creative writing england university

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Creative Writing

Application options include:

Course Overview

The BA Creative Writing is an exciting programme of study that gives you the opportunity to explore a range of disciplines, from fiction to poetry, scriptwriting to creative non-fiction.

You will be taught by some of the UK’s leading writers, including playwright David Eldridge ( Beginning ) and screenwriter Daragh Carville ( The Bay ). Under the guidance of these and other practising, award-winning writers, you will:

• build an understanding of the craft of writing
• hone your authorial technique
• learn the vital skills of reading as a writer.

Through practical projects and engagement with visiting professionals, you will broaden your understanding of the many aspects of the writing industry. You will also complete an extended creative project in a specific genre in your final year.

This creative writing course provides you with a basis of skills necessary to pursue writing as a profession. It also equips you with expertise transferable to many careers in the arts, education and the media. And you will be studying right in the heart of literary London, walking in the footsteps of Virginia Woolf and the Bloomsbury Group.

If you opt for the Foundation Year route, this will fully prepare you for undergraduate study. It is ideal if you are returning to study after a gap, or if you have not previously studied the relevant subjects, or if you didn't achieve the grades you need for a place on your chosen undergraduate degree.  

Discover the career opportunities available by taking Creative Writing (BA (Hons)).

Key information and modules

Creative writing ba (hons): 3 years full-time, on campus, starting october 2024.

Central London

Creative Writing BA (Hons): 4 years part-time, on campus, starting October 2024

Creative writing with foundation year ba (hons): 4 years full-time, on campus, starting october 2024, creative writing with foundation year ba (hons): 6 years part-time, on campus, starting october 2024, creative writing ba (hons): 3 years full-time, on campus, starting october 2025, creative writing ba (hons): 4 years part-time, on campus, starting october 2025.

Applications open in October 2024

Creative Writing with Foundation Year BA (Hons): 4 years full-time, on campus, starting October 2025

Creative writing with foundation year ba (hons): 6 years part-time, on campus, starting october 2025.

Find another course:

• Birkbeck was ranked 2nd in the UK for its English Language and Literature research in the 2021 Research Excellence Framework.
• You will be eligible to submit work to the annual Birkbeck creative writing journal, The Mechanics’ Institute Review . Read an account of how our students created the most recent issue of The Mechanics' Institute Review .
• Birkbeck is located in the heart of literary London, in Bloomsbury, WC1. You could be studying in a building that was once home to Virginia Woolf and frequented by members of the Bloomsbury Group. The building houses our own creative hub which includes the  Peltz Gallery , the Gordon Square Cinema and a theatre and performance space .

Birkbeck makes all reasonable efforts to deliver educational services, modules and programmes of study as described on our website. In the event that there are material changes to our offering (for example, due to matters beyond our control), we will update applicant and student facing information as quickly as possible and offer alternatives to applicants, offer-holders and current students.

Entry Requirements

We welcome applicants without traditional entry qualifications as we base decisions on our own assessment of qualifications, knowledge and previous work experience. We may waive formal entry requirements based on judgement of academic potential.

All applicants, whatever their academic background, must submit a sample of 1000 words of creative writing (fiction, poetry, drama, or screenwriting).

For part-time courses, standard requirements are a minimum of two A-levels or equivalent.

UCAS tariff points

• 3 years full-time: 96-128 points (e.g. A-levels CCC-ABB)
• 4 years full-time with Foundation Year: 48 points

The UCAS tariff score is applicable to you if you have recently studied a qualification that has a UCAS tariff equivalence. UCAS provides a tariff calculator for you to work out what your qualification is worth within the UCAS tariff.

Foundation year degrees

Our 'with Foundation Year' route is designed to give you extra support as it provides you with an additional year (full-time) or two years (part-time) of supported study. This is an ideal route if you are returning to study after a gap, or if you have not previously studied this subject, or if you did not achieve the grades you need for a place on this degree. 

Once you successfully complete your Foundation Year studies, you will automatically advance onto the main degree. 

Alternative entry routes

3 years full-time and 4 years part-time: Access to Higher Education Diploma with a minimum of 15 credits achieved at Merit or Distinction in the subject area, although we may waive these formal entry requirements and make our own assessment based on the creative writing sample.

English language requirements

If English is not your first language or you have not previously studied in English, our usual requirement is the equivalent of an International English Language Testing System (IELTS Academic Test) score of 6.5, with not less than 6.0 in each of the sub-tests.  We also accept other English language tests .

If you don’t meet the minimum English language requirements,  please contact us  or see our  international study skills page  for more details of how we can help.

Visit the International section of our website to find out more about our  English language entry requirements and relevant requirements by country .

Visa and funding requirements

If you are not from the UK and you do not already have residency here, you may need to apply for a visa.

The visa you apply for varies according to the length of your course:

• Courses of more than six months' duration: Student visa
• Courses of less than six months' duration: Standard Visitor visa

International students who require a Student visa should apply for our full-time courses as these qualify for Student visa sponsorship. If you are living in the UK on a Student visa, you will not be eligible to enrol as a student on Birkbeck's part-time courses (with the exception of some modules).

For full information, read our visa information for international students page .

Please also visit the international section of our website to find out more about relevant visa and funding requirements by country .

Please note students receiving US Federal Aid are only able to apply for in-person, on-campus programmes which will have no elements of online study.

Credits and accredited prior learning (APL)

If you have studied at university (or have an HND or Foundation Degree), you may have accumulated credits through the modules you studied. It may be possible to transfer these credits from your previous study to Birkbeck or another institution.

Creative Writing BA (Hons): 4 years part-time, on campus, starting in academic year 2024-25 or 2025-26

Academic year 2024–25, starting october 2024.

Part-time home students: £6,935 per year Part-time international students : £13,215 per year

Academic year 2025–26, starting October 2025

To be confirmed

Creative Writing BA (Hons): 3 years full-time, on campus, starting in academic year 2024-25 or 2025-26

Full-time home students: £9,250 per year Full-time international students: £17,620 per year

Creative Writing with Foundation Year BA (Hons): 4 years full-time, on campus, starting in academic year 2024-25 or 2025-26

Creative writing with foundation year ba (hons): 6 years part-time, on campus, starting in academic year 2024-25 or 2025-26.

Part-time home students, Year 1&2: £4,625 per year Part-time international students , Year 1&2: £8,810 per year Part-time home students, Year 3+: £6,935 per year Part-time international students , Year 3+: £12,615 per year

Students are charged a tuition fee in each year of their course. Tuition fees for students continuing on their course in following years may be subject to annual inflationary increases. For more information, please see the College Fees Policy .

If you’ve studied at Birkbeck before and successfully completed an award with us, take advantage of our Lifelong Learning Guarantee to gain a discount on the tuition fee of this course.

Tuition fee and maintenance loans

Eligible full-time and part-time students from the UK don’t have to pay any tuition fees upfront, as government loans are available to cover them.

Maintenance loans are also available for eligible full-time and part-time UK students, to assist with covering living costs, such as accommodation, food, travel, books and study materials. The amount you receive is means-tested and depends on where you live and study and your household income.

Funding for EU students is changing from August 2021: find out about details of these changes.

Find out more about tuition fee and maintenance loans for full-time and part-time students at Birkbeck.

Discover the financial support available to you to help with your studies at Birkbeck.

International scholarships

We provide a range of scholarships for eligible international students, including our Global Future Scholarship. Discover if you are eligible for a scholarship .

At Birkbeck, most of our courses are taught in the evening and all of our teaching is designed to support students who are juggling evening study with work and other commitments. We actively encourage innovative and engaging ways of teaching, to ensure our students have the best learning experience.

Teaching may include formal lectures, seminars, and practical classes and tutorials. Formal lectures are used in most degree programmes to give an overview of a particular field of study. They aim to provide the stimulus and the starting point for deeper exploration of the subject during your own personal reading. Seminars give you the chance to explore a specific aspect of your subject in depth and to discuss and exchange ideas with fellow students. They typically require preparatory study.

In addition, you will have access to pastoral support via a named Personal Tutor.

Methods of teaching on this course

Teaching is varied and interactive and takes the form of lecturer-led sessions on elements of craft, workshopping of students' creative work, class and home exercises, student readings, and individual and group work.

The Foundation Year is composed mainly of interactive lectures for large groups and tutorial-style classes that support the development of knowledge, skills, confidence and self-awareness.

You may be taught by successful, published authors and practitioners, including:

• David Eldridge
• Richard Hamblyn
• Steve Willey
• Luke Williams .

Teaching hours

Our evening hours are normally between 6pm and 9pm (6-7.30pm and 7.30-9pm). Some programmes also offer teaching during the day and this will be clearly signposted to you where it is available.

On our taught courses, you will have scheduled teaching and study sessions each year. Scheduled teaching sessions may include lectures, seminars, workshops or laboratory work. Depending on the modules you take, you may also have additional scheduled academic activities, such as tutorials, dissertation supervision, practical classes, visits and field trips. On our taught courses, the actual amount of time you spend in the classroom and in contact with your lecturers will depend on your course, the option modules you select and when you undertake your final-year project (if applicable).

Alongside your contact hours, you will also undertake assessment activities and independent learning outside of class. The amount of time you need to allocate to study both for taught sessions (this might include online sessions and/or in-person sessions) and personal study will depend on how much you are studying during the year and whether you are studying full time or part time.

Birkbeck’s courses are made up of modules and allocated ‘credit’. One credit is equivalent to ten hours of learning time. Modules are usually in 15, 30 or 60 credit units. A 15-credit module will mean around 150 hours of learning, including taught sessions and independent study or group work. This is spread out over the whole period of that module and includes the time you spend on any assessments, including in examinations, preparing and writing assessments or engaged in practical work as well as any study support sessions to help you in your learning.

On our distance-learning and blended-learning courses, discussion, collaboration and interaction with your lecturers and fellow students is encouraged and enabled through various learning technologies.

Timetables are usually available from September onwards and you can access your personalised timetable via your My Birkbeck Profile online (if you have been invited to enrol).

Indicative class size

Class sizes vary, depending on your course, the module you are undertaking, and the method of teaching. For example, lectures are presented to larger groups, whereas seminars usually consist of small, interactive groups led by a tutor.

Independent learning

On our taught courses, much of your time outside of class will be spent on self-directed, independent learning, including preparing for classes and following up afterwards. This will usually include, but is not limited to, reading books and journal articles, undertaking research, working on coursework and assignments, and preparing for presentations and assessments.

Independent learning is absolutely vital to your success as a student. Everyone is different, and the study time required varies topic by topic, but, as a guide, expect to schedule up to five hours of self-study for each hour of teaching.

Study skills and additional support

Birkbeck offers study and learning support to undergraduate and postgraduate students to help them succeed. Our Learning Development Service can help you in the following areas:

• academic skills (including planning your workload, research, writing, exam preparation and writing a dissertation)
• written English (including structure, punctuation and grammar)
• numerical skills (basic mathematics and statistics).

Our Disability and Dyslexia Service can support you if you have additional learning needs resulting from a disability or from dyslexia.

Our Counselling Service can support you if you are struggling with emotional or psychological difficulties during your studies.

Our Mental Health Advisory Service can support you if you are experiencing short- or long-term mental health difficulties during your studies.

Assessment is an integral part of your university studies and usually consists of a combination of coursework and examinations, although this will vary from course to course - on some of our courses, assessment is entirely by coursework. The methods of assessment on this course are specified below under 'Methods of assessment on this course'. You will need to allow time to complete coursework and prepare for exams.

Where a course has unseen written examinations, these may be held termly, but, on the majority of our courses, exams are usually taken in the Summer term, during May to June. Exams may be held at other times of the year as well. In most cases, exams are held during the day on a weekday - if you have daytime commitments, you will need to make arrangements for daytime attendance - but some exams are held in the evening. Exam timetables are published online.

Find out more about assessment at Birkbeck, including guidance on assessment, feedback and our assessment offences policy.

Methods of assessment on this course

Assessment is 100% coursework, which may include short creative projects, essays, presentations, a writer's notebook, web publishing and an extended creative work in a specific genre. 

A creative dissertation is also a compulsory requirement of the course in your final year.

Careers and employability

Graduates can pursue career paths in creative writing, journalism, education or media production. Possible professions include:

• higher education lecturer
• screenwriter.

Birkbeck creative writing graduates include:

• Niki Aguirre
• Sarah Alexander
• Laura Allsop
• Iphgenia Baal
• Phoebe Blatton
• Nicole Burstein
• Tray Butler
• Melissa De Villiers
• Liz Fremantle
• A. J. Grainger
• Emma Henderson
• Sally Hinchcliffe
• Heidi James
• Olya Knezevic
• Matthew Loukes
• Nadim Safdar
• Karin Salvalaggio
• David Savill .

We offer a comprehensive careers service - Careers and Enterprise - your career partner during your time at Birkbeck and beyond. At every stage of your career journey, we empower you to take ownership of your future, helping you to make the connection between your experience, education and future ambitions.

You apply via UCAS for our full-time undergraduate courses or directly to Birkbeck for our part-time undergraduate courses.

Full-time (UCAS entry)

If you are applying for a full-time undergraduate course at Birkbeck, you have to apply through the Universities and Colleges Admissions Service (UCAS). To apply, go to the UCAS website and click on ‘Sign in’. You will have to register, giving UCAS a few personal details, including your name, address and date of birth, and then you can start working on your application.

The first UCAS deadline is in January, and the majority of university applications through UCAS are made by then. Find the exact deadline date on the UCAS website . We welcome applications outside of the UCAS deadlines, so you can still apply through UCAS after the January deadline, depending on the availability of places. We also take late applications via the UCAS Clearing system in August.

If you are applying for a part-time undergraduate course (4 or 6 year), you apply directly to Birkbeck by using the Apply now button. You will need to prove your identity when you apply - read more about suitable forms of identification .

You are strongly advised to apply now, to ensure that there are still places on your chosen course and to give you enough time to complete the admissions process, to arrange funding and to enrol. You don't need to complete your current programme of study before you apply.

You apply directly to Birkbeck for this course, using the online application link. Please note that online application will open in September.

When to apply

You are strongly advised to apply now , to ensure there are still places on your chosen course and to give you enough time to complete the admissions process, to arrange funding and to enrol.

You don't need to complete your current programme of study before you apply - Birkbeck can offer you a place that is conditional on your results.

You will also receive information about subject-specific induction sessions over the summer.

Help and advice with your application

Get all the information you need about the application, admission and enrolment process at Birkbeck.

Our online personal statement tool will guide you through every step of writing the personal statement part of your application.

Apply for your course

Apply for your course using the apply now button in the key information section .

Course structure

Course structure listing, course structure and modules for creative writing ba (hons): 4 years part-time, on campus, starting october 2024.

You must complete modules worth a total of 360 credits.

• Year 1: three compulsory modules
• Years 2 and 3: two compulsory modules and one option module in each year
• Year 4: two compulsory modules, one option module and a dissertation

Year 1 compulsory modules

• Introduction to Playwriting and Poetry
• Storytelling: Narrative Archetypes, Forms and Techniques
• Writing for Film and TV

Year 2 compulsory modules

• Fiction Workshop 1
• Narrative Methods

Year 2 option modules

• Poetry Workshop 1
• Scriptwriting Workshop 1: The Essentials of Stage and Screen (The 30 Minute Script)

Year 3 compulsory modules

• Creative Non-fiction
• The Writing Industry

Year 3 option modules

• Poetry Workshop 2: The Open Page
• Scriptwriting Workshop 2: Writing for the Contemporary Stage

Year 4 compulsory modules

• Independent Reading Portfolio: Critical Reflection
• The Publishing Project

Year 4 option modules

• Fiction Workshop: The Contemporary Novel
• Scriptwriting Workshop 4: The Television Drama (The 60 Minute Script)

BA Creative Writing dissertation

• Dissertation BA Creative Writing

Course structure and modules for Creative Writing BA (Hons): 3 years full-time, on campus, starting October 2024

• Year 1: four compulsory modules
• Year 2: three compulsory modules and one option module
• Year 3: two compulsory modules, two option modules and a dissertation

Course structure and modules for Creative Writing BA (Hons): 4 years part-time, on campus, starting October 2025

Course structure and modules for creative writing ba (hons): 3 years full-time, on campus, starting october 2025, course structure and modules for creative writing with foundation year ba (hons): 4 years full-time, on campus, starting october 2024.

