stanford university creative writing major

125 Stanford Stories

70 years of great writing.

Imagination flourishes in Stanford’s Creative Writing Program

“Minds grow by contact with other minds. The bigger the better, as clouds grow toward thunder by rubbing together.” — Wallace Stegner

The novelist Wallace Stegner came to Stanford in 1946 to teach writing. He found a campus swollen with returning GIs and war workers. This cohort – later known as the Greatest Generation – had interesting stories to tell. At Stanford, Stegner  developed a program  of  workshops, community and freedom to write  that would nurture these writers’ talents and those of generations to come.

The Stegner Fellowships, as Stanford’s two-year writers’ fellowships are now called, are perhaps the best-known facet of Stanford’s  Creative Writing Program . Stegner Fellows have gone on to become Pulitzer Prize winners (N. Scott Momaday, Larry McMurtry, Adam Johnson ), poets laureate of the United States (Robert Pinsky, Philip Levine) and bestselling novelists (Scott Turow). Diverse in origin, they have brought new understanding of their own countries and cultures through literature ( NoViolet Bulawayo ). Many have returned to Stanford to teach new generations (Johnson, Kenneth Fields, Tobias Wolff).

The milieu in which the Stegner Fellows flourish also nourishes the creative gifts of hundreds of Stanford undergraduates each year. Creative writing workshops and tutorials are among Stanford’s most sought-after courses. That’s unsurprising when one considers the value that Stanford puts on output, on expressing one’s ideas.

“We hated the idea that someone would come to this great university and think it’s either/or — ‘I’m going to be a science student, or I’m going to be a creative writer.’ We made the minor so people would know they didn’t have to make that choice.” —  Eavan Boland , director of the Stanford Creative Writing Program

“It’s the art of imagination. It’s a muscle that students want to activate,” explained Tom Kealey, a lecturer in the Creative Writing Program.

Nearly all of Stanford’s creative writing courses are open to undergraduates across the curriculum, though some, like the one-on-one Levinthal Tutorials, require a manuscript review. Nearly 70 percent of Stanford’s English majors have emphases in creative writing, whether in poetry or prose. There is also a creative writing minor. Its new Fiction into Film option culminates in the Hoffs-Roach Tutorial, in which students complete a 100-page screenplay. Another popular option is to take four or five writing courses as an informal emphasis.

The creative nonfiction courses are popular with students in the sciences, Kealey said: “Many want to make sense of their lives by creating narratives.”

Lectures about the craft of writing are also very popular. Professor Elizabeth Tallent teaches a course each spring,  Development of the Short Story , that can attract up to 100 students.

The newest member of the program’s distinguished faculty is  novelist Chang-Rae Lee , who comes to Stanford in fall 2016.

Informal workshops such as Poets’ House and Art of Writing offer an introduction to creative writing across disciplines. Innovative courses seek to explore new literary forms and to bring appreciation of writing to more people in new ways.

Stanford’s creative writing program was the first to offer a course in  completing a graphic novel , a popular class repeated every other year. It gives undergraduate awards for environmental writing, an  important aspect of Wallace Stegner’s legacy .

In spring 2015, program director Eavan Boland led a free online course on  Ten Premodern Poems by Women  that drew more than 1,000 participants from 105 countries. For the course, the office of the Vice Provost of Teaching and Learning enhanced Stanford’s OpenEdX platform to allow participants to submit narrative responses and even poems, an innovation that will help future online humanities courses.

Watch the creation of the Creative Writing Program’s latest graphic novel in this video.

Stanford University

Wallace Stegner Fellowship

*The application for the 2024-2026 fellowship is now closed. Applications for the 2025-2027 fellowship will open on September 1 and close on November 1.*

For application updates, join our Stegner Fellowship email list

Unique among writing programs, Stanford University offers 10 two-year fellowships each year, 5 in fiction and 5 in poetry. All the fellows in each genre convene weekly in a 3-hour workshop with faculty.

