phd art history usa

History of Art PhD

The Department of History of Art offers a two-stage integrated master's and doctoral program (MA/PhD) in preparation for college teaching, writing, and specialized curatorial careers. Students are not admitted to work for a terminal MA degree, though students may apply for the MA after meeting Stage I requirements toward the PhD. Students work closely with faculty in courses, seminars, and on independent research projects to develop independent thought and a thorough knowledge of the field and its critical methods. Cross-disciplinary work in Berkeley's distinguished departments of languages and literature, philosophy, rhetoric, film studies, women's studies, history, and the social sciences is strongly encouraged. A student may opt for a more formal relationship with other departments through Designated Emphases programs, including film studies; folklore; women, gender, and sexuality; and critical theory.

Contact Info

[email protected]

416 Doe Library #6020

Berkeley, CA 94720

At a Glance

Admit Term(s)

Application Deadline

December 4, 2023

Degree Type(s)

Doctoral / PhD

Degree Awarded

GRE Requirements

MA or PhD in Art History

The graduate Art History programs at UT, comprising the MA in Art History and the PhD in Art History, are among the nation’s largest and most distinguished, with nearly twenty full-time faculty members who are leading scholars in their fields and represent a diversity of critical and methodological outlooks. Students in Art History are regularly honored with prestigious awards and fellowships, and alumni from this program lead successful careers at colleges, universities, and museums worldwide.

The programs’ expansive scope comprises courses covering a wide range of periods and cultures of art, while areas of special concentration are represented by several active research centers. Interdisciplinary study and collaboration play a vital role in the program. Additionally, research is enhanced by access to the many resources available across campus including the Blanton Museum of Art, one of the country’s leading university art museums; the university’s notable library system; and cultural archives such as the Harry Ransom Center.

Eligibility

Applicants to the Master of Arts Program are expected to have completed a broad range of undergraduate coursework in art history (18 hours in art history are recommended) and related fields. MA students will be required to demonstrate proficiency in reading/translating one contemporary language other than English prior to beginning the fourth semester in residence.

Program Tracks

Four MA tracks are offered:

• General (allows students to cover diverse historical areas of art history)
• Ancient (Western and Non-Western)
• Medieval to Early Modern

Program of Work — General Track

Program of work — specialized track, specialized tracks, example program plan, language requirement.

MA students must have reading/translation competence in at least one modern language in addition to English. The additional language will be relevant to the student’s areas of study and will allow the student to understand the scholarship of their field. The language will be determined in consultation with the Graduate Adviser and the choice is subject to ratification by the Graduate Studies Committee.

The choice of language is flexible but must be decided in consultation with one’s advisor/committee chair or the Graduate Adviser if an advisor has not yet been selected. Language courses cannot count toward fulfillment of the requirement for six hours of coursework taken outside the department (supporting work or Minor).

The language exam requirement must be fulfilled in one of the following ways:

• 4 semesters of college-level language courses passed at grade B or above. Advanced placement credit can count towards the required number of courses.
• Departmental exam to test translation proficiency in French, Spanish, Italian, German, and Portuguese (and other languages as petitioned by students) administered 3 times each year (beginning and end of fall semester, and once during spring semester). Exams are graded by at least 2 faculty members. Language exams will be administered to students who wish take it in a given semester. The exam proceeds simultaneously, in a single location and time that works for all. This requirement can be fulfilled in one of the following ways, and must be satisfied by the end of the third long semester in residence.
• To compensate for the exceptional difficulty involved, students who plan on qualifying in a language other than the traditional European languages may be allowed to do so. Permission may be granted after consultation with the Graduate Adviser and after petitioning the faculty to substitute an instructional course in that language in place of a supporting (i.e. out-of-department) course.

Thesis Colloquium

During the semester of enrollment in Thesis research (ARH 698A, 3 hours), usually in the third semester of residence and after the completion of 18 hours of coursework, the student presents a topic for faculty approval in a Thesis Colloquium. Enrollment in ARH 698B Thesis (3 hours) may take place only after an approved presentation.

• In the first year, no later than the end of the Spring semester, the student will contact an Art History faculty member about supervising the thesis and initiate a discussion about possible topics.
• Students are encouraged to interview faculty in their area of specialization in order to find a faculty supervisor/committee chair. Students and supervisors must be in alignment to accommodate their professional goals. Failing to find a supervisor will result in termination from the program.
• The wise Art History Master’s student will take advantage of the summer following the first year to develop and research a topic or possible topics with the goal of being ready to schedule the colloquium in the early part of the Fall semester.
• If the colloquium is not held, a grade of Incomplete is assigned; a final grade will be assigned when the colloquium is held during the next long semester.

