aqa creative writing examples

Insider GCSE creative writing tips + 106 prompts from past papers

by Hayley | Mar 9, 2023 | Exams , Writing | 0 comments

Are you feeling a little bit twitchy about your child’s English GCSE writing task?

Sciences and humanities – although sometimes daunting in their content – seem a fair bet as ‘revisable’ topics. But the creative writing element of the English Language GCSE is less knowable and ultimately more of a frightening prospect for a student keen to do well.

Preparing for the GCSE writing task? You don’t need to do it alone.

We run a weekly online writing club which prepares students to write high-scoring content. Our “Higher” level club is designed to transform your writing so that you can ace the GCSE language paper.

What is the GCSE writing element of the GCSE Language Paper?

There are 5 key GCSE exam boards: AQA , OCR , Pearson Edexcel , WJEC Eduqas and CCEA . Each board sets their own papers which may appear much the same at first glance (bizarrely they all have a similar front cover layout and fonts). Certainly there is plenty of overlap between their mark schemes and the comments and tips they share in their Examiner Reports.

However, as with all your child’s other subjects, it is essential to know which exam board they are preparing for. You may be surprised to discover that schools pick and choose boards by subject, perhaps choosing AQA for chemistry and OCR for mathematics. Individual school departments have their own preferences. My brother teaches at a school where their English Literature and English Language exams have been split between two different boards. This is unusual though, not the norm!

What forms (question formats) can the test take?

It varies by board.

The AQA board has a writing task in their Question Paper 1 called Explorations in creative reading and writing . Students are given two prompts to choose between. The AQA board also has a second persuasive writing task in Paper 2 called Writers’ viewpoints and perspectives.

Jump ahead to AQA creative writing and persuasive writing prompts from past GCSE papers

The Pearson/Edexcel international iGCSE favoured by many UK private schools has two prompts to choose between for each section. The student is asked to complete a piece of transactional writing (perhaps a persuasive speech or an advertisement leaflet) and additionally a piece of imaginative writing.

Jump ahead to Pearson/Edexcel transactional writing and imaginative writing prompts from past GCSE papers

Interestingly, the WJEC Eduqas board favours non-fiction writing. Unit 2 Reading and Writing: Description, Narration and Exposition gives two prompts to choose between, for an account and an essay perhaps, and Unit 3: Reading and Writing: Argumentation, Persuasion and Instructional sets up a letter, or similar.

Jump ahead to WJEC Eduqas non-fiction writing prompts from past GCSE papers

The OCR board offers two prompts to choose between. One might be a talk for other students and the other might be a letter on a difficult subject .

Jump ahead to OCR creative writing prompts from past GCSE papers

The CCEA board has a writing task in called “ Writing for Purpose and Audience and Reading to Access Non-fiction and Media Texts” and a second writing task which offers a choice between personal writing and creative writing.

Jump ahead to CCEA persuasive writing, personal writing, and creative prompts from past GCSE papers

How long do students have to craft their piece of writing?

Creative writing tests are timed at either 45 minutes or 1 hour. The last thing your child will need is to prepare to write for an hour, only to find they have just three-quarters of an hour on the day. If in doubt, insist that they check with their teacher.

AQA students are given 45 minutes to produce their writing response. The introduction advises: ‘ You are reminded of the need to plan your answer. You should leave enough time to check your work at the end.’ What this means is that 30–35 minutes max is what’s really allowed there for the writing itself.

Pearson/Edexcel allows 45 minutes for each of the two writing tasks.

OCR students are given an hour to complete this section of their exam. The introduction states: ‘You are advised to plan and check your work carefully,’ so they will expect the writing itself to take 45–50 minutes.

How long should the completed GCSE writing task be?

Interestingly, although the mark schemes all refer to paragraphingthey don’t state how many paragraphs they expect to see.

‘A skilfully controlled overall structure, with paragraphs and grammatical features used to support cohesion and achieve a range of effects’ (OCR)

‘Fluently linked paragraphs with seamlessly integrated discourse markers’ (AQA)

Why? Because management of paragraph and sentence length is a structural technique available to the student as part of their writers’ toolkit. If the number of optimal paragraphs were to be spelled out by the board, it would have a negative impact on the freedom of the writer to use their paragraphs for impact or to manage the pace of the reader.

For a general guide I would expect to see 3 to 5 paragraphs in a creative piece and 5 paragraphs in a persuasive piece. Leaflets have a different structure entirely and need to be set out in a particular form to achieve the top notes of the mark scheme.

What are the examiners looking for when they are marking a student’s creative writing paper?

There are two assessment objectives for the writing itself:

• It has to be adapted to the form, tone and register of writing for specific purposes and audiences.
• It has to use a range of vocabulary and sentence structures, with appropriate paragraphing, spelling, punctuation and grammar.

As a GCSE English nerd, I really enjoy delving deeper into the Examiner Reports that each board brings out once the previous cohort’s papers have been marked. They are a fascinating read and never disappoint…

Within their pages, examiners spell out the differences they have spotted between the stronger and the weaker responses.

For example, a creative task set by the AQA board was to describe a photograph of a town at sunset. The examiners explained that some of the strongest responses imagined changes in the scene as darkness descended. They enjoyed reading responses that included personification of the city, and those that imagined the setting in the past, or the weariness of the city. Weaker candidates simply listed what was in the picture or referred directly to the fact it was an image. This chronological-list approach weakened the structure of their work.

No surprises that some weaker students relied heavily on conversation. (As an exam marker myself, I dreaded reading acres of uninspiring direct speech.)

Pearson/Edexcel explain that weaker persuasive pieces (in this case on the value of television) simply listed pros and cons rather than developed ideas fully to clarify their own opinions. The higher-level responses here were quirky and engaging, entertaining the reader with a range of appropriate techniques and making the argument their own.

What accommodations are possible for students who have specific learning difficulties?

The UK Government’s Guide for Schools and Colleges 2022: GCSE, AS and A Levels includes information about changes to assessments to support ‘disabled students.’ Their definition of disabled includes specific learning difficulties (dyslexia, dyspraxia, ADHD, ADD, ASD etc).

Exam boards can make a wide range of adjustments to their assessments. Some of the most common adjustments are:

• modified papers (for example, large print or braille exam papers)
• access to assistive software (for example, voice recognition systems or computer readers)
• help with specific tasks (for example, another person might read questions to the student or write their dictated answers)
• changes to how the assessment is done (for example, an oral rather than a written assessment, word-processing rather than hand-writing answers)
• extra time to complete assessments
• exemptions from an assessment

The exam board will expect paperwork to be in place where your child’s specific needs are formally reported by an appropriate professional (Educational Psychologist, Clinical Psychologist, Consultant). The report needs to be recent, but how recent is difficult to confirm.

If your child is likely to need adjustments to their access arrangements you will need to discuss this with their school in plenty of time before the exam itself.

A close friend of mine realised in the final few weeks before her son’s GCSE exams that his tinnitus would have a negative impact on his performance. She approached the school to ask if he might take his exams in a separate room to minimise noise disturbance. Unfortunately, it was far too late by then to apply, and her son was denied the request.

Your child’s school will explain the process for applying for special arrangements and will be able to advise you on what your expectations should be. Never presume your child will be given what they need – but plenty of requests are successful, so stay positive and make sure your paperwork is in order beforehand.

Tips and strategies for writing a high scoring GCSE creative writing paper:

1.         learn the formats.

Know the different formats and conventions of the different GCSE writing tasks. There is a standard layout for a leaflet, for example, where including contact details and a series of bullet points is part of the mark scheme. Not knowing these conventions will knock back a student’s score.

