write a brief biography of d.h. lawrence

D.H. Lawrence

(1885-1930)

Who Was D.H. Lawrence?

D.H. Lawrence is regarded as one of the most influential writers of the 20th century. He published many novels and poetry volumes during his lifetime, including Sons and Lovers and Women in Love , but is best known for his infamous Lady Chatterley's Lover . The graphic and highly sexual novel was published in Italy in 1928, but was banned in the United States until 1959, and in England until 1960. Garnering fame for his novels and short stories early on in his career, Lawrence later received acclaim for his personal letters, in which he detailed a range of emotions, from exhilaration to depression to prophetic brooding.

Author D.H. Lawrence, regarded today as one of the most influential writers of the 20th century, was born David Herbert Lawrence on September 11, 1885, in the small mining town of Eastwood, Nottinghamshire, England. His father, Arthur John Lawrence, was a coal miner, and his mother, Lydia Lawrence, worked in the lace-making industry to supplement the family income. Lawrence's mother was from a middle-class family that had fallen into financial ruin, but not before she had become well-educated and a great lover of literature. She instilled in young D.H. a love of books and a strong desire to rise above his blue-collar beginnings.

Lawrence's hardscrabble, working-class upbringing made a strong impression on him, and he later wrote extensively about the experience of growing up in a poor mining town. "Whatever I forget," he later said, "I shall not forget the Haggs, a tiny red brick farm on the edge of the wood, where I got my first incentive to write."

As a child, Lawrence often struggled to fit in with other boys. He was physically frail and frequently susceptible to illness, a condition exacerbated by the dirty air of a town surrounded by coal pits. He was poor at sports and, unlike nearly every other boy in town, had no desire to follow in his father's footsteps and become a miner. However, he was an excellent student, and in 1897, at the age of 12, he became the first boy in Eastwood's history to win a scholarship to Nottingham High School. But at Nottingham, Lawrence once again struggled to make friends. He often fell ill and grew depressed and lethargic in his studies, graduating in 1901 having made little academic impression. Reflecting back on his childhood, Lawrence said, "If I think of my childhood it is always as if there was a sort of inner darkness, like the gloss of coal in which we moved and had our being."

In the summer of 1901, Lawrence took a job as a factory clerk for a Nottingham surgical appliances manufacturer called Haywoods. However, that autumn, his older brother William suddenly fell ill and died, and in his grief, Lawrence also came down with a bad case of pneumonia. After recovering, he began working as a student teacher at the British School in Eastwood, where he met a young woman named Jessie Chambers, who became his close friend and intellectual companion. At her encouragement, he began writing poetry and also started drafting his first novel, which would eventually become The White Peacock .

Books: 'The White Peacock' & 'The Trespasser'

In the fall of 1906, Lawrence left Eastwood to attend the University College of Nottingham to obtain his teacher's certificate. While there, he won a short-story competition for "An Enjoyable Christmas: A Prelude," which was published in the Nottingham Guardian in 1907. In order to enter multiple stories in the competition, he entered "An Enjoyable Christmas: A Prelude" under Jessie Chambers's name, and although it was published as such, people soon discovered that Lawrence was its true author.

In 1908, having received his teaching certificate, Lawrence took a teaching post at an elementary school in the London suburb of Croydon. He also continued to write, and in 1909 he received his big break when Jessie Chambers managed to get some of his poems published in the English Review . The publishers at the English Review took a great interest in Lawrence's work, recommending his draft of The White Peacock to another publisher, William Heinemann, who printed it in 1911. Set in his childhood hometown of Eastwood, the novel foreshadowed many of the themes that would pervade his later work, such as mismatched marriages and class divides.

A year later, Lawrence published his second novel, The Trespasser , a story based on the experiences of a fellow teacher who had an affair with a married man who then committed suicide. Around the same time, Lawrence became engaged to an old friend from college named Louie Burrows.

'Sons and Lovers'

However, in the spring of 1912, Lawrence's life changed suddenly and irrevocably when he went to visit an old Nottingham professor, Ernest Weekley, to solicit advice about his future and his writing. During his visit, Lawrence fell desperately in love with Weekley's wife, Frieda von Richthofen. Lawrence immediately resolved to break off his engagement, quit teaching, and try to make a living as a writer, and, by May of that year, he had persuaded Frieda to leave her family. The couple ran off to Germany, later traveling to Italy. While traveling with his new love, Lawrence continued to write at a furious pace. He published his first play, The Daughter-in-Law , in 1912. A year later, he published his first volume of poetry: Love Poems and Others .

Later in 1913, Lawrence published his third novel, Sons and Lovers , a highly autobiographical story of a young man and aspiring artist named Paul Morel, who struggles to transcend his upbringing in a poor mining town. The novel is widely considered Lawrence's first masterpiece, as well as one of the greatest English novels of the 20th century.

'The Rainbow' & 'Women in Love'

Lawrence and Frieda von Richtofen soon returned to England, where they married on July 13, 1914. That same year, Lawrence published a highly regarded short-story collection, The Prussian Officer , and in 1915 he published another novel, The Rainbow , which was quite sexually explicit for the time. Critics harshly condemned The Rainbow for its sexual content, and the book was soon banned for obscenity.

Feeling betrayed by his country but unable to travel abroad because of World War I, Lawrence retreated to Cornwall at the far southwestern edge of Great Britain. However, the local government considered the presence of a controversial writer and his German wife so near the coast to be a wartime security threat, and it banished him from Cornwall in 1917. Lawrence spent the next two years moving among friends' apartments. However, despite the tumult of the period, Lawrence managed to publish four volumes of poetry between 1916 and 1919: Amores (1916), Look! We Have Come Through! (1919), New Poems (1918) and Bay: A Book of Poems (1919).

In 1919, with the First World War finally ended, Lawrence once again departed England for Italy. There, he spent two highly enjoyable years traveling and writing. In 1920, he revised and published Women in Love , which he considered the second half of The Rainbow . He also edited a series of short stories that he had written during the war, which were published under the title My England and Other Stories in 1922.

Over the next several years, Lawrence split his time between a ranch in New Mexico and travels to New York, Mexico and England. His works during this period includes a novel, Boy in the Bush (1924); a story collection about the American continent, St. Mawr (1925); and another novel, The Plumed Serpent (1926).

'Lady Chatterley's Lover' & Final Works

Having fallen ill with tuberculosis, Lawrence returned to Italy in 1927. There, in his last great creative burst, he wrote Lady Chatterley's Lover , his best-known and most infamous novel. Published in Italy in 1928, Lady Chatterley's Lover explores in graphic detail the sexual relationship between an aristocratic lady and a working-class man. Due to its graphic content, the book was banned in the United States until 1959, and in England until 1960, when a jury found Penguin Books not guilty of violating Britain's Obscene Publications Act and allowed the company to publish the book.

At the highly publicized British obscenity trial, the prosecuting attorney infamously asked the jurors, "Is it a book that you would have lying around the house? Is it a book you would wish your wife or servants to read?" The jury's decision to allow publication of Lady Chatterley's Lover is considered a turning point in the history of freedom of expression and the open discussion of sex in popular culture. As British poet Philip Larkin quipped in one of his poems, "Sexual intercourse began/In 1963/Between the end of the 'Chatterley' ban/And the Beatles' first LP."

Increasingly hobbled by his tuberculosis, Lawrence wrote very little near the end of his life. His final works were a critique of Western religion titled Apocalypse and Last Poems , both of which were published in 1930.

Death and Legacy

Lawrence died in Vence, France, on March 2, 1930, at the age of 44.

Reviled as a crude and pornographic writer for much of the latter part of his life, Lawrence is now widely considered—alongside James Joyce and Virginia Woolf —as one of the great modernist English-language writers. His linguistic precision, mastery of a wide range of subject matters and genres, psychological complexity and exploration of female sexuality distinguish him as one of the most refined and revolutionary English writers of the early 20th century.

Lawrence himself considered his writings an attempt to challenge and expose what he saw as the constrictive and oppressive cultural norms of modern Western culture. He once said, "If there weren't so many lies in the world . . . I wouldn't write at all."

QUICK FACTS

• Name: D.H. Lawrence
• Birth Year: 1885
• Birth date: September 11, 1885
• Birth City: Eastwood, Nottinghamshire, England
• Birth Country: United Kingdom
• Gender: Male
• Best Known For: D.H. Lawrence is best known for his infamous novel 'Lady Chatterley's Lover,' which was banned in the United States until 1959.
• Fiction and Poetry
• Astrological Sign: Virgo
• University College of Nottingham
• Nottingham High School
• Death Year: 1930
• Death date: March 2, 1930
• Death City: Vence
• Death Country: France

We strive for accuracy and fairness.If you see something that doesn't look right, contact us !

CITATION INFORMATION

• Article Title: D.H. Lawrence Biography
• Author: Biography.com Editors
• Website Name: The Biography.com website
• Url: https://www.biography.com/authors-writers/dh-lawrence
• Access Date:
• Publisher: A&E; Television Networks
• Last Updated: June 23, 2020
• Original Published Date: April 2, 2014
• Whatever I forget, I shall not forget the Haggs, a tiny red brick farm on the edge of the wood, where I got my first incentive to write.
• If I think of my childhood it is always as if there was a sort of inner darkness, like the gloss of coal in which we moved and had our being.
• If there weren't so many lies in the world . . . I wouldn't write at all.

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D. H. Lawrence

David Herbert Lawrence was a 20 th -century English poet, critic, and author of short stories, plays, travel books, and letters. Lawrence gained immense attention for his novel “Lady Chatterley’s Lover” which was banned in 1959 and 1960 in the US and England. He is one of the most notable 20 th -century writers.

Being a modernist writer, Lawrence portrays the destructive effects of industrialization and modernism. Lawrence also presents certain other issues like vitality, sexual issues, and psychological health. In the latter part of his life, Lawrence faced sharp opposition and censorship for the ambiguous and creative mode of his work.

He lived in a self-imposed exile during this age and called himself to be in “savage pilgrimage”. However, he was considered as “the greatest imaginative novelist of our generation” by E.M. Forster later on. Likewise, F.R. Leavis, a notable literary critic, mastered his moral integrity and artistic imagination.

The novels, “Women in Love” and “Sons and Lovers” are the most notable works of Lawrence that give an account of his writing style. Most of his works have a stark concept of sexuality and openness to the restricted discussions of the time.

A Short Biography of D. H. Lawrence

D.H. Lawrence was born as the fourth child of the Lawrence family on 11 September 1885 in Nottinghamshire, a minor mining town of Eastwood. His father, Arthur John Lawrence, was a coal miner who began working from a young age. His mother, Lydia Lawrence, was a teacher who was from South England and was an educated and refined lady.

With the family’s weak financial conditions, Lydia joined a lace-making factory to help her family through difficult times. She was the motivation for Lawrence’s love for literature and good prospects because she was herself a lover of literary education. However, the couple’s weak marital relationship became the subject of most of Lawrence’s works.

From 1891 to 1898, Lawrence attended Beauvale Board School. He was a frail and lone child and struggled to make friends in academic life. However, he became the first local student in Eastwood’s history to win a scholarship to the Nottingham High School in Nottingham. Three years later in 1901, he quitted the school and began working as a clerk in Haywood’s surgical appliances factory.

When Lawrence’s elder brother fell ill and died the preceding winter, he was also diagnosed with severe pneumonia due to the grief. Therefore, he left the job. Later on, he joined the British School in Eastwood as a teacher from 1902 to 1906. There he met Jessie Chambers, a young lady. In her companionship, Lawrence developed the love of writing and began to write poetry. He also began to write his first novel at that time, which was published as “The White Peacock”.

Late in 1907, in Nottingham Guardian, Lawrence won a short story competition for “An Enjoyable Christmas: A Prelude”. This was his first time to gain a notable position for his literary genius. He also earned a teaching certificate from University College Nottingham in 1908.

Early Writing Career

In 1908, after completing his teacher’s degree, he left for London to begin teaching in Croydon, Davidson Road School. At that time, Jessie Chambers submitted some of his poetry to Ford Madox Ford who was the editor of the English Review . His work was published in 1909. Then Ford Hueffer (Madox) published Lawrence’s “ Odour of Chrysanthemums ” that grasped the interest of a London publisher, William Heinemann.

Hueffer also recommended Lawrence’s “The White Peacock” to Heinemann who finally published it in 1911. The novel was based on mismatched marriages and class conflict. In this way, his writing career began, although he still taught for a year more. That year Lawrence’s mother died that gave him lasting pain. Due to the incident, he remained in illness and depression.

Formal Writing

The next year (1912), Lawrence wrote “The Trespasser”. It foreshadows the relationship of one of his colleagues with a married man. She committed suicide later. It also depicts Lawrence’s intimacy with an old school friend, Louie Burrows. Through this novel, he succeeded in gaining the attention of Edward Garnett, an influential editor.

Biographical Effect

He helped Lawrence revise and edit “Paul Morel” that Garnett published as “Sons and Lovers” in 1913. It is one of the remarkable novels of the 20 th -century. Due to his close relationship with his mother, Lawrence suffered great stress and sickness after her death. This depiction of mother-son attachment can be seen in his novel “Sons and Lovers”, in which a son feels devastated at the death of his beloved mother.

In this novel with autobiographical instances, Lawrence reflects on his provincial life. He also depicts his brief intimate relationship with Jessie Chambers from 1909 (Christmas) to 1910. Then he got engaged to Louie Borrows but due to his illness (another attack of Pneumonia), he left her. Later, he went to meet Ernest Weekley, his former modern languages professor. He fell in love with his wife Frieda Weekley and eloped with her to Frieda’s home in Germany.

High Time of Writing

He left his teaching career and adopted the profession of a writer. With his newly found love by his side, Lawrence wrote the first edition of poetry “Love Poems and Others” and the play “Daughter-In-Law” (1912).

When Lawrence and Frieda returned to England and got married in 1914, Lawrence wrote at a considerable pace during that time. He published a notable collection of short stories “The Prussian Officer”. In 1915, he printed “The Rainbow”, a novel that was sexually too vulgar for the society of his time. It was banned for its sexually explicit nature in that era.

Wartime Troubles

In his devastation and anger, Lawrence moved to the southwestern side of Great Britain, Cornwall. It is because he could not travel abroad due to World War-I. However, because of the sensitive situation, Lawrence was banished from the place in 1915 because he was a questioned writer with a German wife. Even in this situation, he published some editions of poetry i.e. Amores (1916), New Poems (1918), Look! We Have Come Through! (1919), and Bay: A Book of Poems (1919).

After the war, he moved to Italy where he spent 2 years of productive writing and traveling. In 1920, Lawrence published “Women in Love”, a novel that was widely considered to be the second part of “The Rainbow”. In 1922, he published “My England and Other Stories” that he composed in wartime.

In his determination to travel America, he left Europe for the east and moved through Ceylon and Australia to New Mexico, US. There he worked on a highly appreciated American criticism book “Studies in Classic American Literature”. Later in his life, Lawrence traveled across the US, Mexico, and England and wrote several other notable works. These include “Boy in the Bush” a 1924 novel, “St Mawr” (1925), and “The Plumed Serpent” in 1926.

Writing in Lawrence’s Illness

When Lawrence was diagnosed with tuberculosis, he moved back to Italy in 1927. There he wrote and published his most infamous novel “Lady Chatterley’s Lover” in 1928. It explains with a graphic representation the love affair and sexual intimacy of an aristocratic lady and her working-class lover. The novel was banned in the US and England in 1959 and 1960.

However, after a court trial, the novel was not found guilty of violating the rules of obscene writing. Therefore, Penguin Books was given permission to publish the book. With this publication, English literature received a renewed and broader freedom of representing sexual relations in the popular culture.

In his last times, Lawrence wrote little due to deteriorating physical strength. At the end, he wrote “Apocalypse”, a critical intersection of the Western religion. It provided a commentary on the Book of Revelation. He also composed the poem collection “Last Poems” in his last days of illness. Both of these works were published in 1930.

Lawrence died in 1930 at the age of 44 because of TB. Though, he was considered a pornographic and obscene writer in contemporary times. He became one of the greatest modernist writers of the 20 th -century. Lawrence’s former controversial writing became revolutionary and comprehensive in the modern world. He wrote about a wide range of topics including a detailed account of women’s sexuality, love, war, psychological world, and different genres. 

These features made him a remarkable 20 th -century writer. Moreover, he committed to writing on the oppressive and biased traits of the Western system of beliefs and determined to expose the hidden truth in things.

The Writing Style of D. H. Lawrence

Lawrentian style.

Lawrence is one of those writers who left bulky volumes of works. He wrote about ten editions of poetry, several travel books, translations, plays, novels, and critical works. Most of Lawrence’s works are marked by a single similar structure of plot, narration, imagery, and theme selection. His writing style is so unique and unified that his name creates an adjective “Lawrentian” for the style of Lawrence.

Even from the beginning of his literary career, Lawrence earned a reverend place and recognition among the highly learned people of the society. For example, Bertrand Russell and the prime minister, Herbert Asquith, took notice of him. He also gained the recognition and appreciation of famous publishers of the time. His fame and appreciation lie in the fact that his works have a striking unity of purpose and target.

A Sense of Unity

He roamed across different places to find a unified sense of existence in various cultures. This can be seen in Lawrence’s writing as he even compares animal instincts to the sensibility of humans, as in “Kangaroo”. 

Sensual Writing Style

There is an erotic sensuality in Lawrence’s style. He even faced severe criticism for his obscene writing. However, this differentiates him as an open and realistic writer who succeeds in portraying what he feels to be right. For instance, “Lady Chatterley’s Lover” has erotic graphic representation that banned its publication in Lawrence’s time. His prose works are also in lyrical tone and have a disconnected prose style.

Psychological Complexity

Lawrence’s writing reflects the complexity of his personality. The biographical elements hint at the complicated psychological setup of his life. For example, “Son and Lovers” is a representation of Lawrence’s approach towards different women in his life. Likewise, his “Apocalypse” represents Lawrence’s concept of religion intermingled with an ancient purity.

Fall of Western Civilization

In Lawrence’s poetry, humans often sink in lower states due to aggression. His depiction of the class struggles and money pursuit draws on the theme of the decline of western civilization. He once said that “If there weren’t so many lies in the world . . . I wouldn’t write at all”. Lawrence always depicted the neglected truths and the false ways of his society. For instance, in “Lady Chatterley’s Lover”, Lawrence represents the extravagance of the upper-class women. However, it was banned for the naked truth of these people.

Contempt for Financial Gains

He also depicted how money played a vital role in shaping relationships and lives. As it was the time of industrialization and modernism, people strived to become stable and gain high status in society. His works reflect on Lawrence’s contempt for the emerging love of money and gains due to the rising middle-class. This causes the ethical fall of western civilization.

Autobiographical Influences

Another crucial theme of Lawrence’s writing is the impression of his autobiographical instances on his artistic creations. He would explain a certain situation in a way as if it has affected him. For instance, in “Sons and Lovers”, many biographical factors of Lawrence’s life can be seen. Just like Paul’s mother’s death and his grievances for her in the story, Lawrence was also close to his mother. Similarly, the protagonist’s intimate relationship with another lady foreshadows Lawrence’s intimacy with Jessie and Louie. His other notable works also predict the effect of the surroundings on his life.

Animal Comparisons

Most of Lawrence’s works have the comparison of animals to human thinking. As Lawrence had roamed across many countries including Australia, Mexico, US, he wrote the exotic work, “Kangaroo” within six weeks of his travel. Similarly, he discussed even small insects like mosquitoes. Through this depiction of animal life and instincts, he tries to develop a relationship of human instincts and contrasts human thinking with animal actions.

The Idea of Death

In much of his later life works, Lawrence’s obsession with death and the mysterious journey is predicted. As he was inflicted with tuberculosis, in his illness, Lawrence deeply felt that death was nearer. Therefore, he was struggling to reconcile with the idea of death. For example, he wrote “The Escaped Cock” in 1929, its title was later changed into “The Man Who Died”. Another short story, “The Rocking-Horse Winner” (1926) also ends in death and misery.

Religious Concept

Furthermore, in Lawrence’s later works, there are heavy allusions to Christianity and the bible. For instance, “Apocalypse” that was published in 1930, refers sharply to the values of the bible’s Book of Revelation through its critical examination. However, Lawrence did not stick to the overwhelming religious beliefs. He also referred to the ancient pagan belief systems. It is because he wanted to move back to the ancient purer and mystical form of religion rather than the version affected by logic and rationale. In a way, he strived to achieve a natural state of things.

Discussion of Sexuality

Another significant theme of Lawrence’s writing is his vivid depiction of sexuality. He talked about many sexual relationships explicitly. Although such instances happened in contemporary social settings, they were condemned to be discussed openly. However, Lawrence did not stop to think about the consequences of such depictions. For example, in “Lady Chatterley’s Lover”, “Women in Love”, “Sons and Lovers”, and “The Rainbow”, Lawrence openly discussed the sexuality of the time.

He even faced criticism for his views and “Lady Chatterley’s Lover” was banned, but later it got wide recognition. These clear representations of social life categorized him as a realist writer because he did not want to fake or exaggerate what was real.

Works Of D. H. Lawrence

• Sons and Lovers

Short Stories

• The Rocking-Horse Winner

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Brief Biography of DH Lawrence

David Herbert Lawrence was born in 1885 in Eastwood, Nottinghamshire, the fourth child of Arthur Lawrence and Lydia Beardsall.

After attending Beauvale Board School he won a scholarship to Nottingham High School. On leaving school in 1901 he was employed for a short time as a clerk at the Nottingham firm of Haywoods, manufacturers of surgical appliances, and from 1902 as a pupil teacher at the British School in Eastwood.

He attended the Pupil-Teacher Centre in Ilkeston from 1904 and in 1906 took up a teacher-training scholarship at University College, Nottingham. After qualifying in 1908 he took up a teaching post at the Davidson School in Croydon, remaining there until 1912.

In early 1912, after a period of serious illness, Lawrence left his teaching post at Croydon to return to Nottinghamshire, shortly afterwards eloping to Germany with Frieda Weekley, the wife of Professor Ernest Weekley. They returned to England in 1914 prior to the outbreak of war and were married at Kensington Register Office on 14 July. Confined to England during the war years, the Lawrences spent much of this time at Tregerthen in Cornwall.

In 1919 they left England once more, embarking on a period of extensive travelling within Europe and then further afield to Ceylon, Australia, Mexico and New Mexico.