Refer to the handbook for details regarding the processes involved with submitting the final thesis and applying for graduation.

Program Handbook

Applicants to the Doctoral Program must have an MA in art history or an MA in a related field with substantial coursework in art history at the undergraduate and graduate levels. Applicants completing the second year of a Master’s program are also eligible to apply.

Program of Work

The Doctor of Philosophy degree requires at least thirty hours of coursework beyond the MA degree. Course requirements include:

• A minimum of five graduate seminars in at least two of the department’s chronological groupings of western and non-western art: Ancient; Medieval to Early Modern; and Modern

Nine hours of supporting work, normally consisting of two graduate seminars outside the Department of Art and Art History in areas related to the major field, and one graduate reading course outside the Department of Art and Art History often taken in the context of preparation for the qualifying examination. All of these courses must be taken for a letter grade.

A minimum of six hours of dissertation research and writing

Further requirements include reading/translation competence in at least two contemporary languages in addition to English, a dissertation colloquium, written and oral qualifying examinations that admit the student to doctoral candidacy, the dissertation, and the oral defense of the dissertation. PhD students who are employed as Teaching Assistants must enroll for one term in ARH 398T Supervised Teaching in Art History , a pedagogy seminar that meets one hour per week. This course does not count toward completion of the degree.

Doctoral students must have reading/translation competence in at least 2 modern languages in addition to English. These languages will be relevant to students’ areas of study and will allow individuals to undertake primary research and understand the scholarship of their chosen field.

Language courses cannot count toward fulfillment of the requirement for 9 hours of coursework taken outside the department (supporting work or minor). Each language requirement can be fulfilled in one of the following ways, and must be satisfied before advancing to doctoral candidacy:

• Four semesters of college-level language courses passed at grade B or above. Advanced Placement credit can count towards the required number of courses.

Departmental exam to test translation proficiency in French, Spanish, Italian, German, and Portuguese (and other languages as petitioned by students) administered twice per semester. Exams are graded by at least two faculty members. Language exams will be administered to students who wish take it in a given semester. The exam proceeds simultaneously, in a single location and time that works for all. The choice of language is flexible but must be decided in consultation with one’s adviser.

Confirmation of completion of a modern language requirement from the student’s Master’s program.

To compensate for the exceptional difficulty involved, students who plan on qualifying in a language other than the traditional European languages may be allowed, after consultation with the graduate advisor and after petitioning the faculty, to substitute an instructional course in that language in place of a supporting (i.e. out-of-department) course.

Dissertation Colloquium

The Colloquium is intended to be an informal conversation with the faculty concerning the topic, its feasibility, and potential pitfalls that might affect the student’s ability to complete it successfully.

The Dissertation Colloquium is held during the third or fourth term of the student’s residence and after the completion of at least 18 hours of coursework. A week before the scheduled Dissertation Colloquium, the student presents to the Graduate Adviser for Art History and the faculty a written prospectus, prepared with the help of the dissertation adviser.

The topics for the qualifying examination are also set at the Colloquium, and the examining committee is determined. At this time, the composition of the dissertation committee is also discussed. The student must complete the Qualifying Examination by the end of the next long semester following the Colloquium.

Qualifying Examination

The student will be examined in four areas: at least two broad areas of expertise and one or two focused areas with the possibility of one area being directed by a faculty member outside the Department. All of these exams will be written and must be completed within a one-week period. In consultation with each faculty member on their examination committee, students will schedule three-hour time periods during which they will take the written exams.

At least two weeks before the examination, the student will confirm with the Graduate Coordinator the date and time of each examination and the name and email address of any examiner not on the Art History faculty. The student will determine the order of the questions. The Graduate Coordinator will solicit questions from each examiner.

Within several days of the completion of the last written examination, a two-hour oral examination on the same topics will follow with the entire examining committee. During this exam the examining committee will question the student about the exam questions. To schedule the oral examination, please use the same process used for scheduling the Colloquium. The student's performance on these exams will be ranked "Pass" or "Failure." For additional details and procedures, please refer to the Graduate Handbook.

Once the student has completed all program requirements and passed the qualifying exams, the committee supervising the dissertation is formalized in the doctoral candidacy application process.

Learn more about completing the Application for Doctoral Candidacy →

• After admission to Candidacy for the doctoral degree, the student must stay in continuous enrollment in dissertation hours each spring and fall until the degree is completed.

