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Literary theory.

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  • Where to Search
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Don't Rely on Search Alone

Several of the terms used to describe literary theory---"criticism," "theory," "literature"---are used in many other contexts as well, clogging up your search results. Plus, the kinds of abstract concepts discussed in literary theory can be hard to pin down with a search term. D ictionaries, encyclopedias , and critical companions help you jumpstart your research by giving you an overview of the critical discussion around various points of theory and guiding you to the most relevant scholarship.

Start with Online Reference Sources

  • LION : use the general search box and refine your results by content type "Reference" to explore material from several important literary encyclopedias as well as student guides and Penguin Classics introductions. Once you've identified an encyclopedia that's particularly helpful, click on its title in the list of  specific reference works  to browse the table of contents for more entries.
  • The Johns Hopkins Guide to Theory and Criticism : the online edition of a key reference source for literary theory. Pro tip: don't rely on search alone! Browse the contents and topic list to get a better sense of which articles will be most helpful.
  • The Stanford Encyclopedia of Philosophy : a free online encyclopedia whose content is produced by scholars in the field and rigorously peer-reviewed. A great resource for gaining a broader perspective, as there is often significant overlap between literary theory and various topics in philosophy.

Supplement with Print Reference Sources

Some of the best guides aren't available online.

Loker Reading Room

On the 2nd floor of Widener Library, you'll find shelves full of indispensable encyclopedias, handbooks and guides. Most of what you'll need is along the long wall opposite the main entrance: start at RR 3100. Here are some titles to keep an eye out for: 

  • Twentieth-Century Literary Movements Index
  • A Glossary of Contemporary Literary Theory
  • Dictionary of Concepts in Literary Criticism and Theory
  • Reader's Guide to Literature in English

Elsewhere in the libraries: 

  • Literary  Theory: A Very Short Introduction   (Jonathan Culler ). Part of Oxford's Very Short Introductions series . Available online!
  • The Cambridge Companion to...  check out various titles in the "literature" and "philosophy" series:  feminist literary theory ,  Deleuze ,  Adorno , etc. Also available online!
  • Literary Theory: A Guide for the Perplexed
  • The Blackwell Guide to Literary Theory

Find literary theory in HOLLIS: search terms and strategies

  • Criticism: an official term for literary theory. But a simple search for "criticism" will also pick up material with subheadings such as "criticism and interpretation" or "history and criticism." The best way to access material that has the main subject heading "Criticism" is via a HOLLIS browse . After executing the browse you can click on "criticism" to turn it into a search, and then use filters to drill down into your results.
  • "Theory, etc. " a common subheading: try adding this phrase to your other search terms in an  Advanced Search . Other theory-related subheadings include rhetoric  and  criticism.  If you've found a search formula for your topic that works well in HOLLIS and you want to narrow your results down to theoretical treatments, try adding  AND ("theory, etc." OR rhetoric OR criticism) .
  • Name as subject: Another good strategy is to search for a theorist's name in the subject field: this will turn up subsequent discussions of his or her theory. (If you get too many results, try adding AND "criticism and interpretation".)
  • << Previous: Find Primary or Archival Material
  • Next: Foreign Language Literatures >>

Except where otherwise noted, this work is subject to a Creative Commons Attribution 4.0 International License , which allows anyone to share and adapt our material as long as proper attribution is given. For details and exceptions, see the Harvard Library Copyright Policy ©2021 Presidents and Fellows of Harvard College.

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Literary Theory: A Very Short Introduction (2nd edn)

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1 (page 1) p. 1 What is theory?

  • Published: July 2011
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Since the 1960s, writings from outside the field of literary studies have been taken up by people in literary studies because their analyses of language, mind, history or culture offer new and persuasive accounts of textual and cultural matters. ‘What is theory?’ suggests that theory is often a pugnacious critique of common-sense notions, and an attempt to show that what we assume is ‘common sense’ is actually an historical construction. Using examples from Foucault and Derrida, it shows that theory involves questioning the most basic assumptions of literary study. Theory is interdisciplinary; it is analytical and speculative; it is a critique of common sense and it is reflexive.

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Chapter Four: Theory, Methodologies, Methods, and Evidence

Research Methods

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Research Goals

Research method types.

Before discussing research   methods , we need to distinguish them from  methodologies  and  research skills . Methodologies, linked to literary theories, are tools and lines of investigation: sets of practices and propositions about texts and the world. Researchers using Marxist literary criticism will adopt methodologies that look to material forces like labor, ownership, and technology to understand literature and its relationship to the world. They will also seek to understand authors not as inspired geniuses but as people whose lives and work are shaped by social forces.

Example: Critical Race Theory Methodologies

Critical Race Theory may use a variety of methodologies, including

  • Interest convergence: investigating whether marginalized groups only achieve progress when dominant groups benefit as well
  • Intersectional theory: investigating how multiple factors of advantage and disadvantage around race, gender, ethnicity, religion, etc. operate together in complex ways
  • Radical critique of the law: investigating how the law has historically been used to marginalize particular groups, such as black people, while recognizing that legal efforts are important to achieve emancipation and civil rights
  • Social constructivism: investigating how race is socially constructed (rather than biologically grounded)
  • Standpoint epistemology: investigating how knowledge relates to social position
  • Structural determinism: investigating how structures of thought and of organizations determine social outcomes

To identify appropriate methodologies, you will need to research your chosen theory and gather what methodologies are associated with it. For the most part, we can’t assume that there are “one size fits all” methodologies.

Research skills are about how you handle materials such as library search engines, citation management programs, special collections materials, and so on.

Research methods  are about where and how you get answers to your research questions. Are you conducting interviews? Visiting archives? Doing close readings? Reviewing scholarship? You will need to choose which methods are most appropriate to use in your research and you need to gain some knowledge about how to use these methods. In other words, you need to do some research into research methods!

Your choice of research method depends on the kind of questions you are asking. For example, if you want to understand how an author progressed through several drafts to arrive at a final manuscript, you may need to do archival research. If you want to understand why a particular literary work became a bestseller, you may need to do audience research. If you want to know why a contemporary author wrote a particular work, you may need to do interviews. Usually literary research involves a combination of methods such as  archival research ,  discourse analysis , and  qualitative research  methods.

Literary research methods tend to differ from research methods in the hard sciences (such as physics and chemistry). Science research must present results that are reproducible, while literary research rarely does (though it must still present evidence for its claims). Literary research often deals with questions of meaning, social conventions, representations of lived experience, and aesthetic effects; these are questions that reward dialogue and different perspectives rather than one great experiment that settles the issue. In literary research, we might get many valuable answers even though they are quite different from one another. Also in literary research, we usually have some room to speculate about answers, but our claims have to be plausible (believable) and our argument comprehensive (meaning we don’t overlook evidence that would alter our argument significantly if it were known).

A literary researcher might select the following:

Theory: Critical Race Theory

Methodology: Social Constructivism

Method: Scholarly

Skills: Search engines, citation management

Wendy Belcher, in  Writing Your Journal Article in 12 Weeks , identifies two main approaches to understanding literary works: looking at a text by itself (associated with New Criticism ) and looking at texts as they connect to society (associated with Cultural Studies ). The goal of New Criticism is to bring the reader further into the text. The goal of Cultural Studies is to bring the reader into the network of discourses that surround and pass through the text. Other approaches, such as Ecocriticism, relate literary texts to the Sciences (as well as to the Humanities).

The New Critics, starting in the 1940s,  focused on meaning within the text itself, using a method they called “ close reading .” The text itself becomes e vidence for a particular reading. Using this approach, you should summarize the literary work briefly and q uote particularly meaningful passages, being sure to introduce quotes and then interpret them (never let them stand alone). Make connections within the work; a sk  “why” and “how” the various parts of the text relate to each other.

Cultural Studies critics see all texts  as connected to society; the critic  therefore has to connect a text to at least one political or social issue. How and why does  the text reproduce particular knowledge systems (known as discourses) and how do these knowledge systems relate to issues of power within the society? Who speaks and when? Answering these questions helps your reader understand the text in context. Cultural contexts can include the treatment of gender (Feminist, Queer), class (Marxist), nationality, race, religion, or any other area of human society.

Other approaches, such as psychoanalytic literary criticism , look at literary texts to better understand human psychology. A psychoanalytic reading can focus on a character, the author, the reader, or on society in general. Ecocriticism  look at human understandings of nature in literary texts.

We select our research methods based on the kinds of things we want to know. For example, we may be studying the relationship between literature and society, between author and text, or the status of a work in the literary canon. We may want to know about a work’s form, genre, or thematics. We may want to know about the audience’s reading and reception, or about methods for teaching literature in schools.

Below are a few research methods and their descriptions. You may need to consult with your instructor about which ones are most appropriate for your project. The first list covers methods most students use in their work. The second list covers methods more commonly used by advanced researchers. Even if you will not be using methods from this second list in your research project, you may read about these research methods in the scholarship you find.

Most commonly used undergraduate research methods:

  • Scholarship Methods:  Studies the body of scholarship written about a particular author, literary work, historical period, literary movement, genre, theme, theory, or method.
  • Textual Analysis Methods:  Used for close readings of literary texts, these methods also rely on literary theory and background information to support the reading.
  • Biographical Methods:  Used to study the life of the author to better understand their work and times, these methods involve reading biographies and autobiographies about the author, and may also include research into private papers, correspondence, and interviews.
  • Discourse Analysis Methods:  Studies language patterns to reveal ideology and social relations of power. This research involves the study of institutions, social groups, and social movements to understand how people in various settings use language to represent the world to themselves and others. Literary works may present complex mixtures of discourses which the characters (and readers) have to navigate.
  • Creative Writing Methods:  A literary re-working of another literary text, creative writing research is used to better understand a literary work by investigating its language, formal structures, composition methods, themes, and so on. For instance, a creative research project may retell a story from a minor character’s perspective to reveal an alternative reading of events. To qualify as research, a creative research project is usually combined with a piece of theoretical writing that explains and justifies the work.

Methods used more often by advanced researchers:

  • Archival Methods: Usually involves trips to special collections where original papers are kept. In these archives are many unpublished materials such as diaries, letters, photographs, ledgers, and so on. These materials can offer us invaluable insight into the life of an author, the development of a literary work, or the society in which the author lived. There are at least three major archives of James Baldwin’s papers: The Smithsonian , Yale , and The New York Public Library . Descriptions of such materials are often available online, but the materials themselves are typically stored in boxes at the archive.
  • Computational Methods:  Used for statistical analysis of texts such as studies of the popularity and meaning of particular words in literature over time.
  • Ethnographic Methods:  Studies groups of people and their interactions with literary works, for instance in educational institutions, in reading groups (such as book clubs), and in fan networks. This approach may involve interviews and visits to places (including online communities) where people interact with literary works. Note: before you begin such work, you must have  Institutional Review Board (IRB)  approval “to protect the rights and welfare of human participants involved in research.”
  • Visual Methods:  Studies the visual qualities of literary works. Some literary works, such as illuminated manuscripts, children’s literature, and graphic novels, present a complex interplay of text and image. Even works without illustrations can be studied for their use of typography, layout, and other visual features.

Regardless of the method(s) you choose, you will need to learn how to apply them to your work and how to carry them out successfully. For example, you should know that many archives do not allow you to bring pens (you can use pencils) and you may not be allowed to bring bags into the archives. You will need to keep a record of which documents you consult and their location (box number, etc.) in the archives. If you are unsure how to use a particular method, please consult a book about it. [1] Also, ask for the advice of trained researchers such as your instructor or a research librarian.

  • What research method(s) will you be using for your paper? Why did you make this method selection over other methods? If you haven’t made a selection yet, which methods are you considering?
  • What specific methodological approaches are you most interested in exploring in relation to the chosen literary work?
  • What is your plan for researching your method(s) and its major approaches?
  • What was the most important lesson you learned from this page? What point was confusing or difficult to understand?

Write your answers in a webcourse discussion page.

theory of literature research

  • Introduction to Research Methods: A Practical Guide for Anyone Undertaking a Research Project  by Catherine, Dr. Dawson
  • Practical Research Methods: A User-Friendly Guide to Mastering Research Techniques and Projects  by Catherine Dawson
  • Qualitative Inquiry and Research Design: Choosing Among Five Approaches  by John W. Creswell  Cheryl N. Poth
  • Qualitative Research Evaluation Methods: Integrating Theory and Practice  by Michael Quinn Patton
  • Research Design: Qualitative, Quantitative, and Mixed Methods Approaches  by John W. Creswell  J. David Creswell
  • Research Methodology: A Step-by-Step Guide for Beginners  by Ranjit Kumar
  • Research Methodology: Methods and Techniques  by C.R. Kothari

Strategies for Conducting Literary Research Copyright © 2021 by Barry Mauer & John Venecek is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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  • v.21(3); Fall 2022

Literature Reviews, Theoretical Frameworks, and Conceptual Frameworks: An Introduction for New Biology Education Researchers

Julie a. luft.

† Department of Mathematics, Social Studies, and Science Education, Mary Frances Early College of Education, University of Georgia, Athens, GA 30602-7124

Sophia Jeong

‡ Department of Teaching & Learning, College of Education & Human Ecology, Ohio State University, Columbus, OH 43210

Robert Idsardi

§ Department of Biology, Eastern Washington University, Cheney, WA 99004

Grant Gardner

∥ Department of Biology, Middle Tennessee State University, Murfreesboro, TN 37132

Associated Data

To frame their work, biology education researchers need to consider the role of literature reviews, theoretical frameworks, and conceptual frameworks as critical elements of the research and writing process. However, these elements can be confusing for scholars new to education research. This Research Methods article is designed to provide an overview of each of these elements and delineate the purpose of each in the educational research process. We describe what biology education researchers should consider as they conduct literature reviews, identify theoretical frameworks, and construct conceptual frameworks. Clarifying these different components of educational research studies can be helpful to new biology education researchers and the biology education research community at large in situating their work in the broader scholarly literature.

INTRODUCTION

Discipline-based education research (DBER) involves the purposeful and situated study of teaching and learning in specific disciplinary areas ( Singer et al. , 2012 ). Studies in DBER are guided by research questions that reflect disciplines’ priorities and worldviews. Researchers can use quantitative data, qualitative data, or both to answer these research questions through a variety of methodological traditions. Across all methodologies, there are different methods associated with planning and conducting educational research studies that include the use of surveys, interviews, observations, artifacts, or instruments. Ensuring the coherence of these elements to the discipline’s perspective also involves situating the work in the broader scholarly literature. The tools for doing this include literature reviews, theoretical frameworks, and conceptual frameworks. However, the purpose and function of each of these elements is often confusing to new education researchers. The goal of this article is to introduce new biology education researchers to these three important elements important in DBER scholarship and the broader educational literature.

The first element we discuss is a review of research (literature reviews), which highlights the need for a specific research question, study problem, or topic of investigation. Literature reviews situate the relevance of the study within a topic and a field. The process may seem familiar to science researchers entering DBER fields, but new researchers may still struggle in conducting the review. Booth et al. (2016b) highlight some of the challenges novice education researchers face when conducting a review of literature. They point out that novice researchers struggle in deciding how to focus the review, determining the scope of articles needed in the review, and knowing how to be critical of the articles in the review. Overcoming these challenges (and others) can help novice researchers construct a sound literature review that can inform the design of the study and help ensure the work makes a contribution to the field.

The second and third highlighted elements are theoretical and conceptual frameworks. These guide biology education research (BER) studies, and may be less familiar to science researchers. These elements are important in shaping the construction of new knowledge. Theoretical frameworks offer a way to explain and interpret the studied phenomenon, while conceptual frameworks clarify assumptions about the studied phenomenon. Despite the importance of these constructs in educational research, biology educational researchers have noted the limited use of theoretical or conceptual frameworks in published work ( DeHaan, 2011 ; Dirks, 2011 ; Lo et al. , 2019 ). In reviewing articles published in CBE—Life Sciences Education ( LSE ) between 2015 and 2019, we found that fewer than 25% of the research articles had a theoretical or conceptual framework (see the Supplemental Information), and at times there was an inconsistent use of theoretical and conceptual frameworks. Clearly, these frameworks are challenging for published biology education researchers, which suggests the importance of providing some initial guidance to new biology education researchers.

Fortunately, educational researchers have increased their explicit use of these frameworks over time, and this is influencing educational research in science, technology, engineering, and mathematics (STEM) fields. For instance, a quick search for theoretical or conceptual frameworks in the abstracts of articles in Educational Research Complete (a common database for educational research) in STEM fields demonstrates a dramatic change over the last 20 years: from only 778 articles published between 2000 and 2010 to 5703 articles published between 2010 and 2020, a more than sevenfold increase. Greater recognition of the importance of these frameworks is contributing to DBER authors being more explicit about such frameworks in their studies.

Collectively, literature reviews, theoretical frameworks, and conceptual frameworks work to guide methodological decisions and the elucidation of important findings. Each offers a different perspective on the problem of study and is an essential element in all forms of educational research. As new researchers seek to learn about these elements, they will find different resources, a variety of perspectives, and many suggestions about the construction and use of these elements. The wide range of available information can overwhelm the new researcher who just wants to learn the distinction between these elements or how to craft them adequately.

Our goal in writing this paper is not to offer specific advice about how to write these sections in scholarly work. Instead, we wanted to introduce these elements to those who are new to BER and who are interested in better distinguishing one from the other. In this paper, we share the purpose of each element in BER scholarship, along with important points on its construction. We also provide references for additional resources that may be beneficial to better understanding each element. Table 1 summarizes the key distinctions among these elements.

Comparison of literature reviews, theoretical frameworks, and conceptual reviews

This article is written for the new biology education researcher who is just learning about these different elements or for scientists looking to become more involved in BER. It is a result of our own work as science education and biology education researchers, whether as graduate students and postdoctoral scholars or newly hired and established faculty members. This is the article we wish had been available as we started to learn about these elements or discussed them with new educational researchers in biology.

LITERATURE REVIEWS

Purpose of a literature review.

A literature review is foundational to any research study in education or science. In education, a well-conceptualized and well-executed review provides a summary of the research that has already been done on a specific topic and identifies questions that remain to be answered, thus illustrating the current research project’s potential contribution to the field and the reasoning behind the methodological approach selected for the study ( Maxwell, 2012 ). BER is an evolving disciplinary area that is redefining areas of conceptual emphasis as well as orientations toward teaching and learning (e.g., Labov et al. , 2010 ; American Association for the Advancement of Science, 2011 ; Nehm, 2019 ). As a result, building comprehensive, critical, purposeful, and concise literature reviews can be a challenge for new biology education researchers.

Building Literature Reviews

There are different ways to approach and construct a literature review. Booth et al. (2016a) provide an overview that includes, for example, scoping reviews, which are focused only on notable studies and use a basic method of analysis, and integrative reviews, which are the result of exhaustive literature searches across different genres. Underlying each of these different review processes are attention to the s earch process, a ppraisa l of articles, s ynthesis of the literature, and a nalysis: SALSA ( Booth et al. , 2016a ). This useful acronym can help the researcher focus on the process while building a specific type of review.

However, new educational researchers often have questions about literature reviews that are foundational to SALSA or other approaches. Common questions concern determining which literature pertains to the topic of study or the role of the literature review in the design of the study. This section addresses such questions broadly while providing general guidance for writing a narrative literature review that evaluates the most pertinent studies.

The literature review process should begin before the research is conducted. As Boote and Beile (2005 , p. 3) suggested, researchers should be “scholars before researchers.” They point out that having a good working knowledge of the proposed topic helps illuminate avenues of study. Some subject areas have a deep body of work to read and reflect upon, providing a strong foundation for developing the research question(s). For instance, the teaching and learning of evolution is an area of long-standing interest in the BER community, generating many studies (e.g., Perry et al. , 2008 ; Barnes and Brownell, 2016 ) and reviews of research (e.g., Sickel and Friedrichsen, 2013 ; Ziadie and Andrews, 2018 ). Emerging areas of BER include the affective domain, issues of transfer, and metacognition ( Singer et al. , 2012 ). Many studies in these areas are transdisciplinary and not always specific to biology education (e.g., Rodrigo-Peiris et al. , 2018 ; Kolpikova et al. , 2019 ). These newer areas may require reading outside BER; fortunately, summaries of some of these topics can be found in the Current Insights section of the LSE website.

In focusing on a specific problem within a broader research strand, a new researcher will likely need to examine research outside BER. Depending upon the area of study, the expanded reading list might involve a mix of BER, DBER, and educational research studies. Determining the scope of the reading is not always straightforward. A simple way to focus one’s reading is to create a “summary phrase” or “research nugget,” which is a very brief descriptive statement about the study. It should focus on the essence of the study, for example, “first-year nonmajor students’ understanding of evolution,” “metacognitive prompts to enhance learning during biochemistry,” or “instructors’ inquiry-based instructional practices after professional development programming.” This type of phrase should help a new researcher identify two or more areas to review that pertain to the study. Focusing on recent research in the last 5 years is a good first step. Additional studies can be identified by reading relevant works referenced in those articles. It is also important to read seminal studies that are more than 5 years old. Reading a range of studies should give the researcher the necessary command of the subject in order to suggest a research question.

Given that the research question(s) arise from the literature review, the review should also substantiate the selected methodological approach. The review and research question(s) guide the researcher in determining how to collect and analyze data. Often the methodological approach used in a study is selected to contribute knowledge that expands upon what has been published previously about the topic (see Institute of Education Sciences and National Science Foundation, 2013 ). An emerging topic of study may need an exploratory approach that allows for a description of the phenomenon and development of a potential theory. This could, but not necessarily, require a methodological approach that uses interviews, observations, surveys, or other instruments. An extensively studied topic may call for the additional understanding of specific factors or variables; this type of study would be well suited to a verification or a causal research design. These could entail a methodological approach that uses valid and reliable instruments, observations, or interviews to determine an effect in the studied event. In either of these examples, the researcher(s) may use a qualitative, quantitative, or mixed methods methodological approach.