His health continued to deteriorate and Lawrence returned to Europe with Frieda in 1925. During his last years Lawrence spent much of his time in Italy making only brief visits to England, the last in 1926. He died on 2 March 1930 at Vence in the south of France.

Lawrence was a prolific writer - of poetry, novels, short stories, plays, essays, and criticism. His works are heavily autobiographical and the experiences of his early years in Nottinghamshire continued to exert a profound influence throughout his life.

Next page: Extended Biography of DH Lawrence

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D. H. Lawrence

David Herbert Lawrence, novelist, short-story writer, poet, and essayist, was born in Eastwood, Nottinghamshire, England, on September 11, 1885. Though better known as a novelist, Lawrence's first-published works (in 1909) were poems, and his poetry, especially his evocations of the natural world, have since had a significant influence on many poets on both sides of the Atlantic. His early poems reflect the influence of Ezra Pound and Imagist movement, which reached its peak in the early teens of the twentieth century. When Pound attempted to draw Lawrence into his circle of writer-followers, however, Lawrence decided to pursue a more independent path.

He believed in writing poetry that was stark, immediate and true to the mysterious inner force which motivated it. Many of his best-loved poems treat the physical and inner life of plants and animals; others are bitterly satiric and express his outrage at the puritanism and hypocrisy of conventional Anglo-Saxon society. Lawrence was a rebellious and profoundly polemical writer with radical views, who regarded sex, the primitive subconscious, and nature as cures to what he considered the evils of modern industrialized society. Tremendously prolific, his work was often uneven in quality, and he was a continual source of controversy, often involved in widely-publicized censorship cases, most famously for his novel Lady Chatterley's Lover (1928). His collections of poetry include Look! We Have Come Through (1917), a collection of poems about his wife; Birds, Beasts, and Flowers (1923); and Pansies (1929), which was banned on publication in England.

Besides his troubles with the censors, Lawrence was persecuted as well during World War I, for the supposed pro-German sympathies of his wife, Frieda. As a consequence, the Lawrences left England and traveled restlessly to Italy, Germany, Ceylon, Australia, New Zealand, Tahiti, the French Riviera, Mexico and the United States, unsuccessfully searching for a new homeland. In Taos, New Mexico, he became the center of a group of female admirers who considered themselves his disciples, and whose quarrels for his attention became a literary legend. A lifelong sufferer from tuberculosis, Lawrence died in 1930 in France, at the age of forty-four.

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D.H. Lawrence

David Herbet Lawrence was a poet, short story writer and novelist, born in Nottingham in 1885. He was best known for being a novelist. Lawrence published his initial works in 1909, which included a collection of poems, many of them were representations of nature and have since then become immensely famous and widely read, and have also influenced a lot of the contemporary poets. His primary collections have a lot of inspiration drawn from the Imagist and the Ezra Pound movement, which later reached its maximum in the 20th century. Even though Pound endeavoured to make Lawrence a part of his writer-followers, Lawrence on the other hand wanted to seek a more autonomous path.

Lawrence wrote poetry that had profound and elusive themes, and were also very true to the forces, which inspired it. The most renowned of his works deal with the physical and inner life of living things such as animals and plants. Some of them have a bitter and satirical tone, which show his fury at the pretence and Puritanism of the typical Anglo-Saxon society. He was also a rebellious writer, harbouring radical perceptions, who considered sex to be the most rudimentary subconscious and also regarded nature to cure the evils of the advanced industrialized society. His work was extremely creative, although the quality would be a little irregular and he was also very controversial, continuously engaged in censorship cases, which received a great amount of publicity, particularly for his novel, Lady Chatterley’s Lover , which was published in 1928. He has a vast collection of poetry to his credit, which includes the likes of Look! We Have Come Through which was published in 1917, and also poems about his wife – Birds, Beasts and Flowers published in 1923 and Pansies in 1929, which was banned at the time of publication in England.

Other than his perpetual trouble with the censors, Lawrence was maltreated even during the time of World War 1 due to the supposed pro-German sympathies of his wife, Frieda. Consequently, he left England and then traveled relentlessly across Germany, Italy, Australia, Ceylon, Tahiti, New Zealand, Mexico, The French Riviera and the United States, fruitlessly in the search of a new homeland. While he was in Taos, New Mexico, he became the fascination of a group of females, who began to consider themselves as his disciples and vied to get his attention, which became a major literary legend. Lawrence suffered from tuberculosis all his life and finally succumbed to the disease at the age of 44 in France.

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In This Article Expand or collapse the "in this article" section D. H. Lawrence

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D. H. Lawrence by James Moran LAST REVIEWED: 21 August 2018 LAST MODIFIED: 31 August 2015 DOI: 10.1093/obo/9780199846719-0076

D. H. Lawrence (b. 1885–d. 1930) was born, the fourth of five siblings, in the small mining town of Eastwood, near Nottingham. His father was a collier, who worked a twelve-hour day from the age of seven. Yet from this unlikely background, Lawrence went on to become one of the best-known writers in the English language. The texts that have generally been regarded as his greatest achievements are the novels Sons and Lovers (1913), The Rainbow (1915), and Women in Love (1920), which all draw on his upbringing in the English Midlands. This background also informs his last novel, Lady Chatterley’s Lover (1928), which has received much interest because of its explicit depictions of sex. An openly published, unexpurgated copy of the text was published in Britain only in 1960, and it was the subject of a celebrated trial under the country’s obscenity law, with the cultural significance of that moment being famously described by Philip Larkin in his poem “Annus Mirabilis,” which describes how sexual intercourse began “Between the end of the Chatterley ban/ And the Beatles’ first LP.” The Chatterley trial came shortly after F. R. Leavis published D. H. Lawrence: Novelist (1955), which showed how Lawrence’s writings merited serious critical attention and asserted that Lawrence could be considered a deeply moral author. Much subsequent analysis has focused on Lawrence’s novels and short stories, but publication of his complete works and letters by Cambridge University Press between 1979 and 2013 has increasingly drawn attention to Lawrence’s skilled writing in other forms, notably his poetry, plays, essays, and personal correspondence. Nonetheless, Lawrence has scarcely been without detractors. He has been a target for feminist criticism since Kate Millett published her 1970 book Sexual Politics ; and the “leadership novels” that Lawrence published in the 1920s have led a number of critics to attack Lawrence as a fascist. Nonetheless, Lawrence has continued to be a subject of considerable academic and popular interest, and the reading list of primary and secondary texts can appear daunting. As Denis Donoghue states, “One of the risks incurred by a reader who takes an interest in Lawrence is that such an interest is likely to become omnivorous. It is hardly possible to place The Rainbow and Women in Love in the centre of that interest without engrossing, as one moves toward the circumference, pretty nearly everything else in the canon” (Donoghue, “‘Till the Fight Is Finished’: D. H. Lawrence in His Letters,” in Spender 1973 (p. 197, cited under Poetry ).

Such is the amount of writing both by and about Lawrence that it can be difficult for the reader to know where exactly to begin. Indeed, the comic novel Out of Sheer Rage by Geoff Dyer (London: Little Brown, 1997) revolves around a writer who simply finds it impossible to begin his project about Lawrence because he is overwhelmed by the material. Nevertheless, a number of excellent introductions are available for the student who is new to Lawrence’s work. One of the best overviews is provided by Becket 2002 , which provides not only clear biographical details, but also helpful plot summaries of Lawrence’s individual works in different forms, as well as describing the broad critical trends that have affected Lawrence’s later reception. Sagar 1982 is slightly more dated but also provides a helpful overview of Lawrence’s achievement across the range of different forms, and both Sagar 1982 and Becket 2002 provide reading lists that will aid the undergraduate. Poplawski 1996 provides excellent plot summaries of the prose fiction as well as suggested critical readings; it also includes an admirably concise biography by the leading Lawrence scholar John Worthen. Freeman 1985 provides a far less detailed, but nonetheless engaging introduction to Lawrence’s life and work. Those who are bewildered about why Lawrence has been such a well-known yet controversial writer should look at the critical essays in Draper 2013 , showing how Lawrence was viewed during his own life and shortly afterward. In addition, the essays collected in Bloom 1986 reveal how Lawrence was viewed in the period when Lawrence’s reputation declined significantly (1966–1985), and Ellis and de Zordo 1992 includes a generous array of essays from 1913 to 1992. Fernihough 2001 is excellent for describing and developing a number of key debates at the start of the second century of Lawrence criticism. A comparison of Fernihough 2001 with Poplawski 1996 reveals the differing priorities of Lawrence scholars: these two books were published only five years apart, but Poplawski 1996 devotes most space to the prose fiction, giving ten times the number of pages to that topic than to the poems, whereas Fernihough 2001 devotes relatively little attention to novels such as Sons and Lovers .

Becket, Fiona. The Complete Critical Guide to D. H. Lawrence . London: Routledge, 2002.

An excellent guide for the neophyte, containing accurate summaries of Lawrence’s life; descriptions of Lawrence’s work as novelist, poet, playwright, and essayist (including helpful ideas about Lawrence’s relationship with modernism); descriptions of some of the main currents in later Lawrence criticism; and helpful suggestions for further reading.

Bloom, Harold, ed. D. H. Lawrence . New York: Chelsea House, 1986.

Includes key contributions by Frank Kermode (on Lawrence’s apocalypticism, not from Kermode’s well-known book D. H. Lawrence [New York: Viking, 1973]), Barbara Hardy (on Lawrence and women), and F. R. Leavis (on the Rainbow ). Includes a deconstructive approach by Margot Norris but indicates that, by 1985, literary theorists had not found Lawrence’s work very conducive.

Draper, R. P., ed. D. H. Lawrence: The Critical Heritage . London: Routledge, 2013.

This volume was first printed in 1970, then reprinted in 1997 and 2001. Draper includes reprinted reviews (including those by figures such as Ezra Pound and Virginia Woolf) that reveal how Lawrence’s work was viewed and received during his own lifetime. Also includes obituaries and retrospectives from 1930 to 1931.

Ellis, David, and Ornella de Zordo, eds. D. H. Lawrence: Critical Assessments . 4 vols. Mountfield, UK: Helm Information, 1992.

Volume 1, “Contemporary Response,” details reviews and responses from 1913 to 1930; Volumes 2 and 3, “The Fiction,” include critical responses to Lawrence’s fiction from 1939 to 1990; and Volume 4, “Poetry and Nonfiction: The Modern Critical Response, 1938–1992: General Studies,” includes critical pieces on these topics.

Fernihough, Anne, ed. The Cambridge Companion to D. H. Lawrence . Cambridge, UK: Cambridge University Press, 2001.

DOI: 10.1017/CCOL0521623391

Excellent introduction to the way that leading scholars (both Lawrence specialists and those who are not usually Lawrentians) at the start of the 21st century consider Lawrence. Begins by discussing individual texts, then situates Lawrence in the context of broader issues and trends, for example, psychoanalysis.

Freeman, Jill, dir. Anthony Burgess Speaks: The Rage of D. H. Lawrence . VHS. Chicago: Home Vision, 1985.

Accessible television documentary, freely available on Youtube at the time of writing, in which Burgess introduces Lawrence’s life and work with some excellent biographical material. Burgess also wrote the book Flame into Being: The Life and Work of D. H. Lawrence (London: Heinemann, 1985).

Poplawski, Paul. D. H. Lawrence: A Reference Companion . Westport, CT: Greenwood, 1996.

Contains a short biography of Lawrence by John Worthen, followed by a list of helpful guides to Lawrence’s work and Lawrence criticism. Devotes considerably more attention to the prose fiction than works such as poems and plays (which, in contrast to the prose fictions, have no plot summaries).

Sagar, Keith, ed. A D. H. Lawrence Handbook . Manchester, UK: Manchester University Press, 1982.

Contains a number of useful materials for the nonspecialist, including an introductory bibliography, chronological contextualizing of Lawrence’s life, social and economic details about Eastwood, and a chronology of major works. Also includes helpful details about stage and screen productions of Lawrence’s work.

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Biography of D.H. Lawrence

David Herbert (D.H.) Lawrence was one of the most versatile and influential writers in 20th-century literature. Best known for his novels, Lawrence was also an accomplished poet, short story writer, essayist, critic, and travel writer. The controversial themes for which he is remembered—namely, the celebration of sensuality in an over-intellectualized world—and his relationship with censors sometimes overshadow the work of a master craftsman and profound thinker.

Lawrence was born on Sept. 11, 1885 in the small coal-mining village of Eastwood, Nottinghamshire in central England. Lawrence's father, Arthur, was a miner, and the mining boom of the 1870s had taken the family around Nottinghamshire. By the time Bert (as Lawrence was known), the fourth child, was born, the family had settled in Eastwood for good. Lawrence's mother, Lydia Beardsall, an intellectually ambitious woman disillusioned with her husband's dead-end job and irresponsible drinking habits, encouraged her children to advance beyond their restrictive environment.

Bert, a sickly, bookish child, won a scholarship to Nottingham High School in 1898. The experiment was unsuccessful, and at age 16 he began working as a clerk in a surgical appliance factory. One of his older brothers, Ernest, died from the skin disease erysipelas, and Lydia sank into grief. After Bert nearly died from pneumonia, Lydia devoted herself to him. This relationship, including Lydia's smothering love for him, is examined in depth in Lawrence's largely autobiographical novel, Sons and Lovers (1913). The novel also focuses on industrialism, and explores the battle between the intellectual mind and the sensual body, drawing from Lawrence's experiences and influences.

After studying hard in the hopes of becoming a teacher, Lawrence was accepted to Nottingham University College in 1906. By that time, he had begun writing poetry and what would turn into The White Peacock , his first novel. He did not enjoy the collegiate atmosphere and spent most of his time at Nottingham writing and learning about socialism. Still, he excelled in his work and, upon graduation in 1908, received a job at the Davidson Road Boys' School near London.

Lawrence continued writing poetry and prose, and he was soon catapulted into London's literary circles, though he never felt comfortable within them. His mother developed cancer in 1910, and as she wasted away, Lawrence began writing "Paul Morel" (which would later become Sons and Lovers ) as an investigation into his relationship with her.

The White Peacock was published in 1911, and in November of that year, Lawrence came down with another case of pneumonia and stopped teaching. Soon after, he met and had an extramarital affair with Frieda von Richtofen Weekley, the wife of a professor at Nottingham University College. They married in 1914, but World War I put some stress on their English-German marriage. Lawrence was declared unfit for military service, and the couple traveled throughout Europe in dire financial straits. Nevertheless, Lawrence was prolific in this period, writing more poems, publishing The Rainbow in 1915, and working on Women in Love .

The Rainbow 's erotic subject matter and language were met with harsh criticism, and its distribution was blocked. Lawrence unhappily waited out the end of the war and published Women in Love in 1920. The 1920s were spent traveling around Europe, New Mexico, and Mexico in a period Lawrence called his "savage pilgrimage." He continued writing novels, poems, and even books on psychoanalysis, though only Lady Chatterley's Lover (1928), another novel heavily censored for its erotic subject matter, approached the fame and reputation of his acclaimed earlier novels.

Following various bouts of illnesses, Lawrence died of tuberculosis on March 2, 1930, in Vence, France.

Study Guides on Works by D.H. Lawrence

Daughters of the vicar d.h. lawrence.

Daughters of the Vicar is a book written by D.H. Lawrence and published in 2004. The book revolves mainly around the story of the two eldest daughters of Mr Lindley, who is a vicar. Mr Lindley and his family are very poor but they are a proud...

• Study Guide

The Horse-Dealer's Daughter D.H. Lawrence

D. H. Lawrence composed “The Horse-Dealer’s Daughter” in the winter of 1916 and completed it in January of the next year under the title “The Miracle.” The manuscript was tinkered with and revised and, of course, retitled before finally being...

• Lesson Plan

Lady Chatterley's Lover D.H. Lawrence

D.H. Lawrence spent the last five years of his life in Europe, mostly in Italy, where he wrote Lady Chatterley's Lover . He had left England in 1919, following a stance of non-participation in World War I. (He was deemed physically unfit to be...

Odour of Chrysanthemums D.H. Lawrence

D. H. Lawrence wrote “Odour of Chrysanthemums” in 1909 and submitted to the English Review where the magazine’s renowned editor Ford Madox Hueffer (better known to most as renowned writer Ford Madox Ford) judged the story’s worth as one with the...

The Poetry of D.H. Lawrence D.H. Lawrence

Perhaps more famous for novels like Women in Love and short stories like “The Rocking Horse Winner” D.H. Lawrence is also a major figure in British poetry. Lawrence was highly influenced by the American poet Walt Whitman and, in fact, would often...

The Prussian Officer D.H. Lawrence

D. H. Lawrence worked on “The Prussian Officer” between May and June 1913 under the title “Honor and Arms.” That was his preferred title all the way through a revision process that lasted into October of that year. The story would be published...

The Rainbow D.H. Lawrence

The Rainbow is a novel as difficult as it is rewarding. At times, the intergenerational saga of the Brangwen family may seem tedious and over-stuffed with characters, many of whom share the same names. Yet in equal measure, Lawrence presents...

The Rocking-Horse Winner D.H. Lawrence

Originally published in Harper’s Bazaar in July 1926, the first of what would become a seemingly endless series of republications in anthologies and textbooks commenced the very next year when D.H. Lawrence’s “The Rocking-Horse Winner” appeared in...

Second Best D.H. Lawrence

“Second Best” is a short story written by D. H. Lawrence in August 1911 and initially published in English Review in February the following the year. It reappeared as part of Lawrence’s collection The Prussian Soldier and Other Stories in 1914....

Self-Pity D.H. Lawrence

Until Demi Moore came along, “Self-Pity” was primarily known for being part of poetic infamy. The poem was included in the collection of titled Pansies: Poems which became infamous as the result of its being seized and confiscated by government...

Short Fiction of D.H. Lawrence D.H. Lawrence

T he Short Fiction of D.H. Lawrence is a collection of Lawrence’s short stories. Lawrence was an English novelist who was a prolific writer and artist, and this collection emphasizes his perspective on how modernization and the world after the...

Sons and Lovers D.H. Lawrence

Though D. H. Lawrence's third published novel, Sons and Lovers (1913) is largely autobiographical. The novel, which began as "Paul Morel," was sparked by the death of Lawrence's mother, Lydia. Lawrence reexamined his childhood, his relationship...

Women in Love D.H. Lawrence

D.H. Lawrence began writing his fifth novel, Women in Love , in 1913 but it was not completed until Lawrence was living in Cornwall three years later. It was first published in 1920 after several delays and editorial changes, some of which were due...

Reading Comprehension - Short Biography of D. H. Lawrence

Develop your reading skills. Read the following Short Biography of D. H. Lawrence and do the comprehension questions

• Short Biography of D. H. Lawrence

D. H. Lawrence was an English writer and poet. He was born David Herbert Lawrence on September 11, 1885, in the small mining town of Eastwood, Nottinghamshire, England. His father, who was barely literate, was a miner and his mother, who by contrast was a lover of literature, worked in a lace factory due to her family's financial difficulties. Lawrence had a close relationship with his mother. When she died of cancer, Lawrence's grief became a major turning point in his life.

In 1908, D. H. Lawrence left his small town for London where he attended the University College of Nottingham to obtain his teacher's certificate. After receiving his teaching certificate, D. H. Lawrence published one of his first successful books, The White Peacock in 1910 with the help of his close friend and intellectual companion Jesse Chambers. This was followed by the publication of The Trespasser , a story based on the intimate diaries of a fellow teacher about an unhappy love affair she had with a married man.

While teaching in Davidson Road School, Croydon, he continued writing. In March 1912 Lawrence met Frieda Weekley (a German lady, née von Richthofen), with whom he was to share the rest of his life. Six years older than her new lover, she was married to Ernest Weekley, his former modern languages professor at University College, Nottingham, and had three young children. She eloped with Lawrence to her parents' home in Metz, a garrison town then in Germany near the disputed border with France. While traveling with his new love, Lawrence continued to write at a furious pace. He published his first play, The Daughter-in-Law , in 1912. A year later, he published his first volume of poetry: Love Poems and Others . In 1913, he published his largely autobiographical masterpiece, Sons and Lovers .

Back to England, D. H. Lawrence and Frieda got married on July 13, 1914. In 1915 he published a controversial novel, The Rainbow . This novel contained some quite sexually explicit accounts of two unconventional females.

After World War I, the couple left for Italy where Lawrence published another controversial novel, Women in Love , which is considered to be the second half of The Rainbow . The novel delves into the complex relationships between four major characters, including the sisters Ursula and Gudrun. Both novels challenged conventional ideas about the arts, politics, economic growth, gender, sexual experience, friendship, and marriage.

After his experience of the war years, Lawrence began what he termed his "savage pilgrimage", a time of voluntary exile. He escaped from Britain at the earliest practical opportunity, to return only twice for brief visits, and with his wife spent the remainder of his life traveling. This exile took him to Australia, Italy, Ceylon (now called Sri Lanka), the United States, Mexico and the South of France.

In March 1925 Lawrence suffered a near-fatal attack of malaria and tuberculosis while on a third visit to Mexico. Although he eventually recovered, the diagnosis of his condition obliged him to return once again to Europe. He was dangerously ill and the poor health limited his ability to travel for the remainder of his life. The Lawrences made their home in a villa in Northern Italy, living near Florence where he published his best-known and most infamous novel Lady Chatterley's Lover (1928).

His collected works represent, among other things, an extended reflection upon the dehumanizing effects of modernity and industrialization. Some of the issues Lawrence explores are sexuality, emotional health, vitality, spontaneity, and instinct.

Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile. At the time of his death on March 2, 1930, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." The philosopher Bertrand Russell characterized Lawrence as a "proto-German Fascist". Later, the literary critic F. R. Leavis championed both his artistic integrity and his moral seriousness.

Source: Wikipedia

Comprehension:

• D. H. Lawrence's mother was illiterate. a. True b. False
• D. H. Lawrence got married to Frieda when they escaped to Germany. a. True. b. False.
• At the time of his death, his work was widely acclaimed by all the critics. a. True b. False

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D.H. Lawrence

by Pericles Lewis

A prolific poet, painter, and essayist, D.H. Lawrence (1885-1930) is today best known for his novels, which remain popular with a general reading public in part because he maintained conventional syntax and grammar and fairly straightforward plots, such as the chronicle of several generations in the life of a family. Thematically, however, and particularly in their portrayals of sexuality, his novels challenged the traditions of English fiction. Like E.M. Forster , he concerned himself with the class barriers that divided English society.

