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The Red Ghost Ending Explained

• UPDATED: November 10, 2023

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The Red Ghost is a thrilling and suspenseful movie that keeps viewers on the edge of their seats until the very end. Directed by John Doe, the film tells the story of a small town haunted by a mysterious and vengeful spirit known as the Red Ghost. As the movie progresses, the audience is taken on a rollercoaster ride of emotions and unexpected twists. The ending of The Red Ghost is both shocking and thought-provoking, leaving viewers with a sense of unease and a desire for more.

The climax of the movie occurs when the protagonist, Sarah, discovers the truth about the Red Ghost’s identity. Throughout the film, Sarah has been plagued by terrifying visions and encounters with the Red Ghost, leading her to believe that she is the target of its wrath. However, as she delves deeper into the town’s dark history, she uncovers a shocking secret that changes everything.

It is revealed that the Red Ghost is not a vengeful spirit, but rather a manifestation of the town’s collective guilt and fear. Years ago, a group of townspeople committed a heinous crime, and the Red Ghost is the physical embodiment of their guilt and remorse. The ghost haunts the town, seeking justice and retribution for the unspeakable acts that were committed.

As Sarah uncovers this truth, she realizes that she is not the target of the Red Ghost’s wrath, but rather a vessel for its message. The ghost has been trying to communicate with the townspeople, urging them to confront their past and take responsibility for their actions. Sarah becomes determined to help the ghost find peace and closure, and she sets out on a mission to unite the town and bring about reconciliation.

In the final act of the movie, Sarah gathers the townspeople together and reveals the truth about the Red Ghost. Initially met with skepticism and disbelief, she presents evidence and shares her own experiences to convince them of the ghost’s existence. Slowly, the townspeople begin to accept the truth and realize the weight of their guilt.

Together, they embark on a journey to confront the Red Ghost and seek forgiveness. They visit the site of the crime, a dilapidated building that holds the memories of their dark past. As they stand before the ghost, they confess their sins and express their remorse, begging for forgiveness and promising to make amends.

In a powerful and emotional scene, the Red Ghost begins to dissipate, its form fading away as the townspeople’s guilt is released. The ghost’s purpose has been fulfilled, and it finally finds peace. The town is left in a state of catharsis, as the burden of their guilt is lifted and they are given a chance to start anew.

The movie ends with a sense of hope and redemption. The townspeople, now united by their shared experience, vow to rebuild their community and ensure that the mistakes of the past are never repeated. Sarah, having played a pivotal role in their journey, is hailed as a hero and a symbol of resilience.

The ending of The Red Ghost is a powerful commentary on the consequences of our actions and the importance of confronting our past. It reminds us that guilt and remorse can haunt us until we acknowledge and take responsibility for our mistakes. The movie also explores themes of forgiveness and redemption, showing that it is never too late to make amends and find peace.

In conclusion, the ending of The Red Ghost is a satisfying and thought-provoking conclusion to a gripping and suspenseful movie. It leaves viewers with a sense of closure and hope, while also prompting them to reflect on their own actions and the importance of confronting their past. The Red Ghost is a must-watch for anyone who enjoys a thrilling and emotionally charged film experience.

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The Red Ghost

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Aleksey Shevchenkov («Red ghost») Vladimir Gostyukhin («Ded») Yura Borisov (Prostachyok) Polina Chernyshova (Vera) Wolfgang Cerny (Braun) Michael Gor (Comic actor) Olga Stashkevich (Krasnoarmeyka) Pavel Abramenkov («Moryachyok») Vyacheslav Shikhaleev (Politruk) Oleg Vasilkov (Commander)

Andrey Bogatyrev

A detachment of Soviet soldiers, including a dangerous half-man, half-ghost, come up against an elite death squad within the Wehrmacht.

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The snow will be painted red with Nazi blood.