2.         Plan ahead

Prepare a planning structure for each of the written forms you might encounter during the exam. It may need to be flexed on the day, but it will banish fear of the blank page and allow you to get started.

3.         Prepare sentence-openings

Familiarise yourself with appropriate sentence-openings for each type of GCSE writing task. Fronted adverbials of time and place will improve the quality of a creative piece, whereas access to varied and specific conjunctions might push up the mark of a transactional piece.

4.         Check your speaking

Ask your family to check your speech at home. Every now and then try to flip a sentence into formal language, using more interesting synonyms for your usual spoken vocabulary. This will help you to write formally on paper, avoiding colloquialisms.

5.         Forget finishing

Finishing is less important than you might imagine. Sloppy, hurried work is your enemy. GCSE examiners will follow your clear planning and mark you accordingly, even if you’ve not managed to complete that final paragraph.

6.         Note the details

The question often gives additional information the examiner would like to see included. Note it in your plan to make sure it doesn’t get forgotten.

7.         Start strong

Use your best sentence-opener at the start of each paragraph. It will set you up as someone to be taken seriously.

8.         Cut back dialogue

Keep dialogue contained in a single paragraph. Focus on description of the speaker and their actions before noting the second character’s reply.

9.         Revise

Do this by prepping work as above. Nothing beats it.

Would you like me to transform your child’s writing in my higher writing club?

Each week in my higher writing club , we spend 20 minutes on Zoom together. After the task has been introduced, the students write for 15 minutes. Next, they upload their work for 1:1 video marking.

There is no point prepping essays/creative pieces for the GCSE English Language exam if your child’s writing is poor. First, their scruffy presentation, attention to detail, punctuation, grammar and vocabulary need to be addressed.

After 2 months in the higher writing club your child’s written technique and fluency will be transformed by our 1–2-1 video marking system (consistent messaging is achieved by matching your child with their own teacher).

Each weekly activity is drawn directly from the GCSE English Language Subject Content and Assessment Objectives , published by the English Department of Education.

Here’s an example of a student’s writing, BEFORE they joined our club:

It is chaotic, poorly-presented and nonsensical. Letter-sizing is confused and the student is clearly anxious and repeatedly scribbling through small errors.

Below is the same student 2 months later:

Observe the rich vocabulary, authorial techniques (the jagged rocks are ‘like shards of broken glass’) and general fluency and sophistication.

Real and recent GCSE example questions/prompts from each of the 5 key exam boards

Aqa english language gcse questions, paper 2 writers’ viewpoints and perspectives:.

• ‘Our addiction to cheap clothes and fast fashion means young people in poorer countries have to work in terrible conditions to make them. We must change our attitude to buying clothes now.’ Write an article for a magazine or website in which you argue your point of view on this statement. ( Source )
• ‘People have become obsessed with travelling ever further and faster. However, travel is expensive, dangerous, damaging and a foolish waste of time!’ Write an article for a news website in which you argue your point of view on this statement. ( Source )
• ‘Cars are noisy, dirty, smelly and downright dangerous. They should be banned from all town and city centres, allowing people to walk and cycle in peace.’ Write a letter to the Minister for Transport arguing your point of view on this statement. ( Source )
• ‘All sport should be fun, fair and open to everyone. These days, sport seems to be more about money, corruption and winning at any cost.’ Write an article for a newspaper in which you explain your point of view on this statement. ( Source )

Paper 1 Explorations in creative reading and writing:

• A magazine has asked for contributions for their creative writing section. Either write a description of an old person as suggested by the picture below or write a story about a time when things turned out unexpectedly. ( Source )

• Your school or college is asking students to contribute some creative writing for its website. Either, describe a market place as suggested by the picture below or write a story with the title, ‘Abandoned’. ( Source )

• Your local library is running a creative writing competition. The best entries will be published in a booklet of creative writing. Either, write a description of a mysterious place, as suggested by the picture below or write a story about an event that cannot be explained. ( Source )

• A magazine has asked for contributions for their creative writing section. Either, describe a place at sunset as suggested by the picture below or write a story about a new beginning. ( Source )

OCR English Language GCSE questions

Paper: communicating information and ideas.

• Either, Write a post for an online forum for young people about ‘A moment that changed my life’.
• Or, You are giving a talk at a parents’ information evening about why all children should study science at school. Explain your views. ( Source )
• Either, Write a letter to a friend to describe a challenging and unpleasant task you once had to do.
• Or, Write a short guide for new workers about how to deal successfully with difficult customers. ( Source )
• Either, “Was it worth it?” Write an article for a magazine to describe a time when you had to do something difficult.
• Or, Write a speech for an event to congratulate young people who have achieved something remarkable. ( Source )
• Either, Write the words of a talk to advise pet owners how to make life more enjoyable for their pet and themselves.
• Or, Write an article for a travel magazine to describe your dramatic encounter with an animal. ( Source )
• Either, ‘How I prefer to spend my time.’ Write the words of a talk to young people about your favourite activity
• Or, Write a magazine article to persuade parents to allow their teenage children more freedom. You are not required to include any visual or presentational features. ( Source )
• Either, Write a talk for other students about a person you either admire strongly or dislike intensely
• Or, Write a letter to a friend to explain a difficult decision you had to make. ( Source )

Paper: Exploring effects and impact

• Either, Hunger satisfied. Use this as the title for a story.
• Or, Write about a time when you were waiting for something. ( Source )
• Either, The Taste of Fear Use this as the title for a story.
• Or, Write about a time when you were exploring a particular place. ( Source )
• Either, Alone. Use this as the title for a story.
• Or, Describe a time when you found yourself in a crowd or surrounded by people. ( Source )
• Either, Land at Last. Use this as the title for a story.
• Or, Imagine you have visited somewhere for the first time and are now reporting back on your experience. ( Source )
• Either, The Playground Use this as the title for a story
• Or, Write about a memory you have of playing a childhood game. ( Source )
• Either, It seemed to me like I had been magically transported. Use this as the title for a story.
• Or, Describe a place where you have felt comfortable. ( Source )

Pearson Edexcel English Language iGCSE questions

Paper 1: transactional writing.

• Either, ‘In our busy twenty-first century lives, hobbies and interests are more important than ever.’ Write an article for a newspaper expressing your views on this statement.
• Or, ‘We are harming the planet we live on and need to do more to improve the situation.’ You have been asked to deliver a speech to your peers in which you explain your views on this statement. ( Source )
• ‘ Zoos protect endangered species from around the world.’ ‘No wild animal should lose its freedom and be kept in captivity. Write an article for a magazine in which you express your views on zoos.
• Write a review of an exciting or interesting event that you have seen. ( Source )
• Your local newspaper has published an article with the headline ‘Young people today lack any desire for adventure’. Write a letter to the editor of the newspaper expressing your views on this topic.
• ‘The key to success in anything is being prepared.’ Write a section for a guide giving advice on the importance of preparation. ( Source )
• You and your family have just returned from a holiday that did not turn out as you expected. Write a letter to the travel agent with whom you booked your holiday, explaining what happened.
• A magazine is publishing articles with the title ‘Friendship is one of the greatest gifts in life’. Write your article on this topic. ( Source )
• ‘Important lessons I have learned in my life.’ You have been asked to deliver a speech to your peers on this topic.
• Your local/school library wants to encourage young people to read more. Write the text of a leaflet explaining the benefits of reading. ( Source )
• ‘Most memorable journeys.’ A website is running a competition to reward the best articles on this subject. Write an article for the competition about a memorable journey.
• ‘Cycling is one form of exercise that can lead to a healthier lifestyle.’ Write a guide for young people on the benefits of exercise. ( Source )
• ‘Television educates, entertains and helps global understanding.’ ‘Television is to blame for society’s violence and greed and delivers one-sided news.’ You have been asked to deliver a speech in which you express your views and opinions on television.
• ‘Choosing a career is one of the most important decisions we ever make.’ Write the text of a leaflet that gives advice to young people on how to choose a career. ( Source )
• Write the text for a leaflet aimed at school students which offers advice on how to deal with bullying.
• A museum is planning to open a new exhibition called ‘Life in the Twenty-First Century’. ( Source )