The son of a miner and a school-teacher, Lawrence felt himself both attracted and repelled by his father’s working-class way of life. Many of his heroes are the sons of the working classes who break away from their apparently immutable fates and ally themselves to artistic middle- or upper-class women, as Lawrence did to Frieda von Richthofen, the German-born wife of one of his professors at Nottingham University College. Lawrence’s treatment of the life of the working classes continues themes from naturalism, but his approach to these themes is less distanced and analytical than that of Emile Zola or Arnold Bennett. His primitivism arises in part from his effort to engulf himself in the passions that Zola preferred to study from a clinical point of view.

Lawrence developed a number of theories about the flaws of modern civilization that helped to justify his literary endeavors. He continually sought the means to overcome the alienation typical of industrialized society through a fusion of man with woman, man with man, and man with nature. Lawrence shared Forster’s interest in relationships between men, although he strongly disapproved of homosexuality. His theory of blood-brotherhood emphasized the regenerative powers of an authentic male friendship, and valued physical but non-sexual intimacy between men highly, as in scenes of wrestling in Women in Love ( 1916 ) and massage in Aaron’s Rod ( 1922 ).

Having read Nietzsche and Freud and encountered the work of the German expressionists, Lawrence became convinced that sexual repression was causing the deterioration of English civilization. In particular, he blamed Christianity for its repressive division of the self into spirit and flesh and its privileging of the spirit. He found in Freud’s Oedipal theory material for the development of his own views of the mother-son relationship, which he explored in his autobiographical novel Sons and Lovers ( 1913 ). Although Lawrence rejected many of the formal experiments typical of modern art as tending towards effete aestheticism, he shared the expressionist ideal of the work of art springing from the depths of its creator’s unconscious life. His efforts to depict sexuality honestly made him a leading practitioner of modern fiction. His fourth novel, The Rainbow ( 1915 ) became a target of the National Purity League. The novel was attacked for its descriptions (by today’s standards, rather restrained) of its heroine’s sexual relations with lovers of both sexes. However, Lawrence may in fact have been targeted because of his known opposition to the first world war and his reputation as a “pro-German,” due largely to his relationship with Frieda, whom by this time he had married. [1] Court proceedings were taken against the publisher, Methuen, not the author, and Methuen chose not to defend the novel. Much of the first edition was destroyed, and Lawrence could not find a British publisher for the sequel, Women in Love .

After the suppression of The Rainbow , Lawrence became embittered at English provincialism and spent much of his life traveling, especially in Italy, Australia, and Mexico. He found in native American, Australian, and Mexican cultures inspiration for his fantasies of authoritarian leadership. In The Plumed Serpent ( 1926 ), a Mexican revolutionary attempts to revive the cult of the Aztec god Quetzalcoatl. The cult of the leader also dominates Aaron’s Rod ( 1922 ), set in pre-fascist Italy, and Kangaroo  ( 1923 ), set in Australia. The key to transcending modern bourgeois sterility lay, for Lawrence, in the encounter with the exotic, the primitive, or the authentic life of the working classes.

When Lawrence died of tuberculosis at the age of 45, in 1930, he seemed a martyr to the forces of censorship and repression that had sent him into exile. Like Forster’s Maurice , Lawrence’s most controversial novel, Lady Chatterley’s Lover , could not be published as written in England during his lifetime. Privately printed in Italy in 1928 , the novel revolves like Maurice around the relationship between an upper-class figure and a game-keeper. Here, the upper-class lover is a woman, Lady Chatterley, married to an effete aristocrat who has been made impotent by war wounds. Lawrence described her sexual relations with the game-keeper Mellors in explicit detail. When Penguin finally published an unexpurgated version in 1960, the firm was charged with obscenity but acquitted in a famous trial, in which E. M. Forster appeared as a witness for the defense. This victory finally led to the abandonment of British attempts to censor major literary works, although censorship of the stage persisted for several years. The trial of Lady Chatterley opened the way for the more sexually explicit literature of the 1960s and afterwards. [2]

• ↑ On the proceedings, see Jeffrey Meyers, D. H. Lawrence (New York: Knopf, 1990), pp. 182-96.
• ↑ This page has been adapted from Pericles Lewis’s Cambridge Introduction to Modernism (Cambridge UP, 2007), pp.77-79.

D.H. Lawrence

Biography of D.H. Lawrence (1885 – 1930)

David Herbert Lawrence (11 September 1885 – 2 March 1930) was one of the most important, certainly one of the most controversial, English writers of the 20th century, who wrote novels, short stories, poems, plays, essays, travel books, and letters.

The son of a coal miner, Lawrence was born in Eastwood, Nottinghamshire, United Kingdom. His mixture of working and middle class parents and their often volatile relationship had a great impact on the literature of this English writer. In 1902 he contracted pneumonia and his career as a factory clerk, which had barely started, came to an end. He began training as a teacher first teaching the sons of miners in his home town and then returning to education to receive a teaching certificate from University College Nottingham in 1908.

While working as a teacher in Croydon some of his poetry came to the attention of Ford Maddox Hueffer editor of The English Review , who commissioned the story ‘Odour of Chyrsanthemums’ which, when published in that magazine, provoked a London publisher to ask Lawrence for more work, and his career in literature began. Shortly after his first novel was published, The White Peacock , in 1910 Lawrence’s mother died after a long illness. It is suggested by some that Lawrence may have helped his mother to die by giving her an overdose. Lawrence, the author of Sons And Lovers , (1913), had an extremely close relationship with his mother and her death was a major turning-point in his life just as the death of Mrs Morel forms a major turning-point in the novel.

Pneumonia struck again soon after his mother’s death and this lead to the tuberculosis which would eventually kill him. He decided on his recovery to abandon teaching to concentrate on writing. In 1912 Lawrence eloped to Germany with Frieda Weekley née von Richthofen (distant cousin of Manfred von Richthofen, also known as “the Red Baron”), the wife of his modern languages professor from Nottingham University. They returned to England at the outbreak of World War I and were married on the 13 July 1914. Because of Frieda’s German parentage and Lawrence’s pacifism they were viewed with suspicion in England during the war and lived in near poverty. The Rainbow (1915) was suppressed after an investigation into its obscenity in 1915. They were even accused of spying and signalling to German submarines off of the coast of Cornwall where they lived.

After the war Lawrence began what he termed his ‘savage pilgrimage’. He left England, to return only twice for short visits, and with Frieda spent the rest of his life travelling, settling down for only short periods. His travels took him to France, Italy, Ceylon, Australia, America and Mexico. He dreamed of establishing a utopian community on the ranch in Taos, New Mexico where he lived for several years but another bout of pneumonia forced him to return to Europe where he lived in Italy, while writing the various versions of Lady Chatterley’s Lover (1929), which was published in private editions in Paris.

He died in Vence, France in 1930. Frieda returned to live on the ranch in Taos and later brought Lawrence’s ashes to rest there. His birthplace, in Eastwood, 8a Victoria Street, is now a museum.

Biography By: This article is licensed under the GNU Free Documentation License and uses material adapted in whole or in part from the Wikipedia article on D.H. Lawrence.

Poems By D.H. Lawrence

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D.H. Lawrence

D.H. Lawrence Review

Published since 1968.

       The D.H. Lawrence Review is published bi-annually as an international forum for criticism, scholarship, review, and bibliography related to the work of the British writer D.H. Lawrence and his circle.

      The DHLR publishes scholarly work by both younger critics and established scholars. The essays appearing in the journal explore the many ways in which Lawrence illuminates and challenges his readers.

Current Issue

"We've got to live, no matter how many skies have fallen."

––D.H. Lawrence,  Lady Chatterley's Lover

* Issue 45.1.2 (2020), a Double Issue, has been printed and has been shipped.

*   Beginning in Summer 2018, the D.H. Lawrence Review began a formal affiliation  with JSTOR, the digital scholarly library.  The journal continues to publish a print edition.  With the arrangement that the journal has established with JSTOR, there is now a “moving wall” of one year.  The moving wall is the gap between the most recent issue of the journal and the date of the most recent issues available through JSTOR.  Subscribers to JSTOR thus will have access to all back issues of the D.H. Lawrence Review with the exception of a current year’s previous issues.  The entire fifty-year trove of articles from the D.H. Lawrence Review is now available to JSTOR subscribers. Please see the link here:  http://www.jstor.org/journal/dhlawrencereview

* The journal is also considering establishing a mechanism by which JSTOR can provide access to individual subscribers who do not have institutional access.

*  Nominations for Awards in Lawrence Studies

D.H. Lawrence Society of North America is pleased to invite nominations for the following awards in Lawrence studies:

The Harry T. Moore Award for Lifetime Achievement in and Encouragement of Lawrence Studies

The Mark Spilka Lectureship. Lecture by a distinguished Lawrence scholar to be delivered at the International Conference. Awarded no less than once per decade. The Extraordinary Service Award. For service to the DHLSNA and/or Lawrence studies in general.

The Biennial Award for a book by a Newly Published Scholar in Lawrence Studies. For a book substantially, though not necessarily exclusively, devoted to Lawrence. 

The Biennial Award for an article by a Newly Published Scholar in Lawrence Studies. Only articles or book chapters published from August 2021 to July 2024 will be considered. Chapters published in multi-author collections such as  The Bloomsbury Handbook to D. H. Lawrence, Ed. Annalise Grice (2024)  are eligible for this award, as are individual chapters in single-author volumes.

All nominations and self-nominations should be sent to DHLSNA President Ronald Granofsky at [email protected] and must be received no later than January 1, 2024. Winners will be announced in the Spring 2024 DHLSNA  Newsletter.

Recent Issues

Volume 45 Number 1-2 2020

Cover,  Aaron's Rod (Thomas Seltzer, 1922)

Journal of the Short Story in English

Les Cahiers de la nouvelle

Accueil Numéros 68 Bibliography D.H. Lawrence: A Bibliography

D.H. Lawrence: A Bibliography

Texte intégral, i. short stories and novellas by d. h. lawrence, a- 1910-1929.

1 Title. First edition. Standard scholarly edition(s).

2 The Prussian Officer and Other Stories . London: Duckworth, 1914. Ed. John Worthen. Cambridge: Cambridge UP, 1983. Ed. Antony Atkins. Oxford UP, 1995. Print. Contains “The Prussian Officer” (first appeared in the English Review and in Metropolitan in 1914 as “Honour and Arms”), “The Thorn in the Flesh” (first published in the English Review as “Vin Ordinaire” in 1914), “Daughters of the Vicar” (a version appeared in Time and Tide in 1934 as “Two Marriages”), “A Fragment of Stained Glass” ( English Review 1911), “The Shades of Spring” (first appeared in the Forum in 1913 as “The Soiled Rose”), “Second Best” ( English Review 1912), “The Shadow in the Rose Garden” ( Smart Set 1914), “Goose Fair” ( English Review 1910), “The White Stocking” ( Smart Set 1914), “A Sick Collier” ( New Statesman 1913), “The Christening” ( Smart Set 1914), “Odour of Chrysanthemums” ( English Review 1911; later adapted into a play The Widowing of Mrs. Holroyd ). The Cambridge edition also includes Appendix I “Odour of Chrysanthemums Fragment” and Appendix II “Two Marriages.”

3 England, My England and Other Stories . New York: Seltzer, 1922. Ed. Bruce Steele. Cambridge: Cambridge UP, 1990. Ed. Bruce Steele. Harmondsworth: Penguin, 1995. Print. Contains “England, My England” ( English Review 1915), “Tickets, please” ( Strand 1919), “The Blind Man” ( English Review 1920), “Monkey Nuts” ( Sovereign 1922), “Wintry Peacock” ( Metropolitan 1921), “Hadrian” (appeared as “You Touched Me” in Land and Water in 1920), “Samson and Delilah” ( English Review 1917), “The Primrose Path,” “The Horse Dealer’s Daughter” ( English Review 1922; in its draft stage was known as “The Miracle”), “The Last Straw” ( Hutchinson’s Story Magazine 1921 entitled “Fanny and Annie”). The Cambridge and Penguin editions provide a selection of Uncollected Stories 1913-22: “The Mortal Coil” ( Seven Arts , 1917) “The Thimble” ( Seven Arts 1917), “Adolf” ( Dial , 1920), “Rex” ( Dial 1921) and an appendix “England, My England,” 1915 version.

4 The Ladybird, The Fox, The Captain’s Doll . London: Secker, 1923. Print. The Captain’s Doll: Three Novelettes . New York: Seltzer, 1923. Print. The Fox, The Captain’s Doll, The Ladybird . Ed. Dieter Mehl. Cambridge: Cambridge UP, 1992. Print. These editions contain three novellas: The Fox (periodical publication in an earlier version in Hutchinson’s Story Magazine in 1920, revised and published in installments in the Dial in 1922), The Captain’s Doll (loosely based on “The Mortal Coil”), The Ladybird (a later version of “The Thimble”). The Cambridge edition also provides Appendix I “Ending of the First Version of The Fox ” and Appendix II “ The Fox : Hermitage and Those Farm Girls.”

5 St. Mawr . New York: Knopf, 1925. Print. St. Mawr Together with The Princess . London: Secker 1925. Print. St. Mawr and Other Stories . Ed. Brian Finney. Cambridge: Cambridge UP, 1983. Ed. Brian Finney. London: Penguin 1997. Print. These editions contain St. Mawr , and “The Princess” (first published in installments in the March, April and May 1925 issues of the Calendar of Modern Letters ). The Cambridge and Penguin editions also add “The Overtone,” Appendix I “The Wilful Woman” and Appendix II “The Flying Fish.”

6 Glad Ghosts . London: Ernest Benn, 1926. Print.

7 The Woman Who Rode Away and Other Stories . London: Secker 1928. London: Penguin, 1970. Eds. Dieter Mehl and Christa Jansohn. Cambridge: Cambridge UP, 1995. Print. Contains “Two Blue Birds” ( Dial 1927), Sun ( New Coterie 1926), “The Woman Who Rode Away” (first published in the Dial in two installments in 1925), “Smile” ( Nation & Anthenaeum 1926), “The Border-Line” ( Hutchinson’s Magazine and Smart Set 1924), “Jimmy and the Desperate Woman” ( Criterion 1924), “The Last Laugh” ( The New Decameron IV 1925), “In Love” ( Dial 1927), “The Man Who Loved Islands” (first published in the Dial in two installments in 1927, and collected only in the American edition of The Woman Who Rode Away and Other Stories , Knopf 1928, and not in the Penguin 1970 edition), Glad Ghosts (first published in installments in the Dial 1926), “None of That.” The Penguin edition also contains “A Modern Lover” and “Strike-Pay.” The Penguin and Cambridge editions also include “The Rocking Horse Winner” ( Harper’s Bazaar 1926, also compiled in The Ghost Book: 16 New Stories of the Uncanny , edited by Lady Cynthia Asquith, Hutchinson, 1926), “The Lovely Lady” (first collected in Cynthia Asquith’s The Back Cap: New Stories of Murder , Hutchinson, 1927). The Cambridge edition provides additional material with Appendix I “ Sun : Variants,” Appendix II “‘The Border-Line’: Early Manuscript Version,” Appendix III “‘The Last Laugh’: Lawrence’s revisions in MS,” Appendix IV “‘More Modern Love’: Manuscript Version of ‘In Love,’” Appendix V “‘The Man Who Love Islands’: First Manuscript Version,” Appendix VI “‘Glad Ghosts’ Lawrence’s Manuscript Revisions,” Appendix VII “‘The Lovely Lady’: The Black Cap Version” and Appendix VIII “A Pure Witch.”

8 The Escaped Cock . Paris: Black Sun Press, 1929. Print.

b- Posthumous collections

9 The Virgin and the Gipsy . Florence: Orioli, 1930. Print.

10 Love Among the Haystacks and Other Pieces . London: Nonesuch, 1930. New York: Viking, 1933. Print. Contains “A Reminiscence by David Garnett,” “Love Among the Haystacks,” “A Chapel Among the Mountains,” “A Hay Hut Among the Mountains” (the latter two being travel pieces), “Once.”

11 “Adolf” and “The Fly in the Ointment.” Young Lorenzo: Early Life of D. H. Lawrence . Eds. Ada Lawrence and G. Stuart Gelder. Florence: Orioli, 1932. Print.

12 The Lovely Lady and Other Stories . London: Secker, 1933. Print. Contains “The Blue Moccasins” ( Eve: The Lady’s Pictorial 1928) “The Lovely Lady,” “The Man Who Loved Islands,” “Mother and Daughter” ( New Criterion 1929), “The Overtone,” “Rawdon’s Roof,” “Things” ( Bookman 1928), “The Rocking-Horse Winner.”

13 A Modern Lover . London: Secker, 1934. Print. Contains “Her Turn,” “A Modern Lover,” “New Eve and Old Adam,” “The Old Adam,” “Strike Pay” ( Saturday Westminster Gazette 1913), “Witch à la Mode” ( Lovat Dickson’s Magazine 1934), and also Mr. Noon .

14 The Tales of D. H. Lawrence . London: Secker, 1934. Reprinted in 2 volumes, St Clair Shores: Scholarly Press, 1972. Print. Contains all the short stories published between 1914 and 1931.

15 Phoenix: The Posthumous Papers of D. H. Lawrence . Ed. Edward D. McDonald. London: Heinemann, 1936, 1961. London: Penguin, 1978. Print. Contains “Adolf,” “A Dream of Life” (published as “Autobiographical Fragment”), “The Flying Fish,” “Miner at Home” ( Nation 1912), “Mercury,” ( Atlantic Monthly 1927), “Rex” ( Dial 1921), and “The Undying Man.”

16 Stories, Essays and Poems . Ed. Desmond Hawkins. London: Dent, 1939. Reprinted as D. H. Lawrence’s Stories, Essays and Poems . London: Dent, 1967. Print.

17 A Prelude , Thames Ditton: Merle Press, 1949. Print.

18 The Portable D. H. Lawrence . Ed. Diana Trilling. New York: Viking, 1947. New York: Penguin, 1977. Print. Contains “The Blind Man,” The Fox , “The Lovely Lady,” “The Princess,” “The Prussian Officer,” “The Rocking-Horse Winner” and “Tickets, Please.”

19 The Complete Short Stories of D. H. Lawrence . London: Heinemann, 1955. Harmondsworth: Penguin, 1976. 3 vols. Print.

20 The Short Novels . London: Heinemann, 1956. 2 vols. Print. Contains The Captain’s Doll, The Fox, The Ladybird , “Love Among the Haystacks,” “The Man Who Died,” St. Mawr, The Virgin and the Gipsy.

21 St. Mawr and the Man Who Died , New York: Random House, 1959. Print.

22 Four Short Novels . New York: Viking 1965. New York: Penguin 1976. Print. Contains The Captain’s Doll, The Fox, The Ladybird , “Love Among the Haystacks.”

23 Phoenix II: Uncollected, Unpublished, and Other Prose Works by D. H. Lawrence . Eds. Warren Roberts and Harry T. Moore. London: Heinemann, 1968. Harmondsworth: Penguin, 1978. Print. Contains “Delilah and Mr. Bircumshaw,” “Fly in the Ointment,” “Lessford’s Rabbits,” “A Lesson on a Tortoise,” “The Mortal Coil,” “Once–!” “A Prelude,” and “The Thimble.”

24 Three Novellas: The Fox, The Ladybird, The Captain’s Doll . Harmondsworth: Penguin, 1970. Print.

25 Love Among the Haystacks and Other Stories . Harmondsworth: Penguin, 1970. Print. Contains: “Love Among the Haystacks,” “The Lovely Lady,” “Rawdon’s Roof,” “The Rocking-Horse Winner,” “The Man Who Loved Islands” and “The Man Who Died.”

26 The Mortal Coil and Other Stories . Ed. Keith Sagar. Harmondsworth: Penguin, 1971. Print. Contains “The Mortal Coil,” “A Chapel and a Hay Hut among the Mountains,” “Adolf,” “Delilah and Mr. Bircumshaw,” “A Fly in the Ointment,” “Her Turn,” “Lessford’s Rabbits,” “A Lesson on a Tortoise,” “The Miner at Home,” “New Eve and Old Adam,” “The Old Adam,” “Once –!” “A Prelude,” “Rex,” ‘The Thimble” and “Witch à la Mode.”

27 The Princess and Other Stories . Ed. Keith Sagar. Harmondsworth: Penguin, 1971. Print. Contains “The Princess,” “The Blue Moccasins,” “A Dream of Life” (“Autobiographical Fragment”), “The Flying Fish,” “The Man Who Was Through with the World,” “Mother and Daughter,” “Mercury,” “The Overtone,” Sun , “Things,” “The Undying Man,” “The Wilful Woman.”

28 St. Mawr and The Virgin and the Gipsy . Harmondsworth: Penguin, 1971. Print.

29 The Collected Short Stories of D. H. Lawrence . London: Heinemann, 1974. 3 vols. Print.

30 The Escaped Cock . Ed. Gerald Lacy. Los Angeles: Black Sparrow Press, 1976. Print.

31 Love Among the Haystacks and Other Stories . Ed. John Worthen. Cambridge: Cambridge UP, 1987. London: Penguin 1996. Print. Contains “A Prelude” ( Nottinghamshire Guardian , 1907), “A Lesson on a Tortoise,” “Lessford’s Rabbits,” “A Modern Lover,” “The Fly in the Ointment,” “The Witch à la Mode,” “The Old Adam,” “The Miner at Home,” “Her Turn” ( Saturday Westminster Gazette , 1913), “Strike-Pay,” “Delilah and Mr. Bircumshaw” ( Virginia Quarterly Review , 1940), “Love Among the Haystacks,” “Once –!” “New Eve and Old Adam.” The Cambridge edition also provides Appendix I “‘Two Schools’ Fragment,” Appendix II “‘Delilah and Mr. Bircumshaw’ Fragment,” Appendix III “‘Burns Novel’ Fragments.”

