best biographies 2022 books

The Best Biographies of 2022

Summer Loomis

Summer Loomis has been writing for Book Riot since 2019. She obsessively curates her library holds and somehow still manages to borrow too many books at once. She appreciates a good deadline and likes knowing if 164 other people are waiting for the same title. It's good peer pressure! She doesn't have a podcast but if she did, she hopes it would sound like Buddhability . The world could always use more people creating value with their lives everyday.

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The following are the best biographies 2022 had to offer, according to my brain and my tastes. And I know it might sound like something everyone says, but it was really hard to pick them this year. Like many people, I love “best of” lists for the year, even when I disagree with the titles that make the cut. There is something about narrowing the field to “the best” that makes me excited to read the list and see what I’ve read already and which gems I’ve missed that year. If you want to look back at some of the titles Book Riot chose in 2021, try this best books of 2021 by genre or best books for 2020 . Both will probably quadruple your TBR, but they’re super fun to read anyway.

For 2022 in particular, there were a ton of excellent titles to choose from, in both biographies and memoirs. I am not being polite here but let me just say that it was genuinely hard to choose. To make it easier on myself, I have included some memoirs to pair with the best biographies of 2022 below. If you don’t see your absolute favorite, it’s either because I didn’t like it (I don’t believe in spending time on books I don’t like) or because I ran out of space. And it was most likely the latter!

His Name is George Floyd: One Man’s Life and the Struggle for Racial Justice by Robert Samuels and Toluse Olorunnipa

Samuels and Olorunnipa are two Washington Post journalists who meticulously researched Floyd’s personal history in order to better understand not only his life and experiences before his death, but also the systemic forces that eventually contributed to his murder. While very interesting, this is also a harder read and very frustrating at times as there is so much loss wrapped up into this story. Definitely one of the best biographies of 2022 and one that I think will be read for years to come.

Paul Laurence Dunbar: The Life and Times of a Caged Bird by Gene Andrew Jarrett

This is one of those classic biographies that I think readers will just love diving into. Rich in detail and nuance, it drops readers into Dunbar’s life and times, offering a fascinating look at both the literary and personal life of this great American poet. If you are able to read on audio, you may want to check out actor Mirron E. Willis’s excellent narration.

Didn’t We Almost Have it All: In Defense of Whitney Houston by Gerrick Kennedy

Maybe you’re a huge fan or maybe you don’t know who Whitney Houston was, but either way, you can still read this and enjoy it. Kennedy is very clear that he didn’t set out to write a traditional biography. He wasn’t trying to dig up new “dirt” about the singer or to ask people in her life to reflect back on her now that she has been gone for 10 years. Instead, Kennedy tackles something deeper and possibly harder: to see and appreciate Houston as the fully-formed and talented human being that she was and to understand in full her influence over popular culture and music.

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Finding Me by Viola Davis

If you are also interested in reading a memoir from 2022, you could pair Whitney Houston’s biography with Viola Davis’s book. It was a title I saw everywhere in 2022, but didn’t pick up until the end of the year. My only two cents to add to this strong choice is that I was also just about the last person on earth who hadn’t heard about Davis’s childhood. Please don’t go into this without knowing at least something about what she had to overcome. However, despite all that, I still think it is an excellent and ultimately uplifting read. Content warnings include domestic violence, child endangerment, physical and sexual abuse, rape and sexual assault, drug addiction, and animal death. And also the unrelentingly grinding nature of poverty.

Like Water: A Cultural History of Bruce Lee by Daryl Joji Maeda 

This is a much more academic presentation of Bruce Lee and the myriad of ways he can be “read” in his connections and contributions to American pop culture. If you or someone you know is itching to read an extremely detailed and deeply considered look at Lee’s life, then this is the book for you. If you read on audio, be sure to check out David Lee Huynh’s narration.

We Were Dreamers: An Immigrant Superhero Origin Story by Simu Liu

If you want to read something much lighter but still connected to Asian representation in Western movies, you could do worse than Liu’s 2022 memoir. In comparison to other books on this list, this felt like a much lighter read to me, but it is not without some heavier moments. While I am not a superfan of Liu (because I’m not really a superfan of anyone), I did enjoy learning about Liu’s childhood and especially hearing little details like that his grandparents called him a nickname that basically translated to “little furry caterpillar” as a child. I mean, is there anything more adorable for a kid?

The Man from the Future: The Visionary Life of John von Neumann by Ananyo Bhattacharya

This is another meaty biography that readers will just adore. Complex and fascinating, von Neumann’s curiosity was legendary and his contributions are so far-reaching that it is hard to imagine any one person undertaking them all. This is a good choice for readers who are fascinated by mathematics, big personalities, and intellectual puzzles.

Agatha Christie: An Elusive Woman by Lucy Worsley

This is another best biography of 2022 that many, many readers will want to sink into. The audio is also by the author so you may want to read it that way. Whether someone reads it with eyes or ears (or both!), this book is sure to interest many curious Christie fans. And if Worsley’s biography isn’t enough for you, you may also enjoy this breakdown of why Christie is one of the best-selling novelists of all time or these 8 audiobooks for Agatha Christie fans .

The School that Escaped the Nazis: The True Story of the Schoolteacher Who Defied Hitler by Deborah Cadbury

Cadbury writes a fascinating biography of Anna Essinger, a schoolteacher who managed to smuggle her students out of a Germany succumbing to Hitler’s rise to power and all the horror that was to follow. Essinger’s bravery and clear-eyed understanding of what was happening around her is amazing. This is a thrilling and fascinating biography readers will no doubt find inspirational.

The Escape Artist: The Man who Broke out of Auschwitz to Warn the World by Jonathan Freedland

Freedland is a British journalist who has written this thoroughly engrossing book about Rudolf Vrba, a man who managed to escape from Auschwitz. It’s no surprise that this is a very important but difficult read. For those who can manage it, I highly recommend immersing oneself in this historical nonfiction biography about a man who survived some of the darkest events of human history.

That is my list of the best biographies of 2022, with a few memoirs for those who are interested. And now of course, I need to mention several titles I have yet to get to from 2022: Hua Hsu’s Stay True , Zain Asher’s Where the Children Take Us , Fatima Ali’s Savor: A Chef’s Hunger for More , and Dan Charnas and Jeff Peretz’s Dilla Time , to name a few!

Also Bernardine Evaristo published Manifesto: On Never Giving Up in 2022 and somehow it slipped through the cracks of my TBR. I will have to make time for that one soon.

If you still need more titles to explore, try these 50 best biographies or 20 biographies for kids . And to that latter list, I might add that a children’s biography came out about Octavia Butler in 2022 called Star Child by Haitian American author Ibi Zoboi, so you might want to check that out too!

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The best memoirs and biographies of 2022

Heartfelt memoirs from Richard E Grant and Viola Davis, childhood tales of religious dogma, and vivid insights into Agatha Christie and John Donne

The best books of 2022

C elebrity memoirs often follow the same trajectory: a difficult childhood followed by early professional failure, then dazzling success and redemption. But this year has yielded a handful of autobiographies from famous types determined to mix things up. Richard E Grant’s vivacious and heartfelt A Pocketful of Happiness (Gallery) recounts a year spent caring for his late wife, Joan Washington, who was diagnosed with lung cancer shortly before Christmas in 2020, and the “head-and-heart-exploding overwhelm” that followed. The book interweaves hospital appointments with memories of the couple’s courtship plus showbiz stories of Grant at the Golden Globes, or hijinks on the set of Star Wars. This juxtaposition of glamour and grief shouldn’t work, but it does.

Minnie Driver’s Managing Expectations (Manila) comprises spry and amusing autobiographical essays that detail pivotal moments in the actor’s life. These include her experience of becoming a mother, cutting off all her hair on a family holiday in France and the time her father sent her home to England from Barbados alone, aged 11, including a stopover at a Miami hotel, as punishment for being rude to his girlfriend (Driver got her revenge by buying up half the gift shop on her dad’s credit card). She also recalls the disgraced producer Harvey Weinstein bemoaning her lack of sex appeal, which she notes was rich from a man “whose shirts were always aggressively encrusted with egg/tuna fish/mayo”.

Alan Rickman’s Madly, Deeply (Canongate) diaries provide insight into the inner life of the late actor who, despite his many successes, frets over roles turned down and rails at the perceived ineptitude of script writers, directors and co-stars. He nonetheless keeps glittering company, hobnobbing with musicians, prime ministers and Hollywood megastars, and almost single-handedly keeps the tills ringing at the Ivy. And while he seethes at critics’ reviews of his own work, his assessments of less-than-perfect films and plays are so deliciously scathing, they deserve a book of their own.

In Finding Me (Coronet), the actor Viola Davis gives a clear-eyed account of her deprived childhood and her rise to fame, along with the violence, abuse and racism she endured along the way. The book is not so much a triumphant tale of overcoming adversity as a howl of fury at the injustice of it all. Davis may now be able to survey her career from a place of Oscar-winning privilege, but she doesn’t hesitate in calling out her industry and its ingrained racial bias, which leads to white actors landing plum roles and “relegates [Black actors] to best friends, to strong, loudmouth, sassy lawyers and doctors”. In The Light We Carry (Viking), the follow-up to her bestselling memoir Becoming, Michelle Obama also touches on the impossible-to-meet expectations that dog anyone trying to make it in a world that sees them as different, or deficient. “I happen to be well acquainted with the burdens of representation and the double standards for excellence that steepen the hills so many of us are trying to climb,” she writes. “It remains a damning fact of life that we ask too much of those who are marginalised and too little of those who are not.”

Away from the world of global fame and its attendant scrutiny, the journalist Chitra Ramaswamy’s touching memoir Homelands (Canongate) documents the author’s friendship with 97-year-old Henry Wuga, who escaped Nazi persecution as a teenager and began a new life in Glasgow. Interwoven with Wuga’s recollections is Ramaswamy’s own family story – she is the daughter of Indian immigrant parents – through which she digs deep into matters of identity, belonging and the meaning of home. Similar themes are explored in Ira Mathur’s multilayered Love the Dark Days (Peepal Tree), which, set in India, Britain and the Caribbean, reads like a fictional family saga as it leaps back and forth in time. The book charts the lives of the author’s wealthy, dysfunctional forebears against a backdrop of patriarchal hegemony and a collapsing empire.

The Last Days (Ebury) by Ali Millar and Sins of My Father (Weidenfeld & Nicolson) by Lily Dunn each tell harrowing stories of families torn apart by religious dogma. Millar, who grew up as a Jehovah’s Witness on the Scottish borders, reflects on a childhood haunted by predictions of Armageddon and blighted by her eating disorder. As an adult she marries, within the church, a controlling man and has a baby, though at 30 she makes her escape and is “disfellowshipped”, meaning she is cut off for ever from her family. Meanwhile, Dunn recalls losing her father to a commune in India presided over by the cult leader Bhagwan Shree Rajneesh, where disciples were encouraged to “live in love”, meaning they could engage in guilt-free sex. Dunn’s book is her attempt to pin down this charismatic, mercurial and unreliable figure and the ripple effects of his actions on those closest to him. In Matt Rowland Hill’s scabrously funny Original Sins (Chatto & Windus), it is the author who is the agent of chaos. The son of evangelical Christians, Hill shoots heroin at the funeral of a friend who died from an overdose, and tries to score drugs on a visit to Bethlehem. Were his account a novel, you might accuse it of being too far-fetched.