Stegner Fellows are regarded as working artists, intent upon practicing and perfecting their craft. The only requirements are writing and workshop attendance. The fellowship offers no degree. We view it as more  of an artist-in-residence opportunity for promising writers to spend two years developing their writing in the company of peers and under the guidance of Stanford  faculty .

In awarding fellowships, we consider the quality of the candidate’s creative work, potential for growth, and ability to contribute to and profit from our writing workshops. Our fellows are diverse in style and experience, with talent and seriousness the true common denominators.

• We do not require any degrees or tests for admission
• No school of writing is favored over any other
• Applicants must be at least 18 years old

The Stegner Fellowship is a full-time academic commitment and is not intended to be pursued concurrently with another degree program. The fellowship includes a living stipend, and a fellow's tuition and health insurance are paid for by the Creative Writing Program. A f ellow must live close enough to Stanford in order to attend workshops, readings, and events.

At a Glance

• 2-year fellowship; admissions are staggered so there are 10 first year fellows and 10 second year fellows at Stanford each year
• Fellows must write and attend a 3-hour weekly workshop
• Workshop coincides with Stanford's  academic calendar ; fellows have the summer off to work, write, or travel
• Though similar in some ways to a MFA program, the fellowship does not offer a degree
• Includes a $50,000 living stipend
• Applications are available to all who are interested; all applicants are notified of fellowship decisions in April

Application window: opens on September 1 and closes on November 1 at 11:59 pm PST (November 2 at 2:59 am EST)

Eligibility

Anyone interested in the Stegner Fellowship is welcome to apply! Prior book publication is not required; note that prior publication may suggest a career that has advanced beyond the point when the fellowship’s instruction and workshop critique are most useful in a writer's development.

Yes. Anyone may apply, regardless of nationality. If accepted, you’re considered at Stanford to be a non-matriculated graduate student for visa purposes. We’ll work with you to obtain a J-1 visa.

Fellows must be 18 years old when they start the fellowship. Historically, we have accepted people as young as 22 and as old as 75.

Responsibilities

Primarily, Stegner Fellows are required to attend weekly, faculty-led workshops and to write, revise, and then write again, with the goal of a finished manuscript ready for publication. As part of the workshop, fellows are expected to actively engage with their cohort's work by reading and thoughtfully commenting on pieces presented.

However, to enrich one’s fellowship experience, we encourage all fellows to attend various reading events and lecture series hosted by our program. In the past, we’ve enjoyed the presence of guest speakers such as Zadie Smith, David Treuer, Gilbert King, Mary Ruefle, and Hilton Als. We also host public readings and colloquiums for our annual visiting poet-in-residence and visiting writer-in-residence .

During the first year of their fellowship, the fellows participate in the  Stegner Fellow Reading series , where they give a public reading of their work. It’s also possible for fellows to TA undergraduate courses, facilitate writing workshops, and offer special tutorials and independent studies to our undergraduate students.

Yes, one must live close enough to the Stanford main campus to attend weekly workshops, as well as readings and lectures by the program's visiting poets and writers.

The purpose of the fellowship is to give writers as much time as possible to work on their writing, free from the time constraints of full-time employment. Holding a full-time job during the fellowship runs counter to the intention of the program.

The fellowship is a 2-year program and includes a living stipend of $50,000 per academic year. Our program also pays for each fellow’s tuition and health insurance.

The Bay Area is a very expensive place to live. Realistically, an individual needs some form of supplemental income, which commonly means working during the summer.

Sometimes. Teaching appointments are not guaranteed, as priority goes to Ph.D. students who need the experience for their degree.

If you have questions about our fellowship, there are several ways to get answers:

• Peruse our Application FAQ page
• Email us at stegnerfellowship [at] stanford.edu (stegnerfellowship[at]stanford[dot]edu)
• Or visit us in our main office: Margaret Jacks Hall (Building 460), Room 223

Thank you for your interest in the Wallace Stegner Fellowship!

Jason Leung | Unsplash

How to Apply

The 2024-2026 Wallace Stegner Fellowship application is now closed. The application for the 2025-2027 fellowship will open on September 1, 2024 and will close on November 1, 2024. 