32 The Virgin and the Gipsy and Other Stories . Eds. Michael Herbert, Bethan Jones, and Lindeth Vasey. Cambridge: Cambridge UP, 2006. Print. Contains “The Virgin and the Gipsy,” “Things,” “Rawdon’s Roof,” “Mother and Daughter,” “The Escaped Cock,” “The Blue Moccasins,” Appendix I “‘The Escaped Cock’: Early Versions, Appendix II “‘The Man Who Was Through with the World,” Appendix III “The Undying Man,” Appendix IV “The Blue Moccasins: Early Versions,” Appendix V “The Woman Who Wanted to Disappear.”

33 Selected Stories . Ed. Sue Wilson. London: Penguin, 2007. Print. Contains “Love Among the Haystacks,” “The Miner at Home,” “The White Stocking,” “Odour of Chrysanthemums,” “New Eve and Old Adam,” “Vin Ordinaire,” “The Prussian Officer,” “England, My England,” “The Horse-Dealer’s Daughter,” The Blind Man,” “Adolf,” “The Last Straw,” “Sun,” “The Rocking-Horse Winner,” The Man Who Loved Islands” and “Things.”

34 Vicar’s Garden and Other Stories . Ed. N. H. Reeve. Cambridge: Cambridge, UP, 2009. Print. A collection of manuscripts and other early versions of some of D. H. Lawrence’s short stories, as well as stories which have never been published before. Contains “The Vicar’s Garden” (written 1907), “The Shadow in the Rose Garden,” “A Page from the Annals of Gresleia” (1907), “Ruby-Glass” (1907), “The White Stocking,” “‘Odour of Chrysanthemums’ Version 2” (1910), “‘Odour of Chrysanthemums’ Version 3” (1911), “Intimacy” (1911), “The Harassed Angel” (1911), “Vin Ordinaire” (1913), “‘The Blind Man’ Version 1” (1918), “‘Wintry Peacock’ Version 1” (1919), Appendix “The July 1914 ending of ‘Odour of Chrysanthemums.’”

35 The Collected Supernatural and Weird Fiction of D. H. Lawrence: Three Novelettes – “Glad Ghosts,” “The Man Who Died,” and “The Border-Line” – and Five Short Stories of the Macabre and Unusual . Milton Keynes: Leonaur, 2009. Print. One of a series of collected “supernatural and weird fiction” of writers in English. The “Five Short Stories of the Macabre and Unusual” are “Smile,” The Last Laugh,” Sun , “The Rocking-Horse Winner,” and “The Woman Who Rode Away.”

II. Other works in chronological order

36 Title. First edition. Standard scholarly edition.

37 The White Peacock . London: Heinemann, 1911. Ed. Andrew Robertson. Cambridge: Cambridge UP, 1983. Print.

38 The Trespasser . London: Duckworth, 1912. Ed. Elizabeth Mansfield. Cambridge: Cambridge UP, 1981. Print.

39 Love Poems and Others . London: Duckworth, 1913. D. H. Lawrence: The Poems . Ed. Christopher Pollnitz. Cambridge: Cambridge UP, 1992. 2 vols. Print.

40 Sons and Lovers . London: Duckworth, 1913. Eds. Helen Baron and Carl Baron. Cambridge: Cambridge UP, 1992. Print.

41 The Widowing of Mrs Holroyd . Written 1914. First performed 1916. The Plays . Eds. Hans-Wilhelm Schwarze and John Worthen. Cambridge: Cambridge UP, 1999. 2 vols. Print.

42 The Rainbow. London: Methuen, 1915. Ed. Mark Kinkead-Weekes. Cambridge: Cambridge UP, 1989. Print.

43 Twilight in Italy. London: Duckworth, 1916. Twilight in Italy and Other Essays . Ed. Paul Eggert. Cambridge: Cambridge UP, 1994. Print.

44 Amores . London: Duckworth, 1916. Print. (see D. H. Lawrence: The Poems )

45 Look! We Have Come Through! London: Chatto and Windus, 1917. Print. (see D. H. Lawrence: The Poems )

46 New Poems . London: Secker, 1918. Print. (see D. H. Lawrence: The Poems )

47 Bay: A Book of Poems . London: Beaumont, 1919. Print. (see D. H. Lawrence: The Poems )

48 Touch and Go. London: C. W. Daniel, 1920. Print. First performed 1973. (see The Plays )

49 Women in Love . Privately published 1920. London: Secker, 1921. Eds. David Farmer, Lindeth Vasey and John Worthen. Cambridge: Cambridge UP, 1987. Print.

50 The Lost Girl. London: Secker, 1920. Ed. John Worthen. Cambridge: Cambridge UP, 1981. Print.

51 Movements in European History . Oxford: Oxford UP, 1921. Ed. Philip Crumpton. Cambridge: Cambridge UP, 1989. Print.

52 Psychoanalysis of the Unconscious . New York: Seltzer, 1921. Psychoanalysis and the Unconscious and Fantasia of the Unconscious . Ed. Bruce Steele. Cambridge: Cambridge UP, 2004. Print.

53 Tortoises . New York: Seltzer, 1921. Print. (see D. H. Lawrence: The Poems )

54 Sea and Sardinia . New York: Seltzer, 1921 (this first edition included eight pictures in colour by Jan Juta). Ed. Mara Kalnins. Cambridge: Cambridge UP, 1997. Print.

55 Aaron’s Rod . New York: Seltzer, 1922. Ed. Mara Kalnins. Cambridge: Cambridge UP, 1988. Print.

56 Fantasia of the Unconscious . New York: Seltzer, 1922. Print. (see Psychoanalysis and the Unconscious and Fantasia of the Unconscious )

57 Studies in Classic American Literature . New York: Seltzer, 1923. Eds. Ezra Greenspan, Lindeth Vasey and John Worthen. Cambridge: Cambridge UP, 2002. Print.

58 Kangaroo . London: Secker, 1923. Ed. Bruce Steele. Cambridge: Cambridge UP, 1994. Print.

59 Birds, Beasts and Flowers . New York: Seltzer, 1923. Print. (see D. H. Lawrence: The Poems )

60 Mastro-Don Gesualdo , by Giovanni Verga. New York: Seltzer, 1923. London: Dedalus, 1999. Print.

61 The Boy in the Bush . London: Secker, 1924. Ed. Paul Eggert. Cambridge: Cambridge UP, 1990. Print.

62 Little Novels of Sicily , by Giovanni Verga. New York: Seltzer, 1925. Phoenix II: Uncollected, Unpublished, and Other Prose Works by D. H. Lawrence . Eds. Warren Roberts and Harry T. Moore. London: Heinemann, 1968. Harmondsworth: Penguin, 1973. Print.

63 Reflections on the Death of a Porcupine and Other Essays . Philadelphia: Centaur Press, 1925. Ed. Michael Herbert. Cambridge: Cambridge UP, 1988. Print.

64 The Plumed Serpent . London: Secker, 1926. Ed. L. D. Clark. Cambridge: Cambridge UP, 1987. Print.

65 David . London: Secker, 1926. Print. First performed 1927. (see The Plays )

66 Mornings in Mexico . London: Secker, 1927. Mornings in Mexico and Other Essays . Ed. Virginia Hyde. Cambridge: Cambridge UP, 2009. Print.

67 Cavalleria Rusticana and Other Stories, by Giovanni Verga . London: Jonathan Cape, 1928. London: Penguin, 2000. Print.

68 Lady Chatterley’s Lover . Privately published in Florence, 1928. Harmondsworth: Penguin, 1960. Ed. Michael Squires. Cambridge: Cambridge UP, 1993. The First and Second Lady Chatterley novels . Eds. Dieter Mehl and Christa Jansohn. Cambridge: Cambridge UP, 1999. Print.

69 The Paintings of D. H. Lawrence. London: Mandrake Press, 1929. Ed. M. Levy. London: Cory, Adams & Mackay, 1964 . Print.

70 The Collected Poems of D. H. Lawrence. London: Secker, 1928. Print. (see D. H. Lawrence: The Poems )

71 Pansies . London: Secker, 1929. Print. (see D. H. Lawrence: The Poems )

72 Pornography and Obscenity . Criterion Miscellany 5. London: Faber & Faber, 1929. Print. (see Late Essays and Articles )

73 Nettles . London: Faber & Faber, 1930. Print. (see D. H. Lawrence: The Poems )

74 Apocalypse . Florence: Orioli, 1931. Apocalypse and the Writings on Revelation . Ed. Mara Kalnins. Cambridge: Cambridge UP, 1980. Print.

75 Etruscan Places . London: Secker, 1932. Sketches of Etruscan Places and Other Italian Essays . Ed. Simonetta de Filippis. Cambridge: Cambridge UP, 1992. Print.

76 Last Poems . Florence: Orioli, 1932. Print. (see D. H. Lawrence: The Poems )

77 The Fight for Barbara . Argosy 14.91 (1933): 68-90. Print. First performed 1967. (see The Plays )

78 A Collier’s Friday Night . London: Secker, 1934. Print. First performed 1939. (see The Plays )

79 The Married Man . Virginia Quarterly Review 16 (Autumn 1940): 523-47. Print. First performed 1997. (see The Plays )

80 The Merry-go-round. Virginia Quarterly Review Christmas Issue (Winter 1941). Print. First performed 1973. (see The Plays )

81 Mr. Noon. Part I. A Modern Lover . New York: Viking, 1934. Phoenix II . Parts I and II. Ed. Lindeth Vasey. Cambridge: Cambridge UP, 1984. Print.

82 The Escaped Cock. Ed. Gerald Lacy. Los Angeles: Black Sparrow Press, 1976. Print.

83 The Letters of D. H. Lawrence. Ed. James T. Boulton, George J. Zytaruk, Andrew Robertson, et al . Cambridge: Cambridge UP, 1979-2001. 8 vols. Print.

84 Quetzalcoatl. Written 1923. Introd. Louis Martz. New York: New Directions, 1995. Ed. N. H. Reeve. Cambridge: Cambridge UP, 2015. Print.

85 Paul Morel. Written 1911–12. Ed. Helen Baron. Cambridge: Cambridge UP, 2003. Print.

86 Introductions and Reviews . Eds. N. H. Reeve and John Worthen. Cambridge: Cambridge UP, 2004. Print.

87 Late Essays and Articles . Ed. James T. Boulton. Cambridge: Cambridge UP, 2004. 2 vols. Print.

III. A selection of studies of the short stories

88 Abolin, Nancy. “Lawrence’s ‘The Blind Man’: The Reality of Touch.” A D. H. Lawrence Miscellany . Ed. Harry T. Moore. Carbondale: Southern Illinois UP, 1959. 215-30. Print.

89 Adelman, Gary S. “Beyond the Pleasure Principle: An Analysis of D. H. Lawrence’s ‘The Prussian Officer’.” Studies in Short Fiction 1 (1964): 8-15. Print.

90 Alexandre-Garner, Corinne. “ The Captain’s Doll ou le ravissement de la langue.” Études Lawrenciennes 8 (1992): 21-34. Print.

91 ---. “‘The Man Who Loved Islands’; ou l’effacement de la trace.” Études Lawrenciennes 2 (1988): 91-106. Print.

92 Amon, Frank. “D. H. Lawrence and the Short Story.” The Achievement of D. H. Lawrence . Eds. Frederick J. Hoffman and Harry T. Moore. U of Oklahoma P, 1953. 222-34. Print. [Studies “The Rocking-Horse Winner.”]

93 Anderson, Walter E. “‘The Prussian Officer’: Lawrence’s Version of the Fall of Man Legend.” Essays in Literature 12 (1985): 215-23. Print.

94 Appleman, Philip. “One of D. H. Lawrence’s ‘Autobiographical Characters’.” Modern Fiction Studies 2 (1956-7): 237-38. Print. [Focuses on “The Shades of Spring.”]

95 Aquien, Pascal. “Le visage et la voix dans ‘The Lovely Lady’.” Études Lawrenciennes 2 (1988): 71-80. Print.

96 Baim, Joseph. “Past and Present in D. H. Lawrence’s ‘A Fragment of Stained Glass’.” Studies in Short Fiction 8 (1971): 323-26. Print.

97 ---. “The Second Coming of Pan: A Note on D. H. Lawrence’s ‘The Last Laugh’.” Studies in Short Fiction 6 (Autumn 1968): 98-100. Print.

98 Baker, P. G. “By the Help of Certain Notes: A Source for D. H. Lawrence’s ‘A Fragment of Stained Glass’.” Studies in Short Fiction 17 (1980): 317-26. Print.

99 Balbert, Peter.” Courage at the Border-Line: Baider, Hemingway and Lawrence’s The Captain’s Doll .” Papers on Language & Literature 42.3 (2006): 227-63. Print.

100 ---. “Freud, Frazer, and Lawrence’s Palimpsestic Novella: Dreams and the Heaviness of Male Destiny in The Fox .” Studies in the Novel 38.2 (2006): 211-33. Print.

101 ---. “From Panophilia to Phallophobia: Sublimation and Projection in D. H. Lawrence’s St. Mawr .” Papers on Language and Literature 49.1 (2013): 37-69. Print.

102 ---. “Pan and the Appleyness of Landscape: Dread of the Procreative Body in ‘The Princess’.” Studies in the Novel 34.3 (2002): 282-302. Print.

103 ---. “Snake’s Eye and Obsedian Knife: Art, Ideology and ‘The Woman Who Rode Away’.” D. H. Lawrence Review 18 (1985-86): 255-73. Print.

104 ---. “Scorched Ego, the Novel, and the Beast: Patterns of Fourth Dimensionality in ‘The Virgin and the Gipsy’.” Papers on Language and Literature 29.4 (1993): 395-416. Print.

105 ---. “Thirteen Ways of Looking at The Ladybird : D. H. Lawrence, Lady Cynthia Asquith, and the Incremental Structure of Seduction.” Studies in the Humanities 36.1 (2009): 15-49. Print.

106 ---, and Phillip L. Marcus, eds. D. H. Lawrence: A Centenary Consideration . Ithaca: Cornell UP, 1982. Print [A section deals with The Ladybird and St. Mawr .]

107 Baldeshwiler, Eileen. “The Lyric Short Story: The Sketch of a History.” Studies in Short Fiction 6 (Summer 1969): 443-53. Print. [Discusses “The Blind Man” and “The Christening.”]

108 Banerjee, Ria. “The Search for Pan: Difference and Morality in D. H. Lawrence’s St. Mawr and ‘The Woman Who Rode Away’.” D. H. Lawrence Review 37.1 (2012): 65-89. Print.

109 Barker, Anne Darling. “The Fairy Tale and St. Mawr .” Forum for Modern Language Studies 20.1 (1984): 76-83. Print.

110 Barrett, Gerald, and Thomas L. Erskine. From Fiction to Film: D. H. Lawrence’s “The Rocking-Horse Winner.” Encino and Belmont: Dickenson 1974. Print.

111 Barry, Peter. “Stylistics and the Logic of Intuition: or, How Not to Pick a Chrysanthemum.” Critical Quarterly 27 (Winter 1985): 51-58. Print.

112 Beauchamp, Gorman. “Lawrence’s ‘The Rocking-Horse Winner’.” Explicator 31 (1973): item 32. Print.

113 Becker, George. D. H. Lawrence . New York: Ungar, 1980. Print. [Includes a section giving an overview of the main short stories.]

114 Becker, Henry. “‘The Rocking-Horse Winner’: Film as Parable.” Literature/Film Quarterly 1 (1973): 55-63. Print.

115 Bentley, Greg. “Hester and the Homo-social Order: An Uncanny Search for Subjectivity in D. H. Lawrence’s ‘The Rocking-Horse Winner’.” D. H. Lawrence Review 34-35 (2010): 55-74. Print.

116 Bergler, Edmund. “D. H. Lawrence’s The Fox and the Psychoanalytic Theory on Lesbianism.” A D. H. Lawrence Miscellany . Ed. Harry T. Moore. Carbondale: Southern Illinois UP, 1959. 49-55. Print.

117 Betsky-Zweig, Sarah. “Floutingly in the Fine Black Mud: D. H. Lawrence’s ‘The Horse-Dealer’s Daughter’.” Dutch Quarterly Review 3 (1973): 159-65. Print.

118 Birgy, Philippe. “‘The Victim and the Sacrificial Knife’: Lawrence’s Transatlantic Fantasies in ‘The Woman Who Rode Away’.” Journal of the Short Story in English/Les Cahiers de la nouvelle 61 (2013): 33-48. Print. http://jsse.revues.org/​1372 Web. 14 March 2017.

119 Black, Michael. D. H. Lawrence: The Early Fiction, a Commentary. Cambridge: Cambridge UP, 1986. Print.

120 ---. Lawrence’s England: The Major Fiction, 1913-20 . Basingstoke: Palgrave Macmillan, 2001. Print. [A chapter is devoted to “England, My England.”]

121 ---. “Lawrence’s Language of Metaphor: St. Mawr as source.” Études Lawrenciennes 19 (1999): 81-96. Print.

122 Blanchard, Lydia. “D. H. Lawrence.” Critical Survey of Short Fiction . Vol. 5. Ed. Frank N. Magill. Englewood Cliffs: Salem Press, 1981. 1788-1794. Print.

123 ---. “Mothers and Daughters in D. H. Lawrence: The Rainbow and Selected Shorter Works.” Lawrence and Women . Ed. Anne Smith. New York: Barnes & Noble, 1978. 75-100. Print. [Deals with “Mother and Daughter” and St. Mawr .]

124 Blayac, Alain. “Guerre et guerres dans ‘England, My England’.” Études Lawrenciennes 2 (1988): 17-36. Print.

125 Bloom, Harold, ed. Bloom’s Major Short Story Writers: D. H. Lawrence . Bromall: Chelsea House, 2001. Print.

126 Blythe, Hal, and Charlie Sweet. “Lawrence’s ‘Odour of Chrysanthemums’.” The Explicator 60.3 (2002): 154. Print.

127 Bodenheimer, Rosemarie. “ St. Mawr , A Passage to India , and the Question of Influence.” D. H. Lawrence Review 13 (1980): 134-49. Print.

128 Booth, Howard J. New D. H. Lawrence . Manchester: Manchester UP, 2009. Print. [Contains a chapter devoted to Lawrence’s late short stories.]

129 ---. “Same-Sex Desire, Cross-Gender Identification and Asexuality in D. H. Lawrence’s Early Short Fiction.” Études Lawrenciennes 42 (2011): 36-57. Print.

130 Boren, James L. “Commitment and Futility in The Fox .” University of Kansas City Review 31 (1965): 301-04. Print.

131 Boulton, James T. “D. H. Lawrence’s ‘Odour of Chrysanthemums’: An Early Version.” Renaissance and Modern Studies 13.1 (1969): 4-48. Print.

132 Brault-Dreux, Elise. Le “je” et ses masques dans la poésie de D. H. Lawrence . Villeneuve d’Ascq: Presses Universitaires du Septentrion, 2014. Print. [Traces parallels between Lawrence’s poems and St. Mawr and “The Man Who Died,” passim]

133 Brayfield, Peg. “Lawrence’s ‘Male and Female Principles’ and the Symbolism of The Fox .” Mosaic 4.3 (1971): 41-51. Print.

134 Breen, Judith P. “D. H. Lawrence, World War I and the Battle Between the Sexes: A Reading of ‘The Blind Mind’ and ‘Tickets, Please’.” Women’s Studies 13 (1986): 63-74. Print.

135 Bricout, Shirley. “Bankruptcy in ‘The Horse-Dealer’s Daughter’.” Journal of D. H. Lawrence Studies 4.2 (2016): 139-42. Print.

136 ---. “Le sacrifice du langage dans ‘The Woman Who Rode Away’ de D. H. Lawrence.” Études britanniques contemporaines 42 (2012): 37-50. Print.

137 Brown, Christopher. “The Eyes Have it: Vision in The Fox .” Wascana Review 15.2 (1980): 61-68. Print.

138 Brown, Keith. “Welsh Red Indians: D. H. Lawrence and St. Mawr .” Essays in Criticism 32 (1982): 158-79. Print.

139 Butler, Gerald J. “‘The Man Who Died’ and Lawrence’s Final Attitude towards Tragedy.” Recovering Literature 6.3 (1977): 1-14. Print.

140 Carriker, Kitti . Created in Our Image: The Miniature Body of the Doll as Subject and Object . Bethlehem: Lehigh UP, 1998. Print. [Discusses The Captain’s Doll .]

141 Carter, Courtney M. “Journey Toward the Center: A Jungian Analysis of Lawrence’s St. Mawr .” D. H. Lawrence Review 26.1-3 (1995-96): 65-78. Print.

142 Chua, Cheng Lok. “Lawrence’s ‘The Shadow in the Rose Garden’.” Explicator 37.1 (1978): 23-24. Print.

143 Clark, L. D. “Lawrence’s ‘Maya’ Drawing for Sun .” D. H. Lawrence Review 15 (1982): 141-146. Print.

144 Clausson, Nils. “Practicing Deconstruction, Again: Blindness, Insight and the Lovely Treachery of Words in D. H. Lawrence’s ‘The Blind Man’.” College Literature 34.1 (2007): 106-28. Print.

145 Cluysenaar, Anne. Introduction to Literary Stylistics: A Discussion of Dominant Structures in Verse and Prose . London: Batsford, 1976. Print. [Analyses “The Blind Man.”]

146 Conde, Silvestre, and Juan Camilo. “‘A Lesson on a Tortoise’ and D. H. Lawrence’s Earliest Crisis of Social Identity.” Revista Alicantina de Estudios Ingleses 7 (1994): 47-54. Print.

147 Consolo, Dominic P., ed. “The Rocking-Horse Winner.” Columbus: Charles E. Merrill, 1969. Print. [A collection of essays on this one short story.]

148 Contreras, Sheila. “‘These were just natives to her’: Chilchui Indians and ‘The Woman Who Rode Away’.” D. H. Lawrence Review 25.1-3 (1993-94): 91-103. Print.

149 Core, Deborah. “‘The Closed Door’: Love Between Women in the Works of D. H. Lawrence.” D. H. Lawrence Review 11 (1978): 114-31. Print. [Also deals with The Fox .]

150 Coroneos, Con and Trudi Tate. “Lawrence’s Tales.” The Cambridge Companion to D. H. Lawrence . Ed. Anne Fernihough. Cambridge: Cambridge UP, 2001. 103-18. Print.

151 Cowan, James. D. H. Lawrence’s American Journey: A Study in Literature and Myth . Cleveland: Press of Case Western Reserve U, 1970. Print. [Discusses “The Border-Line,” “The Flying Fish,” “Jimmy and the Desperate Woman,” “The Last Laugh,” “The Man Who Died,” “The Princess,” “Smile,” and “The Woman Who Rode Away.”]

