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  • September 8, 2021 September 8, 2021
  • Leave a Comment on Untamed Devil by Melissa Ivers

Untamed Devil by Melissa Ivers

I received an arc of Untamed Devil for free from the author to review. All thoughts and opinions that follow are honest and my own.

I really enjoyed Untamed Devil by Melissa Ivers. It is the second in the Nashville Devils series but you can read it as a stand-alone and still understand everything going on in this book.

I’ve always been a fan of hockey and was delighted to be able to read a copy of this one. It didn’t disappoint and I can’t wait for more in the series!

This one is a family-centered drama mixed with romance of the in-denial type and sprinkled with familial duty and southern charm. The characters are great and I felt like they were people I could be friends with. I loved the single-dad aspect of the story. Being a single parent myself, this aspect of the story really touched my heart. 

I was confused about Chloe’s age. In some scenes she’s made to sound older (teenish) and in other scenes she seems younger (young child). It doesn’t impact the story, but I just found it confusing. One thing I didn’t care for was that Tag, one of our main characters, seemed very “poor me.” Even though he kept trying to act the opposite way, I felt like it was repetitive in that way. 

There were many steamy scenes, so definitely keep that in mind. There is a bit of language as well. 

Overall I enjoyed this one and would read it again. I definitely recommend this one, especially if you like hockey, small town romances, southern romances, or the whole in-denial romance trope.

  • August 27, 2021 August 27, 2021
  • Leave a Comment on Enola Holmes and the Black Barouche by Nancy Springer

Enola Holmes and the Black Barouche by Nancy Springer

I received a free copy of Enola Holmes and the Black Barouche thanks to Wednesday Books in exchange for an honest review. All opinions expressed are solely my own. 

I’ve never read any of the Enola Holmes books before, but when the publicist reached out and asked if I’d like to be part of the Blog Tour for the newest Enola Holmes book, I agreed. From what I had previously seen of the newest book, it sounded like a fun read and I’m always up for a good mystery. Luckily, you didn’t need to have read the previous books to enjoy this one. 

In Enola Holmes and the Black Barouche, we follow Enola as she helps Letitia “Tish” Glover find out the truth of what happened to her twin sister, Felicity “Flossie” Glover Rudcliff. Tish has just received a short letter saying Flossie died. Tish doesn’t believe Flossie has really died and has come to the Holmes’s for help. Working with her older and famous brother Sherlock Holmes, they gather clues and hatch a scheme hoping to solve the case.

Enola Holmes and the Black Barouche: Read it or Leave it?

I really enjoyed this book. It was a quick but entertaining read. It’s set in 1800s London, and you have to remember that, because the viewpoints are of those during that era. I love our headstrong main character Enola, who goes against what’s proper and travels alone, doesn’t stick to societal norms of domesticity, etc. but instead focuses on writing and solving cases. The interaction between her and Sherlock was a great addition to the book. I love that her strong personality challenged his and also made him rethink some of his pre-conceived notions about women and society. They made a great team in this story and I look forward to reading more about them.

This book has humor, mystery, and a great cast of characters. I kept thinking about them long after putting the book down. I will definitely be picking up the previous books in the Enola Holmes series. Thank you once again to Wednesday Books and Nancy Springer for my review copy and inviting me on this book tour!

Enola Holmes and the Black Barouche releases August 31st, so be sure to pick up your copy! 

Enola Holmes and the Black Barouche by Nancy Springer

  • July 21, 2021 July 21, 2021
  • Leave a Comment on Mistletoe and Mischief by Melissa Ivers

Mistletoe and Mischief by Melissa Ivers

I received a free ARC of Mistletoe and Mischief thanks to the author. I am giving my honest review, which I am under no obligation to provide. All opinions expressed are solely my own.

I’m not sure if I’ve ever reiterated that Christmas is my favorite holiday or how much I love it. But it is, and I love it a ton. So when I saw Melissa Ivers had a Christmas Novella available for ARC readers, I jumped at the chance to sign up.

In Mistletoe and Mischief, we follow Jules and Nash as they get through the Christmas season and try their best to be civil with one another while staying under the same roof. Jules is a small town baker and owner of Sweet Pies. She’s unfortunately stuck with her brother’s best friend and her own personal nemesis, Nash, staying at her house over the holidays. Nash is a big-shot lawyer, a playboy with devilishy good looks, and a holiday mission to make Jules’s life miserable. But what happens when a bit of Christmas magic plus close proximity does a little bit of messing with these two and their sworn hatred for each other?

Mistletoe and Mischief: The Breakdown

I love a good enemies-to-lovers book, and boy did this deliver. There’s romance, steam, Christmas, and descriptions of yummy food. 

I loved the Christmasy parts of the novella. It put me in such a cozy mood. I also enjoyed the banter between Nash and Jules. I felt like their enemies-to-lovers scenario was believable with the way they went after each other throughout, teasing and poking at each other. 

It was written in dual POVs, which I really enjoyed because we got into the heads of both characters. There is a bit of language to start out the book, which caught me off guard, but it didn’t deter me from continuing.