To apply for the fellowship, please prepare the following information and materials:

• Personal background information
• Contact information for 2 recommenders who can speak to your suitability as a workshop participant (please do not submit letters of recommendation)
• A statement of plans in which you briefly explain your writing plans for the two years of the Stegner Fellowship (1000 words maximum)
• A description of what you hope to get out of the workshops in your genre and how you intend to contribute to the development of other Fellows’ work (300 words maximum)
• A writing sample (9000 words maximum for fiction, 15 pages maximum for poetry)

The application fee is $55 , payable by credit or debit card. A fee waiver is available for those who qualify; the fee waiver request form is integrated into the online application.

Apply online

For application or selection process questions, visit our  Application FAQ page .

For all other inquiries, email stegnerfellowship [at] stanford.edu .

See Undergraduate Major Offerings and More

Explore majors, joint majors, minors, honors, interdisciplinary programs, and coterm programs here. For the most up-to-date information about Majors and Programs, please refer to the  programs section of the bulletin.  Stanford students should speak with their Undergraduate Academic Advisor regarding major decisions; students looking to attend Stanford should direct inquiries to the Admissions Office .

Aeronautics and Astronautics

African and African American Studies

African Studies

American Studies

Anthropology

Applied Physics

Archaeology

Architectural Design

Art History

Art Practice

Asian American Studies

Atmosphere / Energy

Bioengineering

Biomechanical Engineering

Biomedical Computation

Chemical Engineering

Chicana/o - Latina/o Studies

China Studies

Civil and Environmental Engineering

Communication

Community Health and Prevention Research

Comparative Literature

Comparative Studies in Race and Ethnicity

Computer Science

Creative Writing

Dance (TAPS Minor)

Democracy, Development, and the Rule of Law

Digital Humanities

Earth Systems

East Asian Studies

Electrical Engineering

Energy Resources Engineering

Engineering Physics

Environmental Systems Engineering

Ethics in Society

European Studies

Feminist, Gender, and Sexuality Studies

Film and Media Studies

Geological Sciences

German Studies

Global Studies

Honors in the Arts

Human Biology

Human Rights

Iberian and Latin American Cultures

International Policy Studies

International Relations

International Security Studies

Iranian Studies

Islamic Studies

Jewish Studies

Laboratory Animal Science

Latin American Studies

Linguistics

Management Science and Engineering

Materials Science and Engineering

Mathematical and Computational Science

Mathematics

Mechanical Engineering

Medieval Studies

Middle eastern language, literature and culture.

Modern Languages

Modern Thought and Literature

Music, Science, and Technology

Native American Studies

Philosophy and Religious Studies

Political Science

Public Policy

Religious Studies

Science, Technology, and Society

Slavic Languages and Literatures

South Asian Studies

Sustainability

Symbolic Systems

Theater and Performance Studies

Translation Studies

Urban Studies

Creative Writing

Molly Antopol

Caroline Bailey

Lydia Burleson

Sarah Coduto

Aracelis Girmay

Sara Houghteling

Adam Johnson

Amaud Jamaul Johnson

A. Van Jordan

Jesuseyi Osundeko

Patrick Phillips

Elizabeth Tallent

Kirstin Valdez Quade

Tobias Wolff

• Accessibility Options:
• Skip to Content
• Skip to Search
• Skip to footer
• Office of Disability Services
• Request Assistance
• 305-284-2374
• High Contrast
• School of Architecture
• College of Arts and Sciences
• Miami Herbert Business School
• School of Communication
• School of Education and Human Development
• College of Engineering
• School of Law
• Rosenstiel School of Marine, Atmospheric, and Earth Science
• Miller School of Medicine
• Frost School of Music
• School of Nursing and Health Studies
• The Graduate School
• Division of Continuing and International Education
• People Search
• Class Search
• IT Help and Support
• Privacy Statement
• Student Life

University of Miami

• Division of University Communications
• Office of Media Relations
• Miller School of Medicine Communications
• Hurricane Sports
• UM Media Experts
• Emergency Preparedness

Explore Topics

• Latest Headlines
• Arts and Humanities
• People and Community
• All Topics A to Z

