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Drama Dissertation Topic Ideas – Based on the Latest Industry Trends

Published by Ellie Cross at December 29th, 2022 , Revised On August 11, 2023

Drama is one of the most extraordinary forms of communication. Besides being aesthetically pleasing, drama plays are also socially and ethically significant. Technological innovation and drama considerations also affect the drama business. Researchers will be able to gain a deeper understanding of the fundamental intuition involved in drama production through comprehensive research on theatre dissertation topics.

The Top Drama Dissertation Topics & Ideas For You

The development of Latin American plays in the UK: A challenge that has gone unmet.
The popularity of true wrongdoing portrayals and false wrongdoing fiction in French media in the interwar period. Discuss
Inquiry on the transition from dispersed arrangements to film
Youth perspectives in 21st-century Latin American cinema
Digital media, television, and embodied difference in the identity debate
Current Francophone Contact Zones: Language and Identity Politics
A Shifting Viewpoint: Analysing the New Greek Cinema
A Study of World Cinema on the Festival Circuit, Different Landscapes
The West as a Trope in the New Romanian Cinema, The Promised Land
An analysis of reproducing theatre in authentic outdoor situations
From the music corridor to the variety nights: popular performing venue in the past
Theater’s estimate in an era of supported gravity: a personal investigation
With the flag in hand and roots in the ground: American Musical Theater’s depiction of rural gender identity
African Dance and Its Essence: How Conventional Is It Today?
The theatre’s exploration of societal concerns and subjects
The role of spectacle in contemporary theatre
How the musical theatre of today has changed: Hammerstein and Rodgers
Tracing the evolution of theatre and Dionysus
Highlighting the evolution of spectacle across time?
Proving the connection between tragedy and ancient mythology
A look at how Shakespeare has improved drama
A critique of stage and screen performance in plays: examining the complex components
Performance abilities of stage actors: A review
Investigate in depth how expressiveness affects stage acting in a significant way
Establishing the connection between theatre and music
How has Greek tragedy altered the nature of theatre? A critique
A thorough examination of role-playing in group therapy
Vocabulary used in dramas based on the Holocaust
A review of radio drama as a source of entertainment and popular culture before the invention of television
An examination of creativity and appearance in a historical and contemporary play
Dramatic learning in the fundamentals: Examining logical, emotional, and expressive abilities
A discussion on drama and how it fosters imagination
Dramatic direction skill: Bringing stories to life
Blaxploitation and African American expression: The negative connotations attached to Elizabethan actors
Examining drama and the self-confidence mentality
Dramatic imagination: A critical examination
From music corridor to variety evenings: A well-known theatre act centre has changed over the years
Dramatic changes in television and digital media. An extensive analysis
A theatrical examination of trauma and contemporary terror
An examination of several stylistic approaches to dynamic translation
An assessment of the key differences between a translation and a translation of the dialect
An analysis of the drama’s many characters’ roles
An examination of the role actor plays in creating new drama genres
An exploration of the neo-burlesque notion about negotiating exoticism
Examine software’s use to create interface metaphors and interactive dramaturgy in depth
An in-depth analysis of Latin American theatre’s development in the UK
Is computer-generated action in plays the way of the future of theatre? An analysis
A discussion of the benefits of drama for those with learning difficulties
How can theatre support the growth of imagination? An evaluation
Does contemporary theatre follow advancements in the current social movement trends?
Has casting that is inclusive of all races and genders become a worthwhile discussion point in drama? An extensive analysis
An examination of how theatre performance has changed in a media-driven era
Examining the training programs for performers hoping to go from theatre to cinema
A study of overcoming the disconnect between the actor and the character
The use of playback theatre to analyse teenagers’ individual and dominant discourses
An investigation on how to improve performers’ ability to convey purpose and emotion
Does modern drama still have the ability to surprise viewers, or has it lost that ability due to present issues? A thorough examination
An analysis of street theatre and how it affects theatre for people
Is drama on the internet becoming more popular? Comprehensive research
In a “dance-based” physical drama performance, intended and perceived emotions were compared
An overview of how the drama’s make-believe universe was created
A descriptive study on the advancement of theatrical methods
An investigation on improvisation and artistic innovation in plays and theatre
Study the relationship between homosexuality and the drama industry
An analysis of the influence of theatre on adolescent culture

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Our top-rated experts’ recommendations for drama dissertation topic ideas are listed above. Experts who proposed these drama dissertation topics are well equipped with the most recent knowledge, qualification and subject expertise to explore your chosen topic and develop an original thesis paper on it.

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How to find drama dissertation topics based on latest cultural trends.

To find drama dissertation topics based on cultural trends:

Follow theatre news and innovations.
Analyze popular plays, themes, and controversies.
Explore intersection of drama and current cultural issues.
Consider diverse perspectives and identities.
Investigate digital and virtual performance trends.
Select a topic resonating with both drama and contemporary culture.

Scholars' Bank

Theatre arts theses and dissertations.

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Two Sides of Intelligibility: The Practice and Perception of Performed Accents Onstage Kress, Ellen ( University of Oregon , 2022-02-18 ) The profession of voice and dialect is built upon the premise of maximum understanding for the audiences attending theatre. This maximum understanding, or intelligibility, has historically driven the practice and continues ...
Durable Whiteness: Structural Settler Colonialism in California and Southern Oregon Theatre, 1849-1860 and 2018-2019 Lenk, Waylon ( University of Oregon , 2021-09-13 ) Theatre and Performance Studies have studied the ways in which theatre and performance act as auxiliaries of hegemonic state power at least since Boal’s Theatre of the Oppressed explored the ways in which classical Greek ...
Interpreting the Game of History: Synthesis and Shortcomings Between Reenactment, Living History, and Roleplaying Pointer, Mica ( University of Oregon , 2021-09-13 ) Civil War reenactors claim to be educational through the nature of their bringing the past to life. Their claims place them among heritage and cultural interpreters in how they connect the past with the audience before ...
A Fundamental Disagreement: Ongoing Discussions Concerning the Adaptation of Augusto Boal’s Practices Evans, Joshua ( University of Oregon , 2021-09-13 ) After Augusto Boal passed away in 2009, a significant dispute developed within the Theatre of the Oppressed community concerning whether his methods should be reimagined to combat structural oppression more effectively. ...
The Latinx Theatre Commons: Feminist Decolonization in the Early Years of a Movement to Transform the Narrative of the American Theatre Sanchez Saltveit, Olga ( University of Oregon , 2020-02-27 ) The Latinx Theatre Commons (LTC) emerged in 2012 in response and resistance to years of misrepresentation and erasure of Latinx artistic work and presence by the American theatre field in practice and in scholarship. This ...
“Sisters of the Pen”: Restoring Women to Early Modern Theatre History Pedagogy and Practice Rogers, Jessica ( University of Oregon , 2020-02-27 ) This dissertation looks at current theatre historiography in terms of pedagogy and performance practices on the topic of early modern (seventeenth century) female dramatists, via select dramatic works of Elizabeth Cary, ...
Traversing the Rift: Cultivating Climate Change Literacy Through Theatrical Performance Borowicz, Lydia ( University of Oregon , 2019-04-30 ) Climate change is a persistent and growing threat to the well-being of both humans and nonhuman species, and little action has been taken to halt it. It is imperative the public gains a sufficient level of climate change ...
The Nether Worlds of Jennifer Haley — A Case Study of Virtuality Theatre Yeadon, Michelle ( University of Oregon , 2018-09-06 ) Studies exploring the first wave of digital performance foregrounded technology by cataloging experimentation and novel interactions between liveness, projections and code. As exercises in medium, these high tech spectacles ...
Moises Kaufman: The Search for New Forms Brown, Rich ( University of Oregon , 2003-08 ) This study identifies and examines Moises Kaufinan's theoretical questions and rehearsal techniques from their development in initial works at New York University to their specific application during the creation of Gross ...
Roots in the Earth and a Flag in my Hand: Rural Gender Identity in American Musical Theatre Cuskey, Lusie ( University of Oregon , 2016-10-27 ) The integrated musical is a vehicle for the creation and communication of a national identity, created through the use of coded performances of gender and, at times, rural settings conceptualized as essentially “American.” ...
A Home You Can’t Live in: Performances of the Black Body and Domestic Space in Contemporary Drama Gray, Leslie ( University of Oregon , 2015-08-18 ) Theatre is often an invitation to enter the black home subject to its violations and crisis; this thesis repositions the black home and body in contemporary American and British theatre as constructed by the narratives and ...
Practical Dramaturgy for Actors: Applying Resources of the Oregon Shakespeare Festival to the Challenges of Language and Preparation Rodley, Patricia ( University of Oregon , 2015-01-14 ) This dissertation investigates the relationship between acting and dramaturgy. It proposes a change in the contemporary actor's work to more purposefully integrate practical dramaturgy as a preparation that parallels ...
Amas Repertory Theatre: Passing as Black While Becoming White Sidden, Jean ( University of Oregon , 2014-09-29 ) Amas Repertory Theatre was founded in 1969 by Rosetta LeNoire, an African American actress who pursued a mission of developing original musicals while practicing interracial casting. The company's most successful show was ...
The Experience of Place in Performance: A Survey of Site-Specific Theatre Rorem, Jacob ( University of Oregon , 2014-09-29 ) For practitioners and scholars of site-specific theatre, attempts to understand the relationship between a site and performance have often focused on performance. The many ways a site can inform and enhance the audience's ...
Presenting Oregon: Formative Forces of the Oregon Unit of the Federal Theatre Project Morris, Damond ( University of Oregon , 2013-10-03 ) During the Great Depression President Roosevelt's New Deal brought relief to Americans through the Works Progress Administration (WPA). The Federal Theatre Project (FTP) was formed in 1935 under the WPA to lift spirits, ...
Bill Talen and Reverend Billy: A Shared Journey Thomas, Kathleen ( University of Oregon , 2013-07-11 ) As the cultural upheaval of the `60s fought its way into the `70s, Bill Talen began his career first as a poet, hitchhiking the interstate highways from the Midwest to the Coasts eagerly engaging the literary, intellectual, ...
Clowns Ex Machina: An Investigation of the Relationship Between Gender and Clown Bates, Kimberly ( University of Oregon , 2012 ) Historically, women have been largely discounted from the public comedic arena, typically serving as the butt of the joke or other various comedic fodder. As a female comedian, I became interested in how gender played ...
Sojourn Theatre Company: A Case Study in Community-Based Theatre Madzik, Christine ( University of Oregon , 2012 ) This thesis examines contemporary community-based theatre processes and efficacy through a case study of Sojourn Theatre Company. Chapter II overviews Sojourn's production history and explores the company's style. Chapter ...
(In)famous Angel: The Cherub Company and the Problem of Definition Cook, Brian ( University of Oregon , 2012 ) This dissertation examines the effects of conventionally categorizing working artists and looks specifically at the Cherub Company, London, as a case study. Cherub was an alternative British theatre company whose work in ...
Cowboy Up: Evolution of the Frontier Hero in American Theater, 1872 – 1903 Buss, Kato M. T. ( University of Oregon , 2012-03 ) On the border between Beadle & Adam’s dime novel and Edwin Porter’s ground-breaking film, The Great Train Robbery, this dissertation returns to a period in American theater history when the legendary cowboy came to life. ...

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Home > College of Arts & Humanities > School of Performing Arts > Performing Arts Student Scholarship and Creative Works > Performing Arts Graduate Theses and Dissertations

Performing Arts Graduate Theses and Dissertations

Theses/dissertations from 2023 2023.