In Kit de Waal’s first autobiographical work, Without Warning and Only Sometimes (Tinder Press), the author recalls how she and her four siblings would go to bed hungry while their father blew his earnings on a new suit, and her mother would work off her rage by collecting empty milk bottles and throwing them at a wall in the back yard. After a bout of depression in her teens, De Waal eventually found comfort and escape in literature. Her book is a brilliant evocation of the times in which she lived, when children learned to make their own entertainment and adults didn’t talk about their feelings, and a funny and tender portrait of a complicated family.

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The Crane Wife (Viking), by the American author CJ Hauser, began life as a confessional essay about the time she travelled to the gulf coast of Texas to study whooping cranes 10 days after breaking off her engagement. Published in the Paris Review, the essay blew up online, prompting Hauser to expand her thoughts on love and relationships into this thoughtful and fitfully funny book. Across 17 confessional essays, we find her furtively spreading her grandparents’ ashes at their old house in Martha’s Vineyard, contemplating breast reduction surgery and reflecting on her relationships with a high-school boyfriend and a divorcee who is clearly still in love with his ex.

Finally, some excellent biographies. Agatha Christie: A Very Elusive Woman (Hodder & Stoughton) by Lucy Worsley is a riveting portrait of the queen of crime viewed through a feminist lens. The book acknowledges Christie’s flaws, most notably in her views on race, while portraying her as ahead of her time in putting women at the centre of her stories and showing how older women “have more to offer the world than meets the eye”. Super-Infinite (Faber), winner of this year’s Baillie Gifford prize, is a biography of the 17th-century preacher and poet John Donne by Katherine Rundell, the children’s novelist and Renaissance scholar. Ten years in the writing, the book approaches its subject with wit and vivacity, bringing to life Donne’s inner world through his verse.

Jonathan Freedland’s The Escape Artist (John Murray) is a remarkable account of the life of Rudolf Vrba, a prisoner at Auschwitz who was put to work in “Kanada”, a store of belongings removed from inmates which revealed that the line fed to them was a lie: they were not there to be resettled but murdered. Vrba and his friend Fred Wetzler pledged to escape and tell the world about the Nazis’ industrialised murder, hiding beneath a woodpile for three days before slipping through the fence to freedom. The horror of this story lies not just in its account of “cold-blooded extermination” but in the slowness of authorities to react to the Vrba-Wetzler report, which laid out the workings of Auschwitz, complete with maps showing the chambers. Freedland recalls the words of the French-Jewish philosopher Raymond Aron, who, when asked about the Holocaust, said: “I knew, but I didn’t believe it. And because I didn’t believe it, I didn’t know.”

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The Best Reviewed Memoirs and Biographies of 2022

Featuring buster keaton, jean rhys, bernardine evaristo, kate beaton, and more.

We’ve come to the end of another bountiful literary year, and for all of us review rabbits here at Book Marks, that can mean only one thing: basic math, and lots of it.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be calculating and revealing the most critically-acclaimed books of 2022, in the categories of (deep breath): Fiction ; Nonfiction ; Memoir and Biography; Sci-Fi, Fantasy, and Horror; Short Story Collections; Essay Collections; Poetry; Mystery and Crime; Graphic Literature ; and Literature in Translation .

Today’s installment: Memoir and Biography .

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

1. We Don’t Know Ourselves by Fintan O’Toole (Liveright) 17 Rave • 4 Positive • 1 Mixed • 1 Pan

“One of the many triumphs of Fintan O’Toole’s We Don’t Know Ourselves is that he manages to find a form that accommodates the spectacular changes that have occurred in Ireland over the past six decades, which happens to be his life span … it is not a memoir, nor is it an absolute history, nor is it entirely a personal reflection or a crepuscular credo. It is, in fact, all of these things helixed together: his life, his country, his thoughts, his misgivings, his anger, his pride, his doubt, all of them belonging, eventually, to us … O’Toole, an agile cultural commentator, considers himself to be a representative of the blank slate on which the experiment of change was undertaken, but it’s a tribute to him that he maintains his humility, his sharpness and his enlightened distrust …

O’Toole writes brilliantly and compellingly of the dark times, but he is graceful enough to know that there is humor and light in the cracks. There is a touch of Eduardo Galeano in the way he can settle on a telling phrase … But the real accomplishment of this book is that it achieves a conscious form of history-telling, a personal hybrid that feels distinctly honest and humble at the same time. O’Toole has not invented the form, but he comes close to perfecting it. He embraces the contradictions and the confusion. In the process, he weaves the flag rather than waving it.”

–Colum McCann ( The New York Times Book Review )

2. Thin Places: A Natural History of Healing and Home by Kerri Ní Dochartaigh (Milkweed)

12 Rave • 7 Positive • 2 Mixed

“Assured and affecting … A powerful and bracing memoir … This is a book that will make you see the world differently: it asks you to reconsider the animals and insects we often view as pests – the rat, for example, and the moth. It asks you to look at the sea and the sky and the trees anew; to wonder, when you are somewhere beautiful, whether you might be in a thin place, and what your responsibilities are to your location.It asks you to show compassion for people you think are difficult, to cultivate empathy, to try to understand the trauma that made them the way they are.”

–Lynn Enright ( The Irish Times )

3. Ducks: Two Years in the Oil Sands by Kate Beaton (Drawn & Quarterly)

14 Rave • 4 Positive

“It could hardly be more different in tone from [Beaton’s] popular larky strip Hark! A Vagrant … Yes, it’s funny at moments; Beaton’s low-key wryness is present and correct, and her drawings of people are as charming and as expressive as ever. But its mood overall is deeply melancholic. Her story, which runs to more than 400 pages, encompasses not only such thorny matters as social class and environmental destruction; it may be the best book I have ever read about sexual harassment …

There are some gorgeous drawings in Ducks of the snow and the starry sky at night. But the human terrain, in her hands, is never only black and white … And it’s this that gives her story not only its richness and depth, but also its astonishing grace. Life is complex, she tell us, quietly, and we are all in it together; each one of us is only trying to survive. What a difficult, gorgeous and abidingly humane book. It really does deserve to win all the prizes.”

–Rachel Cooke ( The Guardian )

4. Stay True by Hua Hsu (Doubleday)

14 Rave • 3 Positive

“… quietly wrenching … To say that this book is about grief or coming-of-age doesn’t quite do it justice; nor is it mainly about being Asian American, even though there are glimmers of that too. Hsu captures the past by conveying both its mood and specificity … This is a memoir that gathers power through accretion—all those moments and gestures that constitute experience, the bits and pieces that coalesce into a life … Hsu is a subtle writer, not a showy one; the joy of Stay True sneaks up on you, and the wry jokes are threaded seamlessly throughout.”

–Jennifer Szalai ( The New York Times )

5.  Manifesto: On Never Giving Up by Bernardine Evaristo (Grove)

13 Rave • 4 Positive

“Part coming-of-age story and part how-to manual, the book is, above all, one of the most down-to-earth and least self-aggrandizing works of self-reflection you could hope to read. Evaristo’s guilelessness is refreshing, even unsettling … With ribald humour and admirable candour, Evaristo takes us on a tour of her sexual history … Characterized by the resilience of its author, it is replete with stories about the communities and connections Evaristo has cultivated over forty years … Invigoratingly disruptive as an artist, Evaristo is a bridge-builder as a human being.”

–Emily Bernard ( The Times Literary Supplement )

1. Super-Infinite: The Transformations of John Donne by Katherine Rundell (Farrar, Straus and Giroux)

14 Rave • 4 Positive • 1 Mixed

“Rundell is right that Donne…must never be forgotten, and she is the ideal person to evangelise him for our age. She shares his linguistic dexterity, his pleasure in what TS Eliot called ‘felt thought’, his ability to bestow physicality on the abstract … It’s a biography filled with gaps and Rundell brings a zest for imaginative speculation to these. We know so little about Donne’s wife, but Rundell brings her alive as never before … Rundell confronts the difficult issue of Donne’s misogyny head-on … This is a determinedly deft book, and I would have liked it to billow a little more, making room for more extensive readings of the poems and larger arguments about the Renaissance. But if there is an overarching argument, then it’s about Donne as an ‘infinity merchant’ … To read Donne is to grapple with a vision of the eternal that is startlingly reinvented in the here and now, and Rundell captures this vision alive in all its power, eloquence and strangeness”

–Laura Feigel ( The Guardian )

2. The Escape Artist: The Man Who Broke Out of Auschwitz to Warn the World by Jonathan Freedland (Harper)

12 Rave • 3 Positive

“Compelling … We know about Auschwitz. We know what happened there. But Freedland, with his strong, clear prose and vivid details, makes us feel it, and the first half of this book is not an easy read. The chillingly efficient mass murder of thousands of people is harrowing enough, but Freedland tells us stories of individual evils as well that are almost harder to take … His matter-of-fact tone makes it bearable for us to continue to read … The Escape Artist is riveting history, eloquently written and scrupulously researched. Rosenberg’s brilliance, courage and fortitude are nothing short of amazing.”

–Laurie Hertzel ( The Star Tribune )

3. I Used to Live Here Once: The Haunted Life of Jean Rhys by Miranda Seymour (W. W. Norton & Company)

11 Rave • 4 Positive • 1 Pan

“…illuminating and meticulously researched … paints a deft portrait of a flawed, complex, yet endlessly fascinating woman who, though repeatedly bowed, refused to be broken … Following dismal reviews of her fourth novel, Rhys drifted into obscurity. Ms. Seymour’s book could have lost momentum here. Instead, it compellingly charts turbulent, drink-fueled years of wild moods and reckless acts before building to a cathartic climax with Rhys’s rescue, renewed lease on life and late-career triumph … is at its most powerful when Ms. Seymour, clear-eyed but also with empathy, elaborates on Rhys’s woes …

Ms. Seymour is less convincing with her bold claim that Rhys was ‘perhaps the finest English woman novelist of the twentieth century.’ However, she does expertly demonstrate that Rhys led a challenging yet remarkable life and that her slim but substantial novels about beleaguered women were ahead of their time … This insightful biography brilliantly shows how her many battles were lost and won.”

–Malcolm Forbes ( The Wall Street Journal )

4. The Facemaker: A Visionary Surgeon’s Battle to Mend the Disfigured Soldiers of World War I by Lindsey Fitzharris (Farrar, Straus and Giroux)

9 Rave • 5 Positive • 1 Mixed

“Grisly yet inspiring … Fitzharris depicts her hero as irrepressibly dedicated and unfailingly likable. The suspense of her narrative comes not from any interpersonal drama but from the formidable challenges posed by the physical world … The Facemaker is mostly a story of medical progress and extraordinary achievement, but as Gillies himself well knew—grappling daily with the unbearable suffering that people willingly inflicted on one another—failure was never far behind.”

5. Buster Keaton: A Filmmaker’s Life by James Curtis (Knopf)

8 Rave • 6 Positive • 1 Mixed

“Keaton fans have often complained that nearly all biographies of him suffer from a questionable slant or a cursory treatment of key events. With Buster Keaton: A Filmmaker’s Life —at more than 800 pages dense with research and facts—Mr. Curtis rectifies that situation, and how. He digs deep into Keaton’s process and shows how something like the brilliant two-reeler Cops went from a storyline conceived from necessity—construction on the movie lot encouraged shooting outdoors—to a masterpiece … This will doubtless be the primary reference on Keaton’s life for a long time to come … the worse Keaton’s life gets, the more engrossing Mr. Curtis’s book becomes.”