Related Links

• Subscribe to Daily Newsletter
• Special Reports
• Social Networks
• Publications
• For the Media
• Find University Experts
• News and Info
• People and Culture
• Benefits and Discounts
• More Life@TheU Topics
• About Life@the U
• Connect and Share
• Contact Life@theU
• Faculty and Staff Events
• Student Events
• TheU Creates (Arts and Culture Events)
• Undergraduate Students: Important Dates and Deadlines
• Submit an Event
• Miami Magazine
• Faculty Affairs
• Student Affairs
• More News Sites

April guide to the arts at the U

By Brittney Bomnin Garcia [email protected] 03-29-2024

Explore a roundup of events this month, including concerts, exhibitions, and undergraduate student presentations during the annual Research, Creativity, and Innovation Forum. Learn more about The U Creates —the University’s digital hub for the arts, culture, and creative expression—and view the full calendar of events .

VIEW ALL: Bill Cosford Cinema | Center for the Humanities | Jerry Herman Ring Theatre | Frost School of Music | Lowe Art Museum | School of Architecture | University Libraries | UM Art Galleries

Saturday, April 6, 7:30 p.m. | in person and streaming, purchase tickets

Frost Music Live!: Schubertiade for Violin and Piano

Frost School of Music’s piano professors will join renowned violinist Charles Castleman to unveil the magic of Franz Schubert. A tradition that began in 1815 honoring the then 18-year-old Schubert, the Schubertiade originated as an unpublicized, informal concert of his music, but quickly spread throughout Europe, and eventually to the United States. Purchase tickets .

Newman Recital Hall, Knight Center for Music Innovation, 5513 San Amaro Dr, Coral Gables, FL 33146

Monday, April 8, 6:30 p.m. | in person, free event

Book Talk: ‘Roman Satire’

With particular attention to authorial and national identity, artistic self-definition, and literary reception, Jennifer Ferriss-Hill, professor of classics and senior associate dean for faculty affairs and college diversity at the College of Arts and Sciences, shows how four ancient Latin poets—Lucilius, Horace, Persius, and Juvenal—asked and answered these questions between the second century BCE and the second century CE as they invented and reinvented the genre of Roman verse Satire. Save your seat .

Books & Books, 265 Aragon Ave., Coral Gables, FL 33134

Tuesday, April 9, noon | virtual, free event

Slow Looking with the Lowe: Highlights from the Campus Art Collection

During this virtual program, Tola Porter, Lowe Art Museum educator for academic and public programs, will lead participants through a 30-minute mindful and interactive session exploring selected artworks from the Lowe’s collection. Sign up now .

Lowe Art Museum, 1301 Stanford Drive, Coral Gables, FL 33146

Wednesday, Apr. 10, noon to 4 p.m. | in person, free event

Research, Creativity, and Innovation Forum (RCIF)

The Office of Undergraduate Research and Community Outreach offers students from all disciplines the opportunity to present their research to a wide audience consisting of their peers, faculty and staff members, and the larger University community. In collaboration with the Center for the Humanities, RCIF has added a panel presentation component this year for students and peers to develop their presentation skills and further engage with their research in the humanities. Learn more .

Donna E. Shalala Student Center, 1330 Miller Drive, Miami, FL 33146

Thursday, April 11, 4 p.m. | in person, free event

Edith Bleich Lecture Series: Jennifer V. Evans, professor of history at Carleton University in Canada

In her lecture, “Why We Need Queer Kinship Now More Than Ever,” Evans asks how the queer and trans past has often been drawn upon to make a series of claims about liberal democracy itself, including the place of identity in rights-based discourses of experience, policy, and governance. Register now .

Otto G. Richter Library, Third Floor Conference Room, 1300 Memorial Drive, Coral Gables, FL 33146

Thursday and Friday, April 11–12 | in person, purchase tickets

Smart Cities MIAMI 2024

The School of Architecture, in collaboration with the Frost Institute for Data Science and Computing, will host the 8th Annual Smart Cities Conference . This event will explore the theme of artificial intelligence in design, offering a platform to delve into the cutting-edge advancements shaping the future of architecture. Registration is $50 per person.

