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10 Powerful Documentary Photo Essays From The Masters

Have you ever wondered where inspiration comes from? This is the question that journalists like to ask people of different professions in different variations. Artists get inspiration from anything, starting to create, they initially describe that around them to create something great, you need to fantasize, make letters or figures in your imagination. Similarly, in writing an essay or article, the author appeals to the imagination.

Probably everyone, studying in primary school, faced the problem of writing work by speaking and scrolling letters, words, and sentences. Sometimes it is difficult to cope on your own but instead, turn to specialists by writing write my essay cheap. Simple words that will help you find inspiration for other things.

Documenting people and the stories beyond the ordinary is one of the fascinating and daunting task in terms of Photojournalism. The Lives of those affected, the way they come into terms into reality & the very source for the ultimate word – Survival. Documentary photography shows us exactly what our world looks like at any given moment in time.

Whether the pictures are bleak, playful, angering or astounding, they all serve a historically significant purpose. A complete photo story is something which makes one understand the main objective for what it needs to be done, to bring a change to the masses, to show them light.

Here we have listed out some massive powerful stories for one to understand the severity of any situation. Less said, it would be more than a tribute to the sincere effort from these photojournalists. For a change, this time we wanted to outline the great works of our masters to understand and to estimate their role in bringing these powerful stories to the world.

Please check the below stories, a fine example of above statement. These photographers are captured their souls not photos. You have any photography story with you? please share with us, we will feature your work in this blog. Thanks in advance.

Click on the image to view the Full Story.

#1 Country Doctor by W. Eugene Smith

“Country Doctor” is undoubtedly one of the commanding works by Eugene Smith and was an instant classic when first published, making him establish as a master. Plus an unique and influential photojournalists of 2oth century.

#2 A Photo Essay on the Great Depression by Dorothea Lange

This is a sneak peek into some of the powerful pictures produced by Dorothea Lange on the eve of the great depression during the 1930’s. Every picture here symbolizes the pain and agony people went through and Dorothea has registered a version of her in the books of history.

#3 Bhopal Gas Tragedy by Raghu Rai

One of the saddest industrial disaster which occured in Bhopal, India 1984. Numerous innocent lives were lost and more than that even after years of the tragedy many were indirectly affected through mutation and deconstructed DNA even today. Raghu rai’s pictures on this tragedy is immensely powerful and shows the mass graveyard and deadly scenes post the catastrophe.

#4 Vietnam War by Philip Jones Griffiths

His goal was to capture photographs in a digestible way, which could then appear to be witnessed by the world. The effects of war and post calamity and to show what really was happening in Vietnam with more profound importance.

#5 Gypsies by Josef Koudelka

Lives of people who kept wandering in search of their survival and the hope. These pictures show us their daily routine, beautiful music and some starvation for food.

#6 Nurse Midwife by W.Eugene Smith

Again a scintillating story on a Nurse midwife by Eugene Smith. Story of a lady who served as everything for thousands of poor people across 400 sq miles in the wild south.

#7 The Korean War by Werner Bischof

How brutal could war be and how cruelly brutal could the children affected by it, Werner Bischof produces more evidence and documentation in war front on this topic. Yet another powerful story on the lives lost.

#8 Struggle to Live – the fight against TB by James Nachtwey

James Nachtwey has documented the resurgence of tuberculosis and its varying strains MDR and XDR in seven countries around the world. One of the dreadful diseases to have consumed numerous lives of humanity.

#9 Gordon Parks’s Harlem Family Revisited

The Harlem Family is one of the haunting photo stories ever made by any photojournalist. Brutality of hunger and effect of poverty, the distance it drove a family towards disaster and eventually death.

#10 Stars Behind Bars – Life with the Prisonaires by Robert W. Kelley

A Photo narrative from the inside. the story unknown for most of the people was shown in pictures by Robert Kelley. These Pictures demonstrate prisoners way of living and provides more light on the stages they passed on.

Please check our previous documentary photography stories here:

• Most Influential Documentary Photography Stories
• Inspiring Documentary Photography Stories
• 15 Powerful Documentary Photography Stories
• 15 Heart Touching Documentary Photo Stories
• 10 Soulful Documentary Photography Stories
• 15 Unseen Powerful Documentary Photography Stories
• Documentary & Photojournalism
• Documentary Photo Essays
• Documentary Photography
• Documentary Photography Stories
• Heart Touching Photographs
• Photo Essay
• Photo Essays
• Photo Story
• Photojournalism
• Powerful Photographs
• Powerful Photos

the importance of documentary photography is immense for human history

Photo essays in black and white: http://www.efn.org/~hkrieger

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Pictures That Tell Stories: Photo Essay Examples

Like any other type of artist, a photographer’s job is to tell a story through their pictures. While some of the most creative among us can invoke emotion or convey a thought with one single photo, the rest of us will rely on a photo essay.

In the following article, we’ll go into detail about what a photo essay is and how to craft one while providing some detailed photo essay examples.

What is a Photo Essay? 

A photo essay is a series of photographs that, when assembled in a particular order, tell a unique and compelling story. While some photographers choose only to use pictures in their presentations, others will incorporate captions, comments, or even full paragraphs of text to provide more exposition for the scene they are unfolding.

A photo essay is a well-established part of photojournalism and have been used for decades to present a variety of information to the reader. Some of the most famous photo essayists include Ansel Adams , W. Eugene Smith, and James Nachtwey. Of course, there are thousands of photo essay examples out there from which you can draw inspiration.

Why Consider Creating a Photo Essay?

As the old saying goes, “a picture is worth 1000 words.” This adage is, for many photographers, reason enough to hold a photo essay in particularly high regard.

For others, a photo essay allow them to take pictures that are already interesting and construct intricate, emotionally-charged tales out of them. For all photographers, it is yet another skill they can master to become better at their craft.

As you might expect, the photo essay have had a long history of being associated with photojournalism. From the Great Depression to Civil Rights Marches and beyond, many compelling stories have been told through a combination of images and text, or photos alone. A photo essay often evokes an intense reaction, whether artistic in nature or designed to prove a socio-political point.

Below, we’ll list some famous photo essay samples to further illustrate the subject.

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Famous Photo Essays

“The Great Depression” by Dorothea Lange – Shot and arranged in the 1930s, this famous photo essay still serves as a stark reminder of The Great Depression and Dust Bowl America . Beautifully photographed, the black and white images offer a bleak insight to one of the country’s most difficult times.

“The Vietnam War” by Philip Jones Griffiths – Many artists consider the Griffiths’ photo essay works to be some of the most important records of the war in Vietnam. His photographs and great photo essays are particularly well-remembered for going against public opinion and showing the suffering of the “other side,” a novel concept when it came to war photography.

Various American Natural Sites by Ansel Adams – Adams bought the beauty of nature home to millions, photographing the American Southwest and places like Yosemite National Park in a way that made the photos seem huge, imposing, and beautiful.

“Everyday” by Noah Kalina – Is a series of photographs arranged into a video. This photo essay features daily photographs of the artist himself, who began taking capturing the images when he was 19 and continued to do so for six years.

“Signed, X” by Kate Ryan – This is a powerful photo essay put together to show the long-term effects of sexual violence and assault. This photo essay is special in that it remains ongoing, with more subjects being added every year.

Common Types of Photo Essays

While a photo essay do not have to conform to any specific format or design, there are two “umbrella terms” under which almost all genres of photo essays tend to fall. A photo essay is thematic and narrative. In the following section, we’ll give some details about the differences between the two types, and then cover some common genres used by many artists.

⬥ Thematic 

A thematic photo essay speak on a specific subject. For instance, numerous photo essays were put together in the 1930s to capture the ruin of The Great Depression. Though some of these presentations followed specific people or families, they mostly told the “story” of the entire event. There is much more freedom with a thematic photo essay, and you can utilize numerous locations and subjects. Text is less common with these types of presentations.

⬥ Narrative 

A narrative photo essay is much more specific than thematic essays, and they tend to tell a much more direct story. For instance, rather than show a number of scenes from a Great Depression Era town, the photographer might show the daily life of a person living in Dust Bowl America. There are few rules about how broad or narrow the scope needs to be, so photographers have endless creative freedom. These types of works frequently utilize text.

Common Photo Essay Genres

Walk a City – This photo essay is when you schedule a time to walk around a city, neighborhood, or natural site with the sole goal of taking photos. Usually thematic in nature, this type of photo essay allows you to capture a specific place, it’s energy, and its moods and then pass them along to others.

The Relationship Photo Essay – The interaction between families and loved ones if often a fascinating topic for a photo essay. This photo essay genre, in particular, gives photographers an excellent opportunity to capture complex emotions like love and abstract concepts like friendship. When paired with introspective text, the results can be quite stunning. 

The Timelapse Transformation Photo Essay – The goal of a transformation photo essay is to capture the way a subject changes over time. Some people take years or even decades putting together a transformation photo essay, with subjects ranging from people to buildings to trees to particular areas of a city.

Going Behind The Scenes Photo Essay – Many people are fascinated by what goes on behind the scenes of big events. Providing the photographer can get access; to an education photo essay can tell a very unique and compelling story to their viewers with this photo essay.

Photo Essay of a Special Event – There are always events and occasions going on that would make an interesting subject for a photo essay. Ideas for this photo essay include concerts, block parties, graduations, marches, and protests. Images from some of the latter were integral to the popularity of great photo essays.

The Daily Life Photo Essay – This type of photo essay often focus on a single subject and attempt to show “a day in the life” of that person or object through the photographs. This type of photo essay can be quite powerful depending on the subject matter and invoke many feelings in the people who view them.

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Photo Essay Ideas and Examples

One of the best ways to gain a better understanding of photo essays is to view some photo essay samples. If you take the time to study these executions in detail, you’ll see just how photo essays can make you a better photographer and offer you a better “voice” with which to speak to your audience.

Some of these photo essay ideas we’ve already touched on briefly, while others will be completely new to you. 

Cover a Protest or March  

Some of the best photo essay examples come from marches, protests, and other events associated with movements or socio-political statements. Such events allow you to take pictures of angry, happy, or otherwise empowered individuals in high-energy settings. The photo essay narrative can also be further enhanced by arriving early or staying long after the protest has ended to catch contrasting images. 

Photograph a Local Event  

Whether you know it or not, countless unique and interesting events are happening in and around your town this year. Such events provide photographers new opportunities to put together a compelling photo essay. From ethnic festivals to historical events to food and beverage celebrations, there are many different ways to capture and celebrate local life.

Visit an Abandoned Site or Building  

Old homes and historical sites are rich with detail and can sometimes appear dilapidated, overgrown by weeds, or broken down by time. These qualities make them a dynamic and exciting subject. Many great photo essay works of abandoned homes use a mix of far-away shots, close-ups, weird angles, and unique lighting. Such techniques help set a mood that the audience can feel through the photographic essay.

Chronicle a Pregnancy

Few photo essay topics could be more personal than telling the story of a pregnancy. Though this photo essay example can require some preparation and will take a lot of time, the results of a photographic essay like this are usually extremely emotionally-charged and touching. In some cases, photographers will continue the photo essay project as the child grows as well.

Photograph Unique Lifestyles  

People all over the world are embracing society’s changes in different ways. People live in vans or in “tiny houses,” living in the woods miles away from everyone else, and others are growing food on self-sustaining farms. Some of the best photo essay works have been born out of these new, inspiring movements.

Photograph Animals or Pets  

If you have a favorite animal (or one that you know very little about), you might want to arrange a way to see it up close and tell its story through images. You can take photos like this in a zoo or the animal’s natural habitat, depending on the type of animal you choose. Pets are another great topic for a photo essay and are among the most popular subjects for many photographers.

Show Body Positive Themes  

So much of modern photography is about showing the best looking, prettiest, or sexiest people at all times. Choosing a photo essay theme like body positivity, however, allows you to film a wide range of interesting-looking people from all walks of life.

Such a photo essay theme doesn’t just apply to women, as beauty can be found everywhere. As a photo essay photographer, it’s your job to find it!

Bring Social Issues to Life  

Some of the most impactful social photo essay examples are those where the photographer focuses on social issues. From discrimination to domestic violence to the injustices of the prison system, there are many ways that a creative photographer can highlight what’s wrong with the world. This type of photo essay can be incredibly powerful when paired with compelling subjects and some basic text.

Photograph Style and Fashion

If you live in or know of a particularly stylish locale or area, you can put together an excellent thematic photo essay by capturing impromptu shots of well-dressed people as they pass by. As with culture, style is easily identifiable and is as unifying as it is divisive. Great photo essay examples include people who’ve covered fashion sub-genres from all over the world, like urban hip hop or Japanese Visual Kei. 

Photograph Native Cultures and Traditions  

If you’ve ever opened up a copy of National Geographic, you’ve probably seen photo essay photos that fit this category. To many, the traditions, dress, religious ceremonies, and celebrations of native peoples and foreign cultures can be utterly captivating. For travel photographers, this photo essay is considered one of the best ways to tell a story with or without text.

Capture Seasonal Or Time Changes In A Landmark Photo Essay

Time-lapse photography is very compelling to most viewers. What they do in a few hours, however, others are doing over months, years, and even decades. If you know of an exciting landscape or scene, you can try to capture the same image in Winter, Spring, Summer, and Fall, and put that all together into one landmark photo essay.

Alternatively, you can photograph something being lost or ravaged by time or weather. The subject of your landmark photo essay can be as simple as the wall of an old building or as complex as an old house in the woods being taken over by nature. As always, there are countless transformation-based landmark photo essay works from which you can draw inspiration.

Photograph Humanitarian Efforts or Charity  

Humanitarian efforts by groups like Habitat for Humanity, the Red Cross, and Doctors Without Borders can invoke a powerful response through even the simplest of photos. While it can be hard to put yourself in a position to get the images, there are countless photo essay examples to serve as inspiration for your photo essay project.

How to Create a Photo Essay

There is no singular way to create a photo essay. As it is, ultimately, and artistic expression of the photographer, there is no right, wrong, good, or bad. However, like all stories, some tell them well and those who do not. Luckily, as with all things, practice does make perfect. Below, we’ve listed some basic steps outlining how to create a photo essay

Steps To Create A Photo Essay

Choose Your Topic – While some photo essayists will be able to “happen upon” a photo story and turn it into something compelling, most will want to choose their photo essay topics ahead of time. While the genres listed above should provide a great starting place, it’s essential to understand that photo essay topics can cover any event or occasion and any span of time

Do Some Research – The next step to creating a photo essay is to do some basic research. Examples could include learning the history of the area you’re shooting or the background of the person you photograph. If you’re photographing a new event, consider learning the story behind it. Doing so will give you ideas on what to look for when you’re shooting.  

Make a Storyboard – Storyboards are incredibly useful tools when you’re still in the process of deciding what photo story you want to tell. By laying out your ideas shot by shot, or even doing rough illustrations of what you’re trying to capture, you can prepare your photo story before you head out to take your photos.

This process is especially important if you have little to no control over your chosen subject. People who are participating in a march or protest, for instance, aren’t going to wait for you to get in position before offering up the perfect shot. You need to know what you’re looking for and be prepared to get it.

Get the Right Images – If you have a shot list or storyboard, you’ll be well-prepared to take on your photo essay. Make sure you give yourself enough time (where applicable) and take plenty of photos, so you have a lot from which to choose. It would also be a good idea to explore the area, show up early, and stay late. You never know when an idea might strike you.

Assemble Your Story – Once you develop or organize your photos on your computer, you need to choose the pictures that tell the most compelling photo story or stories. You might also find some great images that don’t fit your photo story These can still find a place in your portfolio, however, or perhaps a completely different photo essay you create later.

Depending on the type of photographer you are, you might choose to crop or digitally edit some of your photos to enhance the emotions they invoke. Doing so is completely at your discretion, but worth considering if you feel you can improve upon the naked image.

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Best Photo Essays Tips And Tricks

Before you approach the art of photo essaying for the first time, you might want to consider with these photo essay examples some techniques, tips, and tricks that can make your session more fun and your final results more interesting. Below, we’ve compiled a list of some of the best advice we could find on the subject of photo essays. 

⬥ Experiment All You Want 

You can, and should, plan your topic and your theme with as much attention to detail as possible. That said, some of the best photo essay examples come to us from photographers that got caught up in the moment and decided to experiment in different ways. Ideas for experimentation include the following: 

Angles – Citizen Kane is still revered today for the unique, dramatic angles used in the film. Though that was a motion picture and not photography, the same basic principles still apply. Don’t be afraid to photograph some different angles to see how they bring your subject to life in different ways.

Color – Some images have more gravitas in black in white or sepia tone. You can say the same for images that use color in an engaging, dynamic way. You always have room to experiment with color, both before and after the shoot.

Contrast – Dark and light, happy and sad, rich and poor – contrast is an instantly recognizable form of tension that you can easily include in your photo essay. In some cases, you can plan for dramatic contrasts. In other cases, you simply need to keep your eyes open.

Exposure Settings – You can play with light in terms of exposure as well, setting a number of different moods in the resulting photos. Some photographers even do random double exposures to create a photo essay that’s original.

Filters – There are endless post-production options available to photographers, particularly if they use digital cameras. Using different programs and apps, you can completely alter the look and feel of your image, changing it from warm to cool or altering dozens of different settings.

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If you’re using traditional film instead of a digital camera, you’re going to want to stock up. Getting the right shots for a photo essay usually involves taking hundreds of images that will end up in the rubbish bin. Taking extra pictures you won’t use is just the nature of the photography process. Luckily, there’s nothing better than coming home to realize that you managed to capture that one, perfect photograph. 

⬥ Set the Scene 

You’re not just telling a story to your audience – you’re writing it as well. If the scene you want to capture doesn’t have the look you want, don’t be afraid to move things around until it does. While this doesn’t often apply to photographing events that you have no control over, you shouldn’t be afraid to take a second to make an OK shot a great shot. 

⬥ Capture Now, Edit Later 

Editing, cropping, and digital effects can add a lot of drama and artistic flair to your photos. That said, you shouldn’t waste time on a shoot, thinking about how you can edit it later. Instead, make sure you’re capturing everything that you want and not missing out on any unique pictures. If you need to make changes later, you’ll have plenty of time! 

⬥ Make It Fun 

As photographers, we know that taking pictures is part art, part skill, and part performance. If you want to take the best photo essays, you need to loosen up and have fun. Again, you’ll want to plan for your topic as best as you can, but don’t be afraid to lose yourself in the experience. Once you let yourself relax, both the ideas and the opportunities will manifest.

⬥ It’s All in The Details 

When someone puts out a photographic essay for an audience, that work usually gets analyzed with great attention to detail. You need to apply this same level of scrutiny to the shots you choose to include in your photo essay. If something is out of place or (in the case of historical work) out of time, you can bet the audience will notice.