Paper 2: Imaginative writing

• Write about a time when you, or someone you know, enjoyed success
• Write a story with the title ‘A Surprise Visitor’.
• Look at the two images below. Choose one and write a story that begins ‘I did not have time for this’ ( Source )

• Write about a time when you, or someone you know, challenged an unfair situation.
• Write a story with the title ‘Bitter, Twisted Lies’.
• Look at the two images below. Choose one and write a story that begins ‘It was a new day …’ You may wish to base your response on one of these images. ( Source )

• Write about a time when you, or someone you know, visited a new place.
• Write a story with the title ‘The Storm’
• Look at the two images below. Choose one and write a story that ends ‘I decided to get on with it.’ ( Source )

• Write about a time when you, or someone you know, saw something surprising.
• Write a story with the title ‘The Meeting’.
• Look at the two images below. Choose one and write a story that starts ‘Suddenly, without warning, there was a power cut.’ ( Source )

• Write about a time when you, or someone you know, went on a long journey.
• Write a story with the title ‘A New Start’
• Look at the two images below. Choose one and write a story that begins ‘I tried to see what he was reading. ( Source )

• Write about a time when you, or someone you know, felt proud.
• Write a story with the title ‘The Hidden Book’.
• Look at the two images below. Choose one and write a story that begins ‘It was like a dream’ ( Source )

• Write about a time when you, or someone you know, had to be brave
• Write a story with the title ‘Everything Had Changed’
• Look at the two images below. Choose one and write a story that begins ‘It was an unusual gift’. ( Source )

WJEC Eduqas English Language GCSE questions

Unit 2 reading and writing: description, narration and exposition.

• Write an account of a time when you enjoyed or hated taking part in an outdoor activity.
• “It’s essential that more people are more active, more often.” (Professor Laura McAllister, Chair of Sport Wales) Write an essay to explain how far you agree with this view, giving clear reasons and examples. ( Source )
• Describe an occasion when you did something you found rewarding.
• Famous chefs such as Jamie Oliver and Mary Berry have spoken of the need for better food and better education about food in schools. Write an essay to explain your views on this subject, giving clear reasons and examples. ( Source )
• Write an account of a visit to a dentist or a doctor’s surgery.
• NHS staff, such as doctors and nurses, provide excellent service in difficult circumstances. Write an essay to explain your views on this subject, giving clear reasons and examples. ( Source )
• Write an article for a travel magazine describing somewhere interesting that you have visited.
• You see the following in your local newspaper: ‘Young people are selfish. They should all be made to volunteer to help others.’ Write an essay to explain your views on this subject, giving clear reasons and examples. ( Source )
• Describe an occasion when technology made a difference to your life.
• Write an account of a time you were unwilling to do something. ( Source )
• Describe a time when you faced a challenge
• Write an essay explaining why charity is important, giving clear reasons and examples. ( Source )
• Write an account of a time when you did something for the first time.
• “It’s time for us to start making some changes. Let’s change the way we eat, let’s change the way we live, and let’s change the way we treat each other.” Tupac Shakur Write an essay on the subject of change, giving clear reasons and examples. ( Source )
• “School uniform is vitally important in all schools.” Write an essay explaining your views on this, giving clear reasons and examples.
• Describe a time when you had to create a good impression. ( Source )

Unit 3: Reading and writing: Argumentation, persuasion and instructional

• Your school/college is considering using more Fairtrade items in its canteen. Although this will help to support Fairtrade farmers, it will mean an increase in the price of meals. You feel strongly about this proposal and decide to write a letter to your Headteacher/Principal giving your views. ( Source )
• Increasing litter levels suggest we have lost all pride in our beautiful country. Prepare a talk for your classmates in which you give your opinions on this view. ( Source )
• Write a guide for other students persuading them to stay safe when using social media and the internet. ( Source )
• According to your PE teacher, ‘Swimming is the very best form of exercise.’ You have been asked to prepare a talk for your classmates in which you give your views about swimming. ( Source )
• You read the following in a newspaper: ‘Plastic is one of the biggest problems faced by our planet. Why would we use something for a few minutes that has been made from a material that’s going to last forever?’ Write a letter to the newspaper giving your views on the use of plastic. ( Source )
• “People today never show enough kindness to one another. We must make more effort to be kind.” Write a talk to give on BBC Wales’ new programme Youth Views persuading young people to be kind to others. ( Source )
• ‘We have enough problems in the world without worrying about animals.’ Write an article for the school or college magazine giving your views on this statement.
• You would like to raise some money for an animal charity. Write a talk for your classmates persuading them to donate to your chosen charity. ( Source )

CCEA English Language GCSE questions

Unit 1: writing for purpose and audience and reading to access non-fiction and media texts.

• Write a speech for your classmates persuading them to agree with your views on the following issue: “Young people today are too worried about their body image.” ( Source )
• Write an article for your school magazine persuading the readers to agree with your views on the following question: “Should school uniform have a place in 21st century schools?” ( Source )
• Write a speech for your classmates persuading them to agree with your views on the following question: “Are celebrities the best role models for teenagers?” ( Source )
• Write an article for your school magazine persuading the readers to agree with your views on the following statement: “Advertising is just another source of pressure that teenagers don’t need!” ( Source )

Unit 4: Personal or creative writing and reading literacy and non-fiction texts

• Either, Personal writing: Write a personal essay for the examiner about what you consider to be one of the proudest moments in your life.
• Or, Creative writing: Write your entry for a creative essay writing competition. The audience is teenagers. You may provide your own title. ( Source )
• Write a personal essay for the examiner about an experience that resulted in a positive change in your life.
• Write a creative essay for the examiner. The picture below is to be the basis for your writing. You may provide your own title. ( Source )

• Personal writing: Write a speech for your classmates about the most interesting person you have ever met.
• Creative writing: Write a creative essay for your school magazine. The picture below is to be the basis for your writing. You may provide your own title. ( Source )

• Personal writing: Write a personal essay for the examiner describing your dream destination.
• Creative writing: Write a creative essay for publication in your school magazine. The picture below is to be the basis for your creative writing. You may provide your own title. (Source)

Get 1:1 support and personalized feedback on your GCSE creative writing practice

For 1–2-1 writing support for your pre-GCSE child, join the Griffin Teaching Higher Writing Club—online weekly writing classes specifically tailored to English GCSE creative writing preparation.

In just 20 minutes per week and their writing will be transformed.

Miss Huttlestone's GCSE English

Because a whole class of wonderful minds are better than just one!

2 Grade 9 Creative Writing Examples

I recently asked my year 11s to pen a piece of description and/or narrative writing for their mini assessment. I gave them the following prompts:

Your school wants you to contribute to a collection of creative writing.

EITHER: Write a short story as suggested by this picture:

OR: Write a description about a person who has made a strong impression on you.