I definitely recommend this book if you’re into enemies-to-lovers, Christmas romance, steamy-romance, or just some light-hearted fun. This is my first Melissa Ivers’ book but it will not be my last!

Mistletoe and Mischief is out already, so be sure to get your copy today!

CW: language, sexuality

Mistletoe and Mischief by Melissa Ivers

  • July 2, 2021 July 2, 2021
  • Leave a Comment on Let Me Catch You Up

Let Me Catch You Up

Hey y’all, I apologize for being so quiet on here the last few months. I just wanted to catch you up on what has been going on and give you a brief summary of what I’ve been reading. My actual reviews will follow, but I wanted to also get on here and just let you know why things have been so sporadic from me. I also wanted to apologize for that. I was hoping things this year would be less hectic, with COVID being better controlled and not being under quarantine like last year. However, we’ve had some personal things go on that have made it seem just as hectic.

In the beginning of the year, I felt optimistic about things, both reading- and personal- wise. Then I received some devastating news from my former partner that I’m still trying to reconcile. It threw me for a loop and I ended up not being able to do any reading after that until mid-February. Lately, we’ve had many appointments to go to so our days are still quite busy and exhausting. Some nights I go to bed shortly after my son does, which is pretty early. Also, I’m still dealing with some health issues that I’ve had on and off since June 2020.

Let’s Catch You Up: What I’ve Been Reading

Reading-wise, I’ve been doing alright. I haven’t gotten to as many books as I would have liked. However, I’m still reading a good amount of books. I average about 5 books a month and am on track to finish my Goodreads challenge (65).

Our local library has opened back up and we’ve been frequenting that weekly. My son loves getting books out and it makes this bibliophilic mama’s heart sing. 🥰 It’s also become a contest to see who gets more excited over bookmail: me or him.

I’ve mostly been reading ARCs this year, as I have many to review. However, in May and June I tried to focus my reading on monthly “themes.” May was AAPI Heritage month, so I tried to read mostly books written by AAPI authors. In the same respect, June was pride month, so I tried to read books that were lgbtq+ themed or written by lgbtq+ authors. Unless there was an ARC due that didn’t fit in those “themes,” I think I did pretty well.

I’ll include a list of the books I’ve read this year so far. As I’ve mentioned, reviews will be forthcoming, although some are already up. That’s it: that’s all I have to catch you up. Thanks for reading and bearing with me this year. Y’all are always appreciated. 💛 You can follow me on Instagram if you want more up-to-date reviews. Enjoy your weekend!

Books I’ve Read in 2021 Thus Far

  • Mistletoe & Mischief
  • The Boy Who Lived in the Ceiling
  • The Prince and the Dressmaker
  • MeaningFULL: 23 Life-Changing Stories of Conquering Dieting, Weight, & Body Image Issues
  • You Should See Me In A Crown
  • Darius The Great Deserves Better
  • Of Princes and Promises
  • The Gilded Ones
  • My Fate According to the Butterfly
  • The Henna Artist
  • From Little Tokyo, With Love
  • Love From A to Z
  • On The Spectrum
  • Fox & Rabbit
  • The Dating Plan
  • Spin A Circle
  • The Forest of Stolen Girls
  • The Perfect Daughter
  • The Mary Shelley Club
  • House of Hollow
  • Zara Hossain is Here
  • She’s Too Pretty To Burn
  • Firekeeper’s Daughter
  • A Shot at Normal
  • The Seelie Queen
  • Indivisible
  • What Big Teeth
  • A Taste For Love
  • The Project
  • Amari and the Night Brothers
  • Last Night at the Telegraph Club

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  • May 5, 2021 May 5, 2021
  • Leave a Comment on The Forest of Stolen Girls by June Hur

The Forest of Stolen Girls by June Hur

I received a free e-ARC of The Forest of Stolen Girls thanks to Fierce Reads in exchange for an honest review. All opinions expressed are solely my own.

When I got the email that I’d won an arc, I was so excited. I’m a sucker for historical fiction, but what’s even better is that this is also a mystery-thriller. The synopsis had me hooked.

We follow Hwani, who, as a child, was found unconscious in the forest, with her sister. They don’t remember a thing about the incident except that their captor had a white-painted mask. This event tore their family apart and most fled the hometown. Years later, she travels back to her estranged home to find her father who went missing while investigating the disappearance of 13 missing girls. Reuniting with her sister, Hwani must look to her past in order to discover the truth.

The Forest of Stolen Girls: Why You Should Read It

First, I have to say: Hur can tell a story. I haven’t read her other works but this as an intro to her writing was perfect. The way she crafted this slow burn mystery-thriller was so magnificent. She left her hints and clues all over, but with such subtly that it was almost enough to be disregarded. 

I loved the dynamic between Hwani and Maewol. It was such a realistic interpretation of a sister relationship. They had underlying resentment of each other but also fierce love and loyalty. So representative of a sisterly bond, I think. 