⬥ Consider Adding Text

While it isn’t necessary, a photographic essay can be more powerful by the addition of text. This is especially true of images with an interesting background story that can’t be conveyed through the image alone. If you don’t feel up to the task of writing content, consider partnering with another artist and allowing them tor bring your work to life.

Final Thoughts 

The world is waiting to tell us story after story. Through the best photo essays, we can capture the elements of those stories and create a photo essay that can invoke a variety of emotions in our audience.

No matter the type of cameras we choose, the techniques we embrace, or the topics we select, what really matters is that the photos say something about the people, objects, and events that make our world wonderful.

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‘Country Doctor’: W. Eugene Smith’s Landmark Photo Essay

Dr. Ernest Ceriani made a house call on foot, Kremmling, Colo., 1948. The generalist was the lone physician serving a Rocky Mountain enclave that covered 400 square miles.

W. Eugene Smith/Life Pictures/Shutterstock

Written By: Ben Cosgrove

For his groundbreaking 1948 LIFE magazine photo essay, “Country Doctor” — seen here, in its entirety, followed by several unpublished photographs from the shoot — photographer W. Eugene Smith spent 23 days in Kremmling, Colo., chronicling the day-to-day challenges faced by an indefatigable general practitioner named Dr. Ernest Ceriani.

Born on a sheep ranch in Wyoming, Dr. Ceriani attended Chicago’s Loyola School of Medicine but opted not to pursue a medical career in the big city. In 1946, after a stint in the Navy, he was recruited by the hospital in Kremmling, and he and wife Bernetha, who was born in Colorado, settled into the rural town. Dr. Ceriani was the sole physician for an area of about 400 square miles, inhabited by some 2,000 people.

Eugene Smith’s at-times almost unsettlingly intimate pictures illustrate in poignant detail the challenges faced by a modest, tireless rural physician—and gradually reveal the inner workings and the outer trappings of what is clearly a uniquely rewarding life.

“Country Doctor” was an instant classic when published, establishing Smith as a master of the commanding young art form of the photo essay, and solidifying his stature as one of the most passionate and influential photojournalists of the 20th century. In 1979, the W. Eugene Smith Memorial Fund was founded to support those working in the profoundly humanistic style of photography to which Smith dedicated his life and his art.

Dr. Ernest Ceriani made a house call on foot, Kremmling, Colo., 1948. The generalist was the lone physician serving a Rocky Mountain enclave that covered 400 square miles. W. Eugene Smith/Life Pictures/Shutterstock

Ralph Pickering held his 5-week-old baby while waiting to be Dr. Ceriani’s first patient of the day. Pickering, a horseback guide to tourists coming to see the majestic Rocky Mountains, traveled from an outlying ranch to reach the doctor’s office. W. Eugene Smith/Life Pictures/Shutterstock

Dr. Ceriani sat at the bedside of a patient as he assessed flu symptoms during a house call. When Smith began “Country Doctor,” he shot for a period of time with no film in his camera, to help Ceriani get used to his presence without wasting precious film. W. Eugene Smith/Life Pictures/Shutterstock

In the backseat of a car, Dr. Ceriani administered a shot of morphine to a 60-year-old tourist from Chicago, seen here with her grandson, who was suffering from a mild heart disturbance. W. Eugene Smith/Life Pictures/Shutterstock

Dr. Ceriani examined a feverish 4-year-old girl suffering from tonsillitis. Although most of his patients were children, Ceriani was initially inexperienced in pediatrics when he started his practice, and studied up on it whenever he had the chance. W. Eugene Smith/Life Pictures/Shutterstock

Though he had no vacations and few days off, Dr. Ceriani did have use of a small hospital, which was equipped with an X-ray machine, an autoclave and an oxygen tent, among other medical necessities. Here, he explained an X-ray — he developed the film himself — to one of his rancher patients. W. Eugene Smith/Life Pictures/Shutterstock

The doctor taped a patient who broke some ribs after a horse rolled over him. “His income for covering a dozen fields is less than a city doctor makes by specializing in just one,” LIFE’s editors noted, “but Ceriani is compensated by the affection of his patients and neighbors, by the high place he has earned in his community and by the fact that he is his own boss. For him, this is enough.” W. Eugene Smith/Life Pictures/Shutterstock

Dr. Ceriani used a syringe to irrigate wax from an elderly man’s ear to improve his hearing. W. Eugene Smith/Life Pictures/Shutterstock

Dr. Ceriani examined the stitches in the lacerated hand of a young patient. W. Eugene Smith/Life Pictures/Shutterstock

Two friends transported Dr. Ceriani to Gore Canyon so he could enjoy a few hours of recreational fishing, a rare treat for the hard-working physician. W. Eugene Smith/Life Pictures/Shutterstock

Dr. Ceriani fly-fished on the Colorado River. W. Eugene Smith/Life Pictures/Shutterstock

Thirty minutes into his fishing excursion, Dr. Ceriani was called to an emergency: A young girl hasd been kicked in the head by a horse and was badly injured. W. Eugene Smith/Life Pictures/Shutterstock

The child’s worried parents looked on as Dr. Ceriani, surrounded by nurses, examined their two-year-old daughter. W. Eugene Smith/Life Pictures/Shutterstock

Dr. Ceriani had stitched the girl’s wound to minimize scarring, but he then had to find a way to tell the parents that her eye could not be saved and they needed to take her a specialist in Denver to have it removed. W. Eugene Smith/Life Pictures/Shutterstock

The doctor helped a rancher carry his son into the hospital. The inebriated young man dislocated his elbow when he was thrown from a bronco at a rodeo. W. Eugene Smith/Life Pictures/Shutterstock

The injured elbow required a painful reset. W. Eugene Smith/Life Pictures/Shutterstock

“Don’t tell my mother,” said the young man. Still under the effects of ether, he didn’t realize she’d been holding his hand during the procedure. W. Eugene Smith/Life Pictures/Shutterstock

Dr. Ceriani checked the blood pressure of 85-year-old Thomas Mitchell, who came to the hospital with a gangrenous leg. Knowing that Mitchell might not be strong enough to endure the necessary amputation, Ceriani had been postponing surgery. W. Eugene Smith/Life Pictures/Shutterstock

When Mitchell finally rallied, the doctor gently carried him from the basement ward up to the operating room of the hospital, which had no elevator. W. Eugene Smith/Life Pictures/Shutterstock

Dr. Ceriani gave the 85-year-old man spinal anesthesia before amputating his gangrenous left leg. W. Eugene Smith/Life Pictures/Shutterstock

Dr. Ceriani responded to a late-night call when an 82-year-old man suffered a heart attack at a boarding house. Town marshal Chancy Van Pelt and one of the man’s fellow tenants stood by. W. Eugene Smith/Life Pictures/Shutterstock

Knowing the man who suffered the heart attack at the boarding house will not make it through the night, Dr. Ceriani called for a priest from the kitchen. W. Eugene Smith/Life Pictures/Shutterstock

Dr. Ceriani helped the town marshal carry the heart attack victim to the ambulance. There, the country doctor would see that his patient was as comfortable as possible, knowing there was nothing he can do to save him. W. Eugene Smith/Life Pictures/Shutterstock

The treeless ranching community of Kremmling, Colo., stood on a 7,000-ft. plateau beneath the towering Rocky Mountains. W. Eugene Smith/Life Pictures/Shutterstock

Dr. Ceriani held 11-month-old son Gary as his wife, Bernetha, steadied 3-year-old Phillip on a fence while watching a parade. Though they’d been married for four years at the time Smith was profiling the doctor, Mrs. Ceriani still struggled with the unpredictability of her husband’s schedule. W. Eugene Smith/Life Pictures/Shutterstock

A fund-raising committee in Kremmling was able to raise $35,000 in 1947 to purchase the home of the town’s retiring physician and turn it into a 14-bed hospital. The funds were used to stock the tiny hospital with as much equipment — some of it war surplus — as could be afforded. Middle Park Hospital had only three wards that could accommodate 14 patients. With a new hospital in place, the town then put out a call for a new general practitioner — a call answered by Dr. Ceriani. W. Eugene Smith/Life Pictures/Shutterstock

After finishing a surgery that lasted until 2 AM, Dr. Ceriani stood exhausted in the hospital kitchen with a cup of coffee and a cigarette. “The nurses,” LIFE noted, “constantly admonish him to relax and rest, but because they are well aware that he cannot, they keep a potful of fresh coffee simmering for him at all hours.” W. Eugene Smith/Life Pictures/Shutterstock

Not published in LIFE. Dr. Ernest Ceriani in the small Kremmling, Colo., hospital. W. Eugene Smith/Life Pictures/Shutterstock

Not published in LIFE. Doctor Ceriani checked 4-year-old Jimmy Free’s foot, cut when the boy stepped on broken glass. W. Eugene Smith/Life Pictures/Shutterstock

Not published in LIFE. Dr. Ceriani examined his handiwork after the partial amputation of a patient’s leg, Kremmling, Colo., August 1948. The patient, Thomas Mitchell, was suffering from a gangrenous infection. W. Eugene Smith/Life Pictures/Shutterstock

Not published in LIFE. An operating room in Kremmling, Colo. W. Eugene Smith/Life Pictures/Shutterstock

Not published in LIFE. Dr. Ceriani with a patient. W. Eugene Smith/Life Pictures/Shutterstock

Not published in LIFE. Dr. Ernest Ceriani delivered a baby. W. Eugene Smith/Life Pictures/Shutterstock

Not published in LIFE. Maternity ward, Kremmling, Colo., 1948. W. Eugene Smith/Life Pictures/Shutterstock

Not published in LIFE. An incubator in Kremmling, Colo., 1948. W. Eugene Smith/Life Pictures/Shutterstock

Not published in LIFE. The contents of a country doctor’s bag, Kremmling, Colo., 1948. W. Eugene Smith/Life Pictures/Shutterstock

Not published in LIFE. Doctor Ceriani and town marshal Chancey Van Pelt carried a patient from a cabin in the hills near Kremmling, Colo., 1948. W. Eugene Smith/Life Pictures/Shutterstock

Not published in LIFE. Dr. Ernest Ceriani on his way to a house call in foul weather, Kremmling, Colo., 1948. W. Eugene Smith/Life Pictures/Shutterstock

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Ten examples of immersive photo essays

By Marissa Sapega — Contributing Writer

Photo essays are one of the most powerful forms of storytelling in the last century. From the great depression photographer W. Eugene Smith to the photojournalism of National Geographic or Life Magazine , the best photo essays entertain, educate, and move readers more than words alone ever could. 

But photo essays have changed. Over the last decade, web publishing technologies — including web browsers and file formats — have improved by leaps and bounds. A good photo essays today is more than a collection of images. It’s a truly interactive, immersive, and multimedia experiences.

In this guide, we introduce 10 stunning examples of visually arresting interactive photo essays to fuel your creative juices.

Now, let's set the scene with a short introduction to immersive, interactive photo essays on the web.

What do the BBC, Tripadvisor, and Penguin have in common? They craft stunning, interactive web content with Shorthand. And so can you! Publish your first story for free — no code or web design skills required. Sign up now.

The rise of immersive, interactive photo essays

What is an immersive, interactive photo essay? Let's take these terms one at a time. 

An immersive photo essay uses rich media and story design to capture and keep the reader's attention. Immersive content is typically free of the most distracting elements of the web, such as pop-ups, skyscrapers, and other intrusions on the reading experience.

As a basic rule of thumb, immersive content respects the reader's attention. 

An interactive photo essay is one that allows the reader to control how the content appears. It may include interactive elements, like maps and embedded applications.

More commonly, modern interactive photo stories use a technique known as scrollytelling . Scrollytelling stories allow the reader to trigger animations and other visual effects as they scroll. Many of the examples in this guide use scrollytelling techniques. Read more scrollytelling examples .

Until relatively recently, immersive, interactive photo essays could only be created with the help of a designer or web developer. But with the rise of digital storytelling platforms , anyone can create compelling, dynamic stories without writing a single line of code.

If you're looking to learn more about how to create a photo essay — or are looking for more photo essay ideas  — check out our introduction to photo essays . 

Photo essay topics

If you’re looking for photo essay examples, chances are you’re looking to create a photo essay for yourself. If you’re just getting started, you might want some guidance on exactly what kinds of topics make for great photo essays.

More experienced photographers — feel free to skip this section. But for those who are just starting out, here’s a quick list of classic photo essay subject matter, for all types of photo essays.

• Local events. A great way to start out is photograph local events in your community, such as a high school fundraiser. A bonus is that you’ll have a ready
• Historic sites. Another classic photo essay topic is an exploration of a historic site. This could be a building, a monument, or even just a specific location that has significance.
• Profile of a person. A great way to get to know someone is to profile them in a photo essay. This could be a family member, friend, or even just someone you’ve met.
• Animals in captivity. Another popular subject matter for photo essays is animals in captivity, whether that’s at a zoo or elsewhere.
• A day in the life. Have you ever wondered what it’s like to live someone else’s life for a day? Why not find out and document it in a photo essay?
• Street photography. Another great way to practice your photography skills is to head out into the streets and photograph the everyday lives of people around you. The world has plenty of photo essays of cities like New York and London. But what about street photography in your own backyard?
• Still life photography. Still life photography is all about capturing inanimate objects on film. This could be anything from flowers to furniture to food. It’s a great way to practice your photography skills and learn about composition
• Landscapes . Landscape photography is one of the most popular genres, and for good reason. There are endless possibilities when it comes to finding interesting subjects to shoot. So get out there and start exploring!
• Abandoned buildings. There’s something fascinating about abandoned buildings. They offer a glimpse into the past, and can be eerily beautiful. If you have any in your area, they make for great photo essay subjects.
• Lifestyles. Document someone who lives a lifestyle that’s different from your own. This could be a portrayal of an everyday person, or it could be someone with an unusual job or hobby.
• Social issues. Take photos depicting significant social issues in your community, remembering to respect your subjects.

Ten inspiring photo essay examples

Pink lagoon and peculiar galaxies — July’s best science images

In Pink lagoon and peculiar galaxies , Nature present a mesmerising series of images from the natural world. Highlights include:

• a blink-and-you’ll-miss-it photo of rare albino orcas performing feats of synchronized swimming;
• an arresting aerial view of the aftermath of the flash floods in Germany; and,
• a scarlet gawping Venus flytrap sea anemone. 

The best part? Nature publishes similarly powerful photo essays every month, showcasing some of the best and most creative photography of the natural world anywhere on the web.

Vanishing Lands

Vanishing lands — an ominously interesting photo essay from media company Stuff — opens with a bucolic visual featuring meandering sheep flanked by breathtaking mountains that blur into obscurity.

Soon, more awe-inspiring photos of breathtaking New Zealand farmland appear, accompanied by expressive prose whose tone matches the visuals’ stark beauty.

In this unflinchingly honest photographic essay, Stuff takes the viewer behind the scenes with a day in the life of a high country sheep farmer facing an uncertain future. One stunning photo fades into the next as you scroll through, broken only by the occasional noteworthy quote and accompanying narrative.

Olympic photos: Emotion runs high

This emotionally wrought sports story from NBC begins with a close-up of an anxious Simone Biles, her expression exemplifying the tension and frustration echoed on so many of her fellow athletes’ faces.

The subtitle puts it perfectly: “The agony—and thrill—of competition at the Olympics is written all over their faces.”

Devastation, disappointment, and defeat take centre stage in this piece — but not all the subjects of the photos in this compelling photography essay depict misery. Some of the images, like that taken of the gold medal-winning Russian artistic gymnasts, manage to project the athletes’ joy almost beyond the edges of the screen.

The NBC editors who created this visual story chose to display the series of photos using the entire screen width and limit the copy to simple captions, letting the visuals speak for themselves. The result is a riveting montage of photographs that manage to capture the overarching sentiment of the 2020 Olympic Games.

James Epp: A Twist of the Hand

In A Twist of the Hand , the Museum of Classical Archaeology at the University of Cambridge have produced a gorgeous photo essay. This online art show showcases artist James Epp’s installation, combining photographs of the exhibit with images of museum prints and authentic artefacts.

As you scroll down, close-up shots of the installation make you feel like you’re physically wandering among the ancient sculptures, able to examine hairline spider cracks and tiny divots marking the surface of every antiquated figure. In between the photos—and often flanked by museum prints—are James Epp's musings about what inspired him to create the pieces. It’s an absorbing virtual gallery that will no doubt inspire real life visits to the exhibition.

The Café Racer Revolution

Though it’s a cleverly built piece of interactive content marketing , Honda’s “ Café Racer Revolution ” is also a great photo essay. Alongside information about the latest and greatest motorcycles Honda has to offer, it details the history of the bikers who sought to employ motorcycles (specifically “café racers”) as a way to forge an identity for themselves and project a “statement of individuality.”

Scroll down, and nostalgic black-and-white photos give way to contemporary action shots featuring fully decked-out motorcyclists on various Honda models.

Dynamic photos of bikes rotate them 360 degrees when you mouse over them, and text superimposed over flashy shots rolls smoothly down the screen as you scroll. This photo essay will stir a longing to hit the open road for anyone who has ever dreamed of owning one of Honda’s zippy bikes.

Built to keep Black from white

In Built to keep Black from white , NBC News and BridgeDetroit have built a stunning narrative photo essay that encapsulates the history of Detroit’s Birwood Wall — a literal dividing line intended to separate neighborhoods inhabited by people of different races. 

The piece begins with a brief history of the concrete barrier. Between paragraphs of text, it weaves in quotes from residents who grew up as the wall was erected and a short video. Animated maps highlighting the affected neighborhoods unspool across the screen as you scroll down, accompanied by brief explanations of what the maps represent.

In the series of photographs that follow, contemporary images transition into decades-old shots of the wall when it was newly constructed. This is followed by images of original real estate documents, resident portraits, and additional animated maps — each considering the issue from different angles.

The piece ends with an interactive display of how Detroit’s racial makeup has changed over the past several decades, from majority white to black, and how the wall has impacted the lives of its residents who lived (and died) within its borders.

The story of Black Lives Matter in sport

The BBC pairs illustrations and bold imagery in this photo essay on how athletes participated in the Black Lives Matter movement . At the start, a narrow column of text leads into an iconic image of American football players kneeling during the pre-game national anthem in a solemn protest against police brutality. 

The first excerpt, a summary of Trayvon Martin’s death in 2012, draws you in with piercing prose capped off with photographs that bleed into one another. Every account in the photo essay follows this layout.

WaterAid Climate Stories

Climate change affects everyone on the planet, but some people are feeling the effects more than others. WaterAid’s scrollytelling photo essay illuminates the plight of individuals living in areas where extreme weather conditions — caused by climate change — have drastically impacted the water supply and environment, endangering their livelihoods and ability to survive.

This climate change story starts with an engrossing video that provides an up-close and personal look at the devastation that climate change-induced droughts have wreaked on people and the environment. As you scroll down, images of massively depleted bodies of water with superimposed text and quotes unfold before your eyes. It’s an efficient way to drive home the critical message WaterAid wants to convey: climate change is real, and it’s harming real people.