Even with a good research question, there is still more reading to be done. The complexity and focus of the research question dictates the depth and breadth of the literature to be examined. Questions that connect multiple topics can require broad literature reviews. For instance, a study that explores the impact of a biology faculty learning community on the inquiry instruction of faculty could have the following review areas: learning communities among biology faculty, inquiry instruction among biology faculty, and inquiry instruction among biology faculty as a result of professional learning. Biology education researchers need to consider whether their literature review requires studies from different disciplines within or outside DBER. For the example given, it would be fruitful to look at research focused on learning communities with faculty in STEM fields or in general education fields that result in instructional change. It is important not to be too narrow or too broad when reading. When the conclusions of articles start to sound similar or no new insights are gained, the researcher likely has a good foundation for a literature review. This level of reading should allow the researcher to demonstrate a mastery in understanding the researched topic, explain the suitability of the proposed research approach, and point to the need for the refined research question(s).

The literature review should include the researcher’s evaluation and critique of the selected studies. A researcher may have a large collection of studies, but not all of the studies will follow standards important in the reporting of empirical work in the social sciences. The American Educational Research Association ( Duran et al. , 2006 ), for example, offers a general discussion about standards for such work: an adequate review of research informing the study, the existence of sound and appropriate data collection and analysis methods, and appropriate conclusions that do not overstep or underexplore the analyzed data. The Institute of Education Sciences and National Science Foundation (2013) also offer Common Guidelines for Education Research and Development that can be used to evaluate collected studies.

Because not all journals adhere to such standards, it is important that a researcher review each study to determine the quality of published research, per the guidelines suggested earlier. In some instances, the research may be fatally flawed. Examples of such flaws include data that do not pertain to the question, a lack of discussion about the data collection, poorly constructed instruments, or an inadequate analysis. These types of errors result in studies that are incomplete, error-laden, or inaccurate and should be excluded from the review. Most studies have limitations, and the author(s) often make them explicit. For instance, there may be an instructor effect, recognized bias in the analysis, or issues with the sample population. Limitations are usually addressed by the research team in some way to ensure a sound and acceptable research process. Occasionally, the limitations associated with the study can be significant and not addressed adequately, which leaves a consequential decision in the hands of the researcher. Providing critiques of studies in the literature review process gives the reader confidence that the researcher has carefully examined relevant work in preparation for the study and, ultimately, the manuscript.

A solid literature review clearly anchors the proposed study in the field and connects the research question(s), the methodological approach, and the discussion. Reviewing extant research leads to research questions that will contribute to what is known in the field. By summarizing what is known, the literature review points to what needs to be known, which in turn guides decisions about methodology. Finally, notable findings of the new study are discussed in reference to those described in the literature review.

Within published BER studies, literature reviews can be placed in different locations in an article. When included in the introductory section of the study, the first few paragraphs of the manuscript set the stage, with the literature review following the opening paragraphs. Cooper et al. (2019) illustrate this approach in their study of course-based undergraduate research experiences (CUREs). An introduction discussing the potential of CURES is followed by an analysis of the existing literature relevant to the design of CUREs that allows for novel student discoveries. Within this review, the authors point out contradictory findings among research on novel student discoveries. This clarifies the need for their study, which is described and highlighted through specific research aims.

A literature reviews can also make up a separate section in a paper. For example, the introduction to Todd et al. (2019) illustrates the need for their research topic by highlighting the potential of learning progressions (LPs) and suggesting that LPs may help mitigate learning loss in genetics. At the end of the introduction, the authors state their specific research questions. The review of literature following this opening section comprises two subsections. One focuses on learning loss in general and examines a variety of studies and meta-analyses from the disciplines of medical education, mathematics, and reading. The second section focuses specifically on LPs in genetics and highlights student learning in the midst of LPs. These separate reviews provide insights into the stated research question.

Suggestions and Advice

A well-conceptualized, comprehensive, and critical literature review reveals the understanding of the topic that the researcher brings to the study. Literature reviews should not be so big that there is no clear area of focus; nor should they be so narrow that no real research question arises. The task for a researcher is to craft an efficient literature review that offers a critical analysis of published work, articulates the need for the study, guides the methodological approach to the topic of study, and provides an adequate foundation for the discussion of the findings.

In our own writing of literature reviews, there are often many drafts. An early draft may seem well suited to the study because the need for and approach to the study are well described. However, as the results of the study are analyzed and findings begin to emerge, the existing literature review may be inadequate and need revision. The need for an expanded discussion about the research area can result in the inclusion of new studies that support the explanation of a potential finding. The literature review may also prove to be too broad. Refocusing on a specific area allows for more contemplation of a finding.

It should be noted that there are different types of literature reviews, and many books and articles have been written about the different ways to embark on these types of reviews. Among these different resources, the following may be helpful in considering how to refine the review process for scholarly journals:

  • Booth, A., Sutton, A., & Papaioannou, D. (2016a). Systemic approaches to a successful literature review (2nd ed.). Los Angeles, CA: Sage. This book addresses different types of literature reviews and offers important suggestions pertaining to defining the scope of the literature review and assessing extant studies.
  • Booth, W. C., Colomb, G. G., Williams, J. M., Bizup, J., & Fitzgerald, W. T. (2016b). The craft of research (4th ed.). Chicago: University of Chicago Press. This book can help the novice consider how to make the case for an area of study. While this book is not specifically about literature reviews, it offers suggestions about making the case for your study.
  • Galvan, J. L., & Galvan, M. C. (2017). Writing literature reviews: A guide for students of the social and behavioral sciences (7th ed.). Routledge. This book offers guidance on writing different types of literature reviews. For the novice researcher, there are useful suggestions for creating coherent literature reviews.

THEORETICAL FRAMEWORKS

Purpose of theoretical frameworks.

As new education researchers may be less familiar with theoretical frameworks than with literature reviews, this discussion begins with an analogy. Envision a biologist, chemist, and physicist examining together the dramatic effect of a fog tsunami over the ocean. A biologist gazing at this phenomenon may be concerned with the effect of fog on various species. A chemist may be interested in the chemical composition of the fog as water vapor condenses around bits of salt. A physicist may be focused on the refraction of light to make fog appear to be “sitting” above the ocean. While observing the same “objective event,” the scientists are operating under different theoretical frameworks that provide a particular perspective or “lens” for the interpretation of the phenomenon. Each of these scientists brings specialized knowledge, experiences, and values to this phenomenon, and these influence the interpretation of the phenomenon. The scientists’ theoretical frameworks influence how they design and carry out their studies and interpret their data.

Within an educational study, a theoretical framework helps to explain a phenomenon through a particular lens and challenges and extends existing knowledge within the limitations of that lens. Theoretical frameworks are explicitly stated by an educational researcher in the paper’s framework, theory, or relevant literature section. The framework shapes the types of questions asked, guides the method by which data are collected and analyzed, and informs the discussion of the results of the study. It also reveals the researcher’s subjectivities, for example, values, social experience, and viewpoint ( Allen, 2017 ). It is essential that a novice researcher learn to explicitly state a theoretical framework, because all research questions are being asked from the researcher’s implicit or explicit assumptions of a phenomenon of interest ( Schwandt, 2000 ).

Selecting Theoretical Frameworks

Theoretical frameworks are one of the most contemplated elements in our work in educational research. In this section, we share three important considerations for new scholars selecting a theoretical framework.

The first step in identifying a theoretical framework involves reflecting on the phenomenon within the study and the assumptions aligned with the phenomenon. The phenomenon involves the studied event. There are many possibilities, for example, student learning, instructional approach, or group organization. A researcher holds assumptions about how the phenomenon will be effected, influenced, changed, or portrayed. It is ultimately the researcher’s assumption(s) about the phenomenon that aligns with a theoretical framework. An example can help illustrate how a researcher’s reflection on the phenomenon and acknowledgment of assumptions can result in the identification of a theoretical framework.

In our example, a biology education researcher may be interested in exploring how students’ learning of difficult biological concepts can be supported by the interactions of group members. The phenomenon of interest is the interactions among the peers, and the researcher assumes that more knowledgeable students are important in supporting the learning of the group. As a result, the researcher may draw on Vygotsky’s (1978) sociocultural theory of learning and development that is focused on the phenomenon of student learning in a social setting. This theory posits the critical nature of interactions among students and between students and teachers in the process of building knowledge. A researcher drawing upon this framework holds the assumption that learning is a dynamic social process involving questions and explanations among students in the classroom and that more knowledgeable peers play an important part in the process of building conceptual knowledge.

It is important to state at this point that there are many different theoretical frameworks. Some frameworks focus on learning and knowing, while other theoretical frameworks focus on equity, empowerment, or discourse. Some frameworks are well articulated, and others are still being refined. For a new researcher, it can be challenging to find a theoretical framework. Two of the best ways to look for theoretical frameworks is through published works that highlight different frameworks.

When a theoretical framework is selected, it should clearly connect to all parts of the study. The framework should augment the study by adding a perspective that provides greater insights into the phenomenon. It should clearly align with the studies described in the literature review. For instance, a framework focused on learning would correspond to research that reported different learning outcomes for similar studies. The methods for data collection and analysis should also correspond to the framework. For instance, a study about instructional interventions could use a theoretical framework concerned with learning and could collect data about the effect of the intervention on what is learned. When the data are analyzed, the theoretical framework should provide added meaning to the findings, and the findings should align with the theoretical framework.

A study by Jensen and Lawson (2011) provides an example of how a theoretical framework connects different parts of the study. They compared undergraduate biology students in heterogeneous and homogeneous groups over the course of a semester. Jensen and Lawson (2011) assumed that learning involved collaboration and more knowledgeable peers, which made Vygotsky’s (1978) theory a good fit for their study. They predicted that students in heterogeneous groups would experience greater improvement in their reasoning abilities and science achievements with much of the learning guided by the more knowledgeable peers.

In the enactment of the study, they collected data about the instruction in traditional and inquiry-oriented classes, while the students worked in homogeneous or heterogeneous groups. To determine the effect of working in groups, the authors also measured students’ reasoning abilities and achievement. Each data-collection and analysis decision connected to understanding the influence of collaborative work.

Their findings highlighted aspects of Vygotsky’s (1978) theory of learning. One finding, for instance, posited that inquiry instruction, as a whole, resulted in reasoning and achievement gains. This links to Vygotsky (1978) , because inquiry instruction involves interactions among group members. A more nuanced finding was that group composition had a conditional effect. Heterogeneous groups performed better with more traditional and didactic instruction, regardless of the reasoning ability of the group members. Homogeneous groups worked better during interaction-rich activities for students with low reasoning ability. The authors attributed the variation to the different types of helping behaviors of students. High-performing students provided the answers, while students with low reasoning ability had to work collectively through the material. In terms of Vygotsky (1978) , this finding provided new insights into the learning context in which productive interactions can occur for students.

Another consideration in the selection and use of a theoretical framework pertains to its orientation to the study. This can result in the theoretical framework prioritizing individuals, institutions, and/or policies ( Anfara and Mertz, 2014 ). Frameworks that connect to individuals, for instance, could contribute to understanding their actions, learning, or knowledge. Institutional frameworks, on the other hand, offer insights into how institutions, organizations, or groups can influence individuals or materials. Policy theories provide ways to understand how national or local policies can dictate an emphasis on outcomes or instructional design. These different types of frameworks highlight different aspects in an educational setting, which influences the design of the study and the collection of data. In addition, these different frameworks offer a way to make sense of the data. Aligning the data collection and analysis with the framework ensures that a study is coherent and can contribute to the field.

New understandings emerge when different theoretical frameworks are used. For instance, Ebert-May et al. (2015) prioritized the individual level within conceptual change theory (see Posner et al. , 1982 ). In this theory, an individual’s knowledge changes when it no longer fits the phenomenon. Ebert-May et al. (2015) designed a professional development program challenging biology postdoctoral scholars’ existing conceptions of teaching. The authors reported that the biology postdoctoral scholars’ teaching practices became more student-centered as they were challenged to explain their instructional decision making. According to the theory, the biology postdoctoral scholars’ dissatisfaction in their descriptions of teaching and learning initiated change in their knowledge and instruction. These results reveal how conceptual change theory can explain the learning of participants and guide the design of professional development programming.

The communities of practice (CoP) theoretical framework ( Lave, 1988 ; Wenger, 1998 ) prioritizes the institutional level , suggesting that learning occurs when individuals learn from and contribute to the communities in which they reside. Grounded in the assumption of community learning, the literature on CoP suggests that, as individuals interact regularly with the other members of their group, they learn about the rules, roles, and goals of the community ( Allee, 2000 ). A study conducted by Gehrke and Kezar (2017) used the CoP framework to understand organizational change by examining the involvement of individual faculty engaged in a cross-institutional CoP focused on changing the instructional practice of faculty at each institution. In the CoP, faculty members were involved in enhancing instructional materials within their department, which aligned with an overarching goal of instituting instruction that embraced active learning. Not surprisingly, Gehrke and Kezar (2017) revealed that faculty who perceived the community culture as important in their work cultivated institutional change. Furthermore, they found that institutional change was sustained when key leaders served as mentors and provided support for faculty, and as faculty themselves developed into leaders. This study reveals the complexity of individual roles in a COP in order to support institutional instructional change.

It is important to explicitly state the theoretical framework used in a study, but elucidating a theoretical framework can be challenging for a new educational researcher. The literature review can help to identify an applicable theoretical framework. Focal areas of the review or central terms often connect to assumptions and assertions associated with the framework that pertain to the phenomenon of interest. Another way to identify a theoretical framework is self-reflection by the researcher on personal beliefs and understandings about the nature of knowledge the researcher brings to the study ( Lysaght, 2011 ). In stating one’s beliefs and understandings related to the study (e.g., students construct their knowledge, instructional materials support learning), an orientation becomes evident that will suggest a particular theoretical framework. Theoretical frameworks are not arbitrary , but purposefully selected.

With experience, a researcher may find expanded roles for theoretical frameworks. Researchers may revise an existing framework that has limited explanatory power, or they may decide there is a need to develop a new theoretical framework. These frameworks can emerge from a current study or the need to explain a phenomenon in a new way. Researchers may also find that multiple theoretical frameworks are necessary to frame and explore a problem, as different frameworks can provide different insights into a problem.

Finally, it is important to recognize that choosing “x” theoretical framework does not necessarily mean a researcher chooses “y” methodology and so on, nor is there a clear-cut, linear process in selecting a theoretical framework for one’s study. In part, the nonlinear process of identifying a theoretical framework is what makes understanding and using theoretical frameworks challenging. For the novice scholar, contemplating and understanding theoretical frameworks is essential. Fortunately, there are articles and books that can help:

  • Creswell, J. W. (2018). Research design: Qualitative, quantitative, and mixed methods approaches (5th ed.). Los Angeles, CA: Sage. This book provides an overview of theoretical frameworks in general educational research.
  • Ding, L. (2019). Theoretical perspectives of quantitative physics education research. Physical Review Physics Education Research , 15 (2), 020101-1–020101-13. This paper illustrates how a DBER field can use theoretical frameworks.
  • Nehm, R. (2019). Biology education research: Building integrative frameworks for teaching and learning about living systems. Disciplinary and Interdisciplinary Science Education Research , 1 , ar15. https://doi.org/10.1186/s43031-019-0017-6 . This paper articulates the need for studies in BER to explicitly state theoretical frameworks and provides examples of potential studies.
  • Patton, M. Q. (2015). Qualitative research & evaluation methods: Integrating theory and practice . Sage. This book also provides an overview of theoretical frameworks, but for both research and evaluation.

CONCEPTUAL FRAMEWORKS

Purpose of a conceptual framework.

A conceptual framework is a description of the way a researcher understands the factors and/or variables that are involved in the study and their relationships to one another. The purpose of a conceptual framework is to articulate the concepts under study using relevant literature ( Rocco and Plakhotnik, 2009 ) and to clarify the presumed relationships among those concepts ( Rocco and Plakhotnik, 2009 ; Anfara and Mertz, 2014 ). Conceptual frameworks are different from theoretical frameworks in both their breadth and grounding in established findings. Whereas a theoretical framework articulates the lens through which a researcher views the work, the conceptual framework is often more mechanistic and malleable.

Conceptual frameworks are broader, encompassing both established theories (i.e., theoretical frameworks) and the researchers’ own emergent ideas. Emergent ideas, for example, may be rooted in informal and/or unpublished observations from experience. These emergent ideas would not be considered a “theory” if they are not yet tested, supported by systematically collected evidence, and peer reviewed. However, they do still play an important role in the way researchers approach their studies. The conceptual framework allows authors to clearly describe their emergent ideas so that connections among ideas in the study and the significance of the study are apparent to readers.

Constructing Conceptual Frameworks

Including a conceptual framework in a research study is important, but researchers often opt to include either a conceptual or a theoretical framework. Either may be adequate, but both provide greater insight into the research approach. For instance, a research team plans to test a novel component of an existing theory. In their study, they describe the existing theoretical framework that informs their work and then present their own conceptual framework. Within this conceptual framework, specific topics portray emergent ideas that are related to the theory. Describing both frameworks allows readers to better understand the researchers’ assumptions, orientations, and understanding of concepts being investigated. For example, Connolly et al. (2018) included a conceptual framework that described how they applied a theoretical framework of social cognitive career theory (SCCT) to their study on teaching programs for doctoral students. In their conceptual framework, the authors described SCCT, explained how it applied to the investigation, and drew upon results from previous studies to justify the proposed connections between the theory and their emergent ideas.

In some cases, authors may be able to sufficiently describe their conceptualization of the phenomenon under study in an introduction alone, without a separate conceptual framework section. However, incomplete descriptions of how the researchers conceptualize the components of the study may limit the significance of the study by making the research less intelligible to readers. This is especially problematic when studying topics in which researchers use the same terms for different constructs or different terms for similar and overlapping constructs (e.g., inquiry, teacher beliefs, pedagogical content knowledge, or active learning). Authors must describe their conceptualization of a construct if the research is to be understandable and useful.

There are some key areas to consider regarding the inclusion of a conceptual framework in a study. To begin with, it is important to recognize that conceptual frameworks are constructed by the researchers conducting the study ( Rocco and Plakhotnik, 2009 ; Maxwell, 2012 ). This is different from theoretical frameworks that are often taken from established literature. Researchers should bring together ideas from the literature, but they may be influenced by their own experiences as a student and/or instructor, the shared experiences of others, or thought experiments as they construct a description, model, or representation of their understanding of the phenomenon under study. This is an exercise in intellectual organization and clarity that often considers what is learned, known, and experienced. The conceptual framework makes these constructs explicitly visible to readers, who may have different understandings of the phenomenon based on their prior knowledge and experience. There is no single method to go about this intellectual work.

Reeves et al. (2016) is an example of an article that proposed a conceptual framework about graduate teaching assistant professional development evaluation and research. The authors used existing literature to create a novel framework that filled a gap in current research and practice related to the training of graduate teaching assistants. This conceptual framework can guide the systematic collection of data by other researchers because the framework describes the relationships among various factors that influence teaching and learning. The Reeves et al. (2016) conceptual framework may be modified as additional data are collected and analyzed by other researchers. This is not uncommon, as conceptual frameworks can serve as catalysts for concerted research efforts that systematically explore a phenomenon (e.g., Reynolds et al. , 2012 ; Brownell and Kloser, 2015 ).

Sabel et al. (2017) used a conceptual framework in their exploration of how scaffolds, an external factor, interact with internal factors to support student learning. Their conceptual framework integrated principles from two theoretical frameworks, self-regulated learning and metacognition, to illustrate how the research team conceptualized students’ use of scaffolds in their learning ( Figure 1 ). Sabel et al. (2017) created this model using their interpretations of these two frameworks in the context of their teaching.

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Conceptual framework from Sabel et al. (2017) .

A conceptual framework should describe the relationship among components of the investigation ( Anfara and Mertz, 2014 ). These relationships should guide the researcher’s methods of approaching the study ( Miles et al. , 2014 ) and inform both the data to be collected and how those data should be analyzed. Explicitly describing the connections among the ideas allows the researcher to justify the importance of the study and the rigor of the research design. Just as importantly, these frameworks help readers understand why certain components of a system were not explored in the study. This is a challenge in education research, which is rooted in complex environments with many variables that are difficult to control.

For example, Sabel et al. (2017) stated: “Scaffolds, such as enhanced answer keys and reflection questions, can help students and instructors bridge the external and internal factors and support learning” (p. 3). They connected the scaffolds in the study to the three dimensions of metacognition and the eventual transformation of existing ideas into new or revised ideas. Their framework provides a rationale for focusing on how students use two different scaffolds, and not on other factors that may influence a student’s success (self-efficacy, use of active learning, exam format, etc.).

In constructing conceptual frameworks, researchers should address needed areas of study and/or contradictions discovered in literature reviews. By attending to these areas, researchers can strengthen their arguments for the importance of a study. For instance, conceptual frameworks can address how the current study will fill gaps in the research, resolve contradictions in existing literature, or suggest a new area of study. While a literature review describes what is known and not known about the phenomenon, the conceptual framework leverages these gaps in describing the current study ( Maxwell, 2012 ). In the example of Sabel et al. (2017) , the authors indicated there was a gap in the literature regarding how scaffolds engage students in metacognition to promote learning in large classes. Their study helps fill that gap by describing how scaffolds can support students in the three dimensions of metacognition: intelligibility, plausibility, and wide applicability. In another example, Lane (2016) integrated research from science identity, the ethic of care, the sense of belonging, and an expertise model of student success to form a conceptual framework that addressed the critiques of other frameworks. In a more recent example, Sbeglia et al. (2021) illustrated how a conceptual framework influences the methodological choices and inferences in studies by educational researchers.