The following were two COMPELLING and CONVINCING examples of the second choice – one pupil taking ‘you’ as a fictional invitation, the other as a biographical one:

EXAMPLE ONE:

Gradually, I awake and open my eyes only to see the cracked white ceiling which greets me every day. Here I sit, slumped in the bed with the scratchy white sheets hugging me and muffled beeping noises jumping into my ears. Rubbing the sleep crust from my bloodshot eyes, I observe the scene before me. The sound of footsteps overlapping as nurses rush from bed to bed; the metallic tang from stainless steel invading my nostrils; the cold metal bed rail imprisoning and mocking me; the pungent scent of antiseptic troubling me and the blood-curdling cries and moans utterly terrifying me. Using all my strength, I try to imagine I am somewhere else, anywhere else but here.

Crowds, signs, roars: it was 1903 and the suffragette movement had begun. It was a crisp night, refreshing almost and I had taken to the streets. It was like I was possessed by something that night, some urge and deep desire within me that had led me there, surrounded by women like myself. I stood clueless and lost in the crowd; the women yelling ‘Deeds not words’ in unison; passionately parading with large wooden signs and viciously shattering windows with bricks and stones. Despite the violence that was displayed before me, I was not afraid of what was happening and I didn’t deem it unnecessary or improper, in fact I wanted the same as these women, I wanted equality. Abruptly, all of the roars and cheers became muted and faint, one woman walked slowly towards me, her hair messily swooped into an updo, her clothes somewhat dirtied and her chocolate brown corset slightly loosened. There was a glimmer in her eyes as tears seemed to swell within their hazel pools, she seemed inspired, hopeful. After reaching me in the crowd, she held out her hand, gently passing me a sign. Immediately, I clasped it and the yelling and chanting rang loudly in my ears once more. My journey had begun.

Here however, is where it ends. I am aware I do not have much time left, as the doctors have told me so, and spending my last moments in this hospital room is not optimal. However, as I look around I can see beauty within a room which at first glance seems void of it. The hollow medical tubes by my side remind me of the awful act of force feeding I have faced in the past; the shrieks and bawls of patients reflecting the pain women had felt in my time and the bed bars mirroring the prisons we were thrown into and the gates we would chain ourselves too. I know these things may seem far from beautiful, but I can see my past within this room, the power I possessed and the changes I have contributed to today. I know now that I can leave this earth having had an impact. Slowly I close my eyes, I can see her, the women who changed my life many years ago, her name, Emmeline Pankhurst.

EXAMPLE TWO:

I will never forget that day. The hazel pools of her eyes glazed over, and hands delicately placed at her sides. Nobody in the room could quite grasp the fact that this was happening. The crowds of black attire row on row seemed to mimic the thing she loves most in life, the piano. However, this time she had taken the ivory natural keys with her and left everyone else with the sharp tones. You needed both to create beautiful symphonies but all that filled the room was the excruciating silence of her absense. Even the metronone like ticks of the clock seemed to come to a standstill.

It had all began that day, she seemed to open up this whole new world for us to explore together as she placed my fingers onto the keys for the first time. I knew that this was what I was meant to do. She was the most passionately beautiful pianist I had ever seen in my life. Often, I would peer round the oak doorway before my lessons just to catch a glimpse at her. It seemed like nothing in the world mattered to her at the time.

As the years progressed, so did the scope of this world we were exploring. Each sheet of lovingly handwritten sheet music was like a new section of the map we were slowly creating together. Each of her students had their own map. Each as beautiful and each as unique as the pianist. The crotchets and quavers that adorned the staves directed the different paths we could take as my fingers graced the keys. This may not have been a beautiful ballet routine, but this was our dance and it had been carefully choreographed just for us.

That piano room was the safest place in the world. Every inch of it her: the potent scent of her floral perfume; shelves full of scruffy and well loved sheet music; rows upon rows of framed photos of her and her students; the vintage piano which she always kept in tune, it was home. I couldn’t bear the

idea that someone else was going move in and rip away the music room without a second thought. It was her music room.

It was up to me now. Up to me to finish this journey we had begun together.

She may not be with me in person anymore, but she will always live within the world we built together and nothing could ever change that. For she could never truly be gone since she left a piece of her within every one of her students; the passion for piano.

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gcseenglishwithmisshuttlestone

Secondary English teacher in Herts. View all posts by gcseenglishwithmisshuttlestone

2 thoughts on “2 Grade 9 Creative Writing Examples”

This has helped me a lot, I myself am preparing for a narrative test like this and these prompts and descriptive short stories are marvellous! Thank you for sharing this! 🙂

My pleasure!

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How I Would Teach… Creative Writing For AQA English Language Paper 1

How i would teach creative writing for aqa english language paper 1.

Andrew Atherton offers his advice on how to get students started with creative writing   for AQA English Language Paper 1 when they don’t know how to begin.

A blank piece of paper can be a fearsome thing. Liberating to some, but anxiety-inducing to others. Nowhere is this more apparent than with creative writing. I imagine accosting a comedian whilst they’re shopping, a trolley filled with the weekly groceries, and insisting that they tell me a joke. Something splutters out, a half-joke, not really funny, and they limp off, back to the cereal aisle. Being creative on cue is never an easy task, but yet this is what is demanded of our students. ‘You have forty-five minutes’, their GCSE intones, ‘now be creative! Go!’ The clock starts to tick, louder than any clock should.

How can we help our students to crack this? They can’t rely on creativity striking at 9am on a random Friday in May. How do we transform a blank piece of paper from a source of angst to a source of enjoyment? One answer lies in teaching, rehearsing and modelling certain generative structures that students can depend upon, both to shape their response and to plan it.

Such structures not only prime student thinking, giving them a much needed starting point, but they feed forward into the piece of writing. This article outlines one such structure that you can use with your own students, either as something to rehearse or to model.

A Photograph Finish!

This strategy works best with a question that asks students to respond to an image, an increasingly common style of question. However, even if it doesn’t use this format, students can still utilise this structure. For ease, we’ll imagine the student is presented with some kind of image or photograph.

This structure works by imagining that you, as the narrative voice, are holding this image (whatever it is) as a photograph or, if it fits better with the task, a work of art. The given image is not just an image, but a photograph or a framed piece of art. Whatever the image is, students can just imagine it is framed and that they are physically holding it in their hands. This initial premise can offer students so many ideas and directions, which is precisely why it works well. Let’s consider what could happen next, as a series of four steps.

Step 1 – The Photograph

Students begin with a description of the physical photograph itself. What might they begin to think? Is it torn? It is fading? Is it recent? Do the edges slightly curl after many years of being looked at and handled? Is it colour or black and white? Is it in a shoe box or a family album or a decorative photo frame? How does it feel in the hand? Light like a feather or somehow heavy? What does it smell like?

If the given image is a painting then has it been rolled up or is it proudly displayed in a frame? Here, students are not describing the image, or perhaps just in passing, but rather they’re describing the perimeter or parergon of the image: its physical, corporeal existence as you hold it in your hand.

Step 2 – Your Hands

Now, students have two options, one of which I much prefer. The first option is to zoom into the image itself and describe the scene a little. Again, perforating any description with reminders that the narrator is holding it physically in their hand. It has a weight to it. A sensation.

The second option, though, and my preferred one, is to zoom into the hands holding the photograph. What do they look like? How are they holding it? Do they tremble? Do they clutch? Do they hold it at the fingertips, almost pinching the photograph? Are these hands wrinkled? Are they young? Are they cracked? Knotted? Knuckled? Do these hands hold it closer or at a distance?

This could turn into a masterclass of ‘show don’t tell’: what can we suggest to the reader about (1) this person, the ‘I’ of the response, and (2) their relationship to whatever it is they are holding? How can we tell a story without actually telling it?

Step 3 – Origin Story

At this point, students deal more directly with the image itself. The ‘I’ of the piece now recalls via a flashback the day the photograph was taken. What was happening? Where was it? What was the weather like? How long ago was it? How did they feel? Who else was there?