For the Foundation Year, you undertake three core modules and choose one option module: either The Arts: Questioning the Contemporary World or a language module.

If you successfully complete these modules, you will automatically advance on to our three-year, full-time, evening study BA Creative Writing .

Foundation Year core modules

• Breaking Boundaries of Knowledge
• Fundamentals of Study
• The Arts: Perspectives and Possibilities

Foundation Year option modules

• French 3 (Level 4)
• French 4 (Level 4)
• German 3 (Level 4)
• German 4 (Level 4)
• Italian 3 (Level 4)
• Italian 4 (Level 4)
• Japanese 3 (Level 4)
• Japanese 4 (Level 4)
• Spanish 3 (Level 4)
• Spanish 4 (Level 4)
• The Arts: Questioning the Contemporary World

Course structure and modules for Creative Writing with Foundation Year BA (Hons): 6 years part-time, on campus, starting October 2024

Our part-time Foundation Year degrees allow you to spread out your Foundation Year studies over two years. As the 'Foundation Year' is made up of 120 credits, as a part-time student you can take 60 credits in each of your first and second years before starting the main four-year BA Creative Writing. This means that you can take six years to complete the part-time degree with Foundation Year.

In Foundation Year 1 you take two core modules and in Foundation Year 2 you take one core module and choose one option module.

If you successfully complete these modules, you will automatically advance on to our four-year, part-time, evening study BA Creative Writing .

Foundation Year 1 core modules

Foundation year 2 core module, foundation year 2 option modules, course structure and modules for creative writing with foundation year ba (hons): 4 years full-time, on campus, starting october 2025, course structure and modules for creative writing with foundation year ba (hons): 6 years part-time, on campus, starting october 2025.

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Undergraduate Study

BA English and Creative Writing - 2025 entry

• Undergraduate home
• Courses - 2025 entry
• English and Creative Writing BA

With Study Abroad

With Employment Experience

With Employment Experience Abroad

• This degree offers an exciting opportunity to study both English Literature and Creative Writing at undergraduate level.
• In English Literature, you’ll develop your knowledge in subjects ranging from medieval to contemporary literatures. We offer diverse optional modules so you can build a programme reflective of your literary interests.
• In   Creative Writing , our team of prize-winning and best-selling authors will help you develop your writing skills, in response to the new work of a diverse range of cutting-edge contemporary writers.
• Whether you are interested in fiction, non-fiction, prose, poetry, drama, life-writing or screen writing, Exeter offers you a thriving and supportive writing community.
• Excellent facilities on campus include our Special Collections relating to world-renowned writers, The Bill Douglas Cinema Museum which is a unique film and popular culture resource and our Digital Humanities Lab. Exeter has also recently been awarded   UNESCO City of Literature   status.
• Participate in events involving internationally acclaimed authors, actors and filmmakers.

View 2024 Entry

Request a prospectus

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How to apply

Web: Enquire online

Phone: +44 (0)1392 72 72 72

Top 10 in the UK for English

9th in The Times and The Sunday Times Good University Guide 2024

Top 100 in the world for English Language and Literature

61 st in the QS World University Subject Rankings 2023

A thriving and supportive writing community - our team of prize-winning and best-selling authors will help you develop your creative writing skills

Opportunities for Study Abroad and Employment Experience in the UK or abroad

Entry requirements (typical offer)

NB General Studies is not included in any offer.

Grades advertised on each programme webpage are the typical level at which our offers are made and provide information on any specific subjects an applicant will need to have studied in order to be considered for a place on the programme. However, if we receive a large number of applications for the programme we may not be able to make an offer to all those who are predicted to achieve/have achieved grades which are in line with our typical offer. For more information on how applications are assessed and when decisions are released, please see: After you apply

Whilst my studies here at the University of Exeter have been incredible (I cannot speak highly enough of my English course), my time at Exeter has been defined by what I do away from the books.

I have taken managerial roles within societies, broadening my circle of peers and allowing me to develop my leadership skills. Not only have I been involved in voluntary positions, the University’s broad internship programme has allowed me to take paid work in the Digital Humanities Labs, assisting academics on world leading research and pioneering and fostering new relationships between the University and the rest of the world.

This internship has let me interact with texts like the first edition of William Golding’s ‘Lord of the Flies’ (with the rarely seen first chapter) and even taken me to Canada, all of which is incredible experience, and will stand me in good stead for further study. I chose the study abroad option at Deakin University in Melbourne, Australia, as I believe that having international experience is key to success as work between countries continues to become more globally significant and the world is becoming smaller through communication and travel,’ 

Read more from Connor

BA English with Study Abroad (Deakin University, Melbourne, Australia)

Course content

You will explore the work of some of the giants of English literature as well as discovering more unusual works from the past and engaging literary and cultural works from the contemporary moment.

At Streatham, our team’s vast expertise offers plenty of choice so you can develop an understanding of many different genres and forms of writing. As well as covering the full breadth of the English literary landscape from the Middle Ages to the 21st century, our degree programmes give you the opportunity to learn about the history of cinema, study creative writing (poetry, prose and screenplays), and you’ll also encounter global literatures and digital media.

Indeed, the range of media we cover on our modules is vast: as well as plays, novels, poetry, and short stories, we engage with film, television, video games, graphic novels and the creative industries.

The modules we outline here provide examples of what you can expect to learn on this degree course based on recent academic teaching. The precise modules available to you in future years may vary depending on staff availability and research interests, new topics of study, timetabling and student demand.

90 credits of compulsory modules, 30 credits of optional modules

Compulsory modules

a – You may pick one of these modules

Optional modules

60 credits of optional English modules and 60 credits of optional Creative Writing modules

Subject to choosing 120 credits for the stage overall, you must:

a select 60 credits from this list of optional Creative Writing modules. You must choose one of EAS2031 or EAS2032 (you may choose both modules).

b select 0-30 credits of optional modules from this group (subject to choosing 60 credits in total from groups 1, 2 and 3 of English options).

c You may select 0-30 credits of optional modules from this group (subject to choosing 60 credits in total from groups 1, 2 and 3 of English options).

d You may select 0-30 credits of optional modules from this group (subject to choosing 60 credits in total from groups 1, 2 and 3 of English options).

NB EAF2510 Adaptation: Text, Image Culture can be taken as either Creative Writing or English credits.

Placement year (if taken)

Typically, any  placement year  will take place in Year 3. If you are not taking a placement year please see the Final Year modules for year 3.

30 credits of compulsory dissertation modules, 90 credits of optional modules ensuring you take 60 credits of Creative Writing module and 60 credits of English modules.

e select either EAS3003 or EAS3122 or EAS3510 (you can only select one of these modules). If you select EAS3003 or EAS3510 you must take 60 credits from this list of optional Creative Writing modules. If you select EAS3122, you must take 60 credits from this list of optional English modules.

f select 30-60 credits from this list of optional Creative Writing modules (if you select EAS3003 you must take 60 credits from this list of optional Creative Writing modules; if you select EAS3122, you must take 30 credits from this list of optional Creative Writing modules).

g select 30-60 credits from this list of optional English modules (if you select EAS3122 you must take 60 credits from this list of optional English modules; if you select EAS3003, you must take 30 credits from this list of optional English modules).

Course variants

Ba english and creative writing with study abroad.

UCAS code:  Q318

Our four-year ‘with Study Abroad’ degree, offers you the possibility of spending your third year abroad, studying with one of our many partner universities.

Why Study Abroad?

Living and studying in a different country is an exciting experience that broadens your academic and cultural horizons, as well as giving you the opportunity to widen your circle of friends. Students who have studied abroad demonstrate initiative, independence, motivation and, depending on where they stay, may also have gained a working knowledge of another language – all key qualities that employers are looking for in today’s competitive employment environment.

Where can I Study Abroad?

We have partnership arrangements with many prestigious institutions across the globe. Exactly where you can apply to study will depend on the subjects you are studying at Exeter. For a full list please visit the  Study Abroad website .

Does it count towards my degree?

Credit for academic work during your year abroad is arranged by agreement between the University of Exeter and the host institution. These marks are then translated back into your degree at Exeter. If you are Studying Abroad for a semester or full year, your time abroad will count toward your final degree. Please refer to your   Study Abroad co-ordinator   for further details.

How does it affect my tuition fee and funding?

For the year that you spend studying abroad you will pay a significantly reduced tuition fee to Exeter, but nothing to your host university – for more information visit our  fees pages . If you were previously eligible, you will continue to receive a maintenance loan whilst on your Study Abroad year.

BA English and Creative Writing with Employment Experience

UCAS code:  Q319

Our four-year ‘with Employment Experience’ degree, offers you the possibility of spending your third year carrying out a graduate-level work placement or placements within the UK as part of your degree.

Why choose to include Employment Experience?

Undertaking graduate-level work during your degree unlocks a world of experience that allows you to develop essential employability and interpersonal skills that relate to your degree and future career. A work placement will dramatically boost your confidence, enhance your CV and develop graduate level skills and competencies that employers are looking for.

Where will I do my work placement?

The sector you choose to work within is very much your choice as you will be responsible for finding and organising your placement. We will provide plenty of guidance and support during your first and second years which will prepare you to research and apply for placements. Ultimately, the university will give final approval to your placement to make sure you have a valuable experience.

How does it affect my tuition fees and funding?

For your ‘Year In Industry’ you will pay a significantly reduced tuition fee to Exeter – for more information visit our  fees pages . If you were previously eligible, you will continue to receive a maintenance loan whilst on your year of work placement/s.

Find out more

Visit our website to learn more about   employment experience   opportunities. 

BA English with Employment Experience Abroad

UCAS code:  Q320

Our four-year ‘with Employment Experience Abroad’ degree, offers you the possibility of spending your third year abroad, carrying out a graduate-level work placement or placements as part of your degree.

Why choose to include Employment Experience Abroad?

Spending up to a year living and working in a different country is an exciting experience that broadens your academic and cultural horizons, as well as giving you the opportunity to widen your circle of friends. By carrying out a graduate-level work placement or placements abroad you can demonstrate to employers your adaptability, cultural awareness, independence and resourcefulness and, depending on where you stay, may also have gained a working knowledge of another language.

The sector and country you choose to work within is very much your choice as you will be responsible for finding and organising your placement. We will provide plenty of guidance and support during your first and second years which will prepare you to research and apply for placements. Ultimately, the university will give final approval to your placement to make sure you have a valuable experience.

How does it affect my tuition fee?

Is the placement paid.

You will be paid in accordance with the rules of the country you work in and there may be visa restrictions or requirements which you need to consider when applying.

Tuition fees for 2024 entry

UK students: £9,250 per year International students: £23,700 per year

* Please note that the fees for students starting in 2023 have yet to be set. The fees provided above are the fees for students starting in 2022 and are for guidance only. We will post the fees for 2023 entry shortly.

Scholarships

The University of Exeter has many different scholarships available to support your education, including £5 million in scholarships for international students, such as our Global Excellence Scholarships *. Financial support is also available for students from disadvantaged backgrounds, lower income households and other under-represented groups to help them access, succeed and progress through higher education.

* Terms and conditions apply. See online for details .

Find out more about tuition fees and scholarships

Learning and teaching

How will i learn.

The nature of learning at university involves considerable self-guided study and research. You will be taught through a combination of lectures and discussion-based seminars. We also support the development of team-based learning by organising students into study groups, and we make full use of both traditional learning resources and our virtual learning environment. Lecturers and tutors are all available to provide further support in one-to-one consultations.

Most of your work will be done in group and self-directed study: reading or viewing module material, writing essays or preparing for your seminars. Active participation in seminars develops important transferable skills such as good verbal and visual communication and effective interaction with other people. You will also develop a range of professional abilities, such as time management and team working, plus valuable critical, analytical and communication skills.

We are actively engaged in introducing new methods of learning and teaching, including the increasing use of interactive computer-based approaches to learning. Through our virtual learning environment, you can access detailed information about modules, and interact through activities such as discussion forums. You will also have access to online subscription databases and websites, such as Early English Books Online (EEBO), Eighteenth Century Collections Online (ECCO), MLA FirstSearch and JSTOR.

How will I be assessed?

You will be assessed in a variety of ways but primarily through exams and coursework. Coursework includes essays, a dissertation and presentation work. The ratio of formal exam to coursework is on average 40:60. Your first year doesn’t count towards your final degree classification, but you do have to pass it in order to progress.

Other/extra-curricular opportunities

We provide an exciting range of special lectures and seminars by visiting academics and renowned writers, actors and film directors. In addition to your academic work, the student-run English Society organises book and poetry readings, film screenings and social events, providing an opportunity to meet students who share a love of literature, culture and the arts. Students from the English department are always active on the University student newspapers, radio and TV station and in the University’s drama groups.

Optional modules outside of this course

Each year, if you have optional modules available, you can take up to 30 credits in a subject outside of your course. This can increase your employability and widen your intellectual horizons.

Proficiency in a second subject

If you complete 60 credits of modules in one of the subjects below, you may have the words 'with proficiency in [e.g. Social Data Science]' added to your degree title when you graduate.

• A Foreign Language
• Social Data Science
• Entrepreneurship

Find out more about proficiency options

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Your future

Employer-valued skills this course develops

An English degree puts you in a great position to succeed in a range of careers. Oral and written communication is at the heart of our programme and you will learn to present your ideas in a variety of formats. You will also develop strong research and analytical skills and the ability to problem solve and make informed decisions. Through a balance of independent study and teamwork you will learn to manage your time and workload effectively.

Professional experience

With practical modules on offer and opportunity to undertake professional placements, a degree in English will give you plenty of opportunity to develop your professional portfolio which will give you the skills and experience needed to be successful in your chosen career.

Career paths

Our students have progressed to a broad range of work sectors including education, arts management, publishing, journalism, marketing, finance and events management, working for companies such as:

Recent Graduates are now working as*:

• Assistant Brand Manager
• Assistant Director
• Data Analyst
• Policy Adviser
• Product Manager
• Radio Producer
• Youth Worker

Recent Graduates are now working for*:

• European Parliament
• Rolls Royce
• Oxford University Press
• Estee Lauder

Other recent graduates have progressed to postgraduate courses in:

• MA Cultural Heritage Management
• MA English Literary Studies
• PGCE English primary
• MA Magazine Journalism
• Postgraduate Certificate in Counselling Skills

* This information has been taken from the Destinations of Leavers from Higher Education (DLHE) Surveys 14/15, 15/16, 16/17  and 17/18 . Please note that, due to data protection, the job titles and organisations are listed independently and do not necessarily correspond.

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English and Creative Writing

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Thank you for considering an application.

Here's what you need in order to apply:

• Royal Holloway's institution code: R72

Make a note of the UCAS code for the course you want to apply for:

• English and Creative Writing BA - QW38
• Click on the link below to apply via the UCAS website:

Key information

Duration: 3 years full time

UCAS code: QW38

Institution code: R72

Campus: Egham

English and Creative Writing (BA)

By combining the study of creative writing with English, you'll become an informed and critical reader as well as a confident and expressive writer - whether specialising as a poet, playwright, or author of fiction.

