often list these items after the table of contents in order that they appear in the text. Is it useful?

The following back matter may be included in a book and may be considered for evaluation when reviewing the overall quality of the book:

• Afterword -- this is a short, reflective piece written by the author that takes the form of a concluding section, final commentary, or closing statement. It is worth mentioning in a review if it contributes information about the purpose of the book, gives a call to action, or asks the reader to consider key points made in the book.
• Appendix -- is the supplementary material in the appendix or appendices well organized? Do they relate to the contents or appear superfluous? Does it contain any essential information that would have been more appropriately integrated into the text?
• Index -- is the index thorough and accurate? Are elements used, such as, bold or italic fonts to help identify specific places in the book?
• Glossary of Terms -- are the definitions clearly written? Is the glossary comprehensive or are key terms missing? Are any terms or concepts mentioned in the text not included?
• Footnotes/Endnotes -- examine any footnotes or endnotes as you read from chapter to chapter. Do they provide important additional information? Do they clarify or extend points made in the body of the text?
• Bibliography/References/Further Readings -- review any bibliography, list of references to sources, and/or further readings the author may have included. What kinds of sources appear [e.g., primary or secondary, recent or old, scholarly or popular, etc.]? How does the author make use of them? Be sure to note important omissions of sources that you believe should have been utilized.

NOTE:   Typically, multiple book review essays do not compare and contrast the quality of the back and front matter unless the books share a common deficiency [e.g., poor indexing], the front or back matter is particularly important in supplementing the primary content of the books, or one book stands out in regards to the quality of information presented in the front or back matter.

VI.  Summarize and Comment

Your conclusion should synthesize the key similarities and differences among the books and their collective contributions to understanding of the research problem. Avoid re-stating your assessment word for word; your goal is to provide a sense of closure and to leave the reader with a final perspective about the overall topic under review and whether you believe each book has effectively contributed to the overall research literature on the subject. Do not introduce new information in the conclusion. If you've compared the books to any other studies or used other sources in writing the review, be sure to cite them at the end of your book review essay.

Bazerman, Charles. Comparing and Synthesizing Sources. The Informed Writer: Using Sources in the Disciplines. Writing@CSU. Colorado State University; Comparing and Contrasting. The Writing Center. University of North Carolina; Comparison and Contrast Essays. Writing Support Centre. University of Western Ontario; Rhetorical Strategies: Comparison and Contrast. The Reading/Writing Center. Hunter College; Hartley, James. “Reading and Writing Book Reviews Across the Disciplines.” Journal of the American Society for Information Science and Technology 57 (July 2006): 1194-1207; Hooker, Fran and Kate James. Apples to Oranges: Writing a Compare and Contrast Paper. The Writing Center. Webster University; Oinas, Päivi and Samuli Leppälä. “Views on Book Reviews.” Regional Studies 47 (2013): 1785-1789; Visvis, Vikki and Jerry Plotnick. The Comparative Essay. The Lab Report. University College Writing Centre. University of Toronto; Writing a Compare/Contrast Essay. CLRC Writing Center. Santa Barbara City College.

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Book Review Writing

Book Review Examples

Book Review Examples to Help You Get Started

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How to Write a Book Review - A Step By Step Guide

A Complete Book Review Format Guide For Students

Are you in desperate need of some assistance to up your book review writing game? 

We know that penning down a review can come off as a tricky challenge, but do not worry!

To help you write book reviews that carry the essence of the book and engage readers, we have collected a handful of book review examples in this blog. 

The included examples will enable you to understand different writing styles and approaches taken toward book review writing . So, you can use your words effectively to craft the perfect book review.

Let’s kickstart things off!

• 1. Good Book Review Examples for Students
• 2. Short Book Review Examples for Fiction Books
• 3. Non-Fiction Book Review Examples

Good Book Review Examples for Students

You might be a professional writer, or you may not have any experience in writing book reviews. Rest assured, we’ll show you how to write perfect book reviews with the help of a sample template and great examples.

See this template to know what you should include in your book review: 

Book Review Template

Here is a good book review example for 4th-grade students:

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Book Review Examples for Middle School Students

Reading reviews written by others can help you get a feel and flavor of good book reviews. Learning how to write a perfect book review can help students to:

• Critically analyze a text
• Give a personal opinion on the text
• Improve analyzing and critical thinking skills 

Here are some interesting book review examples suitable for middle school students. 

Book Review Example for Middle School Students

Book Review Example for Kids

Book Review of Any Book in 300 Words

Science Book Review Example

Book Review Examples For High School Students

Below, you can also find some good book review examples for high school students. These real-life examples can help you get a clear understanding of the standard book review format that you should follow.

Book Review Example for High School Students

Book Review Examples for Class 9

Book Review Example for Grade 10

Book Review Examples for College Students

As a college student, you are required to demonstrate that you have examined the book from different angles. The points you raise in your book review need to be supported with clear facts and evidence.

The following are some interesting critical book review examples for college students to learn how to write a perfect review. 

Book Review Example for Class 12

Short Book Review for Students

Conclusion of Book Review Example

Short Book Review Examples for Fiction Books

Fiction book reviews follow the same basic formula as writing book reviews of any other genre. For your help, we have compiled exciting examples of fiction book reviews that you can get valuable assistance from. 

Short Book Review Example for Fiction Books

Book Review of Hazel Wood by Melissa Albert

“The Hazel Wood” by Melissa Albert is a work of fiction and falls into fantasy and young adult fiction genres. The novel revolves around fantastical fairy tales, and magical realism, blurring the lines between reality and fantasy.

Here is an example of a comprehensive review of the book Hazel Wood:

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Non-Fiction Book Review Examples

For reviewing a non-fiction book, you are required to describe the book and summarize major points of interest. You should evaluate the author’s contribution to a subject that you may know very little about.

Here is a great non-fiction book review example to help you come up with a critical perspective on a text. 

Non-Fiction Book Review Example

Hopefully, with the help of the above examples, you get a better idea of how to write a perfect book review.