Lakeside Village Expo Center, 1280 Stanford Drive, Coral Gables, FL 33146

Saturday, April 13, 6 p.m. | in person, free event

M.F.A. in Creative Writing thesis reading

Graduate students Guillermo Leon, Dorie Spangler, and Swetha Siva, who are pursuing Master of Fine Arts in Creative Writing, will share their thesis. This event is open to the public.

Thursday April 17, 6 p.m. | in person, free event

Lowe Connects: Exploring Art, Marine Biology, and Engineering to Address Climate Challenges

U-Link partners from the departments of art and art history, marine biology, and engineering will speak about the connection between scientific research, engineering, and art. Guests will learn about the ways that the University of Miami is catalyzing interdisciplinary collaboration to advance knowledge on the impacts of climate change and other stressors, and the development of practical solutions to meet society’s changing needs. Register now .

Mindfulness programs are offered virtually at 4 p.m. on Wednesdays and in person at 10:30 a.m. on Thursdays at the Otto G. Richter Library.

Friday and Saturday, April 19-20 and Friday and Saturday, April 26-27 | in person, purchase tickets

‘Urinetown, the Musical’

Join the revolt in a dystopian future where water is worth its weight in gold, and one of the most basic human needs is under the control of an evil bureaucracy. Wickedly witty, this Tony Award- winning musical satire pokes fun at politics, social irresponsibility, capitalism, and musical theater itself. University students and staff and faculty members can use code THSUTOWN before selecting their seats to receive a discount. University students can obtain free entry to an 8 p.m. show Thursday, April 25, by presenting a valid ’Cane ID. Purchase tickets .

Jerry Herman Ring Theatre, 1312 Miller Drive, Coral Gables, FL 33146

Saturday, April 20, 6 p.m. | in person, free event

Catherine Kramer: ‘Known/Unknown’

On view from April 5 through April 26, the University community is invited to the opening reception of “Known/Unknown,” an exhibition by Master of Fine Arts candidate Catherine Kramer. Drawing inspiration from Swiss psychiatrist and psychoanalyst Carl Jung and his process of active imagination, Kramer intentionally works with subconsciously produced imagery while creating her artwork. Learn more .

University of Miami Wynwood Gallery, 2750 NW Third Ave., Suite 4, Miami, FL 33127

On view now through Saturday, April 20 | in person

The Annual Juried Exhibition

Organized by the Department of Art and Art History and hosted by the Lowe Art Museum, the exhibition features works of art across various media created by undergraduate and graduate students at the University of Miami. Learn more .

Monday, April 22, 4 p.m. | in person and streaming, free event

Adobe Scholars Reception

Meet and engage with the 2023-2024 Adobe Scholars as they share the results of their projects. This event is free to attend and open to the public. The online component of this hybrid event will be hosted using Zoom software. Sign up to participate .

Monday, April 22, 7:30 p.m. | in person, free event

‘Sing Sing’

Attend a sneak preview of “Sing Sing,” the story of an inmate at the infamous Sing Sing Correctional Facility in Ossining, NY, who forms a theater troupe with his fellow prisoners. Admission is free. Registration is required .

Bill Cosford Cinema, Dooly Memorial 225, 5030 Brunson Drive, Coral Gables, FL 33146

Thursday April 25, 6 p.m. | in person, free event

ArtLab | Miya Ando: Sky Writing lecture and reception

Join the Lowe for a talk and reception featuring artist Miya Ando to celebrate the ArtLab 2024 exhibition, Miya Ando: Sky Writing, on view through Saturday, June 1. This student-curated exhibition features multimedia works by Miya Ando, whose oeuvre explores nature’s ever-changing moods and the fragility of human existence. Register to attend .

Thursday, April 25, 7:30 p.m. | in person and streaming, purchase tickets

Frost Music Live!: Michel Camilo and the Frost Latin Jazz Orchestra

Born in the Dominican Republic and raised in New York, Michel Camilo bridges the genres of jazz, classical, popular and world music with his artistry and virtuosity. The Grammy, Latin Grammy, and Emmy Award-winner joins forces for one night only with the Frost Latin Jazz Orchestra and Cuban drummer Dafnis Prieto. Purchase tickets .