Me and My Baby: Directing & Designing "Chicago" at the High School Level , Leo Arteche Arencibia

Trauma In the Acting Process: My Role as Camae In the Mountaintop and the Implementation of Practical Techniques for Empowerment , Anita Bennett

Transforming Costuming Design: Costuming for the Actor's Comfort , Lisa Evenson

A Survey of Current School Orchestra Directors' Incorporation of Alternative Styles in the 6-12 String Curriculum , Haley Fye

Music Direction and Piano Accompaniment in Musical Theatre: A Practical Guide , Danielle Hayes

Flow Theory in the Actor's Process: Can the Pursuit of Optimal Experience Alleviate Anxiety? , Kimberly (Kimber) King

The Process Is A Journey , Victoria Micaletti

Creative Collaborations: An Arts Integrated Educational Business , Michele Perkins

Keeping the Ball Alive: The Marriage Between Sports and Acting , Giuseppe Pipicella

Theatrical Intimacy: Navigating a New Normal , Elizabeth Smith-Cortelyou

Creating Living Characters Through Stanislavski's System and Michael Chekhov's Psychological Gesture , Robert Stark

Play as a Means of Connection , Charles Street

Theses/Dissertations from 2022 2022

Breaking the Mold: Haunted Attraction Mazes; A Study in Reducing Predictability & Increasing Intensity, Within Unconventional Halloween Attraction Experiences , Amy Avalos

"How to Succeed": Determining and Comparing the Musical and Non-Musical Influences behind the Broadway Adaptation of How to Succeed in Business without Really Trying , Gary Bogers

Choreographing Closeness: The Effects of Intimacy Choreography Best Practices in Educational Theatre , Morgan Cobb

¿Dónde están? Latin American Representation in Theatre for Young Audiences , Ximena Gonzalez Toledo

For the Very First Time: A Process of Rehearsal and Performance in the Beginnings of COVID-19. , Andrew Hansen

Bridging a Need: Audience Participatory Theatre for Non-Profit Fundraising , Ralph Krumins

Sensory Overload: Creating Autism-Friendly Areas In Theme Parks Through Universal Design Principles , Lindsey Leffel

A Theoretical Prototype for Narrative and Interactive Development within a Theme Park Parade , Carson Luter

Integration of Video Game Play and Storytelling in Theme Park Environmental Design , Alexandria Marcello

Journey To The Dragon's Gate: A Study Of Hybrid Ride Systems And How They Enhance Attraction Storytelling , Matthew Moore

Utilizing Dramaturgy to Activate Creativity in Young Audiences , Joni Newman

Musicals, Murders, and Motivation: A View on the Audience and Their Support Towards Musical Murderers through Maslow , Lesly Nuñez

Exploring Best Practices of Teaching Theatre for Social Change to Youth , Samantha Reser

Eco-TYA: An Exploration of Youth Agency and the Role of Environment in Creating Balanced Theatrical Collaborations , Sage Tokach

Creating Themed Accessible Spaces Through Hospitality Design , Sidney Wolf

Theme Park Queues as Diegetic Worlds: Using Star Wars: Rise of the Resistance as a Case Study for Core Design Elements , Jordan Zauha

Theses/Dissertations from 2021 2021

"Keep your facts, I'm going with the Truth": Toward an Ethical Perfromance of Satire in the Age of Hyper-Polarization and Culture War , Carson Betts

The Actor and the Iceberg , Christopher Creane

Artistic Science: An Exploration of Dramaturgy through Inquiry-Based Learning for Youth Artists , Sam DiRosa

Combating Performance Anxiety: Reflections of A Personal Anti-anxiety Plan for Onstage and Filmed Media , Megan Friend

Braving the Discomfort: An Examination of Hate Speech and Racially-Motivated Violence Onstage, and How We Should Approach It , Sarah Hubert

An Actor Auditions , Jessica T. Johnson

Past, Present, and How to Proceed: Creating My Actor Tool Kit , Joshua Kimball

Sympathy for the Devil: A Compassionate Approach to Morally Reprehensible Characters in Drama , Amy Livingston

Emotional Availability: A Practice-as-Research Exploration on Acting in Film and Theatre , Janice Munk

The Death of Beowulf: Exploring the Conception, Process, and Lessons of an Original Solo Performance Based on a Classic , Jeffrey Sneed

Performing Belvile: Developing a Transformative Method , Brian Wiegand

Towards a Postdramatic Jazz Aesthetic: Per(form)ance and Its Discontents , Johann Robert Wood

Theses/Dissertations from 2020 2020

Who Am I, and Why Does it Matter? Reflections of Identity and the Need for Culturally Sustaining Theatre , Bianca Alamo

Just A Number: A Cabaret Exploring the Roles My Age Prevents Me From Playing , Monica Andrews

The Process of Composing FROM HERE: A Contemporary Musical , Jason Bailey

Evita: A Practical Approach to Creating and Implementing Choreography for Professional Theater , Kimberly Ball

The Field of TYA on the Soccer Field: Using Drama Strategies to Enhance Youth Soccer Coaching Practices , Brittany Caine

Production Development: A Practical Approach to Directing for Educational Theatre , Jill Cicciarelli

Metatheatre and Critical Race Theory: A Combination for Compelling Storytelling and Effective Changemaking , Andrew Coleburn

Adaptation of the Novel "Silas Marner" into a One-Act Play and Performance , Melaney Douglass

The Art of Reflection: A Personal Account of Reflexive Teaching Artistry and Personal Praxis , Kate Kilpatrick

Director Methods for High School and Amateur Theatre Implementation , Tyler Leeps

His Voice: The Portrayals of LGBTQ+ Issues in Musical Theatre seen through Terrence McNally's A Man of No Importance , Alex Mendez

Everybody Says Don't: An Examination of Works by Stephen Sondheim in High School Theatre Programs , Matthew Nash-Brown

Stages of Color: An Exploration of Drama Through a Chromatic Lens , John Norton

Initiating Change, Connection, and Community , Janine Papin

Stage Fright: An Examination of Horror-based Theatre Through Theory and Practice , Ramon Paradoa

How Artists Can Capture Us: Educating About the Works of Stephen Sondheim Through Parody , Jarrett Poore

Playing Disability , Daniel Romano

Casting as a Pedagogical Practice in Educational Theatre Spaces , Scott Savage

Dolly'll Never Go Away Again: Producing the Classic Musical at the High School Level , Jason Whitehead

Theses/Dissertations from 2019 2019

The Living Hashtag Play: A Modernized Living Newspaper with Theatre of the Oppressed Approaches to Play Development , Elizabeth Corsi

Performing Feminism: Boy Gets Girl During the #MeToo Movement , Amanda Dayton

Gender Performance in Shakespeare's Twelfth Night , Amanda Lee

Mindful Acting , Terence Lee

Performing Bernarda: Activating Power and Identity , Ana Martinez Medina

Theses/Dissertations from 2018 2018

Gee, Officer Krupke: An Actor's Casebook , Eric Eichenlaub

The Power of Play: Creating A Theatre for the Very Young Experience , Maria Katsadouros

When Coquis Sing: Introducing Young Audiences to Death and Bereavement Through An Original Play , Michelle LoRicco

Exploration of Teaching EL Students Using the Arts with the Focus on Theatre Arts , Carinita Quintero

Structural Inclusion Tools for Theatre Teaching Artists , Leah Thomas

Audience Engagement in Theatre for Young Audiences: Teaching Artistry to Cultivate Tomorrow's Theatre-Goers , Julie Woods-Robinson

Theses/Dissertations from 2017 2017

Rebirth of the Renaissance Man: Creating Actor Agency through Ensemble Theatre , Kody Grassett

Living with Marie: Dramatherapy in the Creation of Performable Theatre , Madelyn James

Planting Seeds: Life Stories of Awakening Self-Awareness , Aixa Mendez

From Dude to Dad: A Study on Prenatal Fatherhood and its Representation in Theatre , Michael Nilsson

Women in White: My Journey into Color , Madison Tarbox

Synaesthetics , Samantha Turner

Theses/Dissertations from 2016 2016

The Actor Process: Playing Multiple Characters , Danielle Brown

Christ on the Postmodern Stage: Debunking Christian Metanarrative Through Contemporary Passion Plays , Joseph Dambrosi

Giving Theatrical Life , Quentin Darrington

Playing Back Spirituality: Using Applied Theatre Practice for Spiritual Exploration an Meaningful Community Building in College , Ann Kinnebrew

Theses/Dissertations from 2015 2015

The Artistry of Accessibility: Creating Theatre with and for Students on the Autism Spectrum , Sara Brunow

When Oppressed Women Attack: Female-Enacted Violence Through Minority American Female Playwrights' Works , Kate Busselle

Directing Stop Kiss by Diana Son within a Nontraditional Training Model , Rebecca Dilks

Stefano Landi's Arie a una voce and Early Seventeenth-century Italian Guitar Music with Alfabeto Notation , Nicholas Galfond

Writes of Spring 2014: Fostering Creativity in Theatre, Education, and Leadership , Alexandra Hodson

Seeking a Vision, Finding a Voice: Exploring the Musicality of Theatre Through Multidisciplinary Practice , Tara Kromer

The Branding, Creation, and Promotion of a Solo Comedienne , Anna McCorison

Almost Mirror Image: Exploring The Similarities And Dissimilarities Of Identical Twins In Theatrical Solo Performance , Elizabeth Mignacca

A Jew from Nebraska: An Actors Attempt at Stand-up Comedy , Jeffrey Nathan

Providing Cultural Balance for Young Americans , Mark Nichols

Connections Between Voice and Design in Puppetry: A Case-Study , Ryan Skiles

The forging of modern Broadway Sound Design Techniques amid the Fires of the Rock Musicals in the Late 1960s and 1970s. , Timothy Tracey

Theses/Dissertations from 2014 2014

Halloween Horror Nights And/Or Visceral Theatre , Patrick Braillard

To Better Understand the Theater of the Middle Ages by an In-Depth Study of the Old Testament Plays of the York Cycle of Corpus Christi Plays , Carole Casey

The Art of the Technical Director , Victoria Oakes

Digesting Modern Acting Theory for Young Performers , Brandon Yagel

Theses/Dissertations from 2013 2013

August Wilson's Gem Of The Ocean A Dramaturgical Case Study , Rebecca Barringhaus

Developing New Works For The Stage: An Actor's Perspective , Lauren Butler

Attention Must Be Paid: A Critical Study Of The Non-traditional Leading Man In Twentieth Century Drama , Trevin Cooper

Boy Meets Boy: Envisioning Queer Youth Novels For Translation To The Stage , Daniel Davis

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Dissertations and Theses

The dissertation is the culminating project for the PhD in Theatre and Performance Studies. A formal proposal for a dissertation should be submitted for the endorsement of the Graduate Faculty. See the department's Graduate Student Handbook for proposal instructions. The Graduate Faculty will review the proposal. Sample proposals are on file in the department or by contacting the Director of Graduate Studies.

We welcome projects that include archival research, ethnography, critical theory, literary analysis, and performance studies. Dissertation work begins in the third year of the PhD program and is typically completed in a student's fourth or fifth year in the doctoral program.

Recent Dissertations and Theses

2023 – dissertations.

