Edexcel GCSE Drama past papers

This section includes recent GCSE Drama past papers (9-1) and marking schemes from Pearson Edexcel. You can download each of the Pearson Edexcel GCSE Drama past papers and marking schemes by clicking the links below.

June 2022 Pearson Edexcel GCSE Drama (9-1) past exam papers (1DR0)

Component 3A (IDR0/03A) : Theatre Makers in Practice  Download Paper     –    Download Mark Scheme

Component 3B (IDR0/03B) : Theatre Makers in Practice  Download Paper     –    Download Mark Scheme

November 2021 Pearson Edexcel GCSE Drama (9-1) past exam papers (1DR0)

Component 3 (IDR0/03) : Theatre Makers in Practice  Download Paper     –    Download Mark Scheme

November 2020 Pearson Edexcel GCSE Drama (9-1) past exam papers (1DR0)

Component 3 (IDR0/03) : Theatre Makers in Practice  Download Paper    –   Download Mark Scheme

The above papers are labelled June 2020

June 2019 Pearson Edexcel GCSE Drama (9-1) past exam papers (1DR0)

June 2018 Pearson Edexcel GCSE Drama (9-1) past exam papers (1DR0)

You can find GCSE Drama past papers from other exam boards here

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The Dance Department at Wath Academy is focused on ensuring that all students have the opportunity to explore their passion and talent for dance through curricular courses and extra-curricular activities.

Dance offers students the chance to explore their creative skills through choreography, performance and technique underpinned by theoretical practice. Other skills such as team work, communication skills and improving self-confidence are also developed throughout dance education. Furthermore, Dance inspires and facilitates a student’s love for the performing arts and where necessary, prepares a student for further study at University or working within the Performing Arts industry.

Dance is offered in the curriculum at Key Stage 4 and Key Stage 5, in addition to many extra-curricular activities and trips.

We also have our very exciting Dance Academy pathway which launched September 2019.

Key Stage 4

At Key Stage 4 Dance is offered to all students across two different courses; AQA GCSE Dance and BTEC Level 2 TECH Award in Performing Arts: Dance. Students study either course over 3 years with between 2 or 3 lesson per week. Both courses are centred around Technique, Performance and Choreography.

AQA GCSE Dance is assessed through a practical exam and a theory exam. The practical exams include one piece of student choreography and three performance pieces, all performed at moderation under exam conditions. The theory paper analyses six Professional Dance Works and also discusses choreographic, technical and performance skills drawing from a student’s own experiences.

In GCSE Dance students will complete three Units:

  • Performance: Solo and Group Performance
  • Choreography: A group or solo choreography
  • Dance Appreciation: Critical appreciation of own and professional dance works

BTEC Tech Award in Performing Arts Dance is assessed through practical exams and controlled assessment coursework. The practical exam consists of solo performances and students creating and performing in a showcase based around a theme given by the exam board. The controlled assessment consists of three tasks; the application of skills and technical assessment, an improvement log and analysis of own and others work to bring about improvement. There is no theory exam paper for this qualification although student do complete timed written tasks under exam conditions.

In Applied Dance students will complete three Components:

  • Component 1: Exploring the Performing Arts (Dance)
  • Component 2 : Developing skills and techniques in the Performing Arts
  • Component 3: Performance to a Brief

Dance Academy

The Level 3 BTEC Extended Diploma is a two year course with 10 lessons a week, which will give students the opportunity to gain the equivalent of 3 A Levels. The course is excellent in preparing you for a career within the Dance Industry whether that be performance, choreogphy, teaching or production. You will study many different dance styles, choreographic practices and professional dance works.

  Year 1

Unit 3: Group Performance Workshop (externally assessed)

Unit 5 : Individual Performance Commission

Unit 6: (completed in Y13)

Unit 8: Classical Ballet

Unit 10: Jazz Dance

Unit 12: Contemporary Dance

Unit 22: Movement in Performance

Unit 25: Site Specific Dance

Unit 1: Investigating Practitioners Work  (externally assessed)

Unit 2: Developing Skills & Techniques for Live performance.

Unit 4: Performing Arts in the Community

Unit 7: Employment opportunities in the Performing Arts

Unit 14: Choreography for Dance performance

Core Dance-Single option

The Level 3 BTEC Foundation Diploma is a two year course with 5 lessons a week, which will give students the opportunity to gain the equivalent of 1.5 A Levels. The course is excellent in preparing you for dance related work or further learning. You will study many different dance styles, choreographic practices and professional dance works.