To wrap it up, Writing a great book review is a tricky task, no matter if you are a high school, college, or university student. Book review writing might seem like a simple task, but it requires excellent analyzing and critical thinking skills.

But, not everyone can crack this task easily. They might need additional help from expert book review writers. That’s why our professional essay writing service offers book review writing help whenever you need it. 

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The Best Reviewed Books of 2021: Short Story Collections

Featuring haruki murakami, brandon taylor, elizabeth mccracken, kevin barry, lily king, and more.

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Well, friends, another grim and grueling plague year is drawing to a close, and that can mean only one thing: it’s time to put on our Book Marks stats hats and tabulate the best reviewed books of the past twelve months.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be revealing the most critically-acclaimed books of 2021, in the categories of (deep breath): Memoir and Biography ; Sci-Fi, Fantasy, and Horror ; Short Story Collections; Essay Collections; Poetry; Mystery and Crime; Graphic Literature; Literature in Translation; General Fiction; and General Nonfiction.

Today’s installment: Short Story Collections .

1. Afterparties by Anthony Veasna So (Ecco)

22 Rave • 5 Positive • 1 Mixed

“The presence of the author is so vivid in Afterparties , Anthony Veasna So’s collection of stories, he seems to be at your elbow as you read … The personality that animates Afterparties is unmistakably youthful, and the stories themselves are mainly built around conditions of youth—vexed and tender relationships with parents, awkward romances, nebulous worries about the future. But from his vantage on the evanescent bridge to maturity, So is puzzling out some big questions, ones that might be exigent from different vantages at any age. The stories are great fun to read—brimming over with life and energy and comic insight and deep feeling.”

–Deborah Eisenberg ( New York Review of Books )

2. Filthy Animals by Brandon Taylor (Riverhead)

19 Rave • 7 Positive • 2 Mixed

Read an interview with Brandon Taylor here

“Taylor plays the Lionel-Charles-Sophie storyline for all its awkwardness and resentment, but it can feel like a note held too long to suspend commitment, which is the resolution we’re trained to expect … The violence is neither glamorous nor gratuitous; it is senseless without being pointless. In contrast, Taylor presents such earnest moments of vulnerability in Anne of Cleves that my breath hitched … Some writers have the gift of perfect pitch when writing dialogue; Taylor’s gift is perfect tempo. In a band of writers, he’d be the drummer who sticks to a steady moderato. He neither rushes a story to its high notes nor drags the pace so that we can admire his voice. And as a plotter, he doesn’t rely on gasp-inducing reveals … Taylor’s superpower is compressing a lifetime of backstory into a paragraph – sometimes just a sentence … I’ve come to expect, in fiction, the story of the Sad Gay Youth who is rejected by his often religious family and thereafter becomes self-destructive or reckless. And while Taylor refracts versions of this story throughout the collection, he does so without overly romanticising it … He is a writer of enormous subtlety and of composure beyond his years.”

–Ian Williams ( The Guardian )

3. First Person Singular by Haruki Murakami (Knopf)

13 Rave • 17 Positive • 7 Mixed • 5 Pan

“… a blazing and brilliant return to form … a taut and tight, suspenseful and spellbinding, witty and wonderful group of eight stories … there isn’t a weak one in the bunch. The stories echo with Murakami’s preoccupations. Nostalgia and longing for the charged, evocative moments of young adulthood. Memory’s power and fragility; how identity forms from random decisions, ‘minor incidents,’ and chance encounters; the at once intransigent and fragile nature of the ‘self.’ Guilt, shame, and regret for mistakes made and people damaged by foolish or heartless choices. The power and potency of young love and the residual weight of fleeting erotic entanglements. Music’s power to make indelible impressions, elicit buried memories, connect otherwise very different people, and capture what words cannot. The themes become a kind of meter against which all the stories make their particular, chiming rhythms … The reading experience is unsettled by a pervasive blurring of the lines between fantasy and reality, dream and waking … Most of the narrators foreground the act of telling and ruminate on the intention behind and effects of disclosing secrets, putting inchoate impulses, fears, or yearnings into clear, logical prose … This mesmerizing collection would make a superb introduction to Murakami for anyone who hasn’t yet fallen under his spell; his legion of devoted fans will gobble it up and beg for more.”

–Pricilla Gilman ( The Boston Globe )

4. That Old Country Music by Kevin Barry (Doubleday)

13 Rave • 10 Positive •1 Mixed

“There’s not a bad story in the bunch, and it’s as accomplished a book as Barry has ever written … Barry does an excellent job probing the psyche of his diffident protagonist, and ends the story with an unexpected moment of sweetness that’s anything but cloying—realism doesn’t need to be miserablism, he seems to hint; sometimes things actually do work out … Barry has a rare gift for crafting characters the reader cares about despite their flaws; in just 13 pages, he manages to make Hannah and Setanta come to life through sharp dialogue and keen observations … Barry proves to be a master of writing about both love and cruelty … Barry brilliantly evokes both the good and bad sides of love, and does so with stunningly gorgeous writing … There’s not an aspect of writing that Barry doesn’t excel at. His dialogue rings true, and he’s amazingly gifted at scene-setting—he evokes both the landscape of western Ireland and the landscape of the human heart beautifully. His greatest accomplishment, perhaps, is his understanding of the ways our collective psyche works; he seems to have an innate sense of why people behave the way we do, and exactly what we’re capable of, both good and bad.”

–Michael Schaub ( NPR )

5. Milk Blood Heat by Dantiel W. Moniz (Grove)

17 Rave • 1 Positive

Listen to an interview with Dantiel W. Moniz here

“Mortality is the undercurrent in Dantiel W. Moniz’s electrifying debut story collection, Milk Blood Heat , but where there’s death there is the whir of life, too. A lot of collections consist of some duds, yet every single page in this book is a shimmering seashell that contains the sound of multiple oceans. Reading one of Moniz’s stories is like holding your breath underwater while letting the salt sting your fresh wounds. It’s exhilarating and shocking and even healing. The power in these stories rests in their veracity, vitality and vulnerability.”