Sometimes researchers draw upon the conceptual frameworks of other researchers. When a researcher’s conceptual framework closely aligns with an existing framework, the discussion may be brief. For example, Ghee et al. (2016) referred to portions of SCCT as their conceptual framework to explain the significance of their work on students’ self-efficacy and career interests. Because the authors’ conceptualization of this phenomenon aligned with a previously described framework, they briefly mentioned the conceptual framework and provided additional citations that provided more detail for the readers.

Within both the BER and the broader DBER communities, conceptual frameworks have been used to describe different constructs. For example, some researchers have used the term “conceptual framework” to describe students’ conceptual understandings of a biological phenomenon. This is distinct from a researcher’s conceptual framework of the educational phenomenon under investigation, which may also need to be explicitly described in the article. Other studies have presented a research logic model or flowchart of the research design as a conceptual framework. These constructions can be quite valuable in helping readers understand the data-collection and analysis process. However, a model depicting the study design does not serve the same role as a conceptual framework. Researchers need to avoid conflating these constructs by differentiating the researchers’ conceptual framework that guides the study from the research design, when applicable.

Explicitly describing conceptual frameworks is essential in depicting the focus of the study. We have found that being explicit in a conceptual framework means using accepted terminology, referencing prior work, and clearly noting connections between terms. This description can also highlight gaps in the literature or suggest potential contributions to the field of study. A well-elucidated conceptual framework can suggest additional studies that may be warranted. This can also spur other researchers to consider how they would approach the examination of a phenomenon and could result in a revised conceptual framework.

It can be challenging to create conceptual frameworks, but they are important. Below are two resources that could be helpful in constructing and presenting conceptual frameworks in educational research:

  • Maxwell, J. A. (2012). Qualitative research design: An interactive approach (3rd ed.). Los Angeles, CA: Sage. Chapter 3 in this book describes how to construct conceptual frameworks.
  • Ravitch, S. M., & Riggan, M. (2016). Reason & rigor: How conceptual frameworks guide research . Los Angeles, CA: Sage. This book explains how conceptual frameworks guide the research questions, data collection, data analyses, and interpretation of results.

CONCLUDING THOUGHTS

Literature reviews, theoretical frameworks, and conceptual frameworks are all important in DBER and BER. Robust literature reviews reinforce the importance of a study. Theoretical frameworks connect the study to the base of knowledge in educational theory and specify the researcher’s assumptions. Conceptual frameworks allow researchers to explicitly describe their conceptualization of the relationships among the components of the phenomenon under study. Table 1 provides a general overview of these components in order to assist biology education researchers in thinking about these elements.

It is important to emphasize that these different elements are intertwined. When these elements are aligned and complement one another, the study is coherent, and the study findings contribute to knowledge in the field. When literature reviews, theoretical frameworks, and conceptual frameworks are disconnected from one another, the study suffers. The point of the study is lost, suggested findings are unsupported, or important conclusions are invisible to the researcher. In addition, this misalignment may be costly in terms of time and money.

Conducting a literature review, selecting a theoretical framework, and building a conceptual framework are some of the most difficult elements of a research study. It takes time to understand the relevant research, identify a theoretical framework that provides important insights into the study, and formulate a conceptual framework that organizes the finding. In the research process, there is often a constant back and forth among these elements as the study evolves. With an ongoing refinement of the review of literature, clarification of the theoretical framework, and articulation of a conceptual framework, a sound study can emerge that makes a contribution to the field. This is the goal of BER and education research.

Supplementary Material

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Library Guide to Capstone Literature Reviews: Theorists & Theoretical Sources

The role of theory.

Part of your research will include identifying and obtaining original theoretical works, and integrating them into your research to tie your ideas together and keep them grounded in historical context. We understand that it may be challenging to find theories and theorists and track down their original works.  The Library can help!

Here are a couple of resources to help you get started:

  • Rocco, T.S. & Plakhotnik, M.S. (2009). Literature reviews, conceptual frameworks, and theoretical frameworks: Terms, functions, and distinctions. Human Resource Development Review, 8 (1), 120-130.

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Discover theorists & theories

Discovering theories in a field or subject area is a process that requires exploring many different resources. For instance, you might consult previous course readings, discussions, research, and other background resources.

Get started with encyclopedias

If you're not sure where to start, exploring encyclopedia entries can be a good place to discover theories in your area, and gain background information on the theory and related theorists.

  • Discover Theorists & Theories through Encyclopedias & Reference Books Use an encyclopedia's Reader's Guide, Table of Contents, or Index to find information on theories and theorists. Or search the collection or an individual title for a topic or theory.
  • Quick Answer: How do I find encyclopedias?

Search in article databases for theories

You can also search in article databases to find articles using a particular theoretical approach for a study. You can either use the name of the theory as a search term, or use the database's subject terms or thesaurus to search on a relevant subject heading.

  • Quick Answer: Can I use a database to search for theories?

Need more help?

The Library has an entire guide dedicated to helping you find theorists and theories.

  • Theories and Theorists Guide Learn how to search for and identify theorists and their theories.

Conceptual & theoretical frameworks overview

  • Purpose of the conceptual/theoretical framework
  • What is a theoretical framework?
  • What is a conceptual framework?
  • Choosing a conceptual or theoretical framework

Researchers create theoretical and conceptual frameworks that include a philosophical and methodological model to help design their work. A formal theory provides context for the outcome of the events conducted in the research. The data collection and analysis are also based on the theoretical and conceptual framework.

As stated by Grant and Osanloo (2014), “Without a theoretical framework, the structure and vision for a study is unclear, much like a house that cannot be constructed without a blueprint. By contrast, a research plan that contains a theoretical framework allows the dissertation study to be strong and structured with an organized flow from one chapter to the next.”

Theoretical and conceptual frameworks provide evidence of academic standards and procedure. They also offer an explanation of why the study is pertinent and how the researcher expects to fill the gap in the literature.

Literature does not always clearly delineate between a theoretical or conceptual framework. With that being said, there are slight differences between the two. 

  • Imenda, S. (2014). Is there a conceptual difference between theoretical and conceptual frameworks. Journal of Social Sciences, 38(2), 185-195.

"The theoretical framework is the “blueprint” for the entire dissertation inquiry. It serves as the guide on which to build and support your study, and also provides the structure to define how you will philosophically, epistemologically, methodologically, and analytically approach the dissertation as a whole. Eisenhart defined a theoretical framework as “a structure that guides research by relying on a formal theory…constructed by using an established, coherent explanation of certain phenomena and relationships” (1991, p. 205).

Thus, the theoretical framework consists of the selected theory (or theories) that undergirds your thinking with regards to how you understand and plan to research your topic, as well as the concepts and definitions from that theory that are relevant to your topic. Lovitts (2005) empirically defines criteria for applying or developing theory to the dissertation that must be appropriate, logically interpreted, well understood, and align with the question at hand."

  • Grant, C., & Osanloo, A. (2014). Understanding, Selecting, and Integrating a Theoretical Framework in Dissertation Research: Creating the Blueprint for Your" House". Administrative Issues Journal: Education, Practice, and Research, 4(2), 12-26.

"Miles and Huberman (1994) defined a conceptual framework as a visual or written product, one that “explains, either graphically or in narrative form, the main things to be studied—the key factors, concepts, or variables—and the presumed relationships among them” (p. 18).1 Here, I use the term in a broader sense, to refer to the actual ideas and beliefs that you hold about the phenomena studied, whether these are written down or not; this may also be called the “theoretical framework” or “idea context” for the study. A valuable guide to developing a conceptual framework and using this throughout the research process, with detailed analyses of four actual studies, is Ravitch and Riggan, Reason & Rigor: How Conceptual Frameworks Guide Research (2011). (Full disclosure: Sharon Ravitch is a former student of mine, and I wrote the foreword for the book.)

The most important thing to understand about your conceptual framework is that it is primarily a conception or model of what is out there that you plan to study, and of what is going on with these things and why—a tentative theory of the phenomena that you are investigating. The function of this theory is to inform the rest of your design— to help you to assess and refine your goals, develop realistic and relevant research questions, select appropriate methods, and identify potential validity threats to your 3 Conceptual Framework What Do You Think Is Going On? 40 Qualitative Research Design conclusions. It also helps you justify your research."

  • Maxwell, J. (2012). Conceptual Framework: What Do You Think Is Going On? In Qualitative research design: an interactive approach. (pp. 39-72). Thousand Oaks, CA: Sage Publications.

It's very important that the theory aligns with the research question. Consider the following when searching for a theory or conceptual model for the conceptual framework.  

  • Critically read peer-reviewed studies related to your topic and identify the theories that the sources found aligned with their studies. After you have read and synthesized numerous peer-reviewed studies related to the topic, you will notice a few theories (or conceptual models) that aligned with several studies.
  • Critically read the seminal work on the theories (or conceptual models) that you found in peer-reviewed studies related to your topic. Related studies may be about the concept and not the specific topic. For example, if you are studying how the family-owned wrecking yard leaders succession plan, you could look at studies on leadership training and development in other types of organizations.
  • Quantitative . Select the theory or conceptual model that best aligns with the research question and provides an interrelated set of constructs, variables, hypotheses, or propositions that offer an explanation for phenomenon.
  • Qualitative . Select the theory or conceptual model that best aligns with the research question.

Content pulled from the DBA Doctoral Study Rubric and Handbook

More information

For more information on theoretical and conceptual frameworks, check out the Library's guide to frameworks!

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Organizing Your Social Sciences Research Paper

  • 5. The Literature Review
  • Purpose of Guide
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A literature review surveys prior research published in books, scholarly articles, and any other sources relevant to a particular issue, area of research, or theory, and by so doing, provides a description, summary, and critical evaluation of these works in relation to the research problem being investigated. Literature reviews are designed to provide an overview of sources you have used in researching a particular topic and to demonstrate to your readers how your research fits within existing scholarship about the topic.

Fink, Arlene. Conducting Research Literature Reviews: From the Internet to Paper . Fourth edition. Thousand Oaks, CA: SAGE, 2014.

Importance of a Good Literature Review

A literature review may consist of simply a summary of key sources, but in the social sciences, a literature review usually has an organizational pattern and combines both summary and synthesis, often within specific conceptual categories . A summary is a recap of the important information of the source, but a synthesis is a re-organization, or a reshuffling, of that information in a way that informs how you are planning to investigate a research problem. The analytical features of a literature review might:

  • Give a new interpretation of old material or combine new with old interpretations,
  • Trace the intellectual progression of the field, including major debates,
  • Depending on the situation, evaluate the sources and advise the reader on the most pertinent or relevant research, or
  • Usually in the conclusion of a literature review, identify where gaps exist in how a problem has been researched to date.

Given this, the purpose of a literature review is to:

  • Place each work in the context of its contribution to understanding the research problem being studied.
  • Describe the relationship of each work to the others under consideration.
  • Identify new ways to interpret prior research.
  • Reveal any gaps that exist in the literature.
  • Resolve conflicts amongst seemingly contradictory previous studies.
  • Identify areas of prior scholarship to prevent duplication of effort.
  • Point the way in fulfilling a need for additional research.
  • Locate your own research within the context of existing literature [very important].

Fink, Arlene. Conducting Research Literature Reviews: From the Internet to Paper. 2nd ed. Thousand Oaks, CA: Sage, 2005; Hart, Chris. Doing a Literature Review: Releasing the Social Science Research Imagination . Thousand Oaks, CA: Sage Publications, 1998; Jesson, Jill. Doing Your Literature Review: Traditional and Systematic Techniques . Los Angeles, CA: SAGE, 2011; Knopf, Jeffrey W. "Doing a Literature Review." PS: Political Science and Politics 39 (January 2006): 127-132; Ridley, Diana. The Literature Review: A Step-by-Step Guide for Students . 2nd ed. Los Angeles, CA: SAGE, 2012.

Types of Literature Reviews

It is important to think of knowledge in a given field as consisting of three layers. First, there are the primary studies that researchers conduct and publish. Second are the reviews of those studies that summarize and offer new interpretations built from and often extending beyond the primary studies. Third, there are the perceptions, conclusions, opinion, and interpretations that are shared informally among scholars that become part of the body of epistemological traditions within the field.

In composing a literature review, it is important to note that it is often this third layer of knowledge that is cited as "true" even though it often has only a loose relationship to the primary studies and secondary literature reviews. Given this, while literature reviews are designed to provide an overview and synthesis of pertinent sources you have explored, there are a number of approaches you could adopt depending upon the type of analysis underpinning your study.

Argumentative Review This form examines literature selectively in order to support or refute an argument, deeply embedded assumption, or philosophical problem already established in the literature. The purpose is to develop a body of literature that establishes a contrarian viewpoint. Given the value-laden nature of some social science research [e.g., educational reform; immigration control], argumentative approaches to analyzing the literature can be a legitimate and important form of discourse. However, note that they can also introduce problems of bias when they are used to make summary claims of the sort found in systematic reviews [see below].

Integrative Review Considered a form of research that reviews, critiques, and synthesizes representative literature on a topic in an integrated way such that new frameworks and perspectives on the topic are generated. The body of literature includes all studies that address related or identical hypotheses or research problems. A well-done integrative review meets the same standards as primary research in regard to clarity, rigor, and replication. This is the most common form of review in the social sciences.

Historical Review Few things rest in isolation from historical precedent. Historical literature reviews focus on examining research throughout a period of time, often starting with the first time an issue, concept, theory, phenomena emerged in the literature, then tracing its evolution within the scholarship of a discipline. The purpose is to place research in a historical context to show familiarity with state-of-the-art developments and to identify the likely directions for future research.

Methodological Review A review does not always focus on what someone said [findings], but how they came about saying what they say [method of analysis]. Reviewing methods of analysis provides a framework of understanding at different levels [i.e. those of theory, substantive fields, research approaches, and data collection and analysis techniques], how researchers draw upon a wide variety of knowledge ranging from the conceptual level to practical documents for use in fieldwork in the areas of ontological and epistemological consideration, quantitative and qualitative integration, sampling, interviewing, data collection, and data analysis. This approach helps highlight ethical issues which you should be aware of and consider as you go through your own study.

Systematic Review This form consists of an overview of existing evidence pertinent to a clearly formulated research question, which uses pre-specified and standardized methods to identify and critically appraise relevant research, and to collect, report, and analyze data from the studies that are included in the review. The goal is to deliberately document, critically evaluate, and summarize scientifically all of the research about a clearly defined research problem . Typically it focuses on a very specific empirical question, often posed in a cause-and-effect form, such as "To what extent does A contribute to B?" This type of literature review is primarily applied to examining prior research studies in clinical medicine and allied health fields, but it is increasingly being used in the social sciences.

Theoretical Review The purpose of this form is to examine the corpus of theory that has accumulated in regard to an issue, concept, theory, phenomena. The theoretical literature review helps to establish what theories already exist, the relationships between them, to what degree the existing theories have been investigated, and to develop new hypotheses to be tested. Often this form is used to help establish a lack of appropriate theories or reveal that current theories are inadequate for explaining new or emerging research problems. The unit of analysis can focus on a theoretical concept or a whole theory or framework.

NOTE : Most often the literature review will incorporate some combination of types. For example, a review that examines literature supporting or refuting an argument, assumption, or philosophical problem related to the research problem will also need to include writing supported by sources that establish the history of these arguments in the literature.

Baumeister, Roy F. and Mark R. Leary. "Writing Narrative Literature Reviews."  Review of General Psychology 1 (September 1997): 311-320; Mark R. Fink, Arlene. Conducting Research Literature Reviews: From the Internet to Paper . 2nd ed. Thousand Oaks, CA: Sage, 2005; Hart, Chris. Doing a Literature Review: Releasing the Social Science Research Imagination . Thousand Oaks, CA: Sage Publications, 1998; Kennedy, Mary M. "Defining a Literature." Educational Researcher 36 (April 2007): 139-147; Petticrew, Mark and Helen Roberts. Systematic Reviews in the Social Sciences: A Practical Guide . Malden, MA: Blackwell Publishers, 2006; Torracro, Richard. "Writing Integrative Literature Reviews: Guidelines and Examples." Human Resource Development Review 4 (September 2005): 356-367; Rocco, Tonette S. and Maria S. Plakhotnik. "Literature Reviews, Conceptual Frameworks, and Theoretical Frameworks: Terms, Functions, and Distinctions." Human Ressource Development Review 8 (March 2008): 120-130; Sutton, Anthea. Systematic Approaches to a Successful Literature Review . Los Angeles, CA: Sage Publications, 2016.

Structure and Writing Style

I.  Thinking About Your Literature Review

The structure of a literature review should include the following in support of understanding the research problem :

  • An overview of the subject, issue, or theory under consideration, along with the objectives of the literature review,
  • Division of works under review into themes or categories [e.g. works that support a particular position, those against, and those offering alternative approaches entirely],
  • An explanation of how each work is similar to and how it varies from the others,
  • Conclusions as to which pieces are best considered in their argument, are most convincing of their opinions, and make the greatest contribution to the understanding and development of their area of research.

The critical evaluation of each work should consider :

  • Provenance -- what are the author's credentials? Are the author's arguments supported by evidence [e.g. primary historical material, case studies, narratives, statistics, recent scientific findings]?
  • Methodology -- were the techniques used to identify, gather, and analyze the data appropriate to addressing the research problem? Was the sample size appropriate? Were the results effectively interpreted and reported?
  • Objectivity -- is the author's perspective even-handed or prejudicial? Is contrary data considered or is certain pertinent information ignored to prove the author's point?
  • Persuasiveness -- which of the author's theses are most convincing or least convincing?
  • Validity -- are the author's arguments and conclusions convincing? Does the work ultimately contribute in any significant way to an understanding of the subject?

II.  Development of the Literature Review

Four Basic Stages of Writing 1.  Problem formulation -- which topic or field is being examined and what are its component issues? 2.  Literature search -- finding materials relevant to the subject being explored. 3.  Data evaluation -- determining which literature makes a significant contribution to the understanding of the topic. 4.  Analysis and interpretation -- discussing the findings and conclusions of pertinent literature.

Consider the following issues before writing the literature review: Clarify If your assignment is not specific about what form your literature review should take, seek clarification from your professor by asking these questions: 1.  Roughly how many sources would be appropriate to include? 2.  What types of sources should I review (books, journal articles, websites; scholarly versus popular sources)? 3.  Should I summarize, synthesize, or critique sources by discussing a common theme or issue? 4.  Should I evaluate the sources in any way beyond evaluating how they relate to understanding the research problem? 5.  Should I provide subheadings and other background information, such as definitions and/or a history? Find Models Use the exercise of reviewing the literature to examine how authors in your discipline or area of interest have composed their literature review sections. Read them to get a sense of the types of themes you might want to look for in your own research or to identify ways to organize your final review. The bibliography or reference section of sources you've already read, such as required readings in the course syllabus, are also excellent entry points into your own research. Narrow the Topic The narrower your topic, the easier it will be to limit the number of sources you need to read in order to obtain a good survey of relevant resources. Your professor will probably not expect you to read everything that's available about the topic, but you'll make the act of reviewing easier if you first limit scope of the research problem. A good strategy is to begin by searching the USC Libraries Catalog for recent books about the topic and review the table of contents for chapters that focuses on specific issues. You can also review the indexes of books to find references to specific issues that can serve as the focus of your research. For example, a book surveying the history of the Israeli-Palestinian conflict may include a chapter on the role Egypt has played in mediating the conflict, or look in the index for the pages where Egypt is mentioned in the text. Consider Whether Your Sources are Current Some disciplines require that you use information that is as current as possible. This is particularly true in disciplines in medicine and the sciences where research conducted becomes obsolete very quickly as new discoveries are made. However, when writing a review in the social sciences, a survey of the history of the literature may be required. In other words, a complete understanding the research problem requires you to deliberately examine how knowledge and perspectives have changed over time. Sort through other current bibliographies or literature reviews in the field to get a sense of what your discipline expects. You can also use this method to explore what is considered by scholars to be a "hot topic" and what is not.

III.  Ways to Organize Your Literature Review

Chronology of Events If your review follows the chronological method, you could write about the materials according to when they were published. This approach should only be followed if a clear path of research building on previous research can be identified and that these trends follow a clear chronological order of development. For example, a literature review that focuses on continuing research about the emergence of German economic power after the fall of the Soviet Union. By Publication Order your sources by publication chronology, then, only if the order demonstrates a more important trend. For instance, you could order a review of literature on environmental studies of brown fields if the progression revealed, for example, a change in the soil collection practices of the researchers who wrote and/or conducted the studies. Thematic [“conceptual categories”] A thematic literature review is the most common approach to summarizing prior research in the social and behavioral sciences. Thematic reviews are organized around a topic or issue, rather than the progression of time, although the progression of time may still be incorporated into a thematic review. For example, a review of the Internet’s impact on American presidential politics could focus on the development of online political satire. While the study focuses on one topic, the Internet’s impact on American presidential politics, it would still be organized chronologically reflecting technological developments in media. The difference in this example between a "chronological" and a "thematic" approach is what is emphasized the most: themes related to the role of the Internet in presidential politics. Note that more authentic thematic reviews tend to break away from chronological order. A review organized in this manner would shift between time periods within each section according to the point being made. Methodological A methodological approach focuses on the methods utilized by the researcher. For the Internet in American presidential politics project, one methodological approach would be to look at cultural differences between the portrayal of American presidents on American, British, and French websites. Or the review might focus on the fundraising impact of the Internet on a particular political party. A methodological scope will influence either the types of documents in the review or the way in which these documents are discussed.

