worksheet about movie review

Movie Reviews

Let’s watch some movie trailers and review what we thought of them.

1) Movie name: __________________________________________

What kind of movie is it? ___________________________________________________

What was something interesting that happened during the trailer?

________________________________________________________________________

How many stars would you give it?            1            2            3            4           5

2) Movie name: __________________________________________

3) Movie name: __________________________________________

Movie review

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How to write a movie review

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A Free Movie Review Template for Kids and Teens

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Watching movies at home during a holiday break or as a learning experience in the classroom can be fun. This free printable movie review template is for kids and teens and is a useful resource for students looking to write a thoughtful and organized movie review.

Check out our list of best movies for the entire family . Family movies can contribute to a fun, enriching, and wholesome entertainment experience for the entire family.

This template is perfect for school assignments, lesson plans, or just for fun. We will provide some tips on how to write a good review on your movie of choice, as well as a few example reviews. So put down your video games, grab your popcorn, and get ready to write.

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Whether you’re a movie buff or just looking for a fun way to express your opinions on your favourite movie, our movie review template is the perfect tool. With space to write out your favorite quotes and describe what you did and didn’t like about the movie, this template is a great way to make writing fun for kids and adults alike. Plus, you can use it again and again for all your movie review needs.

Table of Contents

What Is a Movie Writing Template?

A film review writing template is the perfect way to help individuals structure and organize their thoughts and ideas about a movie they have watched. It allows the reviewer to cover all the essential aspects of the movie, including plot, characters, acting, direction, cinematography, and overall impact. That’s the beauty of printable templates, they are perfect to use for many ages and situations.

When using a movie review template to review documentary films, fictional movies, or classic films, start by providing a brief summary of the movie’s plot without giving away any spoilers. Next, discuss the main characters and their performances, highlighting any standout performances or areas for improvement.

Then, delve into the film’s direction and cinematography, commenting on memorable movie moments. After discussing the technical aspects of the movie, share your thoughts about the overall movie-watching experience.

What is Included in these Free Movie Worksheets?

Included in this movie review template pack is a simple movie review worksheet where you can include a movie review outline, a page where you can share illustrations from the movie, and write an essay movie review.

Our template is in PDF format and we’ve included questions about basic information from the movie, including the following questions:

The movie title and release date

Your name and age

What are the best things about the movie? What do you like about the movie?

What you didn’t like about the movie? Share your personal opinion of the movie.

Would you recommend this movie to others? Why or why not?

Draw your favorite character from the movie

Draw your favorite scene from the movie

Draw your least favorite scene from the movie

Details about the movie – Who are the main characters? What is one great thing about the movie?

This free PDF download movie review template has plenty of room for you to answer all of the above questions.

Free Printable Movie Review Template

We have designed a free printable film review template to use in a personal or classroom setting as a creative writing project or students’ learning project. The download process is easy – simply enter your email address at the bottom of this post and the template will be in your inbox.

It is appropriate for a classroom setting, a birthday party, or just reviewing your favorite movie with friends. The free printable PDF files are for personal use only and are a quick fill-in activity printable that kids of all ages will enjoy. This movie review worksheet is perfect for primary students such as younger children, middle schoolers, and even older children.

How to Write A Movie Review

Examples of movie reviews using our template.

Our free printable movie review template is a great tool for anyone who wants to write a movie review. It provides a clear structure and prompts to help you organize your thoughts and opinions. Here are a few examples of movie reviews using our template:

Simple Film Review Sheet

Example 1: “coco”:.

“Coco” was released in 2017 and is a Pixar film. I’m 12 years old and I thought it was a great movie! I loved the characters and the story. The only thing I didn’t like was that it was a bit slow in parts. I would recommend this movie to others. It’s a heartwarming story that will stay with you long after you leave the theater.

Example 2: “Ice Princess”:

Ice Princess is a 2005 Disney film starring Casey Ferguson as a brainy high school student who discovers a talent for figure skating. The film follows her as she pursues her dream of becoming a championship skater, with the help of her coach (played by Michelle Trachtenberg).

Along the way, she learns important lessons about dedication and perseverance. I enjoyed this film because it is lighthearted and full of colorful characters. it also provides a portrayal of the hard work and determination required to succeed in competitive figure skating. As such, Ice Princess is an inspiring movie that is sure to delight viewers of all ages.

Our film review template pack provides benefits to users.

This free template streamlines the review process, ensures consistency, allows for customization, and is reusable. Give it a try and see how it can improve your movie-reviewing experience!

We have designed a free printable movie review template for you to use. It is appropriate for a classroom setting, a birthday party, or just reviewing your favorite movie with friends.

This free PDF download movie review template has plenty of room for you to answer all of the above questions. Movie review templates can be used as rich learning experiences to help students develop critical thinking skills, improve their writing abilities, and express their opinions in a structured manner. It can also be a fun activity for movie enthusiasts to share their thoughts and recommendations with others.

To download our free printable movie review template, simply click the link below. Print out as many copies as you need and start reviewing your favorite movies today!

What are some of your favorite movies? Have you written any reviews? We would love to read them! Leave your reviews in the comments section below. Happy writing!

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HIDDEN FIGURES

SUBJECTS — U.S. 1940 – 1991, Diversity/African-American, and Virginia; Mathematics; Science-Technology; Biography: Katherine Johnson;

SOCIAL-EMOTIONAL LEARNING — Courage; Human Rights;

MORAL-ETHICAL EMPHASIS — Respect.

AGE : 13+; MPAA Rating PG for thematic elements and some language;

Drama; 2016, 127 minutes; Color.

Give your students new perspectives on race relations, on the history of the American Revolution, and on the contribution of the Founding Fathers to the cause of representative democracy. Check out TWM’s Guide:

Benefits of the Movie Possible Problems Parenting Points Selected Awards & Cast Helpful Background

Using the Movie in the Classroom Discussion Questions Social-Emotional Learning Moral-Ethical Emphasis

Assignments and Projects CCSS Anchor Standards Links to the Internet Bibliography

MOVIE WORKSHEETS & STUDENT HANDOUTS

TWM offers the following worksheets to keep students’ minds on the movie and direct them to the lessons that can be learned from the film.