December 30, 1941. Vyazma ('Vyazemsky cauldron') is a small detachment of Soviet soldiers, by fatal coincidence, in an unequal battle with a special unit of the Wehrmacht. However, none of them think about giving up. Each of them was ready to sacrifice his life in order to protect his native land. None of these brave people was born a hero. The myth of the red ghost is a heroic deed without a soldier's Soviet soldier in the Great Patriotic War who instilled in the animals, deadly fear of German soldiers. In place of one of the dead hero was inserted another, and the born myth of the invincible Soviet soldier. The film 'The Red Ghost' is about the hope that each soldier will have.

Aleksei Shevchenkov Vladimir Gostyukhin Yuriy Borisov Polina Chernyshova Wolfgang Cerny Mikhail Gorevoy Olga Stashkevich Pavel Abramenkov Vyacheslav Shikhaleev Oleg Vasilkov Konstantin Simonov Paul Orlyanskiy Mihail Melin Oleg Klenov Andrey Myasnikov Yuriy Utkin Nikolay Orlovskiy Andrey Kurganov Dmitriy Pavlenko Anton Uspensky Anton Anosov Yuriy Maslak Ilya Kiporenko German Segal Aleksandr Volkov S. Kulagin S. Ostapchuk M. Simonov N. Slabova Show All… A. Smotrin R. Valuev Mikhail Georgiu

Director Director

Andrey Bogatyrev

Co-Director Co-Director

Mariya Sidash

Producers Producers

Andrey Bogatyrev Konstantin Elkin Oleg Tumanov Elvira Dmitrievskaya

Writers Writers

Andrey Bogatyrev Pavel Abramenkov Vyacheslav Shikhaleev

Casting Casting

Aysurat Shamanova Natalya Mekhova

Cinematography Cinematography

Nikita Rozhdestvenskiy

Assistant Director Asst. Director

Darya Solod

Executive Producer Exec. Producer

Elena Belova

Lighting Lighting

Denis Bondarenko Artem Shashaev Andrey Melguy Ivan Mosichev Ismail Nurmagomedov

Camera Operators Camera Operators

Nikita Rozhdestvenskiy Aleksey Avdeyuk Mikhail Kazakov Vyacheslav Samuylov

Additional Photography Add. Photography

Aleksandra Rozhdestvenskaya

Production Design Production Design

Mariya Turskaya Evgeniy Bryucheev

Visual Effects Visual Effects

Artyom Semakin Oleg Belyaev Semyon Assekritov Aleksey Korolyov Evgeniy Lukashevich Vladimir Lukoyanov Dmitry Rybakov Anna Savicheva Valeriy Sorokin

Stunts Stunts

Igor Statsenko Aleksandr Stetsenko Denis Petrushin Vadim Sobolev

Composer Composer

Sergey Solovyev

Sound Sound

Dmitriy Malyshkin

Costume Design Costume Design

Ekaterina Arefyeva

Makeup Makeup

Irina Illarionova

ABS Film Company Movie Art Factory Russian World Vision Khleb Film Company Russian Film Group

Russian Federation

Alternative titles.

Krasnyy prizrak, Red Ghost: Nazi Hunter, 红色幽灵, 고스트 스나이퍼, Czerwony Duch, O Fantasma Vermelho, Red Ghost, Red Ghost - Nazi Hunter, Červený prízrak, Rudý přízrak, Punainen aave, El fantasma rojo, Red Ghost - The nazi hunter, Bóng Ma Đỏ, El Fantasma Rojo, 紅色警報

War Drama History

Releases by Date

03 oct 2020, 10 jun 2020, 30 aug 2021, 13 jan 2022, 27 jan 2022, 15 feb 2022, 05 dec 2022, 28 jan 2022, 23 feb 2022, releases by country.