" Relajo y Joteria: Reimagining Family, Devotion, and Desire through the work of Teatro Alebrijes, 2011-2022 " ( Javier Hurtado )

"Who’s That Girl?”: Women Writing Women on the Broadway Stage " ( Jess Pearson-Bleyer )

2022 – Dissertations

" Americanizing Shakespeare in Print: Nineteeth Century American Illustrated Editions of Shakespeare as Representations of National Identity " ( Hesam Sharifian )

"New Game+: Memories Made in Virtual Worlds " (Peter Spearman)

2022 – Theses

"Balancing and Bending in Bling: The Aesthetics of the Acrobatic Latina Athlete" (Amelia Estrada)

“Perform Falling: Reframing Chinese Rural “Left-Behind” Children” (Wenxuan Xue)

2021 – Dissertations

"Cosmopolitan Performance and Its Ecologies in Interwar Shanghai" (Yizhou Huang)

"Defiant Acrobatic Bodies: Gender in the Performance of Ground Acrobatic Acts from the Inception of the Modern Anglo Circus" (Amy Meyer)

"Performing History in North Tulsa: Black Wall Street and the 1921 Tulsa Race Massacre" (Tara Brook Watkins)

2021 – Theses

"Processing the Pain of Others: Witinessing Semana Santa Penitents in Taxco Through Procession" (Whitney Brady-Guzmán)

"[W]righting the Highway: Black Counter-Maps and American Interstates" (Jenny Henderson)

2020 – Theses

"Theatre in the Time of Cholera: Health, Medicine, and The Physician's Role on the American Stage 1832-1883" (Mia Levenson)

"Phantacamp: Queer Temporal Ruptures in the Performance of Restaged Camp" (Jo Rezes)

2019 – Dissertations

"Beyond Dahomey: The Legacy and Afterlife of the Williams and Walker Company 1902-1921" (Beck Holden) (Pat King) "Directing btween the Lines: Iranian Theatre and the Aesthetics of Ambiguity" (Reza Mirsajadi) "Homing a Turkish Diaspora: Turkish-American Women's Creative Labor" (Irem Seçil Rell Sen) "Inspiration, Countercultural Aesthetics, and Dissent: The Ilklhom Theatre of Mark Weil" (Irina Yakubovskaya) "Theories for Corporate Theatre" (Michael Morris)

2019 – Theses

"'ENOUGH OF THIS I'M NOTE LATINO ENOUGH BULLSHIT' The Social Re-Evaluative Eroticisms of Afro-Latinx Identities in U.S. Pop Culture" (Stephanie Engel)

"In Solidarity: Queer Appalachia's Zine Activism and the Radical Aesthetics of Homemaking." (Harry Hoke)

2018 – Dissertations

"An obvious caricature: The Consequences of Scientific Discourse on Theatrical Madness, 1807-1895" (Katherine Swimm) Brief Deceptive Rainbows: Cultural Memory in Productions of Tennessee Williams's The Glass Menagerie , A Streetcar Named Desire , and A Cat on a Hot Tin Roof (Daniel Ciba)

2018 – Theses

"But What if Instead We Imagine Black Life" Femininity, Performance, and the Black Lives Movement (Teri Incampo) The Man Within: Depictions of Blackness in Superhero Adaptations” (Peter Spearman)

2016 – Dissertations

"Black or Red? The Construction of Identity in Langston Hughes' Plays" (Katya Vrtis) "Forgotten Figures: The Rhetorical Function of Tecmessa, Chrysothemis, and Ismene in Tragedies of Sophocles and Selected Adaptations" (Tiffany Pounds-Williams) "Theatre of Common Sense: Ernie McClintock, Jazz Acting, and the Black Power Aesthetic (1965-2003)" (Ibby Cizmar)

2016 – Theses

"'Am I Not A Woman and A Sister?' Performance as Political Discourse in African American Women's Literary Societies" (Jenny Herron) "Staging as Youth Culture in Colonial-Modern Shanghai: Student Theatre from the 1890s-1920s" (Yizhou Huang)

2015 – Dissertations

"American Billing: Life, Liberty, and the Pursuit of Shakespeare" (Danielle Rosvally) "The American Pipe Dream: Drug Addiction on Stage 1890-1940" (Max Shulman) "Arab and Muslim American Female Playwrights: Resistance and Revision through Solo Performance" (Megan Stahl) "Freaks, Beasts, and Gadgets: Performing Order and Disorder in Early America" (Matthew DiCintio) "Constructing the Sensorium: Neoliberalism and Aesthetic Practice in Neoliberal Theatre" (Paul Masters) "Cultural Improvisations: Luigi Riccoboni and the Nouveau Theatre Italien" (Matthew McMahan) "Documenting Rehearsal for Revolution: Theory, Practice, and Praxis in Theatre of the Oppressed" (Betsy Goldman)

2015 – Theses

"'Of Thee We Sing:' Microhistories of the Northeastern United States through the Lens of American Folkloric Opera" (Christian Krenek) "Spectrums of Truth: Transcribing Reality in the Documentary Musical" (Reza Mirsajadi)

Search the Archive

Dissertations and theses by our graduate are catalogued in the Dissertations & Theses @ Tufts University database. In the "Advanced Search" option, search for "drama" in the "Department – DEP" category. Dissertations & Theses @ Tufts provides full text for:

Most PhD dissertations issued after 1996
Most master's theses issued after 2005

University of Michigan Library
Research Guides

Musical Theatre Resources

Other Online Resources
Selected General Histories
Selected Topic-Specific Histories
Musical Films & Television
Performers, Composers & Performance Resources
Directing, Production & Writing Guides
Vocal Scores & Libretti
Audio & Video
Articles & Periodicals
Rent (Spring 2023)
Guys & Dolls (Fall 2023)
A Little Night Music (Spring 2024)

Finding Reviews

In addition to some of the print and online resources found in this guide, you can refer to the following research guides for assistance in finding reviews of musicals:

Theatre and Drama

Reviews of musicals can also be found at these selected websites:

London Theatre Guide

Dissertations & Theses

Below are some electronic resources that will assist you in finding dissertations and theses related to musical theatre.

ProQuest Dissertations & Theses Global This link opens in a new window Descriptions, sometimes with full text, of doctoral dissertations & master theses from US, UK, Canada, Ireland, etc.
RILM Abstracts of Music Literature This link opens in a new window International bibliography of scholarly writings on music and related disciplines classified by topic. Includes citations and abstracts for articles, dissertations and more. Access: Limited to authorized UM users (through validated sign-on).
WorldCat This link opens in a new window Includes over 179 million citations to books, periodicals, sound recordings, videos, musical scores, archival materials and much more representing the holdings of most libraries in North America and some in Europe. Access: Limited to authorized UM users (through validated sign-on).
Doctoral Dissertations in Musicology-Online DDM-Online contains bibliographic records for completed dissertations and new dissertation topics in the fields of musicology, music theory and ethnomusicology as well as in related musical, scientific and humanistic disciplines. Access: Open to all users.
International Bibliography of Theatre & Dance with Full Text This link opens in a new window Contains more than 60,000 journal articles, books, book chapters and dissertation abstracts. It has more than 500 full-text titles, including more than 170 full-text journals and more than 360 full-text books & monographs.

Selected Library Resources & Websites

Oxford Music Online Searches across multiple Oxford reference resources (The New Grove Dictionary of Music and Musicians, The New Grove Dictionary of Opera, The New Grove Dictionary of Jazz, The Oxford Companion to Music and The Oxford Dictionary of Music) covering all aspects of music, including biographies, definitions of terms, musical examples, lists of works, links to audio and more. Access: Limited to authorized UM users (through validated sign-on).
Oxford Encyclopedia of Theatre and Performance Provides authoritative and up-to-date information about theatre and performance from ancient Greek theatre to the latest developments in London, Paris, New York, and around the globe. In addition to performances in playhouses, it covers dance, opera, radio, film, television, and popular performance, including carnivals, circus, and public executions. Entries range from short definitions of terms to lengthy considerations of genres and movements, such as feminism and psychoanalytic criticism. Entries on cities and regions place performance in its local social and political context. Access: Limited to authorized UM users (through validated sign-on).
Oxford Companion to Theatre and Performance Based on the celebrated Oxford Encyclopedia of Theatre and Performance, and covers styles and movements, organizations, regions and traditions; it has a particularly strong focus on biographies of actors, playwrights, directors, and designers. New entries cover the people and companies who have come into prominence since the publication of the Encyclopedia. The Companion includes all the most popular and accessible information from the Encyclopedia, concentrating primarily on the personalities involved in producing theatre, as well as overviews of the genres within which they work. Access: Limited to authorized UM users (through validated sign-on).
Encyclopedia of Popular Music This link opens in a new window This encyclopedia's 30,000 entries cover all genres and periods of popular music from 1900 to the present day, including jazz, country, folk, rap, reggae, techno, musicals, and world music. Access: Limited to authorized UM users (through validated sign-on).
MusicalAmerica.com This link opens in a new window Top international performing arts professionals go to MusicalAmerica.com for in-depth coverage of performing arts industry news; special reports into the key issues and solutions driving the performing arts industry; extensive databases with critical information covering the international landscape of performing artists, facilities, managers, presenters, schools, media, services and organizations; frequently updated news stories, reviews, databases; news directly from industry groups and organizations through its Press Releases section. The site contains a wealth of data, including international industry news, all contact information and articles from the print directory and archive information. Access: Limited to authorized UM users (through validated sign-on).
MusicalTheaterSongs.com This link opens in a new window An index to musical theater songs allowing searching by voice type, range, character ago, tempo, and other parameters.
Music Theatre International Music Theatre International (MTI) is one of the world's leading theatrical licensing agencies, granting schools as well as amateur and professional theatres from around the world the rights to perform the largest selection of great musicals from Broadway and beyond. MTI works directly with the composers, lyricists and book writers of these shows to provide official scripts, musical materials and dynamic theatrical resources to over 60,000 theatrical organizations in the US and in over 60 countries worldwide. MTI is particularly dedicated to the idea of theatre as education and has created special collections to meet the needs of various types of performers and audiences.
National Alliance for Musical Theatre A not-for-profit organization serving the musical theatre community and seeking to advance musical theatre by nurturing the creation, development, production and presentation of new and classic musicals; providing a forum for the sharing of resources and information relating to professional musical theatre through communication, networking and programming; and advocating for the imagination, diversity and joy unique to musical theatre.
NewMusicalTheatre.com Dedicated to the distribution and promotion of a new generation of musical theater writers who self-publish their own digital sheet music.
Broadway League The Broadway League is the national trade association for the Broadway industry. Its 700-plus members include theatre owners and operators, producers, presenters, and general managers in North American cities, as well as suppliers of goods and services to the commercial theatre industry. The League is dedicated to fostering increased interest in Broadway theatre and supporting the creation of profitable theatrical productions.
Internet Broadway Database IBDB was created by the Research Department of The Broadway League, the national trade association for Broadway. IBDB provides a comprehensive database of shows produced on Broadway, including all "title page" information about each production. IBDB also offers historical information about theatres and various statistics and fun facts related to Broadway.
Internet Off-Broadway Database (Lortel Archives) The Lortel Archives, also known as www.IOBDB.com (Internet Off-Broadway Database) provides a catalogue of shows produced Off-Broadway. Each production includes all information available, including title page credits, original cast members and replacements, window card photos, awards won, number of performances and much more. In addition, there’s information about Off-Broadway theatre spaces, theatre companies and the people who make Off-Broadway come to life.
OffOffOnline Covers off-off Broadway theater in all five boroughs of New York City, and occasionally Off-Broadway and Broadway theater. OffOffOnline.com serves as a platform to review, recognize, support and promote new and emerging theater.
Talkin' Broadway Provides up-to-the-minute news, interactive discussion, and information about Broadway, Off-Broadway and the current theatre scene in Los Angeles, Boston, Chicago and other regional areas across the United States.
New York Times - Theater Section
Broadway: The American Musical (PBS Series) Broadway: The American Musical tells two stories: the 100-year history of musical theater and the story of its relationship to 20th-century American life. The six-part series begins with the immigrant experience at the turn of the century, when a melting pot of voices and styles gave rise to a popular new form of entertainment, and ends with today’s Broadway, where big-budget new productions and revivals of classic favorites compete side by side for box office success.
American Theatre Wing Committed to championing and honoring American Theatre by creating the Tony Awards®, developing educational programs and through distributing thousands of dollars of grants and awards each year.
American Society for Theatre Research The American Society for Theatre Research (ASTR) is a U.S.-based professional organization that fosters scholarship on worldwide theatre and performance, both historical and contemporary. Members of the American Society for Theatre Research say the Society is a space to share scholarship and a home for networking within the profession. ASTR also sponsors or coordinates several awards, grants, fellowships, and prizes to support and recognize outstanding scholarship in theatre and performance studies.
Goodspeed Musicals Goodspeed, a professional musical theatre, mounts six new and newly-worked musicals a year. It aims to produce and preserve the American musical, simultaneously reinventing the classics and inventing new ones. Goodspeed contributes to the preservation of the art form through its Scherer Library of Musical Theatre, the second most extensive musical theatre research library in the United States. Throughout the year, and intensively during the months of winter, Goodspeed addresses issues unique to the field by offering innovative and highly sought-after programs through its Max Showalter Center for Education in Musical Theatre.
Musicals101.com
Musicals.net Provides the online community of musical theatre lovers a place to "meet" other people, to share information about the shows that they love, and to learn about shows they may come to love.