Students doing research abroad while in doctoral candidacy may be eligible for Independent Study and Research status.

Example Topics

Below are examples of past qualifying examinations topics. Please note that these can include both general subjects and topics related to a particular student’s dissertation research:

Medieval Art

• Northern Renaissance Art
• French Court Culture and Patronage (possibly an outside the Department question)
• Fourteenth-Century Manuscript Illumination

Modern/Contemporary European Art

• European Art, 1890–1945
• Art of the United States, 1945–1985
• Art and Philosophy of Language (Examiner: Art History Dept.)
• Little Magazines and Literary Modernism (Examiner: English Dept.)

Dissertation

The dissertation must make an original contribution to scholarship. It normally requires fieldwork of at least a year’s duration. The Dissertation Committee directs the student during the completion of the dissertation. Defense of the dissertation (Final Oral Examination) before at least four members of the Dissertation Committee is a University requirement; the dissertation supervisor must be physically present for the defense to take place.

Learn more about submitting the request for the Final Oral Examination →

Refer to the handbook for details regarding the processes involved with submitting the final draft, defending, and applying for graduation.

• Current Graduate Students

Funding resources at the MA level, such as scholarships and in-state tuition waivers, are limited and awarded on a case-by-case basis. Each semester, MA students may apply for positions as a Grader for a large introductory/survey or upper-division class. Once assigned to grade for a course, the Grader must attend all lectures and grade all exams and assignments for the course. The number of Grader positions varies each year, and the salary is based on the number of students in the class. A few MA students also may be awarded Teaching Assistant positions, when these are available, again on a case-by-case basis.

The faculty’s goal is to support all admitted PhD students with a combination of Teaching Assistantships, Assistant Instructor positions, Graduate Research Assistant positions and scholarship funds so they can earn their degree with as little outside cost as possible.

A limited number of Graduate Research Assistant positions may be available each semester to both MA and PhD students.

All applicants are considered for financial support; it is not necessary to apply or request separately.

FAQ Visit Apply

Program Contacts

Robin Dangel   Graduate Program Coordinator

Dr. Nassos Papalexandrou   Graduate Advisor

History of Art, PhD

Zanvyl krieger school of arts and sciences.

The graduate program is designed to give students working toward the PhD degree an encompassing knowledge of the history of art and a deep understanding of the theories and approaches pertaining to art historical research. The program emphasizes collaborative working relationships among students and faculty in seminars. Each PhD student benefits from supervision by a primary advisor in their field of study, while continuing to work closely with other department faculty. Students will routinely avail themselves of faculty expertise in other departments, dependent on their area of study.

The program also fosters a close familiarity with the outstanding art in the Baltimore–Washington area relevant to the student’s area of study. In addition to the rich holdings of the Sheridan Libraries of Johns Hopkins University (which include collections of rare books at the Garrett Library, Special Collections at the Milton S. Eisenhower Library, and the George Peabody Library) graduate students have access to world-renowned collections and research facilities in Washington D.C.

Our recent PhD students have gone on to academic, administrative, and museum positions at institutions around the world including Aarhus University, American University of Paris, Arcadia University, Baylor University, Columbia University, DePaul University, Florida State University, Howard University, King’s College London, Marshall University, National Museum of Denmark, Notre Dame University of Maryland, Oberlin College, Portland State University, University of Chicago, University of Pittsburgh, University of San Francisco, University of Texas Rio Grande Valley, Virginia Commonwealth University, and Wellesley College. 

Admission Requirements

Admission and financial aid.

Applicants to the Ph.D. program in History of Art should upload and submit all required application materials and supporting documents through the online application. For information about applying to the Ph.D. program in History of Art, please see the department's website . Applications must be completed by December 15.

To foster close student-faculty relationships and provide for the greatest flexibility in developing each graduate student's individual curriculum, the department strictly limits the number of students it admits each year.

All graduate students entering the program are guaranteed five years of support, contingent upon satisfactory progress year by year. This support covers the individual’s full tuition costs and health insurance, and includes a stipend annually. Student stipends are guaranteed at the level stated in the letter of offer (for incoming students) and in the renewal letter (for continuing students) for the duration of the applicable period.  

Outstanding graduate applicants from underrepresented communities are regularly nominated for the Kelly Miller Fellowship , named for the first African-American to attend Johns Hopkins, as a graduate student in the Department of Mathematics in 1887. The fellowship provides additional funding to support student research, travel, and study during the student’s graduate career. In addition to the financial award, Kelly Miller Fellows benefit from quarterly programming designed to enhance the graduate experience and ensure professional success.   