The ending of the book was totally unexpected for me. I was guessing during the story–and not correctly–at what was going to happen. Maybe I’m getting rusty? Or Maybe Hur’s writing is just that good. Either way, the build-up of the book was so worth the shock factor. 

I urge all of you to read this book. It’s a historical fiction book, yes, but you don’t feel like you’re reading a book about history. It’s engaging, it’s interesting, and it keeps you wanting more. You’re not going to want to put it down. Do yourself a favor and pick up a copy.

The Forest of Stolen Girls by June Hur

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NATIONAL ESPIONAGE, RESCUE, AND DEFENSE SOCIETY: BOOK ONE

by Michael Buckley & illustrated by Ethen Beavers ‧ RELEASE DATE: Sept. 1, 2009

Jackson Jones used to be the most popular 11-year-old at Nathan Hale Elementary, but now he’s forced to wear hideous magnetic braces on his teeth. Dumped by his friends, he starts paying more attention to his surroundings and discovers that a small group of nerds vanishes regularly during the school day. He learns they’re a group of super-secret, super-enhanced spies, and he accidentally gets enhanced himself. The five existing members of the National Espionage, Rescue, and Defense Society want nothing to do with the former “popular,” despite the best efforts of their adult handlers. When the NERDS are captured by evil Dr. Jigsaw, can “Braceface” save the day (and the world)? Sisters Grimm author Buckley kicks off a new series with a passable origin story. Most characters aren’t more than stereotypes, but the inventive details, story and made-up futuristic technology will keep pages turning. The length and level of language keep this from being a perfect package for its intended audience of reluctant readers. However, avid readers of humorous thrillers will be quite glad this is slated to be a series. (Thriller. 8-12)

Pub Date: Sept. 1, 2009

ISBN: 978-0-8109-4324-7

Page Count: 336

Publisher: Amulet/Abrams

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2009

CHILDREN'S GENERAL CHILDREN'S

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FINN AND THE SUBATOMIC SLIP-AND-SLIDE

BOOK REVIEW

by Michael Buckley

FINN AND THE TIME-TRAVELING PAJAMAS

HOW TÍA LOLA CAME TO (VISIT) STAY

From the tía lola stories series , vol. 1.

by Julia Alvarez ‧ RELEASE DATE: March 1, 2001

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán. 

When Tía Lola arrives to help the family, Miguel and his hermana , Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios , but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturas while letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa —the mother tongue.

Pub Date: March 1, 2001

ISBN: 0-375-80215-0

Page Count: 160

Publisher: Knopf

Kirkus Reviews Issue: Jan. 15, 2001

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HOW TÍA LOLA ENDED UP STARTING OVER

by Julia Alvarez

HOW TÍA LOLA SAVED THE SUMMER

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ALREADY A BUTTERFLY

by Julia Alvarez ; illustrated by Raúl Colón

WHERE DO THEY GO?

by Julia Alvarez ; illustrated by Sabra Field

CORALINE

by Neil Gaiman ‧ RELEASE DATE: July 1, 2002

Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister:...

A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.

Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s ( American Gods , 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “ I will be brave ,” thinks Coraline. “ No, I am brave .” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.

Pub Date: July 1, 2002

ISBN: 0-380-97778-8

Page Count: 176

Publisher: HarperCollins

Kirkus Reviews Issue: June 15, 2002

CHILDREN'S GENERAL CHILDREN'S | GENERAL GRAPHIC NOVELS & COMICS | CHILDREN'S SCIENCE FICTION & FANTASY

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WHAT YOU NEED TO BE WARM

by Neil Gaiman ; illustrated by Various

PIRATE STEW

by Neil Gaiman ; illustrated by Chris Riddell

CINNAMON

by Neil Gaiman ; illustrated by Divya Srinivasan

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Out of the Darkness The Germans 19422022 by Frank Trentmann.

Out of the Darkness , by Frank Trentmann (Knopf) . Germany’s postwar transformation into Europe’s political conscience is often cast as a triumphant story of moral rehabilitation. This book points to the limitations of that narrative, arguing that, in the past eight decades, German society has been “preoccupied with rebuilding the country and coming to terms with the Nazi past” rather than with confronting its obligations to the broader world. Trentmann draws from a wide range of sources, including amateur plays and essays by schoolchildren. These lend intimacy to his portrait of a citizenry engaged in the continuous process of formulating its own views of right and wrong as it debates issues from rearmament to environmentalism.

Whiskey Tender A Memoir by Deborah Jackson Taffa.

Whiskey Tender , by Deborah Jackson Taffa (Harper) . This vibrant memoir recalls the author’s childhood on the traditional lands of the Quechan (Yuma) people on a reservation in California, and in a Navajo Nation border town in New Mexico. The move to New Mexico, in 1976, reflected Taffa’s parents’ desire for their children to “be mainstream Americans.” As a young woman, however, Taffa sought to link her identity to figures from her ancestral past, such as a great-grandmother who lectured and performed for white society. In her account, Taffa regards the broad tapestry of history and picks at its smallest threads: individual choices shaped by violent social forces, and by the sometimes erratic powers of love.

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Ours by Phillip B. Williams.