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Mental Health in Musical Theatre - MA Dissertation

A short look at how mental illness is portrayed in Musical Theatre with specific examples of 'Next to Normal', an original musical and a comparison with the play 'The Wonderful World of Dissocia '.

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CUNY Academic Works

Home > Dissertations, Theses & Capstones Projects by Program > Theatre and Performance Dissertations

Theatre and Performance Dissertations

As of 2014, all newly submitted Graduate Center dissertations and theses appear in Academic Works shortly after graduation. Some works are immediately available to read and download, and some become available after an embargo period set by the author.

Dissertations and theses from before 2014 are generally accessible only to the CUNY community, but some authors have chosen to make theirs open access.

The Ph.D. Program in Theatre and Performance was formerly known as Theatre. Dissertations submitted prior to September 2018 reflect this earlier name.

Dissertations from 2024 2024

Epistemic Theatres: The Dramaturgy of Knowledge in Twenty-First Century Theatre , Amir Farjoun

Dissertations from 2023 2023

Spectacle on the Fringe: Masks, Materiality, and Movement in South Asia , Deepsikha Chatterjee

“Here in America”: Broadway Musicals and the Making of Jewish Americans , Barrie Gelles

Political Theatre After Occupy: Participation, Interpellation, and the Search for New Subjectivities in the Theatre , Andrew J. Goldberg

“For ‘Their Own Good’”: Education, The Performing Arts, and Social Justice at the Brooklyn Academy of Music, 1915–2023 , Anna S. Harb

Transnational Ritual Poetics of Blackness in Performance , Nina A. Mercer

Indigenous Performances in Contemporary Indian Urban Public Theatres: Coloniality, Globalization, and the State , Mayurakshi Sen

Dissertations from 2022 2022

A Girl Is a Thing: Dramaturgies of Objects and Nature in Contemporary Choreography , Fidan Akinci

Staging Retro-Perspectives: Performing Age, Memory/loss, and Queer Desire in the Later Works of Split Britches (2009–2020) , Benjamin Gillespie

Banarasipan as Revelation: Immanent Utopias in the Performance of Everyday Life , Bhargav Rani

Primitivism, Performance Studies, and Modernist Time: Tracing an Alternative Genealogy of Performance Studies Through Case Studies in Modernist Cultural Appropriation , Stephanie Vella

Gay Boy and Playboy Revues: Constructing U.S. Queer Collectivities in Networks of Peripatetic Burlesque and Nightclub Drag Performers, 1933–1939 , Kalle Westerling

Dissertations from 2021 2021

Broadway in the Age of American Idol: Celebrity and the Broadway Musical, 2003–2018 , Emily E. Clark

Becoming Material: Devotional Encounters Between Humans and Objects in the European Middle Ages , Debra L. Hilborn-Davis

A Host of People in Detroit: Forging a Twenty-First Century Ensemble in the Deindustrial City , Jacob Hooker

Dramaturgies of Intellectual Property Law in Read-Write Theatre , Andrew Kircher

Baccio del Bianco at the Court of Spain: Early Modern Scenic Design in Context , Pamela Thielman

Countersexuality in Times of Neomachismo: Representations of Gender in Contemporary Spanish Performance (1988–2019) , Mara I. Valderrama

Dissertations from 2020 2020

The Argentines of Paris: Theatrical Networks and Assemblages , Stefano Boselli

Devising Complicité: Devised Theatre, Neoliberal Funding Pressures, and the Evolution of Théâtre de Complicité , Joseph Anthony Heissan Jr.

Acting Objects: Staging New Materialism, Posthumanism and the Ecocritical Crisis in Contemporary Performance , Sarah Lucie

Reframing the Family Portrait: The Surrogate Mother in U.S. Theatre and Film 1939–1963 , Alison Walls

Dissertations from 2019 2019

Just a Buncha Clowns: Comedic-Anarchy and Racialized Performance in Black Vaudeville, the Chop Suey Circuit, and las Carpas , Michael Shane Breaux

Re-Defining Gender and Sexuality in West African Theatre: Women Artists, Feminist Representations, and Same-Sex Desire in the Twenty-First Century Theatre of Benin, Burkina Faso, and Togo , Heather J. Denyer

Broadway Bodies: Casting, Stigma, and Difference in Broadway Musicals Since "A Chorus Line" (1975) , Ryan Donovan

Madness and the Broadway Musical, 1940s–2000s , Aleksei Grinenko

Embodied Nostalgia: Early Twentieth Century Social Dance and U.S. Musical Theatre , Phoebe Rumsey

Dramaturgies of Democracy: Performance, Cultural Policy, and Citizenship in Chile, 1979–Present , Jennifer J. Thompson

Dissertations from 2018 2018

Under the Influence: Drinking and Immersion in New York City Theatre and Popular Entertainment, 1850 to Present , Chloë R. Edmonson

Being in Performance: A Philosophical Account of the Embodied Actor , Brad M. Krumholz

Wukongism: Monkey King, Kungfu/Jazz, and Asian/American Performance , Sissi Liu

The Theatrical King: Joseph Addison's Invention of Modern Sovereignty , Dan Poston

The Other at War: Performing the Spanish-Cuban-American War on U.S. and Cuban Stages , Juan R. Recondo

The Lines Between the Lines: Stage Directions as Fluid, Affective Collaborations Between Theatre Texts and Theatre Makers , Sarah Bess Rowen

African American Performers in Stalin’s Soviet Union: Between Political Promise and Racial Propaganda , Christopher E. Silsby

“Are They Supposed to Be Heugin ?": Negotiating Race, Nation, and Representation in Korean Musical Theatre , Ji Hyon Yuh

Dissertations from 2017 2017

Nervous Salomes: New York Salomania and the Neurological Condition of Modernité , Margaret K. Araneo

Fit for the Stage: Regency Actors and the Inspiration Behind Romantic Drama , James Armstrong

One Endless Dance: Tanaka Min's Experimental Practice , John (Zack) Fuller

Twenty-First-Century Transnational Theatre Development in the Cases of Théâtre du Soleil/Aftaab and Sundance Institute East Africa: Cultural Politics, Performance Aesthetics, and Global Circulation , Julia Goldstein

Acts of Provocation: Popular Antiracisms on/through the Twenty-First Century New York Commercial Stage , Stefanie A. Jones

The Interdependence of Theatricality, Gender, and Race in Cinematic and Performative Representations of New Orleans—From Jim Crow to Hurricane Katrina , Alexandra Just

Theatre Translation as Historiography: Projections of Greek Self-Identity Through English Translations During the European Crisis , Maria Mytilinaki

Performing Human Rights in Neoliberal Asia: Artistic and Activist Engagements in Hong Kong, Malaysia, and Singapore , Melissa Wansin Wong

Dissertations from 2016 2016

Straddling Feminisms: Post-Wave Pop Politics and Experimental Performance , Jessica Del Vecchio

Performing el Rap el ʿArabi 2005-2015: Feeling Politics amid Neoliberal Incursions in Ramallah, Amman, and Beirut , Rayya S. El Zein

Theatres of Reality, Fiction, and Temporality: Vegard Vinge and Ida Müller’s Ibsen-Saga (2006 - 2015) , Andrew L. Friedman

Professional Wrestling and/as Theatre: Bodies, Labor, and the Commercial Stage , Eero Laine

Shakespeare for the Volk : Shakespeare and the Development of the Idea of German Nationhood, 1817–1867 , Daniel Rockhill Siegel Venning

Occupy Citizenry: Participatory Performance in New York City: 2009-2015 , Kenn Dixon Watt

Animal Performance in Big-Time Vaudeville , Catherine M. Young

Dissertations from 2015 2015

Economies of Touring in American Theatre Culture, 1835-1861 , Nicole Berkin

Performing (Non)Profit, Race, and American Identity in the Nation's Capital: Arena Stage, 1950-2010 , Donatella Galella

The Pulitzer Prize and Women: An Investigation into Three Decades of Winning Plays by Female Dramatists (1981-2009) , Kathleen Potts

Dissertations from 2014 2014

Cologne Carnival's "Alternative" Stunksitzung: Carnivalization? Meta-Carnival? Or Bakhtinian Restoration? , Erik Abbott

Ridiculous Geographies: Mapping the Theatre of the Ridiculous as Radical Aesthetic , Kelly Aliano

Dissertations from 2010 2010

Synesthetic Landscapes in Harold Pinter’s Theatre: A Symbolist Legacy , Graça Corrêa

Dissertations from 2003 2003

Art or Propaganda: A Historical and Critical Analysis of African-American Approaches to Dramatic Theory, 1900–1965 , Henry D. Miller

Dissertations from 2001 2001

Blue Vaudeville: Sex, Morals, and the Mass-Marketing of Amusement, 1895-1915 , Andrew L. Erdman

Dissertations from 1999 1999

Contemporary Romanian Theatre: Artistry, Honesty, and Adaptation in the Plays of Iosif Naghiu, Dumitru Radu Popescu and Marin Sorescu , Eric Pourchot

John Brougham: The American Performance Career of an Irish Comedian, 1842–1880 , Dana Rahm Sutton

The Women of the Ten, Twent', Thirt': Popular Melodrama Theatre in Turn-of-the-Century New York , Barbara Meredith Waldinger

Dissertations from 1992 1992

Acting Hysteria: An Analysis of the Actress and Her Part , Lydia Stryk

Dissertations from 1990 1990

Improvisation for Actor Training and Performance in 20th Century America (with Special Emphasis on the Spolin and Sills Tradition) , Jeff David Brone

Influences of the Post-World War II Era on the American Political Theater, 1968–1972 , Lydia Alix Gerson

Dissertations from 1989 1989

The Theatre of Adrian Hall , Jeannie Marlin Woods

Dissertations from 1988 1988

Feminist Theory and Postwar American Drama , Gayle Austin

Dissertations from 1987 1987

Revolutions Off Off Broadway, 1959-1969: A Critical Study of Changes in Structure, Character, Language, and Theme in Experimental Drama in New York City , Alexis Greene

Dissertations from 1983 1983

The Principles of Acting According to Stella Adler , Joanna Helen Rotte

Dissertations from 1978 1978

Theatre and Drama and the Nazi Concentration Camps , Alvin Goldfarb

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Theses and Dissertations: Introduction

Theses and dissertations are a key source for finding the latest scholarship, additional material such as data sets, and detailed research. They can also help you find out what has been written on a topic, uncover other sources through citations, and get inspiration for your own research project. Use the resources below to search for PhD theses from universities in the UK and abroad. If you're a PhD student yourself, you can use the resources to make sure that your topic hasn't already been written about by other doctoral students.

Essex Theses

The Library received all Ph.D. and M.Phil. theses and M.Sc. (Regulation 3.5.) theses up to 30 September 2016. Theses submitted after this date are kept in the University of Essex Research Repository . We do not normally hold dissertations and theses connected with other degrees - the exception being LL.Ms. All of our theses are kept in Store and can only be consulted in the library - you'll need to use the online store request form or fill in a form at the library helpdesk to request them.

If you are looking for a specific thesis you can use Library Search to search for the author or title. If you want to find an Essex thesis on a particular topic/subject area, you can either add the word "thesis" to your keyword search, or limit your results to the "Essex theses" or "University of Essex Research Repository" collections.