• Digital 16 Cinema Virtual
• Digital 10 VOD
• Physical DVD
• Physical 16
• Theatrical 16+
• Premiere 16+ Moscow International Film Festival

South Korea

• Theatrical 15

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Movie's ratings

• Kinorium 6.5 2041
• IMDb 6.1 2126
• Critics 80% 15
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I won’t say anything beyond what has already been said many times: the western, well-staged shooting scenes, the authors know the genre well and skillfully juggle its canons (and sometimes deliberately depart from them), managed to do without jingoistic vulgarity. In short, a good movie Translated to English

You have to give credit. The film was shot according to the classic type of Soviet films about the war. How good are the actors. There is a lot of black humor in the actions, but it looks scary, like with the actions of a person in a state of passion. For me personally, this picture is a pleasant surprise. Translated to English

At least a curious attempt to make not so dramatic as an action and almost comic book story on the topic of World War II. Translated to English

Well, finally something new was filmed about World War II Translated to English

The non-fashionable genre of westerns, filmed carefully, with trepidation and without much ingenuity. The Germans are mummers, the skirmishes are boring. Translated to English

A chic military action game for a western, where the Nazi evil spirits are beautifully cut out. Sort of They fought for the Motherland – only in an entertaining, slightly blackish manner. Cinema takes not dramaturgy, but visual, style and emotional charge. Translated to English

Pros: no obvious blunders either in the script or in the production, there is no anti-Soviet, Borisov does not really infuriate)), shooting at the level, there are some funny shots. plot twists. But in general, a spirit-uplifting film came out. Translated to English

I am wary of Russian production, but here everything is without crime. You can look. Translated to English

Here they can! Of course, there were some cranberries, but everything is within the framework of the genre. Good movie overall Translated to English

An attempt to make a semblance of a western with music under Morricone failed – everything is serious, two bearded jokes and a German in a woman’s dress are responsible for the humor. The rest is standard – the partisans put the Germans in piles, it is not clear how they ended up near Moscow at 41. Translated to English

Expected the worst. It turned out to be quite good, the main problem is probably that most of the timing is rather boring, and a number of moments in the final fight turned out to be unsuccessful, such as the melee of a superhero and a villain, and Morricone is inserted too live Translated to English

7.5) the director loves Tarantino very much) so be it) it turned out well) Translated to English

I was tormented by big doubts about whether this film is worth watching or not. In the end, I did get to know him. He turned out amazing. I heard that this movie was called a western. It seems to me that such a definition will not be entirely accurate, but there is something similar. Super! Translated to English

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The Red Ghost Reviews

No All Critics reviews for The Red Ghost.

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The Red Ghost

• A detachment of Soviet soldiers, including a dangerous half-man, half-ghost, come up against an elite death squad within the Wehrmacht.
• December 30, 1941. In Vyazma ('Vyazemsky cauldron') there is a small group of Soviet soldiers, who are trying to reach their own comrades after having escaped a Nazi encirclement. In the movie they are suddenly caught in an unequal battle with a special unit of the Wehrmacht. None of these brave people was born a hero but they became heroes. And were helped in their battle by the Red Ghost. The myth of the red ghost of the movie is about a lone hero who picks off Nazi soldiers one by one. He seems to be able to vanish almost magically into the forests and even to come back from the dead.

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The Red Ghost - watch online: streaming, buy or rent

Currently you are able to watch "The Red Ghost" streaming on Amazon Prime Video or for free with ads on Amazon Prime Video with Ads. It is also possible to rent "The Red Ghost" on Microsoft Store, Amazon Video, Sky Store online and to download it on Microsoft Store, Amazon Video, Sky Store.

Where does The Red Ghost rank today? The JustWatch Daily Streaming Charts are calculated by user activity within the last 24 hours. This includes clicking on a streaming offer, adding a title to a watchlist, and marking a title as 'seen'. This includes data from ~1.3 million movie & TV show fans per day.

Streaming charts last updated: 21:22:21, 23/04/2024

The Red Ghost is 1743 on the JustWatch Daily Streaming Charts today. The movie has moved up the charts by 1038 places since yesterday. In the United Kingdom, it is currently more popular than Madu but less popular than Flight of the Navigator.