Film Study Worksheet for a Work of Historical Fiction and

Worksheet for Cinematic and Theatrical Elements and Their Effects .

Teachers can modify the movie worksheets to fit the needs of each class. See also TWM’s Historical Fiction in Film Cross-Curricular Homework Project .

DESCRIPTION

From the 1930s to the advent of the digital computer in the early 1960s, several hundred female “human computers” were hired by the federal government. Their task was to calculate numbers and to solve the equations necessary for new generations of airplanes, the first American rockets, and the first U.S. manned space flights. They worked with pen, paper, and analog calculating machines. The need for these workers was so great that even in those days of rampant racial discrimination, black women were hired as well as whites. The human computers reported to the Langley Research Center in Hampton, Virginia, operated by the National Advisory Committee on Aeronautics (NACA) and its successor, the National Aeronautics and Space Administration (NASA).

“Hidden Figures” is the story of three black women who made important contributions to the U.S. Space program both before and after the “human computers” were replaced by digital computers. The three real-life heroines of the movie are:

• Dorothy Vaughan, who supervises the “colored computers.” She sees that digital computers are the wave of the future and learns the prototype programming language FORTRAN, orients herself to a room-sized IBM computer, and encourages the women in her section to do the same.
• Katherine Goble Johnson, a gifted mathematician, performs essential calculations and makes important theoretical contributions for determining the trajectories and orbits of America’s first satellites and manned space missions. Backing up a digital computer’s early efforts, she confirms final calculations for John Glenn’s history-making orbit of the Earth.
• Mary Jackson takes on Virginia’s stridently segregationist education system to attain the graduate qualifications that allow her to become NASA’s first female African-American engineer.

The women face entrenched racist and sexist attitudes. However, their persistence and outstanding work boost the U.S. presence in space and blaze a path forward for achievement based on merit. The movie closely follows Margot Shetterly’s meticulously researched, award-winning, 2016 historical work of the same name.  The validity of the film is confirmed by Katherine Johnson’s posthumously published memoir, My Remarkable Journey, at page 7, in which she states, that, “75% of what was shown in the movie is accurate,”

SELECTED AWARDS & CAST

Selected Awards:  2017 Academy Awards Nominations: Best Picture; Best Performance by an Actress in a Supporting Role (Octavia Spencer); Best Adapted Screenplay; 2017 Golden Globe Nominations: Best Performance by an Actress in a Supporting Role in a Motion Picture (Octavia Spencer); Best Original Score – Motion Picture; 2017 Screen Actors Guild Awards: Outstanding Performance by a Cast in a Motion Picture.

Featured Actors:  Taraji P. Henson as Katherine G. Johnson; Octavia Spencer as Dorothy Vaughan; Janelle Monáe as Mary Jackson; Kevin Costner as Al Harrison; Kirsten Dunst as Vivian Mitchell; Jim Parsons as Paul Stafford; Mahershala Ali as Colonel Jim Johnson; Aldis Hodge as Levi Jackson; Glen Powell as John Glenn; Kimberly Quinn as Ruth; Olek Krupa as Karl Zielinski; Kurt Krause as Sam Turner; Ken Strunk as Jim Webb.

Director:  Theodore Melfi

BENEFITS OF THE MOVIE

“Hidden Figures” is well-crafted historical fiction that is inspirational for everyone, especially for girls and students of color.  It tells a story that was “never hidden, but unseen.” The Mses. Vaughan, Johnson, and Jackson are outstanding role models for young people trying to break through barriers of prejudice and glass ceilings in employment. Additionally, the film provides a historical link to today’s STEM and STEAM initiatives in schools and can encourage students to seek out programs that will reinforce their skills and lead to careers in science and technical fields. The movie provides excellent opportunities for class discussion and assignments.  [The quotation “never hidden, but unseen” is from Hidden to Modern Figures: Frequently Asked Questions , a NASA website, accessed April 24, 2017.]

Students will be introduced to: (1) a fascinating episode in American history; (2) the struggles of black women to reach racial and  gender parity in the workplace; (3) the accomplishments of black women in technical fields and their contributions to America’s efforts in aeronautics and the space race of the second half of the 20th century; (4) the disruptive influence of WWII and the Cold War on sexist employment practices and racial discrimination; and (5) a few of the despicable aspects of Jim Crow.

POSSIBLE PROBLEMS

Parenting points.

Watch the film with your children and tell them that the three leading actresses in the movie portray women who actually worked at NASA and that the film gives us a good idea of their experiences. Also, be sure to put the film into perspective. Hidden Figures doesn’t show the millions of people denied jobs due only to the color of their skin.   It doesn’t show the full extent of the humiliation endured by black citizens of the United States living in the South during the “Jim Crow” era, the late 1800s through to the 1960s. During that time African Americans were humiliated on a daily basis and denied access to public facilities.  In addition, they suffered from discrimination in education, employment and housing.  At times they were beaten and lynched.

Beginning  with small steps in the 1940s (President Roosevelt’s executive orders requiring the hiring of some African Americans in defense industries) and gaining strength each year with the Civil Rights Movement, the United States has developed a growing tradition of inclusion and equal opportunity for minority citizens that runs counter to the shameful tradition of racism. (As of January 2022 millions of African Americans have good jobs and have entered the middle-class. We have elected a black President, twice. There have been two black Secretaries of State and a black man heads the Department of Defense.)   The work of well-intentioned Americans is to continue to bend the  moral arc of the Universe toward reaching the ideals of the the Declaration of Independence.

HELPFUL BACKGROUND

Dorothy Vaughan

Katherine Johnson

Mary Jackson

The US National Advisory Committee on Aeronautics (NACA) was the forerunner of NASA, the National Aeronautics and Space Administration.