Ours , by Phillip B. Williams (Viking) . In this ambitious début novel, a Harriet Tubman figure possessed of supernatural abilities founds a town in Missouri, whose first inhabitants she has rescued from slavery. Magically concealed from the outside world, the community is ostensibly a haven, yet the weight of its inhabitants’ pasts and the confines of safety prove to be difficult burdens. In lush, ornamental prose, Williams, who is also a poet, traces many characters’ entwined journeys as they seek to understand the forces that assemble and separate them. The novel is an inventive ode to self-determination and also a surrealistic vision of Black life as forged within the crucible of American history.

Worry by Alexandra Tanner.

Worry , by Alexandra Tanner (Scribner) . This dryly witty novel centers on Jules, a twenty-eight-year-old aspiring novelist turned study-guide editor living in Brooklyn, and her younger sister, who has just moved in with her. Jules swings between irritation and compassion toward her sibling; she notes that “having a sister is looking in a cheap mirror: what’s there is you, but unfamiliar and ugly for it.” Jules is just self-aware enough to admit that chief among her joys in life is feeling superior to others. She spins a fixation on her Instagram feed as research for “a book-length hybrid essay” on feminism, capitalism, antisemitism, and the Internet. As Tanner’s novel explores these topics, its depiction of Jules’s relationships also highlights absurdities of contemporary culture and the consequences of self-absorption.

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By Richard Brody

10 books to add to your reading list in April

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Critic Bethanne Patrick recommends 10 promising titles, fiction and nonfiction, to consider for your April reading list.

April’s book releases cover some difficult topics, including Salman Rushdie discussing his 2022 maiming, Leigh Bardugo’s fiction about the dark arts and Ada Limón’s poetry anthology about our fragile world. However, like April, there is also sunshine: Leif Enger’s wild Great Lakes love story, Helen Tworkov’s beautiful memoir of Buddhism and a collection of the inimitable Maggie Nelson’s essays. Happy reading, happy spring!

I Cheerfully Refuse: A Novel By Leif Enger Grove Press: 336 pages, $28 (April 2)

Cover of "I Cheerfully Refuse"

An unusual and meaningful surprise awaits readers of Enger’s latest, which takes place largely on Lake Superior, as a man named Rainy tries to reunite with his beloved wife, Lark. While the world around this couple, a dystopian near-future American where billionaires control everything, could not be bleaker, the author’s retelling of the myth of Orpheus (who went to the underworld to rescue his wife) contains the authentic hope of a born optimist.

The Familiar: A Novel By Leigh Bardugo Flatiron Books: 400 pages, $30 (April 9)

Cover of "The Familiar"

Bardugo departs from novels of dark academia in a standalone to make the hairs on your neck stand up, set in 16th century Spain. A hidden Sephardic Jew and scullery maid named Luzia Cotado matches wits with fellow servant Guillén Santángel. Luzia discovers a secret of Guillén’s, but she’s already fallen in love with him. And because he knows hers, too, they might both avoid the Spanish Inquisition. It’s a gorgeous tale of enchantments both supernatural and earthly.

The Sleepwalkers: A Novel By Scarlett Thomas Simon & Schuster: 304 pages, $28 (April 9)

Cover of "The Sleepwalkers"

A couple honeymoons at a Greek resort. What could go wrong? In Thomas’ hands, plenty – especially as the author has never written a comfortable story; her books, from “PopCo ” to “Oligarchy,” crackle with unreliable characters, as well as big philosophical ideas. In this case, the new marriage’s breakdown is chronicled through letters between the spouses, and sometimes bits of ephemera, that ultimately untangle a dark mystery relating to the title.

The Garden: A Novel By Clare Beams Doubleday: 304 pages, $28 (April 10)

Cover of "The Garden"

Few novels of literary fiction are written as well as “The Garden,” let alone given its sadly relevant retro setting, a 1940s country-estate obstetrical program. Irene Willard walks through its gates having endured five miscarriages; pregnant again, she and her war-veteran husband George desperately hope for a live birth. But as Irene discovers more about the woman who controls all here, Dr. Bishop, she fears carrying to term as much as she once feared pregnancy loss.

Reboot: A Novel By Justin Taylor Pantheon: 304 pages, $28 (April 23)

Cover of "Reboot"

David Crader, former teen TV heartthrob, just wants to reboot his career when his old show “Rev Beach” has a moment. His life has devolved through substance abuse, divorce and underemployment. But when he and colleagues launch a remake, devolution continues: The protagonist’s struggles are mirrored by climate-change issues, from flooding to wildfires. Despite that darkness, Taylor’s gift for satire might make this a must-read for 2024 beach bags.

You Are Here: Poetry in the Natural World By Ada Limón (Editor) Milkweed Editions: 176 pages, $25 (April 2)

Cover of "You Are Here"

A wondrous artist herself, Limón is currently poet laureate of the United States, and this anthology is part of her signature project, “You Are Here,” which will also feature poetry as public art in seven national parks. Released in conjunction with the Library of Congress, the collection features 50 previously unpublished poems by luminaries including Jericho Brown, Joy Harjo, Carl Phillips and Diane Seuss, each focusing on a piece of regional landscape.