–Farran Smith Nehme ( The Wall Street Journal )

Our System:

RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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Best of the Year: The 15 Best Bios and Memoirs of 2022

November 16, 2022

This list is part of our Best of the Year collection, an obsessively curated selection of our editors' and listeners' favorite audio in 2022. Check out The Best of 2022 to see our top picks in every category.

There are few stories more compelling or more intimately told than those soul-baring memoirs that seek not just to recount the experiences of one's own life but to draw some greater commentary on the big existential questions. What does it mean to be human? What is our purpose in being here? How much of who we are is purely self-determined? How much is an amalgamation of all those who have left an impact on us? Like all great autobiographies, the very best memoirs of 2022 muse on those questions, contemplating everything from the impact of art and culture on identity to navigating the labyrinthine worlds of grief and illness, addiction and recovery. Exceptional in both their prose and narration, these listens represent a few of the year's best memoirs.

Save this list to your Library Collections now.

Constructing a Nervous System

Audible's Memoir of the Year, 2022 To call Margo Jefferson’s exquisite Constructing a Nervous System a memoir is a bit of a misnomer. After all, this skillfully crafted autobiography dances between genres so fluidly, leaping from the personal to deft cultural analysis in a dazzling display of narrative choreography. Jefferson constructs this stunner of a memoir through a literary lens, one that all but embodies the artists she riffs off of and analyzes, developing a story of the self through the creations, personalities, and perspectives of other artists. In a totally unique style that splinters the form of memoir altogether and frequently sees the text in dialogue with itself, this sharp listen illuminates that so much of who we are is built upon what we love and the things we encounter—be it the lasting presence of a late family member or a voice rising from a turntable. — Alanna M.

Told through the perspective of his nine-year-old self, Javier Zamora’s Solito is a moving account of his perilous, exhausting solo journey from El Salvador to the United States, where his parents awaited him. Zamora was entirely reliant on the support and compassion of his fellow migrants to survive—a story that is both his own and shared by many. Zamora is a poet first, and his delivery is pitch-perfect, lending a lyrical cadence and a well of emotion to an already beautifully crafted memoir. His voice, at times quivering, small, or uncertain, much like his young self, is wielded as an instrument of the story, not an appendix, reminding the listener of the human beings behind the statistics and political platforms. — A.M.

Did Ye Hear Mammy Died?

There are some sounds I consider synonymous with my Irish heritage: the slap of ghillies and the clack of reel shoes, the melodic jaunt of lilting or swell of an accordion, and the entrancing lull of a good story. The latter is embodied in Séamas O’Reilly’s tender retrospective on grief, family, and childhood, all amidst the din of the Troubles. However, a dry tearjerker this is not. Instead, whether musing on his father’s unmatched haggling abilities or offering asides on the oddities of death’s theatrics, O’Reilly brings so much joy and soul into his story that it’s impossible not to smile along. There is simply so much love, life, and heart in this rich memoir that you can almost hear it breathing. — A.M.

The Invisible Kingdom

In this deeply researched and insightful memoir, author Meghan O’Rourke illuminates how chronic illness has become the defining medical mystery of our times, and the source of a painful dissonance between the promises of modern medicine and the lived experiences of so many. Drawing on her own health issues as well as her background as a poet, O’Rourke weaves insights from doctors, patients, researchers, and other experts into a captivating and lyrical narrative. The current spotlight that long COVID has thrown on autoimmune and other “invisible” conditions is a central focus of the memoir, and many people will feel seen—and hopefully heard—by the eloquent voice O’Rourke gives to a monumental challenge. — Kat J.

Lost & Found

I’ve always found something peculiar about “loss” as a euphemism for death. Even still, it feels so apt—that sense that something is missing, at first an acute awareness and in time, an understanding of that absence’s permanence. Kathryn Schulz pulls on this thread in her gorgeous memoir Lost & Found , an account of the universality and ubiquity of those two most human experiences—love and death—as filtered through the loss of her father and the life she built with her wife. As someone muddling through a similar grief journey while trying to nurture a relationship of my own, I found a resonant comfort and hope in Schulz’s thoughts on bereavement and all the life there is still left to lead. — A.M.

What My Bones Know

As someone with a mood disorder, I find solace in listens that take new avenues for exploring the complicated and often isolating side effects of mental health conditions. Reconstructing her experiences with guided meditation and using recordings from real therapy sessions, Stephanie Foo takes a highly journalistic approach to dissecting her CPTSD diagnosis in this vulnerable and intelligent memoir. Unpacking how and why her trauma affects her the way it does, What My Bones Know is not only uniquely suited for audio but constructs a creative audio experience that challenged me as a listener in unexpected and illuminating ways. — Haley H.

Quite the Contrary

This juicy and culturally significant listen, which happens to be the memoir of one of my Audible colleagues, is one of the best I’ve had the pleasure of gulping down. In Quite the Contrary, Yvonne Durant gradually unfurls the mother of all cocktail-party stories—the intimate account of her love affair with jazz legend Miles Davis—against her equally compelling career trajectory as a rare Black woman making waves in advertising’s competitive heyday. Witty, poignant, and funny, Durant lets us into secret spaces of celebrity, culture, and bygone New York, unforgettably brought to life by narrator Allyson Johnson. — K.J.

His Name Is George Floyd

This landmark biography from Washington Post reporters Robert Samuels and Toluse Olorunnipa is built on more than 400 interviews conducted in the aftermath of George Floyd’s death, offering the most complete portrait of Floyd’s life and legacy to date. Star narrator Dion Graham pairs with the authors to create a powerhouse performance that moves from Floyd’s ancestral roots in the tobacco fields of North Carolina to the housing projects of Houston and his death at the hands of Minneapolis police, paying homage to his life while revealing its deep intersections with America’s history of racism and inequality. — H.H.

To fans of Brandon Stanton's street photography project and bestselling book Humans of New York, Stephanie Johnson—better known as Tanqueray—is nothing short of a superstar. So, to finally hear the septuagenarian share more unfiltered, incredible stories about being a burlesque dancer in 1970s New York City—and many other necessary reinventions to survive life's ups and downs—in her own feisty, raunchy, badass way is a milestone storytelling event that is at times hilarious as well as heartbreaking. Millions fell in love with her indomitable spirit by reading about her life on social media, but listening to this legendary lady is unforgettable. As she says: "Make room for Tanqueray, because here I come." — Jerry P.

The Book of Baraka

Told in collaboration with renowned journalist Jelani Cobb, The Book of Baraka combines poetry and prose with the history that helped to shape Ras Baraka, the current mayor of Newark, New Jersey, into the man he is today. It’s the story of a young Black boy’s coming of age as the son of one of the most influential and controversial poets and revolutionaries of the era but also of how that boy would later shape his city—first as a poet, then as an educator, and now, as mayor. As a former resident of Newark myself, I have nothing but praise for Baraka’s accomplishments. But don’t just take it from me. His is a story you definitely don’t want to miss out on, and it should be heard from the mayor himself. — Michael C.

Full disclosure: I’m a sucker for any story involving animals, particularly when those little critters are of the motley variety. Needless to say, I was drawn to Laurie Zaleski’s Funny Farm immediately. An account of running a rescue for beasties ranging from cats to horses? That ridiculously cute cover? Sign me up. What I didn’t expect, however, was a truly affecting memoir that extended far beyond barnyard antics, exploring the depths of Zaleski’s difficult childhood, her mother’s remarkable strength, and carrying on a mission inherited. So sure, come for the adorable furry and feathered friends, but stay for the author’s graceful, heartrending tribute to her late mother and a testament to the redemptive power of caring for others, four-legged or otherwise. — A.M.

Fatty Fatty Boom Boom

If you’re a fan of true crime podcasts, you probably already know Rabia Chaudry’s euphonic voice—as host of both Undisclosed and Rabia and Ellyn Solve the Case , her skills behind the microphone are well documented. Chaudry's gifts for performance and storytelling shine the clearer in her deeply personal debut memoir. So named in reference to Chaudry’s childhood nickname, Fatty Fatty Boom Boom is an immensely relatable listen for anyone who has ever battled body image issues, a rumination on those most complicated relationships (with both food and family), and a love letter to Pakistani cuisine. — A.M.

Also a Poet

A true blend of biography and memoir, Ada Calhoun’s Also a Poet is a fascinating gem of a listen. Calhoun, the author behind nonfiction listens like Why We Can’t Sleep and St. Marks Is Dead , turns her eye toward a subject matter far closer to home. In examining her strained, complicated relationship with her father, the acclaimed art critic Peter Schjeldahl, Calhoun comes across an unexpected connection between them: the late bohemian poet Frank O’Hara. Twisting in its exploration of family, legacy, and art, this Audible Original—which features exclusive archival audio of artistic giants—is an evocative act of catharsis. — A.M.

Corrections in Ink

Journalist Keri Blakinger has dedicated much of her career to shining a light on the stark realities of criminal justice in America. Her ongoing work with nonprofit news collective The Marshall Project aims to provide a better quality of life for prisoners, with Blakinger advocating for inmate safety and well-being while underscoring their oft-disregarded humanity. But Blakinger’s focus isn’t merely academic—as detailed in Corrections in Ink , she’s lived through the prison system herself. Employing well-crafted, blazing prose and narration marked by an uncommon frankness, she recounts her battle with addiction and subsequent incarceration. Listening to her story is sometimes difficult, painful even, but that’s part of its power—this is a courageous, contemplative memoir poised to change the conversation. — A.M.

Dirtbag, Massachusetts

Kidlit author Isaac Fitzgerald rocketed into the capital-L literary landscape with this astounding memoir-in-essays, its instantly iconic title matched by an unforgettable voice. With his origins firmly in Massachusetts, Fitzgerald grew up with a love of literature and a bohemian sensibility that transcended his rough-and-tumble background and its narrow presentation of masculinity. That foundation serves him well in this fiercely honest, vulnerable, and rowdy collection of reminiscences that range from Boston to Burma (now Myanmar), connecting the dots from Fitzgerald’s former lives as an altar boy, fat kid, and small-time criminal to lightning-bolt musings on religion, race, body image, and family. Both literally and literarily speaking, his voice is one to savor. — K.J.

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Best of the Year: The 14 Best Celebrity Memoirs of 2022

Best of the year: all genres, editors select: march 2024, the birth of "quite the contrary".

The 20 Best Memoirs of 2022

From marriage to medicine to masculinity, the year's best memoirs dig deep into thorny topics.

Every product was carefully curated by an Esquire editor. We may earn a commission from these links.

Still, our favorite memoirs of 2022 elevate the form to new heights. They tackle personal, psychological, and philosophical concerns through topics ranging from ancestry to medicine to marriage. With guts and grace, these authors dive deep into their loves and losses, and come ashore with these dazzling treasures for you to read. (Or give ! What better gift than that of a remarkable true story?)

Stay True, by Hua Hsu

When Hsu arrived at Berkeley in the 1990s, a rebellious undergrad obsessed with creating zines and developing “a worldview defined by music,” he made an unexpected friend. At first, Hsu wrote his fraternity brother Ken off as “mainstream,” thinking they had nothing in common beyond their Asian American identities—but soon, an unlikely friendship blossomed, with the two young men penning a screenplay together and discussing philosophy late into the night. It all came crashing down when Ken was murdered in a carjacking, sending Hsu into a decades-long spiral of grief and guilt. Ever since, Hsu has been trying to write Stay True , a wrenching memoir about who Ken was and what Ken taught him. At once a love letter, a coming-of-age tale, and an elegy, it’s one of the best books about friendship ever written.