NACA was established in 1917, at the end of the First World War, on the grounds of Langley Air Force Base in Hampton, Virginia. It was part of the effort to develop America’s fledgling aeronautical sector. In the mid-1930s, Langley began hiring female, or “girl,” mathematicians to compute solutions to equations using pen, paper, and analog adding machines.  The women were called “computers.”

By the 1930s it was clear to American leaders that crucial battles in the next war would be fought in the air. It was therefore essential to transform America’s unimpressive aircraft arsenal into a powerful aerial armada. This opened the door a crack for women at Langley. During WWII, in the 1940s, when many of the men were sent to soldier in Europe and the Pacific, the need for manpower to fuel the American war materiel machine became a need for woman power as well. Thus, the door for women to serve in technical fields opened a little further.

Melvin Butler, the man responsible for filling the burgeoning job positions at Langley, devised recruitment tools designed to appeal to housewives looking for a different kind of work.   His advertisements exhorted them to,  “Reduce your household duties . . . .”  He issued a challenge, citing the need for “women who are not afraid to roll up their sleeves . . . .” Shetterly, p. 5.

While increasing numbers of women were being integrated into the workforce, another social change was underway. In 1941, as American industry geared up to produce the weapons to fight WWII, a group of civil rights activists led by A. Philip Randolph, head of the union for black male porters, men who worked as sleeping car attendants on America’s railroads.  Mr. Randolph and others formed the “March on Washington Movement.” They demanded that President Roosevelt end racial discrimination in hiring for the defense industry and threatened a massive march on Washington, D.C., to protest racial segregation in employment and in the military. Randolph is credited with forcing FDR to issue Executive Order 8802 which prohibited racial discrimination in hiring for national defense industries and established the Fair Employment Practices Commission (FEPC). While Executive Order 8802 didn’t end discrimination against African Americans in defense industries, it did lead to some job gains for black workers.

In 1943, employment applications began arriving at Langley from black women. For example, Dorothy Vaughan, one of the three main characters in the film, came to NASA when she saw a federal civil service bulletin intended to recruit white women. Even though there was still discrimination against “Negroes,” the relentless Mr. Butler began hiring well-qualified black women to work as human computers. He got around the scandalous implications of racial equality by setting up a segregated work area for the smaller number of “colored” computers. It was called West Computing because it was located in a building at Langley’s western end. White females worked at East Computing.  Shetterly, p. 8.

Propelled by the Civil Rights Movement, opportunities for blacks to work in the aeronautics and space industries opened up a little more during the 1950s and 1960s. Spurred by Soviet Russia’s Sputnik, the first man-made object to orbit the earth, the U. S. recognized the need to provide technical and scientific training to students and to move them into positions that could benefit America’s reach for the heavens. The administration of President Dwight D. Eisenhower responded by increasing the resources that went into scientific research and training. Additionally, U. S. leaders were engaged in selling the American way of life to non-aligned nations during the Cold War. They worried that Jim Crow segregation and the second-class citizen status of American “Negroes” would not play well in the court of international opinion. Shetterly, p. 104.

Jim Crow Laws and Customs

In the American South after the Civil War and Reconstruction, the white power structure (formerly the slave-owning class) reasserted itself and imposed a racist system through “Jim Crow” laws and customs. These were designed to denigrate and suppress African Americans. One of the pillars of Jim Crow was separate sanitary facilities. Restrooms and drinking fountains were designated “White Only” or “Colored.” There were many fewer restrooms and drinking fountains for blacks than there were for whites. Every day in cities, towns, and villages across the South, African Americans faced personal emergencies when the only restroom available —  for what could quickly become an urgent need — was forbidden territory. A black person in that situation had to find some alternative or run the substantial risk of arrest or a beating for using a “White Only” restroom. This disgraceful practice is treated semi-humorously in the film — cinematically, there was no other way to present it. However, the unavailability of restrooms was no laughing matter for African Americans who had to live under Jim Crow.

(The white husband of this writer was once detained, at age 15, by police for defacing a “White Only” sign on a laundromat in Tallahassee, Florida.  It was Halloween night in 1963. Hard at work on his task, he heard a sound behind him, looked over his shoulder, and saw a police cruiser come to a stop.   He was released after a few hours on the condition that he clean up the sign. An African-American teenager would probably not have been treated in such a lenient fashion.)

Ms. Shetterly’s book describes the proliferation of black middle-class neighborhoods around the Langley campus in the middle of the 20th Century. Despite economic and professional gains by African Americans since that time, segregation in housing hasn’t changed much.

… Brown University’s US2010 Project [has shown that] in 1940, the average black lived in a neighborhood that was 40 percent white. In 1950 it fell to 35 percent — where it remains today. This average, of course, aggregates data from many neighborhoods where blacks have virtually no exposure to whites, and others where integration is advanced. Nonetheless, by this measure there has been no progress in reducing segregation [in housing] for the last 60 years.   Commentary by Richard Rothstein for the Economic Policy Institute,  February 3, 2012, accessed on January 9, 2022.

The Impact of the Black Press and the “Double V” Campaign

African-American newspapers, journals, and magazines of the 1940s and 1950s were inspiring and influential in the segregated lives of America’s black citizens. They contributed to initiatives to integrate society and achieve economic and social justice. In WWII these publications promoted the “Double V Campaign:” Victory overseas in the war and victory over discrimination at home. This campaign intentionally echoed the concept of the double consciousness of blacks in a racist society, articulated by the African-American intellectual W. E. B. Du Bois, and analyzed in his signature book, The Souls of Black Folk . Dubois wrote that blacks faced a nearly impossible task in constructing internally positive personal identities because they were forced to act in ways that were acceptable to an oppressive white society. To do this they had to see themselves through its eyes: devalued and negatively stereotyped. Shetterly, p. 33. This psychological conundrum confronts every oppressed group.