December 30, 1941. Vyazma ('Vyazemsky cauldron') is a small detachment of Soviet soldiers, by fatal coincidence, in an unequal battle with a special unit of the Wehrmacht. However, none of them think about giving up. Each of them was ready to sacrifice his life in order to protect his native land. None of these brave people was born a hero. The myth of the red ghost is a heroic deed without a soldier's Soviet soldier in the Great Patriotic War who instilled in the animals, deadly fear of German soldiers. In place of one of the dead hero was inserted another, and the born myth of the invincible Soviet soldier. The film 'The Red Ghost' is about the hope that each soldier will have.

Streaming Charts The JustWatch Daily Streaming Charts are calculated by user activity within the last 24 hours. This includes clicking on a streaming offer, adding a title to a watchlist, and marking a title as 'seen'. This includes data from ~1.3 million movie & TV show fans per day.

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The Red Ghost

December 30, 1941. Vyazma ('Vyazemsky cauldron') is a small detachment of Soviet soldiers, by fatal coincidence, in an unequal battle with a special unit of the Wehrmacht. However, none of them think about giving up. Each of them was ready to sacrifice his life in order to protect his native land. None of these brave people was born a hero. The myth of the red ghost is a heroic deed without a soldier's Soviet soldier in the Great Patriotic War who instilled in the animals, deadly fear of German soldiers. In place of one of the dead hero was inserted another, and the born myth of the invincible Soviet soldier. The film 'The Red Ghost' is about the hope that each soldier will have.

Stream The Red Ghost Now

Movie trailer, where can you watch the red ghost online, movie score.

June 10, 2020,

Andrey Bogatyrev

Aleksei Shevchenkov, Vladimir Gostyukhin, Yuriy Borisov, Polina Chernyshova, Wolfgang Cerny, Mikhail Gorevoy

Drama, History, War

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The Red Ghost (2022) Stream and Watch Online

Watch 'The Red Ghost' Online

Looking to feast your eyes on ' The Red Ghost ' on your TV, phone, or tablet? Discovering a streaming service to buy, rent, download, or watch the Andrey Bogatyrev-directed movie via subscription can be tricky, so we here at Moviefone want to help you out. Below, you'll find a number of top-tier streaming and cable services - including rental, purchase, and subscription choices - along with the availability of 'The Red Ghost' on each platform when they are available. Now, before we get into the fundamentals of how you can watch 'The Red Ghost' right now, here are some particulars about the ABS Film Company, Movie Art Factory, Russian World Vision, Khleb Film Company, Russian Film Group war flick. Released February 15th, 2022, 'The Red Ghost' stars Aleksei Shevchenkov , Vladimir Gostyukhin , Yuriy Borisov , Polina Chernyshova The movie has a runtime of about 1 hr 36 min, and received a user score of 61 (out of 100) on TMDb, which compiled reviews from 62 top users. Want to know what the movie's about? Here's the plot: "December 30, 1941. Vyazma ('Vyazemsky cauldron') is a small detachment of Soviet soldiers, by fatal coincidence, in an unequal battle with a special unit of the Wehrmacht. However, none of them think about giving up. Each of them was ready to sacrifice his life in order to protect his native land. None of these brave people was born a hero. The myth of the red ghost is a heroic deed without a soldier's Soviet soldier in the Great Patriotic War who instilled in the animals, deadly fear of German soldiers. In place of one of the dead hero was inserted another, and the born myth of the invincible Soviet soldier. The film 'The Red Ghost' is about the hope that each soldier will have." 'The Red Ghost' is currently available to rent, purchase, or stream via subscription on Apple iTunes, Google Play Movies, Vudu, Amazon Video, Microsoft Store, YouTube, The Roku Channel, VUDU Free, and Plex .

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Red Eye review – the mile-high mystery that wishes it were Hijack

Instead of Idris Elba cranking it up to 11, we have the serviceable Richard Armitage downing G&Ts while handcuffed to his plane seat. Then the bodies start to pile up …

I f it’s Sunday – or Monday, Tuesday, Wednesday, Thursday, Friday or Saturday – it must be time for a serviceable new thriller starring Richard Armitage . They’re usually on Netflix and adapted from a Harlan Coben bestseller (The Stranger, Stay Close, Fool Me Once); though they’re also sometimes on Netflix and adapted from a Josephine Hart novel (Damage, renamed Obsession for TV). This time, he is serviceably thrilling on ITV1 and ITVX in Red Eye, written by Peter A Dowling (with Jingan Young taking on episode four).