Studying at one of the UK's most dynamic English departments will challenge you to develop your own critical faculties. Learning to write creatively and critically analyse in tandem, you'll be exposed to a huge variety of literature while you develop your own writing practice. Studying English will allow you to place your writing within a wider cultural context of literature throughout history, considering key texts and acquiring a sound understanding of significant periods, genres, authors and ideas.

Modules are taught by nationally and internationally known scholars, authors, playwrights and poets who are specialists in their fields who write ground-breaking books, talk or write in the national media and appear at literary festivals around the world.  This means the course you take covers the most up-to-date ideas, whether in Creative Writing, Victorian Literature, Shakespearean studies or contemporary literature.

Find your voice as a writer and develop writing techniques, learn how to create, criticise and shape an artistic work: a valuable life skill with uses beyond writing poetry, plays or novels. From journalism and website creation to advertising and academic publishing – you'll be able to use the skills you pick up in character, voice, ambiguity, style and cultural context.

• Writing practice at the heart of your learning experience.
• Taught by high-profile, award-winning writers.
• Create and shape artistic work – ideal skills for a career in media or publishing.
• Choose one of three distinct pathways: fiction, poetry, or playwriting.
• Access to a thriving culture of creative writing.

From time to time, we make changes to our courses to improve the student and learning experience. If we make a significant change to your chosen course, we’ll let you know as soon as possible.

Course structure

Core modules.

In this module you will develop an understanding of a range of literary and cultural writing forms through reading, discussion and practice. You will look at poetry, drama and prose fiction alongside stand-up comedy, adaptation, translation, songwriting, and other forms of creative expression and articulation. You will learn how to offer clear, constructive, sensitive critical appraisals, and how to accept and appropriately value criticism of your own work.

In this module you will develop an understanding of a range historical perspectives on the function, forms, and value of creative writing. You will look at the genesis of particular genres, such as the short story, the novel and the manifesto, and consider relationships between historical genres and the contemporary writer. You will interrogate your own assumptions about creative writing and critically examine the relationship between creative writing and society.

In this module you will develop an understanding of the origins, developments and innovations of the novel form. You will look at a range of contemporary, eighteenth and nineteenth-century novels and learn to use concepts in narrative theory and criticism. You will consider literary history and make formal and thematic connections between texts and their varying socio-cultural contexts. You will examine novels such as 'The Accidental' by Ali Smith, 'Things Fall Apart' by Chinua Achebe and 'North and South' by Elizabeth Gaskell, analysing their cultural and intellectual contexts.

In this module you will develop an understanding of a variety of major poems in English. You will look at key poems from the Renaissance to the present day. You will engage with historical issues surrounding the poems and make critical judgements, considering stylistic elements such as rhyme, rhythm, metre, diction and imagery. You will examine poems from Shakespeare to Sylvia Plath and analyse topics such as sound, the stanza and the use of poetic language.

In this module you will develop an understanding of how to think, read and write as a critic. You will look at the concepts, ideas and histories that are central to the ‘disciplinary consciousness’ of English Literature, considering periodisation, form, genre, canon, intention, narrative, framing and identity.

You will choose two from the following:

• Playwriting

This module concentrates on a particular mode of writing, genre, theme, issue or idea. You will be encouraged to make creative work in relation to the focus, and develop your writing practice in relation to wider contexts relevant to the contemporary writer.

Creative Writing Special Focus courses are open to both creative writing and non-creative writing students.

You will choose one of the following modules. Each of these modules consists of a year-long independent project, working closely with a staff supervisor from the appropriate field.

• Playwriting 2

Optional Modules

There are a number of optional course modules available during your degree studies. The following is a selection of optional course modules that are likely to be available. Please note that although the College will keep changes to a minimum, new modules may be offered or existing modules may be withdrawn, for example, in response to a change in staff. Applicants will be informed if any significant changes need to be made.

• All modules are core

Develop your skills in the close reading and critical analysis of Middle English poetry, focusing on set passages from three important fourteenth century texts: Chaucer’s Troilus and Criseyde, Langland’s Piers Plowman, and the anonymous Sir Gawain and the Green Knight. The module invites you to think about how poets understood the status of Middle English as a literary language, in comparison with Latin and French.

The Lord of the Rings regularly shows up in lists of 'The Best Books of All Time', and Tolkien continues to inspire interest and imitation for all kinds of reasons. You will examine Tolkien’s work from the perspective of his engagement with Old English poetry, a subject which constituted an important part of his scholarly activity. You will look at his three main Old English poems (in the original and in translation) and Tolkien’s two most popular works of fiction, The Lord of the Rings and The Hobbit.

In this module you will explore a major literary genre which attracted all the great poets of late medieval England: the dream vision. It considers the use of the genre in the works of Chaucer, Langland and the Gawain-poet, as well as examining the visions in mystical writing. These authors’ treatments of the genre repeatedly ask us to reflect on the relationship of literature to experience, poetic authority and identity, and the development of English as a literary language.

Romance was one of the most popular genres of secular literature in late medieval England. You will begin by looking at the Arthurian romances of Chretien de Troyes, before going on to consider works by Chaucer, the Gawain-poet and Sir Thomas Malory. You will examine romances set in the mythical British past, in the classical cities of Troy, Thebes and Athens, and in the more recognisable landscapes of medieval England and France. Attention will be paid throughout this module to the often inventive and unpredictable ways in which medieval romance works to articulate specific historical and cultural anxieties.

In this module you will develop an understanding of the Anglo-Saxon riddling tradition. You will look at a wide range of Exeter Book Riddles, learning to translate Old English Poetry into modern English. You will consider techniques of textual analysis and personal judgement to form clearly expressed critical examinations of texts. You will consider various perspectives on Anglo-Saxon culture and literature and analyse riddles on topics such as animals, religion, heroic life and runes.

This module explores in-depth three supreme examples of Shakespearean comedy, tragedy and historical drama: Richard III (1592-3), A Midsummer Night's Dream (1595-6), and Macbeth (1606).

The texts covered in this module span virtually the whole period in which early modern English drama flourished: from Marlowe in c.1593 to 1634. The texts range from famous plays like Macbeth and The Tempest to little-known comedies like The Wise-woman of Hogsden. Two central texts will be The Witch of Edmonton and The Late Lancashire Witches, plays which deal with historically documented witchcraft accusations and scares. Non-dramatic texts about witchcraft are also included for study, including news pamphlets, works by learned contemporaries expressing their opinions about witchcraft, and popular ballads.

Charting a progression from Galenic humoral theory to Cartesian dualism, you will consider the representation and significance of corporeality in sixteenth- and seventeenth-century texts. Reading Renaissance plays and poetry alongside anatomical textbooks, manuals of health, erotica, and philosophical essays, the module seeks to contextualise the period's literary treatment of the body.

This module offers the opportunity to study one very important and characteristic aspect of Milton’s Paradise Lost: his depiction of Eden, the paradise that was lost at the fall. Throughout his account of Paradise, Milton works to make the loss of Paradise poignant by lavishing on it all his evocative powers as a poet. You will spend at least three sessions looking at Milton's epic, covering aspects such as Edenic sex and marriage, Eden’s fauna and flora, and work in Eden. Throughout the module images of Paradise will be given attention, starting with Hieronymus Bosch's 'The Garden of Earthly Delight'. Alongside artworks, you will look at some of the Bible scholarship which tried to locate the site of Paradise, and deduce its fate.

An introduction to English literature from the Norman Conquest to the birth of Chaucer. This period has been described both as a period of political crisis and also as a period of cultural renaissance. It saw the conquest and colonization of England, the rise of new forms of scholarship and spirituality, and, according to some accounts, the development of new ways of thinking about national and individual identity

Explore the Victorian concept of the 'sensational' across a range of novels dating from the height of the sensation period in the 1850s and 60s. Together, we will examine some of the magazines in which these novels were originally serialized. Issues such as the role of public spectacle, the first detectives, advertising, domestic crime and the demonic woman will be explored in relation to the cultural and social context of this novelistic genre.

This module, which is designed to enable non-creative writing students to try a creative writing module, will give you the opportunity to work through some issues associated with short-story and/or novel writing. Classes will alternate seminar discussions of aspects of the craft of writing with workshops in which you will interact critically and creatively with others' work.

Examine a range of novels by gay and lesbian writers in Britain and Ireland which have emerged in the wake of the AIDS catastrophe and queer theory. You will focus on interesting though rather peculiar trends in the post-queer novel: queer historical and biographical fictions, and explore the reasons behind the dominance of these approaches in recent gay and lesbian literature.

With the appointment of Carol Ann Duffy as the first woman Poet Laureate for the United Kingdom in 2009, poetry by women became publicly validated as never before. Setting fresh horizons for women’s poetry, Duffy joined Gillian Clarke who has served as National Poet of Wales since 2008; Liz Lochhead was appointed Scots Makar in 2011, and Paula Meehan was appointed in 2013 to the Ireland Chair of Poetry. By careful reading of two collections by each poet, you will assess how each poet has moved from a position of rebellion, liminality or minority into the very heart of the cultural institution.

Discover the 'dark' topics of late-Victorian and Edwardian literature. Perhaps the most important cultural influence on these texts is the negative possibility inherent in Darwinism: that of 'degeneration', of racial or cultural reversal, explored in texts like Wells's The Time Machine, and often related to the Decadent literature of Wilde and others.

An introduction to American literature via the tradition which David Reynolds labels 'dark reform'; a satirical and often populist mode which seek out the abuses which lie beneath the optimistic surface of American life, often through grotesque, scatological, sexualized and carnivalesque imagery. You will explore the contention that because of America's history, with its notions of national consensus and fear of class conflict, political critique in America has often had to find indirect expression.

This module will familiarise you with a range of influential critical and theoretical ideas in literary studies, influential and important for all the areas and periods you will study during your degree.

An introduction to the literature of the English Renaissance, beginning in the 1590s with erotic narrative poems by Christopher Marlowe and William Shakespeare, and concluding with John Milton's drama, Samson Agonistes, first published in 1671. Marlowe and Thomas Middleton represent the extraordinarily rich drama of the period, while John Donne and Andrew Marvell are the most famous of the so-called metaphysical poets. A feature of the module is the attention given to situating these works in their historical and cultural contexts.

Between the English Revolution and the French Revolution, British literature was pulled by opposing cultural forces and experienced an extraordinary degree of experimentation. The eighteenth century is sometimes called The Age of Reason, but it is also called The Age of Sensibility. It was dominated by male writers, but also facilitated the rise of the woman novelist and the emergence of coteries of intellectual women. It continued to be an essentially rural nation, but London grew to be the biggest city in the world and industrialisation was beginning to herd workers into towns. This module explores some of the tensions and oppositions which were played out in the literature of this period.

This module is framed by the personal: it begins with Queen Victoria’s private diaries of her happiest days in Scotland, and ends just beyond the Victorian period, with one troubled man’s intensely-felt account of his Victorian childhood. You will look at examples of the novelistic form, including sensation, Romantic, domestic realist and sentimental novels. Some of the works you will study are well-known and truly canonical, while others will be excitingly unfamiliar; all, however, will contribute to a sense of the variety and contradictions inherent in being Victorian.

This module will introduce you to a broad range of literatures from the period 1780 to 1830. The module aims to problematise and scrutinise the idea of Romanticism as a homogenous literary movement and to raise awareness of the range of competing literary identities present in the period.

Providing an introduction to the study of literary modernism, a period of intense experimentation in diverse sets of cultural forms.  This module deals with issues such as modernist aesthetics; genre; gender and sexuality; the fragment; time and narration; stream-of-consciousness; history, politics and colonialism; technology, and the status of language and the real.

The principal aim of this course is to immerse second-year literature students in the world of digital tools for exploring literature. Through extensive hands-on use of online parsing tools, algorithmic methods for assessing aspects such as word co-association, various types of visualization packages and a great deal more besides, students will realise the remarkable affordances of digital tools in reading and interpreting texts.

Explore British drama staged during the first half of the twentieth century against a backdrop of two world wars. The plays studied place the values of their age under scrutiny, to raise questions about social justice, spiritual choices, class and gender inequalities. Theatrical genres were under just as much pressure as the cultural values they sought to convey; the ten plays studies during the course reflect a range of evolving genres, from the well-made play, the play of ideas, social comedy, to poetic drama.

This module aims to develop your advanced writing skills for academic attainment and employability. You will be introduced to key forms of writing from a variety of professional contexts. An initial focus on the academic essay will enable you to develop writing from more familiar experience.

A project involving designing and promoting a virtual exhibition will introduce you to the writing skills needed in heritage professions and group work. Real life writing and editing tasks introduced by industry professionals from the world of publishing will provide you with practical experience to share with potential employers. You will also be introduced to the requirements of pitches, policy briefs, and the work of writing in the legal professions.

A comprehensive study of three of Shakespeare's most difficult and most disturbing plays, collectively known as the ‘problem plays’: Troilus and Cressida, All’s Well That Ends Well and Measure for Measure. You will develop a detailed knowledge and understanding of the plays, both as individual works of dramatic art and as a group of texts sharing distinctive concerns and techniques.

In this module you will develop an understanding of representations of the body in Renaissance Literature. You will look at a broad range of canonical and non-canonical literature including medical, philosophical and theological texts. You will learn to use diverse critical and theoretical approaches and consider topics including bodily metamorphosis, foreign bodies and gendered bodies. You will examine poetry from writers such as John Donne and Philip Sidney and plays from writers such as William Shakespeare, Christopher Marlowe and John Webster.

An advanced introduction to debates about the philosophy of literature. This module is structured around three key questions: the ethics of literature, what literature is presumed to reveal and the relationship between literature and its interpretation.

This module will introduces you to a number of theorists of tragedy, and a number of significant tragic texts (in dramatic and other idioms) from Classical Greece to the present day. All works not written in English are studied in translation. You will explore a variety of theories of tragedy with specific attention to a range of tragic works in various modes: plays, novels, poetry and film.

Focusing primarily on Joyce’s major work Ulysses while putting it into context with Joyce’s other work, you will have the opportunity of getting to know and getting to enjoy what has been described as ‘the greatest novel of the 20th century’. You will examine it in various contexts, including Joyce’s other writings and the various critical approaches that have found inspiration from Joyce, whether new critical, humanist, post-structuralist, politicizing, feminist, historicizing or textualist responses to his work.

This module explores aspects of nineteenth-century literature, science and culture in some depth and brings well-known works like Charlotte Brontë's Villette, Eliot's Middlemarch and Dickens's Our Mutual Friend into conversation with the evolutionary thought of Charles Darwin, the social investigations of Henry Mayhew and nineteenth-century writings on psychology. You will look at a number of genres, including novels, poetry, journalism, science writing, autobiography, history, art criticism and examine elements of contemporary visual culture.

The objective of this course is to prepare literature students for work in the creative industries by developing their use of digital technologies in responding to literature. In using digital technology to respond to literature both critically and aesthetically, literature students can become adept at various practices that are of immediate, valuable use in the creative industry workplace. This course will cultivate these practices, show how they grow organically out of a love for reading and writing, and demonstrate how they are skills that are in great demand in a wide range of creative workplaces.

In this module you will consider a range of contemporary and experimental poetic writing and consider writing practices in relation to contemporary theory and criticism. You will look at the methods, processes and techniques used by experimental and innovative writers becoming familiar with a range of methodologies for making your own poetic practice.

In this module you will address the relationship between literature and the visual arts from c.1760 to the 1890s. You will look at theoretical issues of how the visual and the verbal arts are defined and consider their compatibility through a number of case studies of visual-verbal interactions from the period studied. You will also address the rise of the visual as the dominant cultural form of the Victorian period, tracing the development of illustrated media and new visual technologies including photography and early cinema, and the concomitant rise of the new phenomenon of the art critic - the professional interpreter of images - in the 1890s.