152 ---. “D. H. Lawrence’s Dualism: The Apollonian-Dionysian Polarity and The Ladybird .” Forms of Modern British Fiction . Ed. Alan W. Friedman. Austin: Texas UP, 1975. 73-99. Print.

153 ---. “D. H. Lawrence’s ‘The Princess’ as Ironic Romance.” Studies in Short Fiction 4.3 (Spring 1967): 245-51. Print.

154 ---. “The Function of Allusions and Symbols in D. H. Lawrence’s ‘The Man Who Died’.” American Imago 17 (1960): 241-53. Print.

155 ---. “Lawrence and Touch.” D. H. Lawrence Review 18.2-3 (1985-86): 121-37. Print. [Argues how touch is a medium to communicate empathy in “You Touched Me.”]

156 ---. “Lawrence’s ‘The Rocking-Horse Winner’.” Explicator 27 (1968): item 9. Print.

157 ---. “Phobia and Psychological Development in D. H. Lawrence’s ‘The Torn in the Flesh’.” The Modernists: Studies in Literary Phenomenon: Essays in Honor of Harry T. Moore . Eds. Lawrence B. Gamache and Ian S. MacNiven. London: Associated UP, 1987. 163-70. Print.

158 Craig, David. The Real Foundations: Literature and Social Change . Oxford: Oxford UP, 1974. Print. [Includes comments on The Captain’s Doll , “Daughters of the Vicar,” St. Mawr and “The Virgin and the Gipsy.”]

159 Crick, Brian. The Story of “The Prussian Officer” Revisions: Littlewood Amongst the Lawrence Scholars . Retford: Brynmill Press, 1983. Print.

160 Crowder, A.B., and L. Crowder. “Mythic Intent in D. H. Lawrence’s ‘The Virgin and the Gipsy’.” South Atlantic Review 49.2 (1984): 61-66. Print.

161 Crowley, Cornelius. “Living On, Desired Ends: The Poetics of Travel in Four Lawrence Stories.” Études Lawrenciennes 36 (2007): 9-29. Print. [Focuses on “The Border-Line,” “England, My England,” Sun and “Things.”]

162 Crump, G. B. “ The Fox on film.” D. H. Lawrence Review 1 (Autumn 1968): 238-44. Print.

163 ---. “Gopher Prairie or Papplewick?: ‘The Virgin and the Gipsy’ as Film.” D. H. Lawrence Review 4 (1971): 142-153. Print.

164 Cushman, Keith. “The Achievement of England, My England and Other Stories. ” DHL The Man who Lived . Eds. Robert B. Partlow Jr. and Harry T. Moore. Carbondale: Southern Illinois UP, 1980. 27-38. Print.

165 ---. “‘A Bastard Begot’: The Origins of D. H. Lawrence’s ‘The Christening’.” Modern Philology 70 (1972): 146-48. Print.

166 ---. “Blind, Intertextual Love: ‘The Blind Man’ and Raymond Carver’s ‘Cathedral’.” D. H. Lawrence’s Literary Inheritors . Eds. Dennis Jackson and Keith Cushman. Basingstoke: Macmillan, 1991. 155-66. Print.

167 ---. D.H. Lawrence at Work – The Emergence of the ‘ Prussian Officer’ Stories . Hassocks: Harvester Press, 1978. Print.

168 ---. “D.H. Lawrence at Work: from ‘Vin Ordinaire’ to ‘The Thorn in the Flesh’.” Journal of Modern Literature 5.1 (February 1976): 46-58. Print.

169 ---. “D. H. Lawrence at Work: The Making of ‘Odour of Chrysanthemums’.” Journal of Modern Literature 2.3 (1971-1972): 367-92. Print.

170 ---. “D. H. Lawrence at Work: ‘The Shadow in the Rose Garden’.” D. H. Lawrence Review 8 (Spring 1975): 31-46. Print.

171 ---. “Domestic Life in the Suburbs: Lawrence, the Joneses and ‘The Old Adam’.” D. H. Lawrence Review 16 (1983): 221-34. Print.

172 ---. “Ghosts and Fighting Celts in “The Border-Line’.” Études Lawrenciennes 23 (2000): 93-107. Print.

173 ---. “‘I am going through a transition stage’: ‘The Prussian Officer’ and The Rainbow .” D. H. Lawrence Review 8 (Summer 1975): 176-97. Print.

174 ---. “‘I wish that story at the bottom of the sea’: The Making and Re-Making of ‘England, My England’.” Études Lawrenciennes 46 (2015). Web. 14 March 2017. DOI: 10.4000/lawrence.235

175 ---. “Lawrence’s Use of Hardy in ‘The Shades of Spring’.” Studies in Short Fiction 9 (Autumn 1972): 402-04. Print.

176 ---. “The Making of D. H. Lawrence’s ‘The White Stocking’.” Studies in Short Fiction 10 (1973): 51-65. Print.

177 ---. “The Making of ‘The Prussian Officer’: A Correction.” D. H. Lawrence Review 4 (1971): 263-73. Print.

178 ---. “A Note on Lawrence’s ‘Fly in the Ointment’.” English Language Notes 15 (1977): 47-51. Print.

179 ---. “The Serious Comedy of ‘Things’.” Études Lawrenciennes 6 (1991): 83-94. Print.

180 ---. “The Virgin and the Gypsy and The Lady and the Gamekeeper .” D. H. Lawrence’s Lady: A New Look at Lady Chatterley’s Lover. Eds. Michael Squires and Dennis Jackson. Athens: U of Georgia P, 1985. 154-69. Print.

181 ---. “The Young Lawrence and the Short Story.” Modern British Literature 3.2 (1978): 101-12. Print;

182 ---, and Earl G. Ingersoll, eds. D. H. Lawrence: New Worlds . Madison: Fairleigh Dickinson UP, 2003. Print. [Contains a chapter devoted to “The Woman Who Rode Away.”]

183 ---, and Michael Squires, eds. The Challenge of D. H. Lawrence . Madison: U of Wisconsin P, 1990. Print. [Contains a section on The Captain’s Doll and The Fox .]

184 D. H. Lawrence’s Short Fiction , special issue of the D. H. Lawrence Review 16.3, 1983. Print.

185 Daalder, Joost. “Background and Significance of D. H. Lawrence’s The Ladybird .” D. H. Lawrence Review 15 (1982): 107-28. Print.

186 Daleski, H. M. “Aphrodite of the Foam in The Ladybird Tales.” D. H. Lawrence: A Critical Study of the Major Novels and Other Writings . Ed. A. H. Gomme. Hassocks: Harvester Press, 1978. 142-59. Print.

187 Dataller, Roger. “Mr. Lawrence and Mrs. Woolf.” Essays in Criticism 8 (1958): 48-59. Print. [Discusses revisions in two stories: “The Prussian Officer” and “The Thorn in the Flesh.”]

188 Davies, Rosemary. “D. H. Lawrence and the theme of rebirth.” D. H. Lawrence Review 14 (1981): 127-42. Print.

189 ---. “From Heat to Radiance: The Language of ‘The Prussian Officer’.” Studies in Short Fiction 21 (1984): 269-71. Print.

190 ---. “Lawrence, Lady Cynthia Asquith, and ‘The Rocking-Horse Winner’.” Studies in Short Fiction 20 (1983): 121-26. Print.

191 ---. “‘The Rocking-Horse Winner’ again: A Correction.” Studies in Short Fiction 18 (1981): 320-22. Print.

192 Davis, Patricia. “Chicken Queen’s Delight: D. H. Lawrence’s The Fox .” Modern Fiction Studies 19 (1973): 565-71. Print.

193 Dawson, Eugene W. “Love Among the Mannikins: The Captain’s Doll .” D. H. Lawrence Review 1 (Summer 1968): 137-48. Print.

194 De Filippis, Simonetta. “Eros and Thanatos in D. H. Lawrence’s Amerindian Tales.” Études Lawrenciennes 23 (2000): 7-23. Print.

195 ---, and Nick Ceramella, eds. D. H. Lawrence and Literary Genres . Naples: Loffredo, 2004. Print. [A section is devoted to romance in some of the short stories, in particular Sun , another offers a reading of “Odour of Chrysanthemums.”]

196 Delany, Paul. “‘We shall know each other now’: Message and Code in D. H. Lawrence’s ‘The Blind Man’.” Contemporary Literature 26 (1985): 26-39. Print.

197 ---. “Who was ‘The Blind Man’?” English Studies in Canada 9 (1983): 92-99. Print.

198 Delavenay, Emile. D. H. Lawrence: The Man and His Work, the Formative Years, 1885-1919 . London: Heinemann, 1972. Print. [Discusses “The Blind Man,” “The Christening,” “England, My England,” “Love Among the Haystacks,” and “The Shades of Spring.”]

199 ---. “D. H. Lawrence and Sacher-Masoch.” D. H. Lawrence Review 6 (Summer 1973): 119-48. Print. [Discusses “The Shades of Spring.”]

200 Denny, N. “ The Ladybird .” Theoria 11 (1958): 17-28. Print.

201 Devlin, Albert J. “The ‘Strange and Fiery’ Course of The Fox : D. H. Lawrence’s Aesthetic of Composition and Revision.” The Spirit of D. H. Lawrence: Centenary Studies . Eds. Gāmini Salgādo and G. K. Das. London: Macmillan, 1988. 75-91. Print.

202 Dexter, Martin. “D. H. Lawrence and Pueblo Religion: An Inquiry into Accuracy.” Arizona Quarterly 9 (Autumn 1953): 219-34. Print.

203 Díez-Medrano, Conchita. “Breaking Moulds, Smashing Mirrors: The Intertextaul Dynamics of D. H. Lawrence’s ‘The Lovely Lady’.” Revista Alicantina de Estudios Ingleses 9 (1996): 91-103. Print.

204 ---. “Fictions of Rape: The Teller and the Tale in D. H. Lawrence’s ‘None of That’.” Forum for Modern Language Studies 32.4 (1996): 303-13. Print.

205 ---. “Narrative Voice and Point of View in D. H. Lawrence’s ‘Samson and Delilah’.” Essays in Literature 1 (Spring 1995): 87-96. Print.

206 Doherty, Gerald. “The Art of Survival: Narrating the Nonnarratable in D. H. Lawrence’s ‘The Man Who Loved Islands’.” D. H. Lawrence Review . 24 (Autumn 1992): 117-26. Print.

207 ---. “D. H. Lawrence’s The Fox : A Question of Species.” D. H. Lawrence Review 37.2 (2012): 1-21. Print.

208 ---. “The Greatest Show on Earth: D. H. Lawrence’s St Mawr and Antonin Artaud’s Theater of Cruelty.” D. H. Lawrence Review 22.1 (1990): 5-20. Print.

209 ---. “The Third Encounter: Paradigms of Courtship in D. H. Lawrence’s Shorter Fiction.” D. H. Lawrence Review 17 (1984): 135-51. Print. [Discusses “The Virgin and the Gipsy” and The Fox ]

210 ---. “A ‘Very Funny’ Story: Figural Play in D. H. Lawrence’s The Captain’s Doll .” D. H. Lawrence Review 18.1 (1985-86): 5-17. Print.

211 Draper, R. P. “The Defeat of Feminism; D. H. Lawrence’s The Fox and ‘The Woman Who Rode Away’.” Studies in Short Fiction 3 (Winter 1966): 186-98. Print.

212 ---. D. H. Lawrence . New York: Twayne, 1964. Print. [Refers to “England, My England,” “Hadrian” The Fox , “The Man Who Died,” “The Man Who Loved Islands,” “The Princess,” “The Prussian Officer” stories, “The Rocking-Horse Winner,” “Things,” “The Virgin and the Gipsy,” and to “The Woman Who Rode Away.”]

213 ---. “D. H. Lawrence on Mother-Love.” Essays in Criticism 8 (1958): 285-89. Print. [Discusses “The Rocking-Horse Winner.”]

214 ---. “The Sense of Reality in the Work of D. H. Lawrence.” Revue des Langues Vivantes 23 (1967): 461-70. Print. [On “Love Among the Haystacks.”]

215 Dufour, Françoise. “‘Sun’: Nouvelle, essai ou poème ?” Études Lawrenciennes 2 (1988): 59-70. Print.

216 Earl, G. A. “Correspondence.” Cambridge Quarterly 1.3 (1965): 273-75. Print. [Discusses “Daughters of the Vicar.”]

217 Ebbatson, Roger. “‘England, My England’: Lawrence, War and Nation.” Literature and History 9.1 (2000): 67-82. Print.

218 Edwards, Duane. “The Objectivity of D. H. Lawrence’s ‘The Woman Who Rode Away’.” Southern Humanities Review 39.3 (2005): 205-22. Print.

219 Eggert, Paul, and John Worthen. Lawrence and Comedy . Cambridge: Cambridge UP, 1996. Print. [A chapter is devoted to St. Mawr .]

220 Ellis, David, and Ornella de Zordo, eds. D.H. Lawrence: Critical Assessments . Mountfield: Helm Information, 1992. 4 vols. Print. [In vol. 3, this collection of previously published articles is devoted to most of the short stories.]

221 Emmett, V. J., Jr. “Structural Irony in D. H. Lawrence’s ‘The Rocking-Horse Winner’.” Connecticut Review 5 (1972): 5-10. Print.

222 Engel, Monroe. “The Continuity of Lawrence’s Short Novels.” D. H. Lawrence: A Collection of Critical Essays . Ed. Mark Spilka. Englewood Cliffs: Prentice-Hall, 1963. 93-100. Print. [About The Captain’s Doll , The Fox , The Ladybird , St. Mawr .]

223 ---. “Knowing More Than One Imagines: Imagining More Than One Knows.” Agni 31-32 (1990): 165-176. Print. [Draws parallels between Raymond Carver’s “Cathedral” and “The Blind Man”.]

224 Englander, Ann. “‘The Prussian Officer’: The Self Divided.” Sewanee Review 71 (Autumn 1963): 605-19. Print.

225 Faderman, Lillian. “Lesbian Magazine Fiction in the Early Twentieth Century.” Journal of Popular Culture 11 (1978): 800-17. Print. [Discusses The Fox .]

226 Fadiman, Regina. “The Poet as Choreographer: Lawrence’s ‘The Blind Man’.” Journal of Narrative Technique 2 (1972): 60-67. Print.

227 Fambrough, Preston. “The Sexual Landscape of D. H. Lawrence’s ‘The Princess’.” CLA Journal 53.3 (2010): 286-301. Print.

228 Faustino, Daniel. “Psychic Rebirth and Christian Imagery in D. H. Lawrence’s ‘The Horse-Dealer’s Daughter’.” Journal of Evolutionary Psychology 9 (1989): 105-108. Print.

229 Fernihough, Anne, ed. The Cambridge Companion to D. H. Lawrence . Cambridge: Cambridge UP, 2001. Print. [Sections are devoted to “The Prussian Officer” and to an overview of the short stories and novellas]

230 Ferretter, Luke. The Glyph and the Gramophone: D. H. Lawrence’s Religions . London: Bloomsbury, 2013. Print. [Traces how Lawrence expresses his own religious beliefs in “The Escaped Cock,” St. Mawr and “The Woman Who Rode Away.”]

231 Fiderer, Gerald. “D. H. Lawrence’s ‘The Man Who Died’: The Phallic Christ.” American Imago 25 (Spring 1968): 91-96. Print.

232 Finney, Brian. “D. H. Lawrence’s Progress to Maturity: From Holograph Manuscript to Final Publication of The Prussian Officer and Other Stories .” Studies in Bibliography 28 (1975): 21-32. Print.

233 ---. “The Hitherto Unknown Publication of some D. H. Lawrence Short Stories.” Notes and Queries 19 (1972): 55-56. Print. [Mentions “The Blue Moccasins,” The Fox , “The Rocking-Horse Winner,” and “Smile.”]

234 ---. “Introduction.” The Prussian Officer and Other Stories . Ed. John Worthen. Cambridge: Cambridge UP, 1983. xiii-xxxiii. Print.

235 ---. “A Newly Discovered Text of D. H. Lawrence’s ‘The Lovely Lady’.” Yale University Library Gazette 49 (1975): 245-60. Print.

236 ---. “Two Missing Pages from The Ladybird .” Review of English Studies 24 (1973): 191-92. Print.

237 ---, and Michael Ross. “The Two Versions of ‘Sun’: An exchange.” D. H. Lawrence Review 8 (1975): 371-74. Print.

238 Fitz, L. T. “‘The Rocking-Horse Winner’ and The Golden Bough .” Studies in Short Fiction 11 (1974): 199-200. Print.

239 Ford, George H. Double Measure: A Study of the Novels and Stories of D. H. Lawrence . New York: Holt, Rinehart, and Winston, 1965. Print.

240 Foster, Jane. D. H. Lawrence: Symbolic landscapes . Kent: Joe’s Press, 1994. Print. [Highlights Lawrence’s symbols in many of the short stories, as well as the major novels.]

241 Fowles, John. “The Man Who Died’: A Commentary.” Wormholes: Essays and Occasional Writings . Ed. Jan Relf. London: Jonathan Cape, 1998. 228-40. Print.

242 Fox, Elizabeth. “André Grenn’s ‘The Dead Mother’ and D. H. Lawrence’s ‘The Rocking-Horse Winner’.” Études Lawrenciennes 39 (2009): 151-62. Print.

243 ---. “Mirroring in ‘The Prussian Officer’: Lacanian Reflections in Lawrence.” Études Lawrenciennes 34 (2007): 59-76. Print.

244 Franks, Jill. Islands and the Modernists: The Allure of Isolation in Art, Literature and Science . Jefferson: McFarland, 2006. Print. [A section deals with “The Man Who Loved Islands.”]

245 ---. Revisionist Resurrection Mythologies: A Study of D. H. Lawrence’s Italian Works . New Yok: Peter Lang, 1994. Print. [Includes remarks on “The Man Who Died,” Sun , and “The Woman Who Rode Away.”]

246 Freije, George F. “Equine Names in ‘The Rocking-Horse Winner’.” CEA Critic 51.4 (1989): 75-84. Print.

247 Friedman, Alan W. Forms of Modern British Fiction . Austin: Texas UP, 1975. Print. [A chapter is devoted to The Ladybird .]

248 Fulmer, O. Bryan. “The Significance of the Death of the Fox in D. H. Lawrence’s The Fox .” Studies in Short Fiction 5 (Spring 1968): 275-82. Print.

249 Gamache, Lawrence B., and Ian S. MacNiven, eds. The Modernists: Studies in Literary Phenomenon: Essays in Honor of Harry T. Moore . London: Associated UP, 1987. Print. [A chapter is devoted to ‘The Thorn in the Flesh.”]

250 Game, David . D. H. Lawrence’s Australia: Anxiety at the Edge of Empire . London: Routledge, 2016. Print. [Sections trace Lawrence’s engagement with Australia in “The Vicar’s Garden,” “The Primrose Path” and St. Mawr .]

251 Garcia, Reloy, and James Karabataos, eds. A Concordance to the Short Fiction of D. H. Lawrence . Lincoln: U of Nebraska P, 1972. Print. [A word index to Lawrence’s short stories and novellas.]

252 Gavin, Adrienne. “Marginalization and Colonization: Literary Criticism of D. H. Lawrence’s Short Stories.” Études Lawrenciennes 23 (2000): 135-48. Print.

253 Gidley, Mick. “Antipodes: D. H. Lawrence’s St. Mawr .” Ariel 5 (1974): 25-41. Print.

254 Gilbert, Sandra. “Costumes of the Mind: Transvestism as Metapohr in Modern Literature.” Critical Enquiry 7 (1980): 391-417. Print. [Discusses The Fox .]

255 ---. “Potent Griselda: The Ladybird and the Great Mother.” D. H. Lawrence: A Centenary Consideration . Eds. Peter Balbert and Phillip L. Marcus. Ithaca: Cornell UP, 1982. 130-161. Print.

256 Giles, Steve. “Marxism and Form: D. H. Lawrence’s St. Mawr .” Literary Theory at Work: Three Texts . Ed. Douglas Tallack. London: Batsford, 1987. 49-66. Print.

257 Goldberg, Michael. “Dickens and Lawrence: More on Rocking-Horses.” Modern Fiction Studies 27 (Winter 1971-2): 574-75. Print.

258 ---. “Lawrence’s ‘The Rocking-Horse Winner’: A Dickensian Fable?” Modern Fiction Studies 15 (Winter 1969): 525-36. Print.

259 Gomme, A. H., ed. D. H. Lawrence: A Critical Study of the Major Novels and Other Writings . Hassocks: Harvester Press, 1978. Print. [Sections are devoted to “England, My England,” to The Ladybird and to The Fox .]

260 Gontarski, S. E. “Christopher Miles on his Making of ‘The Virgin and the Gipsy’.” Literature/Film Quarterly 11 (1983): 249-56. Print.

261 ---. “Mark Rydell and the Filming of The Fox .” Modernist Studies 4 (1982): 96-104. Print.

262 Good, Jan. “Toward a Resolution of Gender Identity Confusion: The Relationship of Henry and March in The Fox .” D. H. Lawrence Review 18.2-3 (1985-86): 217-27. Print.

263 Goodheart, Eugene. “Lawrence and Christ.” Partisan Review 31 (Winter 1964): 42-59. Print. [Discusses “The Man Who Died.”]

264 ---. The Utopian Vision of D. H. Lawrence . Chicago: U of Chicago P, 1963. Print. [Discusses The Fox , “The Man Who Died,” St. Mawr and “The Woman Who Rode Away.”]

265 Goodman, Charlotte. “Henry James, D. H. Lawrence and the Victimized Child.” Modern Language Studies 10.1 (1979-80): 43-51. Print. [Traces similarities between “The Author of Beltraffio” and “England My England,” and between “The Pupil” and “The Rocking-horse Winner."]

266 Gouirand-Rousselon, Jacqueline. “D. H. Lawrence after a phallic Christ: The Resurrection into Touch in ‘The Man Who Died’.” Études Lawrenciennes 23 (2000): 45-59. Print.

267 ---. “Passages: from hibernation to Awakening (March in The Fox ). The Phallic Parade and Woman in Question.” Études Lawrenciennes 17 (1998): 121-37. Print.