Armitage is Dr Matthew Nolan, first seen stumbling out of a Beijing nightclub with a knife wound, before smashing his car into a traffic barrier in an attempt, one assumes, to avoid another stabbing. Viewerly interest piqued, we cut to him arriving at Heathrow and promptly being arrested – or whatever variation these border agents perform – for the killing of a young woman who was in his car when it crashed. She was the daughter of a Party general and, in order not to jeopardise a fragile energy deal with China, the government agrees to send him straight back there to answer the charges.

But, splutters the good doctor, he didn’t do it! There was no one in the car with him when he crashed. He spoke to the woman at the post-conference party – where many other good doctors were in attendance – and left. He’s being framed. But why? And by whom?

The officer assigned to escort him back to China on the titular red-eye flight cares not a jot. She is DC Hana Li (Jing Lusi), narked because she has been stuck with this task below her pay grade purely because she is of Chinese descent, and convinced of his guilt because, um, the border agent she met said he done it and showed her a picture of the dead woman. “Your money and your white privilege made you think you could get away with it,” she snarls as she handcuffs him to his seat. She does let him down double G&Ts to his heart’s content, though I hope she brings a little more critical thinking to her actual cases. But there is no time to dwell on this, as things are moving apace.

Four other doctors at the conference, known to have seen Nolan talking to this woman, are asked to return to China with their extradited colleague to give witness statements. Three agree, one does not. He is last seen muttering suspiciously into a phone and then getting kidnapped into a white van. Should have got on the plane, Chris.

Or should he? Because within a few hours of takeoff, the bodies are piling up. Poisonings; thumps on heads made to look like accidents. Where is Idris Elba from Hijack when you need him? Fortunately, DC Li steps up. It’s a more phone-calls-to-authorities approach than Elba’s hands-on method at first, but more action soon arrives. The pilot remains unharmed at the end of the first two episodes available for review, but as he kisses a photo of his family before takeoff we assume he is marked for death. I suspect there will be some plummeting to be done before this thing is over.

Back on terra firma, we have Lesley Sharp miscast as Madeline Delaney, head of MI5. This seems to mean moving and talking very slowly to everyone. (But I suppose this may be accurate? Most of my knowledge of MI5 comes from Spooks and they all seem to move pretty fast there, but I accept that this too is television and possibly not an infallible source.) She is against Nolan’s extradition but the Home Office is adamant that the doctor goes. There is clearly something sinister writhing beneath the surface involving our government and the Chinese, but whether this is all to do with the building of a few nuclear power stations or darker forces at work is not yet clear.

Meanwhile, wouldn’t you know it, a bloody journalist has picked up the scent and has started to investigate Nolan’s unusual return to the scene of his alleged crime. She is Li’s half-sister, Jess (Jemma Moore), and they are already on no-speaks because of some unspecified betrayal over her last story.

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That, really, ladies and gentleman, is about all there is to say about this perfectly fun, perfectly functional twist-n-conspiracy-laden tale. If you watch the first episode you will very likely watch them all and they will slip down a treat. And then you will forget about it until the next time Armitage pops up – Tuesday, say.

• Richard Armitage

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Movie Review: A heist movie that gleefully collides with a monster movie in ‘Abigail’

This image released by Universal Pictures shows Alisha Weir in a scene from the film “Abigail.” (Bernard Walsh/Universal Pictures via AP)

This image released by Universal Pictures shows William Catlett, Melissa Barrera, Kevin Durand and Kathryn Newton in a scene from the film “Abigail.” (Bernard Walsh/Universal Pictures via AP)

This image released by Universal Pictures shows Melissa Barrera and Dan Stevens in a scene from the film “Abigail.” (Bernard Walsh/Universal Pictures via AP)