The Man Who Could Move Clouds, by Ingrid Rojas Contreras

“They say the amnesias were a door to gifts we were supposed to have,” Rojas Contreras muses in this poetic memoir. After a head injury afflicted the author with amnesia, she learned that this had happened before: decades ago, her mother took a fall that left her with amnesia, and when she recovered, she gained access to “the secrets.” The first woman to know “the secrets,” Rojas Contreras’ mother inherited them from her father, known to the family as Nono, a Colombian community healer renowned for his ability to communicate with the dead, predict the future, heal the sick, and move the clouds. After Rojas Contreras’ accident, she and her mother traveled to Colombia to disinter Nono’s remains and tell his story. That quest, recounted here with mesmerizing prose and bracing insight, sent the women on a journey through the brutal colonial history that shaped their family and their nation. Rich in personal and political history, The Man Who Could Move Clouds is an effervescent read.

The Extraordinary Life of an Ordinary Man, by Paul Newman

After six decades of Hollywood superstardom, it’s difficult to imagine that anything could remain unknown about Paul Newman . But that’s the particular magic trick of this memoir, assembled by way of a literary scavenger hunt. Between 1986 and 1991, Newman sat down with screenwriter Stewart Stern for a series of soul-baring interviews about his life and career. With the actor’s encouragement, Stern also recorded hundreds of hours worth of interviews with his friends, family, and colleagues. The whole enterprise was destined to become Newman’s authorized biography, but his feelings on the project soured; in 1998, he gathered the tapes in a pile and set fire to them. Luckily, Stern kept transcripts—over 14,000 pages worth. Now, those transcripts have been streamlined into this honest and unvarnished memoir, in which the actor speaks openly about his traumatic childhood, his lifelong struggle with alcoholism, and his tormenting self-doubt. But the highs are there too—like his 50-year marriage to actress Joanne Woodward—as well as the mysteries of making art, and the “imponderable of being a human being.” All told, the memoir is an extraordinary act of resurrection and reimagination.

Bad Sex, by Nona Willis Aronowitz

When Teen Vogue ’s sex columnist decided to end her marriage at 32 years old, chief among her complaints was “bad sex.” Newly divorced, Aronowitz went in search of good sex, but along the way, she discovered thorny truths about “the problem that has no name”—that despite the advances of feminism and the sexual revolution, true sexual freedom remains out of reach. Cultural criticism, memoir, and social history collide in Aronowitz’s no-nonsense investigation of all that ails young lovers, like questions about desire, consent, and patriarchy. It’s a revealing read bound to expand your thinking.

The High Sierra: A Love Story, by Kim Stanley Robinson

A titan of science fiction masters a new form in this winsome love letter to California’s Sierra Nevada mountain range. Constructed from an impassioned blend of memoir, history, and science writing, The High Sierra chronicles Robinson’s 100-plus trips to his beloved mountains, from his LSD-laced first encounter in 1973 to the dozens of ​​“rambling and scrambling” days to follow. From descriptions of the region’s multitudinous flora and fauna to practical advice about when and where to hike, this is as comprehensive a guidebook as any, complete with all the lucid ecstasy of nature writing greats like John Muir and Annie Dillard.

Year of the Tiger, by Alice Wong

In this mixed media memoir, disability activist Alice Wong outlines her journey as an advocate and educator. Wong was born with a form of progressive muscular dystrophy; as a young woman, she attended her dream college, but had to drop out when changes to Medicaid prevented her from retaining the aides she needed on an inaccessible campus. In one standout essay, Wong recounts her struggle to access Covid-19 vaccines as a high-risk individual. The author's rage about moving through an ableist world is palpable, but so too is her joy and delight about Lunar New Year, cats, family, and so much more. Innovative and informative, Year of the Tiger is a multidimensional portrait of a powerful thinker.

My Pinup, by Hilton Als

Has any book ever roved so far and wide in just 48 pages as My Pinup ? In this slim and brilliant memoir, Als explores race, power, and desire through the lens of Prince. Styling the legendary musician in the image of his lovers and himself, Als explores injustice on multiple levels, from racist record labels to the world's hostility to gay Black boys. “There was so much love between us,” the author muses. “Why didn’t anyone want us to share it?” These 48 meandering pages are difficult to describe, but trust us: My Pinup is a heady cocktail you won’t soon forget.

Novelist as a Vocation, by Haruki Murakami

In this winsome volume, one of our greatest novelists invites readers into his creative process. The result is a revealing self-portrait that answers many burning questions about its reclusive subject, like: where do Murakami’s strange and surreal ideas come from? When and how did he start writing? How does he view the role of novels in contemporary society? Novelist as a Vocation is a rare and welcome peek behind the curtain of a singular mind.

Bloomsbury Publishing Dirtbag, Massachusetts: A Confessional, by Isaac Fitzgerald

In this bleeding heart memoir, Fitzgerald peels back the layers of his extraordinary life. Dirtbag, Massachusetts opens with his hardscrabble childhood in a dysfunctional Catholic family, then spins out into the decades of jobs and identities that followed. From bartending at a biker bar to smuggling medical supplies to starring in porn films, it’s all led him to here and now: he’s still a work in progress, but gradually, he’s arriving at profound realizations about masculinity, family, and selfhood. Dirtbag, Massachusetts is the best of what memoir can accomplish. It's blisteringly honest and vulnerable, pulling no punches on the path to truth, but it always finds the capacity for grace and joy. “To any young men out there who aren’t too far gone,” Fitzgerald writes, “I say you’re not done becoming yourself.”

Pretty Baby, by Chris Belcher

As a financially strapped PhD student in Los Angeles, Belcher fell into an unusual side hustle: she began working as a pro-domme, fulfilling the fantasies of male clients aroused by feelings of shame and weakness. Belcher found unique power in the work as a queer woman, writing, “My clientele wanted a woman who would never want them in return, and at that, I excelled." But as she illuminates in this discerning memoir, the work had its drawbacks—namely, the brutality and blackmail of men. In a lucid examination of power, sexuality, and class, Belcher tells a gripping story about the performance of identity, inside and outside of the dungeon.

Also a Poet: Frank O'Hara, My Father, and Me, by Ada Calhoun

When Calhoun once went looking for a childhood toy, she stumbled upon a far greater treasure: dusty cassette tapes of interviews recorded by her father, art critic Peter Schjeldahl, who started but never completed a biography of the gone-too-soon poet Frank O’Hara. As a lifelong O’Hara fan, Calhoun gleefully committed to finishing what Schjeldahl started, but the task proved to be anything but easy. Like her father before her, Calhoun was stonewalled by Maureen O’Hara, the poet’s prickly sister and executor; the project also revealed the faultlines in her complicated bond with Schjeldahl, whom she longs to impress. In this heartfelt memoir, Calhoun recounts how going in search of O’Hara revealed so much more—like the painful complexities of parents, children, art, and ambition.

Because Our Fathers Lied, by Craig McNamara

How do we reckon with the sins of our parents? That’s the thorny question at the center of this moving and courageous memoir authored by the son of Robert S. McNamara, Kennedy’s architect of the Vietnam War. In this conflicted son’s telling, a complicated man comes into intimate view, as does the “mixture of love and rage” at the heart of their relationship. At once a loving and neglectful parent, the elder McNamara’s controversial lies about the war ultimately estranged him from his son, who hung Viet Cong flags in his childhood bedroom as a protest. The pursuit of a life unlike his father’s saw the younger McNamara drop out of Stanford and travel through South America on a motorcycle, leading him to ultimately become a sustainable walnut farmer. Through his own personal story of disappointment and disillusionment, McNamara captures an intergenerational conflict and a journey of moral identity.

The Unwritten Book, by Samantha Hunt

One of our most gifted practitioners of the short story makes her first foray into nonfiction with this shapeshifting volume. Hunt’s many-feathered subject is the things that haunt: art, the dead, the forest, things left unfinished. Her investigation centers on an unfinished novel written by her late father, a Reader's Digest editor; “the dead leave clues, and life is a puzzle of trying to read and understand these mysterious hints before the game is over,” she writes. As she considers the novel, she sifts through her relationship with her father, characterized as it was by his alcoholism and their shared love of story. Eerie, profound, and daring, this is a book only the inimitable Hunt could write.

Roc Lit 101 Shine Bright, by Danyel Smith

Memoir, criticism, and cultural history meet in this masterful study of the brilliant Black women who shaped American pop music, enriched by the author's own experiences and memories. Some of the figures here will be familiar, like Aretha Franklin and Whitney Houston, while others are long overdue for the reckoning Smith provides, from the Dixie Cups, a gone-too-soon sixties girl group, to the enslaved poet Phyllis Wheatley, who cleared a path for generations of descendants by singing her poems. In this soulful, enriching portrait of these extraordinary artists’ struggles and triumphs, Smith widens the canon to usher in new luminaries.

Lost & Found, by Kathryn Schultz

Eighteen months before Schultz’s father died after a long battle with cancer, she met the love of her life. It’s this painful dichotomy that sets the foundation for Lost & Found , a poignant memoir about how love and loss often coexist. Braiding her personal experiences together with psychological, philosophical and scientific insight, Schultz weaves a taxonomy of our losses, which can “encompass both the trivial as well as the consequential, the abstract and the concrete, the merely misplaced and the permanently gone.” But so too does she celebrate the act of discovery, from finding what we’ve mislaid to lucking into lasting love. Penetrating and profound, Lost & Found captures the extraordinary joys and sorrows of ordinary life.

Ecco Press South to America, by Imani Perry

The American South is often cast as a backwater cousin out of step with American ideals. In this vital cultural history, Perry argues otherwise, insisting the South is, in fact, the foundational heartland of America, an undeniable fulcrum around which our wealth and politics have always turned. Fusing memoir, reportage, and travelogue, Perry imparts Southern history alongside high-spirited interviews with modern-day Southerners from all walks of life. At once a love letter to “a land of big dreams and bigger lies” and a clarion call for change, South to America will change how you understand America’s past, present, and future.

Admissions, by Kendra James

When James enrolled at Connecticut’s prestigious Taft School at fifteen years old, she had no idea that, as the predominantly white boarding school’s first “Black American legacy student to graduate since 1891,” she would become its involuntary poster child for diversity. James’ hopes for a positive high school experience were dashed by “a swamp of microaggressions,” ranging from a student who accused her of stealing $20 to an article in the student newspaper blaming students of color for the segregation of campus. Determined that students after her wouldn’t suffer the same fate, she became an admissions officer specializing in diversity recruitment, but soon felt that she was “selling a lie for a living.” Frank and devastating in its candor, as well as incisive in its critique of elite academia, Admissions is a poignant coming-of-age memoir.

The Invisible Kingdom, by Meghan O'Rourke

“I got sick the way Hemingway says you go broke: ‘gradually and then suddenly,’” O’Rourke writes in The Invisible Kingdom , describing the beginning of her decades-long struggle with chronic autoimmune disease. In the late nineties, O’Rourke began suffering symptoms ranging from rashes to crushing fatigue; when she sought treatment, she became an unwilling citizen of a shadow world, where chronic illness sufferers are dismissed by doctors and alienated from their lives. In this elegant fusion of memoir, reporting, and cultural history, O’Rourke traces the development of modern Western medicine and takes aim at its limitations, advocating for a community-centric healthcare model that treats patients as people, not parts. At once a rigorous work of scholarship and a radical act of empathy, The Invisible Kingdom has the power to move mountains.

Read an exclusive interview with O'Rourkre here at Esquire.