Each extreme weather story focuses on an individual to help viewers empathise and understand that climate change has real, drastic consequences for millions of people worldwide. The piece ends with a call to action to learn more about and financially support WaterAid’s fight to assist people living in the desperate situations depicted in the essay.

28 Days in Afghanistan

In this piece, Australian photo-journalist Andrew Quilty tells the story of the four weeks he spent in Afghanistan . He captures daily events ranging from the mundane—like a casual visit to his barber—to jarring. More than one photo documents blood-spattered victims of violence.

Viewers must scroll through the piece to follow Andrew’s daily musings and the striking photos that accompany them. His photo essay is a powerful example of how scrollytelling is transforming the art of long-form journalism .

La carrera lunática de Musk y Bezos (Musk and Bezos' lunatic careers)

Billionaires Elon Musk and Jeff Bezos are angling to conquer the final frontier: space.

El Periódico captures their story via a whimsically illustrated photo essay, filled with neon line drawings and bold photos of the massive spaceships, the hangars that house them, and footprints on the moon. La carrera lunática de Musk y Bezos describes the battle between the two titans’ space companies (Blue Origin and SpaceX) for the honor of partially funding NASA’s next mission to the moon.

As you scroll down, white and fluorescent yellow words on a black background roll smoothly over images. The team at El Periódico slips in stylistic animations to break up the text—such as rocket ships with shimmering “vapour trails”—then ups the ante with a series of moon images that transition into portraits of the 12 U.S. astronauts who visited the celestial body.

The photo essay ends with the question: “Who will be the next to leave their footprints on the dusty lunar soil?” At the time of publishing, NASA had not yet decided between the two companies. (Spoiler alert: SpaceX won .)

Marissa Sapega is a seasoned writer, editor, and digital marketer with a background in web and graphic design.

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The Year of Endurance

Hope and uncertainty amid a pandemic that wouldn’t end.

In 2021, the pandemic forced us all to think hard about who we do and don’t trust

Introduction by david rowell.

As a nation, we are supposed to be built around trust. Look at the back of the bills in your wallet. “In God We Trust.”

Trust the system.

Trust yourself.

Trust but verify.

Trust your instincts.

Love may be the emotion we like to think ultimately propels us, but it’s trust that informs how we go about our daily lives. And yet. Our level of trust, our very foundation, has been crumbling for a long time now. Scandals, abuse and corruption in the major pillars of our society — religious institutions, education, business, military, government, health care, law enforcement, even the sports world — have made us a wary people.

When the pandemic came, first as murmurs that were easy to tune out, then as an unbounded crisis we couldn’t tune into enough, our relationship to trust was newly infected with something we didn’t fully understand. And before long, who and what we trusted — or didn’t — in the form of elected leaders, scientists and doctors became one more cause of death here and all over the world. In this way, distrust was a kind of pandemic itself: widely contagious and passed by the mouth.

As the first American casualties of covid-19 were announced, President Trump kept insisting it would disappear “with the heat” or “at the end of the month” or “without a vaccine.” Like a disgraced, fringe science teacher, he entertained this idea at one coronavirus news conference: “I see the disinfectant that knocks it out in a minute, one minute. And is there a way we can do something like that by injection inside, or almost a cleaning?” With leadership like this, the country was receiving an injection — of chaos.

The pandemic ripped through the rest of 2020, and America was not only more splintered than ever, but also a dangerous place to be. Some politicians declared to the public, “I trust the science,” as if that were an unprecedented and heroic stance.

As we navigated our way into 2021, questions about what to believe led — painfully and predictably — to doubts about the most reliable way we had to stay safe: wearing masks. With the return to schools looming, the debate about masks and children — masks as protectors, or masks as educational folly — played out like a plague of rants. No one seemed to trust others to do the right thing anymore, whatever that was. By summer’s end, trust felt like the latest variant to avoid.

Trust takes lots of forms, but can we actually see it in a photograph the way we can identify a cloud or a wave, or an overt moment of joy or sadness? The photo essays that follow capture a full tableau of human responses in year two of the pandemic — trepidation, but also a sense of renewal; celebration, but caution as well. And despite rancor and confusion still being in as steady supply as the vaccine itself, the permutations of trust have their own presence here, too, if we’re open enough to seeing them.

When Jay Wescott went on tour with rock band Candlebox, he was documenting one of the many performing acts that returned to the road this summer, after the long hiatus. On tour there’s a lot variables you can control, and just as many, if not more, that you can’t — and in the time of covid, control and trust form their own essential but perilous interplay. The picture of the band’s drummer, Robin Diaz, who is vaccinated but unmasked, setting up his kit in such proximity to road manager Carlos Novais, vaccinated and masked, not only captures that still-odd dynamic that goes into making any live performance happen right now; it is also a welcome contrast to all the images of masked and unmasked protesters screaming at each other about what and whom to trust. On tour with Candlebox, Westcott observed how trust is carrying the band forward, creating harmonies on and off the stage.

Much farther away, in Michael Robinson Chavez’s pictures from Sicily, we bear witness to religious celebrations as part of saint’s days, which were canceled last year because of the pandemic. The celebrations resumed, though stripped down, this September, with vaccines readily available, but then, as Chavez notes, the people of Sicily were vaccinated at lower numbers than those in other regions of the country. In one image, we see a tuba player, his mask down below his chin as he blows his notes out into the world. Behind him are masked adults and maskless children. And, perhaps all through the festival, a trust in God to watch over them.

Lucía Vázquez trained her lens on the eager crowds of young women who descended upon Miami, a city known for its own style of carnival-type celebrations, though decidedly less holy ones. These women have left masks out of their outfits and are trusting something not quite scientific and not quite political, but more personal: their guts. Such a calculation comes down to a conviction that either you won’t get the coronavirus, or, if you do, you’ll survive. It means placing a lot of trust in yourself.

As a visual meditation, the pictures in this issue offer a portrait of a historical moment in which trust and distrust have defined us. Ultimately, the photographs that follow, reflecting various realities of the pandemic, are tinted with hope that we can reclaim our lives. Not exactly as they were in the past, but in a way that still resembles how we had once imagined them for the future. These images remind us that even in our fractured, confused and suffering world, it remains possible that where we can find trust again, we can be healed.

Ready to Rock

Unmasked fans and mayflies: on tour with the band candlebox, text and photographs by jay westcott.

I n February 2020, after a dear friend passed away (not from covid), all I could think about was getting on the road with a band so I could lose myself in the work and create something that would bring joy to people. The world had other plans, though.

Sixteen months later, I headed out on tour with Candlebox. Almost 30 years has passed since the Seattle hard-rock group released its debut album and saw it sell more than 4 million copies. Frontman Kevin Martin and his current lineup invited me along to document the first part of their tour. I packed up my gear, drove west, and met the band at Soundcheck, a rehearsal and gear storage facility in Nashville, as they prepared for the tour.

Whenever people learn that I photograph musicians, inevitably they ask me what it’s like on a tour bus. I tell people it’s like camping with your co-workers from the office where you all sleep in the same tent. For weeks on end. That sours their midlife fantasies about digging out that guitar from the garage and hitting the road to become a rock star.

The people who do tour and play music, build the sets, mix the sound, sell the merch and lug the gear night after night are some of the hardest-working people I’ve ever met. They are a special breed of artists, deep thinkers, poets, masters of their instruments. Music has the ability to make you move and stop you in your tracks, to change your mood, make you smile, cry, think. The goal is the same: Put on a great show. Every night. Play like it could be your last show.

It’s easy to sit back and armchair quarterback on social media about the risks of holding festivals and rock concerts amid the pandemic, but this is what people do for a living. Few people buy albums or CDs or even download music anymore. It’s all about streaming and grabbing viewers on social media now. Touring and merch sales are about the only way musicians have to make money these days. Music is meant to be performed in front of people, a shared experience. With everybody on the bus vaccinated and ready to go, we headed to Louisville for the first of a 49-show run.

The crowd of mostly older millennials and GenXers were ready for a rock show. They knew all the words to the hits in the set — especially Candlebox’s mega-hit from the ’90s, “Far Behind” — and were into the band’s new songs too. It felt good. Then came the mayflies, in massive swarms.

The next stop on the tour was a festival along the Mississippi River in Iowa. I was up early, and as soon as we pulled in you could see mayflies dancing in the air all around us. As the day wore on, the flies intensified, and by nightfall any kind of light revealed hundreds upon hundreds of them, dancing in their own way like the crowd of unmasked fans below them. Also there were Confederate flags everywhere. Boats tied together on the river flew Trump flags in the warm summer breeze.

I was asleep when we crossed the river and made our way to St. Louis, the third stop on the tour and my last with the band. A great crowd: Close your eyes and you can easily picture yourself at Woodstock ’94. But it’s 2021 and Kevin Martin and company are still here.

Jay Westcott is a photographer in Arlington.

‘He Gave Me Life’

A cuban single mother reflects on isolation with her son, text and photographs by natalia favre.

S ingle mother Ara Santana Romero, 30, and her 11-year-old son, Camilo, have spent the past year and a half practically isolated in their Havana apartment. Just before the pandemic started, Camilo had achieved his biggest dream, getting accepted into music school. Two weeks after classes began, the schools closed and his classes were only televised. A return to the classroom was expected for mid-November, at which point all the children were scheduled to be vaccinated. According to a UNICEF analysis, since the beginning of the pandemic, 139 million children around the world have lived under compulsory home confinement for at least nine months.

Before the pandemic, Ara had undertaken several projects organizing literary events for students. After Havana went into quarantine and Camilo had to stay home, her days consisted mainly of getting food, looking after her son and doing housework. As a single mother with no help, she has put aside her wishes and aspirations. But Ara told me she never regretted having her son: “He gave me life.”

Natalia Favre is a photographer based in Havana.

Life After War in Gaza

A healing period of picnics, weddings and vaccinations, text and photographs by salwan georges.

A s I went from Israel into the Gaza Strip, I realized I was the only person crossing the border checkpoint that day. But I immediately saw that streets were vibrant with people shopping and wending through heavy traffic. There are hardly any working traffic lights in Gaza City, so drivers wave their hands out their windows to alert others to let them pass.

Despite the liveliness, recent trauma lingered in the air: In May, Israeli airstrikes destroyed several buildings and at least 264 Palestinians died. The fighting came after thousands of rockets were fired from Gaza into Israel, where at least 16 people died. Workers were still cleaning up when I visited in late August, some of them recycling rubble — such as metal from foundations — to use for rebuilding.

I visited the city of Beit Hanoun, which was heavily damaged. I met Ibrahim, whose apartment was nearly destroyed, and as I looked out from a hole in his living room, I saw children gathered to play a game. Nearby there is a sports complex next to a school. Young people were playing soccer.

Back in Gaza City, families come every night to Union Soldier Park to eat, shop and play. Children and their parents were awaiting their turn to pay for a ride on an electric bike decorated with LED lights. In another part of town, not too far away, the bazaar and the markets were filled ahead of the weekend.

The beach in Gaza City is the most popular destination for locals, particularly because the Israeli government, which occupies the territory, generally does not allow them to leave Gaza. Families picnicked in the late afternoon and then stayed to watch their kids swim until after sunset. One of the local traditions when someone gets married is to parade down the middle of a beachfront road so the groom can dance with relatives and friends.

Amid the activities, I noticed that many people were not wearing face coverings, and I learned that the coronavirus vaccination rate is low. The health department started placing posters around the city to urge vaccination and set up a weekly lottery to award money to those who get immunized.

I also attended the funeral of a boy named Omar Abu al-Nil, who was wounded by the Israeli army — probably by a bullet — during one of the frequent protests at the border. He later died at the hospital from his wounds. More than 100 people attended, mainly men. They carried Omar to the cemetery and buried him as his father watched.

Salwan Georges is a Washington Post staff photographer.

Beyond the Numbers

At home, i constructed a photo diary to show the pandemic’s human toll, text and photographs by beth galton.

I n March 2020, while the coronavirus began its universal spread, my world in New York City became my apartment. I knew that to keep safe I wouldn’t be able to access my studio, so I brought my camera home and constructed a small studio next to a window.

I began my days looking at the New York Times and The Washington Post online, hoping to find a glimmer of positive news. What I found and became obsessed with were the maps, charts and headlines, all of which were tracking the coronavirus’s spread. I printed them out to see how the disease had multiplied and moved, soon realizing that each of these little visual changes affected millions of people. With time, photographs of people who had died began to appear in the news. Grids of faces filled the screen; many died alone, without family or friends beside them.

This series reflects my emotions and thoughts through the past year and a half. By photographing data and images, combined with botanicals, my intent was to speak to the humanity of those affected by this pandemic. I used motion in the images to help convey the chaos and apprehensions we were all experiencing. I now see that this assemblage is a visual diary of my life during the pandemic.

Beth Galton is a photographer in New York.

Finding Hope in Seclusion

A self-described sickle cell warrior must stay home to keep safe, text and photographs by endia beal.

O nyekachukwu Onochie, who goes by Onyeka, is a 28-year-old African American woman born with sickle cell anemia. She describes herself as a sickle cell warrior who lives each day like it’s her last. “When I was younger,” she told me, “I thought I would live until my mid-20s because I knew other people with sickle cell that died in their 20s.”

The Centers for Disease Control and Prevention describes sickle cell anemia as an inherited red blood cell disorder that causes those cells to become hard and sticky, and appear C-shaped. Healthy red blood cells are round and move through small blood vessels to carry oxygen, whereas sickle cells die earlier and transport less oxygen. The disorder can cause debilitating pain and organ failure.

In June 2020, Onyeka began preparing her body for a stem cell transplant — a new treatment — and underwent the procedure in April. She is now home in Winston-Salem, N.C., recovering from the transplant. Despite the positive results thus far, Onyeka’s immune system is compromised and she is at greater risk of severe illness or death from viruses.

I asked about her life during the pandemic. She told me: “My new normal includes video chat lunch dates. I have more energy now than ever before, but I have to stay indoors to protect myself from airborne viruses, among other things.” Onyeka believes she has been given a new life with endless possibilities — even though she is temporarily homebound.

Endia Beal is an artist based in Winston-Salem, N.C.

Baker’s Choice

A fun-loving, self-taught baker decides to open her shop despite the pandemic, text and photographs by marvin joseph.

T iffany Lightfoot is the owner and founder of My Cake Theory, where she merges her love of fashion with her gifts as a baker. Undaunted by the pandemic, she opened her first brick-and-mortar shop on Capitol Hill last year. Lightfoot, 41, combined the skills she learned as a student at the Fashion Institute of Technology with dozens of hours watching the Food Network and YouTube videos — and spun her self-taught baking into a business. With these photographs I wanted to show how much fun she has baking — while building a career she clearly loves.

Marvin Joseph is a Washington Post staff photographer.

Leap of Faith

Despite low vaccination rates, sicilians resume religious parades, text and photographs by michael robinson chavez.

T he island of Sicily has been overrun and conquered by numerous empires and civilizations. The year 2020 brought a new and deadly conqueror, the coronavirus. The lockdown was absolute — even church doors were shut tight. But in 2021, Sicilians brought life and traditions back to their streets.

Saint’s days, or festas, are important events on the Sicilian calendar. Last year, for the first time in more than a century, some towns canceled their festas. The arrival of vaccines this year seemed to offer hope that the processions would once again march down the ancient streets. However, a surge in summer tourism, while helping the local economy, also boosted the coronavirus infection rate.

Sicily has the lowest vaccination rate in Italy. Nevertheless, scaled-down celebrations have reappeared in the island’s streets. In the capital city of Palermo, residents gathered for the festa honoring the Maria della Mercede (Madonna of Mercy), which dates to the 16th century. Children were hoisted aloft to be blessed by the Virgin as a marching band played in a small piazza fronting the church that bears her name. Local bishops did not permit the normal procession because of the pandemic, so local children had their own, carrying a cardboard re-creation of the Virgin through the labyrinth of the famous Il Capo district’s narrow streets.

As the fireworks blossomed overhead and the marching band played on, it was easy to see that Sicilians were embracing a centuries-old tradition that seems certain to last for many more to come.

Michael Robinson Chavez is a Washington Post staff photographer.

Defiant Glamour

After long months of covid confinement, a fearless return to 2019 in miami beach, text and photographs by lucía vázquez.

O n Miami Beach’s Ocean Drive I’ve seen drunk girls hitting other drunk girls, and I’ve seen men high on whatever they could afford, zombie-walking with their mouths and eyes wide open amid the tourists. I’ve seen partyers sprawled on the pavement just a few feet from the Villa Casa Casuarina, the former Versace mansion.

I’ve seen groups of women wearing fake eyelashes as long and thick as a broom, and flashing miniature bras, and smoking marijuana by a palm tree in the park, next to families going to the beach. I’ve seen five girls standing on the back of a white open-air Jeep twerking in their underwear toward the street.

My photographs, taken in August, capture South Beach immersed in this untamed party mood with the menace of the delta variant as backdrop. They document young women enjoying the summer after more than a year of confinement. Traveling from around the country, they made the most of their return to social life by showing off their style and skin, wearing their boldest party attire. I was drawn to the fearlessness of their outfits and their confidence; I wanted to show how these women identify themselves and wish to be perceived, a year and a half after covid-19 changed the world.

Lucía Vázquez is a journalist and photographer based in New York and Buenos Aires.

A Giving Spirit

‘this pandemic has taught me to be even closer to my family and friends’, text and photographs by octavio jones.

M arlise Tolbert-Jones, who works part time for an air conditioning company in Tampa, spends most of her time caring for her 91-year-old father, Rudolph Tolbert, and her aunt Frances Pascoe, who is 89. Marlise visits them daily to make sure they’re eating a good breakfast and taking their medications. In addition to being a caregiver, Marlise, 57, volunteers for a local nonprofit food pantry, where she helps distribute groceries for families. Also, she volunteers at her church’s food pantry, where food is distributed every Saturday morning.

“I’m doing this because of my [late] mother, who would want me to be there for the family and the community,” she told me. “I’ve had my struggles. I’ve been down before, but God has just kept me stable and given me the strength to keep going. This pandemic has taught me to be even closer to my family and friends.”

Octavio Jones is an independent photojournalist based in Tampa.

First, people paused. Then they took stock. Then they persevered.

Text and photographs by anastassia whitty.

W e all know the pandemic has challenged people and altered daily routines. I created this photo essay to highlight the perspectives and experiences of everyday people, specifically African Americans: What does their “new normal” look like? I also wanted to demonstrate how they were able to persevere. One such person is Maria J. Hackett, 30, a Brooklyn photographer, dancer and mother of a daughter, NiNi. Both are featured on the cover.

I asked Maria her thoughts on what the pandemic has meant for her. “Quarantine opened up an opportunity to live in a way that was more healthy while taking on much-needed deep healing,” she told me. “It was my mental and emotional health that began breaking me down physically. ... I put things to a stop as my health began to deteriorate. I decided I will no longer chase money — but stay true to my art, plan and trust that things will come together in a healthier way for us. I focused more on letting my daughter guide us and on her remaining happy with her activities and social life.”