Other Sections of Your Literature Review Once you've decided on the organizational method for your literature review, the sections you need to include in the paper should be easy to figure out because they arise from your organizational strategy. In other words, a chronological review would have subsections for each vital time period; a thematic review would have subtopics based upon factors that relate to the theme or issue. However, sometimes you may need to add additional sections that are necessary for your study, but do not fit in the organizational strategy of the body. What other sections you include in the body is up to you. However, only include what is necessary for the reader to locate your study within the larger scholarship about the research problem.

Here are examples of other sections, usually in the form of a single paragraph, you may need to include depending on the type of review you write:

  • Current Situation : Information necessary to understand the current topic or focus of the literature review.
  • Sources Used : Describes the methods and resources [e.g., databases] you used to identify the literature you reviewed.
  • History : The chronological progression of the field, the research literature, or an idea that is necessary to understand the literature review, if the body of the literature review is not already a chronology.
  • Selection Methods : Criteria you used to select (and perhaps exclude) sources in your literature review. For instance, you might explain that your review includes only peer-reviewed [i.e., scholarly] sources.
  • Standards : Description of the way in which you present your information.
  • Questions for Further Research : What questions about the field has the review sparked? How will you further your research as a result of the review?

IV.  Writing Your Literature Review

Once you've settled on how to organize your literature review, you're ready to write each section. When writing your review, keep in mind these issues.

Use Evidence A literature review section is, in this sense, just like any other academic research paper. Your interpretation of the available sources must be backed up with evidence [citations] that demonstrates that what you are saying is valid. Be Selective Select only the most important points in each source to highlight in the review. The type of information you choose to mention should relate directly to the research problem, whether it is thematic, methodological, or chronological. Related items that provide additional information, but that are not key to understanding the research problem, can be included in a list of further readings . Use Quotes Sparingly Some short quotes are appropriate if you want to emphasize a point, or if what an author stated cannot be easily paraphrased. Sometimes you may need to quote certain terminology that was coined by the author, is not common knowledge, or taken directly from the study. Do not use extensive quotes as a substitute for using your own words in reviewing the literature. Summarize and Synthesize Remember to summarize and synthesize your sources within each thematic paragraph as well as throughout the review. Recapitulate important features of a research study, but then synthesize it by rephrasing the study's significance and relating it to your own work and the work of others. Keep Your Own Voice While the literature review presents others' ideas, your voice [the writer's] should remain front and center. For example, weave references to other sources into what you are writing but maintain your own voice by starting and ending the paragraph with your own ideas and wording. Use Caution When Paraphrasing When paraphrasing a source that is not your own, be sure to represent the author's information or opinions accurately and in your own words. Even when paraphrasing an author’s work, you still must provide a citation to that work.

V.  Common Mistakes to Avoid

These are the most common mistakes made in reviewing social science research literature.

  • Sources in your literature review do not clearly relate to the research problem;
  • You do not take sufficient time to define and identify the most relevant sources to use in the literature review related to the research problem;
  • Relies exclusively on secondary analytical sources rather than including relevant primary research studies or data;
  • Uncritically accepts another researcher's findings and interpretations as valid, rather than examining critically all aspects of the research design and analysis;
  • Does not describe the search procedures that were used in identifying the literature to review;
  • Reports isolated statistical results rather than synthesizing them in chi-squared or meta-analytic methods; and,
  • Only includes research that validates assumptions and does not consider contrary findings and alternative interpretations found in the literature.

Cook, Kathleen E. and Elise Murowchick. “Do Literature Review Skills Transfer from One Course to Another?” Psychology Learning and Teaching 13 (March 2014): 3-11; Fink, Arlene. Conducting Research Literature Reviews: From the Internet to Paper . 2nd ed. Thousand Oaks, CA: Sage, 2005; Hart, Chris. Doing a Literature Review: Releasing the Social Science Research Imagination . Thousand Oaks, CA: Sage Publications, 1998; Jesson, Jill. Doing Your Literature Review: Traditional and Systematic Techniques . London: SAGE, 2011; Literature Review Handout. Online Writing Center. Liberty University; Literature Reviews. The Writing Center. University of North Carolina; Onwuegbuzie, Anthony J. and Rebecca Frels. Seven Steps to a Comprehensive Literature Review: A Multimodal and Cultural Approach . Los Angeles, CA: SAGE, 2016; Ridley, Diana. The Literature Review: A Step-by-Step Guide for Students . 2nd ed. Los Angeles, CA: SAGE, 2012; Randolph, Justus J. “A Guide to Writing the Dissertation Literature Review." Practical Assessment, Research, and Evaluation. vol. 14, June 2009; Sutton, Anthea. Systematic Approaches to a Successful Literature Review . Los Angeles, CA: Sage Publications, 2016; Taylor, Dena. The Literature Review: A Few Tips On Conducting It. University College Writing Centre. University of Toronto; Writing a Literature Review. Academic Skills Centre. University of Canberra.

Writing Tip

Break Out of Your Disciplinary Box!

Thinking interdisciplinarily about a research problem can be a rewarding exercise in applying new ideas, theories, or concepts to an old problem. For example, what might cultural anthropologists say about the continuing conflict in the Middle East? In what ways might geographers view the need for better distribution of social service agencies in large cities than how social workers might study the issue? You don’t want to substitute a thorough review of core research literature in your discipline for studies conducted in other fields of study. However, particularly in the social sciences, thinking about research problems from multiple vectors is a key strategy for finding new solutions to a problem or gaining a new perspective. Consult with a librarian about identifying research databases in other disciplines; almost every field of study has at least one comprehensive database devoted to indexing its research literature.

Frodeman, Robert. The Oxford Handbook of Interdisciplinarity . New York: Oxford University Press, 2010.

Another Writing Tip

Don't Just Review for Content!

While conducting a review of the literature, maximize the time you devote to writing this part of your paper by thinking broadly about what you should be looking for and evaluating. Review not just what scholars are saying, but how are they saying it. Some questions to ask:

  • How are they organizing their ideas?
  • What methods have they used to study the problem?
  • What theories have been used to explain, predict, or understand their research problem?
  • What sources have they cited to support their conclusions?
  • How have they used non-textual elements [e.g., charts, graphs, figures, etc.] to illustrate key points?

When you begin to write your literature review section, you'll be glad you dug deeper into how the research was designed and constructed because it establishes a means for developing more substantial analysis and interpretation of the research problem.

Hart, Chris. Doing a Literature Review: Releasing the Social Science Research Imagination . Thousand Oaks, CA: Sage Publications, 1 998.

Yet Another Writing Tip

When Do I Know I Can Stop Looking and Move On?

Here are several strategies you can utilize to assess whether you've thoroughly reviewed the literature:

  • Look for repeating patterns in the research findings . If the same thing is being said, just by different people, then this likely demonstrates that the research problem has hit a conceptual dead end. At this point consider: Does your study extend current research?  Does it forge a new path? Or, does is merely add more of the same thing being said?
  • Look at sources the authors cite to in their work . If you begin to see the same researchers cited again and again, then this is often an indication that no new ideas have been generated to address the research problem.
  • Search Google Scholar to identify who has subsequently cited leading scholars already identified in your literature review [see next sub-tab]. This is called citation tracking and there are a number of sources that can help you identify who has cited whom, particularly scholars from outside of your discipline. Here again, if the same authors are being cited again and again, this may indicate no new literature has been written on the topic.

Onwuegbuzie, Anthony J. and Rebecca Frels. Seven Steps to a Comprehensive Literature Review: A Multimodal and Cultural Approach . Los Angeles, CA: Sage, 2016; Sutton, Anthea. Systematic Approaches to a Successful Literature Review . Los Angeles, CA: Sage Publications, 2016.

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Research Methods

  • Getting Started
  • Literature Review Research
  • Research Design
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Literature Review

  • What is a Literature Review?
  • What is NOT a Literature Review?
  • Purposes of a Literature Review
  • Types of Literature Reviews
  • Literature Reviews vs. Systematic Reviews
  • Systematic vs. Meta-Analysis

Literature Review  is a comprehensive survey of the works published in a particular field of study or line of research, usually over a specific period of time, in the form of an in-depth, critical bibliographic essay or annotated list in which attention is drawn to the most significant works.

Also, we can define a literature review as the collected body of scholarly works related to a topic:

  • Summarizes and analyzes previous research relevant to a topic
  • Includes scholarly books and articles published in academic journals
  • Can be an specific scholarly paper or a section in a research paper

The objective of a Literature Review is to find previous published scholarly works relevant to an specific topic

  • Help gather ideas or information
  • Keep up to date in current trends and findings
  • Help develop new questions

A literature review is important because it:

  • Explains the background of research on a topic.
  • Demonstrates why a topic is significant to a subject area.
  • Helps focus your own research questions or problems
  • Discovers relationships between research studies/ideas.
  • Suggests unexplored ideas or populations
  • Identifies major themes, concepts, and researchers on a topic.
  • Tests assumptions; may help counter preconceived ideas and remove unconscious bias.
  • Identifies critical gaps, points of disagreement, or potentially flawed methodology or theoretical approaches.
  • Indicates potential directions for future research.

All content in this section is from Literature Review Research from Old Dominion University 

Keep in mind the following, a literature review is NOT:

Not an essay 

Not an annotated bibliography  in which you summarize each article that you have reviewed.  A literature review goes beyond basic summarizing to focus on the critical analysis of the reviewed works and their relationship to your research question.

Not a research paper   where you select resources to support one side of an issue versus another.  A lit review should explain and consider all sides of an argument in order to avoid bias, and areas of agreement and disagreement should be highlighted.

A literature review serves several purposes. For example, it

  • provides thorough knowledge of previous studies; introduces seminal works.
  • helps focus one’s own research topic.
  • identifies a conceptual framework for one’s own research questions or problems; indicates potential directions for future research.
  • suggests previously unused or underused methodologies, designs, quantitative and qualitative strategies.
  • identifies gaps in previous studies; identifies flawed methodologies and/or theoretical approaches; avoids replication of mistakes.
  • helps the researcher avoid repetition of earlier research.
  • suggests unexplored populations.
  • determines whether past studies agree or disagree; identifies controversy in the literature.
  • tests assumptions; may help counter preconceived ideas and remove unconscious bias.

As Kennedy (2007) notes*, it is important to think of knowledge in a given field as consisting of three layers. First, there are the primary studies that researchers conduct and publish. Second are the reviews of those studies that summarize and offer new interpretations built from and often extending beyond the original studies. Third, there are the perceptions, conclusions, opinion, and interpretations that are shared informally that become part of the lore of field. In composing a literature review, it is important to note that it is often this third layer of knowledge that is cited as "true" even though it often has only a loose relationship to the primary studies and secondary literature reviews.

Given this, while literature reviews are designed to provide an overview and synthesis of pertinent sources you have explored, there are several approaches to how they can be done, depending upon the type of analysis underpinning your study. Listed below are definitions of types of literature reviews:

Argumentative Review      This form examines literature selectively in order to support or refute an argument, deeply imbedded assumption, or philosophical problem already established in the literature. The purpose is to develop a body of literature that establishes a contrarian viewpoint. Given the value-laden nature of some social science research [e.g., educational reform; immigration control], argumentative approaches to analyzing the literature can be a legitimate and important form of discourse. However, note that they can also introduce problems of bias when they are used to to make summary claims of the sort found in systematic reviews.

Integrative Review      Considered a form of research that reviews, critiques, and synthesizes representative literature on a topic in an integrated way such that new frameworks and perspectives on the topic are generated. The body of literature includes all studies that address related or identical hypotheses. A well-done integrative review meets the same standards as primary research in regard to clarity, rigor, and replication.

Historical Review      Few things rest in isolation from historical precedent. Historical reviews are focused on examining research throughout a period of time, often starting with the first time an issue, concept, theory, phenomena emerged in the literature, then tracing its evolution within the scholarship of a discipline. The purpose is to place research in a historical context to show familiarity with state-of-the-art developments and to identify the likely directions for future research.

Methodological Review      A review does not always focus on what someone said [content], but how they said it [method of analysis]. This approach provides a framework of understanding at different levels (i.e. those of theory, substantive fields, research approaches and data collection and analysis techniques), enables researchers to draw on a wide variety of knowledge ranging from the conceptual level to practical documents for use in fieldwork in the areas of ontological and epistemological consideration, quantitative and qualitative integration, sampling, interviewing, data collection and data analysis, and helps highlight many ethical issues which we should be aware of and consider as we go through our study.

Systematic Review      This form consists of an overview of existing evidence pertinent to a clearly formulated research question, which uses pre-specified and standardized methods to identify and critically appraise relevant research, and to collect, report, and analyse data from the studies that are included in the review. Typically it focuses on a very specific empirical question, often posed in a cause-and-effect form, such as "To what extent does A contribute to B?"

Theoretical Review      The purpose of this form is to concretely examine the corpus of theory that has accumulated in regard to an issue, concept, theory, phenomena. The theoretical literature review help establish what theories already exist, the relationships between them, to what degree the existing theories have been investigated, and to develop new hypotheses to be tested. Often this form is used to help establish a lack of appropriate theories or reveal that current theories are inadequate for explaining new or emerging research problems. The unit of analysis can focus on a theoretical concept or a whole theory or framework.

* Kennedy, Mary M. "Defining a Literature."  Educational Researcher  36 (April 2007): 139-147.

All content in this section is from The Literature Review created by Dr. Robert Larabee USC

Robinson, P. and Lowe, J. (2015),  Literature reviews vs systematic reviews.  Australian and New Zealand Journal of Public Health, 39: 103-103. doi: 10.1111/1753-6405.12393

theory of literature research

What's in the name? The difference between a Systematic Review and a Literature Review, and why it matters . By Lynn Kysh from University of Southern California

theory of literature research

Systematic review or meta-analysis?

A  systematic review  answers a defined research question by collecting and summarizing all empirical evidence that fits pre-specified eligibility criteria.

A  meta-analysis  is the use of statistical methods to summarize the results of these studies.

Systematic reviews, just like other research articles, can be of varying quality. They are a significant piece of work (the Centre for Reviews and Dissemination at York estimates that a team will take 9-24 months), and to be useful to other researchers and practitioners they should have:

  • clearly stated objectives with pre-defined eligibility criteria for studies
  • explicit, reproducible methodology
  • a systematic search that attempts to identify all studies
  • assessment of the validity of the findings of the included studies (e.g. risk of bias)
  • systematic presentation, and synthesis, of the characteristics and findings of the included studies

Not all systematic reviews contain meta-analysis. 

Meta-analysis is the use of statistical methods to summarize the results of independent studies. By combining information from all relevant studies, meta-analysis can provide more precise estimates of the effects of health care than those derived from the individual studies included within a review.  More information on meta-analyses can be found in  Cochrane Handbook, Chapter 9 .

A meta-analysis goes beyond critique and integration and conducts secondary statistical analysis on the outcomes of similar studies.  It is a systematic review that uses quantitative methods to synthesize and summarize the results.

An advantage of a meta-analysis is the ability to be completely objective in evaluating research findings.  Not all topics, however, have sufficient research evidence to allow a meta-analysis to be conducted.  In that case, an integrative review is an appropriate strategy. 

Some of the content in this section is from Systematic reviews and meta-analyses: step by step guide created by Kate McAllister.

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Article contents

Feminist theory.

  • Pelagia Goulimari Pelagia Goulimari Department of English, University of Oxford
  • https://doi.org/10.1093/acrefore/9780190201098.013.976
  • Published online: 19 November 2020

Feminist theory in the 21st century is an enormously diverse field. Mapping its genealogy of multiple intersecting traditions offers a toolkit for 21st-century feminist literary criticism, indeed for literary criticism tout court. Feminist phenomenologists (Simone de Beauvoir, Iris Marion Young, Toril Moi, Miranda Fricker, Pamela Sue Anderson, Sara Ahmed, Alia Al-Saji) have contributed concepts and analyses of situation, lived experience, embodiment, and orientation. African American feminists (Toni Morrison, Audre Lorde, Alice Walker, Hortense J. Spillers, Saidiya V. Hartman) have theorized race, intersectionality, and heterogeneity, particularly differences among women and among black women. Postcolonial feminists (Assia Djebar, Gayatri Chakravorty Spivak, Chandra Talpade Mohanty, Florence Stratton, Saba Mahmood, Jasbir K. Puar) have focused on the subaltern, specificity, and agency. Queer and transgender feminists (Judith Butler, Jack Halberstam, Susan Stryker) have theorized performativity, resignification, continuous transition, and self-identification. Questions of representation have been central to all traditions of feminist theory.

  • continuous transition
  • heterogeneity
  • intersectionality
  • lived experience
  • performativity
  • resignification
  • self-identification
  • the subaltern

Mapping 21st-Century Feminist Theory

Feminist theory is a vast, enormously diverse, interdisciplinary field that cuts across the humanities, sciences, and social sciences. As a result, this article cannot offer a historical overview or even an exhaustive account of 21st-century feminist theory. But it offers a genealogy and a toolkit for 21st-century feminist criticism. 1 The aim of this article is to outline the questions and issues 21st-century feminist theorists have been addressing; the concepts, figures, and narratives they have been honing; and the practices they have been experimenting with—some inherited, others new. This account of feminist theory will include African American, postcolonial, and Islamic feminists as well as queer and transgender theorists and writers who identify as feminists. While these fields are distinct and while they need to reckon with their respective Eurocentrism, racism, misogyny, queerphobia, or transphobia, this article will focus on their mutual allyship, in spite of continuing tensions. Particularly troubling are feminists who define themselves against queer and transgender theory and activism; by way of response, this article will be highlighting feminist queer theory and transfeminism.

On the one hand, literary criticism is not high on the agenda of many 21st-century feminist theorists. This means that literary critics need to imaginatively transpose feminist concepts to literature. On the other hand, a lot of feminist theorists practice literature; they write in an experimental way that combines academic work, creative writing, and life-writing; they combine narrative and figurative language with concepts and arguments. Contemporary feminist theory offers a powerful mix of experimental writing, big issues, quirky personal accounts, and utopian thinking of a new kind.

Feminists have been combining theory, criticism, and literature; Mary Wollstonecraft, Simone de Beauvoir, Toni Morrison, Audre Lorde, Hélène Cixous, and Alice Walker have written across these genres. In African Sexualities: A Reader ( 2011 ), Sylvia Tamale’s decision to place academic scholarship side by side with poems, fiction, life-writing, political declarations, and reports is supported by feminist traditions. 2 Furthermore, the border between feminist theory, literature, and life-writing has been increasingly permeable in the 21st century , hence the centrality of texts in hybrid genres: theory with literary and life-writing elements, literature with meta-literary elements, and so on. Early 21st-century terms such as autofiction and autotheory register the prevalence of the tendency. This is at least partly a question of addressing different audiences—aiming for public engagement and connection with activism outside universities and bypassing the technical jargon of academic feminist theory. Another reason is that feminist theorists, especially those from marginalized groups, have found some of the conventions of academic scholarship objectionable or false—for example, the assumption of a universal, disembodied, or unsituated perspective.

Nevertheless, recent feminist experiments with genre—for example, by Anne Carson, Paul B. Preciado, Maggie Nelson, or Alison Bechdel—nod toward an integral part of women’s writing and feminist writing. 3 Historic experiments in mixed genre, going back to Elizabeth Barrett-Browning’s poem-novel Aurora Leigh , include: Virginia Woolf’s critical-theoretical-fictional A Room of One’s Own ; Julia Kristeva’s poetico-theoretical “Stabat Mater”; Marge Piercy’s Woman on the Edge of Time , oscillating between speculative science fiction and naturalist novel; Audre Lorde’s “biomythography,” Zami ; the mix of theory, fiction, and life-writing in Leslie Feinberg’s Stone Butch Blues and Chris Kraus’ I Love Dick ; or Qurratulain Hyder’s Fireflies in the Mist , hovering between historical fiction and romance. 4

Twenty-first-century feminist theory also tends to be thematically expansive and more than feminist theory narrowly understood, in that it is not only about “women” (those assigned female at birth or socially counted as women or self-identifying as women). It is a mature field that addresses structural injustice, social justice, and the future of the planet. As a result, cross-fertilization with other academic fields abounds. Relatively new academic fields such as feminist theory, postcolonial theory, and critical race theory—emerging since the 1960s, established in the 1980s, and having initially to cement their distinctiveness and place within the academy—have been increasingly coming together and cross-fertilizing in the 21st century . Distinct feminist perspectives (phenomenological, poststructuralist, African American intersectional, postcolonial, Islamic, queer, transgender) have also been coming together and variously informing 21st-century feminist theory. While this article will introduce these perspectives, it will aim to show that feminist theorists are increasingly difficult to put in a box, and this is a good thing.

Feminist Phenomenology (Beauvoir, Young, Moi, Fricker, Anderson, Ahmed, Al-Saji): Situation, Lived Experience, Embodiment, Orientation

Simone de Beauvoir initiates feminist phenomenology, her existentialism emerging within the broader tradition of phenomenology. While the present account of feminist theory begins with Beauvoir, it is important to acknowledge the continuing influence of older feminists and proto-feminists, as “feminism” only acquired its current ( 20th- and 21st-century ) meaning in the late 19th century , according to the Oxford English Dictionary. See, for example, Christine de Pizan, “Jane Anger,” Margaret Cavendish, Aphra Behn, Mary Astell, Anne Finch, Mary Wollstonecraft, Mary Hays, Sojourner Truth, Harriet Jacobs, Emily Davies, Millicent Garrett Fawcett, Rokeya Sakhawat Hossain, and Virginia Woolf.