This module focuses on a key moment in mid-20th century art and culture: the period when the New York Schools of poetry, painting and composition emerged in parallel. In the postwar period, the city took over from Paris as the centre of contemporary art. Abstract Expressionism quickly achieved global popularity, establishing the Museum of Modern Art as the world’s leading contemporary art museum. However, other cultural currents also made a great impact on their respective disciplines. The witty, fast-moving work of the New York School Poets (Frank O’Hara, John Ashbery, Kenneth Koch, Barbara Guest and James Schuyler) challenged the authority of High Modernism in the field of poetry. The radical music of John Cage and Morton Feldman posed a similar challenge to established European composers. The leading proponents of these tendencies did not work in isolation from other disciplines. The poets, for example, wrote about art and Cage and Feldman were both inspired, in different ways, by painters such as Rauschenberg and Guston. This module examines all three fields and the relations between them.

The 1930s was a decade of extremes: extreme financial instability (after the Wall Street Crash of 1929) and extreme politics, with the rise of Fascism and Nazism in Europe. British colonialism was showing fractures; there was a war in mainland Europe (in Spain), and the increasing threat of another World War, which eventually came to pass. Could it be that it closely - all too closely - resembles the decade that we’re living in now – with the rise of nationalisms, extreme ideologies, unstable international relations, following on from a colossal crash in the financial markets? What can we learn about our world by reading fiction from the 1930s?

Examine fictional representations of the girl across a range of texts, from Charlotte Brontë's eponymous Jane Eyre through to Antonia White's Catholic schoolgirl, Nanda and Ian McEwan's remorseful Briony Tallis. As well as enabling an exploration of female development and subjectivity, you will also engage with a range of questions relating to sexuality and desire, place and belonging, knowledge and resistance, art and creativity.

In this module you will study a broad range of writing for children from the nineteenth through to the twenty-first century.

The end of the various colonial empires in the middle of the twentieth century saw an explosion of literatures from the newly emergent postcolonial societies. Rather than provide a survey of the field of postcolonial studies, this module aims at engaging the recent debates in postcolonial writing, theory and criticism. You will critically examine a range of postcolonial novels from Britain’s erstwhile empire, paying attention to issues such as the boons and contradictions of writing in the language of the colonial powers, the postcolonial reclamation of the Western canon etc. and focussing on genres such as postcolonial realism, modernism, magic realism, and science fiction. You will pay close attention to novels and their historical legacies of colonialism and resistance.

In this module you will consider two immediate, present-day concerns. The first is currently very much in circulation in English political culture and the media: what is and should be the relationship between England and continental Europe? How involved is and should the first be with the second? How close are they, how distant should they be? The second sounds rather more academic or theoretical, but is also at issue in the wider culture and involves us all. Over the past two decades, many thinkers and writers have announced that we have arrived at 'the end of modernity', and many more have declared that we are'post-modern', that we inhabit a 'postmodern condition'. Yet round about us, all the time, we hear of one kind of enthusiastic 'modernization' or another. What sense can we make of this?

Geoffrey Chaucer’s Canterbury Tales are among the greatest literary achievements of the middle Ages. Chaucer describes a group of pilgrims, drawn from all parts of late medieval English society, who enter into a tale-telling competition on their way to Canterbury. Their stories include romances, fabliaux, saints’ lives and beast fables, and address themes of love and sorrow, trickery and deception, fate and free will, satire, tragedy and magic, as well as raising questions about the nature and purposes of storytelling itself. In this module you will read The Canterbury Tales in detail in the original Middle English. You will examine how the tales relate to their literary and cultural contexts, and read them in the light of different schools of modern criticism. You will also have the opportunity to read a range of earlier writers who influenced Chaucer, including Ovid, Boethius, Dante and Boccaccio, and later writers who responded to him, including Lydgate, Hoccleve and Dryden.

In this module you will study the complete career of Charles Dickens (1812-1870), looking at eight novels in their historical and cultural contexts. You will examine Dickens's life and times, and the cultural discourses that shaped his fiction; the serialisation and illustration of his work, and the themes, forms and structures of his writing. You will also consider the richness and specificity of Dickens' actual work.

In this module you will have the opportunity to read in detail and in chronological order the full range of works by Oscar Wilde, from his early poetry to his last letters. Wilde’s work has captured the widest possible public attention since his death in 1900, and his readers and audiences are spread across the globe. His work is intensely literary and profoundly political yet it is popular and fleet-of-foot. And just as his output is exceptionally varied, so too the questions which arise from its study will take students in many directions. Aesthetic poetry, the role of the critic, the construction and betrayal of national and sexual identities, symbolist drama, platonic dialogue, fairy tale, farce, satire, wit: these are some of the topics you will examine.

Often described as the most difficult and influential poems of the twentieth-century, T. S. Eliot's "The Waste Land" is undoubtedly one of the key Modernist texts. You will you look at Eliot's 1922 poem, along with a selection of his critical writings, engaging in an intensive reading experience in which you will examine ideas about composition, structure, voice, time, myth and intertextuality.

The dissertation is an opportunity for you to undertake a substantial piece of independent work in an area of your choice, and so to deepen your understanding of literature, culture and critical theory.

Teaching & assessment

You’ll be taught through a combination of lectures and seminars, and participate in study groups, essay consultations and guided independent study, plus you will produce a portfolio of creative work.

You will be assigned a Personal Tutor and have access to many online resources and the University’s comprehensive e-learning facility, Moodle.

In your first year, you will work in small groups of just four or five students focusing on study skills such as close reading, essay writing and presentation and self-editing. As you progress through your degree, these tutorials focus on your own personal development, for instance preparing your CV.

You will also take a study skills course, designed to equip you with and enhance the writing skills you will need to be successful in your degree. This course does not count towards your final degree award but you are required to pass it to progress to your second year.

All undergraduate degree courses at Royal Holloway are based on the course unit system. This system provides an effective and flexible approach to study while ensuring that our degrees have a coherent and developmental structure.

Entry requirements

A levels: aaa-aab.

Required subjects:

• A in an essay-based Arts and Humanities subject at A-Level
• At least five GCSEs at grade A*-C or 9-4 including English and Mathematics.

Where an applicant is taking the EPQ alongside A-levels, the EPQ will be taken into consideration and result in lower A-level grades being required. For students who are from backgrounds or personal circumstances that mean they are generally less likely to go to university, you may be eligible for an alternative lower offer. Follow the link to learn more about our  contextual offers.

We accept T-levels for admission to our undergraduate courses, with the following grades regarded as equivalent to our standard A-level requirements:

• AAA* – Distinction (A* on the core and distinction in the occupational specialism)
• AAA – Distinction
• BBB – Merit
• CCC – Pass (C or above on the core)
• DDD – Pass (D or E on the core)

Where a course specifies subject-specific requirements at A-level, T-level applicants are likely to be asked to offer this A-level alongside their T-level studies.

English language requirements

All teaching at Royal Holloway (apart from some language courses) is in English. You will therefore need to have good enough written and spoken English to cope with your studies right from the start of your course.

The scores we require

• IELTS: 7.0 overall. Writing 7.0. No other subscore lower than 5.5.
• Pearson Test of English: 69 overall. Writing 69. No other subscore lower than 51.
• Trinity College London Integrated Skills in English (ISE): ISE IV.
• Cambridge English: Advanced (CAE) grade C.

Country-specific requirements

For more information about country-specific entry requirements for your country please visit here .

Undergraduate preparation programme

For international students who do not meet the direct entry requirements, for this undergraduate degree, the Royal Holloway International Study Centre offers an International Foundation Year programme designed to develop your academic and English language skills.

Upon successful completion, you can progress to this degree at Royal Holloway, University of London.

Taking a degree in English sets you up with great prospects for future employability. On the course itself we place a strong emphasis on your future employability, meaning the skills that you gain won’t just be applicable to the study of English.

Although many of our students go on to further study in literature and other fields, skills such as research, presentation, teamwork, negotiation and communication will prepare you for a wide range of career opportunities.  

Fees, funding & scholarships

Home (UK) students tuition fee per year*: £9,250

EU and international students tuition fee per year**: £23,800

Other essential costs***: There are no single associated costs greater than £50 per item on this course.

How do I pay for it? Find out more about  funding options , including  loans , scholarships and bursaries . UK students who have already taken out a tuition fee loan for undergraduate study should  check their eligibility  for additional funding directly with the relevant awards body.

**The tuition fee for UK undergraduates is controlled by Government regulations. The fee for the academic year 2024/25 is £9,250 and is provided here as a guide. The fee for UK undergraduates starting in 2025/26 has not yet been set, but will be advertised here once confirmed.

**This figure is the fee for EU and international students starting a degree in the academic year 2024/25, and is included as a guide only. The fee for EU and international students starting a degree in 2025/26 has not yet been set, but will be advertised here once confirmed.

Royal Holloway reserves the right to increase tuition fees annually for overseas fee-paying students. Please be aware that tuition fees can rise during your degree. The upper limit of any such annual rise has not yet been set for courses starting in 2025/26 but will be advertised here once confirmed.  For further information see  fees and funding  and the  terms and conditions .

***These estimated costs relate to studying this specific degree at Royal Holloway during the 2024/25 academic year, and are included as a guide. General costs, such as accommodation, food, books and other learning materials and printing etc., have not been included.

English Undergraduate Admissions

Admissions office: +44 (0)1784 414944

Source: Complete University Guide, 2024

Source: National Student Survey, 2023 (Creative Writing)

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MSt in Creative Writing

• Entry requirements
• Funding and Costs

College preference

• How to Apply

About the course

The MSt in Creative Writing is a two-year, part-time master's degree course offering a unique combination of high contact hours, genre specialisation, and critical and creative breadth.

The emphasis of the course is cross-cultural and cross-genre, pointing up the needs and challenges of the contemporary writer who produces their creative work in the context of a global writerly and critical community.

The MSt offers a clustered learning format of five residences, two guided retreats and one research placement over two years. The research placement, a distinguishing feature of the course, provides between one and two weeks' in-house experience of writing in the real world.

The first year concentrates equally on prose fiction, poetry, dramatic writing and narrative non-fiction. There is a significant critical reading and analysis component, which is linked to the writerly considerations explored in each of the genres. In your second year you will specialise in one of the following:

• short fiction
• radio drama
• screenwriting
• stage drama
• narrative non-fiction.

The residences in particular offer an intensive workshop- and seminar-based forum for ideas exchange and for the opening up of creative and critical frameworks within which to develop writerly and analytical skills. There is a strong element of one-to-one tutorial teaching. Tutorials take place within residences and retreats, and relate to the on-going work produced for the course.

You will be assigned a supervisor who will work closely with you throughout the development of the year two final project and extended essay. All assessed work throughout the two years of the course is subject to one-to-one feedback and discussion with a tutor. This intensive, one-to-one input, combined with the highly interactive workshop and seminar sessions, is a distinguishing feature of the course.

Supervision

The allocation of graduate supervision for this course is the responsibility of the Department for Continuing Education and this role will usually be performed by the Course Director.

You will be allocated a supervisor to guide and advise you on your creative and critical work throughout the second year.

It is not always possible to accommodate the preferences of incoming graduate students to work with a particular member of staff. Under exceptional circumstances a supervisor may be found outside the Department for Continuing Education.

The MSt is assessed by coursework. In the first year, four assignments (two creative, two critical), one creative writing portfolio and one critical essay are submitted. Work is set during each residence and handed in for assessment before the next meeting. Feedback on work submitted is given during tutorials within the residence or retreat. In the second year, submissions comprise one research placement report, one extended critical essay, and a final project – a substantial body of creative work in the genre of choice. 

You will be set specific creative and critical work to be completed between residences and handed in to set deadlines. Creative submissions in the first year must be in more than one genre. In the second year, submitted work focuses around the genre of your choice.

Graduate destinations

Graduate destinations have included publishing creative work in a chosen field, careers in arts/media, and doctoral programmes in creative writing.

Changes to this course and your supervision

The University will seek to deliver this course in accordance with the description set out in this course page. However, there may be situations in which it is desirable or necessary for the University to make changes in course provision, either before or after registration. The safety of students, staff and visitors is paramount and major changes to delivery or services may have to be made in circumstances of a pandemic, epidemic or local health emergency. In addition, in certain circumstances, for example due to visa difficulties or because the health needs of students cannot be met, it may be necessary to make adjustments to course requirements for international study.

Where possible your academic supervisor will not change for the duration of your course. However, it may be necessary to assign a new academic supervisor during the course of study or before registration for reasons which might include illness, sabbatical leave, parental leave or change in employment.

For further information please see our page on changes to courses and the provisions of the student contract regarding changes to courses.

Entry requirements for entry in 2024-25

Proven and potential academic excellence.

The requirements described below are specific to this course and apply only in the year of entry that is shown. You can use our interactive tool to help you  evaluate whether your application is likely to be competitive .

Please be aware that any studentships that are linked to this course may have different or additional requirements and you should read any studentship information carefully before applying. 

Degree-level qualifications

As a minimum, applicants should hold or be predicted to achieve the following UK qualifications or their equivalent:

• a first-class or upper second-class undergraduate degree with honours  in a related field.

For applicants with a degree from the USA, the minimum GPA normally sought is 3.6 out of 4.0.

If your degree is not from the UK or another country specified above, visit our International Qualifications page for guidance on the qualifications and grades that would usually be considered to meet the University’s minimum entry requirements.

GRE General Test scores

No Graduate Record Examination (GRE) or GMAT scores are sought.

Other qualifications, evidence of excellence and relevant experience 

• Assessors are looking for writers with a proven record of commitment to their craft, whose work demonstrates significant creative promise. You should be a keen reader, and bring an open-minded, questioning approach to both reading and writing. You will not necessarily have yet achieved publication, but you will have written regularly and read widely over a sustained period. You will be keen to dedicate time and energy and staying-power to harnessing your talent, enlarging your skills, and aiming your writerly production at consistently professional standards. It is likely you will have a first degree, or equivalent, although in some cases other evidence of suitability may be acceptable.
• Applicants do not need to be previously published, but the MSt is unlikely to be suitable for those who are just starting out on their writerly and critical development.

English language proficiency

This course requires proficiency in English at the University's  higher level . If your first language is not English, you may need to provide evidence that you meet this requirement. The minimum scores required to meet the University's higher level are detailed in the table below.

*Previously known as the Cambridge Certificate of Advanced English or Cambridge English: Advanced (CAE) † Previously known as the Cambridge Certificate of Proficiency in English or Cambridge English: Proficiency (CPE)

Your test must have been taken no more than two years before the start date of your course. Our Application Guide provides  further information about the English language test requirement .

Declaring extenuating circumstances

If your ability to meet the entry requirements has been affected by the COVID-19 pandemic (eg you were awarded an unclassified/ungraded degree) or any other exceptional personal circumstance (eg other illness or bereavement), please refer to the guidance on extenuating circumstances in the Application Guide for information about how to declare this so that your application can be considered appropriately.

You will need to register three referees who can give an informed view of your academic ability and suitability for the course. The  How to apply  section of this page provides details of the types of reference that are required in support of your application for this course and how these will be assessed.

Supporting documents

You will be required to supply supporting documents with your application. The  How to apply  section of this page provides details of the supporting documents that are required as part of your application for this course and how these will be assessed.

Performance at interview

Interviews are normally held as part of the admissions process.  

For those applying by the January deadline, interviews are generally held in February and March. For March applicants, interviews are generally held in March and April.