Ancestor Trouble, by Maud Newton

Who are our ancestors to us, and what can they tell us about ourselves? In this riveting memoir, Newton goes in search of the answers to these questions, spelunking exhaustively through her frustrating and fascinating family tree. From an accused witch to a thirteen times-married man, her family tree abounds with stories that absorb and appall, but taxonomizing her family history doesn’t satisfy Newton’s hunger for meaning. Just what do the facts of a life tell us about who we are or where we come from, and what can our personal histories tell us about our national past? Carefully blending memoir and cultural criticism, Newton explores the cultural, scientific, and spiritual dimensions of ancestry, arguing for the transformational power of grappling with our inheritances.

Foreverland: On the Divine Tedium of Marriage, by Heather Havrilesky

No one writes about the agony and ecstasy of relationships with as much gutsy grace as Havrilesky, who has long counseled troubled lovers under the guise of Ask Polly . In Foreverland , Havrilesky turns the microscope on her own relationship, illuminating the joys and exasperations of her fifteen-year marriage. From parenting to quarantining together to bristling at her husband’s every loud sneeze, Havrilesky proves that forever is hard, wonderful work.

Read Havrilesky’s column about her husband here at Esquire.

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Best Biographies » The Best Memoirs and Autobiographies

The best memoirs: the 2022 nbcc autobiography shortlist, recommended by marion winik.

Gay Bar: Why We Went Out by Jeremy Atherton Lin

Autobiography is evolving; increasingly we find the field dominated by 'genre-fluid' books that plait memoir together with strands of cultural criticism, history, journalism or even poetry. Here, Marion Winik , the memoirist and critic, talks us through the five books that have been shortlisted in the National Book Critic's Circle autobiography category—and describes the face of memoir in 2022.

Interview by Cal Flyn , Deputy Editor

A Little Devil in America: Notes In Praise Of Black Performance by Hanif Abdurraqib

A Farewell to Gabo and Mercedes: A Son's Memoir of Gabriel García Márquez and Mercedes Barcha by Rodrigo Garcia

A Ghost in the Throat by Doireann Ní Ghríofa

Concepcion: An Immigrant Family’s Fortunes by Albert Samaha

1 A Little Devil in America: Notes In Praise Of Black Performance by Hanif Abdurraqib

2 gay bar: why we went out by jeremy atherton lin, 3 a farewell to gabo and mercedes: a son's memoir of gabriel garcía márquez and mercedes barcha by rodrigo garcia, 4 a ghost in the throat by doireann ní ghríofa, 5 concepcion: an immigrant family’s fortunes by albert samaha.

What an exciting shortlist for this year’s National Book Critics Circle autobiography award category. As the chair of the judges, can you give us an overview—what does autobiography and memoir look like in 2022?

‘Autobiography’ is a pretty old-fashioned word for this category. I think it’s closer to what people now call ‘creative nonfiction’. Just like last year, we read far fewer traditional autobiographies than books that combine memoir with journalism, cultural criticism, history , even poetry . As we move through the shortlist, you’ll see.

Fluidity of genre is a trend that we have seen in the prizewinners for several years now. Last year, the winner was a blend of memoir and cultural criticism— Minor Feelings by Cathy Park Hong—and this year we have books along those lines, as well as books that go in other directions.

Yes, I think ‘a blend of memoir and cultural criticism’ is probably a reasonable way of describing the first book that made the shortlist. This is Hanif Abdurraqib’s A Little Devil in America: Notes In Praise Of Black Performance.

I think I can reveal that this book was considered by more than one committee at the NBCC, because—yes—it is as much cultural criticism as it is autobiography. One of the things that’s important to us is not to let books like that fall through the cracks. We might say, well, it’s not really a memoir, and they might say, well, it’s not really criticism. So we’ve made it our job to embrace those hybrid books. I mean, there was almost a little turf war over this one.

Abdurraqib’s voice is so powerful and personal that even when he’s writing about Whitney Houston or Michael Jackson, it still reads as personal storytelling. It’s certainly not what we ordinarily think of as music criticism. His discussion of each entertainer is very much in terms of his culture and life story.

There was one essay that the committee went crazy for: ‘It Is Safe to Say I Have Lost Many Games of Spades.’ It’s about playing cards in a van with a group of other writers traveling to an event down South. It’s about the different rules and traditions for the game in black communities all over the country. It’s also about friendship. He says that the way each of his friends plays Spades brings out the thing he most loves about each of them. That’s a lovely piece of memoir right there.

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As both a writer and reader of this genre, I’m obsessed with interesting formal constraints and decisions about language. Abdurraqib is a poet, and brings a lyricism and often a sort of incantatory style to his writing. One essay is based on a kind of poem called a ‘crown of sonnets’, where the last line of each sonnet becomes the first line of the next one. He did that with sections of an essay about Mike Tyson. That enchanted me. He also has five essays with the same title: ‘On Times I Have Forced Myself to Dance.’ And ‘Sixteen Ways of Looking at Blackface’ clearly gets its spinal column from Wallace Stevens.

If you want to know what you’ll come away with from this book, it’s less that you’ll have a new way of thinking about Beyoncé or Don Shirley (though you very likely will know a lot more about Don Cornelius, the host of Soul Train, than you did before!), it’s more about the writer than the cultural subjects, which is what makes it an autobiography.

That makes sense. The second shortlisted title is Jeremy Atherton Lin’s Gay Bar: Why We Went Out . It’s described as “a transatlantic tour of the hangouts that marked his life, with each club, pub and dive revealing itself as a palimpsest of queer history.” What did you admire about this book?

Oh, it’s really good. First of all, it’s very brave and candid. It has a lot of raw sex writing in it, which is attention-grabbing and very well handled. It’s a love story, really; he describes how he met his partner, whom he calls ‘Famous Blue Raincoat’ or just ‘Famous’, in a bar when they were really very young. It’s the story of him and Famous, their coming of age, and their sex life over decades, threaded all through the book. So it’s the furthest thing from a dry history of gay bars. It’s very experiential, and takes you inside gay culture in a rare way. He evokes the settings so powerfully. It’s a great way of telling history.

Do you remember the Alia Volz book we talked about last year , Home Baked ? About her mother selling hash brownies in San Francisco?

So the cities featured in this book, London, Los Angeles and San Francisco, come to life in a similar way as in that book. You feel there’s a really vivid capturing of those cultural centers at certain times in their history.

The author came of age in the 1990s, but Aids plays a smaller role in the book than I might have expected or feared. It’s put in its place by all that’s happened before and since. It’s put in a historical context, and that’s kind of liberating I think

I know when people are selling nonfiction books at the moment, publishers often want a personal link to the story. I suppose this is where the trend towards genre fluidity might come in, and I guess it also reflects the way that so-called ‘lived experience’ is increasingly respected and prioritised.

Jeremy Atherton Lin started out a blogger; he blogged about gay bars and his experiences in them. So his project kind of morphed from an online diary into this book. It contains substantial research about the story of each bar, the evolution of the cities and the neighbourhoods. But if someone else had written it, it might have been very different. It could have gone down the road of urban development and architecture . It could have been a history of homophobia, or a ‘discourse’ about liminal spaces and such. It has those angles, those vocabularies, and others, but it’s all enlivened by Lin’s persona and his experiences. I mean, they are quite in-your-face experiences.

Thanks. The third book is Rodrigo García’s A Farewell To Gabo And Mercedes: A Son’s Memoir. Rodrigo Garcia is Gabriel García Márquez’s son; this is a short but well-formed memoir about the deaths of his parents.

We talked a lot about two aspects of this book. First: is it a handicap that it’s so short? Or is it beautifully compressed, and perfect at this length? Obviously we decided it was the latter. We also talked about whether this book is important because his father was so famous—is that why we liked it?—or was it because it captured something universal about losing both parents? Again, we decided the latter, though Garcia does honor the loss to the world and to his father’s many fans, as well as his own.

It’s a intimate, straightforwardly written narrative of the weeks surrounding a death, a document of grief. And, yeah, it’s interesting to see inside the world of Gabriel García Márquez, but this book is not like most books by the children of celebrities. For one thing, they rarely take this elegiac tone. We’ve read a lot of books that are more like exposes, revealing difficulties and resentment. You can tell from this book that it wasn’t always the perfect family—Gabriel García Márquez was revered during his lifetime, to the point that they were living like Hollywood celebrities, that kind of paparazzi pressure and public attention. But García’s tone is humanising, and not warts-and-all humanising, but humanising due to his filial emotions.

Next up, we have Doireann Ní Ghríofa’s A Ghost in the Throat . I do love this strange little book. It weaves the story of how she subsumes herself in early motherhood with a parallel story of an Irish noblewoman and poet. Can you tell us a bit more about it?

People really can’t decide what genre this book is in, probably more so than any of the other books. They even tried to say it was fiction! Turf war, part two! I think there’s no doubt it belongs in autobiography. Ní Ghríofa interweaves the earthbound realities of her life as a young mother with her literary obsession with an 18th-century poem. It’s quite remarkable.

She explains that she knew this poem from it being taught to her at school, and then she encountered it at a different time in her life. She had never realised before that the woman poet was a young mom at the time she was widowed; I think she says that this was the detail that pushed her over the edge into obsession. She has a xeroxed copy under her pillow that she pulls out and reads in stolen moments. She researches everything that can be known about this woman’s life (which is both more than you’d think and less than she wants), and she makes her own translation from the Irish, which is included in the book.

“‘Autobiography’ is a pretty old-fashioned word for this category. I think it’s closer to what people now call ‘creative nonfiction’”

The poem itself is almost kind of goth in its details. She drinks her dead husband’s blood, she takes his dead horse’s skull and buries it in her fireplace. It’s also unbelievably romantic, quite in contrast to the diaper pails and floor-mopping and everything else she has going on. But the thing is that she embraces both. She is not downtrodden by her duties as a mother.

There’s an interesting discussion over whether this is a feminist book, because she does kind of love her dishwashing and breast-pumping and such. It has been more traditional in feminism to package up domestic duties as part of female oppression. That’s not really Ní Ghríofa’s approach at all. She finds a beauty in the duties of care. She’s a romantic in the traditional sense. She finds an intensity and romance in her own life.

It has this echoing refrain: “This is a female text.” She applies it to real texts, like the book itself and the poem that she translates, but also to other less obvious tasks. She talks about the idea of the fruits of female labour disappearing, or undoing themselves as fast as you do them—the clean becoming unclean, and so on. I felt this book very powerfully, although I find it hard to sum up the thrust of its ‘argument’.

You know how there was a turn in feminist thinking about sex? Instead of being exploited or ashamed or whatever, you could be  ‘sex positive’ and proud of it. This book is, like, housework positive.

I love that. There’s a bit about how she donates her breast milk until she’s too ill to continue. She’s sapping herself dry for a baby she’s never met. It’s a very pure image of femininity as self-abnegation.

Right. That’s a great example of what I’m talking about—the extreme romance of the way she sees her own life.

Maybe that brings us to the final book on the shortlist: Albert Samaha’s Concepcion: An Immigrant Family’s Fortunes. It’s the story of the author’s Filipino-American family, and it traces his ancestry back through Filipino history.

There’s a lot we admired about this book. It’s an undertold story. Someone on the committee described it as a collective memoir, shared by unheard people from this background. In addition to the complicated history of the islands starting with Magellan, he includes several wonderful personal stories.  His uncle Spanky who was literally a rock star in the Philippines became a baggage handler at the airport in California. His mother who darts in and out of the story, is a Trumper and a QAnon follower. She gets catfished by a guy from an online dating site. So all these different narrative threads energize each other, and benefit from the contrast.