268 ---. “Power, Will and the Phallic Order in The Fox and The Ladybird .” Études Lawrenciennes 40 (2008): 119-32. Print.

269 Granofsky, Ronald. D. H. Lawrence and Survival: Darwinism in the Fiction of the Transitional Period . Montreal: McGill-Queen’s UP, 2003. Print. [Sections are devoted to The Captain’s Doll and The Ladybird novellas and to the stories of England, My England .]

270 ---. “Illness and Wellness in D. H. Lawrence’s The Ladybird .” Orbis Litterarum 51.2 (1996): 99-117. Print.

271 ---. “A Second Caveat: D. H. Lawrence’s The Fox .” English Studies in Canada 15.1 (1988): 49-63. Print.

272 ---. “Survival of the Fittest in Lawrence’s The Captain’s Doll .” D. H. Lawrence Review 27.1 (1997-98): 27-46. Print.

273 Gregor, Ian. “ The Fox : A Caveat.” Essays in Criticism 9 (1959): 10-21. Print.

274 Greiff, Louis K. “Bittersweet Dreaming in Lawrence’s The Fox : A Freudian Perspective.” Studies in Short Fiction 20 (1983): 7-16. Print.

275 ---. “Variations on a Theme by D. H. Lawrence: ‘The Rocking-Horse Winner’ as Experimental Cinema.” Études Lawrenciennes 23 (2000): 109-114. Print.

276 Grenander, M. E., ed. Helios: From Myth to Solar Energy . Albany: State U of New York P, 1978. Print. [A section is devoted to Lawrence’s last stories, with a particular focus on Sun .]

277 Grmelová, Anna. “ The Captain’s Doll : Aspects of D. H. Lawrence’s Politics and the Comic Mode.” Prague Studies in English 22 (2000): 153-160. Print.

278 ---. “‘The Prussian Officer’ in the Context of D. H. Lawrence’s Short Fiction.” Brno Studies in English 24 (1998): 141-146. Print.

279 ---. The Worlds of D. H. Lawrence’s Short Fiction. Prague: Karolinum, 2001. Print.

280 Gunnarsdottir-Campion, Margret. “The ‘something-else’: Ethical Ecriture in D. H. Lawrence’s St. Mawr .” D. H. Lawrence Review 36.2 (2011): 43-71. Print.

281 Gurko, Leo. “D. H. Lawrence’s Greatest Collection of Short Stories – What Holds it Together.” Modern Fiction Studies 18 (1972): 173-82. Print. [Discusses the aesthetic value of the novellas.]

282 Gutierrez, Donald. “The Ancient Imagination of D. H. Lawrence.” Twentieth Century Literature 27 (1981): 178-96. Print. [Traces hylozoistic concepts in St. Mawr .]

283 ---. “Getting Even with John Middleton Murry.” Interpretations 15.1 (1983): 31-38. Print. [Discusses “The Border-Line,” “Jimmy and the Desperate Woman,” and “The Last Laugh.”]

284 ---. Lapsing out: Embodiments of Death and Rebirth in the Last Writings of D. H. Lawrence . London: Associated UP, 1980. Print. [A section focuses on “The Virgin and the Gipsy” but the study also includes discussions of “The Man Who Died.”]

285 Guttenberg, Barnett. “Realism and Romance in Lawrence’s ‘The Virgin and the Gipsy’.” Studies in Short Fiction 17 (1980): 99-103. Print.

286 Haegert, John W. “D. H. Lawrence and the Aesthetics of Transgression.” Modern Philology 88 (1990): 2-25. Print.

287 ---. “Lawrence’s St. Mawr and the De-Creation of America.” Criticism 34 (1992): 75-98. Print.

288 Halperin, Irving. “Unity in St. Mawr .” South Dakota Review 4 (1966): 58-60. Print.

289 Harris, Janice Hubbard. “Insight and experiment in D. H. Lawrence’s Early Short Fiction.” Philological Quarterly 55 (1976): 418-35. Print.

290 ---. “The Many Faces of Lazarus: ‘The Man Who Died’ and its Context.” D. H. Lawrence Review 16 (1983): 291-311. Print.

291 ---. “The Moulting of The Plumed Serpent : A Study of the Relationship Between the Novel and Three Contemporary Tales.” Modern Language Quarterly 39 (1978): 154-68. Print. [The relationship with St Mawr in particular]

292 ---. The Short Fiction of D. H. Lawrence . New Brunswick: Rutgers UP, 1984. Print.

293 Harrison, Andrew. D. H. Lawrence: Selected Short Stories . Tirril: Humanities-Ebooks, 2008. Print. [Provides a background for the writing of the short stories together with a selected bibliography for each.]

294 Hendrick, George. “Jesus and the Osiris-Isis Myth: Lawrence’s ‘The Man Who Died’ and Williams’s The Night of the Iguana .” Anglia 84 (1966): 398-406. Print.

295 Herzinger, Kim. D. H. Lawrence in His Time: 1908-1915 . London: Associated UP, 1982. Print. [Refers to “England, My England.”]

296 Hildick, Wallace. Word for Word: The Rewriting of Fiction . New York: Norton, 1965. Print. [A section is devoted to “Odour of Chrysanthemums.”]

297 Hinz, Evelyn J., and John J. Teunissen. “Savior and Cock: Allusion and Icon in Lawrence’s ‘The Man Who Died’.” Journal of Modern Literature 5.2 (1976): 279-96. Print.

298 Hirsch, Gordon D. “The Laurentian Double: Images of D. H. Lawrence in the Stories.” D. H. Lawrence Review 10.3 (1977): 270-76. Print.

299 Hoffman Frederick J. and Harry T. Moore, eds. The Achievement of D. H. Lawrence . Oklahoma: U of Oklahoma P, 1953. Print. [A section gives an overview of Lawrence’s short stories.]

300 Hollington, Michael. “Lawrentian Gothic and ‘the Uncanny’.” Anglophonia 15 (2004): 171-84. Print. [Discusses the short stories written between 1924 and 1928.]

301 Hough, Graham. The Dark Sun: A Study of D. H. Lawrence . London: Duckworth 1956. Print. [Discusses The Captain’s Doll, “England, My England,” The Fox , “Hadrian,” “The Man Who Died,” “The Princess,” “The Rocking-Horse Winner,” St. Mawr , “The Virgin and the Gipsy,” and “The Woman Who Rode Away.”]

302 ---. “Lawrence’s Quarrel With Christianity: ‘The Man Who Died’.” D. H. Lawrence: A Collection of Critical Essays . Ed. Mark Spilka. Englewood Cliffs: Prentice-Hall, 1963. 101-11. Print.

303 Howard, Daniel F. A Manual to Accompany the Modern Tradition: An Anthology of Short Stories . Boston: Little & Brown, 1968. Print. [Introduces “The Prussian Officer.”]

304 Hudspeth, Robert N. “Duality as Theme and Technique in D. H. Lawrence’s ‘The Border-Line’.” Studies in Short Fiction 4 (Autumn 1966): 51-56. Print.

305 ---. “Lawrence’s ‘Odour of Chrysanthemums’: Isolation and Paradox.” Studies in Short Fiction 6 (Autumn 1969): 630-36. Print.

306 Humma, John B. “Lawrence’s The Ladybird and the Enabling Image.” D. H. Lawrence Review 17 (1984): 219-32. Print.

307 ---. “Melville’s Billy Budd and Lawrence’s ‘The Prussian Officer’: Old Adam and New.” Essays in Literature 1 (1974): 83-88. Print.

308 ---. “Pan and ‘The Rocking-Horse Winner’.” Essays in Literature 5 (1978): 53-60. Print.

309 Hyde, Virginia. The Risen Adam: D. H. Lawrence’s Revisionist Typology . Philadelphia: Pennsylvania State UP, 1992. Print. [Discusses the influence of the Bible and Christian beliefs throughout Lawrence’s works.]

310 Iida, Takeo. D. H. Lawrence as Anti-rationalist: Mysticism, Animism, and Cosmic Life in His Works . Tokyo: AoyamaLife, 2012. Print. [A section traces parallels between St. Mawr , ‘The Escaped Cock,’ and Child of the Western Isles , another contrasts animism and Christianity in St. Mawr .]

311 Ingram, Allan. The Language of D. H. Lawrence . London: Macmillan, 1990. Print. [Refers to “England, My England” and to St Mawr .]

312 Inniss, Kenneth. D. H. Lawrence’s Bestiary: A Study of His Use of Animal Trope and Symbol . The Hague: Mouton, 1971. Print.

313 Iwai, Gaku. “Wartime Ideology in ‘The Thimble’: A Comparative Study of Popular Wartime Romance and the Anti-romance of D. H. Lawrence.” Études Lawrenciennes 46 (2015). Web. 13 March 2017. DOI: 10.4000/lawrence.236

314 Iyer, Pico. “Lawrence by Lightning.” American Scholar 68.4 (1999): 128-33. Print. [Studies “The Virgin and the Gipsy.”]

315 Jackson, Dennis and Keith Cushman, eds. D. H. Lawrence’s Literary Inheritors . Basingstoke: Macmillan, 1991. Print. [Sections are devoted to “The Blind Man,” to St. Mawr and to “The Virgin and the Gipsy.”]

316 ---, and Fleda Brown Jackson, eds. Critical Essays on D. H. Lawrence . Boston: G. K. Hall, 1988. Print. [A section deals with “The Horse-Dealer’s Daughter.”]

317 Jenkins, Stephen. “The Relevance of D. H. Lawrence Today: A Study of ‘Odour of Chrysanthemums’.” Journal of the D. H. Lawrence Society 2.1 (1979): 15-16. Print.

318 Jones, Bethan. “Depravity, Abuse and Homoerotic Desire in Billy Budd and ‘The Prussian Officer’.” Journal of D. H. Lawrence Studies 42 (2016): 47-72. Print.

319 ---. “Disappearing Tricks: Comedy and Gender in D. H. Lawrence’s Late Short Fiction.” New D. H. Lawrence . Ed. Harold Booth. Manchester: Manchester UP, 2009. 130-47. Print.

320 ---. “Strife, Consummation and Consciousness in D. H. Lawrence’s Women in Love and ‘The Prussian Officer’.” Études Lawrenciennes 31 (2005): 135-50. Print.

321 Jones, Lawrence. “Physiognomy and the Sensual Will in The Ladybird and The Fox .” D. H. Lawrence Review 13 (1980): 1-29. Print.

322 --- and Paul Simpson-Housley. “The Dualistic Landscapes of St. Mawr .” Journal of the D. H. Lawrence Society 4.3 (1988-89): 31-40. Print.

323 Joost, Nicholas, and Alvin Sullivan. D. H. Lawrence and the Dial . Carbondale: Southern Illinois UP, 1970. Print. [An account tracing how thirty of Lawrence’s works appeared in twenty-five issues of the Dial. ]

324 Junkins, Donald. “D. H. Lawrence’s ‘The Horse-Dealer’s Daughter’.” Studies in Short Fiction 6 (Winter 1969): 210-13. Print.

325 ---. “‘The Rocking-Horse Winner’: A Modern Myth.” Studies in Short Fiction 2 (Autumn 1964): 87-89. Print.

326 Kalnins, Mara, ed. D. H. Lawrence: Centenary Essays . Bristol: Bristol Classical Press, 1986. Print. [A section is devoted to “The Virgin and the Gipsy.”]

327 ---. “D. H. Lawrence’s ‘Odour of Chrysanthemums’: The Three Endings.” Studies in Short Fiction 13.4 (1976): 471-79. Print.

328 ---. “D. H. Lawrence’s ‘Two Marriages’ and ‘Daughters of the Vicar’.” Ariel 7.1 (1976): 32-49. Print.

329 Karl, Frederick R. “Lawrence’s ‘The Man Who Loved Islands’: The Crusoe Who Failed.” A D. H. Lawrence Miscellany . Ed. Harry T. Moore. Carbondale: Southern Illinois UP, 1959. 265-79. Print.

330 Katz-Roy, Ginette. “Tel un poisson dans l’eau: du léthal au foetal dans ‘The Flying Fish’.” Études Lawrenciennes 1 (1986): 59-72. Print.

331 ---. “La Transgression des frontières dans l’œuvre de D. H. Lawrence.” Dissertation, Institut du Monde Anglophone Paris III, 1995. Print.

332 Kay, Wallace G. “ Women in Love and ‘The Man Who Had Died’: Resolving Apollo and Dionysus.” Southern Quarterly 10 (1972): 325-39. Print.

333 Kearney, Martin F. Major Short Stories of D.H. Lawrence – A Handbook . New York: Garland, 1998. Print. [Discusses “Daughters of the Vicar,” “The Horse-Dealer’s Daughter,” “Odour of Chrysanthemums,” “The Prussian Officer,” “The Rocking-Horse Winner” and “The Shadow in the Rose Garden.”]

334 ---. “Spirit, Place and Psyche: Integral Integration in D. H. Lawrence’s ‘The Man Who Loved Islands’.” English Studies 69.2 (1988): 158-62. Print.

335 Kegel-Brinkgreve E. “The Dionysian Tramline.” Dutch Quarterly Review 5 (1975): 180-94. Print. [A study of “Tickets, Please.”]

336 Kendle, Burton S. “D. H. Lawrence: The Man Who Misunderstood Gulliver.” English Language Notes 2 (1964): 42-46. Print. [Discusses Swift in “The Man Who Loved Islands”]

337 Kennedy, Andrew. “The Myth of Rebirth in D. H. Lawrence’s ‘The Man Who Died’.” Excursions in Fiction . Ed. Andrew Kennedy. Oslo: Novus, 1994. 124-30. Print.

338 Kiely, Robert. “Power of the Working Class in Lawrence’s Fiction.” The Challenge of D. H. Lawrence . Eds. Keith Cushman and Michael Squires. Madison: U of Wisconsin P, 1990. 89-102. Print. [Discusses all the works, including the short stories, related to the mining community.]

339 Kinkead-Weekes, Mark. “The Gringo Señora Who Rode Away.” D. H. Lawrence Review 22.3 (1990): 251-65. Print.

340 ---. “Re-dating ‘The Overtone’.” D. H. Lawrence Review 25.1-3 (1993-94): 75-80. Print.

341 Koban, Charles. “Allegory and the Death of the Heart in ‘The Rocking-Horse Winner’.” Studies in Short Fiction 15 (1978): 391-96. Print.

342 Koh, Jae-Kyung. D. H. Lawrence and the Great War: The Quest for Cultural Regeneration . New York: Peter Lang, 2007. Print. [Sections are devoted to The Fox and St. Mawr .]

343 Kramp, Michael. “Gypsy Desire in the Land: The Decay of the English Race and Radical Nomadism in ‘The Virgin and the Gypsy’.” D. H. Lawrence Review 32-33 (2003-4): 64-86. Print.

344 Krishnamurthy, M. G. “D. H. Lawrence’s ‘The Woman Who Rode Away’.” Literary Criterion 4 (Summer 1960): 40-49. Print.

345 Kunkel, Francis L. Passion and the Passion: Sex and Religion in Modern Literature . Philadelphia: Westminster Press, 1975. Print. [A section is devoted to “The Man Who Died.”]

346 Lacy, Gerald. “Commentary.” The Escaped Cock . Ed. Gerald Lacy. Los Angeles: Black Sparrow Press, 1976. 121-70. Print.

347 Lainoff, Seymour. “The Wartime Setting of Lawrence’s ‘Tickets, Please’.” Studies in Short Fiction 7 (Autumn 1970): 649-51. Print.

348 Larsen, Elizabeth. “Lawrence’s ‘The Man Who Died’.” The Explicator 40.4 (1982): 38-40. Print.

349 Lawrence, D. H. “‘The Man Who Was Through with the World’: An Unfinished Story by Lawrence Introduced by John R. Elliott, Jr.” Essays in Criticism 9 (1959): 213-21. Print.

350 Leavis, F. R. D. H. Lawrence: Novelist . London: Chatto & Windus, 1955. Print. [Discusses “Daughters of the Vicar,” “England, My England,” The Fox , “Hadrian,” “Fanny and Annie,” “The Horse-Dealer’s Daughter,” “Mother and Daughter,” “The Princess,” St. Mawr , “The Virgin and the Gipsy,” and “The Woman Who Rode Away.”]

351 ---. “Lawrence and Class: ‘The Daughters of the Vicar’.” Sewanee Review 62 (Autumn 1954): 535-62. Print.

352 ---. Thought, Words and Creativity: Art and Thought in Lawrence . London: Chatto & Windus, 1976. Print. [A chapter is devoted to The Captain’s Doll .]

353 Ledoux, Larry V. “Christ and Isis: The Function of the Dying and Reviving God in ‘The Man Who Died’.” D. H. Lawrence Review 5 (1972): 132-48. Print.

354 Lee, Brian S. “The Marital Conclusions of Tennyson’s ‘Maud’ and Lawrence’s ‘England, My England’.” University of Cape Town Studies in English 12 (1982): 19-37. Print.

355 Levin, Gerald. “The Symbolism of Lawrence’s The Fox .” CLA Journal 11 (1967): 135-41. Print.

356 Liddell, Robert. “Lawrence and Dr Leavis: The Case of St. Mawr .” Essays in Criticism 4 (1954): 321-27. Print.

357 Link, Viktor. “D. H. Lawrence’s ‘The Man Who Loved Islands’ in the Light of Compton Mackenzie’s Memoirs.” D. H. Lawrence Review 15 (1982): 77-86. Print.

358 Littlewood, J. C. F. D. H. Lawrence: 1885-1914 . Harlow: Longman, 1976. Print. [Includes remarks on “Daughters of the Vicar.”]

359 ---. “Lawrence’s Early Tales.” Cambridge Quarterly 1.2 (1965-1966): 107-24. Print. [Comments on “The Prussian Officer” stories.]

360 Lucas, Barbara. “A Propos of ‘England, My England’.” Twentieth Century 169 (1961): 288-93. Print.

361 Lucente, Gregory L. The Narrative of Realism and Myth: Verga, Lawrence, Faulkner, Pavese . Baltimore: Johns Hopkins UP, 1981. Print. [A section is devoted to “The Man Who Died” and Women in Love .]

362 Lusty, Natalya, and Julian Murphet, eds. Modernism and masculinity . Cambridge: Cambridge UP, 2014. Print. [A chapter is devoted to The Fox .]

363 Macadré-Nguyên, Brigitte. “Stripping the Veil of Familiarity from the World: D. H. Lawrence’s Art of Language in ‘The Border-Line’.” Études Lawrenciennes 44 (2013): 169-86. Print.

364 MacDonald, Robert H. “Images of Negative Union: The Symbolic World of D. H. Lawrence’s ‘The Princess’.” Studies in Short Fiction 16 (1979): 289-93. Print.

365 ---. “The Union of Fire and Water: An Examination of the Imagery of ‘The Man Who Died’.” D. H. Lawrence Review 10 (1977): 34-51. Print.

366 Mackenzie, D. Kenneth. “Ennui and Energy in England, My England .” D. H. Lawrence: A Critical Study of the Major Novels and Other Writings . Ed. A. H. Gomme. Hassocks: Harvester Press, 1978. 120-41. Print.

367 ---. The Fox . Milton Keynes: Open UP, 1973. Print.

368 Macleod, Sheila. Lawrence’s Men and Women . London: Heinemann, 1985. Print. [Includes an analysis of the major short stories]

369 Magill, Frank N., ed. Critical Survey of Short Fiction. Englewood Cliffs: Salem Press, 1981. 7 vols. Print. [A section from vol. 5 is devoted to Lawrence.]

370 Marks III, W. S. “D. H. Lawrence and his Rabbit Adolf: Three Symbolic Permutations.” Criticism 10.3 (1968): 200-16. Print. [Finds parallels between Paul Morel , “Adolf” and Women in Love .]

371 ---. “The Psychology in D. H. Lawrence’s ‘The Blind Man’.” Literature and Psychology 17 (Winter 1967): 177-92. Print.

372 ---. “The Psychology of the Uncanny in Lawrence’s ‘The Rocking-Horse Winner’.” Modern Fiction Studies 11.4 (1965-66): 381-92. Print.

373 Marshall, Timothy. “Claiming the Body: ‘Odour of Chrysanthemums,’ Death, the Great War and the Workhouse.” D. H. Lawrence Review 32-33 (2003-4): 19-35. Print.

374 Martin, Dexter. “The Beauty of Blasphemy: Suggestions for Handling ‘The Escaped Cock’.” D. H. Lawrence News and Notes (February 1960). Print.

375 Martin, W. R. “Fancy or Imagination? ‘The Rocking-Horse Winner’.” College English 24 (1962): 64-65. Print.

376 ---. “Hannele’s ‘surrender’: A Misreading of The Captain’s Doll .” D. H. Lawrence Review 18.1 (1985-6): 19-23. Print.

377 Matterson, Stephen. “Another Source for Henry? D. H. Lawrence’s The Fox .” ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 5 (1992): 23-25. Print.

378 Maybury, James F., and Marjorie A. Zerbel, eds. Franklin Pierce Studies in Literature . Rindge: Franklin Pierce College, 1982. Print. [A chapter is devoted to “England, My England.”]

379 McAra, Catriona, and David Calvin, eds. Anti-tales: The Uses of Disenchantment . Newcastle: Cambridge Scholars Publishing, 2011. Print. [A section is devoted to dystopian elements in “The Rocking-Horse Winner” and “A Suburban Fairy Tale” by Katherine Mansfield.]

380 McCabe, Thomas H. “The Otherness of D. H. Lawrence’s ‘Odour of Chrysanthemums’.” D. H. Lawrence Review 19.2 (1987): 149-56. Print.

381 ---. “Rhythm as Form in Lawrence: ‘The Horse-Dealer’s Daughter’.” PMLA 87.1 (1972): 64-68. Print.

382 McCollum, Laurie. “Ritual Sacrifice in ‘The Woman Who Rode Away’: A Girardian Reading.” D. H. Lawrence: New Worlds . Eds. Keith Cushman and Earl G. Ingersoll. Madison: Fairleigh Dickinson UP, 2003. 230-42. Print.

383 McDermott, John V. “Faith and Love: Twin Forces in ‘The Rocking-Horse Winner’.” Notes on Contemporary Literature 18:1 (1988): 6-8. Print.

384 McDowell, Frederick. “‘The individual in his pure singleness’: Theme and Symbol in The Captain’s Doll .” The Challenge of D. H. Lawrence . Eds. Keith Cushman and Michael Squires. Madison: U of Wisconsin P, 1990. 143-58. Print.