All contemporary feminist theory has been influenced by Beauvoir, in some respect or other. Her famous claim that “One is not born, but rather becomes, woman,” opening volume 2 of The Second Sex ( 1949 ), points to the asymmetrical socialization of men and women. 5 In her philosophical terms, man is the One, the universal, subject, freedom, transcendence, mind, spirit, culture; woman is the Other, the particular, object, situation, immanence, body, flesh, nature. Patriarchy for Beauvoir is a system of binary oppositions, whose terms are mutually exclusive: the One/the Other, the universal/the particular, subject/object, freedom/situation, transcendence/immanence, mind/body, spirit/flesh, culture/nature. Men have been socialized to aim for—indeed to become—the valued terms in each binary opposition (the One, the universal, subject, freedom, transcendence, mind, spirit, culture); while the undesirable terms (the Other, the particular, object, situation, immanence, body, flesh, nature) are projected onto women, who are socialized to become those terms—to become object, for example. Emerging from this system is the illusion of a transhistorical feminine essence or a norm of femininity that misconstrues, disciplines, and oppresses actual, historical women. Women for Beauvoir are an oppressed group, and her aim is their liberation. 6

Beauvoir critiques the social aims and myths of patriarchy, pointing to the pervasiveness of patriarchal myths in philosophy, literature, and culture. But she also critiques the very forms of patriarchy—binary opposition, dualistic thinking, essentialism, universalism, abstraction—while not completely able to free her own analysis from them. Instead of them, Beauvoir advocates attention to concrete situation and close phenomenological description; indeed The Second Sex abounds in vivid and richly detailed descriptions of early 20th-century French women’s lives. Such close attention and description allow her to demonstrate that all humans are, potentially, both subject and object, free and situated, transcendent and immanent, spirit and flesh, hence the ambiguity of the human condition. 7

The philosophy of existentialism and the broader philosophical movement of phenomenology, within which Beauvoir situates her work, claim to offer radical aims and methods. Phenomenology (Edmund Husserl, Martin Heidegger, Maurice Merleau-Ponty, Jean-Paul Sartre, Beauvoir, Frantz Fanon) is committed to the phenomenological description of the particular in order to avoid the abstractions of scientism. It aims to avoid traditional philosophical dualisms such as mind/body. It re-describes human beings not as disembodied minds but as intentional beings engaged with the world, being-in-the-world (Heidegger’s term), situated in a particular time and place; as lived bodies that are centers of perception, action, and lived experience rather than mere objects; and as being-with and being-for others in inter-subjective relationships rather than just subject/object relationships. Human beings immerse themselves in their projects, using the world and their own bodies—with all their acquired skills, competencies, and sedimented habits—as instruments. While these instruments are indispensable to their projects, they are usually unperceived and remain in the background. They are the background against which objects of perception and action objectives come into view. And yet what is backgrounded can always come to the foreground, suddenly and rudely—when the world resists one, when a blunt knife does not cut the bread, when one’s body is in pain or sick and intrudes, interrupting one’s vision and plans. 8

Without minimizing the novelty of Beauvoir’s theorization of patriarchy, the present quick sketch of phenomenology ought to have highlighted its suitability for feminist appropriations. Nevertheless, Sartre, Beauvoir’s closest collaborator, for example, continues to think that one is distinctively human only to the extent that they transcend their situation. This arguably universalizes Sartre’s particular situation as a member of a privileged group determined to be free, while effectively blaming the situation of oppressed groups on their members, blaming the victims for lacking humanity. 9 By contrast, Beauvoir sheds light on women’s social situation and lived experience: men have “far more concrete opportunities” to be effective; women experience the world not as tools for their projects but as resistance to them; their “energy” is “thrown into the world” but “fails to grasp any object”; a woman’s body is not the “pure instrument of her grasp on the world” but painfully objectified and foregrounded. 10 Beauvoir goes on to distinguish between a variety of unequal social situations with different degrees of freedom inherent in them. Yes, on the whole, French men are freer, less constrained than French women. But Beauvoir discusses the “concrete situation” of other groups “kept in a situation of inferiority”—workers, the colonized, African American slaves, her contemporary African Americans, Jews—while explicitly acknowledging that women themselves are socially divided by class and race. 11

Beauvoir outlines impediments to women’s collective and individual liberation and sketches out paths to collective action and to the “independent woman” of the future, placing literature center stage. She claims that women lack the “concrete means” to organize themselves “in opposition” to patriarchy, in that they lack a shared collective space, such as the factory and the racially segregated community for working-class and black struggles, instead living dispersed private lives. 12 While white middle-class women “are in solidarity” with men of their class and race, rather than with working-class and black women, Beauvoir calls for solidarity among women across class and race boundaries. 13 She addresses white middle-class women like herself, who benefit materially from their connection to white middle-class men, asking them to abandon these benefits for the precarious pursuit of women’s solidarity and freedom. To the extent that women lack freedom by virtue of their social situation qua women, they need to claim their freedom in collective “revolt.” 14 Beauvoir’s 1949 call to organized political action was “the movement before the movement,” according to Michèle Le Doeuff. 15

However, Beauvoir also advocates writing literature as a means of liberation for women and considers all her writing—philosophical, literary, life-writing—a form of activism. Beauvoir devotes considerable space to literary criticism throughout The Second Sex . She shows how writers have reproduced patriarchal myths, often unwittingly. 16 But her future-oriented, crucial chapter “The Independent Woman” centers on a discussion of women writers and even addresses women writers. Having sketched out a history of women’s writing, she turns to young writers to offer advice, based on her analysis of women’s “situation.” 17 To overcome women’s socially imposed apprenticeship in “reasonable modesty,” they need to undertake a counter-practice of “abandonment and transcendence,” “pride” and boldness; they need to become “women insurgents” who feel “responsible for the universe.” 18 Her call, “The free woman is just being born” energizes new women writers to live and write freely—and has been answered by many. 19 But this is not triumphalist empty rhetoric; women writers also need to understand the “ambiguity” of the human condition and of truth itself. 20

Iris Marion Young returns to Beauvoir’s description of women’s social situation and lived experience in “Throwing Like a Girl: A Phenomenology of Feminine Body Comportment, Motility, and Spatiality” ( 1980 ). Young takes Beauvoir’s description as the starting point for her own phenomenology of women’s project-oriented bodily movement in “contemporary advanced industrial, urban, and commercial society,” arguing that their movement is inhibited, ambiguous, discontinuous, and ineffective. 21 Women exhibit a form of socially induced dyspraxia. Young contends that women’s movement “exhibits an ambiguous transcendence, an inhibited intentionality, and a discontinuous unity with its surroundings.” 22 Young turns to women’s bodies in their “orientation toward and action upon and within” their surroundings, particularly the “confrontation of the body’s capacities and possibilities with the resistance and malleability of things” when the body “aims to accomplish a definite purpose or task.” 23 It will be remembered that the phenomenological tradition theorizes the human body as a lived body that is the locus of subjectivity, perception, and action, a capable body extending itself into the world rather than a thing; this is especially the case with Merleau-Ponty. Young’s description of the deviation of women’s bodily experience from this norm is a powerful indictment of women’s social situation.

Firstly, Young identifies that women experience their bodies as ambiguously transcendent: both as a “capacity” and as a “ thing ”; both striving to act upon the world and a “burden.” 24 Secondly, they experience an inhibited intentionality: while acting, they hesitate, their “hesitancy” resulting in “wasted motion . . . from the effort of testing and reorientation.” 25 Thirdly, they experience their bodies as discontinuous with the world: rather than extending themselves and acting upon their surroundings, which is the norm, they live their bodies as objects “ positioned in space.” 26 Or rather, the “space that belongs to her and is available to her grasp and manipulation” is experienced as “constricted,” while “the space beyond is not available to her.” 27 In other words, she experiences her surroundings not as at-hand and within-reach for her projects but as out-of-reach. This discontinuity between “aim and capacity to realize” it is the secret of women’s “tentativeness and uncertainty.” 28 Even more ominously, they live the “ever-present possibility” of becoming the “object of another subject’s . . . manipulations.” 29 In the very exercise of bodily freedom—for example, in opening up the “body in free, active, open extension and bold outward-directedness”—women risk “objectification,” Young argues. 30

Young describes the situation of women as one in which they have to learn “actively to hamper” their “movements.” 31 If this has been the norm of genderization in modern Western urban societies, is it still at work and is it lived differently depending on one’s class, race, sexuality, and so on? 32 Similarly with Beauvoir’s theorization of the situation of women: does it continue to be relevant and useful?

The emergence of “sexual difference” feminism or écriture féminine in France in the mid-1970s, with landmark publications by Luce Irigaray and Hélène Cixous, brought with it a critique of Beauvoir. 33 In view of the present discussion of Beauvoir, one might argue that Beauvoir’s aim is the abolition of gender. Her horizon is the abolition of gender binarism and an end to the oppression of women. However, in “Equal or Different?” ( 1986 ) Irigaray reads this as a pursuit of equality through women’s adoption of male norms, at a great cost, that of “suppress[ing] sexual difference.” 34 In Irigaray’s eyes, Beauvoir’s work is assimilationist, while her own work is radical—it aims to redefine femininity in positive terms. Irigaray insists on the political autonomy of women’s struggles from other liberation movements and, controversially, the priority of feminism over other movements because of the priority of gender over class, race, and so on. Gender is “the primary and irreducible division.” 35

In 1994 feminist literary critic Toril Moi compares Beauvoir to Irigaray and Frantz Fanon, one of the founders of postcolonial theory. Like Fanon who redefined blackness positively and viewed anticolonial struggles as autonomous, Irigaray aims to redefine femininity and mobilize it autonomously, while Beauvoir failed to “grasp the progressive potential of ‘femininity’ as a political discourse” and also “vastly underestimated the potential political impact of an independent woman’s movement.” 36 However, Moi sides with Beauvoir against Irigaray and other “sexual difference” feminists, when comparing their aims. Beauvoir’s ultimate aim is the disappearance of gender, while difference feminists “focus on women’s difference, often without regard for other social movements,” claiming that “women’s interests are best served by the establishment of an enduring regime of sexual difference.” 37

Aiming toward the disappearance of gender does not mean blinding oneself to the situation and lived experience of women. In a 2009 piece on women writers, literature, and feminist theory, Moi turns to Beauvoir to analyze the social situation of women writers. Importantly, Beauvoir focuses on what happens “ once somebody has been taken to be a woman ”—the woman in question might or might not be assigned female at birth and might or might not identify as a woman. 38 While the body of someone taken to be a man is viewed as a “direct and normal connection with the world” that he “apprehends objectively,” the body of someone taken to be a woman is viewed as “weighed down by everything specific to it: an obstacle, a prison.” 39 Concomitantly, male writers and their perspectives and concerns are associated with universality—women writers associated with biased particularity. But if women writers adopt male perspectives and concerns to lay claim to universality, they are alienated from their own lived experience. This is how a “sexist (or racist) society” forces “women and blacks, and other raced minorities, to ‘eliminate’ their gendered (or raced) subjectivity” and “masquerade as some kind of generic universal human being, in ways that devalue their actual experiences as embodied human beings in the world.” 40 All too often women writers have declared “I am not a woman writer,” but this has to be understood as a “ defensive speech act”: a “ response ” to those who have tried to use her gender “against her.” 41

In 2001 feminist philosopher and Beauvoir scholar Michèle Le Doeuff announces a renaissance in Beauvoir studies, in her keynote for the Ninth International Simone de Beauvoir Conference: “It is no longer possible to claim, in the light of a certain New French Feminism, that Beauvoir is obsolete.” 42 She prioritizes the need for scholarship on the conflicts between Sartre and Beauvoir, with a view to making the case for Beauvoir’s originality as a philosopher, in spite of Beauvoir’s self-identification as a writer and reluctance to clash with Sartre philosophically.

Feminist philosopher Miranda Fricker returns more than once to the question of whether Beauvoir is a philosopher or a writer. In 2003 Fricker locates Beauvoir’s originality in her understanding of ambiguity and argues that life-writing has been the medium most suited to her thought, focusing on Beauvoir’s The Prime of Life ( La Force de l’age , 1960 ). 43 Beauvoir found in the institution of philosophy, as she experienced it, a pathological, obsessional attitude—a demand for abstract theorizing that divorces thinkers from their situation to lend their thought universal applicability. This imperious, sovereign role was seriously at odds with Beauvoir’s sense of reality, history, and the self. For Beauvoir, reality is “full of ambiguities, baffling, and impenetrable” and history a violent shock to the self: “History burst over me, and I dissolved into fragments . . . scattered over the four quarters of the globe, linked by every nerve in me to each and every other individual.” 44 Beauvoir uses narrative, particularly life-writing, to connect with her past selves but also to appeal to the reader: “self-knowledge is impossible, and the best one can hope for is self-revelation” to the reader. 45 Fricker claims that Beauvoir primarily addresses female readers; and Beauvoir’s alliance-building with her readers—her “feminist commitment to female solidarity”—promises to bring out, through the reader, “the ‘unity’ to that ‘scattered, broken’ object that is her life.” 46

An example of the role of the reader is Fricker’s 2007 reading of Beauvoir’s under-written account of an early epistemic clash with Sartre. 47 Beauvoir’s first-person narrative voice doesn’t quite say that Sartre undermined her as a knower, but Fricker interprets this incident as an epistemic attack by Sartre that Beauvoir had the resilience to survive, and which contributed to her self-identification as a writer rather than a philosopher. Here the violence of history and the institution of philosophy take very concrete, embodied, intimate form. But the incident also serves as a springboard for Fricker’s concept of epistemic injustice and its two forms: testimonial injustice, and hermeneutical injustice and lacunas. For Fricker, Sartre in this instance does Beauvoir a “testimonial injustice” in that he erodes her confidence and her credibility as a knower. 48 This process might also be “ongoing” and involve “persistent petty intellectual underminings.” 49 Hermeneutical (or interpretive) injustice, on the other hand, has to do with a gap in collective interpretative resources, where a name should be to describe a social experience. 50 For example, the relatively recent term “sexual harassment” has described a social experience where previously there was a hermeneutic lacuna, according to Fricker. Such lacunas are often due to the systemic epistemic marginalization of some groups, and any progress (for example, in adopting a proposed new term) is contingent upon a “virtuous hearer” who will try to listen without prejudice but also requires systemic change. 51 In George Eliot’s Mill on the Floss Maggie Tulliver suffers both testimonial and hermeneutical injustice. 52

This article will now turn to feminist phenomenology within queer theory and critical race theory. Sara Ahmed, in Queer Phenomenology ( 2006 ), offers not a phenomenology of queerness but rather a phenomenological account of heteronormativity as well as a feminist queer critique of phenomenology. In an important reversal of perspective, Ahmed denaturalizes being straight—denaturalizes heteronormativity—by asking: how does one become straight? This is not simply a matter of sexual orientation and choice of love-object. Rather heteronormativity is itself “something that we are oriented around, even if it disappears from view”; “bodies become straight by ‘lining up’” with normative “lines that are already given.” 53 Being straight is “an effect of being ‘in line.’” 54 Unlike earlier phenomenologists such as Heidegger, what is usually being backgrounded and thus invisible is a naturalized system that Ahmed hopes to foreground and bring “into view”: heteronormativity. 55 Ahmed thus extends Beauvoir’s and Young’s analyses of the systematic oppression and incapacitation of women, respectively. 56 Ahmed puts Young’s language to use in order to talk about lesbian lives: heteronormativity “puts some things in reach and others out of reach,” in a manner that incapacitates lesbian lives. Ahmed searches for a different form of sociality, “a space in which the lesbian body can extend itself , as a body that gets near other bodies.” 57 Her critique of even the most promising phenomenologists is that in their work “the straight world is already in place” as an invisible background. 58

Ahmed extends her analysis of the production of heteronormativity to the production of whiteness in “A Phenomenology of Whiteness” ( 2007 ), asking: how does one become white? Ahmed thus furthers her critique of phenomenology from within. Phenomenologists such as Husserl and Merleau-Ponty define the body as “successful,” as “‘able’ to extend itself (through objects) in order to act on and in the world,” as a body that “‘can do’ by flowing into space.” 59 However, far from this being a universal experience, it is the experience of a “bodily form of privilege” from which many groups are excluded. 60 Ahmed does not here acknowledge Young’s analysis of women’s socially induced dyspraxia but turns instead to Fanon’s “phenomenology of ‘being stopped.’” 61 Ahmed calls “discomfort” the social experience of being impeded and goes on to outline its critical potential in “bringing what is in the background, what gets over-looked” back into view. 62 More than a negative feeling, discomfort has the exhilarating potential of opening up a whole world that was previously obscured. 63 Ahmed’s subsequent work has focused on institutional critique, especially of universities in their continuing failure to become inclusive, hospitable spaces for certain groups, in spite of their managerial language of diversity. 64

Where Ahmed calls for critical and transformative “discomfort,” Alia Al-Saji calls for a critical and transformative “hesitation” in “A Phenomenology of Hesitation” ( 2014 ). Al-Saji’s concept of hesitation revises the work of Beauvoir and Young and enlarges their focus on gender to include race. Beauvoir’s analysis of patriarchy as a system that projects and naturalizes fixed, oppositional, hierarchical identities is redeployed toward a “race-critical and feminist” project, though Al-Saji does not acknowledge Beauvoir explicitly but credits Fanon’s work. 65 The systematic and “socially pathological othering” of fluid, relational, contextual, contingent differences into rigid, frozen, naturalized hierarchies remains “hidden from view.” 66 Experience, affect, and vision, in their pathological form, are closed and rigid; in their healthy form, they have a “creative and critical potential . . . to hesitate”—they are ambiguous, open, fluid, responsive, receptive, dynamic, changing, improvisational, self-critical. 67 Al-Saji argues that the “paralyzing hesitation” analyzed by Young can be “mined” to extract a critical hesitation, as Young’s own work exemplifies. 68 By contrast, the “normative ‘I can’ – posited as human but in fact correlated to white, male bodies”—rigidly “excludes other ways of seeing and acting”; it is “objectifying – racializing and sexist[,] . . . reifying and othering .” 69 The alternative to both thoughtless action and paralyzing inaction is: “ acting hesitantly ” and responsively. 70

Feminist philosopher Pamela Sue Anderson’s last writings on “vulnerability” build on Michèle Le Doeuff’s critique of unexamined myths and narratives underlying the Western “imaginary.” One values and strives for invulnerability and equates vulnerability with exposure to violence and suffering. One projects vulnerability onto “the vulnerable” to disavow their own vulnerability: “a dark social imaginary continues to stigmatize those needing to be cared for as a drain on an economy, carefully separating ‘the cared for’ from those who are thought to be ‘in control’ of their lives and of the world.” 71 Furthermore, members of privileged groups often exhibit a “wilful ignorance” of systemic forms of social vulnerability and social injustice. 72 But Anderson also outlines “ethical” vulnerability as a capability for a transformative and life-enhancing openness to others and mutual affection—occasioned by ontological vulnerability. Ethical vulnerability is envisaged as a project where reason, critical self-reflexivity, emotion, intuition and imagination, concepts, arguments, myths and narrative all have a role to play, while also needing to be reimagined and rethought.

African American Feminisms (Morrison, Lorde, Walker, Spillers, Hartman): Race, Intersectionality, Differences among Women and among Black Women

African American and postcolonial feminists have struggled to create space for themselves, caught between a predominantly white women’s movement on the one hand, and male-led civil-rights and anticolonial struggles and postcolonial elites on the other hand. They have fought against assumptions that “All the Women Are White, All the Blacks Are Men” and that white women are “saving brown women from brown men.” 73 African American and postcolonial writers and thinkers (from Toni Morrison to Chandra Talpade Mohanty) have hesitated to self-identify with a primarily white movement that, they argued powerfully, effectively excluded them in unthinkingly prioritizing the concerns of white, middle-class women. Some have avoided self-identifying as a feminist, self-identifying as a “black woman writer” instead. Alice Walker invented the term “womanism” to signal black feminism. “Intersectionality” was coined by Kimberlé Williams Crenshaw, Patricia Hill Collins, and other African American feminists to highlight the intersections of gender and race, feminist and antiracist struggles, creating a space between the white women’s movement and the male-led civil-rights movement. 74 Postcolonial feminists (Assia Djebar, Gayatri Chakravorty Spivak, Chandra Talpade Mohanty) similarly created a space between Western feminists and male-led anticolonial struggles and postcolonial elites.