–Michelle Filgate ( The Washington Post )

6. The Dangers of Smoking in Bed by Mariana Enriquez (Hogarth)

15 Rave 2 Positive

Read a story from The Dangers of Smoking in Bed here

“There’s something thrilling about other people’s suffering—at least within this collection’s 12 stories of death, sex and the occult. Horrors are relayed in a stylish deadpan … Enriquez’s plots deteriorate with satisfying celerity … Largely it’s insatiable women, raggedy slum dwellers and dead children—those who are ordinarily powerless—who wield unholy power in this collection, and they seem uninterested in being reasonable. And Enriquez is particularly adept at capturing the single-minded intensity of teenage girls … If some of these stories end vaguely, the best ones close on the verge of some transgressive climax … To Enriquez, there’s pleasure in the perverse.”

–Chelsea Leu ( The New York Times Book Review )

7. The Souvenir Museum by Elizabeth McCracken (Ecco)

13 Rave • 2 Positive • 1 Mixed

Read Elizabeth McCracken on savoring the mystery of stories here

“Elizabeth McCracken’s The Souvenir Museum begins with one of the funniest short stories I’ve read in a long time … I had to stop reading ‘The Irish Wedding’ several times to explain to my husband why I was laughing so hard. I kept thinking: I wish I were reading a whole book about these people … they’re all beguiling … This tale, like much of McCracken’s work, captures the mixed bag that characterizes most people’s lives … McCracken’s writing is never dull. She ends this fantastic collection with a second English wedding and its aftermath, nearly 20 years after the first, delivering happiness tempered by sobering circumstances—and a satisfying symmetry.”

–Heller McAlpin ( NPR )

8. Wild Swims by Dorthe Nors (Graywolf)

13 Rave • 1 Positive

Read an excerpt from Wild Swims here

“How slippery the work of the Danish writer Dorthe Nors is, how it sideswipes and gleams … The stories are vivid the way a flash of immobilizing pain is vivid … Perhaps because they’re so very short and because they mostly sketch slight interior shifts in her characters, Nors’s stories all feel a little bashful, a little tender. Surely this is intentional … Most of her stories are too short to linger deeply in time or consciousness; the characters spin back into their silence almost as soon as they emerge on the page. Nors is a master at portraying female rage, but here there is also no violent explosion outward, instead a sort of inner collapse; her characters assiduously resist confronting their fury until it rises up against them and attacks their bodies … The sense of simultaneous, furious upwelling into text and retraction into shame or reticence gives the stories a powerful undercurrent, as if they were constantly wrestling with themselves. Inherently self-contradicting, they wobble interestingly on their axes, pulled between outraged individualism and the restrictive Janteloven.”

–Lauren Groff ( The New York Review of Books )

9. Walking on Cowrie Shells by Nana Nkweti (Graywolf)

12 Rave • 1 Mixed

Read an interview with Nana Nkweti here

“The pure energy of the words strikes first, the thrumming, soaring, frenetic pace of Nana Nkweti’s expression … None of these stories end with a miraculous healing. Even where revelations occur, they never erase scars. Nkweti uses genre tropes to subvert our expectations. She employs the zombie story, the fairy tale, and the confessional in order to invert conventions … The levity of Nkweti’s writing can make even passing descriptions a delight … Occasionally the writing veers into the overwrought … But the sheer speed of Nkweti’s expression allows for correction in midair, and her keen descriptive eye provides more pleasures than missteps … Her inventiveness dazzles.”

–Lee Thomas ( Los Angeles Review of Books )

10. My Monticello by Jocelyn Nicole Johnson (Henry Holt)

9 Rave • 4 Positive 1 Mixed

Read Jocelyn Nicole Johnson on how writing “vengeful fiction” can make you a better person, here

“Jocelyn Nicole Johnson uses history to spectacular effect in her debut fiction collection … What makes My Monticello particularly resonant is that it does not stray far from life as we know it today. In the near future conjured by Johnson, there are the heat waves and wildfires that bring climate change into view. There is fallout from a fraught election. There is the vile replacement theory rhetoric of the right wing. But the lives of Johnson’s richly drawn characters—their personal stories—are always in focus. And, because of it, the storytelling is propulsive, as we follow these refugees along a harrowing journey, with danger ever at their heels. My Monticello is, quite simply, an extraordinary debut from a gifted writer with an unflinching view of history and what may come of it.”

–Anissa Gray ( The Washington Post )

Our System:

RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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Stephen Breyer to the Supreme Court Majority: You’re Doing It Wrong

By Louis Menand

One day in 1993, Stephen Breyer , then the chief judge of the Court of Appeals for the First Circuit, which sits in Boston, was riding his bicycle in Harvard Square when he was hit by a car. He was taken to Mount Auburn Hospital with broken ribs and a punctured lung. While he was recovering, he was visited by three White House officials. They had flown up to interview him for a possible nomination to the United States Supreme Court.

The vetting went well enough, and Breyer was invited to Washington to meet the President, Bill Clinton . Breyer’s doctors advised against flying, so he took the train, in some discomfort. The meeting with Clinton did not go well. According to Jeffrey Toobin’s “ The Nine ,” a book about the Supreme Court, Clinton found Breyer “heartless.” “I don’t see enough humanity,” he complained. “I want a judge with soul.” Breyer was told to go home. They would call.

He knew that things had gone poorly. “There’s only two people who aren’t convinced I’m going to be on the Supreme Court,” he told a fellow-judge. “One is me and the other is Clinton.” He was right. The phone never rang. The seat went to Ruth Bader Ginsburg .

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Ginsburg was a cool customer, too, but she knew which buttons to push. In her interview with Clinton, she talked about the death of her mother and about helping her husband get through law school after he was stricken with testicular cancer. Clinton loved catch-in-the-throat stories like that. Ginsburg was confirmed by the Senate 96–3.

A year went by, there was another Supreme Court vacancy, and Breyer was again in the mix. His candidacy was pushed by Ted Kennedy, with whom he had worked as the chief counsel of the Senate Judiciary Committee when Kennedy was its chair. Clinton really wanted to nominate his Secretary of the Interior, Bruce Babbitt, but Babbitt faced opposition from senators in Western states, and Breyer seemed politically hypoallergenic.