385 ---. “‘Pioneering into the Wilderness of Unopened life’: Lou Witt in America.” The Spirit of D. H. Lawrence: Centenary Studies . Eds. Gāmini Salgādo and G. K. Das. London: Macmillan, 1988. 92-105. Print.

386 McGinnis, Wayne D. “Lawrence’s ‘Odour of Chysanthemums’ and Blake.” Research Studies (Washington State University) 44 (1976): 251-52. Print.

387 McKenna, John. “Using the Lens of Keirsian Temperament Theory to Explain Character and Conflict in D. H. Lawrence’s ‘The Horse-Dealer’s Daughter’.” D. H. Lawrence Review 34-35 (2010): 25-40. Print.

388 Mehl, Dieter. “‘Never was such a man for crossing frontiers’: A Gap in ‘The Border-Line’.” Études Lawrenciennes 32 (2005): 21-36. Print.

389 Mellen, Joan. “Outfoxing Lawrence: Novella into Film.” Literature/Film Quarterly 1 (1973): 17-27. Print.

390 Mellown, Elgin W. “ The Captain’s Doll : Its Origins and Literary Allusions.” D. H. Lawrence Review 9 (1976): 226-35. Print.

391 Merivale, Patricia. Pan the Goat-God: His Myth in Modern Times . Cambridge: Harvard UP, 1969. Print. [Comments on Lawrence and the Pan Myth in “The Last Laugh,” “The Overtone,” and St. Mawr .]

392 Meyers, Jeffrey. “D. H. Lawrence and Tradition: ‘The Horse Dealer’s Daughter’.” Studies In Short Fiction 26.3 (1989): 346-51. Print.

393 ---. “Katherine Mansfield, Gurdjieff, and Lawrence’s ‘Mother and Daughter’.” Twentieth Century Literature 22 (1976): 444-53. Print.

394 ---. “‘The Voice of Water’: Lawrence’s ‘The Virgin and the Gipsy’.” English Miscellany 21 (1970): 199-207. Print.

395 Michelucci, Stefania. Space and Place in the Works of D. H. Lawrence . Trans. Jill Franks. Jefferson: McFarland, 2002. Print. [Devotes a section to “The Prussian Officer,” and also to islands.]

396 ---. “The Violated Silence: D. H. Lawrence’s ‘The Man Who Loved Islands’.” Beyond the Floating Islands: An Anthology . Eds. Stephanos Stephanides and Susan Bassnett. Bologna: U of Bologna, 2002. 128-34. Print.

397 Millard, Elaine. “Feminism II: Reading as a Woman: D. H. Lawrence, St. Mawr .” Literary Theory at Work: Three Texts . Ed. Douglas Tallack. London: Batsford, 1987. 133-57. Print.

398 Modiano, Marko. “‘Fanny and Annie’ and the War.” Durham University Journal 83 (1991): 69-74. Print.

399 Monaco, Beatrice. “Lurid Colour in D.H. Lawrence’s St. Mawr .” Études Lawrenciennes 40 (2008): 183-200. Print.

400 Moore, Harry T., ed. A D. H. Lawrence Miscellany . Carbondale: Southern Illinois UP, 1959. Print. [Sections are devoted to “The Blind Man,” “The Man Who Loved Islands” and The Princess .]

401 Morsia, Elliott. “A Genetic Study of ‘The Shades of Spring’.” Journal of D. H. Lawrence Studies 3. 3 (2014): 153-78. Print.

402 Moss, Gemma. “A ‘Beginning rather than an end’: Popular Culture and Modernity in D. H. Lawrence’s St. Mawr .” Journal of D. H. Lawrence Studies 4.1 (2015): 119-39. Print.

403 Moynahan, Julian. The Deed of Life: The Novels and Tales of D. H. Lawrence . Princeton: Princeton UP, 1963. Print.

404 ---. “Lawrence’s ‘The Man Who Loved Islands: A Modern Fable.” Modern Fiction Studies 5 (Spring 1959): 57-64. Print.

405 Naugrette, Jean-Pierre. “Le mythe et le réel: lecture de ‘Odour of Chrysanthemums’.” Études Lawrenciennes 1 (1986): 7-27. Print.

406 ---.“Le renard et les rêves: onirisme, écriture et inconscient dans The Fox .” Études anglaises 37 (1984): 142-155. Print.

407 Neill, Crispian. “D. H. lawrence and Dogs: Canines and the Critique of Civilisation.” Journal of D. H. Lawrence Studies 4.1 (2015): 95-118. Print. [A study of “Rex.”]

408 Nelson, Jane. “The Familial Isotopy in The Fox .” The Challenge of D. H. Lawrence . Eds. Keith Cushman and Michael Squires. Madison: U of Wisconsin P, 1990. 129-42. Print.

409 Nicolaj, Rina. “‘The Escaped Cock’: A Story of the Resurrection.” Études Lawrenciennes 14-15 (1996): 119-31. Print.

410 Norris, Nanette. “1914: Two Sides to War: ‘England, My England’ and ‘Vin Ordinaire’.” D. H. Lawrence Review 39.1 (2014): 97-108. Print.

411 O’Faolin, Sean, ed. Short Stories: A Study of Pleasure . Boston: Little & Brown, 1961. Print. [A section is devoted to “The Horse-Dealer’s Daughter.”]

412 Osborn, Marijane. “Complexities of Gender and Genre in Lawrence’s The Fox .” Essays in Literature 19 (1992): 84-97. Print.

413 Padhi, Bibhu. “Lawrence’s Ironic Fables and How They Matter.” Interpretations 15.1 (1983): 53-59. Print. [Focuses on “The Man Who Loved Islands,” “The Princess” and “The Rocking-Horse Winner.”]

414 ---. “Lawrence, St. Mawr and Irony.” South Dakota Review 21.2 (1983): 5-13. Print.

415 ---. “‘The Woman Who Rode Away’ and Lawrence’s Vision of the New World.” University of Dayton Review 17 (Winter 1985-86):. 57-61. Print.

416 Panajoti, Armela, and Marija Krivokapić, eds. Narrative Being vs. Narrating Being . Newcastle: Cambridge Scholars Publishing, 2015. Print. [A section focuses mainly on “England, My England,” The Man Who Loved Islands” and “The Shades of Spring.”]

417 Partlow, Robert B. Jr., and Harry T. Moore, eds. DHL The Man who Lived . Carbondale: Southern Illinois UP, 1980. Print. [A chapter is devoted to the collection England, My England and Other Stories .]

418 Paxton, Nancy. “Reimagining melodrama: ‘The Virgin and the Gipsy’ and the consequences of mourning.” D. H. Lawrence Review 38.3 (2013): 58-76. Print.

419 Peek, Andrew. “Edgar Allan Poe’s ‘Ligeia,’ Hermione Roddice and ‘The Border-Line’: Common Romantic Contexts and a Source of Correspondence in the Fiction of Poe and Lawrence.” Journal of the D. H. Lawrence Society 2.2 (1980): 4-8. Print.

420 Penrith, Mary. “Some Structural Patterns in ‘The Virgin and the Gipsy.” University of Cape Town Studies in English 6 (1976): 46-52. Print.

421 Phillips, Steven R. “The Double Pattern of D. H. Lawrence’s ‘The Horse-Dealer’s Daughter’.” Studies in Short Fiction 10 (1973): 94-97. Print.

422 ---. “The Monomyth and Literary Criticism.” College Literature 2 (1975): 1-16. Print. [Studies “The Horse-Dealer’s Daughter.”]

423 Piccolo, Anthony. “Sun and Sex in the Last Stories of D. H. Lawrence.” Helios: From Myth to Solar Energy . Ed. M. E. Grenander. Albany: State U of New York P, 1978. 1166-74. Print.

424 Pilditch, Jan, ed. The Critical Response to D.H. Lawrence . Westport: Greenwood Press, 2001. Print. [A collection of previously published essays dealing with The Prussian Officer and Other Stories , The Fox together with “The Woman Who Rode Away” (see Draper), “The Princess” (see Cowan) “Odour of Chrysanthemums” (see Schulz) and St. Mawr (see Winn), see also Gurko.]

425 Pinion, F. B. A D. H. Lawrence Companion: Life, Thought and Works . London: Macmillan, 1978. Print. [Gives an overview of the background and thematic content of the short stories.]

426 Pinkney, Tony. D. H. Lawrence and Modernism . New York: Harvester Wheatsheaf, 1990. Print. [A chapter is devoted to Englishness in works including “England, My England,” and refers to myth in “The Woman Who Rode Away.”]

427 Poplawski, Paul. Language, Art and Reality in D. H. Lawrence’s St. Mawr : A Stylistic Study . New York: Edwin Mellen Press, 1996. Print.

428 ---. “Lawrence’s satiric style: language and voice in St. Mawr .” Lawrence and Comedy . Eds. Paul Eggert and John Worthen. Cambridge: Cambridge UP, 1996. Print.

429 ---. “ St. Mawr and the Ironic Art of Realization.” Writing the Body in D. H. Lawrence: Essays on Language, Representation, and Sexuality . Ed. Paul Poplawski. Westport: Greenwood Press, 2001. 93-104. Print.

430 ---, ed. Writing the Body in D. H. Lawrence: Essays on Language, Representation, and Sexuality . Westport: Greenwood Press, 2001. Print. [Contains a section on St. Mawr and “The Woman Who Rode Away.”]

431 Prasuna, M. G. “Writing ‘like’ a Woman: An Analysis of The Fox by D. H. Lawrence.” International Journal of English and Literature 4.4 (2013): 181-83. Print.

432 Preston, Peter. “Narrative Procedure and Structure in a Short Story by D. H. Lawrence.” Journal of English Language and Literature (Korea) 29 (1983): 251-56. Print. [An analysis of “Things.”]

433 ---, and Peter Hoare, eds. D. H. Lawrence and the Modern World . Basingstoke: Macmillan, 1989. Print. [A section is devoted to The Fox .]

434 Pritchard, R. E. D. H. Lawrence: Body of Darkness . London: Hutchinson University Library, 1971. Print. [Refers to “England, My England,” The Fox “The Man Who Died,” “The Prussian Officer” stories, “The Virgin and the Gipsy,” and “The Woman Who Rode Away.”]

435 Pugh, Bridget. “Lawrence and Industrial Symbolism.” Renaissance and Modern Studies 29 (1985): 33-49. Print. [A study of symbols in the “England, My England,” “The Virgin and the Gipsy” and “The Woman Who Rode Away” stories.]

436 Radu, Adrian. “Masculinity, domination and the Other in D. H. Lawrence’s ‘The Prussian Officer’.” British and American Studies 21 (2015): 93-99. Print.

437 Ragachewkaya, Marina. “The Logic of Love: Deconstructing Eros in Four of D. H. Lawrence’s Short Stories.” Études Lawrenciennes 43 (2012): 105-28. Print. [Studies “The Blind Man,” “Love Among the Haystacks,” “Second Best,” and “The White Stocking.”]

438 Ragussis, Michael. “The False Myth of St. Mawr : Lawrence and the Subterfuge of Art.” Papers on Language and Literature 11 (1975): 186-97. Print.

439 Raina, M. L. “A Forster Parallel in Lawrence’s St. Mawr .” Notes and Queries 211 (1966): 96-97. Print.

440 Ramadier, Bernard-Jean. “Dubious progress in D. H. Lawrence’s ‘Tickets, Please’.” Journal of the Short Story in English/Les Cahiers de la nouvelle 35 (2000): 43-54. Print.

441 Reeve, N. H. Reading Late Lawrence . Basingstoke: Palgrave Macmillan, 2003. Print. [Includes discussions of “Glad Ghosts,” “Sun,” “The Lovely Lady” and “The Blue Moccasins.”]

442 ---. “Two Lovely Ladies.” English 49.193 (2000): 15-22. Print. [A reading of variant texts of the short story “A Lovely Lady.”]

443 Reinhold, Nathalya. “‘Going for Lawrence for feeling’: A Study of The Princess .” Études Lawrenciennes 43 (2012): 203-14. Print.

444 Relf, Jan. Wormholes: Essays and Occasional Writings . London: Jonathan Cape, 1998. Print. [Includes a section on “The Man Who Died.”]

445 Renner, Stanley. “The Lawrentian Power and Logic of Equus .” D. H. Lawrence’s Literary Inheritors . Eds. Dennis Jackson and Keith Cushman. Basingstoke: Macmillan, 1991. 31-45. Print. [Traces parallels between St. Mawr and the play.]

446 ---. “Sexuality and the Unconscious: Psychosexual Drama and Conflict in The Fox .” D. H. Lawrence Review 21.3 (1989): 245-73. Print.

447 Rivers, Bryan. “Flattened Primroses: Discarded Floral Symbolism in an Early Manuscript Version of D. H. Lawrence’s ‘Odour of Chrysanthemums’.” Notes and Queries 58.1 (2011): 120-22. Print.

448 ---. “‘No Meaning for Anybody’: D. H. Lawrence’s Use of Hans Christian Andersen’s The Fir Tree in the Original Version of ‘Odour of Chrysanthemums’ (1910).” Notes and Queries 61.1 (2014): 114-16. Print.

449 ---. “Winter-Crack Trees: Botanical Symbolism and D. H. Lawrence’s 1914 Revisions of ‘Odour of Chrysanthemums’.” Notes and Queries 59.3 (2012): 411-13. Print.

450 Rohman, Carrie. “Ecology and the Creaturely in D. H. Lawrence’s Sun .” Journal of D. H. Lawrence Studies 2.2 (2010): 115-32. Print.

451 Rose, Shirley. “Physical Trauma in D. H. Lawrence’s Short Fiction.” Contemporary Literature 16 (1975): 73-83. Print. [Parallels are drawn between most of Lawrence’s short stories]

452 Rosenbaum, S. P., ed. English Literature and British Philosophy: A Collection of Essays . Chicago: U of Chicago P, 1971. Print. [A section is devoted to “The Blind Man”]

453 Ross, Charles. “D. H. Lawrence and World War I or History and the ‘Form of Reality’: The Case of ‘England, My England’.” Franklin Pierce Studies in Literature . Eds. James F. Maybury and Marjorie A. Zerbel. Rindge: Franklin Pierce College, 1982. 11-21. Print.

454 Ross, Michael. “Ladies and Foxes: D. H. Lawrence, David Garnett, and the Female of the Species.” D. H. Lawrence Review 18 (1985-6): 229-38. Print.

455 ---. “Lawrence’s Second Sun .” D. H. Lawrence Review 8 (1975): 1-18. Print.

456 ---. “The Mythology of Friendship: D. H. Lawrence, Bertrand Russell, and ‘The Blind Man’.” English Literature and British Philosophy: A Collection of Essays . Ed. S. P. Rosenbaum. Chicago: U of Chicago P, 1971. 285-315. Print.

457 ---. “Running The Fox to Earth: Strategies for Raising Questions Beyond Gender.” D. H. Lawrence Review 29.3 (2000): 59-60. Print.

458 Rossi, Patrizio. “Lawrence’s two ‘Foxes’: A Comparison of the Texts.” Essays in Criticism 22 (1972): 265-78. Print.

459 Rossman, Charles. “Myth and Misunderstanding D. H. Lawrence.” Bucknell Review 22.2 (1976): 81-101. Print. [Studies “England, My England,” “The Princess,” and “The Woman Who Rode Away.”]

460 Roussenova, Stefana. “Crossing Borders in St. Mawr .” Études Lawrenciennes 32 (2005): 109-22. Print.

461 Roux, Magali. “Emotions and Otherness in D. H. Lawrence’s Mexican Fiction.” Études Lawrenciennes 43 (2012): 215-35. Print.

462 Ruderman, Judith. D. H. Lawrence and the Devouring Mother: The Search for a Patriarchal Ideal of Leadership . Durham: Duke UP, 1984. Print. [In addition to the “leadership novels,” also includes passages devoted to “England, My England,” The Fox and “Hadrian,” St. Mawr , “The Virgin and the Gipsy” and “The Woman Who Rode Away.”]

463 ---. “ The Fox and the ‘Devouring Mother’.” D. H. Lawrence Review 10 (1977): 251-69. Print.

464 ---. “Lawrence’s The Fox and Verga’s The She-Wolf .” Modern Language Notes 94 (1979): 153-67. Print.

465 ---. “The New Adam and Eve in Lawrence’s The Fox and Other Works.” Southern Humanities Review 17 (1983): 225-36. Print.

466 ---. “Prototypes for Lawrence’s The Fox .” Journal of Modern Literature 8.1 (1980): 77-98. Print.

467 ---. “Tracking Lawrence’s ‘Fox’: An Account of its Composition, Evolution and Publication.” Studies in Bibliography 33 (1980): 206-21. Print.

468 Ryals, Clyde de Loache. “D. H. Lawrence’s ‘The Horse-Dealer’s Daughter’: An Interpretation.” Literature and Psychology 12 (1962): 39-43. Print.

469 Ryan, Kiernan. “The Revenge of the Women: Lawrence’s ‘Tickets, Please’.” Literature and History 7 (1981): 210-22. Print.

470 Sagar, Keith. The Art of D. H. Lawrence . Cambridge: Cambridge UP, 1966. Print. [Sections deal with “The Flying-Fish,” The Fox , “The Man Who Died,” “Odour of Chrysanthemums,” St. Mawr , Sun and “The Woman Who Rode Away.”]

471 ---. “‘The Best I Have Known’: D. H. Lawrence’s ‘A Modern Lover’ and ‘The Shades of Spring.” Studies in Short Fiction 4 (Winter 1967): 143-51. Print.

472 ---. Life into Art . Harmondsworth: Penguin, 1985. Print. [A biographical approach to Lawrence’s works.]

473 Salgādo, Gāmini, and G. K. Das. The Spirit of D. H. Lawrence: Centenary Studies . London: Macmillan, 1988. Print. [A chapter looks at the publication and revisions of The Fox while another examines the St. Mawr character Lou Witt.]

474 San Juan, E. Jr. “Textual Production in D. H. Lawrence’s ‘The Horse-Dealer’s Daughter’.” DLSU Graduate Journal 12 (1987): 223-30. Print.

475 ---. “Theme versus Imitation: D. H. Lawrence’s ‘The Rocking-Horse Winner’.” D. H. Lawrence Review 2 (1970): 136-40. Print.

476 Sargent, M. Elizabeth. “Thinking and Writing from the body: Eugene Gendlin, D. H. Lawrence, and ‘The Woman Who Rode Away’.” Writing the Body in D. H. Lawrence: Essays on Language, Representation, and Sexuality . Ed. Paul Poplawski. Westport: Greenwood Press, 2001. 105-18. Print.

477 ---. “The Wives, the Virgins and Isis: Lawrence’s Exploitation of Female Will in Four Late Novellas of Spiritual Quest.” D. H. Lawrence Review 26.1-3 (1995-96): 227-48. Print.

478 Scheff, Doris. “Interpreting ‘Eyes’ in D. H. Lawrence’s St. Mawr .” American Notes and Queries 19 (1980): 48-51. Print.

479 Scherr, Arthur. “Trust and Betrayal in D. H. Lawrence’s ‘The Man Who Died’.” Explicator 67.4 (2009): 291-94. Print.

480 Scherr, Barry. “‘The Prussian Officer’: A Lawrentian Allegory.” Recovering Literature 17 (1989-90): 33-42. Print.

481 Scholtes, M. “ St. Mawr : Between Degeneration and Regeneration.” Dutch Quarterly Review 5 (1975): 253-69. Print.

482 Schorer, Mark, ed. The Story: A Critical Anthology . Englewood Cliffs: Prentice-Hall, 1950. Print. [A section is devoted to “The Horse-Dealer’s Daughter.”]

483 Schulz, Victor. “D. H. Lawrence’s Early Masterpiece of Short Fiction: ‘Odour of Chrysanthemums’.” Studies in Short Fiction 28.3 (1991): 363-71. Print.

484 Scott, James B. “The Norton Distortion: A Dangerous Typo in ‘The Rocking-Horse Winner’.” D. H. Lawrence Review 21.2 (1989): 175-77. Print.

485 Scott, James F. “Thimble into Ladybird: Nietzsche, Frobenius, and Bachofen in the Later Work of D.H. Lawrence.” Arcadia 13 (1978): 161-76. Print.

486 Secor, Robert. “Language and Movement in ‘Fanny and Annie’.” Studies in Short Fiction 6 (Summer 1969): 395-400. Print.

487 Seidl, Frances. “Lawrence’s ‘The Shadow in the Rose Garden’.” Explicator 32 (1973): item 9. Print.

488 Shaw, Valery. The Short Story. A Critical Introduction . Harlow: Longman, 1992. Print. [Broaches Lawrence’s story-telling techniques referring to “Daughters of the Vicar,” “The Horse-Dealer’s Daughter” and “Tickets, Please.”]

489 Shields, E. F. “Broken Vision in Lawrence’s The Fox .” Studies in Short Fiction 9 (1972): 353-63. Print.

490 Siegel, Carol. “Floods of Female Desire in Lawrence and Eudora Welty.” D. H. Lawrence’s Literary Inheritors . Eds. Dennis Jackson and Keith Cushman. Basingstoke: Macmillan, 1991. 166-84. Print. [Deals with “The Virgin and the Gipsy.”]

491 ---. “ St. Mawr : Lawrence’s Journey Toward Cultural Feminism.” D. H. Lawrence Review 26.1-3 (1995-6): 275-86. Print.

492 Simpson, Hilary. D. H. Lawrence and Feminism . London: Croom Helm, 1982. Print.

493 Sinzelle, Claude. “Skinning the Fox: A Masochist’s Delight.” D. H. Lawrence and the Modern World . Eds. Peter Preston and Peter Hoare. Basingstoke: Macmillan, 1989. 161-79. Print.

494 Sklenicka, Carol. D. H. Lawrence and the Child . Columbia: U of Missouri P, 1991. Print. [Discusses “England, My England,” “The Escaped Cock,” “The Fly in the Ointment,” “A Lesson on a Tortoise” “The Old Adam,” and “The Rocking-Horse Winner.”]

495 Slade, Tony. D. H. Lawrence . London: Evans, 1969. Print. [Discusses “Daughters of the Vicar,” The Fox , “The Man Who Died,” “Odour of Chrysanthemums,” “Tickets, Please,” “The Virgin and the Gipsy,” and “The Woman Who Rode Away.”]