“Enrolling her in camps and classes like dance and gymnastics led me to develop a schedule and routine,” Maria explained, “opening room for me to complete my first dance residency in my return to exploration of movement. I made time to share what I know with her and what she knows with me.”

Jasmine Hamilton of Long Island, 32, talked in similiar terms. She too became more focused on mental health and fitness. She told me: “The pandemic has demonstrated that life is short and valuable, so I’m more open to creating new experiences.”

Anastassia Whitty is a photographer based in New York.

About this story

Photo editing by Dudley M. Brooks and Chloe Coleman. Design and development by Audrey Valbuena. Design editing by Suzette Moyer and Christian Font. Editing by Rich Leiby. Copy editing by Jennifer Abella and Angie Wu.

• Five Favorite Photos

Five Favorite Photos – W. Eugene Smith, Master of the Photo Essay

Josh solomon.

• July 23, 2018

To pick only five photos from any distinguished photographer’s catalog is difficult most days. Today, in particular, it’s outright impossible. That’s because today’s subject is none other than the master of the photo essay, W. Eugene Smith.

Smith’s career is the stuff of legend. His work includes classic photo essays such as Country Doctor, Minamata, and his magnum opus, Pittsburgh, a photo essay so large in scope that it still hasn’t been seen in its entirety. With every successive collection of photos, Smith pushed the form of the photo essay (and photography itself) to its very limits.

When I look back on all the photographers I’ve studied, W. Eugene Smith is the one who’s influenced me the most. I find I can always come back to one of his photos and see and learn something new every time, whether it be about composition, photo technique, or photo ethics. So instead of trying to reduce his impossibly large catalog of images down to his five absolute best, I’m going to pick the five images from which I’ve learned the most, and what they’ve taught me. Let’s get started.

Waiting For Survivors

This first photo is my personal favorite of W. Eugene Smith’s, and a great introduction to his work. Not only does it showcase Smith’s signature style of classically informed composition, it also reveals his sensitivity towards the often tragic events he was assigned to cover.  

“Waiting for Survivors” came about in the immediate aftermath of the sinking of the SS Andrea Doria, an Italian ocean liner bound for New York City. The tragedy was, and still is, the worst disaster to occur in United States waters and one that newspapers clamored to cover.

One would expect such coverage to involve shocking photos of the sinking ship, or of survivors being helped ashore (and there were plenty of those images made by other photogs). Eugene Smith thought differently. Instead of inducing shock, he wanted empathize with his audience by portraying the nervous anticipation of a nation as the lives of Andrea Doria’s passengers hung in the balance.

Smith accomplished this with the image of a nun waiting for news about the survivors of the wreck. A scene like this is already ripe for a photojournalist’s picking, but it is Smith’s timing and compositional nous that makes it special. Smith caught the nun leaning slightly to the left, with her hand covering her mouth and eyes looking upward in anticipation. Smith also makes the nun’s white habit do double-duty in this image; it frames her face and also provides emphasis by way of stark contrast from the grey background. It’s a simple composition, but one timed and crafted with Smith’s signature standard of perfection.

The Walk to Paradise Garden

“The Walk to Paradise Garden” is a tonal shift from Smith’s often intense and tragic subject matter. But it’s precisely because of this shift that it was one of Smith’s personal favorite photos. Devoid of context, the image of two children walking out of a dark forest toward the light is already beautiful as it is. But when we understand the backstory of this shot it becomes even more poignant.

Two years before this picture was taken, Eugene Smith worked as a photojournalist in the Pacific theater of World War II, photographing the horrors of war from Iwo Jima to Guam. During this time, he was wounded by shell fragmentation and was sent home. His recovery, both physically and psychologically, was brutal to such an extent that he couldn’t even use his camera.

After two years, Smith became fed up and impatient with the recovery process and decided one day to load a roll of film. Seeing as his previous photographs were of pain and tragedy, he wanted his first photograph in two years to be one of hope and new life, and so he chose as his subjects his own children, Pat and Juanita.

As for the rest of this story, it’s best for the man himself to tell it:

“Pat saw something in the clearing, he grasped Juanita by the hand and they hurried forward. While I followed my children into the undergrowth and the group of taller trees—how they were delighted at every little discovery!—and observed them, I suddenly realized that at this moment, in spite of everything, in spite of all the wars and all I had gone through that day, I wanted to sing a sonnet to life and to the courage to go on living it….”

Spanish Wake  

Spanish Wake is a fascinating piece of Eugene Smith’s body of work in that it contains a great many lessons for the photographer, as well as insight into Smith’s own philosophy towards making images.

On one level, this is an example of Smith’s classically informed style of composition. He heightens the drama of the scene by way of heavy contrast, which is so heavy that it creates a dramatic chiaroscuro effect (favored by painters such as Caravaggio and Rembrandt) which naturally emphasizes everything the light hits. Smith also paid particular attention to the eye-lines of each subject, which eventually lead the viewer straight to the corpse laying upon the bed, as well as expressing the inner grief of each of the mourning subjects. It’s also worth noting that this photo bears an eerie resemblance to one of Rembrandt’s masterpieces, The Anatomy Lesson of Dr. Nicolaes Tulp . Whether or not this was intentional is anybody’s guess, but considering Smith’s penchant for classicism I wouldn’t be surprised if it was.

On another level, the creation of this photo can teach us a little bit about photo ethics. If the lighting in this photo seems too perfect to be natural, that’s because it’s staged. The photo’s lighting, subject placement, and even the eye-lines are all either staged or retouched. Candid photography purists may be put off by this, but to this end Smith himself offers up his own arguments.

For Smith, authenticity of the emotion of a scene outweighed the authenticity of the scene itself. In a publicized interview between him and another great photographer, Philippe Halsmann, Smith says, “I don’t object to staging only if I feel that it is an intensification of something that is absolutely authentic to the place.” Smith’s code of ethics dictated that he only ask the family for permission to photograph (which was given enthusiastically by the son of the deceased) and then felt it was his duty to authentically portray the grief of the family. For him, that was justification enough to retouch.

His last words on the subject in the interview illuminates his attitude towards editing more than any others:

“I didn’t write the rules — why should I follow them? Since I put a great deal of time and research to know what I am about? I ask and arrange if I feel it is legitimate. The honesty lies in my — the photographer’s — ability to understand.”

Country Doctor

Perhaps Eugene Smith’s most famous series of photos is the Country Doctor photo essay. It’s the essay that established him as the master of that form, and set the standard for every photo essay to follow.

In 1948, the US was experiencing an alarming shortage of doctors practicing in remote areas, and LIFE decided to show how damaging the shortage really was. W. Eugene Smith was then assigned by the magazine to cover Dr. Ernest Guy Ceriani, a country doctor practicing in the small town of Kremmling, Colorado. The ensuing essay would see Smith following Dr. Ceriani throughout the town and countryside, detailing the often gruesome cases Ceriani would be called upon to fix at any hour.

What makes this particular essay such a masterwork was Smith’s ability to capture the raw emotion of Ceriani and his patients. By what Smith called “fading into the wallpaper”, he was able to get up close to Ceriani and his patients at a truly personal level. Through his lens we can really see and feel the exasperation and desperation of a single doctor called upon to care for a small town and four hundred miles of countryside, as well as the terror and pain of that area’s afflicted citizens.

Of the many incredible photos in the essay, my favorite is Smith’s portrait of Ceriani at rest after performing an operation. Ceriani’s tired slump as well as his blank downward gaze perfectly epitomizes his reaction to the near-Sisyphusian task of caring for an entire countryside by himself. Smith finishes the image by casting Ceriani in a harsh light and using high contrast, elevating the stress and tension of his situation.

Iwazo Funaba’s Crippled Hand

Our last photo is one from W. Eugene Smith’s final photo essay, Minamata. Hardcore Smith fans may be expecting the flagship photo of this essay, which happens to also one of the finest photos ever made , but out of respect for the family and memory of those depicted we will choose a different but equally powerful image; Iwazo Funaba’s Crippled Hand.

Iwazo Funaba was one of the many victims of Minamata disease, a disease caused by the illegal dumping of industrial waste by the Chisso Corporation in the small fishing town of Minamata, Japan. The waste bioaccumulated in the fish and the seas surrounding Minamata, and when the fish were eaten by the town’s residents, the result was severe mercury poisoning. Over a span of thirty-six years, tens of thousands of people were affected by the disease, with little to no intervention by the local government or the Chisso Corporation.

W. Eugene Smith and his wife Aileen Smith took it upon themselves to chronicle the sufferings of Minamata’s citizens from 1971 to 1973 in the hope that they could raise awareness about Minamata disease. What resulted was a masterclass of a photo essay. The entire collection of photos illustrates perfectly the horrors of Minamata disease, with Smith using wide-angle distortion, high contrast, and extreme close-ups to heighten the horror of these already horrific scenes.

Of the many incredible images in this essay (including the aforementioned), the photo of Iwazo Funaba’s crippled hand always stands out to me. Smith’s use of shallow depth-of-field is masterful here, as Funaba’s out-of-focus head serves as the perfect background to her contorted hand. We can also make out that Funaba’s head is tilted upwards and her mouth is agape, which suggests that she’s screaming in pain. Gruesome as it is, it’s a powerful image that perfectly communicates the pain of the diseased victims.

W. Eugene Smith’s repertoire is much more vast than this list can suggest, and I would highly recommend that any aspiring photographer or photo enthusiast delve deeper into his catalog. Below are some useful links:

The Jazz Loft (movie)

Nurse Midwife

Albert Schweitzer in Africa

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Josh Solomon is a freelance writer and touring bassist living in Los Angeles. He has an affinity for all things analog. When not onstage, you can find him roaming around Southern California shooting film and humming a tune.

Wow … thank you for providing this short excerpt 😉

Josh, you’re helping to make this the best site out there.

Great stuff.

amazing content, thank you vey much keep up

A great article about one of my favorite photographers. I always thought it was interesting that he used such a variety of different cameras. It seems like a lot of the great phographers preferred one type or another, but Gene seemed to switch it up a lot. What a lot he witnessed in his too short life….

Thank you. Gene Smith is probably the photographer I most admire and try to emulate; I saved the 1959 Popular Photography Annual containing his Pittsburgh essay for more than 40 years until I gave it to a young newspaper photographer when he married my niece. Smith wasn’t fond, to say the least, of the layout and reproduction quality of the Pop Photo publication. After his Minamata essay came out, Smith was severely beaten by Chisso company thugs — suffering injuries that lasted the rest of his life, I think. I have his Minamata book.

Thank you for this site. I have the picture The Walk to Paradise Garden. I finally got a chance to look up W. Eugene Smith’s other photography. Poignant and beautiful. This knowing of the background of this picture is bringing me hope in this Pandemic we are going through in NY at this time.

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Five favorite photos – imogen cunningham’s after ninety, five favorite photos – mathew brady & co. shoot the civil war, five favorite photos – elliot erwitt.

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How to Create an Engaging Photo Essay (with Examples)

Photo essays tell a story in pictures. They're a great way to improve at photography and story-telling skills at once. Learn how to do create a great one.

Learn | Photography Guides | By Ana Mireles

Photography is a medium used to tell stories – sometimes they are told in one picture, sometimes you need a whole series. Those series can be photo essays.

If you’ve never done a photo essay before, or you’re simply struggling to find your next project, this article will be of help. I’ll be showing you what a photo essay is and how to go about doing one.

You’ll also find plenty of photo essay ideas and some famous photo essay examples from recent times that will serve you as inspiration.

If you’re ready to get started, let’s jump right in!

Table of Contents

What is a Photo Essay?

A photo essay is a series of images that share an overarching theme as well as a visual and technical coherence to tell a story. Some people refer to a photo essay as a photo series or a photo story – this often happens in photography competitions.

Photographic history is full of famous photo essays. Think about The Great Depression by Dorothea Lange, Like Brother Like Sister by Wolfgang Tillmans, Gandhi’s funeral by Henri Cartier Bresson, amongst others.

What are the types of photo essay?

Despite popular belief, the type of photo essay doesn’t depend on the type of photography that you do – in other words, journalism, documentary, fine art, or any other photographic genre is not a type of photo essay.

Instead, there are two main types of photo essays: narrative and thematic .

As you have probably already guessed, the thematic one presents images pulled together by a topic – for example, global warming. The images can be about animals and nature as well as natural disasters devastating cities. They can happen all over the world or in the same location, and they can be captured in different moments in time – there’s a lot of flexibility.

A narrative photo essa y, on the other hand, tells the story of a character (human or not), portraying a place or an event. For example, a narrative photo essay on coffee would document the process from the planting and harvesting – to the roasting and grinding until it reaches your morning cup.

What are some of the key elements of a photo essay?

• Tell a unique story – A unique story doesn’t mean that you have to photograph something that nobody has done before – that would be almost impossible! It means that you should consider what you’re bringing to the table on a particular topic.
• Put yourself into the work – One of the best ways to make a compelling photo essay is by adding your point of view, which can only be done with your life experiences and the way you see the world.
• Add depth to the concept – The best photo essays are the ones that go past the obvious and dig deeper in the story, going behind the scenes, or examining a day in the life of the subject matter – that’s what pulls in the spectator.
• Nail the technique – Even if the concept and the story are the most important part of a photo essay, it won’t have the same success if it’s poorly executed.
• Build a structure – A photo essay is about telling a thought-provoking story – so, think about it in a narrative way. Which images are going to introduce the topic? Which ones represent a climax? How is it going to end – how do you want the viewer to feel after seeing your photo series?
• Make strong choices – If you really want to convey an emotion and a unique point of view, you’re going to need to make some hard decisions. Which light are you using? Which lens? How many images will there be in the series? etc., and most importantly for a great photo essay is the why behind those choices.

9 Tips for Creating a Photo Essay

Credit: Laura James

1. Choose something you know

To make a good photo essay, you don’t need to travel to an exotic location or document a civil war – I mean, it’s great if you can, but you can start close to home.

Depending on the type of photography you do and the topic you’re looking for in your photographic essay, you can photograph a local event or visit an abandoned building outside your town.

It will be much easier for you to find a unique perspective and tell a better story if you’re already familiar with the subject. Also, consider that you might have to return a few times to the same location to get all the photos you need.

2. Follow your passion

Most photo essays take dedication and passion. If you choose a subject that might be easy, but you’re not really into it – the results won’t be as exciting. Taking photos will always be easier and more fun if you’re covering something you’re passionate about.

3. Take your time

A great photo essay is not done in a few hours. You need to put in the time to research it, conceptualizing it, editing, etc. That’s why I previously recommended following your passion because it takes a lot of dedication, and if you’re not passionate about it – it’s difficult to push through.

4. Write a summary or statement

Photo essays are always accompanied by some text. You can do this in the form of an introduction, write captions for each photo or write it as a conclusion. That’s up to you and how you want to present the work.

5. Learn from the masters

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Making a photographic essay takes a lot of practice and knowledge. A great way to become a better photographer and improve your storytelling skills is by studying the work of others. You can go to art shows, review books and magazines and look at the winners in photo contests – most of the time, there’s a category for photo series.

6. Get a wide variety of photos

Think about a story – a literary one. It usually tells you where the story is happening, who is the main character, and it gives you a few details to make you engage with it, right?

The same thing happens with a visual story in a photo essay – you can do some wide-angle shots to establish the scenes and some close-ups to show the details. Make a shot list to ensure you cover all the different angles.

Some of your pictures should guide the viewer in, while others are more climatic and regard the experience they are taking out of your photos.

7. Follow a consistent look

Both in style and aesthetics, all the images in your series need to be coherent. You can achieve this in different ways, from the choice of lighting, the mood, the post-processing, etc.

8. Be self-critical

Once you have all the photos, make sure you edit them with a good dose of self-criticism. Not all the pictures that you took belong in the photo essay. Choose only the best ones and make sure they tell the full story.

9. Ask for constructive feedback

Often, when we’re working on a photo essay project for a long time, everything makes perfect sense in our heads. However, someone outside the project might not be getting the idea. It’s important that you get honest and constructive criticism to improve your photography.

How to Create a Photo Essay in 5 Steps

Credit: Quang Nguyen Vinh

1. Choose your topic

This is the first step that you need to take to decide if your photo essay is going to be narrative or thematic. Then, choose what is it going to be about?

Ideally, it should be something that you’re interested in, that you have something to say about it, and it can connect with other people.

2. Research your topic

To tell a good story about something, you need to be familiar with that something. This is especially true when you want to go deeper and make a compelling photo essay. Day in the life photo essays are a popular choice, since often, these can be performed with friends and family, whom you already should know well.

3. Plan your photoshoot

Depending on what you’re photographing, this step can be very different from one project to the next. For a fine art project, you might need to find a location, props, models, a shot list, etc., while a documentary photo essay is about planning the best time to do the photos, what gear to bring with you, finding a local guide, etc.

Every photo essay will need different planning, so before taking pictures, put in the required time to get things right.

4. Experiment

It’s one thing to plan your photo shoot and having a shot list that you have to get, or else the photo essay won’t be complete. It’s another thing to miss out on some amazing photo opportunities that you couldn’t foresee.

So, be prepared but also stay open-minded and experiment with different settings, different perspectives, etc.

5. Make a final selection

Editing your work can be one of the hardest parts of doing a photo essay. Sometimes we can be overly critical, and others, we get attached to bad photos because we put a lot of effort into them or we had a great time doing them.

Try to be as objective as possible, don’t be afraid to ask for opinions and make various revisions before settling down on a final cut.

7 Photo Essay Topics, Ideas & Examples

Credit: Michelle Leman

• Architectural photo essay

Using architecture as your main subject, there are tons of photo essay ideas that you can do. For some inspiration, you can check out the work of Francisco Marin – who was trained as an architect and then turned to photography to “explore a different way to perceive things”.

You can also lookup Luisa Lambri. Amongst her series, you’ll find many photo essay examples in which architecture is the subject she uses to explore the relationship between photography and space.

• Process and transformation photo essay

This is one of the best photo essay topics for beginners because the story tells itself. Pick something that has a beginning and an end, for example, pregnancy, the metamorphosis of a butterfly, the life-cycle of a plant, etc.

Keep in mind that these topics are linear and give you an easy way into the narrative flow – however, it might be difficult to find an interesting perspective and a unique point of view.

• A day in the life of ‘X’ photo essay

There are tons of interesting photo essay ideas in this category – you can follow around a celebrity, a worker, your child, etc. You don’t even have to do it about a human subject – think about doing a photo essay about a day in the life of a racing horse, for example – find something that’s interesting for you.

• Time passing by photo essay

It can be a natural site or a landmark photo essay – whatever is close to you will work best as you’ll need to come back multiple times to capture time passing by. For example, how this place changes throughout the seasons or maybe even over the years.