Like Love: Essays and Conversations By Maggie Nelson Graywolf Press: 336 pages, $32 (April 2)

Cover of "Like Love"

While all of the pieces in Nelson’s new book have previously been published elsewhere, they’re made fresh here both through being collected and through their chronological placement. Readers can practically watch Nelson’s incisive mind growing and changing as she speaks with colleagues such as Hilton Als and Judith Butler, or as she writes about queerness, motherhood, violence, the lyrics of Prince and the devastating loss of a friend.

Knife: Meditations After an Attempted Murder By Salman Rushdie Random House: 204 pages, $28 (April 16)

Cover of "Knife"

On Aug. 12, 2022, the author Salman Rushdie was speaking at upstate New York’s Chautauqua festival when a man rushed the stage and attempted to murder him. Rushdie, a target of Iranian religious leaders since 1989, was permanently injured. In this book, he shares his experience for the first time, having said that this was essential for him to write. In this way, he answers violence with art, once again reminding us all that freedom of expression must be protected.

Lotus Girl: My Life at the Crossroads of Buddhism and America By Helen Tworkov St. Martin’s Essentials: 336 pages, $29 (April 16)

Cover of "Lotus Girl"

Dworkov, founder of the magazine Tricycle, chronicles her move from a 1960s young-adult interest in Buddhism to travels through Asia and deep study in the United States of the different strands that follow the Buddha’s teachings. Tworkov mentions luminaries such as the artist Richard Serra, the composer Charles Mingus and the Dalai Lama, but she’s not name dropping. Instead, she’s strewing fragrant petals from her singular path to mindfulness that may help us find ours.

The Demon of Unrest: A Saga of Hubris, Heartbreak, and Heroism at the Dawn of the Civil War By Erik Larson Crown: 592 pages, $35 (April 30)

Cover of "The Demon of Unrest"

Even diehard Civil War aficionados will learn from Larson’s look at the six months between Lincoln’s 1860 election and the surrender of Union troops under Maj. Robert Anderson at Charleston’s Ft. Sumter. Larson details Anderson’s secret Christmas redeployment and explores this individual’s contradictions as a former slave owner who loyally follows Lincoln’s orders. The author also shares first-person perspective from the famous diaries of the upper-class Southerner Mary Chesnut. All together, the book provides a riveting reexamination of a nation in tumult.

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Book Review: ‘City of Ruins’ completes a masterful Don Winslow trilogy

This image released by William Morrow shows "City in Ruins" by Don Winslow. (William Morrow via AP)

This image released by William Morrow shows “City in Ruins” by Don Winslow. (William Morrow via AP)

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Years ago, when novelist Don Winslow first read Aeschylus, he recognized that the Greek father of literary tragedies had explored every major theme found in modern crime fiction, from murder, vengeance, and corruption to power, justice and redemption. He became obsessed, he said recently, with the idea of retelling the ancient stories in a modern-crime fiction trilogy.

For the last 30 years, while churning out a succession of books that include some of the best crime novels ever written, he worked on the ambitious project in fits and starts, sometimes despairing but never giving up.

“City of Ruins” marks the conclusion of his saga of Rhode Island mobster turned Las Vegas gambling tycoon Danny Ryan. If Winslow is to be believed, it is also the last novel he will ever write as he turns his considerable talents to political activism.

The trilogy opened with “City on Fire” (2021) as Ryan and a handful of allies fled Providence, Rhode Island, after losing a gang war to the Italian Mafia. It continued with “City of Dreams” (2023) as Ryan tried, and failed, to build a new life in Los Angeles.

As “City in Ruins” opens, we find an older Ryan operating as a silent partner in two Las Vegas casinos. A man who was once a dock worker and underworld strong arm in Providence is now rich beyond his dreams, but he still wants more.

This cover image released by Flatiron shows "The Black Girl Survives in This One" horror stories edited by Desiree S. Evans and Saraciea J. Fennell. (Flatiron via AP)

Why, he wonders. Is it greed? No. Not that.

“Be honest with yourself,” he says. “You want more money because money is power and power is safety. And you can never be safe enough. Not in this world.”

After all, the Italian mob and the FBI are still out there, hell bent on revenge and/or justice for the crimes he’s committed. For the people he has killed.

So Danny overreaches.

He schemes to purchase a prime piece of real estate on the Las Vegas strip to build a fabulous gambling resort, putting him in conflict with the city’s power brokers including a rival casino owner who has mob connections of his own.

Soon, the old enemies also are circling. Danny does what he can to prevent the power struggle from turning violent, but through a series of miscalculations, bullets start flying, endangering not only his gambling empire but his life and the lives of those he loves.

While “City in Ruins” can be read as a standalone, readers would be best served by reading the trilogy from the beginning. With his compelling characters, his vivid prose, and his exploration of universal themes, Winslow has produced a masterpiece of modern crime fiction.

Bruce DeSilva, winner of the Mystery Writers of America’s Edgar Award, is the author of the Mulligan crime novels including “The Dread Line.”