The decision to call an applicant for interview is based on the University Admission Board's assessment of your portfolio, statement of purpose, academic and professional track record and references. Interviews will be conducted in person or by telephone. All applicants whose paper submissions indicate they are qualified for entry will generally be interviewed, either in person or by telephone/Skype. There are always two interviewers. Interviews usually last up to approximately 30 minutes and provide an opportunity for the candidate to discuss his/her application and to explore the course in more detail.

The interview is designed to ascertain, through a range of questions, the shape and emphasis of the candidate's writing and reading, and general suitability for the demands of the MSt. 

How your application is assessed

Your application will be assessed purely on your proven and potential academic excellence and other entry requirements described under that heading.

References  and  supporting documents  submitted as part of your application, and your performance at interview (if interviews are held) will be considered as part of the assessment process. Whether or not you have secured funding will not be taken into consideration when your application is assessed.

An overview of the shortlisting and selection process is provided below. Our ' After you apply ' pages provide  more information about how applications are assessed . 

Shortlisting and selection

Students are considered for shortlisting and selected for admission without regard to age, disability, gender reassignment, marital or civil partnership status, pregnancy and maternity, race (including colour, nationality and ethnic or national origins), religion or belief (including lack of belief), sex, sexual orientation, as well as other relevant circumstances including parental or caring responsibilities or social background. However, please note the following:

• socio-economic information may be taken into account in the selection of applicants and award of scholarships for courses that are part of  the University’s pilot selection procedure  and for  scholarships aimed at under-represented groups ;
• country of ordinary residence may be taken into account in the awarding of certain scholarships; and
• protected characteristics may be taken into account during shortlisting for interview or the award of scholarships where the University has approved a positive action case under the Equality Act 2010.

Processing your data for shortlisting and selection

Information about  processing special category data for the purposes of positive action  and  using your data to assess your eligibility for funding , can be found in our Postgraduate Applicant Privacy Policy.

Admissions panels and assessors

All recommendations to admit a student involve the judgement of at least two members of the academic staff with relevant experience and expertise, and must also be approved by the Director of Graduate Studies or Admissions Committee (or equivalent within the department).

Admissions panels or committees will always include at least one member of academic staff who has undertaken appropriate training.

Other factors governing whether places can be offered

The following factors will also govern whether candidates can be offered places:

• the ability of the University to provide the appropriate supervision for your studies, as outlined under the 'Supervision' heading in the  About  section of this page;
• the ability of the University to provide appropriate support for your studies (eg through the provision of facilities, resources, teaching and/or research opportunities); and
• minimum and maximum limits to the numbers of students who may be admitted to the University's taught and research programmes.

Offer conditions for successful applications

If you receive an offer of a place at Oxford, your offer will outline any conditions that you need to satisfy and any actions you need to take, together with any associated deadlines. These may include academic conditions, such as achieving a specific final grade in your current degree course. These conditions will usually depend on your individual academic circumstances and may vary between applicants. Our ' After you apply ' pages provide more information about offers and conditions . 

In addition to any academic conditions which are set, you will also be required to meet the following requirements:

Financial Declaration

If you are offered a place, you will be required to complete a  Financial Declaration  in order to meet your financial condition of admission.

Disclosure of criminal convictions

In accordance with the University’s obligations towards students and staff, we will ask you to declare any  relevant, unspent criminal convictions  before you can take up a place at Oxford.

The department is committed to supporting you to pursue your academic goals. 

The Rewley House Continuing Education Library , one of the Bodleian Libraries, is situated in Rewley House. The department aims to support the wide variety of subjects covered by departmental courses at many academic levels. The department also has a collection of around 73,000 books together with periodicals. PCs in the library give access to the internet and the full range of electronic resources subscribed to by the University of Oxford. Wi-Fi is also available. The Jessop Reading Room adjoining the library is available for study. You will have access to the Central Bodleian and other Bodleian Libraries.

The department's Graduate School provides a stimulating and enriching learning and research environment for the department's graduate students, fostering intellectual and social interaction between graduates of different disciplines and professions from the UK and around the globe. The Graduate School will help you make the most of the wealth of resources and opportunities available, paying particular regard to the support and guidance needed if you are following a part-time graduate programme. The department’s graduate community comprises over 600 members following taught programmes and more than 70 undertaking doctoral research.

The department provides various IT facilities , including the Student Computing Facility which provides individual PCs for your use. Many of the department's courses are delivered through blended learning or have a website to support face-to-face study. In most cases, online support is delivered through a virtual learning environment. 

Depending on the programme you are taking with the department, you may require accommodation at some point in your student career. Rewley House is ideally located in central Oxford; the city's historic sites, colleges, museums, shops and restaurants are only a few minutes’ walk away. The department has 35 en-suite study bedrooms, all with high quality amenities, including internet access.

The Rewley House dining room has seating for up to 132 people. A full meal service is available daily. The department operates a Common Room with bar for students. 

Department for Continuing Education

The need for new learning opportunities throughout life is now recognised throughout society. An intensive, initial period of higher education is not always enough in times of rapid social, economic and technological change. The Department for Continuing Education is known worldwide as a leading provider of extended learning for professional and personal development.

The department provides high-quality, flexible, part-time graduate education, tailored for adults. Students can undertake graduate-level certificates, diplomas and taught master’s degrees in a wide range of subjects. Increasing numbers of courses are delivered in mixed mode, combining intensive periods of residence in Oxford with tutored online study.

The department recruits adult students of all ages on a regional, national and international level. Many courses are offered jointly with other academic departments around the University. Courses are offered in the following areas:

• Mathematical, physical and life sciences
• Medical and health sciences
• Social sciences .

All postgraduate students on the department's courses are members of its Graduate School. The Graduate School aims to provide a stimulating and enriching environment for learning and research. It also fosters intellectual and social interaction between students coming from different disciplines and professions. Interdisciplinary research seminars, training opportunities and other events are offered by the Graduate School in support of this goal.

All masters' and DPhil applicants are considered for Clarendon Scholarships . The department is committed to seeking scholarship support for other students wherever possible.

View all courses   View taught courses View research courses

The University expects to be able to offer over 1,000 full or partial graduate scholarships across the collegiate University in 2024-25. You will be automatically considered for the majority of Oxford scholarships , if you fulfil the eligibility criteria and submit your graduate application by the relevant December or January deadline. Most scholarships are awarded on the basis of academic merit and/or potential. 

For further details about searching for funding as a graduate student visit our dedicated Funding pages, which contain information about how to apply for Oxford scholarships requiring an additional application, details of external funding, loan schemes and other funding sources.

Please ensure that you visit individual college websites for details of any college-specific funding opportunities using the links provided on our college pages or below:

Please note that not all the colleges listed above may accept students on this course. For details of those which do, please refer to the College preference section of this page.

Further information about funding opportunities for this course can be found on the department's website.

Annual fees for entry in 2024-25

Further details about fee status eligibility can be found on the fee status webpage.

Information about course fees

Course fees are payable each year, for the duration of your fee liability (your fee liability is the length of time for which you are required to pay course fees). For courses lasting longer than one year, please be aware that fees will usually increase annually. For details, please see our guidance on changes to fees and charges .

Course fees cover your teaching as well as other academic services and facilities provided to support your studies. Unless specified in the additional information section below, course fees do not cover your accommodation, residential costs or other living costs. They also don’t cover any additional costs and charges that are outlined in the additional information below.

Where can I find further information about fees?

The Fees and Funding  section of this website provides further information about course fees , including information about fee status and eligibility  and your length of fee liability .

Additional information

This course has residential sessions (residences and retreats) in Oxford. You will need to meet your travel costs in attending these sessions. The tuition fee includes the cost of board and lodging during the residences and retreats (eg for a four day residence, three nights accommodation will be provided). Further, as part of your course requirements, you will need to complete a research placement in the second year. For this placement you will need to meet your travel and accommodation costs, and any other incidental expenses. You may be able to apply for small grants from your department and/or college to help you cover some of these expenses. Further information about departmental funding can be found on the department's website. Please check with your specific college for bursary or other funding possibilities.

Living costs

In addition to your course fees, you will need to ensure that you have adequate funds to support your living costs for the duration of your course.

For the 2024-25 academic year, the range of likely living costs for full-time study is between c. £1,345 and £1,955 for each month spent in Oxford. Full information, including a breakdown of likely living costs in Oxford for items such as food, accommodation and study costs, is available on our living costs page. The current economic climate and high national rate of inflation make it very hard to estimate potential changes to the cost of living over the next few years. When planning your finances for any future years of study in Oxford beyond 2024-25, it is suggested that you allow for potential increases in living expenses of around 5% each year – although this rate may vary depending on the national economic situation. UK inflationary increases will be kept under review and this page updated.

If you are studying part-time your living costs may vary depending on your personal circumstances but you must still ensure that you will have sufficient funding to meet these costs for the duration of your course.

Students enrolled on this course will belong to both a department/faculty and a college. Please note that ‘college’ and ‘colleges’ refers to all 43 of the University’s colleges, including those designated as societies and permanent private halls (PPHs). 

If you apply for a place on this course you will have the option to express a preference for one of the colleges listed below, or you can ask us to find a college for you. Before deciding, we suggest that you read our brief  introduction to the college system at Oxford  and our  advice about expressing a college preference . For some courses, the department may have provided some additional advice below to help you decide.

The following colleges accept students on the MSt in Creative Writing:

• Blackfriars
• Brasenose College
• Campion Hall
• Harris Manchester College
• Keble College
• Kellogg College
• Lady Margaret Hall
• Oriel College
• Regent's Park College
• St Catherine's College
• Somerville College
• Wadham College
• Wycliffe Hall

Before you apply

Our  guide to getting started  provides general advice on how to prepare for and start your application. You can use our interactive tool to help you  evaluate whether your application is likely to be competitive .

If it's important for you to have your application considered under a particular deadline – eg under a December or January deadline in order to be considered for Oxford scholarships – we recommend that you aim to complete and submit your application at least two weeks in advance . Check the deadlines on this page and the  information about deadlines  in our Application Guide.

Application fee waivers

An application fee of £75 is payable per course application. Application fee waivers are available for the following applicants who meet the eligibility criteria:

• applicants from low-income countries;
• refugees and displaced persons; 
• UK applicants from low-income backgrounds; and 
• applicants who applied for our Graduate Access Programmes in the past two years and met the eligibility criteria.

You are encouraged to  check whether you're eligible for an application fee waiver  before you apply.

Do I need to contact anyone before I apply?

You do not need to make contact with the department before you apply but you are encouraged to visit the relevant departmental webpages to read any further information about your chosen course.

If you have any questions about the course, these should be directed to the course administrator via the contact details provided on this page.

Completing your application

You should refer to the information below when completing the application form, paying attention to the specific requirements for the supporting documents . 

If any document does not meet the specification, including the stipulated word count, your application may be considered incomplete and not assessed by the academic department. Expand each section to show further details.

Referees: Three overall, academic and/or professional

Whilst you must register three referees, the department may start the assessment of your application if two of the three references are submitted by the course deadline and your application is otherwise complete. Please note that you may still be required to ensure your third referee supplies a reference for consideration.

Your references will support your commitment to creative writing and suitability to pursue a course of this nature at graduate level. Both professional and academic references are acceptable.

Official transcript(s)

Your transcripts should give detailed information of the individual grades received in your university-level qualifications to date. You should only upload official documents issued by your institution and any transcript not in English should be accompanied by a certified translation.

More information about the transcript requirement is available in the Application Guide.

A CV/résumé is compulsory for all applications. Most applicants choose to submit a document of one to two pages highlighting their academic and writerly achievements and any relevant professional experience.

Statement of purpose: A maximum of 750 words

The statement of purpose should contain sufficient detail to allow it to be assessed against the indicated criteria.

Your statement should be written in English and explain your motivation for applying for the course at Oxford, your relevant experience and education, and the specific areas that interest you and/or in which you intend to specialise.

If possible, please ensure that the word count is clearly displayed on the document.

This will be assessed for:

• your reasons for applying
• evidence of motivation for and understanding of the proposed area of study
• the ability to present a reasoned case in English
• commitment to the subject, beyond the requirements of the degree course
• capacity for sustained and intense work
• reasoning ability and quality of written expression
• capacity to address issues of writerly and critical significance.

Written work: A maximum of 2,000 words of prose fiction or narrative non-fiction or 10 short poems or 15 minutes of dramatic writing (stage, screen, radio or TV)

Your portfolio of creative writing for assessment can be in any of the four genres, or in more than one. It should be clearly indicative of your ability in creative writing.

This will be assessed for excellence in creative writing.

Start or continue your application

You can start or return to an application using the relevant link below. As you complete the form, please  refer to the requirements above  and  consult our Application Guide for advice . You'll find the answers to most common queries in our FAQs.

Application Guide   Apply

ADMISSION STATUS

Closed to applications for entry in 2024-25

Register to be notified via email when the next application cycle opens (for entry in 2025-26)

12:00 midday UK time on:

Friday 19 January 2024 Latest deadline for most Oxford scholarships

Friday 1 March 2024 Applications may remain open after this deadline if places are still available - see below

A later deadline shown under 'Admission status' If places are still available,  applications may be accepted after 1 March . The 'Admissions status' (above) will provide notice of any later deadline.

*Three-year average (applications for entry in 2021-22 to 2023-24)

Further information and enquiries

This course is offered by the Department for Continuing Education

• Course page  and blog on  department website
• Funding information from the department
• Academic staff
• Departmental research
• Continuing Education Graduate School
• Postgraduate applicant privacy policy

Course-related enquiries

Advice about contacting the department can be found in the How to apply section of this page

✉ [email protected] ☎ +44 (0)1865 280145

Application-process enquiries

See the application guide

Visa eligibility for part-time study

We are unable to sponsor student visas for part-time study on this course. Part-time students may be able to attend on a visitor visa for short blocks of time only (and leave after each visit) and will need to remain based outside the UK.

• Schools & departments

Creative Writing MSc

Awards: MSc

Study modes: Full-time

Funding opportunities

Programme website: Creative Writing

The community has been one of my favourite parts. The department has very warm and encouraging staff. Some of my classmates are now close friends, and we still workshop stories across time zones, and complain to each other about writing - and not writing! Bhavika Govil, prize-winning fiction writer MSc in Creative Writing, 2020

Introduction to Postgraduate Study

Join us for this online session on 26 June to learn more about postgraduate study at Edinburgh

Find out more and register

Programme description

Based in the first UNESCO World City of Literature, this one-year, full-time taught Masters programme is tailored towards your practice in either fiction or poetry.

There is a strong practical element to the programme, helping you develop your creative skills through:

• presenting your work for peer discussion
• hearing from guest writers and other professionals on the practicalities of life as a writer

You will also sharpen your critical skills through:

• seminars exploring the particulars of your chosen form
• option courses in literature, helping you move from theoretical considerations to practical applications

The programme culminates with the publication of ‘From Arthur’s Seat,’ an anthology of student work.

Why Edinburgh

Literature has been taught here for over 250 years, and today Edinburgh thrives on its designation as the first UNESCO World City of Literature. The city is home to the National Library of Scotland and the Scottish Poetry Library, and a number of celebrated publishing outlets, from Canongate and Polygon, to Luath Press, Birlinn and Mariscat. The University hosts the prestigious James Tait Black Awards, established in 1919 and one of the oldest literary prizes in Britain.

There are lots of opportunities to write and share your work, from ‘The Student,’ the UK’s oldest student newspaper (founded in 1887 by Robert Louis Stevenson), to The Selkie, which was founded by Creative Writing students in 2018 to showcase work by people who self-identify as underrepresented.

Around the city, you will find:

• library readings and bookshop launches
• spoken word gigs
• cabaret nights
• poetry slams

Edinburgh isn’t just historic – it’s a modern hub for literature. That’s part of what makes the city great for writing.