A fun option if you live with family is to document a birthday party each year, seeing how the subject changes over time. This can be combined with a transformation essay or sorts, documenting the changes in interpersonal relationships over time.

• Travel photo essay

Do you want to make the jump from tourist snapshots into a travel photo essay? Research the place you’re going to be travelling to. Then, choose a topic.

If you’re having trouble with how to do this, check out any travel magazine – National Geographic, for example. They won’t do a generic article about Texas – they do an article about the beach life on the Texas Gulf Coast and another one about the diverse flavors of Texas.

The more specific you get, the deeper you can go with the story.

• Socio-political issues photo essay

This is one of the most popular photo essay examples – it falls under the category of photojournalism or documental photography. They are usually thematic, although it’s also possible to do a narrative one.

Depending on your topic of interest, you can choose topics that involve nature – for example, document the effects of global warming. Another idea is to photograph protests or make an education photo essay.

It doesn’t have to be a big global issue; you can choose something specific to your community – are there too many stray dogs? Make a photo essay about a local animal shelter. The topics are endless.

• Behind the scenes photo essay

A behind-the-scenes always make for a good photo story – people are curious to know what happens and how everything comes together before a show.

Depending on your own interests, this can be a photo essay about a fashion show, a theatre play, a concert, and so on. You’ll probably need to get some permissions, though, not only to shoot but also to showcase or publish those images.

4 Best Photo Essays in Recent times

Now that you know all the techniques about it, it might be helpful to look at some photo essay examples to see how you can put the concept into practice. Here are some famous photo essays from recent times to give you some inspiration.

Habibi by Antonio Faccilongo

This photo essay wan the World Press Photo Story of the Year in 2021. Faccilongo explores a very big conflict from a very specific and intimate point of view – how the Israeli-Palestinian war affects the families.

He chose to use a square format because it allows him to give order to things and eliminate unnecessary elements in his pictures.

With this long-term photo essay, he wanted to highlight the sense of absence and melancholy women and families feel towards their husbands away at war.

The project then became a book edited by Sarah Leen and the graphics of Ramon Pez.

Picture This: New Orleans by Mary Ellen Mark

The last assignment before her passing, Mary Ellen Mark travelled to New Orleans to register the city after a decade after Hurricane Katrina.

The images of the project “bring to life the rebirth and resilience of the people at the heart of this tale”, – says CNNMoney, commissioner of the work.

Each survivor of the hurricane has a story, and Mary Ellen Mark was there to record it. Some of them have heartbreaking stories about everything they had to leave behind.

Others have a story of hope – like Sam and Ben, two eight-year-olds born from frozen embryos kept in a hospital that lost power supply during the hurricane, yet they managed to survive.

Selfie by Cindy Sherman

Cindy Sherman is an American photographer whose work is mainly done through self-portraits. With them, she explores the concept of identity, gender stereotypes, as well as visual and cultural codes.

One of her latest photo essays was a collaboration with W Magazine entitled Selfie. In it, the author explores the concept of planned candid photos (‘plandid’).

The work was made for Instagram, as the platform is well known for the conflict between the ‘real self’ and the one people present online. Sherman started using Facetune, Perfect365 and YouCam to alter her appearance on selfies – in Photoshop, you can modify everything, but these apps were designed specifically to “make things prettier”- she says, and that’s what she wants to explore in this photo essay.

Tokyo Compression by Michael Wolf

Michael Wolf has an interest in the broad-gauge topic Life in Cities. From there, many photo essays have been derived – amongst them – Tokyo Compression .

He was horrified by the way people in Tokyo are forced to move to the suburbs because of the high prices of the city. Therefore, they are required to make long commutes facing 1,5 hours of train to start their 8+ hour workday followed by another 1,5 hours to get back home.

To portray this way of life, he photographed the people inside the train pressed against the windows looking exhausted, angry or simply absent due to this way of life.

You can visit his website to see other photo essays that revolve around the topic of life in megacities.

Final Words

It’s not easy to make photo essays, so don’t expect to be great at it right from your first project.

Start off small by choosing a specific subject that’s interesting to you –  that will come from an honest place, and it will be a great practice for some bigger projects along the line.

Whether you like to shoot still life or you’re a travel photographer, I hope these photo essay tips and photo essay examples can help you get started and grow in your photography.

Let us know which topics you are working on right now – we’ll love to hear from you!

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Ana Mireles is a Mexican researcher that specializes in photography and communications for the arts and culture sector.

Penelope G. To Ana Mireles Such a well written and helpful article for an writer who wants to inclue photo essay in her memoir. Thank you. I will get to work on this new skill. Penelope G.

Herman Krieger Photo essays in black and white

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Advice for an Unforgettable Photo Essay

Six steps for turning your images into a memorable photo essay, from curating your best work to crafting a title.

A man sits alone on a chair on the side of the road. We see him from above, surrounded by grey cobblestones neatly placed, a broken plastic chair, and some pylons scattered along the curb. A street cat wanders out of the frame and away from the man. He appears lonely, the only person inhabiting the place in which he seems so comfortably seated. As the eye wanders throughout the frame, however, the viewer discovers more: a vast city cast beyond the street and behind the man’s chair. This image closes Sarah Pannell’s photo essay Sehir , a quiet study of urban life.

Possibilities, discovery, and stories: these are some of the most effective elements of a photo essay. Collections of images can help produce a narrative, evoke emotion, and guide the viewer through one or more perspectives. A well-executed photo essay doesn’t rely on a title or any prior knowledge of its creator; it narrates on its own, moving viewers through sensations, lessons, and reactions.

Famous photo essays like Country Doctor by W. Eugene Smith or Gordon Parks’ The Harlem Family are acclaimed for showing a glimpse into the lives of the sick and impoverished. Other well-made photo essays offer a new way to look at the everyday, such as Peter Funch’s much-reposted photo series 42nd and Vanderbilt , for which Funch photographed the same street corner for nine years. As shown by these photographers’ experiences with the medium, a collection of photos can enliven spaces and attitudes. Strong photo essays can give voice to marginalized individuals and shine a spotlight on previously overlooked experiences.

You don’t necessarily need to be a documentary photographer to create a powerful photo essay. Photo essays can showcase any topic, from nature photography to portraiture to wedding shots. We spoke to a few photographers to get their perspectives on what makes a good photo essay, and their tips for how any photographer can get started in this medium. Here are six steps to follow to create a photo essay that tells a memorable story.

Choose a specific topic or theme for your photo essay.

There are two types of photo essays: the narrative and the thematic. Narrative photo essays focus on a story you’re telling the viewer, while thematic photo essays speak to a specific subject.

The most natural method for choosing a topic or theme for your photo essay is to go with what you know. Photograph what you experience. Whether that includes people, objects, or the things you think about throughout the day, accessibility is key here. Common topics or concepts to start with are emotions (depicting sadness or happiness) or experiences (everyday life, city living).

For photographer Sharon Pannen , planning a photo essay is as simple as “picking out a subject you find interesting or you want to make a statement about.”

From Paper & Stories , a photo series by Sharon Pannen for Schön! Magazine.

Consider your photo subjects.

The subjects of your photographs, whether human or not, will fill the space of your photos and influence the mood or idea you’re trying to depict. The subject can determine whether or not your photos are considered interesting. “I always try to find someone that catches my eye. I especially like to see how the light falls on their face and how a certain aesthetic might add to their persona,” says photographer Victoria Wojtan .

While subjects and their interest factor are, well, subjective, when considering your subjects, you should ask yourself about your audience. Do other people want to see this? Is my subject representative of the larger idea my photo essay is trying to convey? Your projects can involve people you know or people you’ve only just met.

“Most projects I work on involve shooting portraits of strangers, so there’s always a tension in approaching someone for a portrait,” says photographer Taylor Dorrell . For Wojtan, that tension can help build trust with a subject and actually leads to more natural images “If there’s tension it’s usually because the person’s new to being photographed by someone for something that’s outside of a candid moment or selfie, and they need guidance for posing. This gives me the opportunity to make them feel more comfortable and let them be themselves. I tend to have a certain idea in mind, but try to allow for organic moments to happen.”

Aim for a variety of images.

Depending on your theme, there are a few types of photos you’ll want to use to anchor your essay. One or two lead photos should slowly introduce the viewer to your topic. These initial photos will function in a similar way to the introductory paragraph in a written essay or news article.

From there, you should consider further developing your narrative by introducing elements like portraiture, close ups, detail shots, and a carefully selected final photo to leave the viewer with the feeling you set out to produce in your photos. Consider your opening and closing images to be the most important elements of your photo essay, and choose them accordingly. You want your first images to hook the viewer, and you also want your final images to leave a lasting impression and perhaps offer a conclusion to the narrative you’ve developed.

Including different types of photos, shot at different ranges, angles, and perspectives, can help engage your viewer and add more texture to your series.

Says photographer Taylor Dorrell: “After I have a group of images, I tend to think about color, composition, the order the images were taken, the subject material, and relevance to the concept.”

From Taylor Dorrell’s photo essay White Fences : “White Fences is an ongoing photo series that explores the theme of suburban youth in the United States, specifically in the midwest suburb New Albany, Ohio.”

Put your emotions aside.

Self-doubt can easily come into play when working with your own photography. The adage that we are our own worst critics is often true. It can be difficult to objectively select your strongest images when creating a photo essay. This is why putting together photo essays is such a useful practice for developing your curatorial skills.

“The most important part for me is getting outside opinions. I don’t do that enough, and have a bias in selecting images that might not be the most powerful images or the most effective sequence of images,” says Dorrell. Your own perception of a photograph can cloud your ability to judge whether or not it adds to your photo essay. This is especially true when your essay deals with personal subjects. For example, a photo essay about your family may be hard to evaluate, as your own feelings about family members will impact how you take and view the photos. This is where getting feedback from peers can be invaluable to producing a strong series.

Collecting feedback while putting your photo essay together can help you determine the strengths, weaknesses, and gaps within the collection of photos you’ve produced. Ask your friends to tell you their favorites, why they like them, and what they think you’re going for in the work you’ve created. Their opinions can be your guide, not just your own emotions.

Edit your photo selection.

Beyond post-production, the series of photos you select as your essay will determine whether you’ve executed your theme or narrative effectively. Can the photos stand alone, without written words, and tell the story you set out to? Do they make sense together, in a logical sequence? The perfect photo essay will give your audience a full picture of the narrative, theme, or essence you’re looking to capture.

A good method to use to cull your images down is to remove as many as half of your images straight away to see if your narrative is still as strong with fewer photos. Or, perhaps, deciding on a small number you’d like to aim for (maybe just five to ten images) and using this as a method to narrow down to the images that tell your story best.

From Taylor Dorrell’s photo essay Over the Rhine , featured in Vice.

Give your photo essay a title, and add a concise written statement.

Finally, you’ll want to create a title and written statement for your photo essay. This will help position your work and can enable the viewer to fully understand your intention, or at least guide their perspective.

A solid written statement and title will be relevant to your topic, detail your primary objective, and introduce your point of view. It’s an opportunity to clarify your intentions to the viewer and ensure they walk away with a clear interpretation of your work. Depending on your photo essay, you may want to include several paragraphs of text, but even just one or two sentences of background can be enough to expand the viewer’s understanding of your work.

Consider if you’d like to add the written statement at the beginning of your essay to introduce it, or at the end as a conclusion. Either one can be impactful, and it depends how you’d like people to experience your work.

For his photo essay White Fences, excerpted above, Taylor Dorrell wrote only one sentence of introduction. But for his series Over the Rhine, Dorell included a longer written statement to accompany the work, which is “an ongoing photo series that seeks to explore the Cincinnati neighborhood of the same name and its surroundings. The series was started in response to the shooting of Samuel DuBose, an unarmed black man, by officer Ray Tensing of the University of Cincinnati Police, which happened July 19th, 2015.” Dorell’s text goes on to offer more background on the project, setting up the viewer with all the information they need to understand the context of the photo essay.

Depending on the motivations behind your photo essay and what sort of subject it depicts, a longer text may be necessary—or just a few words might be enough.

Looking for a place to share your photo essays with the world? Take a look at our guide to creating a photography website for tips on showcasing your photos online.

Cover image by Taylor Dorrell, from his photo essay Hurricane Over Sugar .

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17 Awesome Photo Essay Examples You Should Try Yourself

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If you’re looking for a photo essay example (or 17!), you’ve come to the right place. But what is the purpose of a photo essay? A photo essay is intended to tell a story or evoke emotion from the viewers through a series of photographs. They allow you to be creative and fully explore an idea. But how do you make one yourself? Here’s a list of photo essay examples. Choose one that you can easily do based on your photographic level and equipment.

Top 17 Photo Essay Examples

Here are some fantastic ideas to get you inspired to create your own photo essays!

17. Photograph a Protest

16. Transformation Photo Essays

15. Photograph the Same Place

14. Create a Photowalk

13. Follow the Change

12. Photograph a Local Event

11. Photograph an Abandoned Building

10. Behind the Scenes of a Photo Shoot

9. Capture Street Fashion

8. Landmark Photo Essay

7. Fathers & Children

6. A Day In the Life

5. Education Photo Essay

4. Fictitious Meals

3. Photograph Coffee Shops Using Cafenol

2. Photograph the Photographers

1. Capture the Neighbors

Photo essays tell stories. And there are plenty of amazingly interesting stories to tell! Photographing photo essays is a great way to practice your photography skills while having fun. You might even learn something! These photo essay examples are here to provide you with the inspiration to go out and tell your own stories through photos!

Popular Content

W. Eugene Smith: Master of the Photo Essay

100 years since the birth of W. Eugene Smith, we take a look at the work of a remarkable talent who described his approach to photography as working “like a playwright”

W. Eugene Smith

W. Eugene Smith’s membership with Magnum may have been brief, spanning the years 1955-58, but his work left left a deep impression on many of Magnum’s photographers, as it has upon the practice of photojournalism generally. Smith is regarded by many as a genius of twentieth-century photojournalism, who perfected the art of the photo essay. The following extract from Magnum Stories ( Phaidon ), serves as a pit-stop tour through his most enduring and affecting works.

With “Spanish Village” (1951), “Nurse Midwife” (1951), and his essay on Albert Schweitzer (1954), “Country Doctor” is first of a series of postwar photo essays, produced by Smith as an employee of Life magazine, that are widely regarded as archetypes of the genre. The idea to examine the life of a typical country doctor, at the time of a national shortage of GPs, was the magazine’s, not Smith’s. Though it was preconceived and pre-scripted, with a suitable doctor cast for the role before Smith got involved, he was immediately attracted to the idea of its heroic central character. He left to shoot the story the day he first heard about it – and before it was formally assigned, lest his editors decide to allocate the job to a different photographer.

Country Doctor

He described elements of his approach in an interview for Editor and Publisher later the same year:

“I made very few pictures at first. I mainly tried to learn what made the doctor tick, what his personality was, how he worked and what the surroundings were… On any long story, you have to be compatible with your subject, as I was with him.

I bear in mind that I have to have an opener and closer. Then I make a mental picture of how to fill in between these two. Sometimes, at the end of the day, I’ll lie in bed and do a sketch of the pictures I already have. Then I’ll decide what pictures I need. In this way, I can see how the job is shaping up in the layout form.

When a good picture comes along, I shoot it. Later I may find a better variation of the same shot, so I shoot all over again.”

"When a good picture comes along, I shoot it. Later I may find a better variation of the same shot, so I shoot all over again."

- w. eugene smith.

Central to his method was his seeking to fade “into the wallpaper”. De Ceriani, the subject of the story and the one constant witness to his working approach, recalled in an interview with Jim Hughes, Smith’s biographer, that after a week Smith “became this community figure. He may not have known everybody, but everybody knew who he was. And you fell into this pattern: he was going to be around, and you just didn’t let it bother you. He would always be present. He would always be in the shadows. I would make the introduction and then go about my business as if he were just a doorknob.”

Smith set about what might have been a straightforward assignment with a demanding intensity. “I never made a move where Gene wasn’t sitting there,” Ceriani explained; “I’d go to the john and he’d be waiting outside the door, so it would seem. He insisted that I call when anything happened, regardless of whether it was day or night… I would look around and Gene would be lying on the floor; shooting up, or draped over a chair. You never knew where he was going to be. And you never knew quite how or when he got there. He would produce a ladder in the most unusual places.”

For a four-week shoot, Smith selected 200 photographs for consideration by Life , and while he clearly had some influence over the layout, he did not control it. It did not live up to his expectations; in the interview with Editor and Publisher, Smith stated that he was “depressed” thinking about just how far short it fell. It’s not clear how different it might have been had he done the layout himself. We know that the prints he made were rejected by Life ’s art director, on the grounds that they were too dark and would not reproduce well on the magazine’s pages. Smith’s vision was darker in other regards too. Photographs not featured in Life’ s layout, but reproduced or exhibited later, include a powerful series of 82-year-old Joe Jesmer being treated following a heart attack – an old man whose face terrifyingly reveals the apparent consciousness of his imminent death. Smith also chose, for his own exhibitions, troubling photographs of Thomas Mitchell prior to his leg amputation, as well as other images more baroque than those selected by Life . But the two brilliant images between which the layout hangs – his opener of the stoical doctor on his way to the surgery under a brooding sky and his closer, showing Ceriani slumped in weary reflection with coffee and cigarette – clearly reflect Smith’s won intentions for how the story should appear.

It is in the sophistication of its narrative structure that Smith’s innovation lies. In recorded conversations between Smith and photographer Bob Combs in the late 1960s, he elaborated on the ingredients of his approach (referring here to another story, “Nurse Midwife”):

“In the building of a story, I being with my own prejudices, mark them as prejudices, and start finding new thinking, the contradictions to my prejudices, What I am saying is that you cannot be objective until you try to be fair. You try to be honest and you try to be fair and maybe truth will come out.

Each night, I would mark the pictures that I took, or record my thoughts, on thousands of white cards I had. I would start roughing in a layout of what pictures I had, and note how they build and what was missing in relationships.

"In the building of a story, I being with my own prejudices, mark them as prejudices, and start finding new thinking, the contradictions to my prejudices, What I am saying is that you cannot be objective until you try to be fair."

I would list the picture to take, and other things to do. It began with a beginning, but it was a much tighter and more difficult problem at the end. I’d say, ‘Well, she has this relationship to that person. I haven’t shown it. How can I take a photograph that will show that? What is this situation to other situations?’

Here it becomes really like a playwright who must know what went on before the curtain went up, and have some idea of what will happen when the curtain goes down. And along the way, as he blocks in his characters, he must find and examine those missing relationships that five the validity of interpretation to the play.

I have personally always fought very hard against ever packaging a story so that all things seem to come to an end at the end of a story. I always want to leave it so that there is a tomorrow. I suggest what might happen tomorrow – at least to say all things are not resolved, that this is life, and it is continuing.”