African American feminists have been critical of Beauvoir and of the women’s movements of the 1960s. They have been reconstructing oral, written, and activist traditions of black women such as abolitionists Sojourner Truth and Harriet Jacobs, and modernists Zora Neale Hurston and Nella Larsen—all previously neglected and marginalized. 75 These traditions prioritize: collectivism; the need to critique and resist internalized but unlivable white middle-class norms; waywardness or willfulness rather than individualism; differences among women; difference among black women; and friendship and solidarity among black women across their differences. (By contrast, contemporary white American feminist critics such as Elaine Showalter emphasized self-realization and self-actualization. 76 ) African American women writers—rather than literary critics—have led the way, inspired by orators, musicians, and collective oral forms, as critics have acknowledged. 77

Toni Morrison, as a self-identified black woman writer, announces these strategic priorities in her first novel, The Bluest Eye ( 1970 ). 78 In The Bluest Eye she revises Beauvoir’s analysis of patriarchy as a binary opposition—man/woman—that projects onto “woman” what men disown in themselves. She examines a related binary opposition: white, light-skinned, middle-class, beautiful, proper lady vs. dark-skinned, poor, ugly girl (the racialized opposition between angelic and demonic woman). The first novel to focus on black girls, The Bluest Eye shows the systemic propagation and internalization of white norms of beauty and femininity, leading to hierarchical oppositions between black and white girls as well as between black girls (light-skinned middle-class Maureen, solidly working-class Claudia and Frieda, and precariously poor Pecola). The projection, by everyone, of all ugliness onto poor, dark-skinned Pecola, combined with white norms that are impossible for her, lead to Pecola’s madness. Her attempts at existential affirmation are crushed by the judgment of the world. Pecola’s Bildungsroman turns out naturalist tragedy. However, Claudia, the narrator, develops anagnorisis and shares her increasingly complex critique with the readers.

In “What the Black Woman Thinks about Women’s Lib” ( 1971 ) Morrison uses Beauvoir’s language to bring attention both to the situation of African American women and to their traditions of resistance. Reminding readers of two segregation-era signs—“White Ladies” and “Black Women”—she asserts that many black women rejected ladylike behavior and “frequently kicked back . . . [O]ut of the profound desolation of her reality” the black woman “may very well have invented herself.” 79 Black women have been working and heading single-parent households in a hostile world. If ladies are all “softness, helplessness and modesty,” black women have been “tough, capable, independent and immodest.” 80

Audre Lorde explores similar themes. Her poem, “Who Said It Was Simple” ( 1973 ) illustrates the hierarchy between white “ladies,” in their feminist struggle for self-realization, and black “girls” on whose work they rely. Sister Outsider , Lorde’s essays and speeches from 1976 to 1984 , theorizes intersections of race, sexuality, class, and age that are particularly binding and threatening for black lesbian women. 81 White feminists are ignorant of racism and wrongly assume their concerns to be universally shared by all women, thus replicating the patriarchal elevation of men to the universal analyzed by Beauvoir; they need to drop the “pretense to a homogeneity of experience,” educate themselves about black women, read their work, and listen. 82 In “The Master’s Tools Will Never Dismantle the Master’s House,” delivered during a Beauvoir conference, Lorde argues that Beauvoir’s call to know “the genuine conditions of our lives” must include racism and homophobia. 83 Black men misdirect their anger for the racism they encounter toward black women, who, paid less and more socially devalued, are easy targets. Falsely equating anti-sexist with anti-Black, black men are hostile to black feminists and especially lesbians; so black men’s sexism is different from the sexism of privileged white men analyzed by Beauvoir. 84 Black women have also been hostile toward each other, due to internalized racism and sexism, projected toward the most marginalized among them; identifying with their oppressors, black women suffer a “misnaming” and “distortion” in their understanding of their situation. 85

But Lorde also exalts traditions of black women’s solidarity across their differences. Once differences among women and among black women are properly understood and named, they can be creative and generative. To achieve this, she extols recording, examining, and naming one’s experience, perceptions, and feelings, as a path to clarity, precision, and illumination, leading to concepts and theories but also to empowerment. Anger, unlike hatred, is potentially both full of information and generative. 86 Affect, more broadly, can be a path to understanding, as affect and rationality are not mutually exclusive: “I don’t see feel/think as a dichotomy.” 87 Particularly innovative is Lorde’s theorization of the “erotic.” In contrast to the pornographic, the erotic is a power intrinsically connected to (and cutting across) love, friendship, self-connection, joy, the spiritual, creativity, work, collaboration, and the political—especially among black women. 88 But relations of interdependence and mutuality among women are only possible in a context of non-hierarchical differences among equals and peers, Lorde stresses repeatedly. 89

Alice Walker attends to many of these themes in Color Purple ( 1982 ). 90 In her collection of essays, In Search of Our Mothers’ Gardens: Womanist Prose ( 1983 ), she pays tribute to black women’s traditions of resistance, due to which “womanish” connotes “outrageous, audacious, courageous or willful behavior.” 91 Her term “womanism” honors these collectivist traditions and their commitment to the “survival and wholeness of entire people, male and female.” 92 But she also calls for the reconstruction of a written tradition of forgotten black women writers, resurrecting Zora Neale Hurston from oblivion in “Looking for Zora,” initially published in Ms . magazine in 1975 . 93

In 1979 Sandra Gilbert and Susan Gubar’s The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination established the enforced privatization and entrapped idleness of 19th-century white middle-class women. 94 In 1987 Hortense J. Spillers powerfully added that this was made possible by the enforced hard labor of black women, as house or field slaves and later as domestic servants who often headed single-parent households. 95 Furthermore, the gender polarization within the white middle-class family was accompanied by the ungendering of African American slaves, who were not allowed to marry and raise their children, and the structural rape of black women. In the late 1980s Crenshaw and Collins formally introduced the concept of intersectionality, though intersectionality-like ideas—that the black woman is the “mule uh de world”—have been a part of black women’s thought for a long time. 96

“Slavery and gender” has been a core topic since the 1980s, with publications such as Orlando Patterson’s Slavery and Social Death ( 1982 ), Toni Morrison’s Beloved ( 1987 ) and Playing in the Dark ( 1992 ), and Saidiya V. Hartman’s Scenes of Subjection ( 1997 ). 97 Hartman’s abiding topic has been a lost history of black girls and women that can only partially be retrieved and that requires new methodologies. Archives and official records are full of gaps, systematically “dissimulate the extreme violence” of slavery, and “disavow the pain” and “deny the sorrow” of slaves. 98 Even while reading them “against the grain,” Hartman underlines the “ impossibility of fully recovering the experience of the enslaved.” 99 In Lose Your Mother ( 2006 ) Hartman’s concept of the “afterlife of slavery” describes the persistence of “devalued” and “imperiled” black lives, racialized violence, “skewed life chances, limited access to health and education, premature death, incarceration, and impoverishment. I, too, am the afterlife of slavery.” 100 In “Venus in Two Acts” ( 2008 ), Hartman defines her method as “critical fabulation”: mixing critical use of archival research, theorization, and multiple speculative narratives, in an experimental writing that acknowledges its own failure and refuses “to fill in the gaps” to “provide closure.” 101 This writing is:

straining against the limits of the archive . . . and . . . enacting the impossibility of representing the lives of the captives precisely through the process of narration . . . [in order] to displace the . . . authorized account, . . . to imagine what might have happened[,] . . . to listen for the mutters and oaths and cries of the commodity[,] . . . to illuminate the contested character of history, narrative, event, and fact, to topple the hierarchy of discourse, and to engulf authorized speech in the clash of voices. 102

In “The Anarchy of Colored Girls Assembled in a Riotous Manner” ( 2018 ) Hartman returns to “critical fabulation” and offers a “speculative history” of Esther Brown, her friends, and their life in Harlem around 1917 . 103 Their experiments in “free love and free motherhood” were criminalized as “Loitering. Riotous and Disorderly. Solicitation. Violation of the Tenement House Law. . . . Vagrancy.” 104 Questions such as “ Is this man your husband? Where is the father of your child ?”—meant to detect the “likelihood” of their “future criminality” and moral depravity—might render them “three years confined at Bedford and . . . entangled with the criminal justice system and under state surveillance for a decade.” 105 In official records, these measures were narrated as rescuing, reforming, and rehabilitating, therapeutic interventions for the benefit of young black women.

Reading such records against the grain, Hartman tells the story of a “ revolution in a minor key ”: of “ too fast girls and surplus women and whores ” as “social visionaries, radical thinkers, and innovators.” 106 Their “wild and wayward” collective experiments, at the beginning of the 20th century , were building on centuries of black women’s “mutual aid societies” conducted “in stealth.” 107 Their aspiration has been “singularity and freedom”—not the “individuality and sovereignty” coveted by white liberal feminists. 108

Hartman’s work emerges out of African American feminist traditions but also out of postcolonial feminists, whose work pays particular attention to impossibility, failure, aporia, and the limits of representing the subaltern, as well as the heterogeneity and specificity of women’s agency.

Postcolonial Feminisms (Djebar, Spivak, Mohanty, Stratton, Mahmood, Puar): The Subaltern, Specificity, Agency

Colonized women had to contend not only with the “imbalances of their relations with their own men but also the baroque and violent array of hierarchical rules and restrictions that structured their new relations with imperial men and women.” 109 Furthermore, they were central to powerful orientalist fantasies that rendered their actual lives invisible. The relation of colonized land to colonizer was figured as that of a nubile, sexually available woman waiting for her lover, as in H. Rider Haggard’s King Solomon’s Mines where the map of the land centers around “Sheba’s Breasts” and “Mouth of treasure cave.” 110 Algerian writer Assia Djebar exposes this colonial fantasy in Fantasia ( 1985 ). 111 The city of Algiers is seen by the arriving colonizers as a virginal bride waiting for her groom to possess her. She is an “Impregnable City” that “sheds her veils,” as if this was “mutual love at first sight” and “the invaders were coming as lovers!” 112 The Victorian patriarchal, hierarchical nuclear family, ruled by a benign and loving husband and father, was key to the colonial “civilizing mission” because it was the perfect metaphor for the relation between colonizer and colonized in colonial ideology. 113 However, in Women of Algiers in Their Apartment ( 1980 ; mirroring the title of Eugène Delacroix’s orientalist paintings) Djebar reminds her readers that women took part in large numbers in the Algerian anticolonial struggle and suffered torture, rape, and loss of life, but that their contribution was marginalized in post-independence narratives, while they were expected to return to a patriarchal mold ostensibly for the good of the new nation. 114 By contrast, Women of Algiers in Their Apartment foregrounds Algerian women’s heterogeneity but also the intergenerational transmission of their socially repressed, traumatic history, which cannot be fully recovered—hence the self-conscious aporia of Djebar’s project.

Gayatri Chakravorty Spivak’s “Can the Subaltern Speak?” ( 1983 , 1988 , 1999 ) is a subtle theorization of what remains outside colonial, anticolonial, postcolonial, neocolonial, and even “liberal multiculturalist” elites and discourses. 115 Spivak’s starting point is the unpresentability of the “subaltern” (those most marginalized and excluded). The subaltern exceeds any representation treating it as a full identity with a fixed meaning. The subaltern is an inaccessible social unconscious that can only be ethically presented in its unpresentability—fleetingly visible in fragments.

Rather than documenting “subaltern” resistance in its “taxonomic” difference from the elite and rather than assuming that political forces are self-conscious and already constituted identities, Spivak assumes that political identities are being constituted through political action. 116 Many subaltern groups are highly articulate about their aims and their relations to elites and other subaltern groups, but Spivak understands the “subaltern” as singular acts of resistance that are “irretrievably heterogeneous” in relation to constituted identities. 117 Rather than asking for the recognition of “subjugated” and previously “disqualified” forms of knowledge, Spivak is intent on acknowledging her privileged positionality and insists that what she calls the “subaltern” is irretrievably silenced; the “subaltern” is what escapes—or is excluded from—any discourse. 118

Spivak’s heterogeneous subaltern is a (Derridean) singularity that cannot be translated fully or repeated exactly but can only be repeated differently. 119 The singularity in “Can the Subaltern Speak?” is Talu’s suicide, as retold by Spivak. Spivak interprets it as a complex political intervention, by a young middle-class woman activist, that remained illegible as such. Entrusted with a political assassination in the context of the struggle for Indian independence, Spivak claims that Talu’s suicide was a complex refusal to do her mission without betraying the cause. Talu questioned anticolonial nationalism, sati suicide, and female “imprisonment” in heteronormativity, but her “Speech Act was refused” by everyone because it resisted translation into established discourses. 120 Spivak iterates Talu’s singularity differently: as a postcolonial feminist heroine. She does not present her version of Talu’s story as restoring speech to the subaltern. Speech acts are addressed to others and completed by others; they involve “distanced decipherment by another, which is, at best, an interception.” 121 To claim that Talu has finally spoken through Spivak would be a neocolonial “missionary” claim of saving the subaltern. 122 To avoid this, Spivak self-dramatizes her privileged institutional “positionality” and calls for “unlearning” one’s privilege. 123

Postcolonial feminists have been telling the story of the marginalization of women of color within anticolonial movements, postcolonial states, and within Western feminist movements. In “Three Women’sTexts and a Critique of Imperialism” ( 1985 ), Spivak argues that Gilbert and Gubar, in their reading of Jane Eyre in Madwoman in the Attic , unwittingly reproduce the “axioms of imperialism.” 124 For Spivak, in Jane Eyre Bertha, a dark colonial woman, sets the house on fire and kills herself so that Jane Eyre “can become the feminist individualist heroine of British fiction”; she is “sacrificed as an insane animal” for her British “sister’s consolidation” in a manner that is exemplary of the “epistemic violence” of imperialism. 125 Gilbert and Gubar fail to see this and only read Jane and Bertha in individual, “psychological terms.” 126 By contrast, Jean Rhys’s rewriting of Jane Eyre in Wide Sargasso Sea ( 1966 ) makes this visible and enables Spivak’s critique. 127 Rhys allows Bertha to tell her story and keeps Bertha’s “humanity, indeed her sanity as critic of imperialism, intact.” 128 In “Does the Subaltern Speak?” Spivak articulates the value of postcolonial feminism but refuses to defend it as a redemptive breakthrough. Instead she issues a call for self-reflexivity.

Chandra Talpade Mohanty, in “Under Western Eyes” ( 1984 ), calls for studies of local collective struggles and for localized theorizing by investigators. 129 The category of “Third World Woman” is an essentialist fabrication reducing the irreducible “heterogeneity” of women in the Third World. 130 Mohanty’s call for specificity is a rejection of white middle-class feminists’ generalizations on “women” and “Third World women” as neocolonial:

Women are constituted as women through the complex interaction between class, culture, religion and other ideological institutions and frameworks. . . . [R]eductive cross-cultural comparisons result in the colonization of the conflicts and contradictions which characterize women of different social classes and cultures. 131

Mohanty is here remarkably close to African American feminists. What is at stake for Mohanty is for groups of marginalized women to represent themselves and to retrieve forms of agency within their own traditions. As she stresses in Feminism without Borders ( 2003 ): the “application of the notion of women as a homogeneous category to women in the Third World colonizes and appropriates the pluralities” of their complex location and “robs them of their historical and political agency .” 132

Saba Mahmood, in “Feminist Theory, Embodiment, and the Docile Agent: Some Reflections on the Egyptian Islamic Revival” ( 2001 ), argues that rather than reading a specific cultural phenomenon through an established conception of agency, agency should be theorized through the specific phenomenon studied. 133 Her target is the Western feminist equation of feminist agency with secularism, resistance, and transgression, which she finds unhelpful when studying the “urban women’s mosque movement that is part of the larger Islamic revival in Cairo.” 134 While in some contexts feminist agency might take the form of “dramatic transgression and defiance,” for these Egyptian women it took the form of active participation and engagement with a religious movement. 135 It would be a neocolonial gesture to understand their involvement as due to “false consciousness” or internalized patriarchy. 136 Mahmood’s “situated analysis” thus endorses plural, local theories and concepts. 137

Florence Stratton focuses on gender in African postcolonial literature and criticism. She analyses the multiplicity of “ways in which women writers have been written out of the African literary tradition.” 138 They have been ignored by critics, marginalized by definitions of the African canon that universalize the tropes and themes of male writers, and silenced by “gender definitions which . . . maintain the status quo of women’s exclusion from public life.” 139 Particularly pernicious has been the “iteration in African men’s writing of the conventional colonial trope of Africa as female.” 140 Stratton discerns a ubiquitous pattern in African postcolonial men’s writing. Women are cast as symbols of the nation, in sexualized or bodily roles: as nubile virgin to be impregnated or as mother (Stratton calls this the “pot of culture” trope); or, alternatively, as degraded prostitute (the “sweep of history” trope). 141 So women are figured either as embodiments of an ostensibly static traditional culture (trope 1) or as passive victims of historical change (trope 2). This is coupled with a male quest narrative, where the male hero and his vision actively transform prostitute into mother Africa. Underlying this is a patriarchal division of active/passive and subject/object, which denies women as artists and citizens and neglects women’s issues (so actual sex work is totally obscured by its metaphorical role). Stratton goes on to show how African women writers have been “initiators” of “dialogue” with African male writers in order to self-authorize their work and make space for it in the African literary canon. 142 Stratton is also critical of white feminists who read African women writers through their own formal and thematic priorities, oblivious to African feminist traditions. 143

Jasbir K. Puar analyses how the “war on terror” and rising Islamophobia in the West, particularly the United States, have coopted feminist and queer struggles. While colonial orientalist fantasies projected sexual license onto the Middle East, 21st-century orientalist fantasies are “Islamophobic constructions” othering Muslims as “homophobic and perverse,” while constructing the West as “‘tolerant’ but sexually, racially, and gendered normal.” 144 On the one hand, Muslims are presented as “fundamentalist, patriarchal, and, often even homophobic.” 145 On the other hand, a “rhetoric of sexual modernization” turns American queer bodies into “normative patriot bodies.” 146 This involves the loss of an intersectional perspective and the “fissuring of race from sexuality.” 147 Muslims are seen as only marked by race and “presumptively sexually repressed, perverse, or both,” while Western queers are seen as only marked by sexuality and “presumptively white,” male, and “gender normative.” 148

Queer and Transgender Feminisms (Butler, Halberstam, Stryker): Performativity, Resignification, Continuous Transition, Self-Identification

Queer theory emerged in the period from the mid-1980s to the early 1990s, in the midst of the outbreak of HIV/AIDS. 149 Queer theory, as an academic field, can be located at the intersection of poststructuralism (especially the work of Michel Foucault, but also Roland Barthes, Jacques Derrida, and Gilles Deleuze), Francophone feminism from Beauvoir to Irigaray, and African American feminism. Queer theorists have negotiated this genealogy variously; some are predominantly influenced by Foucault, less by feminist thought. The present account will focus on feminist queer theory, especially the work of Judith Butler, and its relation to earlier and subsequent feminist, queer, and transgender thought. As queer theory evolved, postcolonial feminists also became increasingly influential.

In brief, feminist queer theory, while indebted to “sexual difference” feminists such as Irigaray, critiques them through African American feminism. A core theoretical insight of African American feminism is that gender must not be considered on its own or as primary in relation to other social categories and hierarchies. Queer theorists adopt this insight. For queer theorists, sexual orientation is at least as important as gender. Indeed, they contend that what underpins the gender binary (the polarization of two genders) is the institution of “compulsory heterosexuality” or heteronormativity.

Transgender theory emerged in the mid to late 1990s, within the orbit of queer theory but also through its critique. The crux of this critique is that, despite queer theorists’ best intentions, the queer subject is primarily or implicitly white, Western, gender-normative, and cisgender. In attending to sexual orientation, queer theory neglected the spectrum of gender identities and translated issues of gender identification into issues of sexual orientation. Strands of queer activism—for example, figures such as Sylvia Rivera or Stormé DeLarverie in the United States—were marginalized by a politics of respectability led by affluent, white, cisgender queers. 150 This is particularly ironic, given the aspirations invested in the term “queer.”

In queer theory, the term “queer” was intended as an appropriation and resignification of a term of abuse but also as a floating signifier without a fixed meaning or definition and thus open to multiple and changing uses, in keeping with poststructuralist theory. “Queer” has been defined as beyond definition, transgressive, excessive, beyond polar opposites, and exceeding false polarization. So “queer” is both a particular social identity but also exemplary of a potential for openness, fluidity, and transformation in all identities (what poststructuralist theory calls the infinite deferral of the signified). It is important to point out that Spivak defined the “subaltern” and Irigaray the “feminine” in similar terms, also within a poststructuralist frame. A problem with such terms is that, though they are intended to be inclusive, they are exclusive in some of their effects. The chosen term is privileged as the only term that stands for marginality, potential for change, or openness to the past or future. In the process, the privileged term also loses specificity and becomes a metaphor. This is perhaps replicated in some uses of the term “trans” or “trans*,” where once again the term becomes a metaphor for the element of fluidity and openness in all identities.

Retracing one’s steps back to the beginnings of queer theory, while Beauvoir called for equality and the disappearance of gender, “sexual difference” feminists, such as Irigaray and Cixous, called for autonomous women’s struggles and a radical, utopian revisioning of the “feminine” to be performed by their écriture féminine . Judith Butler in Gender Trouble: Feminism and the Subversion of Identity ( 1990 ), one of queer theory’s inaugural texts, questions Irigaray’s utopianism and takes as her starting point Beauvoir’s “One is not born, but rather becomes, woman.” 151 Forty years after The Second Sex , Butler contends that societies continue to systematically produce two “discreet and polar genders,” as a prerequisite of heteronormativity; two “[d]iscreet genders are part of what ‘humanizes’ individuals within contemporary society; indeed, we regularly punish those who fail to do their gender right.” 152 One is produced as a recognizably human individual in their very repetition of genderizing practices, performance of gender norms, and iteration of speech acts that bring about gender and its effect of timeless naturalness. But the performativity and iterability of gender show up the “ imitative structure of gender ” and its historical “ contingency .” 153 In spite of the pervasiveness of genderizing practices and the unavailability of a position outside gender, the very performativity and iterability of gender open up the possibility of repeating it slightly differently. Butler hopes for destabilized and constantly resignified genders: “a fluidity of identities,” “an openness to resignification,” and “proliferating gender configurations.” 154 While gender is a normalizing, disciplinary force, it is possible to engage consciously with gender norms and open them to resignification. However, the success or failure of an attempt at resignification also depends on its audience or addressees and the authority they are prepared to attribute to it.