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In this photo-illustration, a child sits on a seesaw set in a field of emerald green grass. On the other side of the seesaw is a giant smartphone.

Coddling Plus Devices? Unequivocal Disaster for Our Kids.

In “The Anxious Generation,” Jonathan Haidt says we’re failing children — and takes a firm stand against tech.

Credit... Alex Merto

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By Tracy Dennis-Tiwary

Tracy A. Dennis-Tiwary is a professor of psychology and neuroscience, director of the Emotion Regulation Lab at Hunter College.

  • Published March 26, 2024 Updated March 27, 2024
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THE ANXIOUS GENERATION: How the Great Rewiring of Childhood Is Causing an Epidemic of Mental Illness , by Jonathan Haidt

Imagine that your 10-year-old daughter gets chosen to join the first human settlement on Mars. She’s ready to blast off but needs your permission.

You learn that the billionaire architect of the mission hasn’t considered the risks posed by the red planet’s toxic environment, including kids developing “deformities in their skeletons, hearts, eyes and brains.”

Would you let her go?

The cover of “The Anxious Generation,” by Jonathan Haidt, portrays a child in a pit of yellow balls, immersed in the screen of her phone. The text is white.

It’s with this “Black Mirror”-esque morality play that Jonathan Haidt sets the tone for everything that follows in his erudite, engaging, combative, crusading new book, “The Anxious Generation.” Mars is a stand-in for the noxious world of social media. If we’d say no to that perilous planet, we should of course say no to this other alien universe.

Instead, we hem and haw about the risks, failing to keep our kids safely grounded in nondigital reality. The result can no longer be ignored: deformities of the brain and heart — anxiety, depression, suicidality — plaguing our youth.

Haidt, a social psychologist, is a man on a mission to correct this collective failure. His first step is to convince us that youth are experiencing a “tidal wave” of suffering. In a single chapter and with a dozen carefully curated graphs, he depicts increases in mental illness and distress beginning around 2012. Young adolescent girls are hit hardest, but boys are in pain, too, as are older teens.

The timing of this is key because it coincides with the rise of what he terms phone-based childhood. From the late 2000s to the early 2010s, smartphones, bristling with social media apps and fueled by high-speed internet, became ubiquitous. Their siren call, addictive by design and perpetually distracting, quickly spirited kids to worlds beyond our control.

It wasn’t phones alone. A second phenomenon coincided with the rise of the machines: the decline of play-based childhood. This change started in the 1980s, with kidnapping fears and stranger danger driving parents toward fear-based overparenting. This decimated children’s unsupervised, self-directed playtime and restricted their freedom of movement.

With parents and children alike stuck in “Defend mode,” kids were in turn blocked from discovery mode, where they face challenges, take risks and explore — the building blocks of anti-fragility, or the ability to grow stronger through adversity. Compared to a generation ago, our children are spending more time on their phones and less on, well, sex, drugs and rock n’ roll. While fewer hospital visits and teen pregnancies are obvious wins, less risk-taking overall could stunt independence.

That’s why parents, he argues, should become more like gardeners (to use Alison Gopnik’s formulation) who cultivate conditions for children to independently grow and flourish, and less like carpenters, who work obsessively to control, design and shape their offspring. We’ve overprotected our kids in the real world while underprotecting them in the virtual one, leaving them too much to their own devices, literally and figuratively.

It’s this one-two punch of smartphones plus overprotective parenting, Haidt posits, that led to the great rewiring of childhood and the associated harms driving mental illness: social deprivation, sleep deprivation, attention fragmentation and addiction. He has a lot to say about each of these.

Here is where his ideas and interpretation of research become contentious. Few would disagree that unhealthy use of social media contributes to psychological problems, or that parenting plays a role. But mental illness is complex: a multidetermined synergy between risk and resilience. Clinical scientists don’t look for magic-bullet explanations. They seek to understand how, for whom and in what contexts psychological problems and resilience emerge.

Haidt does recognize that nuance complicates the issue. Online — but not in the book — he and colleagues report that adolescent girls from “wealthy, individualistic and secular nations” who are “less tightly bound into strong communities” are accounting for much of the crisis. So perhaps smartphones alone haven’t destroyed an entire generation. And maybe context matters. But this rarely comes through in the book.

The final sections offer advice for reducing harmful, predatory aspects of technology and helping parents, educators and communities become more gardener and less carpenter. Some tips will be familiar (ban phones from school; give kids more independence). Other advice might give readers pause (no smartphones before high school; no social media before 16). Yet, taken together, it’s a reasonable list.

Still, Haidt is a digital absolutist, skeptical that healthy relationships between youth and social media are possible. On this point, he even rebuffs the U.S. Surgeon General’s more measured position. We’re better off banning phones in schools altogether, he asserts. Because, as he quotes a middle school principal, schools without phone bans are like a “zombie apocalypse” with “all these kids in the hallways not talking to each other.”