Austin Crowley, MSc in Creative Writing, 2023

We team teach our programme so that you benefit from the input of a range of tutors, as well as your fellow students and our Writer in Residence, the poet and author Michael Pedersen, who also co-ordinates a range of student writing prizes and our annual industry and networking event.

The academic staff you will be working with are all active researchers or authors, including well-published and prize-winning writers of poetry, prose fiction and drama. They include:

• Dr Jane Alexander - Fiction
• Dr Lynda Clark
• Dr Patrick Errington - Poetry/Fiction
• Dr Miriam Gamble - Poetry
• Professor Alan Gillis - Poetry
• Dr Jane McKie - Poetry
• Dr Allyson Stack - Fiction
• Kim Sherwood - Fiction
• Alice Thompson - Fiction

Programme structure

Over the duration of the programme, you will:

• take two core courses, both worth 40 credits
• two optional courses chosen from a wide range of subjects, both worth 20 credits

The core activities in Creative Writing are:

• tutor-led workshops, in which you will present your work-in-progress and critique the work of your fellow students
• regular seminars exploring techniques and issues specific to your practice (either fiction or poetry) and the statements and theories of practitioners

Optional courses

We have a large number of option courses to choose from, including preferred courses for fiction and poetry (which will be offered to Creative Writing students in the first instance), and courses from across the Department of English Literature and the School of Literatures, Languages and Cultures.

Visiting speakers

Throughout the programme, you will be expected to attend readings and talks by visiting speakers. Early on, these will be from published writers and, later, advisors from the writing business: literary agents, magazine editors and publishers.

Dissertation

The final element of the programme is your dissertation, a piece of creative writing (worth 60 credits) written with the advice and support of a designated supervisor.

Fiction dissertations are between 15,000 words and 20,000 words, and poetry dissertations between 25 and 30 pages.

Find out more about compulsory and optional courses

We link to the latest information available. Please note that this may be for a previous academic year and should be considered indicative.

Learning outcomes

On successful completion of this course, you should be able to:

• identify, conceptualise and define formal elements of craft in your chosen field (poetry or fiction) within published works and within works by your peers
• remain open to criticism and respond effectively and creatively to feedback on your own creative work
• work from initial conception through multiple drafts to the final version of a creative piece within your chosen field (fiction or poetry)
• transfer editorial skills and creative abilities from one context to another
• analyse creative works within your chosen field (fiction or poetry), work with a focus on craft effectiveness, and articulate strengths and weaknesses in a piece of writing in a constructive manner

Career opportunities

Over the course of this programme, you will complete a body of creative work that has been rigorously peer reviewed.

Our students go on to careers in a wide variety of fields, including:

• arts administration
• web and audio book editing
• script and ghost writing
• gaming narrative design

Some decide to extend their studies and take a PhD with us.

Many of our alumni go on to achieve literary success, publishing novels and short story and poetry collections, and winning awards. Our graduates’ recent successes include:

debut novels from:

• Amanda Block (The Lost Storyteller, published by Hodder Studio)
• Karin Nordin (Where Ravens Roost, published by Harper Collins)
• Marielle Thompson (Where Ivy Dares to Grow, published by Kensington Books)
• August Thomas (Liar’s Candle, published by Simon and Schuster)
• Rosie Walker (Secrets of a Serial Killer, published by One More Chapter)
• Mark Wightman (Waking the Tiger, published by Hobeck Books and shortlisted for Scottish Crime Debut of the Year 2021)

debut short story collections from:

• Dayle Furlong (Lake Effect, published by Cormorant Books)
• Dima Alzayat (Alligator and Other Stories, shortlisted for the James Tait Black Award for Fiction)
• a non-fiction debut from Sonali Misra (21 Fantastic Failures, published by Rupa Publications India)

debut poetry collections from:

• Rebecca Tamás (WITCH, published by Penned in the Margins)
• Naomi Morris (Hyperlove, published by Makina Books)
• Aileen Ballantyne (Taking Flight, published by Luath Press)
• the 2022 Edwin Morgan Poetry Award, won by Alyson Kissner
• the 2021 Brotherton Poetry Prize, won by Lauren Pope
• the 2021 Pontas & JJ Bola Emerging Writers Prize, won by Bhavika Govil

Meet our graduates

From Arthur’s Seat – stories from the heart of Edinburgh

Tim Tim Cheng

• Bhavika Govil
• Dima Alzayat

What's the best type of masters programme for you?

Entry requirements.

These entry requirements are for the 2024/25 academic year and requirements for future academic years may differ. Entry requirements for the 2025/26 academic year will be published on 1 Oct 2024.

A UK 2:1 honours degree, or its international equivalent, in any discipline. This will often be in a directly related subject like English Literature/Creative Writing, but we welcome applicants from all academic backgrounds.

Applicants who are entered into selection will be asked to provide a sample of written work to enable their suitability for the programme to be assessed.

Students from China

This degree is Band C.

• Postgraduate entry requirements for students from China

International qualifications

Check whether your international qualifications meet our general entry requirements:

• Entry requirements by country
• English language requirements

Regardless of your nationality or country of residence, you must demonstrate a level of English language competency at a level that will enable you to succeed in your studies.

English language tests

We accept the following English language qualifications at the grades specified:

• IELTS Academic: total 7.0 with at least 6.5 in each component. We do not accept IELTS One Skill Retake to meet our English language requirements.
• TOEFL-iBT (including Home Edition): total 100 with at least 23 in each component. We do not accept TOEFL MyBest Score to meet our English language requirements.
• C1 Advanced ( CAE ) / C2 Proficiency ( CPE ): total 185 with at least 176 in each component.
• Trinity ISE : ISE III with passes in all four components.
• PTE Academic: total 70 with at least 62 in each component.

Your English language qualification must be no more than three and a half years old from the start date of the programme you are applying to study, unless you are using IELTS , TOEFL, Trinity ISE or PTE , in which case it must be no more than two years old.

Degrees taught and assessed in English

We also accept an undergraduate or postgraduate degree that has been taught and assessed in English in a majority English speaking country, as defined by UK Visas and Immigration:

• UKVI list of majority English speaking countries

We also accept a degree that has been taught and assessed in English from a university on our list of approved universities in non-majority English speaking countries (non-MESC).

• Approved universities in non-MESC

If you are not a national of a majority English speaking country, then your degree must be no more than five years old* at the beginning of your programme of study. (*Revised 05 March 2024 to extend degree validity to five years.)

Find out more about our language requirements:

Fees and costs

Scholarships and funding, featured funding.

If you are intending to study full time on this Creative Writing programme, you are eligible for a William Hunter Sharpe Memorial Scholarship which will contribute towards your tuition fees.

You do not need to apply for this scholarship – all eligible candidates who apply for the programme by Monday 6 May 2024 will be considered for them and contacted if successful.

• Find out more about the William Hunter Sharpe Memorial Scholarship and other scholarships in literatures, languages and cultures

UK government postgraduate loans

If you live in the UK, you may be able to apply for a postgraduate loan from one of the UK’s governments.

The type and amount of financial support you are eligible for will depend on:

• your programme
• the duration of your studies
• your tuition fee status

Programmes studied on a part-time intermittent basis are not eligible.

• UK government and other external funding

Other funding opportunities

Search for scholarships and funding opportunities:

• Search for funding

Further information

• Phone: +44 (0)131 650 4086
• Contact: College of Arts, Humanities & Social Sciences Admissions Office
• School of Literatures, Languages & Cultures
• 50 George Square
• Central Campus
• Programme: Creative Writing
• School: Literatures, Languages & Cultures
• College: Arts, Humanities & Social Sciences

Select your programme and preferred start date to begin your application.

MSc Creative Writing - 1 Year (Full-time)

Application deadlines.

Due to high demand, the school operates a number of selection deadlines. We will make a small number of offers to the most outstanding candidates on an ongoing basis, but hold the majority of applications until the next published selection deadline when we will offer a proportion of the places available to applicants selected through a competitive process.

Please be aware that applications must be submitted and complete, i.e. all required documents uploaded, by the relevant application deadline in order to be considered in that round. Your application will still be considered if you have not yet met the English language requirement for the programme.

Deadlines for applicants applying to study in 2024/25:

(Revised 27 March 2024 to extend Round 3 application deadline)

• How to apply

You must submit one reference with your application.

The online application process involves the completion of a web form and the submission of supporting documents.

You should supply a portfolio of writing.

• For poetry, this should be six (6) pages of poetry, starting a new page for each new poem of 14 lines or over.
• For fiction, this should be a complete story or stories, or an equivalent amount from a longer work (between 2,500 and 3,500 words).

These are firm limits.

If you are undecided about whether to apply for fiction or poetry, you should send a sample of both, i.e. six (6) pages of poetry and 2,500-3,500 words of fiction (if offered a place it will be for one or the other).

Work in other forms (for example journalism, life writing or advertising) will not be considered.

Personal statement

When writing your personal statement, consider the following questions:

• What do you most hope to learn/gain from a Creative Writing degree, and why is ours the programme for you?
• Tell us about your writing: what are you interested in and why? Are there aspects of your current practice you're particularly proud of? Things you know you need to work on?

What (if any) prior experience do you have of studying Creative Writing?

Guidance on the application process and supporting documents

All supporting documents, including references, must be uploaded to the online application system by the deadline date.

Find out more about the general application process for postgraduate programmes:

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English and Creative Writing BA (Hons)

Key information.

• 94%   of our research overall in  English Language and Literature   was assessed to  be world leading or internationally excellent   (REF 2021)
• Top 100  in the world for English Language and Literature   (QS World University Rankings by Subject 2023)

We live in challenging and exciting times – there’s more need than ever to learn from the past and forge imaginative new visions of the future.  With our rich tradition of critical excellence and radical creative practice, Sussex is a perfect place to combine English and Creative Writing. 

On this course, you’ll explore the powerful, complex and even weird world of literature and of writing in its broadest scope. Reading classic books as well as diverse new texts, you’ll:

• understand how critical thinking and careful reading are powerful and necessary in our changing world

experience teaching and research that link creativity with criticism, and literature with politics

situate English literary traditions within global and historical contexts, understanding how English functions within and across cultures

push boundaries of creative expression through intellectual rigour and historical acuity.

You’ll be taught by engaged and passionate teachers and researchers who will guide you through each year of your degree.

You’ll join a vibrant and welcoming intellectual community with links to the worlds of media, literature, publication, education and beyond – gaining valuable skills to equip you for life after university. When you graduate, you’ll have the critical thinking and practical creative skills to make a valuable contribution to society.

We understand that deciding where and what to study is a very important decision. We’ll make all reasonable efforts to provide you with the courses, services and facilities described in this prospectus. However, if we need to make material changes, for example due to government or regulatory requirements, or unanticipated staff changes, we’ll let you know as soon as possible.

Open Days and virtual visits

Meet us on campus or online

Book your place

Entry requirements

• UK requirements
• International requirements

Other UK qualifications

Access to he diploma, cambridge pre-u principal subjects (including a-level mixes), international baccalaureate, pearson btec level 3 national diploma and one a-level, pearson btec level 3 national extended certificate and two a-levels, pearson btec level 3 national extended diploma (formerly btec level 3 extended diploma), scottish highers, welsh baccalaureate advanced, european baccalaureate, other international qualifications, czech republic, netherlands, south africa, switzerland.

We will also accept a combination of any 3 AP tests and SAT subject test where a score of 600 in an SAT subject test can be substituted for an AP test in the above table

If you are applying for a degree with an A level subject requirement in Mathematics, Physics, Chemistry or Biology will normally need to hold an AP test in that subject.

College level credits

We also accept college level 3-credit courses in academic subjects as the equivalent of a UK A Level on a case by case basis.  These can be combined with AP tests and or SAT subject tests

Associate degrees

An Associate degree with a GPA of 3.0 will meet our entry requirements for year 1.

Foundation Year entry

Students who have a High School Diploma and SAT or ACT tests only would be eligible to apply for our Foundation Year

My country is not listed

If your qualifications aren’t listed or you have a question about entry requirements, contact us

English language requirements

Ielts (academic).

6.0 overall, including at least 5.5 in each component

Check your IELTS qualification meets all of our language requirements

Find out more about IELTS

IELTS scores are valid for two years from the test date. You cannot combine scores from more than one sitting of the test. Your score must be valid when you begin your Sussex course.

We accept IELTS One Skills Retake.

We do not accept IELTS Online.

Other English language requirements

Proficiency tests, cambridge advanced certificate in english (cae).

169 overall, including at least 162 in each skill

Check your Cambridge Advanced Certificate in English (CAE) qualification meets all of our language requirements

Find out more about Cambridge English: Advanced.

We would normally expect the CAE test to have been taken within two years before the start of your course.

You cannot combine scores from more than one sitting of the test.

Cambridge Certificate of Proficiency in English (CPE)

Check your Cambridge Certificate of Proficiency in English (CPE) qualification meets all of our language requirements

Find out more about Cambridge English: Proficiency.

We would normally expect the CPE test to have been taken within two years before the start of your course.

Pearson (PTE Academic)

59 overall, including at least 59 in all four skills.

Check your Pearson (PTE Academic) qualification meets all of our language requirements

Find out more about Pearson (PTE Academic).

Please refer to our English language requirements above, and as listed for each of our  undergraduate courses , to find the appropriate English level for the course you are applying for.

PTE (Academic) scores are valid for two years from the test date. You cannot combine scores from more than one sitting of the test. Your score must be valid when you begin your Sussex course.

We do not accept the PTE Academic Online test.

TOEFL (iBT)

80 overall, including at least 17 in Listening, 18 in Reading, 20 in Speaking, 17 in Writing.

Check your TOEFL qualification meets all of our language requirements

Find out more about TOEFL (iBT) .

TOEFL (iBT) scores are valid for two years from the test date. You cannot combine scores from more than one sitting of the test. Your score must be valid when you begin your Sussex course.

We do not accept TOEFL (iBT) Home Edition.

The TOEFL Institution Code for the University of Sussex is 9166.

English language qualifications

As/a-level (gce).

Grade C or above in English Language.

Hong Kong Advanced Level Examination (HKALE)/ AS or A Level: grade C or above in Use of English

GCE O-level

Grade C or above in English.

Brunei/Cambridge GCE O-level in English: grades 1-6.

Singapore/Cambridge GCE O-level in English: grades 1-6.

GCSE or IGCSE

Grade C or above in English as a First Language (grade 4 or above in GCSE from 2017).

Grade B or above in English as a Second Language

Ghana Senior Secondary School Certificate

If awarded before 1993: grades 1-6 in English language.

If awarded between 1993 and 2005: grades A-D in English language.

Hong Kong Diploma of Secondary Education (HKDSE)

 Level 4, including at least 3 in each component in English Language.

Indian School Certificate (Standard XII)

The Indian School Certificate is accepted at the grades below when awarded by the following examination boards:

Central Board of Secondary Education (CBSE) – English Core only: 70%

Council for Indian School Certificate Examinations (CISCE) - English: 70% or Grade 3

International Baccalaureate Diploma (IB)

English A or English B at grade 5 or above.

Kenya Certificate of Secondary Education

Grades A – C in English

Malaysian Certificate of Education (SPM) 119/GCE O-level

If taken before the end of 2008: grades 1-5 in English Language.

If taken from 2009 onwards: grade C or above in English Language.

The qualification must be jointly awarded by the University of Cambridge Local Examinations Syndicate (UCLES).

West African Senior School Certificate

Grades 1-6 in English language when awarded by the West African Examinations Council (WAEC) or the National Examinations Council (NECO).

Country exceptions

Select to see the list of exempt english-speaking countries.

If you are a national of one of the countries below, or if you have recently completed a qualification equivalent to a UK Bachelors degree or higher in one of these countries, you will normally meet our English requirements. Note that qualifications obtained by distance learning or awarded by studying outside these countries cannot be accepted for English language purposes.