So Breyer was chosen. Still, the White House did not do him any favors. Clinton’s indecisiveness was an ongoing story in the press—it had taken him eighty-six days to pick Ginsburg—and the news coverage made it plain that Breyer was not his first or even his second choice. The White House counsel, Lloyd Cutler, told reporters that, of the candidates being considered, Breyer was “the one with the fewest problems.”

Clinton announced the selection without even waiting for Breyer to come down from Boston. When Breyer did show up, a few days later, he said, “I’m glad I didn’t bring my bicycle down.” Famous last words. In 2011, he broke his collarbone in another biking accident near his home in Cambridge, and in 2013 he fractured his right shoulder and underwent shoulder-replacement surgery after crashing his bicycle near the Korean War Veterans Memorial, on the National Mall. He was seventy-four. You have to give him credit. He gets right back on the horse.

Since his appointment to the Court, Breyer has published several books on his jurisprudential views. His latest is “ Reading the Constitution: Why I Chose Pragmatism, Not Textualism ” (Simon & Schuster). It sums up his frustration with the court that he just stepped down from.

Clinton was not the only person who read Breyer as a technocrat. People felt he lacked a quality that Clinton could apparently summon at will—empathy. “He’s always been smarter than most of those around him,” the Yale constitutional-law professor Akhil Amar explained to a reporter, “so he’s had to learn how to get along with other people.”

That was his reputation at Harvard Law School, too, where he taught administrative law for many years before becoming a judge. “Breyer’s basic social instincts are conservative,” a Harvard colleague, Morton Horwitz, told the Times . “His legal culture is more liberal, and his very flexible pragmatism will enable him to give things a gentle spin in a liberal direction. But he’s a person without deep roots of any kind. He won’t develop a vision. . . . The words ‘social justice’ would somewhat embarrass him.”

It’s true that Breyer has a professorial presentation. He is cosmopolitan and erudite. He travels to other countries and is interested in their legal systems; reporters like to drop the fact that he has read “À la Recherche du Temps Perdu,” in French, twice. He is also, for a judge, relatively wealthy. His wife, Joanna Hare, a clinical psychologist at Dana-Farber, is the daughter of an English viscount.

Before joining the Court, Breyer showed few signs of being a social-justice warrior. He has, like the President who appointed him, neoliberal inclinations. He was instrumental in creating sentencing guidelines for federal judges that he later conceded were too rigid. He wrote a book on regulatory reform. And one of his proudest legislative achievements was working with Kennedy to deregulate the airline industry.

But he has an admirable temperament. Toobin called him “the sunniest individual to serve on the Supreme Court in a great many years.” Seated on a bench next to a lot of intellectual loners— Antonin Scalia , Clarence Thomas , David Souter , Ginsburg herself—Breyer became a consensus seeker, if not always a consensus builder. He believed in reasoned discourse.

He had also learned, from watching Kennedy do business in the Senate, that compromise is how you get things done in government, and he understood that on an ideologically divided court the power is in the middle. Being a split-the-difference centrist, like his predecessor Lewis Powell, and like the Justice he was closest to, Sandra Day O’Connor , suited his personality, too.

Breyer loved the job and was reluctant to announce his retirement, throwing liberals who feared another R.B.G. fiasco into a panic. He stepped down at the end of the 2021-22 term, in time for President Joe Biden to put one of Breyer’s former clerks, Ketanji Brown Jackson , on the Court. Breyer is now back where he started, as a professor of administrative law at Harvard. Happily for the law school, there are now many dedicated bike lanes in Cambridge.

Horwitz was not entirely right about what George H. W. Bush called “the vision thing.” Beneath Breyer’s pragmatic, let-us-reason-together persona is the soul of a Warren Court liberal. The Warren Court is where Breyer’s judicial career began. After graduating from Harvard Law School, in 1964, he clerked for Justice Arthur Goldberg. It was, he said, “a court with a mission.” The mission was to realize the promise of Brown v. Board of Education.

Brown is Breyer’s touchstone. He calls the decision “an affirmation of justice itself.” Brown was decided in 1954, and it governs only segregation in public schools. This is because the Fourteenth Amendment’s guarantee of “the equal protection of the laws,” the right under which Brown was decided, is a right that can be exercised only against states and their agencies. But Breyer understands Brown in a broader sense. He believes that the reasoning in Brown leads to the condemnation of any and all discrimination that is within the reach of government to eliminate.

Extending the spirit of Brown is what the 1964 Civil Rights Act was designed to do. The act was signed into law in July, just as Breyer was beginning his clerkship, and it did something that Congress had tried once before, in 1875: make it unlawful for public accommodations like hotels, theatres, and restaurants to discriminate on the basis of race. In 1883, in a blockbuster decision, the Supreme Court had thrown out that earlier act as unconstitutional. It ruled that the government cannot tell private parties whom they must serve.

Title II of the Civil Rights Act once again prohibited discrimination in public accommodations on the basis of race, color, religion, or national origin. But how are privately owned businesses like restaurants within the reach of the state? In October, 1964, three months after the act was signed into law, that question came before the Court in two challenges to the constitutionality of Title II: Heart of Atlanta Motel v. U.S., concerning a motel in Georgia that refused to serve Black travellers, and Katzenbach v. McClung, concerning a restaurant in Birmingham, Ollie’s Barbecue, that refused to seat Black customers. (They could use a takeout window.)

The Court ruled that Congress gets its power to ban discrimination in public accommodations from the commerce clause in Article I of the Constitution. (“Congress shall have power . . . to regulate Commerce with foreign Nations, and among the several States, and with the Indian Tribes.”) This holding required the Court to find that the Heart of Atlanta Motel and Ollie’s Barbecue were, in fact, part of interstate commerce. And the Court so found.