Unit 12:  Contemporary Dance

Extra-Curricular Activities

Students can choose from a large number of extra-curricular opportunities within Dance.  There are weekly dance clubs available to all students including Y7 and Y8 Dance Club, Key Stage 4 Dance Company, Boys Only Breakdance Crew, Cheerleading, Ballet Club and Contemporary Technique. In addition to the regular clubs we create 3 whole school performances each year; Pantomime, Movement Evening and the End of Year Performance, which provide further dance and performing arts opportunities for students.

As Dance Educators we feel it is vital that all students have the opportunity to experience live dance in a variety of theatres and settings. Therefore students have the opportunity to attend Theatre Dance Trips, on average, every half term including a two day residential to London. Previous Theatre trips include Phoenix Dance Theatre, Rambert Dance Company, Moscow City Ballet, Matthew Bourne’s New Adventures, Jungle Book, Billy Elliot, Les Miserables and Wicked. 

The Dance Department have a dedicated studio classroom with interactive whiteboard, walled mirrors and ballet bars. We have ICT equipment in the classroom but also have access to the faculty iPads, video cameras, ‘flip’ cameras, movie greenscreen technology and video editing equipment. We also have a large library of DVDs of Professional Works and specialist computer software for use in specific units. In addition we have use of the school hall for all rehearsals, performances and exams and also use the Gym in PE which has walled mirrors and a sprung floor. 

39 Week Plans

  • Y9 BTEC 39 Week Plan PDF File
  • Y9 GCSE 39 Week Plan PDF File
  • Y10 BTEC 39 Week Plan PDF File
  • Y10 GCSE 39 Week Plan PDF File
  • Y11 BTEC 39 Week Plan PDF File
  • Y11 GCSE 39 Week Plan PDF File
  • Y12 BTEC Extended Diploma 39 Week Plan PDF File
  • Y12 BTEC Foundation Diploma 39 Week Plan PDF File
  • Y13 BTEC Foundation Diploma 39 Week Plan PDF File

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Kings of Russia

The Comprehensive Guide to Moscow Nightlife

  • Posted on April 14, 2018 July 26, 2018
  • by Kings of Russia
  • 8 minute read

edexcel gcse drama coursework

Moscow’s nightlife scene is thriving, and arguably one of the best the world has to offer – top-notch Russian women, coupled with a never-ending list of venues, Moscow has a little bit of something for everyone’s taste. Moscow nightlife is not for the faint of heart – and if you’re coming, you better be ready to go Friday and Saturday night into the early morning.

This comprehensive guide to Moscow nightlife will run you through the nuts and bolts of all you need to know about Moscow’s nightclubs and give you a solid blueprint to operate with during your time in Moscow.

What you need to know before hitting Moscow nightclubs

Prices in moscow nightlife.

Before you head out and start gaming all the sexy Moscow girls , we have to talk money first. Bring plenty because in Moscow you can never bring a big enough bankroll. Remember, you’re the man so making a fuzz of not paying a drink here or there will not go down well.

Luckily most Moscow clubs don’t do cover fees. Some electro clubs will charge 15-20$, depending on their lineup. There’s the odd club with a minimum spend of 20-30$, which you’ll drop on drinks easily. By and large, you can scope out the venues for free, which is a big plus.

Bottle service is a great deal in Moscow. At top-tier clubs, it starts at 1,000$. That’ll go a long way with premium vodka at 250$, especially if you have three or four guys chipping in. Not to mention that it’s a massive status boost for getting girls, especially at high-end clubs.

Without bottle service, you should estimate a budget of 100-150$ per night. That is if you drink a lot and hit the top clubs with the hottest girls. Scale down for less alcohol and more basic places.

Dress code & Face control

Door policy in Moscow is called “face control” and it’s always the guy behind the two gorillas that gives the green light if you’re in or out.

In Moscow nightlife there’s only one rule when it comes to dress codes:

You can never be underdressed.

People dress A LOT sharper than, say, in the US and that goes for both sexes. For high-end clubs, you definitely want to roll with a sharp blazer and a pocket square, not to mention dress shoes in tip-top condition. Those are the minimum requirements to level the playing field vis a vis with other sharply dressed guys that have a lot more money than you do. Unless you plan to hit explicit electro or underground clubs, which have their own dress code, you are always on the money with that style.