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In some ways it’s like Gay Bar , in that it is a long cultural history mixed with a personal story. And it succeeds because the writing is so personal and powerful and vivid. It’s part of a more general flowering of Filipino writers right now.

How would you characterise his literary style?

I’d say he writes in a very accomplished narrative nonfiction style—longform journalism laced with personal storytelling—including moments of high irony and humor. He’s not as lyrical as the poets Abdurraqib and Ní Ghríofa, but the task he sets himself makes that an asset. There’s a lot of actual information and education delivered by this book, more like what you’d expect from a title on the nonfiction list—and there’s that hybrid thing again, the leitmotif of this list.

Fantastic. What happens next?

So now the members of all six NBCC committees are reading all the shortlisted books from every category. Then we will meet on Zoom, and at that point it’s all about hearing the voices of the people who weren’t involved in the shortlisting process. As the chair of the autobiography committee, I’m very interested to see how the five books are going to roll with the larger group. Those final discussions are so interesting and important. The best part of being on the NBCC, really. Then we will vote on the winners, and the ceremony will be on the 17 March , preceded by a finalists reading where we will hear two minutes each of all 37 books! I’m particularly excited about that.

February 18, 2022

Five Books aims to keep its book recommendations and interviews up to date. If you are the interviewee and would like to update your choice of books (or even just what you say about them) please email us at [email protected]

Marion Winik

University of Baltimore professor Marion Winik  is the author of The Big Book of the Dead and winner of the 2019 Towson Prize for Literature. Among her ten other books are First Comes Love and Above Us Only Sky . Her essays have appeared in publications including The New York Times Magazine and The Sun . A board member of the National Book Critics Circle, she writes book reviews for People, Newsday, The Washington Post , and Kirkus Reviews . She was a commentator on NPR for fifteen years; her honours include an NEA Fellowship in Creative Nonfiction.

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8 books that NPR critics and staff were eager to tell you about in 2022

Maison Tran

It's that time of year again: NPR brings you the complete Books We Love list for 2022, a quirky, highly personal collection of our staff and contributors' favorite books of the year.

We've curated a range of reads from the renaissance of ever-diverse graphic novels to hair-raising thrillers and mysteries .

Of the 402 books that made the list, here are eight of the books that our Books We Love readers recommended the most.

Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin

You know that feeling when you finally beat a video game? Emotional catharsis floods your mind and body and, drained, you set down the controller with a sigh. If you're not much of a gamer, but you still crave that emotional release, Gabrielle Zevin's brilliant novel about two friends' journey to video game stardom is the perfect substitute. This story of love, loss and the constant battle between art and commercial success left me short of breath. It's one of those books you'll be thinking about long after "game over."

— Brandon Carter , associate producer, Washington Desk

Thistlefoot by GennaRose Nethercott

For centuries, the crone Baba Yaga has been a figure in Slavic folklore – the kind of character who might lend you a magical candle or kill you and use your skull to decorate her house on chicken legs. In her debut novel, Thistlefoot , author and folklorist GennaRose Nethercott reimagines Baba Yaga as a Jewish woman living in an Eastern European shtetl in 1919, during a time of civil war and pogroms. Through the crone and her story, Nethercott explores the idea of folklore as a retelling of a memory too painful to talk about plainly.

— Mallory Yu , producer/editor, All Things Considered

I'm Glad My Mom Died by Jennette McCurdy

Former iCarly star Jennette McCurdy's account of her tumultuous relationship with show business, disordered eating and abuse by her mother is the heart of her debut memoir, I'm Glad My Mom Died . McCurdy's storytelling is not only fantastic but intimate and raw, full of both pain and humor. While it can be hard to read, learning about how much she was going through privately while in the public eye, I'm Glad My Mom Died is also hard to put down – and hard to forget.

— Aja Miller, associate, Member Partnership

If I Survive You by Jonathan Escoffery

I could say something buttoned-up, like "Jonathan Escoffery's debut collection of short stories examines race, identity and class in incisive ways." And that'd be true, but phrasing it that way betrays the lack of didacticism in his writing . Instead, the book – which follows generations of one Jamaican American family – focuses on the hunger (literal and figurative), heartbreak, horniness and (maybe?) hope that often come hand-in-hand with trying to make it in this country.

— Andrew Limbong , correspondent, Culture Desk and host, Book of the Day

The Paris Apartment by Lucy Foley

Lucy Foley is back with her latest whodunit, this time set in an eerie Parisian apartment complex. Running from her own problems, Jess decides to visit Ben, her journalist brother. But when she gets to Paris, Ben is nowhere to be found. None of his neighbors know where he is, but they all seem to know him – maybe a little too well. As she investigates, Jess learns more about her brother, his work and those peculiar neighbors. With characters suspicious and unlikable in their own way and a fun twist, you're in for a dark and moody escape .

— Arielle Retting , growth editor, Digital News

The Hacienda by Isabel Cañas

I'm a sucker for Gothic novels, and I've been loving the trend of Gothics that take place somewhere unexpected (i.e., not Europe). The Hacienda is a story that takes us to, well, a hacienda – in a remote Mexican town in the 1820s, not long after the War of Independence. The protagonist, Beatriz, moves to her new husband's large estate, eager to escape the rejection, poverty and tragedy that she's suffered in Mexico City. What she finds instead is a ridiculously haunted house inhabited by some equally haunted-seeming people – including those meant to be closest to her.

— Leah Donnella , supervising editor, Code Switch

How High We Go in the Dark by Sequoia Nagamatsu

Sequoia Nagamatsu's debut is beautiful and unsparing in its depiction of a world reeling from a climate catastrophe-driven plague . From the earliest days of a pandemic, to the impacts that linger centuries into the future, the plague forces humans to reckon with immeasurable grief and loss. And the commercialization of death is inescapable: There's a euthanasia amusement park for terminally ill children, a hotel for the dead. But despite the doom and gloom, these stories are endlessly imaginative and rich with meaning. Though the universe these stories are unfolding within is undeniably bleak, Nagamatsu imbues his characters with a sense of cosmic hope and humanity.

— Summer Thomad , production assistant, Code Switch

Lessons in Chemistry by Bonnie Garmus

The 1950s weren't just unkind to women with aspirations outside the home – they were punishing. Case in point: Elizabeth Zott, chemist. She doesn't have her Ph.D. because she was assaulted by a professor; she's belittled and harassed by the men she works with. She falls in love with a star scientist – and is dogged by rumors that she's using him to get ahead. His accidental death, her surprise pregnancy and new single-mother desperation lead her to success in an unlikely place: a TV cooking show. But Zott gives her audience radical lessons that go beyond the kitchen. This book is an often funny-yet-infuriating read.

— Melissa Gray , senior producer, Weekend Edition

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Best Picture-Book Biographies of 2022

CHILDREN'S

JAN. 18, 2022

by Tracey Baptiste ; illustrated by Tonya Engel

An engaging profile of an inspiring civil rights hero whom readers will enjoy learning about and cheering for. Full review >

OCT. 4, 2022

by Tonya Bolden ; illustrated by Eric Velasquez

A richly layered, powerful introduction to an entrepreneur and the problems he solved. Full review >

NOV. 1, 2022

by Tameka Fryer Brown ; illustrated by Nina Crews

As powerful as the woman it profiles. Full review >

SEPT. 6, 2022

by Angela Joy ; illustrated by Janelle Washington

A devastating, uniquely told story that will resonate. Full review >

JUNE 7, 2022

by Jacqueline Briggs Martin & June Jo Lee ; illustrated by Julie Wilson

Inspiring and “kraut-chi-licious.” Full review >

JULY 5, 2022

by Cory McCarthy ; illustrated by Ekua Holmes

A reverent invitation to an enduring classic for new audiences. Full review >

MARCH 1, 2022

by Christine McDonnell ; illustrated by Victoria Tentler-Krylov

A worthy social justice story about a compassionate woman who dedicated her life to helping others. Full review >

by Andrea Davis Pinkney ; illustrated by Keith Henry Brown

This eloquent tribute is a must-read. Full review >

MAY 17, 2022

by Phyllis Root & Gary D. Schmidt ; illustrated by Melissa Sweet

A splendid introduction to a lesser-known nature poet and the landscapes that inspired her. Full review >

SEPT. 20, 2022

by Renée Watson ; illustrated by Bryan Collier

A soaring portrait of a “Black girl whose voice / chased away darkness, ushered in light.” Full review >

JAN. 11, 2022

by Carole Boston Weatherford ; illustrated by Laura Freeman

Pays due honor to Elijah Cummings’ memory and his dedication to the people he served. Full review >

MAY 3, 2022

by Kelly Yang

A radiant tribute to groundbreakers to inspire the next generation. Full review >

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The 45 Must-Read Books of Spring 2024

Buzzy novels, compulsively readable non-fiction, and a few deliciously guilty pleasures.

Every item on this page was chosen by a Town & Country editor. We may earn commission on some of the items you choose to buy.

This season, you have no excuse for being without something good to read. Offerings include explosive novels, revealing memoirs, brilliant biographies, and everything in between. No matter what you like to read, there's a title coming out this spring that's sure to be just what you're looking for.

Barkley L. Hendricks: Solid!

Double Click

Frances and Kathryn McLaughlin were twin sisters and trailblazing photographers in the 1930s and '40s, shooting for era-defining magazines and helping to shape the way the world saw itself in a time of extreme upheaval. In this deeply researched and fascinating biography, T&C contributor Carol Kino explores the lives and all-too-short careers of both women as well as a lost age among some of the 20th century's most important creative forces.

Radiant: The Life and Line of Keith Haring

Recently, Keith Haring's singular style of artwork has been celebrated with major recent retrospectives , and now the late artist's life is the subject of a major biography by Brad Gooch, a noted master of the form. Here, we delve deep into New York City in the 1980s—with appearances, of course, by Andy Warhol, Madonna, and Jean-Michele Basqiuat—to see the world that shaped Haring and discover how he found his singular place within it. Gooch has written an unforgettable portrait of an icon who's as smart, charming, and multifaceted as the masterpieces that he left behind.

Has anyone ever had a sophomore slump quite like Pippa Jones? The novelist had a hit with her first book, but now that the second one is due—and her best idea so far went up in flames—she's running out of time to deliver something brilliant. Just when it seems like she'll never make it happen, however, a so-wild-it-just-might-work idea comes her way and Pippa decides to give it her all—despite the way it'll turn her world upside down.

Until August

This new book by Gabriel García Márquez, published 10 years after his death, almost never saw the light of day. The novel, among the last pieces the Nobel Prize winning author worked on, was reportedly deemed by Márquez not quite ready for publication and filed in his archive—until now. The story, about a woman who makes an annual pilgrimage to an island where she does something seemingly very out of character—and in doing so, gets closer to her true self—was revisited by Márquez's children, who decided it was in fact something to be shared with the world. Lucky, lucky us.

All in Her Head

History, it's often said, is written by the victors. Well, not always. In this remarkable look at the way medicine has approached women's health, the oncologist and medical historian Dr. Elizabeth Comen looks at the way women have been treated and mistreated by doctors over the years, and the impact it's had on the way their health is viewed today. Comen's thoughtful, thorough, and very well written book looks at 11 different organ systems in the body and tells stories from the past and her own practice to shed light on the roles they've played in women's overall health. Consider this book not just good, but good for you.