You will normally be expected to have completed the qualification within two years before starting your course at Sussex. If the qualification was obtained earlier than this we would expect you to be able to demonstrate that you have maintained a good level of English, for example by living in an English-speaking country or working in an occupation that required you to use English regularly and to a high level.

Please note that this list is determined by the UK’s Home Office, not by the University of Sussex.

List of exempt countries

• Antigua and Barbuda
• New Zealand
• St Kitts and Nevis
• St Vincent and the Grenadines
• Trinidad and Tobago
• United Kingdom

** Canada: you must be a national of Canada; other nationals not on this list who have a degree from a Canadian institution will not normally be exempt from needing to provide evidence of English.

Admissions information for applicants

For details on any additional costs, check out the Fees and scholarships section.

Don’t meet our entry requirements?

If you don't meet our entry requirements, we recommend our in-house Foundation Year course to prepare you for Year 1 of your chosen degree:

• Arts and Humanities (with a foundation year) BA (Hons)

This is a single-honours course, allowing you to focus in depth on your core subject.

Find out about our types of undergraduate degrees, their structure, modules and credits

Please be aware that some module details are missing from our prospectus information at the moment. This is due to a technical problem that we are working hard to fix. Please check these pages again later for full course details. Thank you.

• Year 1 at Sussex
• Year 2 at Sussex
• Experience Year
• Year 3 at Sussex

Core modules

Core modules are taken by all students on the course. They give you a solid grounding in your chosen subject and prepare you to explore the topics that interest you most.

Autumn teaching

• Acts of Writing 1
• Critical Approaches
• Encountering Poetry

Spring teaching

• Acts of Writing 2
• Special Topic (Writing Workshop Spring)
• Thinking Literature

Alongside your core modules, you can choose options to broaden your horizons and tailor your course to your interests. This list gives you a flavour of our options, which are kept under review and may change, for example in response to student feedback or the latest research.

While it’s our aim for students to take their preferred combinations of options, this can’t be guaranteed and will be subject to timetabling. Options may be grouped and if so, students will be able to choose a set number of options from the selection available in any particular group.

• Special Topic (Writing Workshop Autumn)
• Radical Theory

We regularly review our modules to incorporate student feedback, staff expertise, as well as the latest research and teaching methodology. We’re planning to run these modules in the academic year 2024/25. However, there may be changes to these modules in response to feedback, staff availability, student demand or updates to our curriculum. We’ll make sure to let you know of any material changes to modules at the earliest opportunity.

We’ll do our best to provide as much optional choice as we can, but timetabling constraints mean it may not be possible to take some module combinations. The structure of a small number of courses means that the order of modules or the streams you choose may determine whether modules are core or optional. This means that your core modules or options may differ from what’s shown here.

Check back in January 2025 for more details of the modules running in the academic year 2025/26.

• Advanced Writing Workshop: Process
• Advanced Writing Workshop: Technique
• History and Practice of Songwriting
• Literature and Philosophy
• Media and Crisis
• Reading Post-Colonial Texts
• Science and Literature
• Screenwriting
• The Art of Short Fiction
• Video Games: Creative & Critical Writing
• Word & Image
• Writing Fiction
• Arts and Lifestyle Journalism
• Communication Design
• Contemporary Stylistics: The Discourse of Film and Drama
• Romanticism
• Sense and Sexuality: Women and Writing in the Eighteenth Century
• Staging the Renaissance: Shakespeare
• The Politics of Children's Literature
• Writing on Performance: Critical and Creative
• Writing Poetry

Study abroad (optional)

Apply to study abroad – you’ll develop an international perspective and gain an edge when it comes to your career. Find out where your course could take you

If your application to study abroad is successful, you’ll have to meet the academic requirements at Sussex and also at the partner university. Find out more about studying abroad as a Sussex student

Placement (optional)

To help you gain experience and increase your employability, you can apply for an optional placement as part of your course. You’ll be responsible for applying for and securing your placement. Our dedicated careers team can provide you with information and advice. If you’re successful in obtaining a placement, this will form part of your course.

Find out more about placements and internships

Please note that if you’re receiving – or applying for – USA federal Direct Loan funds, you can’t transfer to the version of your course with an optional study abroad period in any country or optional placement in the USA if the number of credits for the placement/internship exceeds 25% of the total credits for your course. Find out more about American Student Loans and Federal Student Aid

• Writing Portfolio
• Extra-Terrestrial Cultures: Imagining Outer Space and its Alien Inhabitants
• Longform Journalism and Non-Fiction Writing
• Posthuman/Premodern
• Psychoanalysis and Literature
• Serial Fictions
• Topics in African American Literature
• Virginia Woolf
• Writing Race, Gender, and the Social: Experiments Beyond Representation
• Writing the Environment
• Championing Literacy Placement
• Class, Culture and Contemporary Writing
• Gender, Race and Society in Early Modern Drama
• Modern Nature
• Queer Fictions

Join our creative community

Our degree is supported by research centres, including the:

• Centre for Creative and Critical Thought
• Centre for Early Modern and Medieval Studies
• Centre for Life History and Life Writing Research
• Centre for Modernist Studies
• Centre for Photography & Visual Culture
• Centre for the Study of Sexual Dissidence.

You’ll be part of the community of research and creative practice based around the   Centre for Creative and Critical Thought . We run annual events including the  celebrated Sussex Poetry Festival and the innovative Quick Fictions . In 2022, we’re launching a brand new in-house poetics press.

The student experience and student outcomes are typically very high quality. This rating was awarded in 2023, for four years. ( Teaching Excellence Framework 2023 )

Find out more about our approach to teaching and supporting you to thrive

We’re one of the UK’s most exciting English departments. Whether at the cutting edge of critical theory, pioneering interdisciplinary approaches, or challenging assumptions about language, performance, and the canon, our faculty have been at the forefront of every major development that has shaped the subject since the 1960s.   We’ve been teaching Creative Writing for over 20 years and our faculty includes:

• screenwriters
• journalists
• artists .   

Dr Will Abberley

Senior Lecturer in Victorian Literature

View profile of Will Abberley

Dr Natalia Cecire

Senior Lecturer in English & American Literature

View profile of Natalia Cecire

Prof Sara Crangle

Professor of Modernism and the Avant-Garde

View profile of Sara Crangle

Dr Marina Dekavalla

Senior Lecturer in Media and Communication

View profile of Marina Dekavalla

Dr Sam Ladkin

Senior Lecturer in Creative and Critical Writing

View profile of Sam Ladkin

Dr Emma Newport

Senior Lecturer in English Literature

View profile of Emma Newport

Mr Jeremy Sheldon

Lecturer in Filmmaking and Script Writing

View profile of Jeremy Sheldon

Dr Samuel Solomon

View profile of Samuel Solomon

Prof Keston Sutherland

Professor of Poetics

View profile of Keston Sutherland

Prof Pamela Thurschwell

Professor of Modern and Contemporary Lit

View profile of Pamela Thurschwell

Dr Helen Tyson

Senior Lecturer in 20th and 21st CenturyBritish Literature

View profile of Helen Tyson

Dr Hope Wolf

Reader in Literature and Visual Culture

View profile of Hope Wolf

Fees are not yet set for the academic year 2025/26 – please check back in September 2024. Note that your fees, once they’re set, may be subject to an increase on an annual basis.

Find out about typical living costs for studying at Sussex

Find out about our terms and conditions

Scholarships

Details of our scholarships are not yet set for entry in the academic year 2025/26.

Whatever writing specialism you choose during your studies, you’ll develop your ability to comprehend, to imagine and to create. These skills are valued by employers across a wide range of sectors. You’ll rely on your skills in any role where you’re expected to:

• interpret complex information
• connect with stakeholders
• propose innovative solutions.

On your course, you’ll be able to choose options based on skills needed in arts organisations, charities and industry. This includes the opportunity to apply for placements.

As a graduate, you’ll have the real-world experience for a range of careers including:

• (digital) media
• policy research
• the public and charity sectors
• film and theatre
• care professions.

Our undergraduate courses also prepare you for   Masters degrees , such as our Creative and Critical Writing MA.

What to do with an English, Literature and Creative Writing degree

Explore the careers you might be interested in after studying for a degree in English, Literature and Creative Writing

Working while you study

Our Careers and Entrepreneurship team can help you find part-time work while you study. Find out more about career development and part-time work

A-level - contextual offer

Pearson btec level 3 national diploma and one a-level - contextual offer.

Grade B in A-level and Merit, Merit in Pearson BTEC Level 3 National Diploma.

Pearson BTEC Level 3 National Extended Certificate and two A-levels - contextual offer

Grades BC in A-levels and Merit in BTEC Level 3 National Extended Certificate. 

Pearson BTEC Level 3 National Extended Diploma (formerly BTEC Level 3 Extended Diploma) - contextual offer

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Home > Postgraduate study > Postgraduate courses > Creative Writing MFA

Creative Writing MFA

Why choose this course.

The first Master of Fine Arts in Creative Writing in the UK, this course offers talented and aspiring writers the chance to refine their craft under the tutelage of acclaimed professionals and develop a unique combination of creative and practical skills on this course, in preparation for a career as a published writer.

You will learn in workshops, one-to-one or in small groups, with support from practising and published writers, and fellow students. Our award-winning former creative writing students include Booker-shortlisted Oyinkan Braithwaite, Joe Pierson, who won the Bridport Prize, Stefan Mohammed, awarded the Dylan Thomas Prize, Bafta-winner, Sarah Woolner, the acclaimed poet Dom Bury and celebrated novelist Faiqa Mansab.

Our external examiner has rated this course highly:

• 'This course has developed a strong identity in terms of encouraging students to fuse disparate, varied influences in their work.'
• 'I'm a fan of this course - well done!'

Curtis Brown Agent's Choice competition

All successful applicants who take up their place with us in September will be entered into our competition to have a consultation with Annabel White , an agent at top London literary agency Curtis Brown.

So make sure the creative work you submit with your application is your very best - it might win you a meeting with a literary agent.

Reasons to choose Kingston

• The Creative Writing MFA (Master of Fine Arts) is designed for serious writers who would like to build upon their publishing record or become a published writer.
• You will become part of Kingston's thriving community, with events such as readings, lectures from published authors, editors and agents, masterclasses and enriching discussions.
• You will have the opportunity to contribute to Kingston University's publication, Ripple, which includes fiction, poetry, reviews and creative non-fiction and is edited by students on the course.
• It uses a practical approach to develop your writing skills and is ideal if your writing is already of a good standard but you want to progress towards producing potentially publishable material.
• You also have the chance to learn more about professional elements of writing, such as working with agents/publishers and presenting proposals.
• You can enrol on the MFA at the beginning of your postgraduate degree at Kingston or after completing an MA in Creative Writing (or related subject).

The Art School Experience

As part of  Kingston School of Art , students on this course benefit from joining a creative community where collaborative working and critical practice are encouraged.

Our  workshops and studios  are open to all disciplines, enabling students and staff to work together, share ideas and explore multi-disciplinary making.

What our students say

In this video, one of our creative writing alumna and a current student discuss why they chose the course, what they enjoyed about it and why they'd recommend it to future applicants.

What you will study

You'll attend writing workshops; examine literary genre and texts; take a module designed to prepare you for the world of publishing; and write a 15,000-word dissertation on a topic of your choice in the first year of the course. In the second year you progress to smaller group writing workshops. The extensive one-to-one supervision for the dissertation leading to the MFA (no less than 40,000 words) will be provided by one of the course's permanent staff, one of our distinguished professors.

MFA students need to complete all four MA modules (120 credits) before they can progress to the MFA (second) year. The MFA dissertation has 120 credits. The option modules and dissertation give you the chance to further specialise and pursue an area of interest in depth.

Core modules

Mfa dissertation.

120 credits

This module provides students with one-to-one supervision over an extended period of time (approximately one year for full time students and two years for part time students). The module is assessed in two ways: firstly, by a creative dissertation of 40,000 words that may take the form of a single sustained piece of writing or a collection of pieces from a suitable range of genres; and secondly, by a critical reading log of approximately 4,500 words.

Special Study: Workshop in Popular Genre Writing

This module offers a regular and intensive review of your writing in one of the following genres: poetry, crime writing, prose fiction, biography, drama, scriptwriting or writing for children. You will be advised on how to strengthen your knowledge of the codes and conventions of your chosen genre to produce a substantial piece or collection of work that will reflect your knowledge of and engagement with your chosen genre. You will apply detailed feedback on your work to your writing as well as using your increased knowledge of your chosen genre to make your writing more effective. These elements will help you improve the key transferable skills of analysis and implementation that will feed forward into your dissertation module and into all analytical/practical tasks you subsequently undertake.

Writing the Contemporary

This module provides the opportunity to examine ways in which reading is essential to writing practice and teaches you to apply literary techniques and strategies from contemporary fiction, life writing and poetry texts to your own work. You will develop the concept of 'reading as a writer' in order to explore how contemporary concerns are brought to the fore by artistic strategies, and examine how an understanding of these can provide models for your own creative practice. You will submit work including a reflective reading journal as well as a creative piece in a genre of your choice.

Ten Critical Challenges for Creative Writers

The module is designed to introduce students to some issues of critical and literary theory. The module is also designed to make students more aware of how their work impacts upon wider literary, cultural, political and philosophical issues. Awareness of these theories and of some of the issues surrounding the production and reception of literary texts will stimulate them, encouraging creative and conceptual thinking.  The module will explore debates about literature and the practice of creative writing through readings of essays and texts that are relevant to criticism and theory.  The academic component of the assessment will support the creative work with the objective that students will also have to demonstrate critical, academic, analytical skills.

Writers' Workshop

In this module you will present and discuss your own and each other's work in a weekly workshop. The draft work presented may include several genres and forms, such as crime writing, fantasy fiction, children's literature, historical fiction, science fiction, romance and autobiography. Practical criticism of student writing will be accompanied by discussion of the scope or constraints of the various genres, as well as the implications of particular forms. Attention will be paid to the transferable components of good writing: appropriate use of language, narrative pace, dialogue, expression, characterisation and mood.

Entry requirements

Typical offer.

A 2:2 or above honours degree, or equivalent, in creative writing, English literature, literature and language, drama or theatre studies or a humanities subject.

International

All non-UK applicants must meet our English language requirements. For this course it is Academic IELTS of 6.5 overall, with 5.5 in all elements. Please make sure you read our full guidance about  English language requirements , which includes details of other qualifications we'll consider.

Applicants from one of the recognised  majority English speaking countries (MESCs)  do not need to meet these requirements.

Country-specific information

You will find more information on country specific entry requirements in the International section of our website.

Find your country:

• Middle East

Teaching and assessment

Book-length creative dissertation; critical reading log of approximately 4,500 words.

Guided independent study (self-managed time)

When not attending timetabled sessions, you will be expected to continue learning independently through self-study. This typically involves reading and analysing articles, regulations, policy documents and key texts, documenting individual projects, preparing coursework assignments and completing your PEDRs, etc.

Your independent learning is supported by a range of excellent facilities including online resources, the library and CANVAS, the University's online virtual learning platform.

Support for postgraduate students

At Kingston University, we know that postgraduate students have particular needs and therefore we have a range of support available to help you during your time here.

Your workload

Year 1: 7% of your time is spent in timetabled learning and teaching activity.

Contact hours may vary depending on your modules.

Type of learning and teaching

• Scheduled learning and teaching: 88 hours
• Guided independent study (self-managed time): 1112 hours

How you will be assessed

Assessment typically comprises exams (e.g. test or exam), practical (e.g. presentations, performance) and coursework (e.g. essays, reports, self-assessment, portfolios, dissertation).