Getting in a Moscow club isn’t as hard as it seems: dress sharp, speak English at the door and look like you’re in the mood to spend all that money that you supposedly have (even if you don’t). That will open almost any door in Moscow’s nightlife for you.

Types of Moscow Nightclubs

In Moscow there are four types of clubs with the accompanying female clientele:

High-end clubs:

These are often crossovers between restaurants and clubs with lots of tables and very little space to dance. Heavy accent on bottle service most of the time but you can work the room from the bar as well. The hottest and most expensive girls in Moscow go there. Bring deep pockets and lots of self-confidence and you have a shot at swooping them.

Regular Mid-level clubs:

They probably resemble more what you’re used to in a nightclub: big dancefloors, stages and more space to roam around. Bottle service will make you stand out more but you can also do well without. You can find all types of girls but most will be in the 6-8 range. Your targets should always be the girls drinking and ideally in pairs. It’s impossible not to swoop if your game is at least half-decent.

Basic clubs/dive bars:

Usually spots with very cheap booze and lax face control. If you’re dressed too sharp and speak no Russian, you might attract the wrong type of attention so be vigilant. If you know the local scene you can swoop 6s and 7s almost at will. Usually students and girls from the suburbs.

Electro/underground clubs:

Home of the hipsters and creatives. Parties there don’t mean meeting girls and getting drunk but doing pills and spacing out to the music. Lots of attractive hipster girls if that is your niche. That is its own scene with a different dress code as well.

edexcel gcse drama coursework

What time to go out in Moscow

Moscow nightlife starts late. Don’t show up at bars and preparty spots before 11pm because you’ll feel fairly alone. Peak time is between 1am and 3am. That is also the time of Moscow nightlife’s biggest nuisance: concerts by artists you won’t know and who only distract your girls from drinking and being gamed. From 4am to 6am the regular clubs are emptying out but plenty of people, women included, still hit up one of the many afterparty clubs. Those last till well past 10am.

As far as days go: Fridays and Saturdays are peak days. Thursday is an OK day, all other days are fairly weak and you have to know the right venues.

The Ultimate Moscow Nightclub List

Short disclaimer: I didn’t add basic and electro clubs since you’re coming for the girls, not for the music. This list will give you more options than you’ll be able to handle on a weekend.

Preparty – start here at 11PM

Classic restaurant club with lots of tables and a smallish bar and dancefloor. Come here between 11pm and 12am when the concert is over and they start with the actual party. Even early in the night tons of sexy women here, who lean slightly older (25 and up).

The second floor of the Ugolek restaurant is an extra bar with dim lights and house music tunes. Very small and cozy with a slight hipster vibe but generally draws plenty of attractive women too. A bit slower vibe than Valenok.

Very cool, spread-out venue that has a modern library theme. Not always full with people but when it is, it’s brimming with top-tier women. Slow vibe here and better for grabbing contacts and moving on.

edexcel gcse drama coursework

High-end: err on the side of being too early rather than too late because of face control.

Secret Room

Probably the top venue at the moment in Moscow . Very small but wildly popular club, which is crammed with tables but always packed. They do parties on Thursdays and Sundays as well. This club has a hip-hop/high-end theme, meaning most girls are gold diggers, IG models, and tattooed hip hop chicks. Very unfavorable logistics because there is almost no room no move inside the club but the party vibe makes it worth it. Strict face control.

Close to Secret Room and with a much more favorable and spacious three-part layout. This place attracts very hot women but also lots of ball busters and fakes that will leave you blue-balled. Come early because after 4am it starts getting empty fast. Electronic music.

A slightly kitsch restaurant club that plays Russian pop and is full of gold diggers, semi-pros, and men from the Caucasus republics. Thursday is the strongest night but that dynamic might be changing since Secret Room opened its doors. You can swoop here but it will be a struggle.

edexcel gcse drama coursework

Mid-level: your sweet spot in terms of ease and attractiveness of girls for an average budget.

Started going downwards in 2018 due to lax face control and this might get even worse with the World Cup. In terms of layout one of the best Moscow nightclubs because it’s very big and bottle service gives you a good edge here. Still attracts lots of cute girls with loose morals but plenty of provincial girls (and guys) as well. Swooping is fairly easy here.