Finding Margaret Fuller

Nobody does historical fiction quite like Allison Pataki. Some of her previous novels have told stories about Marjorie Merriweather Post and Empress Sisi, and this latest fictionalizes the life of the boundary breaking journalist Magaret Fuller, following her from Boston to New York City and around the world as she masters her craft and meets some of the most fascinating characters of her day. Part of the joy in reading Pataki's books is you learn from them while being caught up in the sweeping action, and this latest is no exception.

The Anxious Generation: How the Great Rewiring of Childhood Is Causing an Epidemic of Mental Illness

What does screen time really do to our kids? You might not want to know—but you need to. In this new book, social psychologist Jonathan Haidt explores how the way kids are growing up today impacts their development and mental health, and is creating major problems for society at large. Beyond just identifying the problem, however, Haidt offers solutions to help turn the tide.

Memory Piece

Life rarely turns out the way in which we expect, and the three friends at the center of Lisa Ko's new novel are no exception. Growing up together, the women bond over teenage alienation and big dreams of big lives. Some of those dreams come true, but just as often—as the book flashes from the 1980s and '90s into the 2040s—the characters are confronted with the disappointments and mundane disasters of everyday life. Still, Ko's book is a moving, sharply observed portrait of friendship and discovering what it means to live a worthwhile life—whether or not it's anything like what we'd hoped.

Wolf at the Table

What's the price of unconditional love? What begins as a story of a family in Upstate New York during the 1950s follows the Larkin children through their lives, watching as each strives, with varying degrees of success, to find their place in the world. One of these kids, however, is different than the others. And while he drifts (or is pushed; depends on who you ask) from his family, who he becomes will be an issue that impacts them all. Rapp's novel is at once a big, bold story of where we come from and how we get where we're going and also a fascinating look at coping with evil in the places that are supposed to keep us safe.

Candy Darling: Dreamer, Icon, Superstar

For a long time, Candy Darling has been a fascinating footnote to other people's stories: a Warhol superstar, the inspiration for a Lou Reed hit, a muse to the Rolling Stones. Now, thanks to this biography from the remarkable Cynthia Carr (who wrote a stellar 2012 biography of David Wojnarowicz), Darling gets her turn as a main character in a book that tells her story as well as one about American culture, New York City, and the beginnings of a movement that would still be brewing 50 years later.

A Very Private School

Princess Diana's brother, Charles Spencer, turns his attention to his time at Maidwell Hall boarding school growing up. "I spent five years of my childhood in this school, trying to crack the code by which it lived. Now, forty-five years on, I think I’m finally there. I’m writing this book before my memories of half a century ago tip over into that chasm of forgetfulness that shadows old age," Spencer said in a statement. More on his memoir, here.

The Audacity

Things are not going well for Victoria Stevens. The tech billionaire has disappeared in the hours before a story will drop exposing her entire operation as fraudulent, and it seems as though she's left her husband holding the bag. In this funny, observant novel, Ryan Chapman follows the pair in their very different ways of dealing (one goes off the grid, the other goes wild on a private island where the world's richest people have convened) and in doing so, looks closely at the state of wealth and the world today. Pick this one up with Dorothy Parker's immortal words in mind: "If you want to know what God thinks of money, just look at the people he gave it to."

All the World Beside

In 18th-century New England, keeping up appearances is paramount—especially in a place like Cana, a religious community founded by Reverend Nathaniel Whitfield. But what lurks beneath the surface for Whitfield is something he'd never want to share with those neighbors. His relationship with the local doctor isn't only a secret, but something both men fear might be a sign of evil creeping into their utopia. In this moving and powerful novel, Garrard Conley follows the men and their families as the tension between their piety and desires becomes impossible to ignore.

What the Mountains Remember

This latest from the author of All the Pretty Places and The Grand Design follows Belle Newbold, a young woman at the turn of the 20th century who thinks she knows what it is she wants, but finds herself surprised and changed by what fate has in store. When a trip brings Belle and her soon-to-be-husband—practically a stranger– together in the mountains, a terrain she's attempted to avoid since a tragedy years before, everything she thought she knew about love and the life she desired is changed forever.

The Sicilian Inheritance

A mysterious inheritance, a decades-old murder, and a trip halfway around the world collide in this compelling new novel and a young woman whose unexpected windfall is just the beginning of a thrilling and dangerous adventure. When Sara Marsala returns to her ancestral homeland of Sicily, she has no clue that her trip will uncover a family secret and set her on a path that will change her life—and perhaps those of all the women who come from the same small village. Jo Piazza's book is a charming page turner packed with wit and wicked twists that will keep readers engrossed—until, of course, they set it down to plan their own trips abroad.

Nell Freudenberger's latest is a globe-spanning epic that tackles questions of family, faith, and the fate of the world. When teenager Pia leaves her scientist mother behind in Tahiti to spend time with her father (and his new wife) in New York City, she had no idea what would lay ahead for her. But as she tries to find her place in this new family dynamic, the world comes grinding to a halt, what's important to Pia—and a cast of other unforgettable characters—shifts dramatically, revealing the true desires that drive a seemingly disparate but ultimately intertwined group of people across the world.

Knife: Meditations After an Attempted Murder

In August of 2022, Salman Rushdie—the writer of books including Midnight's Children and The Satanic Verses —survived a vicious attack a lecture in New York State. Here, he shares for the first time his recollections of the event and also his thoughts on life and art in the wake of it.

The Backyard Bird Chronicles

What can we learn if we sit still and take in the world around us? Amy Tan's latest asks this question, as the author compiles writing and her own artwork (as well as a foreword by David Allen Sibley) inspired by birding and discovers there are still lessons to be learned from the natural world, and great takeaways from observing instead of participating.

Dogland: Passion, Glory, and Lots of Slobber at the Westminster Dog Show

This delightful book takes readers inside the annual Westminster Dog Show, following the journey of a Samoyed named Striker as his competes with his handler, Laura, in the 2022 edition of the competition. If you're a dog person, have a passing interest in the world of dog shows, or even just really enjoyed the cult classic film from 2000, Best in Show : You won't want to miss Dogland .

@media(min-width: 40.625rem){.css-1jdielu:before{margin:0.625rem 0.625rem 0;width:3.5rem;-webkit-filter:invert(17%) sepia(72%) saturate(710%) hue-rotate(181deg) brightness(97%) contrast(97%);filter:invert(17%) sepia(72%) saturate(710%) hue-rotate(181deg) brightness(97%) contrast(97%);height:1.5rem;content:'';display:inline-block;-webkit-transform:scale(-1, 1);-moz-transform:scale(-1, 1);-ms-transform:scale(-1, 1);transform:scale(-1, 1);background-repeat:no-repeat;}.loaded .css-1jdielu:before{background-image:url(/_assets/design-tokens/townandcountrymag/static/images/diamond-header-design-element.80fb60e.svg);}}@media(min-width: 64rem){.css-1jdielu:before{margin:0 0.625rem 0.25rem;}} Best Books of 2024 @media(min-width: 40.625rem){.css-128xfoy:before{margin:0.625rem 0.625rem 0;width:3.5rem;-webkit-filter:invert(17%) sepia(72%) saturate(710%) hue-rotate(181deg) brightness(97%) contrast(97%);filter:invert(17%) sepia(72%) saturate(710%) hue-rotate(181deg) brightness(97%) contrast(97%);height:1.5rem;content:'';display:inline-block;background-repeat:no-repeat;}.loaded .css-128xfoy:before{background-image:url(/_assets/design-tokens/townandcountrymag/static/images/diamond-header-design-element.80fb60e.svg);}}@media(min-width: 64rem){.css-128xfoy:before{margin:0 0.625rem 0.25rem;}}

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The books behind 5 of the best picture Oscar nominees

Author Jim Ruland breaks down the books behind some best picture Oscar nominees, the Festival of Books is nearing and more from our Book Club newsletter.

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Good morning and welcome back to the L.A. Times Book Club newsletter.

For the next few editions of the newsletter, you’ll be hearing directly from L.A.-based authors. First up …

I’m Jim Ruland, a novelist, punk historian and longtime contributor to The Los Angeles Times, and I’m very excited about tomorrow’s 96th Academy Awards. Why is that?

Because five of the 10 films nominated for best picture began their creative lives as books. These books range from the literary to the historical to the plain weird.

Here’s a look at the contenders:

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(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

“The Zone of Interest” is based on the 2014 novel of the same name by Martin Amis . Best known for his novels in the ‘80s and ‘90s, the son of Kingsley Amis was a leading light in London’s literary scene. His story about the horrors of the Holocaust was the second to last of his 15 novels. (My personal favorite is No. 7: “Time’s Arrow.”) Amis died last May . Find the novel here .

“American Fiction” was adapted from Percival Everett’s 2001 novel “Erasure.” The much-lauded writer has been the recipient of a Guggenheim Fellowship, a finalist for the Pulitzer and shortlisted for the Booker Prize. Everett is the hometown selection here: He is a distinguished professor of English at USC. Find the novel here .

“Killers of the Flower Moon” started out as a book by David Grann. While Martin Scorsese’s movie was runner-up at the box office ( behind Taylor Swift’s movie ) on opening weekend, Grann’s account of the Osage murders and the origins of the FBI was a New York Times bestseller and a finalist for the National Book Award. Find the novel here .

“Oppenheimer” is based on the biography “American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer” by the duo Kai Bird and Martin Sherwin. If you somehow missed Barbenheimer, we need to talk. (Seriously, please tell me how you did it.) “American Prometheus” took the authors 25 years to complete, which is just a bit longer than the film’s run time. Find the novel here .

“Poor Things” is based on Alasdair Gray’s weird and titillating novel “Poor Things: Episodes From the Early Life of Archibald McCandless M.D., Scottish Public Health Officer.” (Good call on shortening the title.) Gray was a Scottish writer and a painter who died in 2019 and thus was unable to enjoy the movie’s lush cinematography and many orgasms. Find the novel here .

The next time someone tells you that Hollywood is only interested in making superhero movies, hit them with this list of books. (Or, possibly, the actual stack.)

No matter who wins tomorrow night, don’t forget: Hollywood’s biggest night wouldn’t be possible without writers, and, in the case of these adaptations, readers like you who championed the stories in their earliest incarnations.

For a deeper dive into these adaptations, Ryan Coleman broke it down at Literary Hub .

The L.A. Times Festival of Books is coming!

You don’t have to wait until next year’s Oscars to geek out over adaptations. Hollywood’s love affair with books will continue.

We’re celebrating the return of the L.A. Times Festival of Books with the launch of the Ultimate Hollywood Bookshelf. Keep an eye out for our special section on the greatest Hollywood books of all time, online April 8 and in a premium print edition April 14.

Although the focus of the festival is always on books, we’re bringing back the popular Book to Screen feature as well, with screenings of upcoming adaptations. Tune in to next week’s Book Club newsletter for more on the screenings.

The Week(s) in Books

If you’d like to get a jump on your spring reading, Bethanne Patrick has you covered with some of the most intriguing titles of March , including new novels from Percival Everett, Tommy Orange and Marie Mutsuki Mockett.

“Tell all the truth but tell it … Swift?” Apparently, the famously terse poet Emily Dickinson and pop sensation Taylor Swift are distantly related . Naturally, the Swifties have thoughts on the matter.

Lauren LeBlanc reviews Maurice Carlos Ruffin’s new novel, “The American Daughter s ,” the story of a mother and her daughter who are sold to a wealthy landowner in antebellum Louisiana.

You can get a sneak peek at Katya Apekina’s new novel, “Mother Doll,” with this excerpt at Literary Hub . Why should you do that? My profile of Apekina is coming Tuesday and, more important, the author will be in conversation with Ottessa Moshfegh at Skylight Books at 7 p.m. on April 13.