Since the motel was patronized by people travelling from one state to another, and since the ingredients for some of the food served at Ollie’s came from outside Alabama, the Court held that the motel and the restaurant were part of commerce “among the several states” and therefore within the power of Congress to regulate. The Court declared the 1883 ruling “inapposite and without precedential value,” and the decision in both cases was unanimous. Breyer thinks that they were the most important rulings of his clerkship.

There was another case with far-reaching effects that was decided during Breyer’s clerkship: Griswold v. Connecticut. The plaintiffs, Estelle Griswold and C. Lee Buxton, opened a Planned Parenthood clinic in New Haven and were arrested for counselling married couples about birth-control devices, which were illegal under the state’s anti-contraception law. Griswold and Buxton argued that, since the law was unconstitutional, they could not be prosecuted for advising women to break it. In a 7–2 decision, the Court agreed. What constitutional provision did the Connecticut law violate? The right to privacy.

Justice William O. Douglas wrote the opinion of the Court, and it is a classic of judicial inventiveness. Nowhere does the Constitution mention a right to privacy, but Douglas proposed that “specific guarantees in the Bill of Rights have penumbras, formed by emanations from those guarantees that help give them life and substance.” By this jurisprudential alchemy, the First, Third, Fourth, Fifth, and Ninth Amendments could be interpreted as defining a “zone of privacy” whose penumbra would extend to the marital bedroom.

Douglas concluded his opinion with an encomium to marriage. He got quite worked up about it. “Marriage is a coming together for better or for worse, hopefully enduring, and intimate to the degree of being sacred,” he wrote. “It is an association that promotes a way of life, not causes; a harmony in living, not political faiths; a bilateral loyalty, not commercial or social projects. Yet it is an association for as noble a purpose as any involved in our prior decisions.” Douglas was sixty-six. A year after Griswold, he divorced his twenty-six-year-old third wife, Joan Martin, to marry Cathleen Heffernan, who was twenty-two.

Griswold became a key precedent in two landmark cases: Roe v. Wade, decided in 1973, and Obergefell v. Hodges, the same-sex-marriage case, decided in 2015. “The right of privacy,” Harry Blackmun wrote for the Court in Roe, “is broad enough to encompass a woman’s decision whether or not to terminate her pregnancy.” In Obergefell, Anthony Kennedy, also writing for the Court, quoted Douglas’s reflections on marriage in their entirety and added some emanations of his own. In addition to a privacy right, he declared, constitutional liberties extend “to certain personal choices central to individual dignity and autonomy, including intimate choices that define personal identity and beliefs.” (In a dissent, Scalia said that he would “hide my head in a bag” before putting his name to some of Kennedy’s prose.)

The shape of Breyer’s Supreme Court career therefore has an emblematic significance, because it was bookended by two decisions that undid much of what the Warren Court achieved in Heart of Atlanta and Griswold. Breyer’s first major dissent came in 1995, in U.S. v. Lopez, a commerce-clause case; his last was in Dobbs v. Jackson Women’s Organization, the decision that overturned Roe v. Wade .

Lopez turned on the constitutionality of the Gun-Free School Zones Act of 1990, which made it a federal crime to possess a firearm in a school zone. In a 5–4 decision, the Court rejected the government’s argument that the act was a legitimate exercise of Congress’s power under the commerce clause. It was the first time since 1936 that the Court had struck down a federal law for exceeding the commerce-clause power.

Much of the New Deal was made possible by the commerce clause. In his dissent, Breyer noted that more than a hundred federal laws include the phrase “affecting commerce.” How many was the Court bent on invalidating? Some, anyway. Five years later, in U.S. v. Morrison, the Court threw out provisions of the Violence Against Women Act on the ground of commerce-clause overreach.

Breyer’s dissent in Dobbs, in 2022, was joined by Elena Kagan and Sonia Sotomayor . The privacy right in Roe “does not stand alone,” they wrote. “The Court has linked it for decades to other settled freedoms involving bodily integrity, familial relationships, and procreation. Most obviously, the right to terminate a pregnancy arose straight out of the right to purchase and use contraception. . . . They are all part of the same constitutional fabric.” They wondered, again, how much the Court was prepared to unravel. In his concurrence, Thomas suggested that the Court might want to reconsider Griswold and Obergefell.

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What happened? Breyer has an explanation, and he lays it out in the new book. He thinks it’s all a matter of interpretation.

As Breyer points out, a majority of the Court now subscribes to the interpretive methods known as textualism and originalism. Textualism and originalism tend to be run together as types of what used to be called “strict construction” (a term that seems to have fallen out of use). But there is a difference. Textualism is primarily a way of interpreting statutes, and originalism is a way of interpreting the Constitution.

Textualists ask what the words of a statute literally mean. Information like legislative history or social-science data is largely irrelevant. Textualists don’t ask, “What would Congress have us do?” They just say, “What is the rule here?” and try to follow it.

Originalists, on the other hand, ask what the Framers would have them do. Originalists can consult the records of the Constitutional Convention (which are hardly comprehensive) and documents like the Federalist Papers (which is a collection of op-eds). But they claim to stick to the “original public understanding” of constitutional language—that is, what the words meant to the average voter in the eighteenth century. They do not invent rights that the Framers would not have recognized, as originalists think Douglas did in Griswold.

More recently, originalists have looked to something called “history and tradition,” highly malleable terms—whose history? which tradition?—by which they tend to mean things as they were prior to circa 1964. Writing for the Court in Dobbs, Samuel Alito explained that the decision turned on “whether the right at issue in this case is rooted in our Nation’s history and tradition.” The constitutional right to abortion was then fifty years old. For women likely to rely on it, the right had existed for their entire lifetimes. But what mattered to the originalists was whether women could rely on it in the nineteenth century.

The use of race as a plus factor in college and university admissions is even older. The practice dates from the late nineteen-sixties, and has been ruled constitutional by the Supreme Court three times: in 1978, in 2003, and in 2016. But the majority had little trouble wiping it out last term, in Students for Fair Admissions v. Harvard . It is a bit brazen to be shouldering aside precedents under the banner of “tradition.”