I haven’t been at this place in over a year, ever since it started becoming ground zero for drunken teenagers. Similar clientele to Icon but less chic, younger and drunker. Decent mainstream music that attracts plenty of tourists. Girls are easy here as well.

Sort of a Coyote Ugly (the real one in Moscow sucks) with party music and lots of drunken people licking each others’ faces. Very entertaining with the right amount of alcohol and very easy to pull in there. Don’t think about staying sober in here, you’ll hate it.

Artel Bessonitsa/Shakti Terrace

Electronic music club that is sort of a high-end place with an underground clientele and located between the teenager clubs Icon and Gipsy. Very good music but a bit all over the place with their vibe and their branding. You can swoop almost any type of girl here from high-heeled beauty to coked-up hipsters, provided they’re not too sober.

edexcel gcse drama coursework

Afterparty: if by 5AM  you haven’t pulled, it’s time to move here.

Best afterparty spot in terms of trying to get girls. Pretty much no one is sober in there and savage gorilla game goes a long way. Lots of very hot and slutty-looking girls but it can be hard to tell apart who is looking for dick and who is just on drugs but not interested. If by 9-10am you haven’t pulled, it is probably better to surrender.

The hipster alternative for afterparties, where even more drugs are in play. Plenty of attractive girls there but you have to know how to work this type of club. A nicer atmosphere and better music but if you’re desperate to pull, you’ll probably go to Miks.

Weekday jokers: if you’re on the hunt for some sexy Russian girls during the week, here are two tips to make your life easier.

Chesterfield

Ladies night on Wednesdays means this place gets pretty packed with smashed teenagers and 6s and 7s. Don’t pull out the three-piece suit in here because it’s a “simpler” crowd. Definitely your best shot on Wednesdays.

If you haven’t pulled at Chesterfield, you can throw a Hail Mary and hit up Garage’s Black Music Wednesdays. Fills up really late but there are some cute Black Music groupies in here. Very small club. Thursday through Saturday they do afterparties and you have an excellent shot and swooping girls that are probably high.

Shishas Sferum

This is pretty much your only shot on Mondays and Tuesdays because they offer free or almost free drinks for women. A fairly low-class club where you should watch your drinks. As always the case in Moscow, there will be cute girls here on any day of the week but it’s nowhere near as good as on the weekend.

edexcel gcse drama coursework

In a nutshell, that is all you need to know about where to meet Moscow girls in nightlife. There are tons of options, and it all depends on what best fits your style, based on the type of girls that you’re looking for.

Related Topics

  • moscow girls
  • moscow nightlife

edexcel gcse drama coursework

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Le Corbusier’s triumphant return to Moscow

edexcel gcse drama coursework

The exhibition of French prominent architect Le Corbusier, held in The Pushkin Museum, brings together the different facets of his talent. Source: ITAR-TASS / Stanislav Krasilnikov

The largest Le Corbusier exhibition in a quarter of a century celebrates the modernist architect’s life and his connection with the city.

Given his affinity with Moscow, it is perhaps surprising that the city had never hosted a major examination of Le Corbusier’s work until now. However, the Pushkin Museum and the Le Corbusier Fund have redressed that discrepancy with the comprehensive exhibition “Secrets of Creation: Between Art and Architecture,” which runs until November 18.

Presenting over 400 exhibits, the exhibition charts Le Corbusier’s development from the young man eagerly sketching buildings on a trip around Europe, to his later years as a prolific and influential architect.

The exhibition brings together the different facets of his talent, showing his publications, artwork and furniture design alongside photographs, models and blueprints of his buildings.

Russian art reveals a new brave world beyond the Black Square

Art-Moscow fair targets younger art collectors

In pictures: 20th century in photographs: 1918-1940

Irina Antonova, director of the Pushkin Museum, said, “It was important for us to also exhibit his art. People know Le Corbusier the architect, but what is less well know is that he was also an artist. Seeing his art and architecture together gives us an insight into his mind and his thought-processes.”

What becomes obvious to visitors of the exhibition is that Le Corbusier was a man driven by a single-minded vision of how form and lines should interact, a vision he was able to express across multiple genres.

The upper wings of the Pushkin Museum are separated by the central stairs and two long balconies. The organizers have exploited this space, allowing comparison of Le Corbusier’s different art forms. On one side there are large paintings in the Purist style he adapted from Cubism, while on the other wall there are panoramic photographs of his famous buildings.