Speaking of bookstores...

Bookstore Faves

Every couple of weeks, we ask an L.A. bookseller what they’re selling and what they’re loving. This time, it’s Jessica Amodeo, manager of Book Soup. Located on the Sunset Strip, Book Soup has been catering to its celebrity clientele since 1975. I was curious if the Oscar buzz translates to book sales so I asked Jessica who the booksellers were pulling for. Here’s what she wrote:

When you step into Book Soup, we say hello and welcome. You might be a tourist pleased to find Camus, or Quentin Tarantino asking for the classics.

[Our employee] Sydney is predicting Greta Gerwig’s script will win and so is Dan, who believes, “It has to win something and this is their best shot.” Beneath these titles, the cover of “Erasure” by Percival Everett blends with the red carpet theme. Amy is pulling for its adaptation, “American Fiction.”

On the next shelf, another popular title, “Poor Things” by Alasdair Gray, stands next to a thermos that looks like a camera lens. Madeleine and Sean are hoping it will win adapted screenplay. Adam wants “anything but ‘Oppenheimer’” because he believes it will sweep.

Amelia, Book Soup’s longest-tenured employee, believes “The Zone of Interest” should win and I agree. I’m always focused on the telling and can never read or watch anything innocently. So I applaud this adaptation that has transformed the work of Martin Amis and elevated art so steeped in language, through cinematography and sound. It is a powerful and important film.

That’s a wrap!

Thanks for reading. I’ll leave you with a pro tip. One thing I’ve learned covering the arts in L.A. is never schedule an event on the night of the Academy Awards — unless it’s a watch party.

The L.A. Times Book Club newsletter will be back next week when Zan Romanoff takes the reins.

Sign up for our Book Club newsletter

Get the latest news, events and more from the Los Angeles Times Book Club, and help us get L.A. reading and talking.

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A 101-year-old former CEO shared his longevity advice: Early retirement is 'stultifying,' and the Mediterranean diet is best

• I. Roy Cohen celebrated his 101st birthday in October.
• The former CEO said his ambition and projects in retirement had led to a longer life.
• His health tips include eating fresh fish and vegetables, and he walks circuits around his home daily.

When I. Roy Cohen was born in 1922, his parents' farmhouse had no running water or electricity. A wood stove in the kitchen heated the entire property, and there was an outhouse for a toilet.

"It was tough from day to day," Cohen, a second-generation immigrant to New York, told Business Insider.

But his upbringing motivated him to aim high.

"I remember carrying buckets of water to the chicken coops, one in each hand," he said. "It was cold. 'I'm not going to live this way all my life,' I said to myself."

Cohen, who attended a one-room schoolhouse, received a scholarship to an agricultural college — "The only thing it didn't cover was board and lodging," he said — where he earned a bachelor's in microbiology and a master's in biochemistry and nutrition.

A pharmaceutical company hired him at a salary of $3,900 a year. He got married, had three children, and became the CEO of another pharmaceutical firm.

Now 101 years old and still in his home, he's in good health. He manages his finances, oversees renovations, and is interested in philosophy .

"I keep in shape, mentally and physically," he said.

He said he'd learned a series of longevity lessons over the decades and shared some with BI.

Be ambitious

Cohen said he "came from zero" to become a CEO.

The centenarian took risks in his career, such as pivoting from research to a role in advertising at his first drug company, despite having no experience in the latter.

Cohen spent his 55-year career at three companies, culminating in his role as CEO.

He traveled the world — for business and pleasure — before retiring at 81.

"The idea of early retirement is horrible to me," he said of working almost six decades. "It's stultifying."

He said the secret to a fulfilling career — and longevity in general — included stepping out of your comfort zone.

"If you want something badly enough, if you feel something's not right and you need a change, you'll find a way," he added.

Work at relationships

Cohen, who had seven brothers and sisters, said he learned to "get along with other people," often out of necessity.

His childhood revolved around relationships with his siblings.

"You have no choice but to figure out how to stay stable," he said. "If you live with a whole bunch of other people, you can't carry on wildly and selfishly as if you're the only person in the family."

Related stories

His first marriage was annulled after less than a year. It was sad, he said, but the experience helped him reconsider the idea of a life partner.

"I was cautious about making that commitment again," he said, adding that he found "the right woman" in his second wife, Joan, a teacher, who died six years ago at 83.

"It took a while to adjust to each other, but, like all things, you have to work at it," Cohen said. "It's no good if you head down a negative pathway without communicating properly ."

He urged younger people to do the same. "You should keep an open mind and listen to the other person's point of view."

Follow the Mediterranean Diet and walk daily

Cohen thinks his longevity has a genetic element. His father and mother died at 86 and 90, respectively.

Still, he said there were some simple rules he'd followed throughout his life.

The 101-year-old, who said his only health issues were prostate-related, is a devotee of the Mediterranean diet , popular among wealthy executives like Jeff Bezos, who famously ate " breakfast octopus. " Biohacking tech millionaire Bryan Johnson also follows aspects of the diet, and sells his own "longevity" olive oil.

While the diet is beloved by wealthy longevity-seekers, it features relatively accessible ingredients that are easy to prepare. Cohen avoids processed foods and meat in favor of fresh fish, vegetables, and olive oil.

"If I want a snack, I'll munch on a piece of cauliflower, a carrot, or a red pepper," Cohen said. "I eat a lot of cabbage and salad."

He said he'd long incorporated fitness into his life, starting with his work on the farm.

"I used a pitchfork to throw bundles of hay onto the wagon and into the barn," he recalled. "You're lifting a chunk of hay over your head, and it's very difficult."

These days, his exercise regimen involves 20 minutes of leg exercises while sitting on the bed every morning. He also walks "circuits" around his open-plan kitchen and living room. "I do at least 60 every day."

Keep your brain agile

The centenarian said he was sorting paperwork to prepare his tax return for the accountant to submit in April.

"I keep track of all my finances," he said. "I tackle all the details before they before they even come up.

"It keeps my mind in shape."

He said he "constantly has a project on the go." Most recently, he had the driveway and roof of his house redone and installed lighting in the trees.

"Being busy keeps me happy," Cohen said.

He said it was important to nurture a positive attitude with age .

"People allow things that are not that important to drag them down," he said. "But you can't allow yourself to be angry or jealous all the time."

He also said spirituality had helped steer him through life.

"It doesn't have to be organized religion, but it's important to try at least to figure out what makes the world tick."

Do you have a powerful story to share with Business Insider? Please send details to [email protected] .

Watch: Watch how Joe Biden has aged from 1974 to 2022

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A Biography of a Feminist Porn Pioneer Bares All

In “Candida Royalle and the Sexual Revolution,” the historian Jane Kamensky presents a raw personal — and cultural — history.

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By Rich Juzwiak

Rich Juzwiak co-writes Slate’s love and sex advice column “How to Do It.”

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CANDIDA ROYALLE AND THE SEXUAL REVOLUTION: A History From Below , by Jane Kamensky

The idea on which Candida Royalle’s legend rests was as simple as it was brilliant. In 1984, the porn performer and eventual director-producer co-founded Femme Productions with a single goal: to explore women’s fantasies. The hope of Royalle and partner Lauren Niemi was to change porn “from within,” as Royalle explained on a TV show, via “egalitarian” images portraying “regular, joyful lovemaking.”

Emphasizing foreplay and “afterglow,” and avoiding porn’s penchant for proof of male climax, Femme courted a female audience (a widely ignored demographic at the time), featuring material that was somewhere between R- and X-rated. In “Candida Royalle and the Sexual Revolution,” Jane Kamensky, a history professor at Harvard, fleshes out the story.

Royalle was born Candice Vadala in 1950, and she came of age during the sexual revolution. She joined the Women’s Liberation Collective of the Bronx Coalition at age 19, and by 1975 (three years after “Deep Throat” had made adult films chic) she was filming porn loops in San Francisco. It was “quick $ so that I can go after what I want,” per one of her diary entries.

She would eventually appear in more than 40 adult films and describe herself as a “porn queen.” In front of the camera and then behind it, her work coincided with the attacks on the industry from both the right wing and radical feminists like Andrea Dworkin and Catharine MacKinnon. But there was soldarity, too: Royalle and her peers, including the performer Annie Sprinkle and the High Society publisher Gloria Leonard, formed the de facto support group (and eventual performance art collective) Club 90.

In Kamensky’s estimation, Royalle’s was “a profoundly, uniquely 20th-century American life, a life like no other, and also like every other.” Her finger wasn’t merely on the cultural pulse; her body throbbed in sync with the times.

As the title implies, the book interweaves intimate biography and cultural history. Royalle’s life story is culled from interviews and a careful excavation of her papers, housed at Harvard Radcliffe Institute; Kamensky reports that she’s the first person to access the archive.

From the age of 12, Royalle kept a diary, and her self-reporting is at least as intimate as anything she put into the world publicly. There are bouts of gonorrhea, a hepatitis C diagnosis, multiple abortions, prolific drug use (including a debilitating heroin habit), a suicide note. Royalle writes about her father’s abuse of her sister — and her own ensuing despondency. “Why not me?” she wondered.

Kamensky’s ambitious project — in which she moves between this raw portraiture and more formal cultural reporting — is a challenging one; she is at pains to avoid ascribing pat reasons for Royalle’s choices, while still providing ample context. At times the shifting focus can be disorienting. Royalle’s first-grade class picture becomes the jumping-off point for a chapter that touches on the Cold War, Elvis Presley’s momentous appearance on “The Ed Sullivan Show” and the greater culture’s wary regard of teenage girls.

Kamensky’s biography has so many stops and starts that at moments reading it amounts to journeying through a life during rush hour. And though the language remains playful and clear even when saturated with information, the resulting density can nonetheless turn the experience into homework.

But that is likely the author’s point: Her rigor and thoroughness demand that the reader take seriously an underdog who made her name in a stigmatized industry. This book is a labor of empathy that refuses to simplify or valorize its subject. Included are examples of Royalle’s immature homophobic and antisemitic comments, vainglorious declarations (“I am an innovator. I have changed the world!”), a lot of hand-wringing over ever getting involved in porn in the first place and a nearly lifelong fixation on men’s attention.

Though Femme did command a fair amount of (mostly adult) press, and Royalle became a TV and lecture-circuit fixture for her ability to articulate alternate methods within the world of pornographic film, her movie revenue was far from blockbuster, and by her mid-40s she was, in her own words, “a single woman alone who owns no property, no investments, nothing of any real value.” She died of ovarian cancer at 64.

But Kamensky asserts Royalle’s importance. Her revolution never fully revolutionized porn — which in many ways has become more intense and less sensitive — but she left in her wake the opportunity for women to be taken seriously behind the camera; six out of 10 nominees of this year’s AVN Award — porn’s Oscars — for “Outstanding Directing” are women. And Royalle’s outspokenness helped normalize the concept of feminist porn.

In a 1981 pitch to several magazines and newspapers, Royalle wrote that women in the industry had “long been misunderstood” and “put down,” adding, “I would like to help change that.” Kamensky not only lays bare her subject’s M.O., she aids in its realization. What’s more, “Candida Royalle and the Sexual Revolution” is a fulfillment of one of Royalle’s unmet goals: to tell her life story in a book.

CANDIDA ROYALLE AND THE SEXUAL REVOLUTION : A History From Below | By Jane Kamensky | Norton | 512 pp. | $35

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