Maurice Gusman Concert Hall, Frost School of Music, 1314 Miller Drive, Coral Gables, FL 33146

Saturday, April 27, 7:30 p.m. | in person and streaming, purchase tickets

Frost Music Live!: Beethoven’s 9th

The Frost Symphony Orchestra season finale presents a symphonic masterwork alongside four American orchestral miniatures by Augusta Reed Thomas, Bernard Rands, Daren Hagan, and Chen Yi. Purchase tickets .

Featured: RCIF Humanities Hub

As part of the Research, Creativity, and Innovation Forum, the Humanities Hub will feature representatives from the University's humanities departments to provide attendees with information about the humanities as well as answers to specific questions about fields of study, research pursuits, and career opportunities. The Humanities Hub aims to create a stronger connection between research and the humanities within the undergraduate student body and also promotes the different ways in which students can get involved in the humanities.

• Coral Gables , FL 33124
• 305-284-2211 305-284-2211
• UM News and Events
• Alumni & Friends
• University Hotline

Tools and Resources

• Academic Calendar
• Parking & Transportation
• social-facebook
• social-twitter
• social-youtube
• social-instagram

Copyright: 2024 University of Miami. All Rights Reserved. Emergency Information Privacy Statement & Legal Notices Title IX & Gender Equity Website Feedback

Individuals with disabilities who experience any technology-based barriers accessing the University’s websites or services can visit the Office of Workplace Equity and Inclusion .

Claudia Looi

Touring the Top 10 Moscow Metro Stations

By Claudia Looi 2 Comments

Komsomolskaya metro station looks like a museum. It has vaulted ceilings and baroque decor.

Hidden underground, in the heart of Moscow, are historical and architectural treasures of Russia. These are Soviet-era creations – the metro stations of Moscow.

Our guide Maria introduced these elaborate metro stations as “the palaces for the people.” Built between 1937 and 1955, each station holds its own history and stories. Stalin had the idea of building beautiful underground spaces that the masses could enjoy. They would look like museums, art centers, concert halls, palaces and churches. Each would have a different theme. None would be alike.

The two-hour private tour was with a former Intourist tour guide named Maria. Maria lived in Moscow all her life and through the communist era of 60s to 90s. She has been a tour guide for more than 30 years. Being in her 60s, she moved rather quickly for her age. We traveled and crammed with Maria and other Muscovites on the metro to visit 10 different metro stations.

Arrow showing the direction of metro line 1 and 2

Moscow subways are very clean

To Maria, every street, metro and building told a story. I couldn’t keep up with her stories. I don’t remember most of what she said because I was just thrilled being in Moscow.   Added to that, she spilled out so many Russian words and names, which to one who can’t read Cyrillic, sounded so foreign and could be easily forgotten.

The metro tour was the first part of our all day tour of Moscow with Maria. Here are the stations we visited:

1. Komsomolskaya Metro Station  is the most beautiful of them all. Painted yellow and decorated with chandeliers, gold leaves and semi precious stones, the station looks like a stately museum. And possibly decorated like a palace. I saw Komsomolskaya first, before the rest of the stations upon arrival in Moscow by train from St. Petersburg.

2. Revolution Square Metro Station (Ploshchad Revolyutsii) has marble arches and 72 bronze sculptures designed by Alexey Dushkin. The marble arches are flanked by the bronze sculptures. If you look closely you will see passersby touching the bronze dog's nose. Legend has it that good luck comes to those who touch the dog's nose.

Touch the dog's nose for good luck. At the Revolution Square station

Revolution Square Metro Station

3. Arbatskaya Metro Station served as a shelter during the Soviet-era. It is one of the largest and the deepest metro stations in Moscow.

Arbatskaya Metro Station

4. Biblioteka Imeni Lenina Metro Station was built in 1935 and named after the Russian State Library. It is located near the library and has a big mosaic portrait of Lenin and yellow ceramic tiles on the track walls.