Theses and Dissertations: Library E-resources

EThOS EThOS aims to provide a 'single point of access' where researchers the world over can access all theses produced by UK Higher Education. The database can be searched by anyone, but individual users need to register to get access to the full text of theses. Many theses are free to download instantly, whilst others will only be available once digitisation has been requested. The hub automatically harvests e-theses from Institutional Repositories and digitises paper theses from participating institutions to offer the single point of access. Many UK institutions support Open Access to their theses, so download of their digital and digitised theses is free to the researcher. A small number of participating institutions may not be able to offer Open Access and in this case the researcher may have to pay for the digitisation. Where a thesis must be digitised before supply, you can expect a short delay. However, you will be informed when the thesis is ready for collection and you can then log on to the system and download it.
ProQuest dissertations and theses ProQuest Dissertations and Theses: Global (PQDTGlobal) is the world's most comprehensive collection of full-text dissertations and theses. As the official digital dissertations archive for the Library of Congress and as the database of record for graduate research, PQDTGlobal includes millions of searchable citations to dissertations and theses from 1861 to the present day together with over a million full-text dissertations that are available for download in PDF format. Over 2.1 million titles are available for purchase as printed copies. The database offers full text for most of the dissertations added since 1997 and strong retrospective full-text coverage for older graduate works. It also includes PQDT UK & Ireland content. More than 70,000 new full-text dissertations and theses are added to the database each year through dissertations publishing partnerships with 700 leading academic institutions worldwide, and collaborative retrospective digitization of dissertations. Full-text dissertations are archived as submitted by the degree-granting institution. Some will be native PDF, some PDF image. Each dissertation published since July, 1980 includes a 350-word abstract written by the author. Master's theses published since 1988 include 150-word abstracts. Simple bibliographic citations are available for dissertations dating from 1637. Where available, PQDTGlobal provides 24-page previews of dissertations and theses. Note: Full text for certain publications is subject to market availability more... less... Shibboleth login

Theses and Dissertations: Free Websites and Portals

EBSCO Open Dissertations Created from a collaboration between EBSCO and BiblioLabs, EBSCO Open Dissertations is a free electronic theses and dissertations database offering access to more than 800,000 ETDs, including those previously available in American Doctoral Dissertations.
Networked Digital Library of Theses & Dissertations (NDLTD) Portal to over 5 million digitised theses from around the world.
Open Access Theses and Dissertations Resource for finding open access graduate theses and dissertations from universities around the world.
OpenThesis Free repository of theses, dissertations, and other academic documents.
Database of African Theses and Dissertations including Research (DATAD-R)
Trove Theses
Biblioteca Digital Brasileira de Teses e Dissertacoes (BDTD)
Theses Canada Portal
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TEL Theses-en-ligne (PhD)
DUMAS (Master's)
National Archive of PhD Theses
Hong Kong University Theses Online
National Diet Library Doctoral Dissertations

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National ETD Portal
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Last Updated: Mar 22, 2024 1:21 PM
URL: https://library.essex.ac.uk/theatre

Theatre Research Paper Examples

Artaud’s theatre influence
Costumes use by actors and actresses to exemplify history on the theatre stage.
Theater reserved for the irrational
O’Neill Eugene and Players from Provincetown
David Belasco, Producer of Theatre
Theatre in an era where home entertainment dominates
My preliminary Impression of Acting
Describe and explain science occasions in European theatre presentations
Influence of religion on theatre development
Theatre in a Shakespeare era
Piscator Erwin and scenery projection
The Music Function in Theatre
The theatre that lives
The 3D entry and how it has impacted the experience of going to theatre halls
Theatre is used as a tool to impact politics.
The differences and similarities between Chinese and American operas
The propagandist methods used to spread dictatorship
Where war plays a role in driving nationalism
The impact of the second world war on arts social development
When theatre grows into a blasphemous entity
Technology infusion in theatre
The role children play in European performances on the theatre stage
Theatre role as a lesson in philosophy
Community theatre commercialization
The elements that are the most influential in the Elizabethan theatre and culture era
European society’s gender bias
Puppetry influence on cartoons these days
Who was the most guilty for blame in the demise of Smith Eva?
Foreman Richard and the hysterical theatre/Ontological theatre
Wealth and morality in renowned European plays
Theatre’s position as the source of Europe’s liberalism
Theatre’s role as an emblem of nationalism. Theatre’s place in the history of European
Theatre’s role as a tool in social commentary
The melodramatic assembly in the shape of racism
Svoboda Josef, the scenographer master

Interesting Theatre Research Paper Ideas

How Has Theatre Changed Since the Turn of the Century?
What Was the First Play to Receive a Pulitzer Prize?
Who Is Your Favorite Stage Actor, and Why?
What Is the History of Experimental Theatre in New York City?
What Is the History of Theatre in Medieval Times?
What Are Some Common Themes of Shakespearean Plays?
What Are Some Common Themes of Greek Plays?
How Have dramatic Techniques Changed Throughout Time?
Who Are Some Famous Directors Today, and How Do They Compare to Those of the Past?
Greek Theatre in the 5th Century BC
The Roman Theatre and its Influence on Modern Theatre
Important women and Theatre in 17th and 18th Century England
The Shakespearean Globe Theatre
Commedia del’Arte
The Development of Realism in Nineteenth-Century European Drama
Brechtian Theory and Epic Theatre
The Development of Realism in American Drama from O’Neill to Williams
Antonin Artaud: The Development of the ‘Theatre of Cruelty
Stanislavski’s Method: A Case Study of a Modern Actor Training System
Which Is More Important: Acting or Directing? Why?

Easy Theatre Topics for Students

What is the relationship between representation and reality in theatre?
In what ways are theatrical conventions used to construct and communicate meaning?
What is the role of the spectator in theatre?
What does it mean to say that theatre is a social process?
In what ways is the study of theatre important to understanding human experience?
How does theatre contribute to our understanding of history, culture, and society?
What is the relationship between live stage performances and technology?
Why study Theatre Studies?
How will theatre change as a result of the pandemic?
What are some topics that would make great theatre essays?
Why do most people prefer watching movies to watching plays in theatres?
How can we encourage more people to watch plays rather than films?
Do you prefer watching films or plays at the theatre, and why?
Why do people like watching plays?
What is the history of the theatre?
How to write a play review?
How do movies differ from theatres?
What are the different roles in a theatre play?
Why was the Greek Theatre built in the way it was?
What is the purpose of a Theatre Review?
Should Theatre be made more accessible for blind people?
How does music affect theatre performance?
What is theatre?
What are the characteristics of Shakespeare’s plays?
A topic on the dramatic play, “Othello.”
In the play Hamlet, the character Polonius and his “famous” advice to Laertes.
Movie adaptations of novels: How do they compare with the printed word?
How does a play or novel you have studied change your understanding or appreciation of history?
The life and works of famous playwrights, for example, Aristotle, Sophocles, William Shakespeare, Henrik Ibsen, Anton Chekhov, and Tennessee Williams.
The lives of actors and actresses in ancient Greece, the Elizabethan era, or modern times
What is tragic drama? Tragic heroes from Greek drama and modern plays
The history of Greek theatre
The changing role of women in theatre since the Elizabethan period
The Importance of Theatre
The Best Form of Entertainment
A Brief History of Drama
The Role of Women in the Theatre
How to Write a Play
The Role of Music in the Theatre
The Evolution of the Art of Acting
The Evolution of Theatre Design and Architecture
How to Become an Actor or Actress
Famous Actors and Actresses
How has the concept of the theatre changed over time?
How does theatre influence society?
What is the role of theatre in modern society?
What is the purpose of theatre?
What are the historical origins of theatre?
Who was the first playwright in history?
What is the impact of theatre on education?
Explain how drama can help develop children’s social skills and self-esteem.
What are some factors that contribute to the successful production of a play?
How can I choose a good play to perform with my students?
What are some strategies for teaching students about acting and stagecraft?

A-List Of Intriguing Theatre thesis topics and Prompts

This list of Theatre thesis topics has been divided into Master’s thesis topics and Ph.D. thesis topics. The current thesis topics below are available for theatre studies students.

“The Clash Between Classical and Contemporary Music Theater: A Study in British Musicals from 1970 to 1980.”
“The Effects of Music on Audience Perception of Emotion in Musical Theater.”
“The Importance of the Musical Director in Modern Musical Theater Productions.”
“The Evolution of Race Relations in Tennessee Williams’s Glass Menagerie and A Streetcar Named Desire.”
“Sam Shepard’s Use of Mythology in Buried Child and True West.”
“An Analysis of the Role of Women in William Shakespeare’s Comedies.”
The Future of Theatre Criticism: Implications of Social Media on the Profession.
The Relevance of Shakespeare in Contemporary Theatre.
The Performance and Impact of Greek Theatre Today.
The Influence of the Cultural Revolution on Modern Chinese Theatre.
The Influence of Milton’s Poetry on Modern Theatre.
Using Theatrical Symbols in Political Propaganda.
Nationalism, Globalization and Contemporary Theatre in Latin America.
Latin American Women’s Role in Contemporary Theatre.
I will write a thesis exploring the intersection of drama therapy and disability theatre. Working with people with intellectual and developmental disabilities and mental illness is an important part of my life. I became interested in this topic because it combines two things that are so meaningful to me.
My thesis concerns performance-making’s role in forming a cultural identity for diverse communities. The topic I am exploring is how theatre can be used as a tool for participatory development. Specifically, I am looking at how performance-making can be used as a tool for community engagement and dialogue and the pedagogical implications of this practice.
I want to write my thesis on the relationship between narrative structure and theater design: how we use stories to shape spaces and how spaces inform our stories. This is a question I’ve been thinking about since studying abroad, when I learned that all of the theaters in Italy were built before Shakespeare wrote Romeo and Juliet, despite being designed to accommodate his plays specifically.
My thesis falls into Theatre & Performance Studies (TPS) category. It’s about Shakespeare’s use of clowns in his plays, focusing on Falstaff in the Henry IV plays Bottom in A Midsummer Night’s Dream.

List of possible term paper topics on Theatre

Theatre term paper topics range from Contemporary Theatre to Historical Theatre, Broadway Theatre to Theatre Design. I have listed a few topic suggestions below to help you get started on your theatre term paper. In addition, I have included a list of the most popular theatre research paper topics. The following is a suggested list of topics for your theatre term paper:

Brecht and Epic Theatre
The Golden Age of Broadway – 1920-1940
The Renaissance in England and France
The influence of Greek culture on American drama
Shakespeare’s Hamlet – a psychological study
Your favorite Shakespeare play
The styles and themes of Tennessee Williams’ plays
Anton Checkhov’s plays – an analysis of female characters
Chekhov as a modern dramatist
Bertolt Brecht’s use of alienation in Mother Courage and her Children
The importance of theatre in the modern world
Theatre as a lifestyle
Theatre and politics
How to attract more people to attend theatre shows?
Reasons why people watch theatre today
The history of theatre
The place of theatre in the past and present world
The reason why fashion is so important for theatres
Differences between modern and old-school theatres
How do politics influence the work of playwrights?
“The Lion King” and Social Responsibility
“A Raisin in the Sun”: Walter’s Dream
“A Raisin in the Sun”: The American Dream Deferred
A Doll’s House: The Decline of the Institution of Marriage
A Doll’s House: Nora Helmer Character Analysis
Antigone: The Role of Women in Antigone
Antigone: Creon or Antigone – Who is the Tragic Hero?
Antigone: Creon as a Tragic Figure in “Antigone”
Antigone: Power Corrupts, but Absolute Power Corrupts Absolutely
The Crucible: What Made “The Crucible” Such a Successful Play?
The Crucible: John Proctor Character Analysis
Death of a Salesman: A Research Paper on Arthur Miller’s American Dream
Death of a Salesman: Willy Loman’s Failing American Dream
Death of a Salesman: Willy Loman as Tragic Hero in Arthur Miller’s Death of a Salesman