All ABD students (those who have completed all requirements but the dissertation, something that usually happens in year three) are strongly encouraged to apply for external grants and fellowships to support their dissertation research and writing. The department also has internal fellowships to support students beyond their fifth year. Funds to support s ummer and conference travel are also available through the department, the Dean’s office, and cross-disciplinary programs. The Dean’s Teaching Fellowship enables advanced students to propose, design, and teach an undergraduate seminar course and provides one semester of support. Further details available via our website .  

PhD Requirements

In discussion with major and minor field advisors, History of Art Ph.D. students develop areas of concentration and courses of study to suit their intellectual interests and commitments. The art history faculty also encourages students to take full advantage of offerings in other departments, and students may, if they choose, develop a minor field in another discipline.

All students entering the Ph.D. program, regardless of the degree they hold, must complete four full semesters of coursework and pass the required language exams before being approved to take their qualifying exams (also known as the Ph.D. exams). In the first year, students normally take three courses at the graduate level per semester; in the second year, when students generally assume Teaching Assistant assignments , the student will normally take two courses at the graduate level per semester. As part of the coursework requirement, students must satisfactorily complete and submit all assigned papers and projects associated with the courses they have taken before being approved to take their qualifying exams.

All qualifying exams, regardless of the fields in which they are taken, are comprised of two written exams (one major field and one minor field), followed by an oral defense before the advisors and other department faculty. Exams should take place during the student’s third year; in some instances (e.g. the need for additional specialized language training beyond the modern language requirement or additional coursework) the exams may be taken later.

After the successful completion of qualifying exams, it is expected that students will be ready to begin work towards the dissertation by formulating a proposal. The dissertation proposal should be approximately 6–8 pages in length (10 pages will be the maximum), with a list of works cited and a very selective sample of figures appended. Simple parenthetical references to the works cited list are preferable to footnotes. Each proposal must contain a relatively straightforward description of the principal object of study and the defining questions the work seeks to answer, as well as a working title that captures the subject and the theme. The body of the proposal often also includes discussion of the current state of research, the intended contribution of the work to the field, and a preview of the research agenda and its challenges.

Students, having ideally secured outside research funding, then proceed to pursue dissertation research and writing. When the dissertation is complete, the student must successfully defend the dissertation before a Graduate Board Orals committee consisting of three internal (departmental) readers and two external readers. Successful defense of the dissertation and electronic submission of the work, complete in all its components, marks the fulfillment of the program’s degree requirements. 

Art History Fields

The department affords students of ancient art the opportunity to work with a faculty that includes experts in Greek, Roman, Mediterranean, and Ancient Near Eastern art and architecture. Students also benefit from close and long-standing relationships with the Departments of Classics and Near Eastern Studies, which provide training in the languages, literatures, and histories of the ancient world. Facilities of special relevance to students of ancient art include the Johns Hopkins Archaeological Museum , located on campus inside Gilman Hall, and the extraordinary holdings of the Walters Art Museum and the Baltimore Museum of Art .

Since its founding in 1947, the department has given special emphasis to the study of medieval art, and that tradition continues with a new generation of faculty bringing expertise in Early Medieval, Gothic, Islamic, Italian, and Mediterranean art and architecture to the program. Students also avail themselves of local expertise through the departments of History , English , and Modern Languages and Literatures , and frequently consult with curators at the Walters Art Museum, several of whom participate as adjunct faculty. The extraordinary collections at the Walters Art Museum and at Dumbarton Oaks are especially valuable for students interested in manuscript illumination and the portable object.

Early Modern and Renaissance 

Another signature strength of the Department of the History of Art is its expertise in the Early Modern period, encompassing the art, architecture, and culture of Italy, the Spanish Empire, the Islamic world, and Northern Europe from the fourteenth to the eighteenth century.  Graduate students in these areas participate in the programs of the Charles Singleton Center for the Study of Pre-Modern Europe , which sponsors collaborative research abroad and brings a steady stream of world-class lecturers to Baltimore. Students also benefit from the excellent collections of Islamic art, Italian and Northern Renaissance art, and the art of the Spanish Empire at the Walters Art Museum, the National Museum of Asian Art, the National Gallery, and the Philadelphia Museum of Art.