Breyer sums up textualism and originalism as attempts to make judicial reasoning a science and to make law a list of rules. In our system of government, the Constitution is the big trump card. But it doesn’t come with a user manual. The document is basically a list of clauses—the commerce clause (sixteen words), the equal-protection clause (fourteen words), and so on. And the Constitution gives the reason for a clause only twice: in the patent-and-copyright clause in Article I and in the right-to-bear-arms clause in the Second Amendment. (We could add the preamble, the “We the People” clause, which gives the rationale for having a written constitution in the first place, a novel idea in 1787.)

Some constitutional clauses, like the requirement that the President be native-born, are rules, but many, like the equal-protection clause (the only reference to equality in the entire document), are principles. They do not mark out bright lines separating the constitutionally permitted from the constitutionally forbidden.

Courts, however, are obliged to draw those lines. Judges cannot conclude that the law is a gray area. Textualists and originalists believe that their approach draws the line at the right place. Breyer thinks that the idea that there is a single right place, good for all time, is a delusion, and that his approach, which he calls “pragmatism,” is the one best suited to the design of the American legal system. Pragmatism makes the system “workable” (a word Breyer uses many times) because it does not box us into rigid doctrines and anachronistic meanings.

Pragmatist judges therefore look to the law’s purposes, consequences, and values. They ask, “Why did the lawmakers write this? What are the real-world consequences for the way the Court interprets it? And what are the values that subtend the system of government that courts are a part of?” These are questions that literal readings can’t answer.

An originalist like Scalia, for example, thinks that the “cruel and unusual punishment” clause in the Eighth Amendment makes unconstitutional only punishments that would have been considered cruel and unusual in 1791, the year the amendment was ratified. In 1791, people were sentenced to death for theft. If we said that seems cruel and unusual today, Scalia would say, “Fine. Pass a law against it. But the Constitution does not forbid it.” When he was asked what punishment the Framers would have considered cruel and unusual, Scalia said, “Thumbscrews.”

To this, a pragmatist judge would say, “Then what is the point of having a constitution?” The words “cruel and unusual” were chosen by the Framers (in this case, James Madison, who drafted the Bill of Rights) because their meanings are not fixed. And that goes to the purpose of the clause. The Constitution does not prohibit cruel and unusual punishment because cruelty is bad and we’re against it. It prohibits punishment that most people would find excessive in order to preserve the public’s faith in the criminal-justice system. If we started executing people for stealing a loaf of bread today, the system would lose its legitimacy. Surely an originalist would agree that the Framers were big on legitimacy.

The same is true of many other clauses—for example, the free-speech clause in the First Amendment. Free speech is protected not because it’s a God-given right. It’s protected because, in a democracy, if you do not allow the losers to have their say, you cannot expect them to submit to the will of the winners. Free speech legitimizes majoritarian rule.

Breyer’s book is organized as a series of analyses of some twenty Supreme Court cases, most of which Breyer took part in during his time on the Court. Some are major cases, like District of Columbia v. Heller, in which the originalists found a right to possess a gun for self-defense in the Second Amendment, which says nothing about self-defense. (“Some have made the argument, bordering on the frivolous, that only those arms in existence in the eighteenth century are protected by the Second Amendment,” Scalia wrote in the Court’s opinion. Hmm. What happened to the Thumbscrews Doctrine?)

Other cases are perhaps less than major, like Return Mail, Inc. v. United States Postal Service, which answered the question of whether the federal government is a “person” capable of petitioning the Patent Trial and Appeal Board under the Leahy-Smith America Invents Act. (It is not.) Breyer explains how originalists and textualists decided each case and how he, as a pragmatist, decided them. His book is accessible, rather repetitive, and neither theoretical nor technical. It is addressed to non-lawyers.

It also seems weirdly naïve. Or maybe purposefully naïve. In most of the cases Breyer discusses, where there was disagreement on the Court it resulted not from differences in interpretive methods but from differences in politics. In almost every case, the originalists and textualists came down on the conservative side, restricting the powers of the federal government and expanding the powers of the states, and the pragmatists and “living constitutionalists” (another term that’s now largely avoided) came down on the liberal side.

What is naïve is to believe that the conservative Justices—which means, on the current Court, the six Justices appointed by Republican Presidents, though they are not always on the same page—would decide cases differently if they switched to another method of interpretation. Judicial reasoning doesn’t work that way. Judges pretty much know where they want to come out, and then they figure out a juridically respectable way of getting there.

Why would Breyer want to ignore, or seriously understate, the part that political ideology plays in Supreme Court decisions? The answer lies in an earlier book, “ The Authority of the Court and the Peril of Politics ,” based on a lecture he delivered at Harvard in 2021. It’s all about legitimacy.

Legitimacy is why the Warren Court was on a mission in 1964. The Supreme Court’s reputation—you could say its mystique—is all that it has. It cannot tax or spend. Only Congress can do those things, and only the President can send in the Army. When Southern school districts ignored Brown and refused to integrate, the Court was in danger of being exposed as a paper tiger. It was crucial, therefore, that everyone believe that the Justices were not making law, only finding it. The Constitution made them do it. That was the Court’s claim to legitimacy.

Breyer thinks that the Court still operates this way. All Justices, he says in “The Authority of the Court,” “studiously try to avoid deciding a case on the basis of ideology rather than law.” The reason that “different political groups so strongly support some persons for appointment to the Court and so strongly oppose others” is that people “confuse perceived personal ideology (inferred from party affiliation or that of the nominating executive) and professed judicial philosophy.”

But Presidents and Senate majorities certainly think they are appointing Justices who share their political beliefs, even when they profess to be simply looking for the most qualified jurist. Sometimes Presidents are wrong. Earl Warren, appointed by Dwight D. Eisenhower, no enthusiast of race-mixing, is a famous example. But that is not because Warren was apolitical. Warren was a Republican politician. He had been elected governor of California three times and had run for Vice-President on the ticket with Thomas E. Dewey, in 1948. For Warren, the political constituency that mattered when he became Chief Justice was not the President or Congress. It was the public.