Theatre Research Paper Questions and Essay Prompts

✔ Choose one particular element of theatre and analyze its role in modern performance. For example, you may write about costume design, lighting, stage props, or the screen itself. ✔ Compare and contrast modern theater with the theater of the past – for example, popular theaters in Shakespeare’s time. How has theater changed? Are there any elements that have remained intact? ✔ Analyze a specific actor (or actress). You may compare their work to other actors of their time; also, you can compare their work to actors of today. In either case, provide examples from at least three performances by this actor. ✔ Write an essay on how the audience impacts a given performance. If a performance is well-received by an audience, does it necessarily mean it is good? Conversely, can a poor performance receive rave reviews from an audience? Make sure to support your thesis with examples from specific performances. ✔ Analyze how various theatrical traditions address social issues. For example, you may write about Chinese Peking Opera or Japanese Kabuki Theatre. Alternatively, you may address Theater of the Absurd and analyze its key elements as well as its functions within society as a whole

Interesting Drama Paper Topic Ideas

Drama and the facilitation of leadership
Types of stages and drama productions
Operetta and emotion: An analysis of Sweeney Todd
South Pacific: Depictions of war in theater
Adaptations of theater to cinema
The role of spectacle in contemporary theater
History of Broadway
A brief history of drama
Creative dramatics
Set design and modern theater
Drama and the development of imagination
Music and theater
Classical mythology and tragedy
To Kill a Mockingbird: Race and dramatics
European drama
Television drama and depictions of family values
Social stigma and Elizabethan actors
Radio drama: Pre-television popular culture entertainment
Dionysus and the origins of theater
Tennessee Williams and modern theater
Role play in group therapy
Greek Tragedy
Drama and the Harlem renaissance
Drama and the psychology of self-confidence
Acting and expression
African American expression and Blacksploitation: The Wiz.
Drama on the stage and screen
Shakespeare’s histories
Revolutionizing contemporary musical theater: Rodgers and Hammerstein
The art of directing: Bringing stories to life
Chinese Drama
The Wizard of Oz: Contemporary influences
Drama in elementary education: Developing thinking, feeling and moving skills
The exploration of social issues in drama
Shakespeare and his contribution to drama
The Diary of Anne Frank: Expressions of the Holocaust in art
Homosexuality and theater
The Interrogation of Nathan Hale: Minimalism and the forging of a nation
Contemporary theater influence in Stanley Kubrick’s A Clockwork Orange
Performance skills
Choreography and contemporary theatre
Three Theban plays: Depictions of civil disobedience
Drama and team building
Multiple intelligence: Howard Gardner and drama
Improvisation and expression

Ideas for good topics for theatre research papers

Does a director or an actor define what the play will be like?
Drama as a universal language;
Does cinema kill theater?
The role of music in a certain play;
The place of improvisation in contemporary theatre;
History and origins of opera and ballet;
The roles of ‘personal’ and ‘collective’ in a play.
Shakespeare’s contribution to the development of theater;
The influence of ancient Greek tragedy on modern-day theater;
How does theater develop a viewer’s imagination?

An excellent theatre research paper starts with selecting a captivating and robust subject. It offers a good foundation that, coupled with other research guides, will provide a polished and exciting paper. So as a writer interested in writing about theatre, your choice of topic will define the rest of the document. The catalog of theater research paper topics provided will set you on a course to writing an excellent paper.

Get Help from the Experts with your Theatre Research Paper Topics Paper

We hope you’ve found this article useful. It may seem like there are many theatre research paper topics to choose from, but maybe not as many as before after reading this blog post! If none of these ideas sparks your interest, don’t worry – we have writers who can help with that too. Place an order today and start crafting your perfect essay or dissertation for school or work tomorrow morning.

Frequently Asked Questions

How do you write a theatre research paper.

Define Your Thesis Statement
Do Research
Sketch an outline of your essay
Write Your Research Paper in a Structured Way: Introduction, body, and conclusion.

What are some drama topics?

Drama in elementary education: Developing thinking, feeling, and moving skills

What are some good ideas for a research paper?

Some common research paper topics include climate, birth control, health, abortion, change, technology, global warming, history, gun control, science, social media, AI, and child abuse.

What are the five acceptable research topics?

The Impact of U.N. Policies on the Environment
Bar Code Implants
The Impact of Globalization on Religion
Imposed Democracy
Marketing and Media Influence on Teens

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Theatre Studies Dissertation Topics

100 theatre studies dissertation topics help ranging from elementary to advanced study.

Students of Theatre Studies and Dramaturgy who desire higher studies must write a dissertation paper to obtain their grade certificate. But typically, deciding on an appropriate topic to write an authentic thesis often becomes an exasperating undertaking for the students in this field. For this cause, we at the British Dissertation Help website offer dissertation topics help from professional academic writers. They are a team of dedicated professionals to assist students in writing stellar papers to ensure stellar grades in their Theatre Studies courses. Before we see some of the Theatre Studies Dissertation Topics ideas, here are some hints you can consider for formulating a unique set of topics on your own:

Constantin Stanislavsky
Stella Adler
Sanford Meisner
Stanley Kubrick
William Shakespeare
Anton Chekhov
Michael Checkhov
Theatrics and Histrionics
Scene Study
Character Study
Social Influence
Audio Theatre
Films and Theatre

100 Best Theatre Studies Dissertation Topics Ideas for Thesis

General Topics for Theatre Studies Dissertation

1. How theatre enactment of drama can explore the root causes and human behaviour behind social issues
2. Influence of Greek and Hindu mythology on Theatrics and Dramaturgy
3. A discussion on the contribution of William Shakespeare to modern theatre and Drama
4. A discussion on the origins of theatre in ancient Greece and how it is related to Dionysus and Thespis
5. A comparative study between the techniques of displaying a drama scene on-screen and on-stage
6. A narrative review of adaptation of theatre into cinema
7. Exploring the connections between the practice of drama in theatres and the Harlem renaissance
8. The principles and applications of Creative Dramatics in the theatre of the UK
9. A comprehensive review of social stigma related to the Elizabethan Actors
10. The concepts of set design in modern theatre: An investigation into the improvisation tactics
11. Importance of team building in the light of contemporary drama and theatre management
12. The evolution of drama from the Theatrical stage to the screen
13. The adaptation of Theatrical cut in Cinemas and how it differs from the Director’s cut
14. A comprehensive analysis of the Shakespearean Historical Dramas in the light of the modern contemporary
15. Exploring the different phases of Greek Tragedy and how it influences modern Theatrical acting elements
16. A case study of the Japanese Kabuki Theatre as a unique artform
17. The musical aspect of Chinese theatre and how it determined the modern Chinese films
18. A extensive study into the various types of Theatrical stages and phases of Drama production in the ’80s
19. The extensive works of Tennessee Williams and their influence on modern theatre
20. Understanding Eysenck’s Wheel in developing characters with regards to producing excellent acting performances
21. The significance of expression, countenance in Acting: Finding effective methods to systematise rendering immaculate expressions
22. Robert Plutchik’s Wheel of Emotions and its applications in the Trait theory of personality development
23. Improvisation in Acting: Chekhov’s method and its applications
24. Character study in school drama classes and the use of Enneagrams to categorise theatrical personalities
25. How the art of direction can bring stories to life: A qualitative analysis
26. Group Therapy and the application of Roleplay in Theatrical Style
27. How effectively do television dramas portray the family values of the modern US: An investigation
28. A systematised approach in Theatrical Scene study: Understanding the methods and their utility
29. Importance of workshops to enhance performance skills in drama students working in theatres: A qualitative study

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Theatre Studies Dissertation Topics Help for Thesis

31. Understanding the Stanislavsky system of acting and how it brought realism in US theatre
32. How Meisner technique changed the definition of acting forever in theatres and cinema
33. Discussing the Method of acting by Strassberg and its application in modern theatres and the film industry
34. Exploring the concepts in the Natyashastra: the oldest treatise on Histrionics, Theatrics and Dramaturgy written in India
35. Blacksploitation: Understanding the status of African American expression in the society through theatres studies
36. Understanding the influence of race and dramatics in the production of “To Kill a Mockingbird.”
37. “The Diary of Anne Frank:” How the Holocaust has its reflection in the general art form of the post-WWII world
38. Understanding Minimalism through the interrogation of Nathan Hale and how it shaped a nation’s structure
39. Hippocrates’s theory of personality and how it shaped the character development in ancient greek dramas
40. Portrayal of War in theatre: A case study of South Pacific
41. How Self-documentation can improve participatory performance: Assessing the pedagogical potential
42. Exploring Drama as a medium of anti-bullying intervention
43. Theatrical production and Film production: Similarities and Differences
44. Stella Adler acting technique and the importance of aristocracy for a budding actor
45. Uta Hagen’s method of acting: Exploring a refined acting system
46. An Actor prepares: A timeless gem for actors
47. Character development and understanding the seven questions of Stanislavsky
48. Extreme applications of emotional recall technique proposed by Lee Strasberg
49. How Sanford Meisner produced world-class actors with his repetition technique: A comprehensive study of the inner working of the Meisner’s technique
50. Michael Chekhov and the six questions for a given circumstance: Exploring a rudimentary method in Theatrical Scene Study

Research Topics for Theatre Studies Dissertation

51. How performing psychologically vigorous roles in Theatres can act as a healing therapy for less confident actors
52. Understanding the comic timing of actors across different countries
53. How performing in drama and theatres improve the self-confidence of high school children
54. A psychometric analysis of the effects of involvement in drama in the facilitation of leadership among the young adults
55. The role of drama in boosting imagination and cognitive development in children: An investigation
56. The relation between music and theatre: A brief history of musical theatres in the light of modern filmmaking
57. A study of the most successful English actors in the Hollywood film industry and finding a relation of their performance with regards to their background in the theatres
58. Broadway: History, Opportunities and Future
59. The influence of WWII on the European Drama and Theatrics
60. Stanley Kubrick’s “A Clockwork Orange”: How contemporary theatre influenced a movie about “Good old Ultraviolence.”
61. Theatrical influences on “The Wizard of Oz”: A narrative study
62. How the Three Theban plays successfully depicts civil disobedience: An in-depth study
63. An overview of the works of Rodgers and Hammerstein on transcending contemporary musical theatres
64. Fighting gentrification through applied theatre practices: A case study of Majorca, Spain
65. Portrayal of violence in American theatres: A closer look into the Drama of Violence
66. Importance of acting drills and small acting games in developing the natural performance abilities in elementary school children
67. The evolution of Stage combat from theatrical practices to the modern film stunts
68. Importance of field research in theatre studies in universities of the UK
69. Why is screen acting techniques subtler than stage acting techniques

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Miscellaneous Theatre Studies Dissertation Topics Ideas

71. A close look into homosexuality in contemporary theatres
72. The application of multiple intelligence theory with regards to Dramaturgy and Theatrics: A study on Howard Gardner
73. How incorporating drama and theatrics in the school curriculum can improve the development of thinking, emotional intelligence and kinesthetic skills in the children
74. A comprehensive analysis of Galen’s four personality traits and their utility in applied theatrical acting
75. Operetta and Sweeney Todd’s works on emotion: A qualitative study
76. Understanding the influence of Radio drama in the pre-television era of entertainment
77. Audio theatre in the popular culture and its impact on contemporary voice acting gigs
78. The evolution of Choreography techniques over time and its status in contemporary theatre and art films
79. Understanding the contribution of Constantin Stanislavsky, Michael Checkhov, Lee Strasberg, Stella Adler and Sanford Meisner in bringing realism to American theatres and films
80. Philosophy of Acting and how it relates to the ‘Rasa’ Theory of Indian Dramaturgy
81. Why social issues get regarded as the best material for crafting appealing stories for films and theatre
82. The Sea-gull by Anton Chekhov: A case study into various staged performances of a play
83. Exploring Trauma, Terror in Modern Horror: A comprehensive form study
84. Open-air settings for a theatre: The correct methods for reproducing a hall experience
85. Dressing down culture in Opera House: A comparison to the theatre Culture
86. Community based theatres: A case study of the Visit theatre company
87. Influence of Bengali Dramas upon the freedom struggle of India in the British colonial period
88. Roles and responsibilities of the Technical Crew in a successful Theatrical production
89. How dramaturgy can build an amicable relationship between indigenous and emigrant people
90. The cultural boycott of Israel and what it shows about the limits of Cultural solidarity
91. Exoticism in Neo-Burlesque: A negotiation
92. The role of interface developing metaphors in interactive dramaturgy
93. How the Canadian theatre, film and television is affected by the diverse cultural backgrounds of actors with regards to training and performances
94. Exploring Somatic Acting Process: A new emerging body-movement-based acting practice
95. Significance of SAP for contemporary Actor Training in UK theatres
96. Satirical Activism in theatres: How cruel and unusual performances like Capital punishment became a crucial element in American theatres
97. Exploring rural gender identity in American music theatre
98. Understanding Drama as a Method of Communication
99. Moscow art theatre and the contribution of Michael Chekhov in contemporary Russian Dramas
100. Exploring the psycho-physical approach of Michael Chekhov for creating appealing characters

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Bibliography
More Referencing guides Blog Automated transliteration Relevant bibliographies by topics
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Referencing guides

Dissertations / Theses on the topic 'Musical theater – Instruction and study'

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Consult the top 50 dissertations / theses for your research on the topic 'Musical theater – Instruction and study.'