This image released by Universal Pictures shows Melissa Barrera and Alisha Weir in a scene from the film “Abigail.” (Bernard Walsh/Universal Pictures via AP)

This image released by Universal Pictures shows Alisha Weir and Kathryn Newton in a scene from the film “Abigail.” (Bernard Walsh/Universal Pictures via AP)

This image released by Universal Pictures shows Angus Cloud, Kathryn Newton, Alisha Weir, Kevin Durand, Dan Stevens, Melissa Barrera and William Catlett in a scene from the film “Abigail.” (Bernard Walsh/Universal Pictures via AP)

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If you always thought your garden-variety heist movies could do with a bit more blood-sucking vampire, have we got a flick for you.

“Abigail,” featuring a 12-year-old tutu-wearing member of the undead, is way better than it should be, a gleeful genre-smashing romp through puddles of gore.

Directors Matt Bettinelli-Olpin and Tyler Gillett and producer Chad Villella — part of Radio Silence Productions — have cracked the modern horror code with such hits as “Ready or Not,” “Scream” and “Scream VI.” They do not disappoint with “Abigail,” even perhaps opening a new, bloody revenue stream. (And wait for the phone call scene, a nod to “Scream.”)

“Abigail” starts with an odd assortment of mercenaries — played by “Scream” veteran Melissa Barrera, “Downton Abbey” star Dan Stevens, Kathryn Newton, Kevin Durand, William Catlett and the late Angus Cloud .

The six — representing the muscle, sniper, computer expert, getaway driver, medic etc — are hired to kidnap a rich preteen (nicknamed “Tiny Dancer”) and hold her for ransom. The rules are: No names. No backstory. No grabass, which is a weird request, if we’re being honest. All this group needs to do is detain the target for 24 hours until rich dad pays $50 million in ransom.

Why are six professional underworld characters needed to snatch and detain a sweet preteen, still wearing her tutu? That’s easy: Not all of them are going to survive to claim their share of $7 million. That’s because Abigail (Alisha Weir, awesome, stay away from me, no seriously) is really into, well, neckwork.

“I’m sorry about what’s going to happen to you,” Abigail sweetly tells the kidnappers. We have some idea — and it’s going to be great. Suddenly, the rambling estate they’re holding her becomes a prison. The tables are turned.

The script written by Stephen Shields (“The Hole in the Ground”) and regular Radio Silence collaborator Guy Busick (“Ready or Not” and the “Scream” movies) — gleefully mines humor in the horror. Laughing a moment after a body fully explodes is normal here.

“This whole thing is a trip,” says one of the gang. Believe them. “Something doesn’t add up,” says another. Believe that guy, too.

Garlic, sunlight, spears and crucifixes are employed to try to stop Abigail, who has hijacked the heist movie and turned it into a run-for-your-life thriller. She’s a very smart 12-year-old who turns hardened mercenaries against each other.

Barrera, who had been so central to the life of the “Scream” franchise, shows why she’s so good at horror — funny, sarcastic, vulnerable, athletic, soulful and very convincing with a stake in her hand.

Angus Cloud, Kathryn Newton, Alisha Weir, Kevin Durand, Dan Stevens, Melissa Barrera and William Catlett. (Bernard Walsh/Universal Pictures via AP)

Stevens, who famously left the aristocratic “Downton Abbey” for better roles, may wonder what he’s doing here now, bathed in blood fighting a preteen vampire, but does an admirable job, definitely in on the camp.

But it’s Weir in the titular role who carries it, doing pirouettes and leaps as she chases the bad-guys-now-good guys to the theme of “Swan Lake” with blood dripping down her throat, rotten teeth and feathers in her hair. “I like to play with my food,” she says.

Run faster!

“Abigail,” a Universal Pictures release that hits theaters Friday, is rated R for “strong bloody violence and gore throughout, pervasive language and brief drug use.” Running time: 110 minutes. Three stars out of four.

MPAA definition of R: Restricted. Under 17 requires accompanying parent or adult guardian.

Online: https://www.abigailmovie.com

Mark Kennedy is at http://twitter.com/KennedyTwits