Whether or not you agree with the zombie apocalypse diagnosis, it’s worth considering the failure of prior absolutist stances. Nancy Reagan’s Just Say No drug campaign? A public health case study in what not to do. During the AIDS crisis, fear mongering and abstinence demands didn’t prevent unsafe sex. Remember the pandemic? Telling Americans to wear masks at all times undermined public health officials’ ability to convince them to wear masks when it really mattered.

Digital absolutism also risks blinding us to other causes — and solutions. In 1960s Britain, annual suicide rates plummeted. Many believed the drop was due to improved antidepressant medications or life just getting better. They weren’t looking in the right place. The phaseout of coal-based gas for household stoves blocked the most common method of suicide: gas poisoning. Means restriction, because it gives the despairing one less opportunity for self-harm, has since become a key strategy for suicide prevention.

“I’ve been struggling to figure out,” Haidt writes, “what is happening to us? How is technology changing us?” His answer: “The phone-based life produces spiritual degradation, not just in adolescents, but in all of us.” In other words: Choose human purity and sanctity over the repugnant forces of technology. This dialectic is compelling, but the moral matrix of the problem — and the scientific foundations — are more complex.

Yes, digital absolutism might convince policymakers to change laws and increase regulation. It might be a wake-up call for some parents. But it also might backfire, plunging us into defense mode and blocking our path of discovery toward healthy and empowered digital citizenship.

THE ANXIOUS GENERATION : How the Great Rewiring of Childhood Is Causing an Epidemic of Mental Illness | By Jonathan Haidt | Penguin Press | 385 pp. | $30

Inside the World of Gen Z

The generation of people born between 1997 and 2012 is changing fashion, culture, politics, the workplace and more..

For many Gen-Zers without much disposable income, Facebook isn’t a place to socialize online — it’s where they can get deals on items  they wouldn’t normally be able to afford.

Dating apps are struggling to live up to investors’ expectations . Blame the members of Generation Z, who are often not willing to shell out for paid subscriptions.

Young people tend to lean more liberal on issues pertaining to relationship norms. But when it comes to dating, the idea that men should pay in heterosexual courtships  still prevails among Gen Z-ers .

We asked Gen Z-ers to tell us about their living situations and the challenges of keeping a roof over their heads. Here’s what they said .

What is it like to be part of the group that has been called the most diverse generation in U.S. history? Here is what 900 Gen Z-ers had to say .

Young people coming of age around the world are finding community in all sorts of places. Our “Where We Are” series takes you to some of them .

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In Terrible Horses by Raymond Antrobus, Ken Wilson-Max’s illustrations artfully depict the inner world of a young boy’s feelings

Picture books for children – reviews

Bashful cats and lonely ponies stalk the pages of this month’s choices

W hether slinky and serious or delightfully daft, cats tend to make great picture book stars. They may often excel as witches’ sidekicks, but sometimes simple is best, as with Eva Eland’s Where Is the Cat? (Andersen Press), in which little Suzy goes to visit her Auntie and wants to play with the very reluctant Cat.

An eye-popping palette of neon-pink, green and yellow matches the high energy of Suzy, who greets Auntie on her doorstep, arms flung open, hollering “Where is the cat?”. So begins a familiar yet funny game of hide and seek between the pair – with little readers able to join in too – as Cat tries everything to avoid her: squishing himself pancake-like under chairs, teetering on top of wardrobes and peeking through plants, each page a spotting opportunity. By nap time Suzy is in tears and a sorry-looking Cat gazes on from a shelf looking poised to curl up with her for a doze. But will Suzy get her way?

‘Charming’: We Are the Wibbly! by Sarah Tagholm and Jane McGuinness

More laughs come courtesy of Sarah Tagholm’s We Are the Wibbly! (Bloomsbury), a hilarious look at the life cycle of frogs. Narrated by one egg happily enjoying a peaceful life with his friends in “the wibbly” (frogspawn to us humans) until “Oh my crikeys!”, as he puts it, they all start transforming: first it’s tails, then they’re swimming and before long, they’re actual frogs. Jane McGuinness’s charming illustrations evoke a splashy underwater setting for the cute, astonished-looking tadpoles. Language purists may balk at Tagholm’s zany use of words but you’ll be hard pushed to find a more joyfully engaging insight into animal biology for the very young.

Terrible Horses (Walker) considers sibling rivalry from the perspective of a small boy who envies his older sister’s cool friends and belongings. When the pair fight and push each other he retreats into his room to draw terrible horses, galloping and kicking up dust while he stands to the side, portrayed as a lonely pony. Rhythmical text by the poet Raymond Antrobus flows over the pages, sometimes stopping abruptly at single words such as “hurt” and “hide” as the siblings’ clashes come to a climax. Ken Wilson-Max’s illustrations artfully combine depictions of the children in their home alongside the inner world of the young boy’s feelings and imagination, with the horses rendered in brightly coloured pencil marks. Fittingly, the siblings’ moving reconciliation at the end finds them drawing together. The follow-up to Antrobus’s acclaimed picture book debut, Can Bears Ski? , which was inspired by the poet’s own experiences of being deaf, Terrible Horses finds the young boy also wearing hearing aids.