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Bell, Jeffery E. "American musical theater songs in the undergraduate vocal studio : a survey of current practice, guidelines for repertoire selection, and pedagogical analyses of selected songs." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1026700.

Johnson, Brock. "The Use of Classic Musical Theatre Repertoire for Training Bel Canto Techniques in the Undergraduate Baritone Voice." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984217/.

McElroy, Patrick. ""Finding Sasquatch: A Study of the Creative Process Through the Creation and Production of a New Musical"." University of Akron / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=akron1439477888.

Carter, Duane Martin. "Writing for musical theatre: Forever yours." CSUSB ScholarWorks, 2000. https://scholarworks.lib.csusb.edu/etd-project/1590.

Bechara, Silvia Regina de Camera Corrêa [UNESP]. "Jovens estudantes de música na cibercultura musical: facebook e educação musical 2.0." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/127999.

Bechara, Silvia Regina de Camera Corrêa 1984. "Jovens estudantes de música na cibercultura musical : facebook e educação musical 2.0 /." São Paulo, 2015. http://hdl.handle.net/11449/127999.

Macfarlane, Clare J. "The effect of verbal discussion on musical expressiveness." Scholarly Commons, 1994. https://scholarlycommons.pacific.edu/uop_etds/2268.

Zachariou, Antonia. "Musical play and self-regulation : an exploration of 6- and 8-year old children's self-regulatory behaviours during musical play sessions at Cypriot primary schools." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708961.

Zwick, Robert A. (Robert Alan). "Jazz Improvisation: A Recommended Sequential Format of Instruction." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc330678/.

Irwin, Mark Stewart. "Teaching the way we learnt : a study in popular music education." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/59666/.

Chong, Kee Yong. "Multi-layered ethnic and cultural influences in my musical compositions." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/31091/.

Vail, Kimberly Gail. "Musical Priming and Operant Selection." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062812/.

Hawkins, Cynthia Susan. "Aspects of the musical education of choristers in Church of England choir schools." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63228.

Pullinger, Stuart. "A system for the analysis of musical data." Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/2133/.

Anderson, Elizabeth L. "Materials, meaning and metaphor : unveiling spatio-temporal pertinences in acousmatic music." Thesis, City University London, 2011. http://openaccess.city.ac.uk/3530/.

Gardner, Thomas. "The effect of electronically mediated sound on group musical interaction : a case study of the practice and development of the Automatic Writing Circle." Thesis, City University London, 2011. http://openaccess.city.ac.uk/1075/.

Fallowfield, Ellen. "Cello map : a handbook of Cello technique for performers and composers." Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/960/.

Elia, Marios Joannou. "Portfolio of compositions with accompanying commentary." Thesis, University of Southampton, 2010. https://eprints.soton.ac.uk/367394/.

Ilzetzki, Ophir N. "Composition portfolio & written commentary." Thesis, University of Southampton, 2012. https://eprints.soton.ac.uk/367321/.

Goves, Lawrence. "Portfolio of composition with accompanying commentary." Thesis, University of Southampton, 2010. https://eprints.soton.ac.uk/367403/.

Howell, Timothy B. "Jean Sibelius : progressive techniques in the symphonies and tone-poems." Thesis, University of Southampton, 1985. https://eprints.soton.ac.uk/380485/.

Borland, Denise. "The singer's psyche : a psychological approach to vocal performance training." Thesis, Edinburgh Napier University, 2011. http://researchrepository.napier.ac.uk/Output/4529.

Bergmann, Carolina Giordano [UNESP]. "A relação do idoso com o aprendizado musical." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/95167.

Leavell, Brian K. ""Making the Change": Middle School Band Students' Perspectives on the Learning of Musical-Technical Skills in Jazz Performance." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc277968/.

Roll, Christianne Knauer. "Female musical theater belting in the 21st century| A study of the pedagogy of the vocal practice and performance." Thesis, Teachers College, Columbia University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3621794.

The female musical theater belt voice has been heard onstage for almost one hundred years, yet the demands for this type of singing continue to evolve. While the style dominates Broadway, an understanding of successful teaching of the female belt voice seems to be lacking. Therefore, this study was undertaken to appropriately address the needs of female musical theater singers, and to establish effective strategies for teaching the female belt voice.

Individual case studies of four nationally recognized master teachers of female belting were created from observations in the studio, interviews with the teachers, and interviews with their students. Thirty-two hours of private voice lessons were observed with 18 female belt students in the studios of these master teachers in an effort to determine the extent to which they employed common techniques in the pedagogy and agreed on the characteristics of the female belt voice. Interview responses and field notes from the teachers and singers were analyzed individually and a cross-comparison of the data was analyzed for consensus or conflicting information on female musical theater belt pedagogy.

Interestingly, there was much consensus among the teachers on the physicality, sound, and strategies for female belting. Included in the findings were that the female belt voice is not a pure chest voice production, and development of the entire voice is key since working in head voice allows a female to create a lighter belt sound and to make the transition into the higher belt range. Distinct techniques for the traditional and contemporary belt voices emerged. The traditional belt, up to D5, uses more chest voice and full, open vowels. The contemporary belt, higher than D5, is produced with more head voice and closed, narrow vowels. Belting is considered speech-like and exciting, and is a joint process between teachers and students.

Based on this research, voice teachers working with musical theater students must be educated and proficient on the specific strategies and techniques of the evolving female belt voice. The female belt voice, though different from classical singing, does have its own set of techniques.

Ford, Elizabeth Cary. "The flute in musical life in eighteenth-century Scotland." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7351/.

Soares, da Ponte Angela Maria. "Ensaios sobre cantos : portfolio of musical compositions influenced by traditional music from the Azores." Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/6885/.

Carroll, Debra 1952. "Children's use of personal, social and material resources to solve a music notational task : a social constructivist perspective." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102794.

Pasquet, Olivier. "Automatic versus automatic, materialized fiction as a confrontational compositional process : a resolved complexity : simplicity." Thesis, University of Huddersfield, 2018. http://eprints.hud.ac.uk/id/eprint/34734/.

Laporte, Jean-Francois. "Feedback : iterative research-creation processes between instrument-building, composition and performance." Thesis, University of Huddersfield, 2018. http://eprints.hud.ac.uk/id/eprint/34777/.

Evans, Eleri Ann. "Extending techniques : developing the saxophone's capacity for lower-end dynamics and microtonal playing." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/31099/.

Underhill, Jodie. "Musical participation and school diversity : an ethnography of six secondary schools." Thesis, Keele University, 2015. http://eprints.keele.ac.uk/2239/.

Vecchini, Felipe Zamuner 1985. "Educação musical no ensino médio, uma proposta /." São Paulo, 2016. http://hdl.handle.net/11449/143482.

Assumpção, Solange Roseli Martinelli de. "O canto coral sob a perspectiva da educação musical formal /." São Paulo, 2003. http://hdl.handle.net/11449/154670.

Assumpção, Solange Roseli Martinelli de [UNESP]. "O canto coral sob a perspectiva da educação musical formal." Universidade Estadual Paulista (UNESP), 2003. http://hdl.handle.net/11449/154670.

Bergmann, Carolina Giordano. "A relação do idoso com o aprendizado musical /." São Paulo : [s.n.], 2012. http://hdl.handle.net/11449/95167.

Borges, Alvaro Henrique [UNESP]. "O compositor na sala de aula: sonoridades contemporâneas para educação musical." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/108807.

Borges, Alvaro Henrique. "O compositor na sala de aula : sonoridades contemporâneas para educação musical /." São Paulo, 2014. http://hdl.handle.net/11449/108807.

Thomas, James Earl Jr. "Use of music learning readiness skills in the musical development of beginning instrumental music students." CSUSB ScholarWorks, 1997. https://scholarworks.lib.csusb.edu/etd-project/1336.

Valiengo, Camila 1979. "Diálogo, protagonismo e criatividade : a cocriação na aprendizagem musical /." São Paulo, 2017. http://hdl.handle.net/11449/152322.

Sparrow, Marion Janet. "Aspects of musical education in Grahamstown, 1832-1950." Thesis, Rhodes University, 1986. http://hdl.handle.net/10962/d1004616.

Farnsley, Stephen H. "Gunther Schuller, his influence on the French horn." Virtual Press, 1985. http://liblink.bsu.edu/uhtbin/catkey/469339.

Tarren, Christopher James. "Time, space, memory : a portfolio of acousmatic compositions." Thesis, University of Birmingham, 2014. http://etheses.bham.ac.uk//id/eprint/5208/.

Miles, Natasha Frances. "Approaches to accompaniment on the Baroque guitar, c.1590-c.1730." Thesis, University of Birmingham, 2014. http://etheses.bham.ac.uk//id/eprint/5149/.

Dunster-Sigtermans, Richard. "Developments in British organ design, 1945-1970 : a player's perspective." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7217/.

Squillante, Maurizio. "'The Wings of Daedalus' and 'Alexandros' : two tragic operas inspired by the theory of the affections." Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/7606/.

Magas, Diego Sebastián Castro. "Body, mimesis and image : a gesture based approach to interpretation in contemporary guitar performing practice." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/30238/.

Birkby, Peter R. "A twenty-first century light music composer : sailing on : composing light music in the twenty-first century." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/31097/.

Alderaiwaish, Ahmad. "Teaching the clarinet in Kuwait : creating a curriculum for the Public Authority for Applied Education and Training." Thesis, University of Southampton, 2014. https://eprints.soton.ac.uk/370714/.

Portelli, Daniel. "Mapping the dynamic life of lines in a multimodal compositional practice." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/32048/.

College of Fine Arts Names New Directors for Schools of Theatre, Music, and Visual Arts

Playwright kristen greendige, painter marc schepens, and cellist michael reynolds will assume new roles july 1.

Photo: A large building with tan-colored stone and black doors. There is a black metal arch with the numbers "855" outside of it

Playwright Kirsten Greenidge, painter Marc Schepens, and cellist Michael Reynolds will assume new roles July 1

Cydney scott.

A playwright, a painter, and the founding cellist of a world-renowned string quartet will take over as leaders of the three schools at Boston University’s College of Fine Arts on July 1.

Award-winning playwright Kirsten Greenidge , a CFA associate professor of playwriting and theater arts, will become director of the School of Theatre. Marc Schepens (CFA’12), a senior lecturer in art, painting, will begin a two-year term as interim director of the School of Visual Arts. And Michael Reynolds , a professor of music, cello, and the Muir String Quartet cellist since 1979, will lead the School of Music.