Students begin to build a sense of the narrator’s relationship to the image, engaging with wider ideas of transience and memory. If earlier in the piece the photograph was described as having crumpled edges from being looked at and handled over many years, what was it about this day that caused it? Why is it important?

Students might now shift into description of a more traditional kind as they cast their narrative gaze over the landscape, the sounds, the smells, the people, the weather, the colour of the sky, and how this makes the narrator feel and why it has reverberated in their mind over the years.

Step 4 – Lay to Rest

Students now return to the physical artefact of the photograph. The narrator is holding it again. What do they do with it? Do they lay it gently into a box?   Do they crumple it up and shove it back into a shoe box, watching as the lid folds darkness around it? Do they hold it close? What are their hands doing? How do they feel? The final action the narrator takes tells the reader a lot about the relationship they have to this photograph and what it depicts.

Why Does This Work So Well?

There are a few reasons I think this approach works so well. Here are just a few:

• It provides students a set of prompts and self-generated questions to cue their thinking as they write and plan: How does the narrator hold the photograph? When was it taken? Who was there? What was the weather like, and so on. For students that may struggle to find a way into their creative writing, this set of cues is absolutely groundbreaking. Suddenly they are free from trying to devise a ‘set up’ to their piece and can focus instead on their control of language and choice of imagery.
• It almost has built in some of the features that often characterise a top response: a central motif that runs throughout the piece (the idea of a photograph), perspective shifts (from the photograph to the hands to the flashback), a tightly controlled structure (photograph, hands, memory, photograph), as well as a bank of imagery related to time and memory to call upon. But, again there is more than enough creative space for students to transform this premise and shape into something genuinely imaginative and emotive.
• Indeed, following the above, it offers a conceptual thread to their response that is really important but difficult to pin down: time and memory. If we imagine the shift from wrinkled hands holding the photograph to youthful hands the day it was taken, embedded into this is a potentially incredibly powerful meditation on the transience of time and the memories we hold onto. Equally, describing the photograph at the start as having curled, faded edges again taps into this. So, it gives a substantive shape to something, by its nature, very abstract and conceptual.
• Another aspect of this approach that I really like is that it again has embedded within its structure really effective opportunities for inference and ‘show don’t tell’. If we wish to express sadness, we don’t need to say this and instead we can describe how the hands ‘trembled’ whilst ‘clutching onto the edges of the photograph, a fresh dampness falling onto the plastic film and bringing to life once again the rain suspended by the camera’s click’. Students can imply the relationship between the narrator and the image by how the narrator handles and touches the physical artefact. It is again making concrete something that is often very abstract, and providing the cues that help students to think about it.
• One final aspect of this overall strategy that I think is great is the opportunity to teach students about ekphrasis. We can talk about how this basic idea (a descriptive piece about holding a photograph or work of art) taps into a rich repository of literary work broadly aligned to ekphrasis. We could, for instance, introduce this approach alongside Keats’ ‘Ode on a Grecian Urn’, exploring how Keats too imagines a moment caught in time and how he also uses this to explore ideas such as the transience of time.

Now, whether or not you aim to teach this as a set shape or framework for students to use in the exam itself, there is of course another benefit to this strategy. A benefit for us. In the same way this approach offers students a set of prompts to think their way through a response, it also offers us a series of cues to help model creative writing.

Whenever I am introducing creative writing at GCSE, this shape tends to be the first full example I model to students. It works exceptionally well for this as it demonstrates and elucidates many of the typical characteristics of an excellent piece of descriptive writing as well as offering a set of ready-made cues to help me to verbalise my thought process as I live model.

Given there are so many different ways we could take this response, it also offers enough freedom for students to add their thoughts as we do it together and even produce a follow-up with a different image.

This basic shape, as well as the ideas it helps to generate, will ensure students always have at least a starting point. Now when they’re told to be creative, they’ll at least have a punch line.

You can read more articles by Andrew Atherton here .

Andy Atherton is a Teacher of English as well as Director of Research in a secondary school in Berkshire. He regularly publishes blogs about English and English teaching at ‘Codexterous’ and you can follow him on Twitter @__codexterous

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AQA English Language – Opening Lines for Creative Writing (Q5)

Click on the link above to access a Word document containing some famous opening lines and a few discussion questions, and then suggestions at the end for starting creative pieces (i.e. for AQA Paper 1, Q5). Novels listed below.

• City of Glass , by Paul Auster
• Beloved , by Toni Morrison
• The Unnamable , by Samuel Beckett
• Slaughterhouse Five , by Kurt Vonnegut
• The Colour Purple , by Alice Walker
• The Go-Between , by L. P. Hartley
• Herzog , by Saul Bellow
• The Secret History , by Donna Tartt
• Cat’s Eye , by Margaret Attwood
• The Reluctant Fundamentalist , by Mohsin Hamid
• The Trial , by Franz Kafka

And here are the suggestions…

Hope the stuff’s useful.  Feedback always welcome and I always enjoy hearing how the resources used.

[email protected]

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How to Structure Creative Writing for GCSE (Creative Writing Examples!)

Posted on August, 2022

Structure Creative Writing for Success

Having plenty of ideas for creative writing is one thing, but nailing down the right structure can be a bit more challenging.

There are several steps for children to think about before they begin writing, and that includes creating a structure or plan for how their story will flow.

Creative writing is all about grabbing the reader’s attention immediately, so children in their GCSE years need to understand the importance of structure when writing, in order to organise their ideas and make sure their work reads cohesively.

In this post, we will go through everything your child needs to know from paragraphing, to creating a satisfying ending, providing examples along the way to demonstrate the best way to structure their creative writing.

How Should I Structure Creative Writing?

There are several types of creative writing questions that could come up on the GCSE reading and writing exam. There will be the option to either write creatively based on an image, or a made-up scenario.

Having a solid structure for longer creative writing questions and exercises helps to ensure your child is prepared.

By using a structure that helps to organise your child’s ideas, it helps their writing to flow. It also allows your child to become more confident in their creative writing process.

Planning is more important than you might think, as mark schemes from most exam boards include ‘well-controlled paragraphs’ or something very similar within the top band of criteria for creative writing.

Therefore, children should practise planning out creative writing structures well before their writing exam. Planning gives them time to get into the habit of always providing themselves with a simple, but focused idea of what they are going to write.

Structure Creative Writing with Seven Story Archetypes

Introduction.

Understanding the fundamental structure of a story is crucial for crafting engaging narratives. Beyond basic sequences, story archetypes provide a deeper framework. Christopher Booker , a renowned scholar, identified seven main story archetypes.

Each archetype outlines a distinctive journey and the challenges faced by characters.

1. Overcoming the Monster

This archetype portrays an underdog’s quest to conquer a formidable evil. Examples include the epic tales of Harry Potter battling Lord Voldemort, the classic struggle in Jurassic Park, and the timeless narrative of Jack and the Beanstalk.

2. Rags to Riches

Embarking from a starting point of poverty or despair, characters rise to newfound wealth and success. Witness this transformation in stories like Slumdog Millionaire, The Pursuit of Happyness, and The Wolf of Wall Street.

3. The Quest

A hero’s journey to discover something, overcoming trials and tribulations along the way. Iconic examples include the Fellowship of the Ring’s quest in The Lord of the Rings, Marlin’s journey to find Nemo, and the epic adventures of Odysseus in The Odyssey.

4. Voyage and Return

Protagonists venture into unknown territories, facing adversity before returning home transformed. Dive into this archetype with examples like the curious escapades in Spirited Away, Bilbo Baggins’ journey in The Hobbit, and the enchanting Chronicles of Narnia.