Euler’s Method

Euler’s Method, employed by Katherine Johnson in her breakthrough calculations for John Glenn’s Friendship Seven orbit, was devised in the 18th century.  The idea behind Euler’s Method is to approximate a curve using the concept of local linearity to join multiple small line segments of the curve. Mathscoop.com. The method was one of many mathematical innovations developed by Leonhard Euler of Switzerland, one of the great mathematicians of his time. Euler lived from 1707 to 1783, dying just seven years after the U.S. declared independence from Great Britain.

USING THE MOVIE IN THE CLASSROOM

Unless the class has already studied American history of the 20th century, set the scene before for showing the film with direct instruction covering the following points:

This movie takes place during the Cold War with the Soviet Union, 1947 – 1991. From the end of WWII until 1957 most Americans thought the U.S. was the technological leader of the world. Then, on October 4, 1957, the Russians launched Sputnik, the first man-made object to orbit the earth. Sputnik was followed by additional Russian successes in space: the first animal in orbit (1957, the dog Laika); the first animals and plants returned alive from space (1961); the first human in orbit (1961) etc. From 1957 to 1961 the Russians led the space race as the early U.S. space program was plagued by failures. People all over the world looked up at the sky and wondered at the Russian achievement.  Americans of all races, classes, and backgrounds were united in their desire for the United States to put a man into orbit and bring him home safely, as soon as possible.

At the same time, in the late 1950s and early 1960s, the Civil Rights movement was gathering force. However, most of the Southern U.S., including Virginia, was still in the grip of laws and customs designed to denigrate and oppress African Americans. These were referred to as “Jim Crow.” In addition, black people and women of all races suffered from discrimination in employment.

In the early 1960s, electronic computers were in their infancy. The people designing airplanes and rockets used analog adding machines. An ingenious analog device called a slide rule assisted engineers and scientists with multiplication, division, and finding exponents, roots, and logarithms.

After Watching the Movie

Tell the class that the movie, “Hidden Figures,” does not claim to describe the full effects of racism or the broad scope of the Civil Rights movement. It shows an episode in the ongoing process of eliminating discrimination against blacks and women in employment in the U.S.

After watching the film, students will be interested in reading the Helpful Background section. Click here for a version in Microsoft Word, suitable to be printed and distributed to the class. Teachers should feel free to modify or add to the handout as may be appropriate for their classes.

What is Real, What is Dramatic License, and a Few Interesting Anecdotes

Katherine Johnson estimates that the film is 75% accurate.  My Remarkable Journey, p. 7.  The author of the book, Hidden Figures , Margot Shetterly, estimates that she has identified almost 50 black women who were working at Langley as computers, mathematicians, engineers, and researchers. She surmises that about “70 more can be shaken loose.” Approximately 400 white women were working in the same capacity.

Katherine Johnson and Mary Jackson worked for Dorothy Vaughan in West Computing, but the three were not close friends.

The character of Al Harrison, Katherine Johnson’s boss at the Space Task Group, is a composite. NASA says he is largely based on Robert C. Gilruth, who became the director of the Space Task Group in 1958. Shetterly nominates engineer John Stack as the model for Harrison.

Fly-by-wire navigation (FBW), in which the trajectory of the flight is controlled by computer and not by the pilot, began with the Mercury mission. In 1962 FBW wasn’t as reliable as it is today. The early astronauts, who were all former test pilots, hated FBW and lobbied hard for back-up manual controls. As they said, they didn’t want to be “spam in a can.” In fact, the manual controls saved the life of at least one astronaut. For a description of the struggle between the astronauts and the engineers over FBW.  See Learning Guide to The Right Stuff .

John Glenn really did request that Katherine Johnson double check the computer calculations. Glenn said, “. . . [G]et the girl. . . . If she says the numbers are good, then I’m ready to go.” NASA Biography of Catherine Johnson, accessed April 22, 2017 . Ms. Johnson did the computations in the days leading up to the launch, not when Glenn was about to climb into the spacecraft and blast off.  My Remarkable Journey, pp. 160 & 161.

The characters who exhibit the most adherence to Jim Crow attitudes, the initially hostile police officer, the condescending white engineer in the Space Task Group, Paul Stafford, and Mrs. Mitchell, the white supervisor, all change their behavior. The policeman escorts the three protagonists to work. Mrs. Mitchell indicates her growing respect for Dorothy by addressing her as “Mrs. Vaughan” at the film’s end. And Paul Stafford reverses his resistance to Katherine’s presence and status, bringing her a cup of coffee. Coffee serves as a symbol for acceptance onto the NASA team.

Mrs. Mitchell’s real-life counterpart was Margery Hannah, who behaved differently than the character in the film. She “went out of her way to treat the West Area women as equals, and had even invited some of them to work-related social affairs at her apartment.” Shetterly p. 47.

It was actually Mary Jackson who lost her cool about the segregated bathrooms. Dorothy Vaughan had sent her on a special assignment to East Computing. Mary “blew her top” to wind tunnel engineer Kazimierz “Kaz” Czarnecki (Karl Zielinski in the movie) about the egregious situation. He listened, then invited her to come work for him. He became her mentor, and she eventually organized his retirement party. Shetterly, p. 254.  Katherine Johnson did not have experiences of having to walk long distances to find a “Colored Women” bathroom, but other “colored computers”  did.  My Remarkable Journey, p. 7.  The filmmakers scripted the scenes of Katherine Johnson racing across the campus and her (Mary Jackson’s) explosion to demonstrate what other black women had to endure.

The seating at the cafeteria at Langley was segregated. A West Computer named Miriam Mann found the “Colored Computers” table sign to be especially loathsome. She would periodically remove it, and it would reappear on the table some days later. Eventually, it wasn’t replaced. Shetterly, p. 44. This could have been the inspiration for Katherine’s humiliating coffee pot encounters which she does not recount in her memoir.

Dorothy’s visit to the segregated library with her children depicts another obstacle to equality in the Jim Crow South. Separate and unequal schools were not the only barriers to learning and advancement that confronted African Americans. The photo below tells it all.