Le Corbusier was a theorist, producing many pamphlets and manifestos which outlined his view that rigorous urban planning could make society more productive and raise the average standard of living.

It was his affinity with constructivism, and its accompanying vision of the way architecture could shape society, which drew him to visit the Soviet Union, where, as he saw it, there existed a “nation that is being organized in accordance with its new spirit.”

The exhibition’s curator Jean-Louis Cohen explains that Le Corbusier saw Moscow as “somewhere he could experiment.” Indeed, when the architect was commissioned to construct the famous Tsentrosoyuz Building, he responded by producing a plan for the entire city, based on his concept of geometric symmetry.

Falling foul of the political climate

He had misread the Soviet appetite for experimentation, and as Cohen relates in his book Le Corbusier, 1887-1965, drew stinging attacks from the likes of El Lissitsky, who called his design “a city on paper, extraneous to living nature, located in a desert through which not even a river must be allowed to pass (since a curve would contradict the style).”

Not to be deterred, Le Corbusier returned to Moscow in 1932 and entered the famous Palace of the Soviets competition, a skyscraper that was planned to be the tallest building in the world.

This time he fell foul of the changing political climate, as Stalin’s growing suspicion of the avant-garde led to the endorsement of neo-classical designs for the construction, which was ultimately never built due to the Second World War.

Situated opposite the proposed site for the Palace of the Soviets, the exhibition offers a tantalizing vision of what might have been, presenting scale models alongside Le Corbusier’s plans, and generating the feeling of an un-built masterpiece.

Despite Le Corbusier’s fluctuating fortunes in Soviet society, there was one architect who never wavered in his support . Constructivist luminary Alexander Vesnin declared that the Tsentrosoyuz building was the "the best building to arise in Moscow for over a century.”

The exhibition sheds light on their professional and personal relationship, showing sketches and letters they exchanged. In a radical break from the abstract nature of most of Le Corbusier’s art, this corner of the exhibition highlights the sometimes volatile architect’s softer side, as shown through nude sketches and classical still-life paintings he sent to Vesnin.

“He was a complex person” says Cohen. “It’s important to show his difficult elements; his connections with the USSR, with Mussolini. Now that relations between Russia and the West have improved, we can examine this. At the moment there is a new season in Le Corbusier interpretation.” To this end, the exhibition includes articles that have never previously been published in Russia, as well as Le Corbusier’s own literature.

Completing Le Corbusier’s triumphant return to Russia is a preview of a forthcoming statue, to be erected outside the Tsentrosoyuz building. Even if she couldn’t quite accept his vision of a planned city, Moscow is certainly welcoming him back.

All rights reserved by Rossiyskaya Gazeta.

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edexcel gcse drama coursework

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  1. GCSE Drama coursework flow chart EDEXCEL

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  2. GCSE Edexcel Drama Characteristics of Dramatic Work

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  3. Practice Paper. Edexcel GCSE Drama (9-1). Twelfth Night.

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  4. GCSE Drama Edexcel the Crucible exam questions

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  5. REVISE Pearson Edexcel GCSE (9-1) Drama Revision Guide Second Edition

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  1. Edexcel GCSE Drama (9-1) Component 3

  2. Edexcel GCSE Drama (9-1)

  3. My A- Level drama coursework performances (scripted + devised pieces!) *both A grade!*

  4. PEARSON EDEXCEL A LEVEL Drama and Theatre PAPER 3 2023 MARK SCHEME 9DR0/03Theatre Makers in Practice

  5. How to write an answer for the extract question: CIE Literature IGCSE Death & King’s Horseman Pt 2

  6. Edexcel GCSE drama (9-1) Component 3

COMMENTS

  1. GCSE Drama

    Easy-to-understand homework and revision materials for your GCSE Drama Edexcel '9-1' studies and exams. ... The written exam contains questions on a set text studied during the course, to test ...

  2. Edexcel GCSE Drama

    Past papers. Mark schemes. Exam paper questions organised by topic and difficulty. Our worksheets cover all topics from GCSE, IGCSE and A Level courses. Give them a try and see how you do!

  3. Pearson Edexcel GCSE (9-1) Drama

    Resources wrote specifically for the Pearson Edexcel GCSE (9-1) Drama specification, to cover all components of the new qualification. 2) Focus on exam preparation Specific guidance for students on both sections of the exam 'Bringing Texts to Life' and 'Live Theatre Evaluation' with a focus on developing exam skills and sample answers ...