Contrary to our typical perception of humour, this archetype involves destined lovers kept apart by conflicting forces. Delight in the comedic twists of relationships in classics such as 10 Things I Hate About You, When Harry Met Sally, and Notting Hill.

Protagonists with major flaws or errors leading to their inevitable downfall. Witness the unraveling of characters in tragedies like The Great Gatsby, Requiem for a Dream, and the Shakespearean masterpiece Othello.

Characters succumb to darkness but redeem themselves throughout the narrative. Experience the transformative journeys in stories like Atonement, American History X, and the animated Beauty and the Beast.

Application Across Mediums

Beyond literature, these archetypes seamlessly apply to filmmaking and photography. A well-crafted photograph or film can mirror the same narrative arcs, captivating viewers on a visual adventure akin to storytelling. Explore these archetypes to infuse depth and resonance into your creative endeavors.

Paragraphing for a Solid Creative Writing Structure

First of all, paragraphing is central to creative writing as this is what keeps the structure solid.

In order to stick to a creative writing structure, children must know exactly when to end and start a new paragraph, and how much information each paragraph should contain.

For example, introducing the main character, diving into the action of the story, and providing 10 descriptive sentences of the weather and location, could be separated and spread throughout for impact.

Structuring a creative writing piece also involves creating an appropriate timeline of events. Then, you must map out exactly where the story will go from start to finish. This is assuming the writing piece is in sequential order.

Occasionally, there may be a question that requires a non-sequential order.

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What does a Solid Creative Writing Structure look like?

This list below details every section in a creative writing piece and should look something like this:

• An engaging opening
• A complication
• The development
• The turning point
• A resolution or convincing close

With this structure, it is important to bear in mind that for the AQA GCSE English Language paper 1 reading and creative writing exam.

You can also use Freitag’s pyramid or a story mountain to help you understand the basic structure of a story:

Children will be expected to spend about 50 minutes on the creative writing section. It’s therefore vital to get them into the habit of planning their writing first. As with anything, practice makes perfect.

If you want to find out more about GCSE English Language papers 1 and 2, check out our blog .

We will dive deeper into the creative writing structure further on in this post, but first, let us go through the importance of paragraphing, and how TipTop paragraphs can help to improve children’s writing.

Paragraphing and TipTop Paragraphs

Before children begin to plan out the structure of their stories, it’s essential that they know the importance of paragraphing correctly first.

At this stage of learning, your child should be comfortable in knowing what a paragraph is, and understand that they help with the layout of their stories throughout the whole writing process.

Paragraphs essentially help to organise ideas into dedicated sections of writing based on your child’s ideas. For example, having a paragraph for an introduction, then another paragraph introducing the main character.

This means your child’s writing will be in a logical order and will direct the reader further on into the writing.

Be as creative as Kevin’s booby traps from “ Home Alone “.

To avoid your child straying from their creative writing structure and overloading paragraphs with too much information, there is a simple way to remind them of when they need to start a new paragraph.

TiPToP for a Clearer Creative Writing Structure

Using the TiPToP acronym is such an easy way for you to encourage your child to think about when they need to change paragraphs, as it stands for:

When moving to a different time or location, bringing in a new idea or character, or even introducing a piece of action or dialogue, your child’s writing should be moving on to new paragraphs.

During creative writing practice, your child can ask themselves a series of questions to work out whether they need to move onto a new paragraph to keep their story flowing and reach that top band of criteria.

For example:

• Is the story going into a new day or time period?
• Is the location staying the same or am I moving on?
• Am I bringing in a new idea that I haven’t described yet?
• Am I going to bring in a new character?

Providing opportunities to practise creative writing will help your child to get into the habit of asking themselves these questions as they write, meaning they will stick to the plan they have created beforehand.

Now it’s time to get into the all-important creative writing structure.

Structure Creative Writing: A Step-by-Step Guide

Producing a creative writing structure should be a simple process for your child, as it just involves organising the different sections of their writing into a logical order.

First, we need to start at the beginning, by creating an engaging opening for any piece of writing that will grab the reader’s attention. You might also be interested to check out this blog on story structure that I found in my research.

This leads us nicely onto step 1…

1. Creating an Engaging Opening

There are several ways to engage the reader in the opening of a story, but there needs to be a specific hook within the first paragraph to ensure the reader continues.

This hook could be the introduction of a word that the reader isn’t familiar with, or an imaginary setting that they don’t recognise at all, leaving them questioning ‘What does this all mean?’

It may be that your child opens their story by introducing a character with a description of their appearance, using a piece of dialogue to create a sense of mystery, or simply describing the surroundings to set the tone. This ‘hook’ is crucial as it sets the pace for the rest of the writing and if done properly, will make the reader feel invested in the story.

Read more about hooks in essays .

If your child needs to work more on description, I definitely recommend utilising the Descriptosaurus :

Additionally, it’s important to include a piece of information or specific object within the opening of the creative writing, as this provides something to link back to at the end, tying the whole storyline together neatly.

Engaging Opening Examples:

• Opening with dialogue – “I wouldn’t tell them, I couldn’t”
• Opening with a question – “Surely they hadn’t witnessed what I had?”
• Opening with mystery/ or a lack of important information – “The mist touched the top of the mountains like a gentle kiss, as Penelope Walker stared out from behind the cold, rigid bars that separated her from the world.”

2. Complication

Providing a complication gets the storyline rolling after introducing a bit of mystery and suspense in the opening.

Treat this complication like a snowball that starts small, but gradually grows into something bigger and bigger as the storyline unfolds.

This complication could be that a secret has been told, and now the main character needs to try and stop it from spreading. Alternatively, you could introduce a love interest that catches the attention of your main character.

In this section, there should be a hint towards a future challenge or a problem to overcome (which will be fleshed out in the development and climax sections) to make the reader slightly aware of what’s to come.

Complication Example:

• Hint to future challenge – “I knew what was coming next, I knew I shouldn’t have told him, now my secret is going to spread like wildfire.”
• Including information to help understand the opening – “Bainbridge Prison was where Penelope had spent the last 2 years, stuffed into a cell the size of a shoebox, waiting for August the 14th to arrive.”

3. Development

The development seamlessly extends from the previous section, providing additional information on the introduced complication.

During this phase, your child should consider the gradual build-up to the writing piece’s climax. For instance, a secret shared in the compilation stage now spreads beyond one person, heightening the challenge of containment.

Here, your child should concentrate on instilling suspense and escalating tension in their creative writing, engaging the reader as they approach the climax.

Development Example:

• Build-up to the challenge/ climax – “I saw him whispering in class today, my lip trembled but I had to force back my tears. What if he was telling them my secret? The secret no-one was meant to know.”
• Focusing on suspense – “4 more days to go. 4 more days until her life changed forever, and she didn’t know yet if it was for better or for worse.”

The climax is the section that the whole story should be built around.

Before creating a structure like this one, your child should have an idea in mind that the story will be based on. Usually this is some sort of shocking, emotion-provoking event.

This may be love, loss, battle, death, a mystery, a crime, or several other events.  The climax needs to be the pivotal point; the most exciting part of the story.

Your child may choose to have something go drastically wrong for their main character. They must regardless, need to come up with a way of working this problem into their turning point and resolution. The should think carefully about this will allow the story to be resolved and come to a close.

Climax Example:

• Shocking event: “He stood up and spoke the words I never want to hear aloud. ‘I saw her standing there over the computer and pressing send, she must have done it.’”
• Emotion-provoking event: “The prisoners cheered as Penelope strutted past each cell waving goodbye, but suddenly she felt herself being pulled back into her cell. All she could see were the prison bars once again.”