In her personalized trailer for “Hidden Figures,” actress Octavia Spencer (“Dorothy Vaughan”) regrets that the number of women in math and computing has recently declined: “….[W]omen today hold only about a quarter of U.S. computing and mathematical jobs – a fraction that has actually fallen slightly over the past 15 years, even as women have made big strides in other fields.” Why Is Silicon Valley So Awful to Women? by Liza Mundy, The Atlantic, April 2017.

DISCUSSION QUESTIONS

1. Who or what is the antagonist in this story? What defeats the antagonist? Explain whether or not you believe that this shows a process that works in reality.

Suggested Response:

Racism (or “Jim Crow”) is the antagonist. This is what the heroines must overcome. The whites who show racist tendencies change by the end of the film when they come to understand that their African-American coworkers are valuable parts of the team. Racism is defeated by the need to get into space and by the courage of the “Colored” computers in challenging barriers to try to help the NASA team. This displays a process that has worked and continues to work at NASA, in the U.S. military, in business, in sports, and in many other areas. People working together for a common goal can lead to the end of prejudice. The question that whites in this film must answer is whether their racial prejudice is more important to them than getting a man into orbit. An example of team spirit triumphing over racial prejudice in sports is described in the movie Remember the Titans .

2. What or who are the “Hidden Figures” referred to in the title to this movie?

Shetterly cites two possibilities in her book Hidden Figures : One is the women, and especially the black women, whose contributions to America’s space effort went largely unrecognized until the movie was released. Another possibility is that the “Hidden Figures” are the mathematical figures that had to be uncovered in calculating trajectories and orbits for the astronauts.

3. Does this movie paint an accurate picture of racism in the Southern United States under Jim Crow? [or] What are some of the things about racism in the Southern U.S. under Jim Crow that this movie doesn’t show?

It’s not that the film is inaccurate, it’s simply that the story of the three black ladies who found jobs at NASA doesn’t lend itself to showing most of the terrible things that racists in the Southern U.S.  did to black people: the daily humiliation, the beatings, the lynchings, etc.  The movie doesn’t tell the story of the millions of people denied education and jobs because of the color of their skin.

4. What role does the scene with the policeman and the three protagonists play in the story? What does this tell you about the position of the black women in Virginia society in the late 1950s?

This scene foreshadows what happens in the film in terms of the attitude of many whites at NASA toward the black women with whom they work. It also serves as a reminder of the ever-present threat of force against black Americans inherent in Jim Crow, which continues to a lesser extent to this day.

5.   [This question should be preceded by Question #1.] One view of human relations is that in our lives we are associated with different groups, called “tribes” in this formulation.   There are involuntary tribes that we are born into, like families, clans, and countries. Then there are the tribes of affiliation which we join out of interest and belief.   For example, Katherine Johnson could be said to belong to the following “tribes of affiliation:”  mathematicians, the human computers, the NASA Space Task Group, mothers,  church members, basket ball fans, etc.   Analyze the conflict in this film in terms of this view of human relations.

Racism broke down because the voluntary “tribe” of the NASA workforce became more important than the societally assigned “tribe” of race.  The concept of race and racial differences is a societal construct.  To give an example, many people who are identified as African American have as many white ancestors as they do black ancestors.  That means that many of their genes are, in fact, caucasian.    So, why are they not classified that way?

Note: It’s a great exercise to ask students to identify the tribes to which they belong, both those assigned by tradition and society and those assumed voluntarily. Which are the most important?

6. Three characters in the film exhibit racist tendencies. Identify one of them, describe how their racism is shown, and what happens to their attitudes through the course of the film.

The characters who exhibit the most adherence to Jim Crow attitudes are the police officer shown at the beginning of the movie; Mrs. Mitchell, the Female Computers’ white supervisor, and Paul Stafford, the condescending white engineer in the Space Task Group. By the end of the film, each changes their attitudes: the policeman escorts the three protagonists to work; Mrs. Mitchell indicates her growing respect for Dorothy by addressing her as “Mrs. Vaughan,” and Paul Stafford reverses his resistance to Katherine’s presence and status, bringing her a cup of coffee.

7. Coffee serves as a symbol in this movie. What does it symbolize?

Professional respect and acceptance as a member of the NASA team.

8. What is the role of the romance between Katherine Johnson and the Army officer that she married in the story?

It shows that feminism is not just work related and that a man with the strength of character can appreciate and love a strong woman if he abandons stereotyped ways of viewing women.  It is also an accurate portrayal of Mrs. Johnson’s second marriage and her second husband, Colonel Jim Johnson.  My Remarkable Journey,  pp. 140, 141, 207, 214 – 216.

HUMAN RIGHTS

See Discussion Questions numbered 1, 3, 4, 5, and 6.

1. Describe three acts of courage by the heroines in the film. Why are these actions particularly courageous?

There are several possibilities: Dorothy Vaughan: repeatedly asking to be promoted to the position of supervisor and walking into the computer room to work with the new machine; Katherine Johnson: entering the Space Task Group; and Mary Jackson: bringing her case to court and speaking up to the judge. These actions were particularly courageous because they required challenging the color bar, something that had been enforced in the South for four centuries through intimidation and violence. (For an example, see the picture above of the police forcibly removing a black woman from a library.)

MORAL-ETHICAL EMPHASIS (CHARACTER COUNTS)

(Treat others with respect; follow the Golden Rule; Be tolerant of differences; Use good manners, not bad language; Be considerate of the feelings of others; Don’t threaten, hit or hurt anyone; Deal peacefully with anger, insults, and disagreements)

1. What is the basic moral failing of racism?

There are many valid responses. Examples include racists do not treat others with respect; they do not follow the Golden Rule, and they are not tolerant of differences.

ASSIGNMENTS, PROJECTS & ACTIVITIES

Each of the discussion questions can serve as quick write or essay prompts.

1. The following are research topics for essays by students. Length of essay and extent of research depend upon the capabilities of the class.