Lenin's portrait at the Biblioteka Imeni Lenina Metro Station

5. Kievskaya Metro Station was one of the first to be completed in Moscow. Named after the capital city of Ukraine by Kiev-born, Nikita Khruschev, Stalin's successor.

Kievskaya Metro Station

6. Novoslobodskaya Metro Station  was built in 1952. It has 32 stained glass murals with brass borders.

Novoslobodskaya metro station

7. Kurskaya Metro Station was one of the first few to be built in Moscow in 1938. It has ceiling panels and artwork showing Soviet leadership, Soviet lifestyle and political power. It has a dome with patriotic slogans decorated with red stars representing the Soviet's World War II Hall of Fame. Kurskaya Metro Station is a must-visit station in Moscow.

Ceiling panel and artworks at Kurskaya Metro Station

8. Mayakovskaya Metro Station built in 1938. It was named after Russian poet Vladmir Mayakovsky. This is one of the most beautiful metro stations in the world with 34 mosaics painted by Alexander Deyneka.

Mayakovskaya station

One of the over 30 ceiling mosaics in Mayakovskaya metro station

9. Belorusskaya Metro Station is named after the people of Belarus. In the picture below, there are statues of 3 members of the Partisan Resistance in Belarus during World War II. The statues were sculpted by Sergei Orlov, S. Rabinovich and I. Slonim.

10. Teatralnaya Metro Station (Theatre Metro Station) is located near the Bolshoi Theatre.

Teatralnaya Metro Station decorated with porcelain figures .

Taking the metro's escalator at the end of the tour with Maria the tour guide.

Have you visited the Moscow Metro? Leave your comment below.

January 15, 2017 at 8:17 am

An excellent read! Thanks for much for sharing the Russian metro system with us. We're heading to Moscow in April and exploring the metro stations were on our list and after reading your post, I'm even more excited to go visit them. Thanks again 🙂

December 6, 2017 at 10:45 pm

Hi, do you remember which tour company you contacted for this tour?

Leave a Reply Cancel reply

You must be logged in to post a comment.

Please go to the Instagram Feed settings page to create a feed.

30 Best universities for Mechanical Engineering in Moscow, Russia

Updated: February 29, 2024

• Art & Design
• Computer Science
• Engineering
• Environmental Science
• Liberal Arts & Social Sciences
• Mathematics

Below is a list of best universities in Moscow ranked based on their research performance in Mechanical Engineering. A graph of 269K citations received by 45.8K academic papers made by 30 universities in Moscow was used to calculate publications' ratings, which then were adjusted for release dates and added to final scores.

We don't distinguish between undergraduate and graduate programs nor do we adjust for current majors offered. You can find information about granted degrees on a university page but always double-check with the university website.

1. Moscow State University

For Mechanical Engineering

2. Bauman Moscow State Technical University

3. National Research University Higher School of Economics

4. Moscow Aviation Institute

5. N.R.U. Moscow Power Engineering Institute

6. National Research Nuclear University MEPI

7. National University of Science and Technology "MISIS"

8. Moscow Institute of Physics and Technology

9. Moscow State Technological University "Stankin"

10. RUDN University

11. Moscow Polytech

12. Moscow State University of Railway Engineering

13. Finance Academy under the Government of the Russian Federation

14. Moscow Medical Academy

15. Russian State University of Oil and Gas

16. mendeleev university of chemical technology of russia.

17. Russian National Research Medical University

18. Plekhanov Russian University of Economics

19. National Research University of Electronic Technology

20. Moscow State Pedagogical University

21. Russian Presidential Academy of National Economy and Public Administration

22. State University of Management

23. Moscow State Institute of International Relations

24. Russian State Geological Prospecting University

25. russian state agricultural university.

26. New Economic School

27. Moscow State Technical University of Civil Aviation

28. Russian State University for the Humanities

29. Russian State Social University

30. Moscow State Linguistic University

Universities for Mechanical Engineering near Moscow

Engineering subfields in moscow.