5. Turning Point or Exposition

After the climax, the story’s turning point emerges, crucial for maintaining reader interest.

During this post-climax phase, address and resolve issues, acknowledging that not every resolution leads to a happy ending.

Turning points need not be confined to the story’s conclusion; they can occur at various junctures, signifying significant narrative shifts.

Even in shorter pieces, introducing turning points early on can captivate the reader.

Creative writing allows for individual storytelling, and effective turning points may differ between your child and you.

Maintain suspense in this section, avoiding premature revelation of the ending despite the climax’s conclusion.

Turning Point Example:

• Turning point: “Little did they know, I was stopping that file from being sent around the whole school. I wasn’t the one to send it, and I had to make sure they knew that.”
• Turning point: “She forced herself through the window, leaving the prison behind her for good this time, or so she thought.”

6. A Resolution or Convincing Close

The resolution should highlight the change in the story, so the tone must be slightly different.

At this stage, the problem resolves (happily or unhappily) and the character/s learns lessons. The close of the story must highlight this.

The writer should also not rush the resolution or end of the story.

It needs to be believable for the reader right until the very end. The writer should allow us to feel what the protagonist is feeling.

This creates emotion and allows your reader to feel fully involved.

Remember the piece of information or specific object that was included in the story’s opening?

Well this is the time to bring that back, and tie all of those loose ends together. You want to leave the reader with something to think about. You can even ask questions as this shows they have invested in the story.

Resolution Example:

• Happy resolution: “He came up to me and curled his hand around mine, and whispered an apology. He knew it wasn’t me, and all I felt was relief. Looks like I should have told them right from the start”
• Unhappy resolution: “All she felt was separation, as she felt those cold, rigid prison bars on her face once more.”

How to Structure Your Creative Writing for GCSE (with Creative Writing Examples!)

To enhance your children’s GCSE creative writing skills, allocate time for practice.

Plan a structure for creative writing to guide children in organising their thoughts and managing time during the GCSE exam.

Apply this structure to various exam questions, such as short stories or describing events.

Focus each creative piece on a climactic event, building anticipation in the beginning and resolving it at the end.

Consider a tutor for GCSE preparation to help children focus on specific areas.

Redbridge Tuition offers experienced tutors for learning from KS2 to GCSE, providing necessary resources for your child’s success.

Get in touch to find out how our tutors could help.

Want a free consultation?

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AQA Step Up to English: Creative Writing tasks

Subject: English

Age range: 14-16

Resource type: Worksheet/Activity

Last updated

30 December 2023

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AQA Step Up to English: Creative Writing Tasks This resource consists of a series of titles linked to pictures in the style of AQA’s Step Up to English Paper 2 Section B Creative Writing questions. The images are my own and you are very welcome to use them as practice questions.

More Step Up to English Resources Complete courses and individual teaching units on all component 1 and 2 topics are available. They include teaching PPTs, all student resources and a set of detailed teacher’s notes and can be found at: RoseandMay’s TES English Classroom Resources New individual units: AQA Step Up to English: Component 1 STYLE Unit AQA Step Up to English: Component 2 CRIME Unit New Complete Course AQA Step Up to English: Complete Course (Leisure, Crime and Style Units) You may also like: AQA Step Up to English: Grammar and Punctuation Starters AQA Step Up to English: Component 2 Creative Writing Unit

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AQA Step Up to English: Complete Course (Hobbies, Music, Myths and Legends Units)

**AQA Step Up to English: Complete Course** This bundle includes everything you need to teach the full AQA Step Up to English course. It contains two practice units (The Next Step and Exploring) plus two component 1 units (Hobbies and Music) plus one component 2 unit (Myths and Legends). Each of the three units contains a teaching PPT, all resources in word and pdf formats and a set of detailed teacher’s notes. The bundle also includes four self-study CPD units on how to teach entry level English. Questions welcome: [email protected] **More Step Up to English Resources** More complete courses and individual teaching units on all component 1 and 2 topics are available. They include teaching PPTs, all student resources and a set of detailed teacher's notes and can be found at: [RoseandMay's TES English Classroom Resources](https://www.tes.com/teaching-resources/shop/RoseandMay101/) **New individual units:** [AQA Step Up to English: Component 1 STYLE Unit](https://www.tes.com/teaching-resource/resource-12584104) [AQA Step Up to English: Component 2 CRIME Unit](https://www.tes.com/teaching-resource/resource-12545869) **New Complete Course** [AQA Step Up to English: Complete Course (Leisure, Crime and Style Units)](https://www.tes.com/teaching-resource/resource-12591097) **You may also like:** [AQA Step Up to English: Grammar and Punctuation Starters](https://www.tes.com/teaching-resource/resource-12410781) [AQA Step Up to English: Component 2 Creative Writing Unit ](https://www.tes.com/teaching-resource/resource-12493048)

AQA Step Up to English: Complete Course (Leisure, Music and Heroism Units)

**AQA Step Up to English: Complete Course** This bundle includes all you need to teach the full AQA Step Up to English course. It contains two practice units (The Next Step and Exploring) plus two component 1 units (Leisure and Music) plus one component 2 unit (Heroism). Each unit contains a teaching PPT, all resources in word and pdf formats and a set of detailed teacher’s notes. The bundle also includes four self-study CPD units on how best to teach entry level English. Questions welcome: [email protected] **More Step Up to English Resources** More complete courses and individual teaching units on all component 1 and 2 topics are available. They include teaching PPTs, all student resources and a set of detailed teacher's notes and can be found at: [RoseandMay's TES English Classroom Resources](https://www.tes.com/teaching-resources/shop/RoseandMay101/) **New individual units:** [AQA Step Up to English: Component 1 STYLE Unit](https://www.tes.com/teaching-resource/resource-12584104) [AQA Step Up to English: Component 2 CRIME Unit](https://www.tes.com/teaching-resource/resource-12545869) **New Complete Course** [AQA Step Up to English: Complete Course (Leisure, Crime and Style Units)](https://www.tes.com/teaching-resource/resource-12591097) **You may also like:** [AQA Step Up to English: Grammar and Punctuation Starters](https://www.tes.com/teaching-resource/resource-12410781) [AQA Step Up to English: Component 2 Creative Writing Unit ](https://www.tes.com/teaching-resource/resource-12493048)

AQA Step Up to English: Complete Course (Music, Leisure and Gothic Horror Units)

**AQA Step Up to English: Complete Course** This bundle includes all you need to teach the full AQA Step Up to English course. It contains two practice units (The Next Step and Exploring) plus two component 1 units (Music and Leisure) plus one component 2 topic (Gothic Horror). Each unit contains a teaching PPT, all resources in word and pdf formats and a set of detailed teacher’s notes. The bundle also includes four self-study CPD units on how to teach entry level English. Questions welcome: [email protected] **More Step Up to English Resources** More complete courses and individual teaching units on all component 1 and 2 topics are available. They include teaching PPTs, all student resources and a set of detailed teacher's notes and can be found at: [RoseandMay's TES English Classroom Resources](https://www.tes.com/teaching-resources/shop/RoseandMay101/) **New individual units:** [AQA Step Up to English: Component 1 STYLE Unit](https://www.tes.com/teaching-resource/resource-12584104) [AQA Step Up to English: Component 2 CRIME Unit](https://www.tes.com/teaching-resource/resource-12545869) **New Complete Course** [AQA Step Up to English: Complete Course (Leisure, Crime and Style Units)](https://www.tes.com/teaching-resource/resource-12591097) **You may also like:** [AQA Step Up to English: Grammar and Punctuation Starters](https://www.tes.com/teaching-resource/resource-12410781) [AQA Step Up to English: Component 2 Creative Writing Unit ](https://www.tes.com/teaching-resource/resource-12493048)