• Describe the origin and history of Jim Crow.
• Define  the terms”de facto” and “de jure” and describe how they relate to Jim Crow.
• Compare and contrast racial discrimination in the North and in the South during the period 1950 – 1965.  Use at least three sets of comparisons.  Provide citations to newspaper articles, books, or pages on the Internet that show the particular incidents.
• Describe the changes in American attitudes towards race and racism (both North and South) from before Brown v. Board of Education and the Montgomery Bus Boycott (1954) to Selma and the passage of the Voting Rights Act (1964).
• For students who live in the Southeastern United States, describe the history of Jim Crow laws or customs in your state/city.

[There is no correct answer to the the questions posed by the next two essay prompts.  Students should be informed that any response that (a) is based on core Western values, as expressed in the Declaration of Independence, (2) comports with the Golden Rule, and (3) uses logical analysis, will be acceptable.]

2. Write an essay evaluating whether the U.S. should pay reparations to its African-American citizens in light of the following:

National Book Award winner Ta-Nehisi Coates has written that the practice of “redlining,” or denying mortgage and financial services to blacks, has prevented the intergenerational transfer of wealth in families that is a mainstay of middle-class financial security in the U.S. The Case for Reparations — Two hundred fifty years of slavery. Ninety years of Jim Crow. Sixty years of separate but equal.Thirty-five years of racist housing policy. Until we reckon with our compounding moral debts, America will never be whole by Ta-Nehisi Coates, The Atlantic, June 2014 Issue .

3. Some people feel that ethnic or racially segregated neighborhoods afford groups of people a sense of belonging and an opportunity to “be themselves” and feel at home. Others believe that racially segregated neighborhoods are not only illegal but un-American. Write an essay answering the following question, “When do neighborhoods that are divided along racial or ethnic lines become ghettos?”

4. Research and present information on the STEM or STEAM program at your school. Describe any outreach efforts to enroll students of color or girls in these programs.

5. Research and present information on courses of study in engineering, computer programming, mathematics, or robotics at three of your top choice colleges/universities.

6. Write a persuasive job notice intended to recruit female students and students of color to the fields of math, computing, and sciences.

7. Conduct interviews (in person or via video conference) with math/science/engineering professionals of color/female professors about their career paths and the obstacles they have had to overcome.

CCSS ANCHOR STANDARDS

Multimedia:

Anchor Standard #7 for Reading (for both ELA classes and for History/Social Studies, Science, and Technical Classes). (The three Anchor Standards read: “Integrate and evaluate content presented in diverse media, including visually and quantitatively as well as in words.”) CCSS pp. 35 & 60. See also Anchor Standard # 2 for ELA Speaking and Listening, CCSS pg. 48.

Anchor Standards #s 1, 2, 7 and 8 for Reading and related standards (for both ELA classes and for History/Social Studies, Science, and Technical Classes). CCSS pp. 35 & 60.

Anchor Standards #s 1 – 5 and 7- 10 for Writing and related standards (for both ELA classes and for History/Social Studies, Science, and Technical Classes). CCSS pp. 41 & 63.

Speaking and Listening:

Anchor Standards #s 1 – 3 (for ELA classes). CCSS pg. 48.

Not all assignments reach all Anchor Standards. Teachers are encouraged to review the specific standards to make sure that over the term all standards are met.

LINKS TO THE INTERNET

• ‘Hidden Figures’: ‘The Right Stuff’ vs. Real Stuff in New Film About NASA History by Robert Z. Pearlman, collectSPACE.com Editor; 12/27/16;
• The True Story of “Hidden Figures,” the Forgotten Women Who Helped Win the Space Race By Maya Wei-Haas smithsonian.com
• The Human Computer Project ;
• NASA Article on Katherine Johnson ;
• NASA Biography for Mary Jackson ;
• NASA Biography for Katherine Johnson ;
• NASA Biography for Dorothy Vaughan ;
• FDR, A. Philip Randolph and the Desegregation of the Defense Industries A lesson plan from the White House Historical Association;
• 1941 – Plans for a March on Washington form the Franklin D. Roosevelt Presidential Library; and
• Article on Johann Euler from the History of Mathematics web site.

BIBLIOGRAPHY

In addition to websites which may be linked in the Guide and selected film reviews listed on the Movie Review Query Engine , the following resources were consulted in the preparation of this Learning Guide:

• Shetterly, Margot Lee, Hidden Figures , New York, William Morrow, 2016; and
• Johnson, Katherine with Joyce Hylick and Katherine Moore, My Remarkable Journey, A Memoire, Amistad, 2021.

This Learning Guide was written by Deborah Elliott and was published on May 9, 2017.   It was revised with the assistance of James A. Frieden and republished on January 10,  2022.

LEARNING GUIDE MENU:

Benefits of the Movie Possible Problems Parenting Points Selected Awards & Cast Helpful Background Using the Movie in the Classroom Discussion Questions Social-Emotional Learning Moral-Ethical Emphasis Assignments and Projects CCSS Anchor Standards Links to the Internet Bibliography

MOVIE WORKSHEETS:

RANDALL KENNEDY, Professor, Harvard Law School on the two alternative traditions relating to racism in America:

“I say that the best way to address this issue is to address it forthrightly, and straightforwardly, and embrace the complicated history and the complicated presence of America. On the one hand, that’s right, slavery, and segregation, and racism, and white supremacy is deeply entrenched in America. At the same time, there has been a tremendous alternative tradition, a tradition against slavery, a tradition against segregation, a tradition against racism.

I mean, after all in the past 25 years, the United States of America has seen an African-American presence. As we speak, there is an African-American vice president. As we speak, there’s an African- American who is in charge of the Department of Defense. So we have a complicated situation. And I think the best way of addressing our race question is to just be straightforward, and be clear, and embrace the tensions, the contradictions, the complexities of race in American life. I think we need actually a new vocabulary.