He could see that, in the postwar era, public opinion was likely to favor expanded liberties—the United States was presenting itself, after all, as the leader of the free world—and although his court may sometimes have got a few paces ahead of public opinion, it was largely in step with the times. It was a liberal era. We are not living in a liberal era anymore, and the Court reflects this.

Politics is the art of governance. The Supreme Court is a branch of government, and is therefore a political body. Its decisions affect public life. If by “political” we mean “partisan,” we are still talking about governance, because partisanship is loyalty to a political ideology, normally instantiated in a political party. Politics, therefore, cannot not be partisan. Partisanship is how politics works. Even when politicians say, “This is no time for politics,” they are saying it for partisan reasons. They are saying it because it is good for their side to say it.

What makes the Court different from other political actors is stare decisis, the tradition of respecting its earlier decisions, something Congress does not have to worry about. There is no rule against overturning a precedent, though. So why has the Court been traditionally reluctant to do so? Why does Thomas’s suggestion that it might be time to overrule Griswold and Obergefell seem so radical? It’s because the Court’s legitimacy is intimately tied to the perception that, in making its rulings, it looks only to what the Constitution says and what the Court has previously decided. When the Court overturns a case, it has to make it appear as though the decision was wrong as a matter of law.

This is why Breyer insists that it’s all a matter of legal forensics, of what interpretive lenses the Justices use. He wants to preserve the authority of the Court. He wants to prevent the Justices from being seen as the puppets of politicians.

His toughest moment on the Court, for this reason, must have been Parents Involved in Community Schools v. Seattle School District, decided in 2007. In that case, the Court struck down a Seattle policy of using race as a factor in assigning students to high schools with the aim of attaining rough racial balance.

It was the kind of policy that the Court had approved a number of times since Brown. Now, in an opinion by John Roberts, the Court declared that it had had enough. Roberts ended with a memorable line, no doubt saved up for the right occasion: “The way to stop discrimination on the basis of race is to stop discriminating on the basis of race.”

After Roberts announced the Court’s opinion, on the last day of the term, Breyer delivered a speech from the bench. “Bristling with barely concealed anger,” according to an account by the legal scholar Lani Guinier, he accused the Court’s Republican appointees of voting their policy preferences. “It is not often in the law that so few have so quickly changed so much,” he said.

In 2019, Breyer’s speech from the bench was published as a pamphlet by Brookings. The title he gave it was “Breaking the Promise of Brown.” ♦

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By Amy Davidson Sorkin

By Michael Schulman

Things To Do | The Book Club: “Day,” by Michael Cunningham,…

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Things To Do

Things to do | the book club: “day,” by michael cunningham, and more short reviews from readers.

Editor’s note: The opinions of the smart, well-read women in my Denver book club mean a lot, and often determine what the rest of us choose to pile onto our bedside tables. So we asked them, and all Denver Post readers, to share these mini-reviews with you. Have any to offer? Email [email protected].

“The Hungry Season: A Journey of War, Love and Survival,” by Lisa M. Hamilton (Little, Brown & Company, 2023)

This is a nonfiction account of one Hmong woman’s life, from her childhood in a remote mountain village, through refugee camps in Indonesia, to her immigrant life working arid farmland outside Fresno, Calif. With extraordinary determination, persistence, inexhaustible hope, relentless striving, plus leavening doses of humor, the heroine, Ia Moua, overcomes seemingly impossible odds to support her family, both in the U.S. and in Laos. The “hungry season” in the title refers to the time of scarcity after last year’s rice crop has run out, and before the harvest of a new rice crop, when Laotian subsistence rice farmers learn to rely on optimism and hope to see them through. Such optimism and hope are the pillars of Ia’s life and character. Written with such affection and respect for Ia, this book flows like a novel, which I could hardly set down. (A New York Times Book Review Editors’ Choice; longlisted for the 2024 Plutarch Award.) — 4 stars (out of 4); Kathleen Lance, Denver 

“Mavis Gallant: The Collected Stories,” by Mavis Gallant (Everyman’s Library, 2016)

A “literary” writer and New Yorker regular, the author was known for work full of rich details about setting and character, which benefit from close reading. The volume is broken into decades, from the 1930s to the ’90s. One story, “The Other Paris,” recounts the trip of a young American in search of the exciting, entrancing city she’s heard of, but never can find. Gallant played the role of observant outsider in her work and her life. If you claim you don’t have time to read thoughtful, beautiful books, try these short samples to enhance your soul. – – 4 stars (out of 4); Bonnie McCune, Denver (bonnieMcCune.com)

“Day,” by Michael Cunningham (Random House, 2023)

Michael Cunningham’s latest literary novel samples three years on a single day: April 5 in 2019, 2020 and 2021. Yes, this is a pandemic novel, sort of, but it’s more a complex story of relationships within a family group: brother, sister, brother-in-law, BIL’s brother, his partner, assorted children — and a character invented just for Instagram. In Brooklyn and later in Iceland, each character struggles through “thwartments” for change and fulfillment. After a slow start, the story becomes more and more engrossing as we learn a surprising amount about these lives in a very restricted amount of time. — 3 stars (out of 4); Neva Gronert, Parker

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Ask Amy | Ask Amy: An “update” takes the advice to task

‘Reboot’ is a funny novel about pop culture’s serious problem

Justin taylor’s latest is a high-spirited satire about fan culture, conspiracy theories and the endless recycling of creative ideas.

If you’ve ever had a conversation with a conspiracy theorist — maybe you’ve been stuck in a middle airplane seat or just have relatives on Facebook — you’ve probably noticed how good they are at committing to the bit. You have facts? Oh, do they have facts, too! You think you’re being rational? Sheeple like you just haven’t figured it out yet. You have logic? Listen, let me tell you a story…

Justin Taylor’s second novel, “ Reboot ,” is a very serious story about the perniciousness of conspiracy thinking, wrapped in a very funny yarn about the shallowness of celebrity culture. The funny stuff comes in the form of a TV-world satire: The narrator, David Crader, is the former star of “Rev Beach,” a short-lived but beloved teen drama in the vein of “The O.C.” Success, however modest, has taken a toll on him — he’s collected two busted marriages and a sobriety he’s only barely keeping under control. He marks time doing voice-overs for video games and managing a bar he owns in Portland, Ore. His default tone is self-aware, a little cynical and more unsettled than he’s ready to admit. (“Was I making a comeback? Having a moment? Maybe!”)