‘Eye-popping’: Where Is the Cat? By Eva Eland

Emotions continue to be a major theme in picture books. Celebrated children’s book creators Lauren Child and Laura Dockrill have teamed up for Grey (Walker, 2 May), which explores feelings through colours, while Storm-Cat by Magenta Fox (Puffin) uses the weather as a metaphor. A handsome hardback book with cut-out pages showcasing Child’s expressive drawings, the narration in Grey flips from that of a young child explaining their grey state (not “sunshine yellow, or balloon orange bright”) to an adult whose narrative voice soothes and reassures the child.

As if to prove the versatility of felines in children’s literature, it’s a kind granny cat in a red waistcoat and yellow wellies who saves her grandson from being overwhelmed by a “storm-cat” of feelings in Fox’s sweet tale. “We can’t choose our weather,” she says, “but we can choose what we make of it.”

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Decoding the 5-Star Book Rating System: A Reader’s Guide

Delve into the world of literature as we demystify the 5-star book rating system, unraveling its nuances and significance

Within the vast expanse of literature, opinions on books can diverge widely. What one individual considers a masterpiece, another might deem an ordinary read.

5-Star-Book-Rating

To navigate through this sea of subjective experiences, the 5-star book rating system has emerged as a prevalent tool for readers to articulate their sentiments and share insights about a book.

In this article, we will delve comprehensively into the nuances of the 5-star book rating system, exploring the distinct connotations of each star and outlining practical strategies for its application.

Unveiling the Spectrum

The 5-star rating system provides a simple yet effective means of articulating your overall assessment of a book. Below, we delineate the customary significance of each star:

One Star: ★☆☆☆☆

explaining-bad-book-review

Typically assigned to books that you found disheartening or struggled to connect with, this rating denotes a strong sense of aversion.

It could suggest subpar writing, one-dimensional character development, perplexing plot trajectories, or an amalgamation of these factors.

A one-star rating unequivocally signals that the book drastically undershot your expectations. This is a book you would NOT recommend to like-minded readers.

Two Stars: ★★☆☆☆

A two-star rating implies that while the book might possess redeeming attributes, it ultimately failed to captivate your interest or left you underwhelmed.

It could have harbored latent potential, but notable flaws were detrimental to your enjoyment. Now, this may be something that would interest others but leaves you cold, i.e., too much gore, too many spicy scenes, etc.

Be sure to state that in your review so that other potential readers know there are qualities you did not enjoy, but they may! Even a “negative” book review can guide readers to something they may enjoy.

Three Stars: ★★★☆☆

Connoting an average read, a three-star rating might have had instances of intrigue, yet it failed to impart a pronounced impression.

It does not scale the summits of excellence nor plummet to the depths of dissatisfaction, nestling instead in the middle stratum of the spectrum. It was pleasant but lacked memorability.

Four Stars: ★★★★☆

Awarding four stars communicates your genuine fondness for the book, affirming it as a noteworthy read.

It might have featured a compelling narrative, well-sculpted character dynamics, or a narrative style that resonated deeply.

While not bereft of minor imperfections, the book resonated with you on a lasting level.

You would certainly recommend this book and would also read more from this author in the future.

Five Stars: ★★★★★

explaining-5-star-book-review

Symbolizes a profound connection with the book. These are the tomes you deem masterstrokes, ones deserving a universal recommendation.

Awarding five stars signifies recognition of impeccable prose, engaging storytelling, and a lasting impact on your psyche.

You may even revisit this book in the future and list the author as one of your favorites.  

In employing the 5-star rating system, strategic considerations come into play:

Embrace emotional reflection.

Probe your emotional resonance with the book. Did it evoke laughter, tears, or contemplation? Gauge how profoundly the book affected your emotional and intellectual faculties.

Contextual Insights

A singular star might only sometimes denote a poorly composed book.

It could result from a mismatch between the subject matter and your personal tastes. Equally, five stars don’t assure universal appeal; a book you adore might not synchronize with another’s preferences.

This is why a written review is always the most effective way to share your thoughts on a book.

Champion Consistency

Endeavor to uphold a consistent rating framework across different books. This aids in illuminating your distinctive inclinations and facilitates a comparative assessment of various literary works. This is ESPECIALLY important if you have followers who rely on your reviews to introduce them to new works.

book-nerds-kindle-app-amazon-link

Augment With Reviews

While the star rating provides a rapid snapshot of your judgment, coupling it with a brief review enhances context. This assists fellow readers in gauging the book’s resonance with their biases.

5-Star Book Ranking System

The 5-star book rating system is valuable for articulating your sentiments regarding a book.

It condenses intricate reactions into an accessible and shareable format. Remember that a book’s merit extends beyond its star rating; personal connections, thematic pertinence, and idiosyncratic preferences all contribute.

Thus, whether you confer five stars upon a life-altering novel or a solitary star upon a book that failed to align with your expectations, your ratings contribute substantially to the diverse tapestry of literary viewpoints.

5-Star-Book-Rating-a-readers-guide

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