“I am extremely excited about this cohort of new leaders,” says CFA Dean Harvey Young . “They are incredible artists—truly of the highest caliber—who are student-focused and committed to elevating the fine and performing arts at BU and beyond.”

Greenidge, who won an Obie Award for her drama Milk Like Sugar , will take over the School of Theatre post from Susan Mickey , a CFA professor of costume design and an award-winning professional who has served in that role for the past five years.

“Kirsten Greenidge is an accomplished, in-demand playwright whose writings are transforming American theater,” Young says. “As a mentor, educator, and champion of new works, she is the right person to lead the development of a new generation of theater artists.”

Greenidge is well-known to theatergoers in Boston and across the country for plays that examine race, class, and gender, including The Luck of the Irish and Baltimore . Next up is her Morning, Noon, and Night , a joint production of CFA and Boston’s Company One Theatre opening in April. She founded and maintains the School of Theatre’s New Works, which includes First Pages, Springboard Reading Series, and Next Stage Workshops.

She has been a PEN/Laura Pels Playwriting Award recipient, the playwright laureate of Boston, an artist-in-residence at Company One, and a Huntington Playwriting Fellow . Her drama Common Ground Revisited , an adaptation of the Pulitzer Prize–winning book about the 1970s Boston school busing crisis by J. Anthony Lukas, co-conceived with Melia Bensussen, was produced by the Huntington Theatre Company in 2022.

Schepens will serve as interim director of the School of Visual Arts . He succeeds Dana Clancy , a CFA associate professor of art, painting, who has been director for the past six years. In his new role, Schepens will lead a strategic planning exercise for the school, where he has been director of undergraduate studies.

“Marc Schepens played a key role in the design of new visual arts degrees, which has been instrumental to the national ascendance of CFA Visual Arts,” Young says. “A painter with a dynamic presence across New England, he is perfectly positioned to lead CFA’s School of Visual Arts.”

In addition to being a noted painter, Schepens also creates drawings and prints. He has been deeply involved in the Meds at the MFA program for BU medical students at the Museum of Fine Arts and helps direct the BU Visual Arts Summer Institute for high school students. Among his recent solo exhibitions are East Point, at Boston’s Bromfield Gallery; Dog Paintings, at the Transit Gallery at Harvard Medical School; and Works on Paper, at the University of Massachusetts, Boston, Harbor Gallery.

At the School of Music, Reynolds takes over from Gregory Melchor-Barz , a professor of ethnomusicology, who has held the position for the last five years.

As the founding, and current, cellist with the acclaimed Grammy-winning Muir String Quartet and as a soloist, Reynolds has performed over 2,000 concerts around the world and played with such diverse artists as Leon Fleisher, Menachem Pressler, Gil Shaham, Richard Stoltzman, CFA Dean Emerita Phyllis Curtin, and Benny Goodman. The Muir String Quartet records on the EcoClassics label Reynolds founded.

The Quartet has been in residence at CFA since 1983, the same year Reynolds began teaching there, and the group gives annual summer workshops at the Boston University Tanglewood Institute (BUTI).

In 1997, Reynolds established the Classics for Kids Foundation (CFKF), a grant program that supports string programs serving rural and at-risk youth in all 50 states. The foundation’s matching grants fund high-quality string instruments, including ukuleles, guitars, and harps.

“Michael Reynolds is a champion for the transformative power of music on a person’s life, especially young people,” says Young. “As an award-winning musician, an engaged mentor, and a prominent philanthropist, he has a clear vision for how to further elevate an already accomplished, trailblazing School of Music.”

Greenidge and Reynolds are expected to serve for three years and Schepens for two. School directorships rotate among senior faculty.

Mickey will retire at the end of the current academic year, while Clancy and Melchor-Barz will each take a sabbatical before returning to the faculty in 2025. All three will be celebrated at CFA in the coming weeks.

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El exitoso musical 'Vaselina', con Timbiriche, llega a Los Ángeles el 23 de junio

LOS ANGELES (KABC) -- "Vaselina", la nueva versión latina de "Grease", ampliará su gira en los Estados Unidos y ahora el exitoso musical anunció su fecha de presentación en Los Ángeles.

El elenco de "Vaselina" llegó a la ciudad después de su gira por México para hacer el anuncio el jueves en el teatro YouTube de Hollywood Park.

Liderando el elenco están los miembros de una de las bandas de pop latino más emblemáticas de todos los tiempos, Timbiriche.

Se conocieron por primera vez cuando eran niños en la década de 1980.

El musical ha hecho bailar, cantar y rockanrolear a millones de personas por todo el mundo.

"La banda en la que estamos... hizo 'Vaselina', hizo 'Grease', en los años 1984 y 1985. Hicimos más de 500 presentaciones y grabamos un álbum maravilloso, y desde entonces ha quedado grabado en los corazones y mente de muchos mexicanos", dijo Benny Ibarra, quien interpreta el papel de Danny Seco en la megaproducción.

El elenco se complementa con María León, Kalimba, Andrea Legarreta, Yahir, Alejandro Ibarra, Veronica Jaspeado, Mauricio Barcelata, Carmen Sarahí y María Elisa Gallegos.

"Vaselina" tendrá dos presentaciones en el YouTube Theater el domingo 23 de junio a las 4 p.m. y 8 p.m. Ya se pueden comprar los boletos en las taquillas del inmueble o en el sistema eticket.

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Max Addae wins first place in the 2024 Guthman Musical Instrument Competition

by Amanda Diehl

March 12, 2024

#performance
#creativity
Max Addae Former Research Assistant
VocalCords: Exploring Tactile Interaction with the Singing Voice
Media Lab Research Theme: Cultivating Creativity

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VocalCords : Exploring Tactile Interaction with the Singing Voice , by alum Max Addae of the Opera of the Future research group, received first place at the 2024 Guthman Musical Instrument Competition at the Georgia Institute of Technology. VocalCords was recently featured in Professor Tod Machover's 2023 VALIS production .

"I am so grateful for my time at the Media Lab, where VocalCords was first conceived in Joe Paradiso's 'Sensors for Interactive Environments' course, and developed further for my master's thesis. This achievement would not have been possible without the support of Tod Machover, the Opera of the Future group, Nina Masuelli (previous UROP and incoming MAS student!), my thesis committee members Joe Paradiso and Akito van Troyer (MAS '18), and the Council for the Arts at MIT (CAMIT)," Addae said.

Professor Machover, head of the Opera of the Future research group, added, "From the very first time that Max showed me the initial concept for VocalCords , I could see that he had found a uniquely powerful and personal way to combine his singing, composing, computing, and performing skills. The mature system is so effective because it unleashes both the expressivity and the fragility of the human voice in ways that are simultaneously simple and profound. I am so proud of Max for winning first prize in the prestigious Guthman Competition, the only award in the world for visionary musical instrument design, and can’t wait to see how he continues to develop VocalCords for his own artistic purposes and also so that others—and especially young people—can experience the joy of vocal creativity and discovery.”

The Guthman Musical Instrument Competition was originally designed to identify the next generation of musical instrumentalists and to expose new technologies and novel ideas to a community of musicians who are natural experimenters.

IN TENSE DIMENSIONS: A Song Cycle for Voice & Live Electronics by Max Addae

In Tense Dimensions is the premiere live performance of VocalCords, a stretch-sensor based voice controller/processor I have been deve…

An AI opera from 1987 reboots for a new generation

At MIT, Tod Machover’s ‘VALIS’ receives its first staged production in over two decades

Reimagining the Opera of the Future

The iconic sci-fi opera VALIS reboots for a new generation

VALIS: An Opera by Tod Machover

This brand-new production will give audiences the first opportunity in almost 30 years to experience a live performance of this seminal work

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Sojourn Theatre Company: A Case Study in Community-Based Theatre. Madzik, Christine (University of Oregon, 2012) This thesis examines contemporary community-based theatre processes and efficacy through a case study of Sojourn Theatre Company. Chapter II overviews Sojourn's production history and explores the company's style.
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Not long ago, a main criticism of musical theater studies was that "accolades and fandom" too often stood in for the kinds of real "analysis, historicization and theorizing" expected in the academy (S. Wolf 2007, 55). Musical theater studies can still fall prey to hagiography, for sure; all scholarship on the arts can.
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8. Create a detailed timeline of American Musical Theatre and events that took place in history for each. (1800's - present) 9. Deﬁne then compare and contrast the following types of musicals: Book musical, Revue, Concept musical, Jukebox musical and Rock or Pop musicals. Name at least two musicals for each. 10.
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Dissertation - Musical Theatre (DR71062A) University Goldsmiths University of London. Uploaded by: SR. ... Billy's determination reinforces contemporary ideas that certain activities such as ballet are not gender specific, despite the period in which the musical is set. ... Musical Theatre as a form of performance, which most commonly ...
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Title of Thesis:Thesis Directed By: ABSTRACT STICK FLY: A DISSECTION OF PROCESS AND EXPLORATION OF ADVOCACY Zavier Augustus Lee Taylor, Master of Fine Arts, 2022 Professor Jared Mezzocchi, Theatre, Dance, and Performance Studies The following thesis is a series of observations and explorations documenting my experiences as Media and Projections Designer of the Clarice Smith Performing Arts ...
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The current thesis topics below are available for theatre studies students. "The Clash Between Classical and Contemporary Music Theater: A Study in British Musicals from 1970 to 1980." "The Effects of Music on Audience Perception of Emotion in Musical Theater." "The Importance of the Musical Director in Modern Musical Theater ...
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Gershwin/Someone to Watch. "Someone to Watch over Me" ("STWOM") was featured in a long-running musical called Oh Kay!, written by George and IA Gershwin, that made its world debut on Broadway's Imperial Theater. The date was November 8, 1926. The musical enjoyed great success, even including a Broadway revival in 1990.
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List of dissertations / theses on the topic 'Musical theater - Instruction and study'. Scholarly publications with full text pdf download. Related research topic ideas.
College of Fine Arts Names New Directors for Schools of Theatre, Music
At the School of Music, Reynolds takes over from Gregory Melchor-Barz, a professor of ethnomusicology, who has held the position for the last five years. As the founding, and current, cellist with the acclaimed Grammy-winning Muir String Quartet and as a soloist, Reynolds has performed over 2,000 concerts around the world and played with such diverse artists as Leon Fleisher, Menachem Pressler ...
'Vaselina,' new Latin remake of 'Grease,' coming to YouTube Theater in
LOS ANGELES (KABC) -- "Vaselina," the new Latin remake of the iconic movie musical "Grease," is expanding its tour in the U.S. and it's coming to Southern California this summer!
El exitoso musical 'Vaselina', con Timbiriche, llega a Los Ángeles el
El musical ha hecho bailar, cantar y rockanrolear a millones de personas por todo el mundo. "La banda en la que estamos... hizo 'Vaselina', hizo 'Grease', en los años 1984 y 1985.
Max Addae wins first place in the 2024 Guthman Musical Instrument
VocalCords: Exploring Tactile Interaction with the Singing Voice, by alum Max Addae of the Opera of the Future research group, received first place at the 2024 Guthman Musical Instrument Competition at the Georgia Institute of Technology. VocalCords was recently featured in Professor Tod Machover's 2023 VALIS production. "I am so grateful for my time at the Media Lab, where VocalCords was ...
Repertory Theatre of St. Louis announces 2024-25 season
Managing Director Danny Williams hopes the season offers something for everyone, with suspense, comedy and a holiday musical. Repertory Theatre of St. Louis announces 2024-25 season Skip to main ...
Shooting, Explosion at Moscow Concert Venue
An explosion rocked a theater in the Moscow region and gunmen opened fire on theatergoers, according to Russian authorities. The number of dead or injured was unclear.

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