The approximate percentage for how you will be assessed on this course is as follows, though depends to some extent on the optional modules you choose:

Type of assessment

• Coursework: 100%

The MFA dissertation is a 45,000-word creative project plus a 4,500-word critical essay.

Feedback summary

We aim to provide feedback on assessments within 20 working days.

Class sizes

To give you an indication of class sizes, this course normally enrols 10-12 students and lecture sizes are normally 8-15. However, this can vary by module and academic year.

Who teaches this course?

As a student on this course, you will benefit from a lively study environment, thanks to the wide range of postgraduate courses on offer. The combination of academics and practitioners makes it a unique environment in which to further your studies and your career.

The University provides a vibrant and forward-thinking environment for study with:

• committed and enthusiastic staff – many of whom are published authors and expert practitioners as well as leading academics and researchers;
• courses designed in collaboration with industry professionals – keeping you up to date with the latest developments;
• established connections with the London arts and media scene – with a range of guest speakers, professors and lecturers visiting the University; and
• a range of opportunities to take part and attend author events, including readings, poetry festivals, industry masterclasses.

Postgraduate students may also contribute to the teaching of seminars under the supervision of the module leader.

Dr James Miller

Course director.

Mr Oludiran Adebayo

Dr Adam Baron

Dr Martin Dines

Mr Steven J. Fowler

Dr Meg Jensen

Dr Wendy Vaizey

Fees for this course, 2024/25 fees for this course, home 2024/25.

• MFA full time £9,900
• MFA part time £5,445

International 2024/25

• MFA full time £16,900
• MFA part time £9,295

2023/24 fees for this course

Home 2023/24.

• MFA full time £9,860
• MFA part time £5,423

International 2023/24

• MFA full time £16,200
• MFA part time £8,910

Tuition fee information for future course years

This is a two year full time course with the published full time fee payable in each year of study.

If you start your second year straight after Year 1, you will pay the same fee for both years.

If you take a break before starting your second year, or if you repeat modules from Year 1 in Year 2, the fee for your second year may increase.

Postgraduate loans

If you are a UK student, resident in England and are aged under the age of 60, you will be able to apply for a loan to study for a postgraduate degree. For more information, read the postgraduate loan information on the government's website .

Scholarships and bursaries

Kingston University offers a range of postgraduate scholarships, including:

• Inspire the Future scholarship
• Postgraduate scholarships for international students

If you are an international student, find out more about  scholarships and bursaries .

We also offer the following discounts for Kingston University alumni:

• Alumni discount
• Progression Scholarship

Additional costs

Depending on the programme of study, there may be extra costs that are not covered by tuition fees which students will need to consider when planning their studies. Tuition fees cover the cost of your teaching, assessment and operating University facilities such as the library, access to shared IT equipment and other support services. Accommodation and living costs are not included in our fees. 

Where a course has additional expenses, we make every effort to highlight them. These may include optional field trips, materials (e.g. art, design, engineering), security checks such as DBS, uniforms, specialist clothing or professional memberships.

Our libraries are a valuable resource with an extensive collection of books and journals as well as first-class facilities and IT equipment. You may prefer to buy your own copy of key textbooks, this can cost between £50 and £250 per year.

Computer equipment

There are open-access networked computers available across the University, plus laptops available to loan . You may find it useful to have your own PC, laptop or tablet which you can use around campus and in halls of residences. Free WiFi is available on each of the campuses. You may wish to purchase your own computer, which can cost £100 to £3,000 depending on your course requirements.

Photocopying and printing

In the majority of cases written coursework can be submitted online. There may be instances when you will be required to submit work in a printed format. Printing, binding and photocopying costs are not included in your tuition fees, this may cost up to £100 per year.

Travel costs are not included in your tuition fees but we do have a free intersite bus service which links the campuses, Surbiton train station, Kingston upon Thames train station, Norbiton train station and halls of residence.

There is a wide range of facilities at our Penrhyn Road campus, where this course is based. You will have access to a modern environment with the latest equipment, including the Learning Resources Centre. This offers:

• subject libraries, plus a free inter-library loan scheme to other libraries in the Greater London area
• online database subscriptions
• a growing selection of resource materials.

The Iris Murdoch Archives

Kingston University has two major archives relating to Iris Murdoch, a significant philosopher and one of the 20th century's greatest novelists. These archives currently comprise:

• Iris Murdoch's Oxford library (more than 1,000 volumes, many of them heavily annotated by Murdoch)
• the papers, tapes, interviews and manuscripts collected by Peter Conradi, Iris Murdoch's official biographer and Murdoch scholar
• various letter runs and documents donated by well-wishers.

Resources in London

Kingston is just a 30-minute train journey from central London. Here you can access a wealth of additional libraries and archives, including the British Library.

After you graduate

Former graduates have achieved multi-book publishing deals or gone on to work in the publishing industry; others have progressed in careers in translating, writing, journalism, advertising and film.

Research areas

Research in English literature and creative writing at Kingston University covers the following areas:

• 19th and 20th century British and American fiction;
• fictions of globalisation;
• gothic writing;
• travel writing;
• narratives of slavery;
• women's writing from the 18th century to the present;
• New Woman and fin de siècle fictions;
• Shakespeare;
• literature of the English Reformation period;
• English women's religious poetry during the seventeenth century; and
• postcolonial studies.

It focuses around the following research initiatives:

• Centre for Iris Murdoch Studies – established in 2004 to oversee research on the Iris Murdoch archives acquired by Kingston University in 2003/04).
• Centre for Life Narratives – bringing together best practice from all genres of life narrative work.
• Cultural Histories at Kingston – centred around the concept of the 'cultural text', the group includes scholars from the fields of literature, film, media, history, music, dance, performance, and journalism.
• Writers' Centre Kingston – a literary cultural centre dedicated to creative writing in all its forms, with an annual programme of events, talks, workshops and festivals.
• Race/Gender Matters – captures and concentrates research on theoretical, critical and creative engagements with the materiality of race, gender and language.

We also hold regular seminars and host presentations by visiting speakers.

Course changes and regulations

The information on this page reflects the currently intended course structure and module details. To improve your student experience and the quality of your degree, we may review and change the material information of this course.  Course changes explained .

Programme Specifications for the course are published ahead of each academic year.

Regulations governing this course  can be found on our website.

Related courses

Creative Writing and Publishing MA

Creative Writing MA

Publishing MA

Secondary Teaching leading to Qualified Teacher Status (QTS) PGCE English

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Find a course

All fields optional

UK universities ranked by subject area: creative writing

• BA (Hons) Creative Writing

Creative Writing BA (Hons)

• Level(s) of Study: Undergraduate
• Typical Offer: 104 - 112 UCAS tariff points
• UCAS Code(s): W800
• Start Date(s): September 2024
• Duration: Three years full-time, four to seven years part-time
• Study Mode(s): Full-time / Part-time
• Campus: Clifton Campus

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Introduction:

This practice-based and industry-focused course – one of the ten best in the uk according to the times good university guide 2024 – will introduce you to the intricacies of writing, including plot, characterisation and narrative study, and will equip you with work-ready skills for the many writing and writing-related industries..

You will develop your skills and talent as a writer through dynamic workshops, exercises and work-like projects involving writing, editing, publishing and pitching, all supplemented by the study of English.

Working alongside a range of highly-accomplished, widely-published professionals, including prize-winning, internationally-recognised authors, poets and screenwriters with real expertise in teaching, you will study at the heart of an active writing community, central to this UNESCO City of Literature. You will also learn how to give and receive critical input from tutors who will support and encourage you to follow your writerly instincts, to experiment, and to develop wide-ranging and highly applicable skills. Exciting, targeted optional modules enable you to pursue your interests.

Our keen focus on developing your employability skillset will ensure you are also extremely well placed to succeed in a wide range of careers.

Develop your creative and professional writing across a wide range of genres, working with highly active, multiple-award-winning expert writer-tutors. See our staff profiles below!

Undertake hands-on roles in creative project management and development, preparing you for work in and beyond the writing and arts industries, developing creative solutions to global problems.

• Develop confidence in your communication, collaboration, and presentation skills.
• Undertake study abroad, if you would like to, with one of our international partners across the world.

Interested in Creative Writing?

Get involved with a summer course specially designed for 15 - 17 year olds.

What you’ll study

With guidance from experts, and as part of a thriving writing and literary community, you will experiment with writing in a wide variety of genres, including fiction, poetry, children’s and young adult fiction, writing for stage and screen, and writing for and with digital technologies. You will also gain valuable hands-on industry experience, and develop a detailed, first-hand knowledge of publishing and the literary industries. Ultimately, you will focus on your chosen specialisations, and further develop your craft and industry skills, equipping yourself fully for life beyond the course.

During the first year, you will study four core modules which focus on developing your own writing and reading skills, while introducing you practically and actively to a wide range of exciting genres and possibilities. In the second year, you will pursue your individual interests through a range of optional modules. There is also an opportunity to spend the second half of the second year on international exchange at one of our partner universities, if you wish to do so. In your final year, with close supervision, you’ll undertake a major project on a topic of your choice, as well as studying optional modules focused on refining your writerly and employability skills. Our course is developed with the utmost care, to allow you to explore enjoyable and exciting pursuits that will develop your writing and writing industry skillset, and your preparedness for graduate employment.

Beginning Writing: The Writing World

This module is designed to help you discover and develop your writing passions. Learn about, and tackle, the core elements of writing fiction, poetry, plays, and screenplays. Hone your skills in areas such as narrative structure, characterisation, dialogue, editing and revision, while learning from an exciting and diverse range of genres and styles of writing.

Writing, Editing and Publishing in a Sustainable World

Your introduction to the varied world of publishing, editing and writing for publication! You will be introduced to the skills required for editing fiction, non-fiction, poetry and scripts, in relation to your own writing and that of other practitioners – both fellow students and published authors.

Writing in a UNESCO City of Literature

Engage with the work undertaken by Nottingham UNESCO City of Literature, as well as with the wider network of UNESCO Creative Cities, connecting with partner organisations in the creative and cultural industries. You will have opportunities on this module to develop work to submit for publishing consideration by Nottingham UNESCO City of Literature, and can opt to write creatively, journalistically or critically.

Literary Pasts, Presents and Futures

Good writers are good readers! Study key authors and literary genres from the past and present, and consider where the literary world is heading now. Consider how texts ‘speak’ to one another across the ages, building a critical understanding of literary heritage, developments and innovations that will inspire your writing.

The Book Group

Explore four texts in depth, spending three weeks on each. This innovative module is designed to introduce you to ‘reading around the text', meaning you will also consider the historical and cultural contexts to excellent writing.

Ways of Reading

This module introduces you to the many different ways in which you might read and interpret texts. You will explore critical approaches to literature, and the different 'lenses' through which it might be read, considering questions related to authorship, publication and form, along with questions relating to writing and interpretation, around issues such as gender, race and the environment. This will encourage you to question what it means to read texts from particular perspectives, what assumptions we make as we read, the relationship between a text and the world, and even what it means to be human.

Core modules

Magazine publishing: concept to dissemination.

Learn about magazine publishing through the ages, the contemporary publishing industry, and the means of producing and disseminating literary publications. Working in a small team, you will collaboratively develop your own literary/cultural magazine, producing and commissioning professional content, and considering everything from commissioning and layout to publication, lunch and dissemination.

Advanced fiction and its Contexts

Further develop your skills at both writing and interpreting fiction. You will consider exciting fiction in various genres, from across the English-speaking world, and will write and edit your own fiction and analysis, refining your craft and style. You will also learn about related aspects of the publishing world.

Digital Storytelling

This module will enable you to become confident in presenting your writing online through hypertext, audio and visual means, and provides opportunities to explore how digital technologies can be used within your creative practice. It will provide you with opportunities to explore how digital technologies can be used within your creative practice, and will also provide you with a digital portfolio to show future employers. Through analysing case studies, digital platforms, and your own work, you will be able to critically reflect on the most appropriate medium for your creative practice.

Optional modules

Pathway 1: extended work-like experience.

Get the experience you need for after you graduate, and really understand how the things you study translate into the world of work with a work placement. Your highly experienced Employability Team will help you find a placement to suit your career goals from our huge network of companies, charities, institutions, and beyond.

Pathway 2: An international exchange

Travel the world, meet new friends, and have experiences you will remember for the rest of your life.

Our flexible curriculum has been designed to allow some amazing opportunities for you. Your second year of study is divided into two semesters, giving you the opportunity to take part in an international exchange. You could study with one of international exchange partners in Australia, Europe, USA, Canada, Thailand and many, many more.

Our dedicated team will support you in finding and arranging a suitable exchange. And don't worry about the cost, they will help you apply for any grants or loans you may need, as no one should miss out on the chance to broaden their horizons.

Pathway 3: Taught pathway:

Working with scripts.

Develop your scriptwriting skills, whether for screen, stage, radio, or podcast. Learn about the working environment in which scripts are commissioned, written and produced, and develop important, exciting hands-on skills and experience.

Contemporary Working-Class Writing

What characterises ‘working-class writing’? How has the working class in Britain been represented in literature since 1950? Is there still a class structure in Britain and have circumstances been changing for the better? The texts on this module consider a variety of forms including novels, plays, short stories, poetry and non-fiction to develop an informed understanding of the intersections between social class and gender, sexuality, ethnicity and place. You will gain an understanding of modern and contemporary social and cultural history, and heritage and develop the ability to critically analyse topical debates about class in Britain.

Poetry and its Contexts

This module will introduce you to advanced poetry writing. By engaging with the work of five modern poets, from across the English-speaking world, you will study poetry with a broad range of concerns and in a broad range of styles, and write your own, developing your skill and craft and learning about the markets for poetry.

Creative Writing Major Project

This module provides an exciting opportunity to develop your own long-form creative project, which may be a feature-length play/screenplay, piece of fiction, collection of poems or short stories, or something else entirely, with expert supervision from a specialist in your chosen genre.

The Freelancer

Enhance your employability by developing your own personal and professional portfolio. You will work to develop your professional skills in a working environment by completing twelve hours of targeted freelance activity, which you will reflect on in a portfolio.

Optional modules - choose three from:

Poetry and the planet.

This option module considers how contemporary writers think through the relationship between the human and the more-than-human world. You will discuss topics including climate change, environmental justice, species extinction and indigenous knowledge in order to understand how the arts and humanities can help us to engage with modern challenges. Incorporating writing workshops and a field trip, students will have the opportunity to respond creatively and critically using a range of print-based and digital media.

Writing for Magazines: Regional, National and International Contexts

How do freelance writers carve out a niche in magazines and other publications? How are such working relationships built and maintained? This module will introduce you to writing for a wide range of local, national and international magazines, both creatively and critically. You will study the differences, where they exist, between print and digital publication, and write and pitch a range of articles in different styles.

Collaboration and Performance

Collaboration can be vital to working as a writer, and in many other fields of employment. It can also teach you many valuable work and life skills. On this optional module you will examine collaborative writing projects, and then work in small teams, in a writers’ room environment, to develop your own project. You will then advertise it, and perform it for an audience.

Creative Writing in the Community

Develop your theoretical and practical understanding of applying creative writing and workshopping in community settings. This module prepares you for public speaking and developing and running projects, within and beyond creative writing.

Don’t just take our word for it, hear from our students themselves

Student profiles, claire hickenbotham.

The lecturers keep us in the loop with writing competitions, magazine submissions and volunteering opportunities, which are not only fun, but they improve confidence and enhance career prospects.

Megan Sprous

I’ve found it a great joy to be able to get to know my tutors over the course of my degree. They’re helpful and insightful, I feel that if I had any issues or questions, they wouldn’t hesitate to lend a hand where they could.

Ellie Jacobson

I gained skills which are transferrable to a work place environment.

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