So many of the terms we use, we use these terms over and over, starting with racism, structural racism, critical race theory. These words actually have been weaponized. They are vehicles for propaganda. I think we would be better off if we were more concrete, we talked about real problems, and we actually used a language that got us away from these overused terms that actually don’t mean that much.   From Fahreed Zakaria, Global Public Square, CNN, December 26, 2021

Give your students new perspectives on race relations, on the history of the American Revolution, and on the contribution of the Founding Fathers to the cause of representative democracy. Check out TWM’s Guide: TWO CONTRASTING TRADITIONS RELATING TO RACISM IN AMERICA and a Tragic Irony of the American Revolution: the Sacrifice of Freedom for the African-American Slaves on the Altar of Representative Democracy.

QUICK FACT:

Today’s, cell phones have more computing power than entire rooms of the digital computers of the 1950s and 1960s.

The increases in funding for the sciences that followed Russia’s launch of Sputnik in 1957 were felt in many areas of science. This writer’s father-in-law was a poorly paid professor of biochemistry in the early 1950s. After Sputnik in 1957, his pay and status “skyrocketed” along with those of other scientists in academia.

Have your students read 1.5 pages on what Katherine Johnson wrote about her family’s commitment to education and their personal response to the Dred Scott decision of 1857. Click here for the reading in Word format.

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'Monkey Man' review: Underestimate Dev Patel at your own peril after this action movie

In his directorial debut “Monkey Man,” Dev Patel gifts action-movie fans with a multilayered, hyperviolent narrative. Sure, he pulls off a deep dive into Indian mythology, yet he's pretty darn good at attacking goons with fireworks, platform shoes and all manner of sharp objects too.

More “Rocky” than “John Wick,” the gritty and gory revenge thriller (★★★ out of four; rated R; in theaters Friday) is a love letter to his two-fisted influences, from Bruce Lee movies to Asian cult flicks like “Oldboy” and “The Raid.” But the underdog story, produced by Jordan Peele, also shows a bunch of new sides to Patel, who knuckles up as a legit action star and a guy who can make a movie that’s totally cool, occasionally amusing and impressively thoughtful.

'Monkey Man': Dev Patel got physical for his new movie, and he has the broken bones to prove it

Patel also co-wrote the screenplay, a modern take on the mythos of the Hindu monkey god Hanuman. Kid (Patel) competes in an underground Indian fight club, though his job is mainly to take a bloody beating while wearing a monkey mask and hope his colorful boss Tiger (Sharlto Copley) doesn’t stiff him on pay.

At the same time, our hero is also haunted by the murder of his mom and a traumatic childhood, which fuels Kid’s mission of vengeance to take down those responsible. He gets a chance to infiltrate a repressive political system by working in a high-end brothel and starts causing problems for power players including a narcissistic, no-good celebrity guru (Makarand Deshpande) and a corrupt police chief (Sikander Kher).

With the holiday of Diwali on the way, as well as an important election, they don’t need someone like Kid messing things up. He becomes a wanted man and ends up left for dead in the street, where he’s found by a tribe of trans women who like Kid have been marginalized. Their leader Alpha (Vipin Sharma) nurses him back to health yet also imparts a key lesson: Instead of enduring pain and suffering as his primary existence, Kid needs a purpose in life.

While the piecemeal rollout of Kid’s backstory and bits of the Hanuman tale muddy the plot at first, “Monkey Man” swings into a groove when the main character is at his lowest point. Kid gets himself (and the movie) into gear in a lively montage where he uses a bag of wheat for punching practice as Alpha offers up a nifty percussion accompaniment. (It’s the next best thing to Survivor songs psyching up Rocky Balboa back in the day.)

Thusly inspired and trained, Kid goes on a righteous rampage and literally fights his way to the top floor of the villainous big boss. Patel can craft a mean action sequence, whether between ring ropes as masked men duke it out for crowds, a speedy car chase involving a tuk-tuk named after Nicki Minaj, or Kid kicking, stabbing and brawling his way through hordes of bad guys. As the guy at the center of these battles, the Oscar-nominated Patel ("Lion") never seems or looks out of place, even borrowing Keanu Reeves’ fashionable panache when it comes to gnarly combat couture.

The fact that “Monkey Man” includes social-cultural context, as something meaty to chew on rather than a throwaway thematic thread, is the cherry on top of Patel’s bloody sundae. He’s managed to craft a rare action movie that makes you think and also will joyfully plunge a metal rod into a dude’s brain.

Review: Kinetic ‘Monkey Man’ announces a bold new action director, one you already know

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Dev Patel’s got something to say, but he’s going to let his fists do the talking. With his directorial debut, the wild revenge movie “Monkey Man,” the Oscar-nominated actor makes a bold statement with this one-two punch of a film that asserts himself as both an action star and a promising new genre voice.

Having achieved his fame in more serious dramas like “Slumdog Millionaire” and “Lion,” Patel’s passion project is a big swing, and a big swerve for the actor. Luckily, it connects, landing with a satisfyingly bone-crunching intensity. And if this is intended as Patel’s calling card, he leaves the whole damn deck on the table.

“Monkey Man” is a love letter to East Asian martial arts movies and to Indian folklore and culture. The monkey in question is both Hanuman, the Hindu god of wisdom, courage and devotion, and the face of the dingy rubber mask that the “Kid” (Patel) dons for his lopsided underground boxing matches, which are announced by a delightfully slimy Sharlto Copley .

This is a revenge picture, so the Kid, who sometimes goes by the alias Bobby, must get his payback, driven by fiery blood-soaked memories and the sound of his mother whispering Hanuman’s legend in his ear. He wheedles his way into the kitchen of Kings, an upscale restaurant, and then alongside the in-house drug dealer, Alphonso (Bollywood star Pitobash), upstairs in the VIP club where corrupt cops and powerful politicians party with a harem of international escorts.

The Kid wants to get close to Chief Rana (Sikander Kher), a cruel police officer whose bloodied knuckles haunt his nightmares. But Rana is only part of the food chain of money and power in this unnamed city — there are far bigger predators to fight if he does manage to send murderous greetings from his dead mother.