  4. Edexcel GCSE Drama past papers

    November 2020 Pearson Edexcel GCSE Drama (9-1) past exam papers (1DR0) Component 3 (IDR0/03) : Theatre Makers in Practice Download Paper - Download Mark Scheme. The above papers are labelled June 2020. June 2019 Pearson Edexcel GCSE Drama (9-1) past exam papers (1DR0) Component 3 (IDR0/03) : Theatre Makers in Practice

  5. Revise Edexcel GCSE (9-1) Drama Revision Guide

    Or take-a-peek: REVISE GCSE Drama Revision Guide and Revision Workbook sample pages (PDF, 5.49 MB) REVISE Revision Guide. Designed to complement the Student Book. Designed for hassle-free classroom and independent study with one-topic-per-page format. Exam-style worked examples match the new specification and demonstrate good exam technique ...

  6. Edexcel GCSE (9-1) Drama Teacher Pack

    Qty. Our downloadable Teacher Pack provides a wealth of teacher and student resources covering all components of the Edexcel GCSE (9-1) Drama course. It includes: teaching notes to support the student book, plus additional guidance for the Devising and Performance from Text components. editable and printable worksheets to support and challenge ...

  7. PDF GCSE (9-1) Drama

    The Pearson Edexcel Level 1/Level 2 GCSE (9- 1) in Drama consists of two non-examination assessment components and one externally examined paper. Students must complete all assessment by May/June in any single year. Details of the Assessment Objectives (AO) are on page 4 9.

  8. Structure

    The structure of a script also influences the development of. pace. and. rhythm. Playwrights can use pauses and silences and can alter sentence lengths to help determine the pace of the piece ...

  9. Edexcel GCSE Drama

    We worked with world-class publishers, partners and our team of Verified Educators to ensure these resources are of the highest quality. Use Quizlet for Edexcel GCSE Drama to learn about everything from staging to sound design. Discover curriculum-aligned study sets and learning activities for the entire Edexcel Drama curriculum below.

  10. PDF Edexcel GCSE

    The Edexcel GCSE in Drama encourages students to: develop a personal interest in why drama matters and be inspired, moved and changed by studying a broad, coherent, satisfying and worthwhile course of study. work imaginatively and creatively in collaborative contexts, generating, developing and communicating ideas.

  11. edexcel drama gcse coursework

    Comprehensive Knowledge: Edexcel Drama GCSE coursework often requires a thorough understanding of dramatic techniques, theatrical conventions, and the specific plays or performances being studied. It can be challenging to demonstrate a nuanced understanding of these elements. 2. Analytical Skills: The coursework typically involves a significant ...

  12. REVISE Pearson Edexcel GCSE (9-1) Drama Revision Guide Second Edition

    Pearson Revise Revision Guide. Designed to complement the Student Book. Designed for hassle-free classroom and independent study with the one-topic-per-page format. Exam-style worked examples match the new specification and demonstrate good exam technique, whilst practice questions let students test their understanding of a topic. A level ...

  13. Wath Academy

    The Level 3 BTEC Foundation Diploma is a two year course with 5 lessons a week, which will give students the opportunity to gain the equivalent of 1.5 A Levels. The course is excellent in preparing you for dance related work or further learning. You will study many different dance styles, choreographic practices and professional dance works. Year 1

  14. The Comprehensive Guide to Moscow Nightlife

    Moscow nightlife starts late. Don't show up at bars and preparty spots before 11pm because you'll feel fairly alone. Peak time is between 1am and 3am. That is also the time of Moscow nightlife's biggest nuisance: concerts by artists you won't know and who only distract your girls from drinking and being gamed.

  15. Le Corbusier's triumphant return to Moscow

    The exhibition's curator Jean-Louis Cohen explains that Le Corbusier saw Moscow as "somewhere he could experiment.". Indeed, when the architect was commissioned to construct the famous ...

  16. A tour along Arbat Street, the most famous street in Moscow

    3.8. The Central House of Actor (35 Arbat Street) Right in front of the Vakhtangov Theater is the Central Houseof Actor building (35 Arbat Street) built between 1913 and1914 as an apartment block (A. T. Filatova and Y. M. Filatov apartments). In its time, it was a true skyscraper for Moscow in terms of its dimensions.