In the context of feminist theory, Butler’s call for continuous resignification takes the form of resignifying “woman” and “feminism” itself. As part of her “radical democratic” feminist politics, she aims to “release” the term “woman” into a “future of multiple significations.” 155 In resignifying feminism, she writes against those feminists who assume that there is an “ontological specificity to women. . . . In the 1980s, the feminist ‘we’ rightly came under attack by women of color who claimed that the ‘we’ was invariably white.” 156 Not only heterogeneity but contentions among feminists ought to be valued: “the rifts among women over the content” of the term “woman” ought to be “safeguarded and prized.” 157 Furthermore, Butler distrusts the utopianism of those feminists who believe they are “beyond the play of power,” asking instead for self-reflexive recognition of feminists’ inevitable embeddedness in power relations. 158

One of the targets of Butler’s critique is Irigaray. Her nuanced reading of Irigaray in Bodies That Matter defends her from accusations of essentialism but rejects the primacy of sexual difference over other forms of difference—race, class, sexual orientation, and so on—in Irigaray’s work. For example, Butler finds that Irigaray’s alternative mythology of two labial lips touching and being touched by each other is a self-conscious textual “rhetorical strategy” intended to counter established understandings of women’s genitals as a lack, a wound, and so on. 159 Rather than describing an essential sexual difference, Irigaray’s reparative, positive figuration of the two lips is a deliberately improper and catachrestic form of mimicry akin to Butler’s resignification; it is “not itself a natural relation, but a symbolic articulation.” 160 Irigaray distinguishes between the false feminine within gender binaries and a true feminine “excluded in and by such a binary opposition” and appearing “only in catachresis .” 161 The true feminine is an “ excessive feminine” in that it “exceeds its figuration”; its essence is to have no essence, to undermine binary oppositions and their essences, and to exceed conceptuality. 162 Irigaray’s textual practice is intended as the “very operation of the feminine in language.” 163 Butler seems to endorse Irigaray’s purely strategic essentialism. However, it is troubling that Irigaray’s true feminine is a name for all that escapes binary oppositions and social hierarchies.

Butler’s critique of Irigaray is that her exclusive focus on the feminine is an implicitly white, middle-class, heterosexual position attending to the marginalization of women qua women but neglecting other forms of social marginalization. Since Irigaray’s true feminine is “exactly what is excluded” from binary oppositions, it “monopolizes the sphere of exclusion,” resulting in Irigaray’s “constitutive exclusions” of other forms of difference. 164 For Irigaray “the outside is ‘always’ the feminine,” breaking its link to race, class, sexual orientation, and so on. 165 By contrast, Butler embraces intersectionality. Whereas for Irigaray sexual difference is “autonomous” and “more fundamental” than other differences, which are viewed as “ derived from” it, for Butler gender is “articulated through or as other vectors of power.” 166

Butler acknowledges her debt to African American literature and feminist thought, in a rare foray into literary criticism, her close reading of Nella Larsen’s 1929 novel, Passing . She also pays tribute to feminists of color, such as Chicana feminist Norma Alarcón, who similarly theorized women of color as multiply rather than singly positioned and marginalized. In Passing and in related African American literary criticism by Barbara Christian, Hazel Carby, Deborah McDowell, and others, Butler finds valuable theoretical insights that “ racializing norms ” and gender norms are “articulated through one another.” 167 But these texts also identify the value of solidarity among black women and the many obstacles to this solidarity. Versions of “racial uplift” adhering to the white middle-class nuclear family have been obstructive; they have been “masculine uplift” whose disproportionate “cost . . . for black women” has been the “impossibility of sexual freedom” for them. 168 Larsen’s critique of “racial uplift”—and its promotion of white middle-class gender norms, marriage, nuclear family, and heteronormativity—grasps the interimplication of race, class, gender, and sexual orientation. By contrast, Larsen’s Passing and Toni Morrison’s Sula uphold the precarious “promise of connection” among black women. 169

If “racial uplift” has been obstructive, Irigaray’s exclusive focus on the feminine is equally obstructive, according to Butler. Irigaray seems to assume that sexual difference is “unmarked by race” and that “whiteness is not a form of racial difference.” 170 By contrast, Larsen highlights historical articulations “of racialized gender, of gendered race, of the sexualization of racial ideals, or the racialization of gender norms.” 171 In Passing Clare passes as white, and Butler’s reading particularly traces the convergence of race and sexuality. Clare’s “risk-taking” takes the dual form of “racial crossing and sexual infidelity” that undermines middle-class norms, questioning both the “sanctity of marriage” and the “clarity of racial demarcations.” 172 Sexual and racial closeting are also interlinked: “the muteness of homosexuality converges in the story with the illegibility of Clare’s blackness.” 173 The word “queering” in Passing is “a term for betraying what ought to remain concealed,” in relation to both race and sexuality. 174

If some early commentators interpreted Butler’s theory of the performativity of gender and her call for gender resignification as a voluntarist, individualist, consumerist lifestyle choice for privileged Westerners, this article has tried to show just how constrained gender resignification is, and how inextricable from other social struggles. In Butler’s more recent work, issues of gender and sexual orientation are situated in interlocking frames of social exclusion and social precarity. Neither gender nor sexual orientation on their own can determine what counts as a human, livable, and grievable life. 175

Susan Stryker, one of the founders of transgender theory, addresses her first publication, “My Words to Victor Frankenstein above the Village of Chamounix” ( 1994 ), to feminist and queer communities and exposes their exclusion and abjection of the “transgendered subject” as a monster. 176 Through a close reading of Mary Shelley’s Frankenstein , she expresses her affinity with Frankenstein’s monster. 177 She criticizes the medical discourse that “produced sex reassignment techniques” for its “deeply conservative attempt to stabilize gendered identity in service of the naturalized heterosexual order” and insists on the disjunction between the “naturalistic effect biomedical technology can achieve” and the “subjective experience” of this transformation. 178 She rejects the continuing pathologization of the transgendered subject by psychiatrists, with the effect that “the sounds that come out of my mouth can be summarily dismissed.” 179 Notable here is an emphasis on self-identification and lived experience, which inherits the insights of phenomenological feminists that the body is not an object but a center of perception. To honor this emphasis, Stryker enlists a mixed form that combines criticism, diary entry, poetry, and theory.

Jack Halberstam’s 1998 Female Masculinity is a complex negotiation between feminist theory, queer theory, and the emerging field of transgender theory. While in medical discourse the approved narrative for the authorization of hormones and gender confirmation surgery is that of being in the wrong body and transitioning toward the right body, Halberstam warns that the “metaphor of crossing over and indeed migrating to the right body from the wrong body merely leaves the politics of stable gender identities, and therefore stable gender hierarchies, completely intact.” 180 Indeed he endorses the very “refusal of the dialectic of home and border” in Chicana/o studies and postcolonial studies. 181 Taking a broadly intersectional position, he argues that “alternative masculinities, ultimately, will fail to change existing gender hierarchies to the extent to which they fail to be feminist, antiracist, and queer.” 182

In his 2018 “Preface to the Twentieth Anniversary Edition” of Female Masculinity Halberstam defines “female masculinity” and “the butch” in a manner that bears a family resemblance to Irigaray’s “feminine,” Spivak’s “subaltern,” and queer theory’s “queer.” “Female masculinity” includes “multiple modes of identification and gender assignation” without “stabilizing” their “meanings.” 183 “The butch” is a “placeholder for the unassimilable, for that which remains indefinable or unspeakable within the many identifications that we make and that we claim”; “let the butch stand as all that cannot be absorbed into systems of signification, legitimation, legibility, recognition, and legality.” 184 The butch is “neither cis-gender nor simply transgender” but a “bodily catachresis . . . the rhetorical practice of misnaming something for which there would otherwise be no words.” 185 In Trans*: A Quick and Quirky Account of Gender Variability ( 2018 ) Halberstam defines trans* in similar terms. In keeping with his commitment to gender identity as “continuous transition,” the term trans* “embraces the nonspecificity of the term ‘trans’ and uses it to open the term up to a shifting set of conditions and possibilities rather than to attach it only to the life narratives of a specific group of people”; the asterisk “keeps at bay any sense of knowing in advance what the meaning of this or that gender variant form may be.” 186 His 2018 “Theory in the Wild,” co-written with Tavia Nyong’o, folds a “range of concerns” in addition to gender and sexuality—“race, coloniality, ecology, anarchy”—in a language that stretches from academic to creative writing. 187

In “Transgender Studies: Queer Theory’s Evil Twin” ( 2004 ), Susan Stryker launches transgender studies as an academic field “born of the union of sexuality studies and feminism” but distinct from them. The rationale for this autonomization is that “all too often queer remains a code word for ‘gay’ or ‘lesbian,’” while “transgender phenomena are misapprehended through a lens that privileges sexual orientation.” 188 Transgender studies is intended to disrupt the “privileged . . . narratives that favor sexual identity labels” at the expense of “gender categories.” 189 But Stryker is keen to acknowledge her own Western privilege: transgender studies is “marked by its First World point of origin” and the new field risks reproducing the “power structures of colonialism by subsuming non-Western configurations of personhood into Western constructs of sexuality and gender.” 190

In “(De)Subjectivated Knowledges: An Introduction to Transgender Studies” ( 2006 ), Stryker continues to argue that, within queer theory, “the entire discussion of ‘gender diversity’” was “subsumed within a discussion of sexual desire—as if the only reason to express gender was to signal the mode of one’s attractions.” 191 While the term transgender “began as a buzzword of the early 1990s,” in the 21st century it is established as the name for a “wide range of phenomena that call attention to the fact that ‘gender,’ as it is lived, embodied, experienced, performed, and encountered, is more complex and varied” than previously thought. 192 As this definition suggests, transgender studies draws on the insights of all the strands of feminist theory discussed in this article—phenomenological, poststructuralist, intersectional, and postcolonial. Stryker reminds readers that, since at least Sojourner Truth, “fighting for representation within the term ‘woman’ has been . . . a part of the feminist tradition,” and “the fight over transgender inclusion within feminism is not significantly different.” 193 As with African American and postcolonial feminisms, transgender theory calls for feminists’ examination of their “exclusionary assumptions.” 194 In turn, transgender theorists need to reckon with the “whiteness” of their academic field and the “First World origin” of the term transgender, as it is being exported globally across “racial, ethnic, linguistic, and socioeconomic communities.” 195 Arundati Roy’s The Ministry of Utmost Happiness explores the clash, in India, between the terms of transgender theory—emanating from the United States and disseminated by NGOs, magazines, and other publications—and the terminology, self-understanding, and practices of hijras . 196

Stryker is particularly critical of the modern Western correlation of biological or bodily sex (particularly genital status) and gender identity, where gender is taken to be merely the “representation of an objectively knowable material sex.” 197 Stryker is adamant that “Sex . . . is not the foundation of gender.” 198 Nor is sex as self-evident as it appears to be, in that the different components of sex—chromosomal, anatomical, reproductive, and morphological—do not necessarily line up. (For example, one’s chromosomal status might not line up with their anatomical sex.) This supposedly “objective” correlation is based on the “assumed correlation of a particular” component of “biological sex with a particular,” normative “social gender,” with the result that transgender people (among others) are forever viewed as making “false representations of an underlying material truth.” 199 Many feminist strands have shed light on the correlation of biological sex and “gender normativity,” and Stryker promises that transgender theory will continue to analyze the “operations of systems and institutions that simultaneously produce various possibilities of viable personhood, and eliminate others.” 200 In recognizing diversity beyond “Eurocentric norms,” Stryker notes that “relationships between bodily sex, subjective gender identity, social gender roles, sexual behaviors, and kinship status” have varied greatly. 201 Of central importance to transgender theory is subjective gender identity, which Stryker understands within the tradition of feminist phenomenology.

It is important to distinguish between gender as a social category within social classifications and hierarchies and gender as one’s self-identification and sense of self. Stryker focuses on the latter and connects it to the body, as the “contingent ground of all our knowledge.” 202 The antidote to fake objectivity is the recognition of “embodiment,” “embodied experience,” and “experiential knowledge”; one’s “gendered sense of self” and “lived complexity” of gender are “inalienable.” 203 All voices are embodied and no voice should be allowed to “mask” its “particularities and specificities” under the cloak of “false universality.” 204 It is therefore imperative to either speak from “direct experience” or to represent others “in an ethical fashion.” 205 It is equally vital to include forms of knowledge previously “disqualified as nonconceptual[,] . . . naïve” and “hierarchically inferior.” 206 Once again, Stryker here joins several strands of feminist theory that have practiced formal innovation—for example, in mixing theory, literature, and life-writing—not for its own sake but in the pursuit of truth and justice.

Acknowledgments

I am very grateful to Julie Rak and Jean Wyatt for their suggestions for revision, John Frow for his comments, and Ian Richards-Karamarkovich for his in-house editorial support.

Further Reading

  • Ahmed, Sara . Queer Phenomenology: Orientations, Objects, Others . Durham, NC: Duke University Press, 2006.
  • Al-Saji, Alia . “A Phenomenology of Hesitation: Interrupting Racialized Habits of Seeing.” In Living Alterities: Phenomenology, Embodiment . Edited by Emily S. Lee , 133–172. Albany: State University of New York Press, 2014.
  • Anderson, Pamela Sue . “Silencing and Speaker Vulnerability: Undoing an Oppressive Form of (Wilful) Ignorance.” In “Love and Vulnerability: Thinking with Pamela Sue Anderson.” Edited by Pelagia Goulimari . Special issue, Angelaki: Journal of the Theoretical Humanities 25, no. 1–2 (February–April 2020): 36–45.
  • Beauvoir, Simone de . The Second Sex . Translated by Constance Borde and Sheila Malovany-Chevallier . London: Vintage, 2011.
  • Butler, Judith . Gender Trouble . London: Routledge, 1990.
  • Cixous, Hélène . “The Laugh of the Medusa.” Translated by Keith Cohen and Paula Cohen . Signs 1, no. 4 (Summer 1976): 875–893.
  • Collins, Patricia Hill . Black Feminist Thought . Rev. 2nd ed. London: Routledge, 2000.
  • Crenshaw, Kimberlé Williams . “Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color.” Stanford Law Review 43, no. 6 (July 1991): 1241–1299.
  • Djebar, Assia . Women of Algiers in Their Apartment . Translated by Marjolijn De Jager . Charlottesville: University Press of Virginia, 1992.
  • Fricker, Miranda . Epistemic Injustice: Power and the Ethics of Knowing . Oxford: Oxford University Press, 2007.
  • Gilbert, Sandra , and Susan Gubar . The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination . 2nd ed. New Haven, CT: Yale University Press, 2000.
  • Halberstam, Jack . Female Masculinity . 20th anniversary ed. Durham, NC: Duke University Press, 2018.
  • Hartman, Saidiya V. Scenes of Subjection: Terror, Slavery and Self-Making in Nineteenth-Century America . Oxford: Oxford University Press, 1997.
  • Irigaray, Luce . This Sex Which Is Not One . Translated by Catherine Porter with Carolyn Burke . Ithaca, NY: Cornell University Press, 1985.
  • Lorde, Audre . Your Silence Will Not Protect You . Preface by Reni Eddo-Lodge , introduction by Sara Ahmed . London: Silver Press, 2017.
  • Mahmood, Saba . “Feminist Theory, Embodiment, and the Docile Agent: Some Reflections on the Egyptian Islamic Revival.” Cultural Anthropology 16, no. 2 (May 2001): 202–236.
  • Mohanty, Chandra Talpade . “Under Western Eyes: Feminist Scholarship and Colonial Discourses.” boundary 2 12–13 (Spring–Autumn 1984): 333–358.
  • Moi, Toril . “‘ I Am Not a Woman Writer’: About Women, Literature and Feminist Theory Today .” Eurozine , June 2009.
  • Morrison, Toni . The Bluest Eye . London: Picador, 1990.
  • Puar, Jasbir K. “Queer Times, Queer Assemblages.” Social Text 23, no. 3–4 (2005): 121–139.
  • Spillers, Hortense J. “Mama’s Baby, Papa’s May Be: An American Grammar Book.” Diacritics 17, no. 2 (Summer 1987): 64–81.
  • Spivak, Gayatri Chakravorty . “Can the Subaltern Speak?” In A Critique of Postcolonial Reason: Toward a History of the Vanishing Present , by Gayatri Chakravorty Spivak , 198–311. Cambridge, MA: Harvard University Press, 1999.
  • Stratton, Florence . “Periodic Embodiments: A Ubiquitous Trope in African Men’s Writing.” Research in African Literatures 21, no. 1 (Spring 1990): 111–126.
  • Stryker, Susan . “My Words to Victor Frankenstein above the Village of Chamounix.” GLQ 1, no. 3 (1994): 237–254.
  • Walker, Alice . In Search of Our Mothers’ Gardens: Womanist Prose . Boston, MA: Houghton Mifflin Harcourt, 2004.
  • Young, Iris Marion . “Throwing Like a Girl: A Phenomenology of Feminine Body Comportment, Motility, and Spatiality.” In On Female Body Experience: “Throwing Like a Girl” and Other Essays , by Iris Marion Young , 27–45. Oxford: Oxford University Press, 2005.

1. See also the companion, complementary piece by Pelagia Goulimari, “Genders,” Oxford Research Encyclopedia of Literature (March 2020).

2. Sylvia Tamale, ed., African Sexualities: A Reader (Oxford: Pambazuka, 2011).

3. Alison Bechdel, Fun Home: A Family Tragicomic (London: Jonathan Cape, 2006); Alison Bechdel, Are You My Mother? A Comic Drama (London: Jonathan Cape, 2012); Anne Carson, Antigonick , ill. Bianca Stone (Tarset: Bloodaxe, 2012); Maggie Nelson, Jane: A Murder (London: Zed Books, 2019); Maggie Nelson, The Argonauts (London: Melville House, 2016); and Paul B. Preciado, Testo Junkie: Sex, Drugs, and Biopolitics in the Pharmacopornographic Era , trans. Bruce Benderson (New York: Feminist Press at the City University of New York, 2013).

4. Elizabeth Barrett-Browning, Aurora Leigh , new ed., ed. Kerry McSweeney (Oxford: Oxford University Press, 2008); Virginia Woolf, A Room of One’s Own (London: Penguin, 2004); Julia Kristeva, “Stabat Mater,” trans. Arthur Goldhammer, Poetics Today 6.1–2 (January 1985): 133–152; Marge Piercy, Woman on the Edge of Time (London: Women’s Press, 2000); Audre Lorde, Zami: A New Spelling of My Name; A Biomythography (London: Penguin, 2018); Leslie Feinberg, Stone Butch Blues: A Novel (Ithaca, NY: Firebrand Books, 1993); Chris Kraus, I Love Dick (London: Serpent’s Tail, 2016); and Qurratulain Hyder, Fireflies in the Mist (New Delhi: Women Unlimited, 2008).

5. Simone de Beauvoir, The Second Sex , trans. Constance Borde and Sheila Malovany-Chevallier (London: Vintage, 2011), 293 .

6. For example, the situation of women is a form of “slavery of half of humanity” and Beauvoir calls for its abolition; Beauvoir, The Second Sex , 782.

7. For example, “every existent [human being] is at once immanence and transcendence,” Beauvoir, The Second Sex , 276; if woman is flesh for man, “man is also flesh for woman; and woman is other than a carnal object” (277); “The same drama of flesh and spirit, and of finitude and transcendence, plays itself out in both sexes,” and both sexes should assume the “ambiguity” of their situation (779–780). See also Simone de Beauvoir, The Ethics of Ambiguity , trans. Bernard Frechtman (New York: Philosophical Library, 2015).

8. See further Pelagia Goulimari, Literary Criticism and Theory: From Plato to Postcolonialism (London: Routledge, 2015), ch. 10.

9. See Michèle Le Doeuff, Hipparchia’s Choice: An Essay Concerning Women, Philosophy, etc ., trans. Trista Selous (Oxford: Blackwell, 1991), 60.

10. Beauvoir, The Second Sex , 672, 654, 663, 672. This description by Beauvoir is the starting point for Iris Marion Young’s work. Beauvoir adds that, lacking the means to grasp the world, a woman might offer herself as a “gift” (679). Hélène Cixous will return to this offering and reappraise it more positively in “The Laugh of the Medusa,” trans. Keith Cohen and Paula Cohen, Signs 1, no. 4 (Summer 1976): 875–893.

11. Beauvoir, The Second Sex , 4, 12, 15, 654.

12. Beauvoir, The Second Sex , 8.

13. Beauvoir, The Second Sex , 9.

14. Beauvoir, The Second Sex , 680.

15. Le Doeuff, Hipparchia’s Choice , 57.

16. See, for example, the section on D. H. Lawrence in Beauvoir, The Second Sex , 236–244.

17. Beauvoir, The Second Sex , 767.

18. Beauvoir, The Second Sex , 762, 765, 762, 766.

19. Beauvoir, The Second Sex , 767. For example, Hélène Cixous and Catherine Clément echo Beauvoir in their book, The Newly Born Woman , trans. Betsy Wing (Minneapolis: University of Minnesota Press, 1986).

20. “[T]ruth itself is ambiguity,” Beauvoir, The Second Sex , 763.

21. Iris Marion Young, “Throwing Like a Girl,” in On Female Body Experience: “Throwing Like a Girl” and Other Essays , by Iris Marion Young (Oxford: Oxford University Press, 2005), 27–45, 30.