AQA Step Up to English Creative Writing Bundle *NEW*

This is a collection of resources for colleagues teaching the AQA Step Up to English course. Both teaching units come with well-presented teaching PPTs and all student resources. **Creative Writing Unit** This highly engaging and enjoyable unit of work is designed to help Step Up to English students prepare for the AQA Component 2 writing section with a particular focus on narrative writing. It supports students in actively exploring and enjoying narrative extracts, looking at models from a range of literature and identifying successful features before moving to composing their own creative responses in the style of the writing assessment. **Grammar and Punctuation Starters** This resource was designed as a series of starters for my Step Up to English group. It focuses on sentences structure and punctuation and provides opportunities for students to apply new skills. It takes a visual approach to teaching simple, compound and complex sentences and provides texts and writing activities which help provide a context rather than the more traditional method of writing out individual sentences. As well as sentence structure, it covers punctuation including use of commas and punctuating direct speech. I have also added a set of Step Up creative writing tasks and a CPD unit on how to teach creative writing for Entry Level English. **More Step Up to English Resources** Complete courses and individual teaching units on all component 1 and 2 topics are available. They include teaching PPTs, all student resources and a set of detailed teacher's notes and can be found at: [RoseandMay's TES English Classroom Resources](https://www.tes.com/teaching-resources/shop/RoseandMay101/) **New individual units:** [AQA Step Up to English: Component 1 STYLE Unit](https://www.tes.com/teaching-resource/resource-12584104) [AQA Step Up to English: Component 2 CRIME Unit](https://www.tes.com/teaching-resource/resource-12545869) **New Complete Course** [AQA Step Up to English: Complete Course (Leisure, Crime and Style Units)](https://www.tes.com/teaching-resource/resource-12591097)

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Lovely resource for my Step Up class. Thank you

RoseandMay101

Thank you again, Sam

Empty reply does not make any sense for the end user

This is really great. Thank you so much. I was wondering whether you sold your CPD for step up separately - the guides for how to teach it. Thanks.

Hi there, Many thanks for your review - I'm very pleased they are useful. In my shop, I have separate teaching units for all the Step Up topics as well as bundles of complete courses which contain three full units as well as practice units. All include a teaching PPT, all student resources and a set of notes on how I delivered the units. They can be found here: https://www.tes.com/teaching-resources/shop/RoseandMay101 There is a unit on teaching creative writing to Step Up groups which may also be helpful to you: https://www.tes.com/teaching-resource/aqa-step-up-to-english-component-2-creative-writing-unit-new-12493048 I have written a set of generic CPD units on teaching entry level which can be found here: https://www.tes.com/teaching-resource/teaching-entry-level-english-complete-set-of-cpd-units-12399884 - they are also available in my shop as separate guides. Please note that they are generic to entry level teaching rather than specifically for the Step Up course. Very best wishes and I hope your group enjoy the course, Sam

Great creative writing starters, useful for 11+ students who need some ideas.

Thank you so much for the review - delighted they are helpful. Take care.

littlemissteacheruk

Fab resource, thank you

Thank you for your review. I'm pleased the resource is helpful. Take care.

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Descriptive Writing

Though there's no formula for great creative writing, there are some strategies you can use that will make sure you're able to cross the two biggest hurdles on the day: finding something to write about and writing about it in a way that actually engages your reader..

1. Creating atmosphere

2: The Zonal System

3: Using the senses

4. The A-Z of Sentences

5: Bringing it all together

6. Pics and Last Tips

Examples from online..., there's loads of creative writing available online, and it's always a good idea to see what other people are doing and magpie ideas from them., and remember what the great 20th century artist picasso once said: "good artists copy, great artists steal", https://medium.com/@scrbblyblog/cie-cambridge-descriptive-writing-a-level-example-the-mountain-b4ead615951f.

AQA GCSE English Language Past Papers

This section includes recent GCSE English Language past papers (9-1) (8700) from AQA. You can download each of the AQA GCSE English Language past papers and marking schemes by clicking the links below.

November 2022 AQA GCSE (9-1) English Language (8700) Past Exam Papers

November 2022: Paper 1: Explorations in Creative Reading and Writing (8700/1) Download Insert    -     Download Past Paper     -     Download Mark Scheme

November 2022: Paper 2: Writer's Viewpoints and Perspectives (8700/2) Download Insert    -    Download Past Paper    -    Download Mark Scheme

June 2022 AQA GCSE (9-1) English Language (8700) Past Exam Papers

June 2022: Paper 1: Explorations in Creative Reading and Writing (8700/1) Download Insert    -     Download Past Paper     -     Download Mark Scheme

June 2022: Paper 2: Writer's Viewpoints and Perspectives (8700/2) Download Insert      -    Download Past Paper    -    Download Mark Scheme

November 2021 AQA GCSE (9-1) English Language (8700) Past Exam Papers (Labelled as June 2021)

November 2021: Paper 1: Explorations in Creative Reading and Writing (8700/1) Download Insert    -     Download Past Paper     -     Download Mark Scheme

November 2021: Paper 2: Writer's Viewpoints and Perspectives (8700/2) Download Insert      -    Download Past Paper    -    Download Mark Scheme

November 2020 AQA GCSE (9-1) English Language (8700) Past Exam Papers (Labelled as June 2020)

November 2020: Paper 1: Explorations in Creative Reading and Writing (8700/1) Download Insert    -     Download Past Paper     -     Download Mark Scheme

November 2020: Paper 2: Writer's Viewpoints and Perspectives (8700/2) Download Insert      -    Download Past Paper    -    Download Mark Scheme

June 2019 AQA GCSE (9-1) English Language (8700) Past Exam Papers

June 2019: Paper 1: Explorations in Creative Reading and Writing (8700/1) Download Insert    -     Download Past Paper     -     Download Mark Scheme

June 2019: Paper 2: Writer's Viewpoints and Perspectives (8700/2) Download Insert      -    Download Past Paper    -    Download Mark Scheme

November 2018 AQA GCSE (9-1) English Language (8700) Past Exam Papers

November 2018: Paper 1: Explorations in Creative Reading and Writing (8700/1) Download Insert   -    Download Past Paper    -    Download Mark Scheme

November 2018: Paper 2: Writer's Viewpoints and Perspectives (8700/2) Download Insert     -    Download Past Paper    -  D  ownload Mark Scheme

June 2018 AQA GCSE (9-1) English Language (8700) Past Exam Papers

June 2018: Paper 1: Explorations in Creative Reading and Writing (8700/1) Download Insert   -     Download Past Paper     -     Download Mark Scheme

June 2018: Paper 2: Writer's Viewpoints and Perspectives (8700/2) Download Insert      -     Download Past Paper     -     Download Mark Scheme

November 2017 AQA GCSE English Language (8700) Past Exam Papers

November 2017: Paper 1: Explorations in Creative Reading and Writing (8700/1) Download Insert    -     Download Past Paper    -    Download Mark Scheme

November 2017: Paper 2: Writer's Viewpoints and Perspectives (8700/2) Download Insert      -     Download Past Paper     -    Download Mark Scheme

June 2017 AQA GCSE English Language (8700) Past Exam Papers

June 2017: Paper 1: Explorations in Creative Reading and Writing (8700/1) Download Insert    -    Download Past Paper    -    Download Mark Scheme

June 2017: Paper 2: Writer's Viewpoints and Perspectives (8700/2) Download Insert      -     Download Past Paper     -    Download Mark Scheme

For more GCSE English Language past papers from other exam boards  click here .

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