This Kid’s got potential but he’s not quite finished yet and Patel turns “Monkey Man” into his coming-of-age story, mapping the fight scenes in tandem with his growth as a warrior. That’s part of what makes Patel’s direction of the film so fascinating — the action sequences at the end of the movie are so much slicker than the hectic, chaotic brawls in the first half, because the Kid is so much more skilled and confident. The style of the film evolves with our hero.

Working with cinematographer Sharone Meir (who most recently collaborated with the legendary John Woo on “Silent Night” ), Patel favors lengthy takes in which the camera follows bodies in motion closely, looking up to catch a hit and then down to see the result. These shots get smoother as the film progresses and the climactic showdown in the VIP bar is a gorgeously fluid set piece, soundtracked to the churning guitars of Indian folk-metal band Bloodywood. Rhythm and musicality is a huge part of Patel’s action style, and he utilizes it for effects that are both comedic and sublime, such as in a training montage featuring the renowned tabla virtuoso Zakir Hussain .

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Patel also intersperses blink-and-you’ll-miss-them POV shots, further aligning us with the Kid’s experience and adding to the dizzying, hallucinatory effect of some of these fights. Every frame is wild and colorful, with lots of needle drops and an energy that is sometimes unwieldy. He dispenses with any restraint in “Monkey Man,” a film saturated with texture, music, spirituality and violence.

The screenplay, by Patel, Paul Angunawela and John Collee, is a bit formulaic and even hackneyed at times. The story is political but also politically muddled, imparting a vague warning about the hazards of worshiping false idols. Patel’s plot relies on sexual aggression toward women as a moral cheat sheet while also using the same exploitation as a cheeky visual backdrop — a trope that can often be a trap. “Monkey Man” is far more successful at exploring sexuality in the genre via a group of transgender women who teach the Kid how to harness his pain into power, led by an incredibly compelling Vipin Sharma as the wise Alpha.

But formula also serves Patel well, allowing him to experiment and present himself in a new way to audiences. With “Monkey Man,” Patel manages to pull it off and then some, signaling the arrival of an authentic filmmaker, effectively following a similar trajectory of one of the film’s producers, Jordan Peele , who made a similar statement with “Get Out.” Patel did it his way, forged his own path and we’ll never look at him in the same light again — and that’s a good thing.

Katie Walsh is a Tribune News Service film critic.

'Monkey Man'

In English and Hindi with English subtitles Rating: R, for strong bloody violence throughout, language throughout, sexual content/nudity and drug use Running time: 2 hours, 2 minutes Playing: In wide release Friday, April 5

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‘The Beast’ Review: Master of Puppets

Bertrand Bonello’s latest film, starring Léa Seydoux and George MacKay as lovers in three different eras, is an audacious sci-fi romance.

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By Beatrice Loayza

Bertrand Bonello’s “The Beast” is an audacious interdimensional romance, techno-thriller and Los Angeles noir rolled up in one. This shamelessly ambitious epic is about, among other things, civilizational collapse and existential retribution, yet it is held together by something delicate.

The prologue shows a green-screen shoot in which Gabrielle (Léa Seydoux) takes directions from a presence off camera and, with expert professionalism, braces herself to confront an imaginary monster. The effect is uncanny, wryly funny, weirdly sensual and very sad. Bonello sustains this unsettling tone throughout the film, although the individual parts are less consistent. This is the toll of shifting time periods, from a costume drama to a modern mockery of incel culture.

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With computer-generated imagery, any opponent — and any era — can materialize in the background. What does this mean for actors? The feeling that great forces move us like puppets runs through Bonello’s genre-bending work (in his 2017 film, “ Nocturama ,” a gang of teenage terrorists hide in a shopping mall and see themselves reflected in the consumerist sprawl).

“The Beast” follows Gabrielle and Louis (George MacKay), who are lovers, in three incarnations, through three timelines: Paris circa 1910, when the city flooded; Los Angeles in the 2010s; and Paris in 2044, a near-future in which artificial intelligence has almost overtaken the work force.

In 2044, Gabrielle is struggling to get a job. A disembodied voice at an eerily vacant employment agency tells her that her emotions make her unsuited to work, and a purification process that scrubs people of their pesky feelings is recommended. “All of them?” Gabrielle asks nervously. She is a pianist and an actor in earlier timelines, so she values her capacity to be moved and react authentically.

Gabrielle opts for a less intrusive process, envisioned as a bath in black goo and a needle prick in the ear, which involves scanning her past lives to reckon with the source of her sorrows.

Bonello was loosely inspired by “The Beast in the Jungle,” a Henry James novella about a man who is convinced his life will be defined by tragedy. The film’s early, belle epoque strand veers closest to this drama, with Gabrielle and Louis in an unconsummated affair, engaging in breathy conversations inflected with philosophy. In Los Angeles, Gabrielle is house-sitting in a glass mansion; Louis, an incel modeled after Elliot Rodger , fixates on her.

The Los Angeles section has the vibe of a surveillance-style slasher flick. Gabrielle’s laptop is infected by a virus that spawns dozens of nasty pop-ups, including one with a fortune teller. All the film’s talk about dreams and the people who exist within them add to this ambient menace.

Bonello has never been shy about showcasing his influences. Here, David Lynch is a lodestar. In Los Angeles, Gabrielle’s blond bob recalls Naomi Watts in “Mulholland Drive,” and she also sheds a tear while listening to a Roy Orbison cover. Then there’s the ending, a red-curtain climax that lands on a screeching revelation not unlike the finale of “Twin Peaks: The Return.”

The horror that hits in the final moments of “The Beast” tears open a fresh wound. What does the future hold if everything can be determined by the past? If new films are rehashes of old ones? If we’re condemned to the traumas of our previous lives? The film connects this to the emergence of artificial intelligence, which imitates but never truly creates. “Fulfillment lies in the lack of passion,” Louis tells Gabrielle. Is fulfillment what lies ahead?

The Beast Not Rated. In French and English, with subtitles. Running time: 2 hours 26 minutes. In theaters.

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