As the story opens, David is flying to Los Angeles to do some fan service, signing memorabilia and posing for selfies at a convention, which gives him (and Taylor) ample opportunities to send up the world of pop-culture obsession: the T-shirts whose gags require a Wikipedia’s worth of arcane knowledge to grasp; Instagram posts parsed with rabbinical intensity; fans hoping for a “Rev Beach” reboot that might incorporate the video game David voices. “Foie gras’d on Marvel movies since birth,” Taylor writes of these fans, “they saw no reason why the game and the show shouldn’t become part of the same expanded universe.”

Plot-wise, “Reboot” is a straightforward story about the few weeks David spends reconnecting with his former castmates to plan “Rev Beach” 2.0: his first ex-wife, Grace, who is the daughter of a TV exec; Shayne, an impossibly handsome “indie film darling” and Broadway actor; and Corey, now a MAGA-brained politico in the Florida town where the show was set. Helping to stoke these reunions is Molly, a starving writer/bartender with a bottomless awareness of TV tropes. Over a weekend in New York, David and Shayne spitball ideas while Molly rolls her eyes. “Why does everything have to be recycled IP?” she asks. “Do either of you have an original idea?”

Well? Taylor is asking his characters, he’s asking you, and he’s also asking himself. He seems concerned that we’ve all spent so much time living with the vocabulary of film and TV and games — IP (intellectual property), binge, arc, NPCs (non-player characters) and more — that we can barely function or perceive reality without it. Media language shapes how Taylor’s characters, David especially, think about themselves. (“How much headcanon could be assimilated into my personal show bible? How much retcon and reboot could one life take?”) On a personal level, this behavior is a way to check out of thinking about life — David has a son and a second ex whom he has back-burnered. But Taylor also demonstrates the broader public costs of living inside narratives, especially the most polluted ones — antisemitism, QAnon, lizard people. A small but not unimportant section of the novel focuses on the Koreshans, a 19th-century Florida sect that believed Earth was hollow.

“A conspiracy theory is always more tempting than the truth, not because it’s a simpler story, but because it is a story,” Taylor writes. “The act of coming to terms with the convolution and contradiction — the fluency you gain in the logic of illogic — is what makes it alluring.” You might sense a little bit of recycled IP there, too: Taylor is putting a present-day spin on the kinds of concerns that Don DeLillo stuffed his novels with in the ’70s and ’80s. Not for nothing is Shayne’s current gig a Broadway musical version of DeLillo’s novel “Cosmopolis.” (Actually, it’s an adaptation of the film version of the novel, making it twice-recycled IP.) Sometimes Taylor borrows DeLillo’s icy diction: “Likes and reposts, RT and QT. Those are Twitter terms. The other sites have other terms.” But he’s mainly inspired by his predecessor’s paranoia — by the idea that living in a mediated reality is messing with our heads.

And though “funnier than Don DeLillo” may seem like faint praise, “Reboot” wrings brilliant laughs from the absurdity of David’s predicament, and the way Hollywood and internet language can seem like foreign tongues, something human-adjacent but not quite human: “They’d be doxed and banned, driven from the fandom, their decades-long archive sent straight to the memory hole. A false flag flying over an epic win.”

What are we missing while we marinate in this nonsense? That’s Taylor’s sharpest joke: While David muses on the “Rev Beach” reboot en route to L.A., the forests below are on fire; in New York, the city floods. Calamity gets ever closer. We recycle thoughts and indulge conspiracies as a bulwark against it, but it’s all still coming. “Reboot” is structured like a TV series — it has a cold open, bottle episodes and three acts — but it simultaneously begs you not to trust those elements, or at least to be more aware of them. Like any streaming network, Taylor wants you to keep watching. But one senses a call to action underneath his entertainment: Watch, as in watch out.

Mark Athitakis is a critic in Phoenix and the author of “ The New Midwest .”

By Justin Taylor

Pantheon. 284 pp. $28

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Do You Know These Films Based on Great Biographies?

By J. D. Biersdorfer April 22, 2024

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Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about literature that has gone on to find new life in the form of movies, television shows, theatrical productions and other formats. This week’s quiz highlights films that were adapted from the biographies or autobiographies of their notable subjects.

Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the books and their screen adaptations.

“Oppenheimer,” a film about the man who was instrumental in developing the first nuclear weapons for the United States, won seven Academy Awards earlier this year. The film’s screenplay was adapted from a 2005 biography by Kai Bird and Martin J. Sherwin. What was the main title of the book?

“American Prometheus”

“Burning the Sky”

“A Wing and a Prayer”

The 1972 film “Lady Sings the Blues” was loosely based on which singer’s 1956 autobiography?

Ella Fitzgerald

Bessie Smith

Billie Holiday

Mildred Bailey

“Alan Turing: The Enigma” is Andrew Hodges’ 1983 biography of the gay British mathematician who helped the Allies decipher encrypted Nazi messages during World War II, but was later punished for his sexuality. What was the name of the 2014 film based on the book?

“The Turing Test”

“The Code Breaker”

“The Imitation Game”

“Julie & Julia” is a 2009 film about the chef Julia Child and the blogger Julie Powell, who tried to make all the recipes from one of Child’s cookbooks years later. The screenplay was based on two different books, Powell’s 2005 memoir about the project (and source of the movie’s name) and Julia Child’s posthumously published 2006 autobiography. What was that book’s title?

“Blood, Bones and Butter”

“My Life in France”

“Kitchen Confidential”

“A Year in Provence”

After reading Louis Fischer’s 1950 biography of this global figure, the film director Richard Attenborough spent years trying to make a film about that person’s life. The picture was finally released in 1982 and won eight Academy Awards. Who was the subject of the movie?

Harriet Tubman

J. Edgar Hoover

Mahatma Gandhi

Frida Kahlo

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