Smith refers to working “like a playwright”. Elsewhere he compared his work to composing music, but perhaps it is the literary reference that is most relevant to “Country Doctor”. His doctor is the emblematic hero of a drama that unfolds through several episodes – literally, acts. His opening and closing tableaux have all the content of soliloquies: single moments loaded with psychological detail and environmental description that frame the play. Unlike the experience of a play in the theatre where we watch it once, from beginning to end – we read the magazine essay back and first, at the very least reviewing the images again once we have read through it. The details of the doctor’s actions lend weight to the opening and closing portraits, and vice versa, so that the depth of its characterization reveals itself across the images as a group. It would not work if it were not wholly believable as a record of a real man, and real events. As such, its strength and its place in the history of the genre lies in the manner in which it combines a record of reality within an effective dramatic structure; in short, as a human drama.

Smith’s essay-making technique was not something he developed independently of the media that published his pictures. It began with essays produced in the early 1940s for Parade , where photographers were encouraged to experiment with story structure (without the tight scripting Smith later encountered at Life magazine) and where stories often focused on an attractive central character achieving worthwhile goals against formidable odds. Although Smith is on record as being in constant struggle with Life over its scripts – as well as its layouts, the selection of photographs, and the darkness of his prints – it seems appropriate to view his achievement as the product of a dialogue with the needs and practices of the magazine. The battles were over the details of particular decisions rather than over the mission or purpose. In fact, Smith wholly identified with the Life formula, taking and refining it to a new level of sophistication.

After Smith left life in 1954 – after several prior resignations, his final departure was over the editorial slant given to his essay on Albert Schweitzer – he embarked on his ambitious Pittsburgh essay. Working for the first time outside the framework of a magazine, with only a small advance from a book publisher, and encouraged by Magnum’s reassurance that he would find a worthwhile return from serial sales of independently executed essays, he believed that he was positioned to produce his best work yet. He wrote to his brother that he Pittsburgh essay would “influence journalism from now on”, and described in an application for a Guggenheim Fellowship that he “would recreate as does the playwright, as does the good historian – I would evoke in the beholder an experience that is Pittsburgh.”

It did not really work. Becoming a landmark in the ambition of the photo essay, and including some of his strongest photographs, the Pittsburgh essay nevertheless failed to be the symphony in photographs for which Smith strove, After four years of work, it was finally published in the small-format Popular Photography Annual of 1959 , run as a sequence of “spread tapestries” – as he described his intended layout to the editor of Life . He titled the essay Labyrinthian Walk, indicating the story was less about the city than a portrait of himself locked in a life-or-death struggle with a mythical demon. Although he himself was responsible for the layout, he judged it a failure. The dream – or necessity – of Magnum failed also. He did only two minor assignments in the time he was a member, and he left completely broke, his family in poverty, with Magnum itself smarting from the investment it too had ploughed into the Pittsburgh project.

After the “Country Doctor” story was published, Smith declared that he was “still searching for the truth, for the answer to how to do a picture story”. Later, in 1951, he stated in a letter to Life editor Ed Thompson, “Journalism, idealism and photography are three elements that must be integrated into a whole before my work can be of complete satisfaction to me.” In 1974, 20 years after embarking on the Pittsburgh essay, Smith was vindicated with the triumphant artistic and journalistic success of “Minamata”, his story about the deformed victims of the pollution by the Chisso chemical plant in Japan. The story became a new paradigm for the possibilities of photojournalism, in part because of its unambiguous moral purpose.

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18 Immersive Photo Essay Examples & Tips

By Tata Rossi 13 days ago, Professional photography

A photo essay tells a story or evokes emotion through a series of photographs. The essays allow you to be creative and fully explore an idea. Such essays exist in a variety of forms – from photos only to images with brief comments or written essays accompanied by shots. Choose a photo essay example that you can easily do based on your professional level and the equipment you use.

1. Protests

• View the “Resistance” photo essay by David Moore .

A great idea for photo essays for students is to shoot the protest to show its power. You can capture people with signs and banners to demonstrate what they are standing for. Besides, you can learn how to capture moving subjects. Use the best example of photo essay and don’t forget about angles, composition, and framing.

To create a photo essay , go up to the front and photograph the leader of the protesters walking forward. After that, go back to the end of the group to take pictures of families joining the protest. As a result, you will gain experience shooting big groups of people in motion.

2. Transformation

• View the “A Self-Portrait Every Day” photo essay by Noah Kalina .

This idea is all about capturing the way a person changes. You may take photos of a pregnant woman and then capture the same model with a child. By documenting the development of the child for several years, you can tell a great story in the form of a photo essay.

However, you can also create a photo essay about the transformation of different objects. For instance, you can create a time-lapse series to capture the history of a renovated building. While you will have to take a lot of similar photos to bring this idea to life, it will allow you to achieve an impressive result.

3. Local Event

• View the “Monday Marathon” photo essay by Quinn G. Perini .

Whether you are a resident of a large city or a small town, you can find an opportunity to visit a local event, like a marathon or a festival. This is a nice chance to follow modern photography trends and bring photo essay ideas to life.

You can capture the before-and-after stages of the event. Arrive earlier and take pictures of the preparation activities, then shoot the actual event starting with the official beginning.

Keep photographing even when the event is over and capture the cleaning up and disassembling processes.

4. Photowalk

• View the “Empty Campus” photo essay by Elise Trissel .

Explore the location where you live and find interesting objects to capture in the vicinity. Using the most interesting photo essay examples, you can decide how to make the best decisions. Don’t hurry and try to discover which angles you can use to capture the unique atmosphere of each place.

If you live in the city, you may capture architectural details, wide shots of busy streets, or just take photos of passersby and street signs. Think about the details that make every location unique. For instance, you can try capturing reflections to see how they allow you to see the city from an unusual angle. You can find reflections everywhere, so be sure to pay attention to mirrored buildings, puddles, and fountains.

5. Place Over Time

• View the “At Home in the Ozarks” photo essay by Kylee Cole .

If you want to document changes and show how the streets, buildings, and parks in your city change over time, select your favorite locations and start to visit them regularly to capture the way they look during different seasons.

• View the “Last Moments” photo essay by Ross Taylor .

You don’t necessarily have to focus on profound photo essay topics to evoke emotions. Capturing pets enjoying their worry-free and untroubled life seems like an easy but interesting activity.

Choose any animal – from a domestic bird to a dog, cat, or horse. For more emotional images, use such pet photography ideas when your pet is still a baby and recreate these shots when it is older or is in its final days.

7. Street Style

• View the Tribal Street Photography photo essay by Hans Eijkelboom .

People often express themselves with the help of clothes. The way passers-by on the streets are dressed may reflect the clothing style of a whole society. That’s why you can travel around the world and capture people’s outfits in various areas. When taking portrait photos in the streets, you can also include some of the surroundings to put them in the context.

You can ask people in the streets to pose for you or try to capture them in movement. Select a suitable location for taking photos and create a photo essay to document what kinds of people one can meet in this location. When doing urban photography , you should ask people for permission before taking photos of them. You can ask their contacts and send them your photos later.

8. Abandoned Building

• View the “Lost Collective” photo essay by Bret Pattman .

Old buildings are excellent architecture photography essay topics for students since you can capture a large number of elements. They allow you to imagine what a particular street looked like in the past. You may use a photo essay example for students as references.

Get approval before going in, but mind that such places are far from being totally safe. Bring various lenses: the macro lenses – for details and the wide-angle one – when you want to include many elements in one shot.

9. Alternative Lifestyles

• View the “Last Nomad Hippies” photo essay by Roberto Palomo .

Some people decide to lead a lifestyle that differs from the one generally accepted by society. Explore different areas and look for people with an unusual way of living. You can capture candid photos of regular people or take pictures of a person with an unusual hobby.

Take pictures of those, who reside in extraordinary conditions, representatives of various subcultures, or the LBGTQ community. These photo essay topics show other people that it is okay to go out of their comfort zone and run against the wind.

10. Social Issues

• View the “Juveniles in Prison” photo essay by Isadora Kosofsky .

The best photo essay examples for students are related to social issues, like unemployment, domestic violence, gender discrimination, and more. Address the topic carefully and look for a proper perspective.

Your shots may draw the people’s attention to a truly burning and relevant matter and have a stronger effect than any text.

11. Behind the Scenes

• View the “Follow Me” photo essay by Marius Masalar .

If you are going to visit an event, get ready to take some behind-the-scenes photos. For instance, you can document the preparations for a festival. Capture the work of the lead event planner and other professionals to tell the story of the festival from an unusual angle.

Alternatively, you can capture the events happening backstage during a drama production. Take pictures of actors and actresses when they are getting ready for the performance. Try capturing the emotions of the main lead and show how stage workers make final preparations. You can also document the work of designers and makeup professionals.

12. Landmarks

• View the “Volte-Face” photo essay by Oliver Curtis .

The pictures of landmarks are typically taken from a certain spot. One of the best photo essay ideas is to try shooting sights from various angles. You will also have an opportunity to improve your composition and your framing skills.

If you take a look at any pictorial essay example, you will see that the variety of perspectives is endless: through the streets, in the morning, afternoon, and evening, with a drone or including reflections.

    • View the “Family” photo essay by Olivia Moore .

You can capture the way family members interact with each other and demonstrate the strong connection they share. In some cases, it makes sense to focus on capturing candid photos when doing family photography .

However, you may also opt for a different approach and focus on more difficult social topics. For instance, if you want to examine the issue of immigration, you can take pictures of a family from another country. In addition, you may show how families cope with other social issues, including poverty or unequal access to healthcare.

14. A Day in the Life

• View the “A Day in the Life of Carlos Gaytan” photo essay by Sandy Noto .

One of the best photo essays concepts is related to a day in a person’s life. The main character can be any person – a relative, family member, teacher, writer, or policeman.

People are generally interested in finding out facts about the lives and daily routines of others. The life of every human is incredible, especially if you learn it in more detail. This idea is especially suitable for taking documentary photos. For instance, you can select any photo essay sample you like and then capture a portrait of a person with the tools they use for their work.

15. Education

• View the “School Day” photo essay by Nancy Borowick .

You can also take great photos in the classroom capturing the interactions of teachers and their students. Avoid distracting them, as it will be easier for you to take natural shots. Using a variety of settings, you can make your photo essay more engaging. For instance, you may visit chemistry labs, capture teachers during a break, and take photos in other locations.

• View the “Meals From the Motherland” photo essay by James Tran .

You can also focus on specific meals to create a professional photo essay about food. To make it more attention-grabbing, try using different food photography ideas .

For instance, you can take photos of popular meals, capture the meals made by a specific person, or document cooking traditions in different countries. When taking photos in a restaurant, pay attention to the surroundings as well to capture the unique atmosphere of a place.

17. Capture the Neighbors

• View the “Our Neighbors” photo essay by Jeanne Martin .

Regardless of the place where you live, you have to establish good relationships with your neighbors. People who live nearby can also be great models for professionals who specialize in portrait photography. To implement this idea, make sure to capture people at home or in front of their houses to include some of the surroundings in your photo essay.

You will discover many interesting facts about people who live nearby. Shooting a photo essay will allow you to learn them better and establish a strong connection with them. This way, you can create a sense of community and discover what holds its members together.

18. Climate Change

• View the “Effects of Climate Change” photo essay by Sanya Gupta .

It is possible to a variety of photo story ideas bring to life examining the impact of climate change. Travel to places most affected by climate change, for instance, glaciers or famous resorts.

Capture the way the continuous drought has influenced the environment, animals, and the inhabitants. As an alternative, take pictures of environmentalist protests or inexhaustible energy sources.

Photo Essay Tips for Students

Explore your topic . An in-depth exploration of the main topic of your photo essay will help you find the best ideas for conveying your message. You can also find some sources for inspiration and useful materials. This stage allows you to learn more about your subject and select the best way of organizing your photo essay.

Create a storyboard . Using a storyboard, you can better understand what shots you need to take and what order can help you to tell a story in the best way. It will also allow you to create the right mood.

Take as many pictures as you can . To create a compelling story, make sure to take a lot of photos. It will allow you to choose the best pictures for your photo essay. Besides, you will always have backup photos if some of your pictures get damaged.

Experiment with different techniques . By changing the angle and using a variety of editing techniques, you can transform the way your photos look. When taking photos, try using different angles to capture the subject in the best way. You can also try changing the distance from the model, using black-and-white film, or employing a range of developing methods.

Add text . While some photographers create photo essays without text, it can still help you bring your point across more clearly and make it easier for a viewer to understand what you imply. By providing extra information, such as some facts, you can change the perception of your image. If you don’t know how to write descriptions, you can hire a professional writer to perform this task.

Enhance your photos . To edit your pictures, make sure to use professional photo editing software like Adobe Lightroom or Photoshop. Using the available tools, you can improve and change your photos. They allow you to fix issues with lighting, adjust WB, make colors richer, crop your pics to improve the composition, and perform other tasks. In case you need to edit your photos in a consistent style, you can use Photoshop Actions or Lightroom Presets.

In some cases, your pictures may require more advanced editing. If you see that your skills are insufficient or if you don’t have enough time, you can outsource the task of enhancing your photos to the FixThePhoto team. They will professionally enhance your pictures for a budget price. Their prices start from $1.50 per photo.

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Ways of Seeing: The Contemporary Photo Essay

Whether through digital channels, print or on exhibit, the impact, influence and reach of the still image has never been greater. But with so many images fighting for our attention, how do photographers make work that most effectively stands out and connects with an audience. In this seven-part series, TIME looks back over the past 12 months to identify some of the ways of seeing—whether conceptually, aesthetically or through dissemination—that have grabbed our attention and been influential in maintaining photography’s relevance in an ever shifting environment, media landscape, and culture now ruled by images.

The Contemporary Photo Essay

We live in an age where the volume of photographic output has never been greater. Yet the propensity is for images to be conceived, received digested and regurgitated in an isolated, singular form—and without further context. Against this backdrop, a generation of committed photographers are working passionately to iterate on, and further develop the traditions for long form story telling, and in so doing, draw attention to their subject matter through new powerful, innovative and resourceful ways.

On Aug. 31 this year, the New York Times Magazine published a photo essay that interweaved the images of two Magnum photographers working on each side of the Israeli, Palestinian conflict— Paolo Pellegrin (in Gaza) and Peter van Agtmael (in Israel). The essay was not only a creative and effective way of balancing a delicate and sensitive story, it was also, as Editor-in-Chief Jake Silverstein explained in a note about the project, conceived in part as a reaction to “the prevalence of cellphone cameras and social media [that had] led to many more images of Gaza than in previous iterations of this long-running conflict.”

“As powerful as these photos were,” he wrote, “the speed and fervor of their dissemination tended to bring them to us isolated from context.” The Times Magazine story was a considered attempt to have Pellegrin and van Agtmael slow things down and in Silversteins words “try to capture a deeper and more narrative sense of the texture of life on the ground.” The resultant essay, that intentionally combines two aesthetically different bodies of work emphasizes “that the fates of average Israelis and Palestinians are intertwined.”

Photographer Matt Black has subverted the prevalent philosophy of Instagram for his project The Geography of Poverty . Although using Instagram as one of the primary platforms for the work, Black has maintained a thematic and aesthetic cohesion to produce a dedicated feed—devoid of distraction or interference—that builds image by image, to deliver an investigation on poverty that is essayistic and closer to that of a traditional photo essay. On the website—exclusively dedicated to the project—Black explores the potential of geo-tagging to extend the project and map the images (for this project, Black was selected as TIME’s Instagram Photographer of the Year in 2014 )

Photographers such as Diana Markosian with her work made in Beslan, Russia and Carolyn Drake in Turkistan have embraced different types of media and photographic approaches–including still life, documentary, portraiture as well as writing and drawing. They have also actively encouraged their subjects to contribute to the artistic process and tell their own stories through notated recollections narratives and artwork, which is at times directly applied to the photographic print. As Drake says of her project Wild Pigeon that documents the lives of the Uyghur people: “I started looking for meaning at the intersection of our views, and find ways to bring the people I was meeting into the creative process. Traveling with a box of prints, a pair of scissors, a container of glue, colored pencils, and a sketchbook, I asked willing collaborators to draw on, re-assemble, and use their own tools on my photographs. I hoped that the new images would bring Uyghur perspectives into the work and facilitate a new kind of dialogue with the people I met, one that was face-to-face and tactile, if mostly without words.”

In Ukraine a generation of young, predominantly European, freelance photographers including Maria Turchenkova , Ross McDonnell and Capucine Granier-Deferre committed themselves to documenting the searing violence and the disquieting consequences of the year-long conflict—building long-term photo essays that contextualize news events through more in-depth and nuanced perspectives.

One of the most important and powerful bodies of work was produced by Daniel Berehulak , who spent more than 14 weeks covering the Ebola outbreak in West Africa. His work, made on assignment for The New York Times , shows that long-term commitment to a story can reap astounding returns. And a powerful continuum of work, can raise awareness and deeply affect its audience.

In an age when we’re saturated with an omnivorous barrage of distracting and singular imagery, there is still a role for subtleties embodied within the traditions of long form storytelling. Through innovative, full screen photo-centric web designs and effective digital dissemination, these photo essays are drawing our attention—in different and often more meaningful ways—to important issues that we otherwise would ignore or at best feel we had seen too many times before.

Read Part 1 – Direct to Audience .

Read Part 2 – Documentary Still Life .

Read Part 3 – The Portrait Series .

Read Part 5 – From Stills to Motion .

Phil Bicker is a Senior Photo Editor at TIME

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What is a Photo Essay? 9 Photo Essay Examples You Can Recreate

A photo essay is a series of photographs that tell a story. Unlike a written essay, a photo essay focuses on visuals instead of words. With a photo essay, you can stretch your creative limits and explore new ways to connect with your audience. Whatever your photography skill level, you can recreate your own fun and creative photo essay.

9 Photo Essay Examples You Can Recreate

• Photowalk Photo Essay
• Transformation Photo Essay
• Day in the Life Photo Essay
• Event Photo Essay
• Building Photo Essay
• Historic Site or Landmark Photo Essay
• Behind the Scenes Photo Essay
• Family Photo Essay
• Education Photo Essay

Stories are important to all of us. While some people gravitate to written stories, others are much more attuned to visual imagery. With a photo essay, you can tell a story without writing a word. Your use of composition, contrast, color, and perspective in photography will convey ideas and evoke emotions.

To explore narrative photography, you can use basic photographic equipment. You can buy a camera or even use your smartphone to get started. While lighting, lenses, and post-processing software can enhance your photos, they aren’t necessary to achieve good results.

Whether you need to complete a photo essay assignment or want to pursue one for fun or professional purposes, you can use these photo essay ideas for your photography inspiration . Once you know the answer to “what is a photo essay?” and find out how fun it is to create one, you’ll likely be motivated to continue your forays into photographic storytelling.