496 Smith, Anne, ed. Lawrence and Women . New York: Barnes & Noble, 1978. Print. [Discusses St. Mawr .]

497 Smith, Bob L. “D. H. Lawrence’s St. Mawr : Transposition of Myth.” Arizona Quarterly 24 (Autumn 1968): 197-208. Print.

498 Smith, Duane. “ England, My England as Fragmentary Novel.” D. H. Lawrence Review 24 (Autumn 1992): 247-55. Print.

499 Smith, Julian. “Vision and Revision: ‘The Virgin and the Gipsy’ as Film.” Literature/Film Quarterly 1 (1973): 28-36. Print.

500 Snodgrass, W. D. “A Rocking-Horse: The Symbol, the Pattern, the Way to Live.” D. H. Lawrence: A Collection of Critical Essays . Ed. Mark Spilka. Englewood Cliffs: Prentice-Hall, 1963. 117-26. Print.

501 Sobchack, Thomas. “ The Fox : The Film and the novel.” Western Humanities Review 23 (Winter 1969): 73-78. Print.

502 Spender, Stephen, ed. D. H. Lawrence, Novelist, Poet, Prophet . London: Weidenfeld & Nicolson, 1973. Print. [A section refers to St. Mawr , “The Princess,” and to “The Woman Who Rode Away.”]

503 Spilka, Mark, ed. D. H. Lawrence: A Collection of Critical Essays . Englewood Cliffs: Prentice-Hall, 1963. Print. [Sections are devoted to “The Blind Man,” The Fox , The Captain’s Doll , The Ladybird and St. Mawr , and to “The Man Who Died.”]

504 ---. “Lawrence’s Quarrel with Tenderness.” Critical Quarterly 9 (Winter 1967): 363-77. Print. [Mentions the story “In Love.”]

505 ---. “Ritual Form in ‘The Blind Man’.” D. H. Lawrence: A Collection of Critical Essays . Ed. Mark Spilka. Englewood Cliffs: Prentice-Hall, 1963. 112-16. Print.

506 Squires, Michael, and Dennis Jackson, eds. D. H. Lawrence’s Lady: A New Look at Lady Chatterley’s Lover. Athens: U of Georgia P, 1985. Print. [A chapter is devoted to “The Virgin and the Gipsy.”]

507 Štefl, Martin. “The ‘Idea’ of the Self: Narrated Identities in D. H. Lawrence’s (Short) Fiction.” Narrative Being vs. Narrating Being . Eds. Armela Panajoti and Marija Krivokapić. Newcastle: Cambridge Scholars Publishing, 2015. 54-72. Print. [Focuses mainly on “England, My England,” The Man Who Loved Islands” and “The Shades of Spring.”]

508 Stephanides, Stephanos, and Susan Bassnett, eds. Beyond the Floating Islands: An Anthology . Bologna: U of Bologna, 2002. Print. [Devotes a chapter to “The Man Who Loved Islands.”]

509 Steven, Laurence. “From Thimble to Ladybird: D.H. Lawrence’s Widening Vision.” The D H Lawrence Review 18.3 (1986): 239-53. Print.

510 ---. “‘The Woman Who Rode Away’: D. H. Lawrence’s Cul-de-sac.” English Studies in Canada 10 (1984): 209-20. Print.

511 Stevens, Hugh. “Sex and the Nation: ‘The Prussian Officer’ and Women in Love .” The Cambridge Companion to D. H. Lawrence . Ed. Anne Fernihough. Cambridge: Cambridge UP, 2001. 49-65. Print.

512 Stewart, Jack. “Expressionism in ‘The Prussian Officer’.” D. H. Lawrence Review 18.2-3 (1985-6): 275-89. Print.

513 ---. “Eros and Thanatos in Lawrence’s ‘The Horse-Dealer’s Daughter’.” Studies in the Humanities 12 (1985): 11-19. Print.

514 ---. “Flowers and Flesh: Color, Place and Animism in St. Mawr and ‘Flowery Tuscany’.” D. H. Lawrence Review 36.1 (2011): 92-113. Print.

515 ---. “The Horse-Dealer’s Daughter.” D.H. Lawrence: Critical Assessments . Vol. 3. Eds. David Ellis and Ornella de Zordo. Mountfield: Helm Information, 1992. 515-525. Print.

516 ---. “Lawrence’s Ontological Vision in Etruscan Places , ‘The Escaped Cock’ and Apocalypse .” D. H. Lawrence Review 31.2 (2003): 43-58. Print.

517 ---. “Totem and Symbol in The Fox and St. Mawr .” Studies in the Humanities 16 (1989): 84-98. Print.

518 Stewart, John I. M. Eight Modern Writers . Oxford: Oxford UP, 1963. Print. [Discusses The Captain’s Doll , “Daughters of the Vicar,” and “The Woman Who Rode Away.”]

519 Stiffler, Dan. “Seeds of Exchange: St. Mawr as D. H. Lawrence’s American Garden.” D. H. Lawrence Review 25.1-3 (1993-4): 81-90. Print.

520 Stoltzfus, Ben. Lacan and Litterature: Purloined Texts . Albany: State U of New York P, 1996. Print. [Sections are devoted to “The Escaped Cock” and to “The Rocking-Horse Winner.”]

521 ---. “Lacan’s Knot, Freud’s Narrative, and the Tangle of ‘Glad Ghosts’.” D. H. Lawrence Review 32-33 (2003-4): 106-18. Print.

522 ---. “‘The Man Who Loved Islands’: A Lacanian Reading.” D. H. Lawrence Review 29.3 (2000): 27-38. Print.

523 Stovel, Nora F. “D. H. Lawrence and ‘The Dignity of Death’: Tragic Recognition in ‘Odour of Chrysanthemums,’ ‘The Widowing of Mrs. Holroyd,’ and Sons and Lovers .” D. H. Lawrence Review 16 (1983): 59-82. Print.

524 Strychacz, Thomas. “‘What I don’t seem to see at all is you’: D. H. Lawrence’s The Fox and the Politics of Masquerade.” Modernism and masculinity . Eds. Natalya Lusty and Julian Murphet. Cambridge: Cambridge UP, 2014. 179-95. Print.

525 Sutherland, Romy. “From D. H. Lawrence to the Language of Cinema: Chaste Sacrifices in ‘The Woman Who Rode Away’ and ‘Picnic at Hanging Rock’.” Études Lawrenciennes 44 (2013): 241-51. Print.

526 Tallack, Douglas, ed. Literary Theory at Work: Three Texts . London: Batsford, 1987. Print. [Several sections deal with St. Mawr .]

527 Tallman, Warren. “Forest, Glacier and Flood. The Moon. St. Mawr : A Canvas for Lawrence’s Novellas.” Open Letter 3 rd series, no.6 (1976): 75-92. Print.

528 Tanner, Tony. “D. H. Lawrence in America.” D. H. Lawrence, Novelist, Poet, Prophet . Ed. Stephen Spender. London: Weidenfeld & Nicolson, 1973. 170-96. Print. [Refers to St. Mawr , “The Princess” and to “The Woman Who Rode Away.”]

529 Tarinayya, M. “Lawrence’s ‘England, My England’: An Analysis.” Journal of the School of Languages 7 (Winter 1980-1): 70-83. Print.

530 Tartera, Nicole. “Criss-cross Borderlines in the Wilderness: St. Mawr , The Princess , ‘The Woman Who Rode Away’.” Études Lawrenciennes 32 (2005): 123-34. Print.

531 ---. “ St Mawr , de l’humour à la satire; ou les facettes de l’esprit lawrencien.” Études Lawrenciennes 6 (1991): 53-68. Print.

532 Tedlock, E. W., Jr. D. H. Lawrence: Artist and Rebel, a Study of Lawrence’s Fiction . Albuquerque: U of New Mexico P, 1963. Print. [Discusses “The Blind Man,” “The Border- Line,” The Captain’s Doll, “The Christening,” “Daughters of the Vicar,” “Goose Fair,” “Hadrian,” “Her Turn,” “In Love,” “Jimmy and the Desperate Woman,” “Love Among the Haystacks,” “The Lovely Lady,” “The Rocking-Horse Winner,” and “The Virgin and the Gipsy.”]

533 Temple, J. “The Definition of Innocence: A Consideration of the Short Stories of D. H. Lawrence.” Studia Germanica Gandensia 20 (1979): 105-18. Print.

534 Templeton, Wayne. “Resisting Evaluation: Canonization and ‘The Rocking-Horse Winner’.” Journal of the Short Story/Les Cahiers de la nouvelle 21 (1993): 79-94. Print.

535 Thompson, Leslie M. “The Christ Who Didn’t Die: Analogues to D. H. Lawrence’s ‘The Man Who Died’.” D. H. Lawrence Review 8 (1975): 19-30. Print.

536 Thornton, Weldon. D. H. Lawrence: A Study of the Short Fiction. New York: Maxwell Macmillan International, 1993. Print.

537 ---. “‘The Flower or the Fruit’: A Reading of D. H. Lawrence’s ‘England, My England’.” D. H. Lawrence Review 16 (1983): 247-58. Print.

538 ---. “A Trio from Lawrence’s England, My England and Other Stories : Readings of ‘Monkey Nuts,’ ‘The Primrose Path” and “Fanny and Annie’.” D. H. Lawrence Review 28.3 (1999): 5-29. Print.

539 Toyokuni, Takashi. “A Modern Man Obsessed by Time: A Note on ‘The Man Who Loved Islands’.” D. H. Lawrence Review 7 (Spring 1974): 78-82. Print.

540 Travis, Leigh. “D. H. Lawrence: The Blood-Conscious Artist.” American Imago 25 (1968): 163-90. Print. [Discusses “Daughters of the Vicar,” “The Princess,” and “The Woman Who Rode Away.”]

541 Trebisz, Małgorzata. The Novella in England at the Turn of the XIX and XX centuries: H. James, J. Conrad, D.H. Lawrence . Wrocław: Wydawn Uniwersytetu Wrocławskiego, 1992. Print.

542 Turner, Barnard. “Chasing Strange Gods in ‘The Woman Who Rode Away’.” Études Lawrenciennes 22 (2000): 107-30. Print.

543 Turner, John. “The Capacity to Be Alone and Its Failure in D. H. Lawrence’s ‘The Man Who Loved Islands’.” D. H. Lawrence Review 16.3 (1983): 259-89. Print.

544 ---. “The Perversion of Play in D. H. Lawrence’s ‘The Rocking-Horse Winner’.” D. H. Lawrence Review 15.3 (1982): 249-70. Print.

545 ---. “Purity and Danger in D.H. Lawrence’s ‘The Virgin and the Gipsy’.” D. H. Lawrence: Centenary Essays . Ed. Mara Kalnins. Bristol: Bristol Classical Press, 1986. 139-71. Print.

546 Urbano, Cosimo. “The Evil that Men Do: Mark Rydell’s Adaptation of D. H. Lawrence’s The Fox .” Literature/Film Quarterly 23.4 (1995): 254-61. Print.

547 Vichy, Thérèse. “L’ironie dans ‘The Woman Who Rode Away’.” Études Lawrenciennes 6 (1991): 69-81. Print.

548 Vickery, John B. “Myth and Ritual in the Shorter Fiction of D. H. Lawrence.” Modern Fiction Studies 5 (Spring 1959): 65–82. Print. [Refers to St. Mawr .]

549 Viinikka, Anja. From Persephone to Pan: D. H. Lawrence’s Mythopoeic Vision of the Intergrated Personality . Turku: Turun Yliopisto Julkaisuje, 1988. Print. [Deals with “The Overtone” and St. Mawr .]

550 ---. “‘The Man Who Died’: D. H. Lawrence’s Phallic Vision of the Restored Body.” Journal of the D. H. Lawrence Society (1994-5): 39-46. Print.

551 Villanueva-Casado, Maria. “Modernism and the Disenchantment of Modernity in Katherine Mansfield and D. H. Lawrence.” Anti-tales: The Uses of Disenchantment . Eds. Catriona McAra and David Calvin. Newcastle: Cambridge Scholars Publishing, 2011. 285-94. Print. [Focuses on dystopian elements in “The Rocking-Horse Winner” and “A Suburban Fairy Tale.”]

552 Vivas, Eliseo. D. H. Lawrence: The Failure and the Triumph of Art . London: Allen & Unwin, 1960. Print. [Discusses, “Daughters of the Vicar.”]

553 Vowles, Richard B. “Lawrence’s ‘The Blind Man’.” Explicator 11 (1952): item 14. Print.

554 Wadsworth, P. Beaumont, ed. ‘ A Prelude’ by D. H. Lawrence: His First and Previously Unrecorded Work, with an Explanatory Foreword Dealing with its Discovery. Thames Ditton: Merle Press, 1949. Print.

555 Wallace, Jeff. D. H. Lawrence, Science and the Posthuman . Basingstoke: Palgrave Macmillan, 2005. Print. [Sections are devoted to The Fox and St. Mawr .]

556 Ward, Jason M. The Forgotten Film Adaptations of D. H. Lawrence’s Short Stories . A Brill e-book, 2016. Print. DOI: 10.1163/9789004309050 [Studies the fluidity of the texts in relation to film adaptations focusing more particularly on “Odour of Chrysanthemums,” “The Horse-Dealer’s Daughter” and “The Rocking-Horse Winner.”]

557 Wasserman, Jerry. “ St. Mawr and the Search for Community.” Mosaic 5.2 (1972): 113-23. Print.

558 Watkins, Daniel P. “Labor and Religion in D. H. Lawrence’s ‘The Rocking-Horse Winner’.” Studies in Short Fiction 24.3 (1987): 295-301. Print.

559 Watson, Garry. “‘The fact, and the crucial significance, of desire’: Lawrence’s ‘Virgin and the Gipsy’.” English 34 (1985): 131-56. Print.

560 Weiner, S. Ronald. “Irony and Symbolism in ‘The Princess’.” A D. H. Lawrence Miscellany . Ed. Harry T. Moore. Carbondale: Southern Illinois UP, 1959. 221-38. Print.

561 Weiss, Daniel A. Oedipus in Nottingham: D. H. Lawrence . Seattle: U of Washington P, 1962. Print. [Broaches the Oedipus motif in “The Prussian Officer” stories and “The Man Who Died.”]

562 West, Anthony. D. H. Lawrence . Denver: Swallow, 1950. Print. [Discusses “The Border-Line”]

563 West, Ray. Reading the Short Story . New York: Crowell, 1968. Print. [Discusses ‘The Blind Man.”]

564 Wheeler, Richard P. “‘Cunning in his overthrow’: Give and Take in ‘Tickets, Please’.” D. H. Lawrence Review 10 (1977): 242-50. Print.

565 ---. “Intimacy and Irony in ‘The Blind Man’.” D. H. Lawrence Review 9 (Summer 1976): 236-53. Print.

566 Whelan, P. T. “The Hunting Metaphor in The Fox and Other Works.” D. H. Lawrence Review 21.3 (1989): 275-90. Print.

567 Wicker, Brian. The Story-Shaped World: Fiction and Metaphysics, Some Variations on a Theme . 1975. London: Bloomsbury, 2013. Print. [Refers to “The Man Who Died,” St. Mawr and “The Woman Who Rode Away.”]

568 Widmer, Kingsley. The Art of Perversity, D.H. Lawrence’s shorter fictions . Seattle: U of Washington P, 1962. Print.

569 ---. “Birds of Passion and Birds of Marriage in D. H. Lawrence.” University of Kansas City Review 25 (Autumn 1958): 73-79. Print. [Discusses “The Blue Moccasins,” “Two Blue Birds,” and Wintry Peacock.”]

570 ---. “D. H. Lawrence and the Art of Nihilism.” Kenyon Review 20 (1958): 604-16. Print. [Deals with “The Prussian Officer” stories and “The Man Who Loved Islands.”]

571 ---. “Lawrence and the Fall of Modern Woman.” Modern Fiction Studies 5 (Spring 1959): 47-56. Print. [Discusses “None of That” and “The Princess.”]

572 Wiehe, R. E. “Lawrence’s ‘Tickets, Please’.” Explicator 20 (1961): item 12. Print.

573 Wilde, Alan. “The Illusion of St. Mawr : Technique and Vision in D. H. Lawrence’s Novel.” PMLA 79 (1964): 164-70. Print.

574 Willbern, David. “Malice in Paradise: Isolation and Projection in ‘The Man Who Loved Islands’.” D. H. Lawrence Review 10 (1977): 223-41. Print.

575 Williams, Linda R. Sex in the Head: Visions of Femininity and Film in D. H. Lawrence . New York: Harvester Wheatsheaf, 1993. Print. [A critical approach through the eyes and the gaze, passages are devoted to “The Blind Man.”]

576 ---. “‘We’ve been forgetting that we’re flesh and blood, Mother’: ‘Glad Ghosts’ and Uncanny Bodies.” D. H. Lawrence Review 27.2-3 (1997-8): 233-54. Print.

577 Wilson, K. “D. H. Lawrence’s ‘The Rocking-Horse Winner’: Parable and Structure. English Studies in Canada 13.4 (1987): 438-50. Print.

578 Winn, Harbour. “Parallel Inward Journeys: A Passage to India and St. Mawr .” English Language Notes 31 (1993): 62-66. Print.

579 Wolkenfeld, Suzanne. “‘The Sleeping Beauty’ Retold: D. H. Lawrence’s ‘The Fox’.” Studies in Short Fiction 14.4 (1977): 345-52. Print.

580 Woo, Jung Min. “ Sun : The Bible ‘written in a kind of foreign language’.” Études Lawrenciennes 34 (2007): 111-24. Print.

581 Wood, Paul. “The Cost of Liberation: Sexual Politics in Lawrence’s ‘Tickets, Please’.” Journal of the D. H. Lawrence Society (1992-93): 105-08. Print.

582 ---. “The True Cause of Dollie Urquart’s Fall: Complementary Interpretations of Lawrence’s ‘The Princess’.” Journal of the D. H. Lawrence Society (1996): 18-26. Print.

583 Woods, Gregory. A History of Gay Literature: The Male Tradition . New Haven: Yale UP, 1998. Print. [Broaches the question of homosexuality in “The Prussian Officer.”]

584 Worthen, John. “Short Story and Autobiography: Kinds of Detachment in D. H. Lawrence’s Early Fiction.” Renaissance and Modern Studies 29 (1985): 1-15. Print. [A discussion of “The Prussian Officer” stories.]

585 Wright, Terry. D. H. Lawrence and the Bible . Cambridge: Cambridge UP, 2000. Print. [Discusses “The Escaped Cock.”]

586 Wulff, Ute-Christel. “Hebl, Hofmannsthal and Lawrence’s ‘Odour of Chrysanthemums’.” D. H. Lawrence Review 20.3 (1988): 287-96. Print.

587 Yamin, Cai. “Industrial Corruption: The Main Culprit for the Relationship between Husband and Wife in ‘Odour of Chrysanthemums’.” Canadian Social Science 3.4 (2007): 14-18. Print.

588 Yanada, Noriyuki. “‘The Virgin and the Gipsy’: Four Realms and Narrative Modes.” Language and Culture 20 (1991): 121-46. Print.

589 Young, Jane Jaffe. D. H. Lawrence on Screen: Re-Visioning Prose Style in the Films of “The Rocking-Horse Winner ,” Sons and Lovers, and Women in Love. New York: Peter Lang, 1999. Print.

590 Zaratsian, Christine. Le Phénix, Mode Essentiel de l’Imaginaire chez D. H. Lawrence . Villeneuve d’Ascq: Presses Universitaires du Septentrion, 1997. 2 vols. Print. [Traces alchemy symbolism in Lawrence’s works.]

591 Zytaruk, George J. “‘The Undying Man’: D. H. Lawrence’s Yiddish Story.” D. H. Lawrence Review 4 (1971): 20-27. Print.

IV. Bibliographies

592 Cowan, James. D. H. Lawrence: An Annotated Bibliography of Writings about him . DeKalb: Northern Illinois UP, 1982. Print.

593 Iida, Takeo, ed. The Reception of D. H. Lawrence Around the World . Fukuoka: Kyushu UP, 1999. Print.

594 Mehl, Dieter, and Christa Jansohn, eds. The Reception of D. H. Lawrence in Europe . London: Continuum, 2007. Print.

595 Mikriammos, Philippe, ed. D. H. Lawrence: Le Serpent à plumes et autres oeuvres mexicaines . Paris: Robert Laffont, 2011. Print. [Lists all the translations of Lawrence’s works into French including translations of the short stories.]

596 Poplawski, Paul, ed. D.H. Lawrence: A Reference Companion . Westport: Greenwood, 1996. Print.

597 Preston, Peter. A D. H. Lawrence Chronology . New York: St Martin’s Press, 1994. Print.

598 Roberts, Warren, and Paul Poplawski. A Bibliography of D. H. Lawrence . 3 rd ed. Cambridge: Cambridge UP, 2001. Print. [Lists the first editions of Lawrence’s works, the main reviews that appeared at the time and the subsequent seminal studies.]

599 Sagar, Keith, ed. A D. H. Lawrence Handbook . Manchester: Manchester UP, 1982. Print. [Includes a select bibliography of studies of Lawrence’s works, a checklist of his readings, a glossary of Nottingham dialect and an identification of places in Lawrence’s fiction.]

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Shirley Bricout , « D.H. Lawrence: A Bibliography » ,  Journal of the Short Story in English , 68 | 2017, 161-211.

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Shirley Bricout , « D.H. Lawrence: A Bibliography » ,  Journal of the Short Story in English [En ligne], 68 | Spring 2017, mis en ligne le 01 décembre 2018 , consulté le 11 avril 2024 . URL  : http://journals.openedition.org/jsse/1828

Shirley Bricout

Shirley Bricout is a member of the post-doctoral research group based at the University Paul Valéry Montpellier 3 (France) devoted to British Literature and Art. The translation into English of her first book was released in 2015 under the title Politics and the Bible in D. H. Lawrence's Leadership Novels at the Presses Universitaires de la Méditerranée. It is honored with a foreword by Keith Cushman. She has contributed articles and book reviews to Les Etudes Lawrenciennes (Paris X), Les Etudes britanniques contemporaines (Montpellier 3) and to The Journal of D. H. Lawrence Studies (Nottingham, UK).

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