22. Young, “Throwing Like a Girl,” 35.

23. Young, “Throwing Like a Girl,” 29, 35, 30.

24. Young, “Throwing Like a Girl,” 35–36 (emphasis added).

25. Young, “Throwing Like a Girl,” 37. Alia Al-Saji will adopt Young’s discussion of hesitation to build her own phenomenology of hesitation.

26. Young, “Throwing Like a Girl,” 39 (emphasis added).

27. Young, “Throwing Like a Girl,” 40.

28. Young, “Throwing Like a Girl,” 40–41.

29. Young, “Throwing Like a Girl,” 44.

30. Young, “Throwing Like a Girl,” 45.

31. Young, “Throwing Like a Girl,” 43.

32. For example, Dianne Chisholm claims that Young’s phenomenological description is out of date and no longer relevant. Dianne Chisholm, “Climbing Like a Girl: An Exemplary Adventure in Feminist Phenomenology,” Hypatia 23, no. 1 (January–March 2008): 9–40.

33. Luce Irigaray, Speculum of the Other Woman , trans. Gillian C. Gill (Ithaca, NY: Cornell University Press, 1985); Luce Irigaray, “This Sex Which Is Not One,” in This Sex Which Is Not One , trans. Catherine Porter with Carolyn Burke, by Luce Irigaray (Ithaca, NY: Cornell University Press, 1985), 23–33; Luce Irigaray, “The Power of Discourse and the Subordination of the Feminine,” in This Sex Which Is Not One , trans. Catherine Porter with Carolyn Burke, by Luce Irigaray (Ithaca, NY: Cornell University Press, 1985), 68–85; and Cixous, “Laugh of the Medusa.”

34. Luce Irigaray, “Equal or Different?,” trans. David Macey, in The Irigaray Reader , ed. Margaret Whitford (Oxford: Blackwell, 1991), 30–33, 32.

35. Irigaray, “Equal or Different?,” 32–33.

36. Toril Moi, “‘Independent Women’ and Narratives of Liberation,” in Simone de Beauvoir: A Critical Reader , ed. Elizabeth Fallaize (London: Routledge, 1998), 72–92, 86.

37. Moi, “Independent Women,” 87–88.

38. Toril Moi, “‘ I Am Not a Woman Writer’: About Women, Literature and Feminist Theory Today ,” Eurozine (June 2009), 8 (emphasis added).

39. Moi, “I Am Not a Woman Writer,” 6, quoting Beauvoir, translation amended by Moi.

40. Moi, “I Am Not a Woman Writer,” 7.

41. Moi, “I Am Not a Woman Writer,” 7 (emphasis added).

42. Michèle Le Doeuff, “Engaging with Simone de Beauvoir,” in The Philosophy of Simone de Beauvoir , ed. Margaret A. Simons (Bloomington: Indiana University Press, 2006), 11–19, 12.

43. Simone de Beauvoir, The Prime of Life , trans. Peter Green (London: Penguin, 2001).

44. Beauvoir quoted in Miranda Fricker, “Life-Story in Beauvoir’s Memoirs,” in The Cambridge Companion to Simone de Beauvoir , ed. Claudia Card (Cambridge, UK: Cambridge University Press, 2003), 208–227, 219, 225.

45. Beauvoir quoted in Fricker, “Life-Story,” 223.

46. Fricker, “Life-Story,” 226.

47. Miranda Fricker, Epistemic Injustice: Power and the Ethics of Knowing (Oxford: Oxford University Press, 2007), 50–51.

48. Fricker, Epistemic Injustice , 50.

49. Fricker, Epistemic Injustice , 51.

50. Fricker, Epistemic Injustice , 150–152; see also 158–159.

51. Fricker, Epistemic Injustice , 169–175.

52. George Eliot, Mill on the Floss , ed. Gordon Sherman Haight (Oxford: Oxford University Press, 1996). See Dorota Filipczak, “The Disavowal of the Female ‘Knower’: Reading Literature in the Light of Pamela Sue Anderson’s Project on Vulnerability,” in “Love and Vulnerability: Thinking with Pamela Sue Anderson,” ed. Pelagia Goulimari, special issue, Angelaki: Journal of the Theoretical Humanities 25, no. 1–2 (February–April 2020): 156–164.

53. Sara Ahmed, Queer Phenomenology: Orientations, Objects, Others (Durham, NC: Duke University Press, 2006), 90–91, 23.

54. Ahmed, Queer Phenomenology , 66.

55. Ahmed, Queer Phenomenology , 87.

56. Ahmed’s work is also informed by Michel Foucault on disciplinary practices producing capable but docile bodies and Pierre Bourdieu on the “habitus” (naturalized socio-cultural habits).

57. Ahmed, Queer Phenomenology , 101–102, 105 (emphasis added).

58. Ahmed, Queer Phenomenology , 106.

59. Sara Ahmed, “A Phenomenology of Whiteness,” Feminist Theory 8, no. 2 (August 2007): 149–168, 161.

60. Ahmed, “Phenomenology of Whiteness,” 161.

61. Ahmed, “Phenomenology of Whiteness,” 161.

62. Ahmed, “Phenomenology of Whiteness,” 163.

63. Ahmed, “Phenomenology of Whiteness,” 163.

64. See Sara Ahmed, What’s the Use? (Durham, NC: Duke University Press, 2019).

65. Alia Al-Saji, “A Phenomenology of Hesitation: Interrupting Racialized Habits of Seeing,” in Living Alterities: Phenomenology, Embodiment , ed. Emily S. Lee (Albany: State University of New York Press, 2014), 133–172, 138 .

66. Al-Saji, “Phenomenology of Hesitation,” 136.

67. Al-Saji, “Phenomenology of Hesitation,” 142.

68. Al-Saji, “Phenomenology of Hesitation,” 155.

69. Al-Saji, “Phenomenology of Hesitation,” 153 (emphasis added).

70. Al-Saji, “Phenomenology of Hesitation,” 154 (emphasis added).

71. Pamela Sue Anderson, “Creating a New Imaginary for Love in Religion,” in “Love and Vulnerability: Thinking with Pamela Sue Anderson,” ed. Pelagia Goulimari, special issue, Angelaki: Journal of the Theoretical Humanities 25, no. 1–2 (February–April 2020): 46–53, 49 .

72. Pamela Sue Anderson, “Silencing and Speaker Vulnerability: Undoing an Oppressive Form of (Wilful) Ignorance,” in “Love and Vulnerability: Thinking with Pamela Sue Anderson,” ed. Pelagia Goulimari, special issue, Angelaki: Journal of the Theoretical Humanities 25, no. 1–2 (February–April 2020): 36–45 .

73. See Akasha Gloria Hull, Patricia Bell-Scott, and Barbara Smith, eds., All the Women Are White, All the Blacks Are Men, but Some of Us Are Brave: Black Women’s Studies , 2nd ed. (New York: Feminist Press at the City University of New York, 2015). See also Gayatri Chakravorty Spivak, “Can the Subaltern Speak?,” in A Critique of Postcolonial Reason: Toward a History of the Vanishing Present , by Gayatri Chakravorty Spivak (Cambridge, MA: Harvard University Press, 1999), 284 .

74. Kimberlé Williams Crenshaw, “Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color,” Stanford Law Review 43, no. 6 (July 1991): 1241–1299 ; and Patricia Hill Collins, Black Feminist Thought , rev. 2nd ed. (London: Routledge, 2000) .

75. See Sojourner Truth, “Ain’t I a Woman?,” in Women in Culture: An Intersectional Anthology for Gender and Women’s Studies , ed. Bonnie Kime Scott et al., 2nd ed. (Chichester: Wiley Blackwell, 2017); Harriet Jacobs, Incidents in the Life of a Slave Girl: Authoritative Text, Contexts, Criticism , ed. Frances Smith Foster and Richard Yarborough, 2nd ed. (New York: W. W. Norton, 2019); Zora Neale Hurston, Their Eyes Were Watching God , introd. Zadie Smith, afterword by Sherley Anne Williams (London: Virago, 2018); and Nella Larsen, Passing , ed. Thadious M. Davis (New York: Penguin, 2003).

76. Elaine Showalter, A Literature of Their Own: British Women Novelists from Brontë to Lessing , new ed. (London: Virago, 1999). See further Goulimari, Literary Criticism and Theory , ch. 9.

77. Indeed Barbara Christian argues that black women writers have had to include self-theorizing in their texts, becoming their own critics. Barbara Christian, “The Race for Theory,” Feminist Studies 14, no. 1 (April 1988): 67–79.

78. Toni Morrison, The Bluest Eye (London: Picador, 1990) .

79. Toni Morrison, “What the Black Woman Thinks about Women’s Lib,” in What Moves at the Margin: Selected Nonfiction , ed. Carolyn C. Denard (Jackson: University Press of Mississippi, 2008), 18–30, 24.

80. Morrison, “What the Black Woman Thinks,” 18, 19.

81. Audre Lorde, Sister Outsider: Essays and Speeches (New York: Ten Speed Press, 2007). Also included in Audre Lorde, Your Silence Will Not Protect You , preface by Reni Eddo-Lodge, introd. Sara Ahmed (London: Silver Press, 2017) .

82. Lorde, Your Silence , 96.

83. Lorde, Your Silence , 113.

84. Lorde, Your Silence , 12.

85. Lorde, Your Silence , 29, and see the chapter “Eye to Eye: Black Women, Hatred and Anger.”

86. See “The Uses of Anger: Women Responding to Racism” in Lorde, Your Silence .

87. Lorde, Your Silence , 78.

88. See “Uses of the Erotic: The Erotic as Power” in Lorde, Your Silence .

89. See “Age, Race, Class, and Sex: Women Redefining Difference” in Lorde, Your Silence .

90. Alice Walker, Color Purple (London: Women’s Press, 1983).

91. Alice Walker, In Search of Our Mothers’ Gardens: Womanist Prose (Boston, MA: Houghton Mifflin Harcourt, 2004) , xi (emphasis added).

92. Walker, In Search , xi (emphasis added).

93. Alice Walker, “Looking for Zora,” in In Search of Our Mothers’ Gardens: Womanist Prose , by Alice Walker (Boston, MA: Houghton Mifflin Harcourt, 2004), 93–118 .

94. Sandra Gilbert and Susan Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination , 2nd ed. (New Haven, CT: Yale University Press, 2000) .

95. Hortense J. Spillers, “Mama’s Baby, Papa’s May Be: An American Grammar Book,” Diacritics 17, no. 2 (Summer 1987): 64–81 .

96. Hurston, Their Eyes , 29.

97. Orlando Patterson, Slavery and Social Death: A Comparative Study (Cambridge, MA: Harvard University Press, 1982); Toni Morrison, Beloved (London: Picador, 1988); Toni Morrison, Playing in the Dark: Whiteness and the Literary Imagination (Cambridge, MA: Harvard University Press, 1992); and Saidiya V. Hartman, Scenes of Subjection: Terror, Slavery and Self-Making in Nineteenth-Century America (Oxford: Oxford University Press, 1997) .

98. Hartman, Scenes of Subjection , 23, 36.

99. Hartman, Scenes of Subjection , 10 (emphasis added).

100. Saidiya V. Hartman, Lose Your Mother: A Journey along the Atlantic Slave Route (New York: Farrar, Straus and Giroux, 2008), 6.

101. Saidiya V. Hartman, “Venus in Two Acts,” Small Axe: A Caribbean Journal of Criticism 12, no. 2 (June 2008): 1–14, 12.

102. Hartman, “Venus,” 11–12.

103. Saidiya V. Hartman, “The Anarchy of Colored Girls Assembled in a Riotous Manner,” South Atlantic Quarterly 117, no. 3 (July 2018): 465–490, 470, 486.

104. Hartman, “Anarchy,” 471, 473.

105. Hartman, “Anarchy,” 474, 486 (emphasis added).

106. Hartman, “Anarchy,” 471, 470 (emphasis added).

107. Hartman, “Anarchy,” 469, 466, 471.

108. Hartman, “Anarchy,” 471. See further Saidiya V. Hartman, Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval (New York: W. W. Norton, 2019).

109. Anne McClintock, Imperial Leather (London: Routledge, 1995), 6.

110. H. Rider Haggard, King Solomon’s Mines , ed. Robert Hampson (London: Penguin, 2007), 24.

111. Assia Djebar, Fantasia: An Algerian Cavalcade , trans. Dorothy S. Blair (London: Quartet, 1989).

112. Djebar, Fantasia , 6, 8.

113. McClintock, Imperial Leather , 45.

114. Assia Djebar, Women of Algiers in Their Apartment , trans. Marjolijn De Jager (Charlottesville: University Press of Virginia, 1992) .

115. Spivak, “Can the Subaltern Speak?,” 309. Delivered as a lecture in 1983, it was published in different versions of varying length. This article discusses the version in Gayatri Chakravorty Spivak, A Critique of Postcolonial Reason: Toward a History of the Vanishing Present (Cambridge, MA: Harvard University Press, 1999) .

116. Spivak, “Can the Subaltern Speak?,” 271.

117. Spivak, “Can the Subaltern Speak?,” 270.

118. Spivak, “Can the Subaltern Speak?,” 267.

119. See Goulimari, Literary Criticism and Theory , ch. 11. See also Hartman on singularity, as discussed in the section “ African American Feminisms (Morrison, Lorde, Walker, Spillers, Hartman): Race, Intersectionality, Differences among Women and among Black Women ” in this article.

120. Spivak, “Can the Subaltern Speak?,” 307, 273.

121. Spivak, “Can the Subaltern Speak?,” 309.

122. Spivak, “Can the Subaltern Speak?,” 310.

123. Spivak, “Can the Subaltern Speak?,” 283, 284.

124. Gayatri Chakravorty Spivak, “Three Women’s Texts and a Critique of Imperialism,” Critical Inquiry 12, no. 1 (October 1985): 243–261, 243; and Charlotte Brontë, Jane Eyre , 3rd ed., ed. Jane Jack and Margaret Smith (Oxford: Oxford University Press, 2017).

125. Spivak, “Three Women’s Texts,” 251.

126. Spivak, “Three Women’s Texts,” 248.

127. Jean Rhys, Wide Sargasso Sea , ed. Angela Smith (London: Penguin, 1997).

128. Spivak, “Three Women’s Texts,” 249.

129. Chandra Talpade Mohanty, “Under Western Eyes: Feminist Scholarship and Colonial Discourses,” boundary 2 12–13 (Spring–Autumn 1984): 333–358 .

130. Mohanty, “Under Western Eyes,” 333.

131. Mohanty, “Under Western Eyes,” 344.

132. Chandra Talpade Mohanty, Feminism without Borders: Decolonizing Theory, Practicing Solidarity (Durham, NC: Duke University Press, 2003), 39 (emphasis added).

133. Saba Mahmood, “Feminist Theory, Embodiment, and the Docile Agent: Some Reflections on the Egyptian Islamic Revival,” Cultural Anthropology 16, no. 2 (May 2001): 202–236 .

134. Mahmood, “Feminist Theory,” 202.

135. Mahmood, “Feminist Theory,” 217.

136. Mahmood, “Feminist Theory,” 205.

137. Mahmood, “Feminist Theory,” 224.

138. Florence Stratton, Contemporary African Literature and the Politics of Gender (London: Routledge, 1994), 1.

139. Stratton, Contemporary African Literature , 10.

140. Stratton, Contemporary African Literature , 18.

141. Florence Stratton, “Periodic Embodiments: A Ubiquitous Trope in African Men’s Writing,” Research in African Literatures 21, no. 1 (Spring 1990): 111–126, 112 .

142. Stratton, Contemporary African Literature , 11.

143. Stratton, Contemporary African Literature , 11.

144. Jasbir K. Puar, “Queer Times, Queer Assemblages,” Social Text 23.3–4 (2005): 121–139, 122 (emphasis added).

145. Puar, “Queer Times,” 131.

146. Puar, “Queer Times,” 122, 121.

147. Puar, “Queer Times,” 126.

148. Puar, “Queer Times,” 126.

149. See, for example, Eve Kosofsky Sedgwick, Between Men: English Literature and Male Homosocial Desire , 30th anniversary ed. (New York: Columbia University Press, 2015).

150. See Eileen Myles, “ The Lady Who Appears to Be a Gentleman ,” Harper’s Magazine , June 2019.

151. Beauvoir, The Second Sex , 293.

152. Judith Butler, Gender Trouble: Feminism and the Subversion of Identity (London: Routledge, 1990), 140, 139–140.

153. Butler, Gender Trouble , 137 (emphasis added).

154. Butler, Gender Trouble , 138, 141.

155. Judith Butler, “Contingent Foundations: Feminism and the Question of ‘Postmodernism,’” in Feminist Contentions: A Philosophical Exchange , by Seyla Benhabib, et al. (New York: Routledge, 1995), 35–58, 50–51.

156. Butler, “Contingent Foundations,” 49.

157. Butler, “Contingent Foundations,” 50.

158. Butler, “Contingent Foundations,” 39.

159. Judith Butler, Bodies That Matter (London: Routledge, 1993), 38; and Luce Irigaray, “When Our Lips Speak Together,” in This Sex Which Is Not One , trans. Catherine Porter with Carolyn Burke, by Luce Irigaray (Ithaca, NY: Cornell University Press, 1985), 205–218 .

160. Butler, Bodies That Matter , 46 (emphasis added).

161. Butler, Bodies That Matter , 37 (emphasis added).

162. Butler, Bodies That Matter , 39, 41 (emphasis added).

163. Butler, Bodies That Matter , 46.

164. Butler, Bodies That Matter , 37, 42.

165. Butler, Bodies That Matter , 49.

166. Butler, Bodies That Matter , 167 (emphasis added).

167. Nella Larsen, Passing , ed. Thadious M. Davis (New York: Penguin, 2003); and Butler, Bodies That Matter , 182 (emphasis added).

168. Butler, Bodies That Matter , 178.

169. Butler, Bodies That Matter , 183; and Toni Morrison, Sula (London: Picador, 1991).

170. Butler, Bodies That Matter , 181–182.

171. Butler, Bodies That Matter , 182.

172. Butler, Bodies That Matter , 169.

173. Butler, Bodies That Matter , 175.

174. Butler, Bodies That Matter , 176.

175. See Judith Butler, Precarious Life: The Powers of Mourning and Violence (London: Verso, 2004); and Judith Butler, Frames of War: When Is Life Grievable? (London: Verso, 2016).

176. Susan Stryker, “My Words to Victor Frankenstein above the Village of Chamounix,” GLQ 1, no. 3 (1994): 237–254 , 241. See also 251n2: “transgender” as “an umbrella term that refers to all identities or practices that cross over, cut across, move between, or otherwise queer socially constructed sex/gender boundaries.”

177. Mary Shelley, Frankenstein , 2nd ed., ed. J. Paul Hunter (London: W. W. Norton, 2012).

178. Stryker, “My Words,” 242.

179. Stryker, “My Words,” 244.

180. Jack Halberstam, Female Masculinity , 20th anniversary ed. (Durham, NC: Duke University Press, 2018), 171 .

181. Halberstam, Female Masculinity , 170.

182. Halberstam, Female Masculinity , 173.

183. Halberstam, Female Masculinity , xii.

184. Halberstam, Female Masculinity , xx, xxi.

185. Halberstam, Female Masculinity , xx.

186. Jack Halberstam, Trans*: A Quick and Quirky Account of Gender Variability (Oakland: University of California Press, 2018), 95, 52–53, 4.

187. Jack Halberstam and Tavia Nyong’o, “Introduction: Theory in the Wild,” in “Wildness,” ed. Jack Halberstam and Tavia Nyong’o, special issue, South Atlantic Quarterly 117, no. 3 (July 2018): 453–464, 462.

188. Susan Stryker, “Transgender Studies: Queer Theory’s Evil Twin,” GLQ 10, no. 2 (2004): 212–215, 214.

189. Stryker, “Transgender Studies,” 212.

190. Stryker, “Transgender Studies,” 214–215.

191. Susan Stryker, “(De)Subjectivated Knowledges: An Introduction to Transgender Studies,” in The Transgender Studies Reader , ed. Susan Stryker and Stephen Whittle (London: Routledge, 2006), 1–18, 1.

192. Stryker, “(De)Subjectivated Knowledges,” 3.

193. Stryker, “(De)Subjectivated Knowledges,” 7.

194. Stryker, “(De)Subjectivated Knowledges,” 7.

195. Stryker, “(De)Subjectivated Knowledges,” 14–15.

196. Arundati Roy, The Ministry of Utmost Happiness (London: Hamish Hamilton, 2017). On the expression of third-gender and non-normative gender identities in non-Western cultures, see, for example, the Rae-rae (Tahitian trans women), Faʻafafine (Samoan third gender), and Māhū (Polynesian “middle” or third gender).

197. Stryker, “(De)Subjectivated Knowledges,” 8.

198. Stryker, “(De)Subjectivated Knowledges,” 9.

199. Stryker, “(De)Subjectivated Knowledges,” 9.

200. Stryker, “(De)Subjectivated Knowledges,” 13, 3.

201. Stryker, “(De)Subjectivated Knowledges,” 14.

202. Stryker, “(De)Subjectivated Knowledges,” 12.

203. Stryker, “(De)Subjectivated Knowledges,” 12, 13, 10, 7.

204. Stryker, “(De)Subjectivated Knowledges,” 12.

205. Stryker, “(De)Subjectivated Knowledges,” 13.

206. Stryker, “(De)Subjectivated Knowledges,” 13.

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  1. Literary Theory

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