1 . Photowalk Photo Essay

One popular photo essay example is a photowalk. Simply put, a photowalk is time you set aside to walk around a city, town, or a natural site and take photos. Some cities even have photowalk tours led by professional photographers. On these tours, you can learn the basics about how to operate your camera, practice photography composition techniques, and understand how to look for unique shots that help tell your story.

Set aside at least two to three hours for your photowalk. Even if you’re photographing a familiar place—like your own home town—try to look at it through new eyes. Imagine yourself as a first-time visitor or pretend you’re trying to educate a tourist about the area.

Walk around slowly and look for different ways to capture the mood and energy of your location. If you’re in a city, capture wide shots of streets, close-ups of interesting features on buildings, street signs, and candid shots of people. Look for small details that give the city character and life. And try some new concepts—like reflection picture ideas—by looking for opportunities to photographs reflections in mirrored buildings, puddles, fountains, or bodies of water.

2 . Transformation Photo Essay

With a transformation photography essay, you can tell the story about change over time. One of the most popular photostory examples, a transformation essay can document a mom-to-be’s pregnancy or a child’s growth from infancy into the toddler years. But people don’t need to be the focus of a transformation essay. You can take photos of a house that is being built or an urban area undergoing revitalization.

You can also create a photo narrative to document a short-term change. Maybe you want to capture images of your growing garden or your move from one home to another. These examples of photo essays are powerful ways of telling the story of life’s changes—both large and small.

3 . Day in the Life Photo Essay

Want a unique way to tell a person’s story? Or, perhaps you want to introduce people to a career or activity. You may want to consider a day in the life essay.

With this photostory example, your narrative focuses on a specific subject for an entire day. For example, if you are photographing a farmer, you’ll want to arrive early in the morning and shadow the farmer as he or she performs daily tasks. Capture a mix of candid shots of the farmer at work and add landscapes and still life of equipment for added context. And if you are at a farm, don’t forget to get a few shots of the animals for added character, charm, or even a dose of humor. These types of photography essay examples are great practice if you are considering pursuing photojournalism. They also help you learn and improve your candid portrait skills.

4 . Event Photo Essay

Events are happening in your local area all the time, and they can make great photo essays. With a little research, you can quickly find many events that you could photograph. There may be bake sales, fundraisers, concerts, art shows, farm markets, block parties, and other non profit event ideas . You could also focus on a personal event, such as a birthday or graduation.

At most events, your primary emphasis will be on capturing candid photos of people in action. You can also capture backgrounds or objects to set the scene. For example, at a birthday party, you’ll want to take photos of the cake and presents.

For a local or community event, you can share your photos with the event organizer. Or, you may be able to post them on social media and tag the event sponsor. This is a great way to gain recognition and build your reputation as a talented photographer.

5. Building Photo Essay

Many buildings can be a compelling subject for a photographic essay. Always make sure that you have permission to enter and photograph the building. Once you do, look for interesting shots and angles that convey the personality, purpose, and history of the building. You may also be able to photograph the comings and goings of people that visit or work in the building during the day.

Some photographers love to explore and photograph abandoned buildings. With these types of photos, you can provide a window into the past. Definitely make sure you gain permission before entering an abandoned building and take caution since some can have unsafe elements and structures.

6. Historic Site or Landmark Photo Essay

Taking a series of photos of a historic site or landmark can be a great experience. You can learn to capture the same site from different angles to help portray its character and tell its story. And you can also photograph how people visit and engage with the site or landmark. Take photos at different times of day and in varied lighting to capture all its nuances and moods.

You can also use your photographic essay to help your audience understand the history of your chosen location. For example, if you want to provide perspective on the Civil War, a visit to a battleground can be meaningful. You can also visit a site when reenactors are present to share insight on how life used to be in days gone by.

7 . Behind the Scenes Photo Essay

Another fun essay idea is taking photos “behind the scenes” at an event. Maybe you can chronicle all the work that goes into a holiday festival from the early morning set-up to the late-night teardown. Think of the lead event planner as the main character of your story and build the story about him or her.

Or, you can go backstage at a drama production. Capture photos of actors and actresses as they transform their looks with costuming and makeup. Show the lead nervously pacing in the wings before taking center stage. Focus the work of stagehands, lighting designers, and makeup artists who never see the spotlight but bring a vital role in bringing the play to life.

8. Family Photo Essay

If you enjoy photographing people, why not explore photo story ideas about families and relationships? You can focus on interactions between two family members—such as a father and a daughter—or convey a message about a family as a whole.

Sometimes these type of photo essays can be all about the fun and joy of living in a close-knit family. But sometimes they can be powerful portraits of challenging social topics. Images of a family from another country can be a meaningful photo essay on immigration. You could also create a photo essay on depression by capturing families who are coping with one member’s illness.

For these projects on difficult topics, you may want to compose a photo essay with captions. These captions can feature quotes from family members or document your own observations. Although approaching hard topics isn’t easy, these types of photos can have lasting impact and value.

9. Education Photo Essay

Opportunities for education photo essays are everywhere—from small preschools to community colleges and universities. You can seek permission to take photos at public or private schools or even focus on alternative educational paths, like homeschooling.

Your education photo essay can take many forms. For example, you can design a photo essay of an experienced teacher at a high school. Take photos of him or her in action in the classroom, show quiet moments grading papers, and capture a shared laugh between colleagues in the teacher’s lounge.

Alternatively, you can focus on a specific subject—such as science and technology. Or aim to portray a specific grade level, document activities club or sport, or portray the social environment. A photo essay on food choices in the cafeteria can be thought-provoking or even funny. There are many potential directions to pursue and many great essay examples.

While education is an excellent topic for a photo essay for students, education can be a great source of inspiration for any photographer.

Why Should You Create a Photo Essay?

Ultimately, photographers are storytellers. Think of what a photographer does during a typical photo shoot. He or she will take a series of photos that helps convey the essence of the subject—whether that is a person, location, or inanimate object. For example, a family portrait session tells the story of a family—who they are, their personalities, and the closeness of their relationship.

Learning how to make a photo essay can help you become a better storyteller—and a better photographer. You’ll cultivate key photography skills that you can carry with you no matter where your photography journey leads.

If you simply want to document life’s moments on social media, you may find that a single picture doesn’t always tell the full story. Reviewing photo essay examples and experimenting with your own essay ideas can help you choose meaningful collections of photos to share with friends and family online.

Learning how to create photo essays can also help you work towards professional photography ambitions. You’ll often find that bloggers tell photographic stories. For example, think of cooking blogs that show you each step in making a recipe. Photo essays are also a mainstay of journalism. You’ll often find photo essays examples in many media outlets—everywhere from national magazines to local community newspapers. And the best travel photographers on Instagram tell great stories with their photos, too.

With a photo essay, you can explore many moods and emotions. Some of the best photo essays tell serious stories, but some are humorous, and others aim to evoke action.

You can raise awareness with a photo essay on racism or a photo essay on poverty. A photo essay on bullying can help change the social climate for students at a school. Or, you can document a fun day at the beach or an amusement park. You have control of the themes, photographic elements, and the story you want to tell.

5 Steps to Create a Photo Essay

Every photo essay will be different, but you can use a standard process. Following these five steps will guide you through every phase of your photo essay project—from brainstorming creative essay topics to creating a photo essay to share with others.

Step 1: Choose Your Photo Essay Topics

Just about any topic you can imagine can form the foundation for a photo essay. You may choose to focus on a specific event, such as a wedding, performance, or festival. Or you may want to cover a topic over a set span of time, such as documenting a child’s first year. You could also focus on a city or natural area across the seasons to tell a story of changing activities or landscapes.

Since the best photo essays convey meaning and emotion, choose a topic of interest. Your passion for the subject matter will shine through each photograph and touch your viewer’s hearts and minds.

Step 2: Conduct Upfront Research

Much of the work in a good-quality photo essay begins before you take your first photo. It’s always a good idea to do some research on your planned topic.

Imagine you’re going to take photos of a downtown area throughout the year. You should spend some time learning the history of the area. Talk with local residents and business owners and find out about planned events. With these insights, you’ll be able to plan ahead and be prepared to take photos that reflect the area’s unique personality and lifestyles.

For any topic you choose, gather information first. This may involve internet searches, library research, interviews, or spending time observing your subject.

Step 3: Storyboard Your Ideas

After you have done some research and have a good sense of the story you want to tell, you can create a storyboard. With a storyboard, you can write or sketch out the ideal pictures you want to capture to convey your message.

You can turn your storyboard into a “shot list” that you can bring with you on site. A shot list can be especially helpful when you are at a one-time event and want to capture specific shots for your photo essay. If you’ve never created a photo essay before, start with ten shot ideas. Think of each shot as a sentence in your story. And aim to make each shot evoke specific ideas or emotions.

Step 4: Capture Images

Your storyboard and shot list will be important guides to help you make the most of each shoot. Be sure to set aside enough time to capture all the shots you need—especially if you are photographing a one-time event. And allow yourself to explore your ideas using different photography composition, perspective, and color contrast techniques.

You may need to take a hundred images or more to get ten perfect ones for your photographic essay. Or, you may find that you want to add more photos to your story and expand your picture essay concept.

Also, remember to look for special unplanned, moments that help tell your story. Sometimes, spontaneous photos that aren’t on your shot list can be full of meaning. A mix of planning and flexibility almost always yields the best results.

Step 5: Edit and Organize Photos to Tell Your Story

After capturing your images, you can work on compiling your photo story. To create your photo essay, you will need to make decisions about which images portray your themes and messages. At times, this can mean setting aside beautiful images that aren’t a perfect fit. You can use your shot list and storyboard as a guide but be open to including photos that weren’t in your original plans.

You may want to use photo editing software—such as Adobe Lightroom or Photoshop— to enhance and change photographs. With these tools, you can adjust lighting and white balance, perform color corrections, crop, or perform other edits. If you have a signature photo editing style, you may want to use Photoshop Actions or Lightroom Presets to give all your photos a consistent look and feel.

You order a photo book from one of the best photo printing websites to publish your photo story. You can add them to an album on a photo sharing site, such as Flickr or Google Photos. Also, you could focus on building a website dedicated to documenting your concepts through visual photo essays. If so, you may want to use SEO for photographers to improve your website’s ranking in search engine results. You could even publish your photo essay on social media. Another thing to consider is whether you want to include text captures or simply tell your story through photographs.

Choose the medium that feels like the best space to share your photo essay ideas and vision with your audiences. You should think of your photo essay as your own personal form of art and expression when deciding where and how to publish it.

Photo Essays Can Help You Become a Better Photographer

Whatever your photography ambitions may be, learning to take a photo essay can help you grow. Even simple essay topics can help you gain skills and stretch your photographic limits. With a photo essay, you start to think about how a series of photographs work together to tell a complete story. You’ll consider how different shots work together, explore options for perspective and composition, and change the way you look at the world.

Before you start taking photos, you should review photo essay examples. You can find interesting pictures to analyze and photo story examples online, in books, or in classic publications, like Life Magazine . Don’t forget to look at news websites for photojournalism examples to broaden your perspective. This review process will help you in brainstorming simple essay topics for your first photo story and give you ideas for the future as well.

Ideas and inspiration for photo essay topics are everywhere. You can visit a park or go out into your own backyard to pursue a photo essay on nature. Or, you can focus on the day in the life of someone you admire with a photo essay of a teacher, fireman, or community leader. Buildings, events, families, and landmarks are all great subjects for concept essay topics. If you are feeling stuck coming up with ideas for essays, just set aside a few hours to walk around your city or town and take photos. This type of photowalk can be a great source of material.

You’ll soon find that advanced planning is critical to your success. Brainstorming topics, conducting research, creating a storyboard, and outlining a shot list can help ensure you capture the photos you need to tell your story. After you’ve finished shooting, you’ll need to decide where to house your photo essay. You may need to come up with photo album title ideas, write captions, and choose the best medium and layout.

Without question, creating a photo essay can be a valuable experience for any photographer. That’s true whether you’re an amateur completing a high school assignment or a pro looking to hone new skills. You can start small with an essay on a subject you know well and then move into conquering difficult ideas. Maybe you’ll want to create a photo essay on mental illness or a photo essay on climate change. Or maybe there’s another cause that is close to your heart.

Whatever your passion, you can bring it to life with a photo essay.

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How to create an outstanding Photo Essay

If you are working on your photo essay and would wish to know how to create a successful one, we have some tips, tricks, and techniques outlined in this article. With the sophistication of digital publishing, you need to be on your A-game when creating digital photos that tell a story.

As a custom essay writing service , our ultimate goal in this article is to guide you on creating a photo essay without straining. We like it when writing, and creativity is fun altogether. Therefore, we have outlined examples, classifications, and a framework that you can use when creating your photo essay.

This article also bears the definition of what a photo essay is. And although you could use this as a professional or a student, you can pay someone to do your essay on our website. When you do so, a polished essay writer will work with you in creating a good photo essay,

We have creatives with expertise, a knack for experimentation, critical thinking and creativity, and an insatiable urge to produce top content. If it sounds like you could use our help, let us know the best way we can assist you in creating a perfect photography essay.

If, however, all you need is insights to point you in the right direction, here is how to create a good photo essay without straining. Let’s explore!

What is a Photo Essay?

Visual storytelling appeals to everyone who has a sense of sight.

Unlike your typical essay in college, a photo essay is a project where you present a series of photographs or images to tell a story, share a narrative, or push a theme/agenda. Thus, a photo essay facilitates picture-led storytelling , which is a creative innovation in photojournalism.

It is also known as a photographic or picture essay. A great photo essay powerfully evokes emotions and appeals to the understanding of its intended audience without using words or with minimal words alongside the series of images.

A perfectly-created photo essay narrates a story using many photographs that take the viewer along your narrative journey. Indeed, it proves that a picture is worth a thousand words. In this case, since there are many pictures/images, you could say a photo essay is rich in words, flavor, and content, yet it does not have words.

Talking of photo essays, Ansel Adams is one of the revered and famous photo essayists. Other photo essayists include James Nachtwey, Eugene Smith, and Nancy Borowick .

How to Create a Photo Essay in a step-by-step format

Here is a step-by-step approach to follow to successfully create a compelling and engaging photo essay:

Step 1 – Do your Research

If you are to create an attractive and relevant photo essay, begin by researching the best framework to adopt. Look at what people are doing out there and find out how creatively you can do it better. There are inexhaustible ideas and concepts that you can explore when writing a photo essay. If you’ve not chosen a topic, thorough research can help you decide on a topic and handle it well.

Step 2 - Choose a theme for your photo essay

With the research, you can already identify a specific theme or narrative for your picture essay. Therefore, highlight the theme or narrative, write some notes about the direction you will tackle and how you will reach and satisfy your audience.

Step 2 – Choose a topic that aligns with the theme

Following the findings from your research, choose a great topic. You are not that lucky photo essayist who opportunistically happens upon a story and turns it into a brilliant photo essay. Therefore, you should choose an attractive, reasonable, short, and memorable topic. You are free to select any topic that interests you and one that you find fun to work on. Your chosen theme or narrative can help define the topic for your photo essay.

Step 3 – Pick your subjects

With the theme/narrative and the topic, you can then choose your subjects. These are the people, things, sceneries, or places of central focus in your photography essay.  

The subjects are the ones that give your photo essay a voice, strengthen your narrative, and engage the audience.

Step 4 – Select your top images

Define the appropriate number of images that you intend to use when telling the story. For example, if you intend to leave the audience under suspense, choose which images to use and their order of appearance.  Your photo essay project does not have to use all your images but the best.

The best way to integrate your theme, narrative, and subjects is to create a storyboard that helps you decide how to tell the story. Then, when you lay your ideas out, a storyboard helps you focus on what is essential, especially when you have little control over a given subject.

Step 5 – ask for insights and input from others

After creating the storyboard, choosing the photos, and writing a narrative or theme statement, you can share it with someone knowledgeable for critique. You should also invite views and comments from another person. Ensure that you give the entire photo cache to the person so that they can choose, then compare with your best photos and tweak your choice accordingly.

Step 6 – Write the captions and text

With everything set, write the accompanying content for your photo essay. As well, make sure you caption each photo to enhance your visual narrative. Nothing is cast in stone here because you can also drop using image captions. You can experiment with lighting, tone, color, composition, angles, and location so that the narrative flows. Also, don’t forget to create introductory messages and closing messages. You need to have your signature introductory and closing images well-decided.

Step 7 – Edit your work

Now that you have created a photo essay, it is now time to edit everything. You can ask for help or rest and do it when you are energetic and objective. If you want a skilled essay writer to write you an excellent narrative to post alongside your photo essay, you can always trust our essay website.  We can also edit the narrative to maintain a good flow.

Step 8 – Publish/submit your work

If everything else is okay, convert the photo essay to the correct format and submit or publish it. Remember, photo essays can be a portion of a webpage, a webpage, a document, fashion publication, photo editorial, collage of images, or mixed media.

Helpful Tips when compiling your Photographic Essay

If you are on track to become a photo essayist, you need to grasp the most critical photo essaying tips, techniques, and tricks. Here is some best advice you could use to find a subject for your photo essay.

1. Try to tell a diverse and confident story

When you get out there to tell a story, make sure you do it most awesomely. Understand your target audience, do anything that will resonate with their needs, appeal to their emotions, logic, and thoughts, and leave them musing over your narrative. It is, therefore, vital that you consider what your key message will be and be confident when handling it in your photo essay.

2.Storyboard before building

Architects, surgeons, artists, engineers, you name the profession, all begin with either a sketch, blueprint or a plan to visualize the entire concept or creation before its actualization. In the real of photo essays, you have to be invested right from the beginning. Therefore, you need to create a storyboard that helps you to convert your vision, abstract thoughts, and ideas to a concrete plan that you can execute to succeed in your project. A storyboard also doubles as a shortlist for your photography project.

When storyboarding, you will notice that you take an outsider view, which helps you evaluate how every element fits into the larger picture – your narrative/theme. When doing it, you can discard otherwise burdensome but irrelevant content, which saves you time and leaves you to focus more.

Storyboarding is a critical, creative step when building a perfect photo essay as it ensures the flow to your viewers.

3. Have a visual structure

A contemporary photo essay follows a simple or basic framework that gives your theme direction and scope. Therefore, having a visual structure, marker, or framework helps you transform the photo series into a narrative. For instance, this Growing up young photo essay published in the BBC chooses to have quotes from the subjects running alongside the photos. Likewise, the picture essay done by photojournalist Stefanie Glinski titled  One Month in Kabul Under Taliban rule – a photo essay has narrative and captions to further illustrate the themes, content, and narratives.

4. Have a variety of images

To write an exceptional photo essay, ensure that you have as many photos or images as possible. Assemble as much as you think you will need for the project, then use your ruthless photo editing skills to pick the best photos.

Although shedding content hurts, it’s the only best way to achieve the best piece. It is also better to be in a dilemma of which photos to use than wish that you included a specific shot. Having multiple shots ensures that everything is captured. Then compiling your photo series becomes easier.

5. Edit your photos well

When editing, do it ruthlessly. While you cannot be Annie Leibovitz, Stefanie Glinski, or Ansel Adams, you certainly have to up your game to be at par with them. You can either use a professional editor. Alternatively, you can edit your photos using Photoshop, Illustrator, or other image-editing software. Whatever you choose your struggle to be, ensure that you end up with high-quality photos that make sense to your theme or narrative. If you have to refine an image to remove blemish or flaws, use it as long as it ends up fine. Make sure that the focus of each photo is visible and that unwanted areas are cropped out. If you are editing on your own, edit the photos a few days after the shoot to have an objective mind when doing it.

6. Choose the top 10 images

You are not just going to lazily throw images and words all over a structure and have it for the best photo essay out there. Instead, you need to select quality photos that will tell your narrative. Be keen enough to ensure that any photo that makes it to the top 10 list is compelling and poignant. If you notice that you don’t have good equipment to produce or capture quality photos, don’t be afraid to pull in a professional photographer.

7. Use outside input to perfect your choice

When working on a photo essay project, you are not necessarily an island. The photo essayists we’ve mentioned work with teams. You equally need to get a trusted, visually active, and sophisticated individual, professional, or friend to help you.

Have them look at the photos you took and ask them to choose the best. As well, provide them with a written description of your narrative and ask them to select their 10 best photos.

Compare their choice with yours and if they differ, make a point of asking the reason. Listen keenly and tweak your narrative and choice as they most likely reflect what an audience would perceive from the photo essay.

8. Select the best photos from the best

Based on the reasons from your external source (friend, editor, or photographer), select the 10 best photographs to use in telling your story. As well, change the narration if there is a need to tweak it.

9. Write reasonable captions

For your final choice of 10 images, write a befitting caption that will help to enhance your visual narrative. You need to be concise, brief, and clear. If the photos have a strong or exciting background story you wish to run, have the narrative written as content alongside the photos.

However, if you feel like the images can stand alone without captions, don’t beat yourself over it; leave them out. After all, using captions is not a must.

Look at this example of Black Lives Matter Photo Essay (Link to external site).

Apart from the caption, you can add text that contains data, complex metrics, or maps to support your narrative. Using maps can help drive the point home.

10. Focus on the details

Yes, the devil is always in the details. When you eventually display your photo essay to an audience, everybody analyzes it their way. However, when you capture the details, you will take care of each perspective, judgment, and reasoning from your audience. Ensure that you place everything in context and that everything is up to date.

11. Make it fun

Unlike college essays that come with challenges, creating a photo essay should be fun. Therefore, enjoy every bit of the project. Doing so helps you to step up your game, inspire creativity, and relaxes your mind. There is nothing creative and innovative you cannot do in a photo essay with a let loose sort of spirit.

12. Set the scene

When telling a story through photography, you are equally writing your story. Therefore, ensure that you set a scene to capture the moment that appeals to your audience.

For the events that you have no control over, try as much as possible to take photos that match your narrative or theme.

13. Experiment more when taking photos

There is no single bullet to creating an outstanding photo essay. To achieve perfection, let your photo essay express your story in the best way it can. Therefore, you need to test filter effects, use fonts, adjust the visuals, check the contrast, adjust color, hue, and feel, and crop your photos well. With experimentation comes creativity and innovativeness, which birth perfection.

Classification of Photo Essays

In terms of classification, there are two general classes of photo essays where all the genres of photo essays fall. These classes are narrative and thematic.

1. Narrative Photo Essays

A narrative photo essay, as the name suggests, tells a specific story. But, mainly, these types of photo essays tend to tell a peculiar and more direct story.

Unlike thematic photo essays, narrative photo essays give less freedom to the photo essayist. The use of text is to have some sense of completion to the story.

For instance, the 28 Days in Afghanistan by Andrew Quilty published in the SBS is a narrative photo essay that documents the photographer’s experience in the war-torn nation using both text and unadulterated photos.

The picture essay by photojournalist Stefanie Glinski titled  One Month in Kabul Under Taliban rule – a photo essay also falls under this category as it highlights her one-month encounter in Kabul.

2. Thematic photo Essays

Thematic photo essays are topic-specific. For example, they can be on politics, pollution, police brutality, global pandemic, poverty, crime, etc.

You have the freedom of choosing the subjects, location, and you do not necessarily have to incorporate text.

An example of a thematic photo essay is the “ They call us bewitched ” picture essay published in the Guardian. We also bumped into the Olympics Photos: Emotion runs high by the NBC News, which we find as an excellent thematic photo essay. Next, look at this Hurricane Katrina photo essay. It is thematic in the sense that it focuses on a natural disaster. Finally, if you want more examples, this photo essay titled “ From Trayvon Martin to Colin Kaepernick ” details the theme of Black Lives Matter/ police brutality.

Typical Photo Essay Examples/Genres to inspire your creativity

• The daily life photo essay – A Day-in-the-life photo essay tells a story about the day-to-day life of a given subject. It could be a lawyer, president, celebrity, farmer, industrialist, pope, student, etc. most of these photographic essays evoke emotions and help the audience enter into the subject's world.
• Transitioning through life photo essay – These are essays that detail photos of how people transform through life. It can be a photo of a celebrity, president, farmer, or famous person since they were young to date.
• Special events photo essays – As the name suggests, these are photo essays on special events, festivities, and occurrences. The events can be weddings, burials, art exhibitions, car shows, auction events, or celebrations. They have very elaborate and relatable background objects that connect to the main idea.
• Family photo essays – These can be photo essays on family members. You can include photos that show how the family has grown or detailing the family tree. They can also be family business photos that detail the leaders assigned roles to family businesses.
• Protest photo essays – These are thematic photo essays that detail how protests occurred and paint a clear picture of the theme of such protests as the Black Lives Matter protests. When creating a protest photo essay, you should have information about the particular protest. Focus on incidents and protests that occurred in history.
• Sports photo essays – Sports essays can be on sports events such as Olympics, Wimbledon, football leagues, or about sportsmen and women. For instance, the Skysports’ picture essay on Diego Maradona titled Diego Maradona: Images of a football Icon .
• Medical Photo Essays – Organizations such as WHO , Universities , or CDC have various examples of medical photo essays. These visual illustrations focus on medical research, medical practice, diseases, and medical breakthroughs.
• Scientific Photo Essays – Like medical essays, these photo essays detail scientific encounters, breakthroughs, inventions, etc.
• Celebrity photo essays – You can create a photo essay on a celebrity.
• Political photo essays are photo essays that capture and narrate political events, history, and news in a series of photographs and narratives. It could be about leftist and rightist politics or geopolitics as well as policy-making.
• War photo essays – Captures the critical and significant elements of conflict, war, and peace. There are many samples online.
• Timelapse photo essays – These are transformational photo essays that capture the changes of a subject through time. They might take longer to develop and can be on buildings, estates, cities, trees, or landscapes.
• Relationship photo essays – This photo essay genre captures the interaction between people, families, and loved ones. It is the most common assignment in journalism class. It offers an excellent chance to capture emotions like love, family, and friendship.
• Poverty photo essays – This genre of photo essays captures poverty from the standpoint of the subject. They can contain infrastructure, housing, amenities, food, water, etc. They are very emotional and can use narratives. They are the same as drought photo essays that capture how the drought has ravaged a geographic region of interest.
• City photo essays – These are photographic essays that capture a city's feel, life, and pleasures. They are thematic in nature and allow you to focus on specific areas, moods, and feeling that such places evoke.
• Education photo essays – Details issues in education. For instance, it can be a photo essay showing the disparity in access, challenges in education, or infrastructure in education. An example is The Many Faces of Learning, published in the Stanford Social Innovation Review. Another one is Embracing Education , published by the Lutheran World Federation.

As long as you can think of any topic, there is always a picture or photo essay genre where it can fall under. Remember, you can be asked to create a photo essay on a Word Document or PDF for class, which is where you get the chance to display your prowess and creativity.

Common Photo Essay Examples

Here are the famous photo essays that you can draw inspiration from:

• Various American Natural Sites by Ansel Adams
• “Everyday” by Noah Kalina
• “Signed, X” by Kate Ryan 
• “The Vietnam War” by Philip Jones Griffiths
• “The Great Depression” by Dorothea Lange

Structure/Anatomy of a Photo Essay

Here is a blueprint or skeleton of how a basic photo essay can look like

Introductory text/content

This is where you type the text that explains or introduces the photo essay to your audience.

Signature Image

This is the strongest image that has a visual impact on the story you are running. It should be an image that invites the viewers to your story to be interested in looking further. In simple terms, this is your window, attention grabber, or icon; make it count.

This is the picture of a key player or the main subject of your story. You must ensure that the foreground and background elements reinforce the theme or narrative.

Where the subject is caught in real moments, such as in environmental portraits, is reportedly more compelling. You can use a series of posed portraits as well.

Overall wider view

This is the photograph that gives the viewers a sense of the place or part of the place where the story happens. You use such images to create a scene. It can also be a series of detailed images bundled together to set the scene.

Here, you need to follow up with a photograph that explains the finer details. The photo can be abstract but eye-catching in the sense that it draws the attention of the audience. It should be an image that reveals to the audience some aspect that is otherwise missed in a wider shot. You are allowed to use series of small detail photos as a mosaic in one image .

When defining an action, look for a photograph that shows the main theme in your story. For instance, if it is a Black Lives Matter protest, focus on a photo that captures banners, police, and protesters.  Specifically, focus on the most poignant or dramatic images that capture people interacting with one another. You can as well capture gestures or moments that amplify the visual narrative you want to communicate.

Closing Photo and text

This is the powerful closing photograph that lets your audience ponder more about your visual narrative. You can follow it with a text highlighting the thoughts you want the audience to reason with as they come to the end of your photo essay.

Gradecrest is a professional writing service that provides original model papers. We offer personalized services along with research materials for assistance purposes only. All the materials from our website should be used with proper references. See our Terms of Use Page for proper details.

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11 Of The Most Interesting Photo Essays

The photo editors of BuzzFeed take a look at all of the best photo collections from this week.

1. "23 Super-Creepy Pictures of Forgotten Olympic Villages" —BuzzFeed

“Olympics time is here! Hosting cities pour tons of money into building massive structures in order to host the games . But what happens to them once all the hubbub dies down? This essay is such an interesting look at these spaces when left to the wild.” —Dennis Huynh, design director, BuzzFeed News

2. "These Women Are Using Photography to Cope With the Aftermath of an ISIS Massacre" —BuzzFeed

"Oh, how truly powerful photographs can be, and this photo series proves just that. UNICEF gave cameras and tutorials to 25 young Yazidi women so they can photograph their community as they learned to cope with the aftermath of an ISIS massacre. With this medium, they weren’t just given the voice to tell the world their story, but also empowered them to have personal goals and aspirations. After all, they were allowed to keep their cameras." —Anna Mendoza, photo editor, BuzzFeed Australia

3. "At the Front in a Scarred Fallujah" — New York Times

"It is important to see what war looks like in some ways. For all the rhetoric about the war on terrorism that is thrown about in the US, there is relatively little visual coverage about the frontlines in the Middle East. Denton's photographs show that the war in Iraq, which has waxed and waned in popularity and our consciousness for the past 13 years, is still ongoing, still brutal, and still very relevant to our stated goals even as the enemy has changed." —Kate Bubacz, senior photo editor for BuzzFeed News

4. "Learning Life Lessons by Faking One's Own Funeral" — The Atlantic

"There’s probably nothing more natural to living than contemplating your own death. In South Korea, a trend has emerged called 'Happy Dying' in which participants are invited to write their own eulogies and wills, crawl into their very own coffin and essentially, well, die. After 30 minutes of 'death', they crawl out of the coffin and apparently feel much better about their lives. Neat." —Gabriel H. Sanchez, photo essay editor, BuzzFeed

5. "These Beautiful Photos of Subway Stations Will Transport You From Your Daily Commute" — Atlas Obscura

“I love subways/metros like Oprah loves bread! Chris Forsyth images of metro stations in Canada and around Europe show how cool and mod the architecture of those massive spaces can be make make me want to book some tickets.” —DH

6. "A Death in Manila" —Reuters

"Of the 300 suspected drug dealers found dead since Rodrigo Duterte assumed presidency in the Philippines, this photo of Jennelyn Olaires cradling the body of her husband stood out among the rest. The new president, notoriously known as 'the punisher', called this 'melodramatic', with the media hyping it up as if it was Michelangelo’s Pieta. 'War on Drugs' was his campaign battle cry and this photo perfectly summed up what he has done, directly or indirectly, in his first 30 days." —AM

7. "The Trans Community of Christopher Street" — The New Yorker

"These portraits have a dignity and an intimacy about them , each face strikingly beautiful in its individuality. I was so moved reading stories and seeing the variety of faces that all turn to Christopher Street for a sense of community." —KB

8. "International Garden Photographer of the Year Macro Art Winners" — The Telegraph

"These extreme close-up shots of plant life highlight just how alien planet earth can look. Out of context, these seed pods and surfaces of leaves appear like the aerial terrain of a remote exotic planet. The competition is in association with the Royal Botanic Gardens, Kew, in the UK, and will be touring in exhibitions all over the world. The overall winner was ‘Embryo’ (above) by George Pantazis with a photo taken in his garden in Limassol, Cyprus." —Matthew Tucker, picture editor, BuzzFeed UK

9. "People Really Open Up in the Summer’: the North Korean Seasons" — The Guardian

"Could it be true? Is this possibly the most secluded beach vacation getaway in the world? No one thinks of North Korea as a summer holiday destination. But with a brand-new airport recently completed near the resort town of Wonsan (apparently, it’s popular with locals), it may just be the next hot ticket among foreign travellers." —AM

10. "Photographing the Mirage of the American Dream in Las Vegas" — Time Lightbox

"The party’s been raging strong in Las Vegas for decades — but if you look closely, as Swiss photographer Christian Lutz does in his new photo book Insert Coins , you’ll see the cracks and faults of a city with a reputation for sin. Here, Time shares a comically distressing look at Las Vegas when the party is over." —GHS

11. "Aging Inmates: Photographer Shines Light on Loneliness and Isolation" — National Geographic Proof

" Jessica Earnshaw's work on aging in prison is breathtaking in its scope and its ceaseless attention to the humanity of the inmates. This is a very different look at prisons that is worth giving attention to." —KB

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Cross-border love - a photo essay

Photographs of an unusual situation by Roland Schmid. Switzerland and Germany have been divided by the coronavirus pandemic. Fences, concrete obstacles or barrier tapes separate them after the borders were closed to slow the spread of the virus. But love cannot be locked away

“L ook, we even marked the border on our blanket,” laughs Sabrina. And indeed; just below the barrier tape a black line divides the cloth in half. Lying on one half is Sabrina, from Basel; on the other, Davor from Wiesbaden. We are in Riehen, the rich suburban community of Basel.

Getting as comfortable and as close as possible at the border to Lörrach, Germany , 18 April.

It is the first time that the two of them have seen each other since the border was closed a good six weeks ago. The Covid-19 pandemic caused Switzerland and its surrounding countries to close their borders mid-March. Only people who work in another country and companies transporting goods are now allowed to cross the borders at the few crossings that are still open.

Sabrina Schaub from Basel, Switzerland, and Davor Crnko from Wiesbaden, Germany.

It is a warm spring day. Riehen is famous for its cherry trees, thanks to the mild climate of the Rhine plain. And on these cherry trees, which are in blossom on both sides, the border guards have attached barrier tapes which now mark what is accessible. These tapes also trace the border lines which were reinforced with barbed wire during the second world war.

For the people on both sides, these restrictions are a serious disturbance, as the border has hardly been noticed in recent decades. Friendships exist across borders, as do families and lovers.

“Take pictures of us,” says Sabrina. “It’s good if this becomes known.” An untenable situation for her. Davor arrived today to see his girlfriend. It takes three and a half hours to drive from Wiesbaden, and he will return in the evening.

Sergio Cannavo, an Italian from Switzerland, Sami Kirkbes, a German-Pole from Germany, and David Chabo Aramäer, an Israeli from Germany.

Leonie Hirn, from Switzerland (in the white shirt) and Janina Wagner, from Germany, Kreuzlingen, 4 April.

Despite everything, the mood is good on this friendly day. Along the barrier tape several groups of people have arranged to meet: separated families, friends, other lovers. A group of young men has set up camping chairs on both sides of the barrier. All three are from Lörrach in Germany, the neighbouring community of Riehen. One of them is studying in Basel. This is the only place they can meet and drink beer together.

Diethard, from Germany, and his girlfriend Sibel, from Switzerland.

The border stretches up the hill. A bit further up the edge of the forest, I meet Diethard (on the German side) and his girlfriend Sibel (on the Swiss side). Sibel, also a German citizen, works in a clinic in Switzerland: “If I were to officially go over to Germany, I would first have to be in quarantine for two weeks. That’s impossible.”

Friends meeting along the barrier tape at Riehen, 25 April.

Now and then an army helicopter flies along the unclear border, making sure the rules are obeyed on the ground. There soldiers reinforce the border guards. If a couple gets too close to each other on the border, the guards usually turn a blind eye.

Swiss-German couple meeting at the border, Riehen, 25 April.

This is not the case everywhere. Further east on Lake Constance are Kreuzlingen (Switzerland) and its sister city of Constance (Germany). They have grown together completely. In some places, the fence erected by the Swiss during the second world war to prevent Jewish refugees or German opposition members from crossing the border still exists.

Josephina, living in Arbon (Switzerland), and Josef, living in Singen am Hohenwil (Germany), can only come together at the closed border. They meet here three times a week. They have been a couple for 30 years.

Since the border is shorter and clearer here than at Basel, it was easier to close it again in the wake of the pandemic.

Shortly after the closing of the border, I meet Katarina from Frauenfeld, in Switzerland, and Ivo, a student from Konstanz. Three times a week they meet at the border, also to exchange tenderness; they met in Croatia only last New Year.

Katarina, living in Frauenfeld (Switzerland), and Ivo, living in Konstanz (Germany), can only meet at the closed border, three times a week.

Katarina and Ivo have been a couple since last New Year’s Eve. After a second fence was erected, they cannot kiss any more.

Here, physical closeness was a thorn in the side of the Swiss law enforcement officers: a week later, when I saw the two of them again, kissing was no longer possible. A second fence was raised two metres away from the first, under strong protest from the local population. Now Katarina and Ivo can only look into each other’s eyes.

A separated family meeting at the barrier tape, Riehen, 25 April.

But they still have it good: along the Italian and French borders, such meetings were always out of the question, because in Italy and France – unlike in Switzerland and Germany – strict curfews prevented this.

With the flattening of the corona curve, demands are now being made to open the borders again. Not only families and couples want their normal relationship back, but also the trades that usually do good business on the other side.

Another couple chat through the wire, Kreuzlingen, 4 April.

• The Guardian picture essay
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