At Hopkins a diverse and challenging curriculum in modern art and criticism is offered by a research faculty of international prominence, supplemented by occasional visiting scholars and museum curators. Students oriented toward the study of criticism and aesthetic theory can also broaden their perspective and develop their critical skills by taking courses offered through the Comparative Thought and Literature , Philosophy , History , English, Modern Languages and Literatures, Political Science , and Anthropology , and with faculty affiliated with the programs in Women, Gender and Sexuality Studies, Africana Studies, Latin American Studies, and Islamic Studies. Distinctive collections at the Baltimore Museum of Art and at multiple institutions in Washington, D.C., (the Hirshhorn Museum, the Smithsonian American Art Museum, the National Museum of Asian Art, the Phillips Collection, and others) provide unparalleled resources for students of modern art at all levels.  

Department of the History of Art

• Financial Support
• Graduate Courses
• Graduate Teaching and Museum Opportunities
• PhD Requirements

The graduate program is designed to give students working toward the PhD degree an encompassing knowledge of the history of art and a deep understanding of the theories and approaches pertaining to art historical research. The program emphasizes collaborative working relationships among students and faculty in seminars. Each PhD student benefits from supervision by a primary adviser in their field of study, while continuing to work closely with other department faculty. Students will routinely avail themselves of faculty expertise in other departments, dependent on their area of study.

The program also fosters a close familiarity with the outstanding art in the Baltimore–Washington area relevant to the student’s area of study. In addition to the rich holdings of the Sheridan Libraries of Johns Hopkins University (which include collections of rare books at the Garrett Library, Special Collections at the Milton S. Eisenhower Library, and the George Peabody Library) graduate students have access to world-renowned collections and research facilities in Washington D.C.

Our recent PhD students have gone on to academic, administrative, and museum positions at institutions around the world including Aarhus University, American University of Paris, Arcadia University, Baylor University, Columbia University, DePaul University, Florida State University, Howard University, King’s College London, Marshall University, National Museum of Denmark, Notre Dame University of Maryland, Oberlin College, Portland State University, University of Chicago, University of Pittsburgh, University of San Francisco, University of Texas Rio Grande Valley, Virginia Commonwealth University, and Wellesley College. 

PhD Art History Admission

The Department welcomes graduate applications from individuals with a broad range of life experiences, perspectives, and backgrounds who would contribute to our community of scholars. Review of applications is holistic and individualized, considering each applicant’s academic record and accomplishments, letters of recommendation, and admissions essays in order to understand how an applicant’s life experiences have shaped their past and potential contributions to their field.

University Application Materials

The application for admission as well as general information about applying is available from the Graduate Admissions website; please visit  Graduate Admissions  to apply. Prior to applying you must first determine if you are eligible -  application eligibility (undergraduate degree requirements) . International applicants, please also see  Bechtel International Center  and Graduate Admissions  International Applicants  for more information and any additional application requirements. Prospective students may apply beginning in late September (please verify the precise date on the  Graduate Admissions  website). The following documents are required by the university and can not be waived; please click on the links for more detailed information about each:

Letters of Recommendation : Three letters of recommendation are required. The department does not accept applicant recommendation via a letter service (i.e. Interfolio or other service). It is the applicant's responsibility to ensure that letters are submitted to the electronic application by the published deadline. Please only submit three letters.

Transcripts : Upload a scanned copy of your official transcript(s) with the online application. Applicants must upload transcripts from every post-secondary institution attended as a full-time student and for at least one academic year. Transcripts from current degree programs also need to be submitted.

Statement of Purpose : You must indicate in the first sentence of your SOP the name of the program to which you are applying and the area you wish to study (e.g. PhD in Art History – Modern). The Statement of Purpose should describe succinctly your reasons for applying to the proposed program at Stanford, your preparation for this field of study, research interests, future career plans, and other aspects of your background and interests which may aid the admissions committee in evaluating your aptitude and motivation for graduate study. Applicants can include and mention faculty members, with overlapping research interests whom they would like to work with and why, in their statement of purpose. The Statement of Purpose must be: 1,000 words or less; single-spaced; formatted with 1-inch margins and 12-point, Times New Roman font.

Application Fee : The application fee $125, is non-refundable, and must be received by the application deadline (fee waivers are available to eligible students. Please see  Graduate Fee Waivers  for more information). The Department does not offer fee waivers outside of the process at the Graduate Fee Waivers page. Please do not contact the department requesting to waive the application fee.

GRE Scores: Graduate Record Exam (GRE) General Test is no longer required for admission to the Department of Art & Art History.

TOEFL Scores : Required when first language is not English; IELTS is not accepted. Please note that the department can NOT waive the TOEFL requirement. If you wish to submit a request for TOEFL waiver, please see  GRE and TOEFL Requirements . It is the applicant's responsibility to ensure that the scores are submitted to the electronic application by the published deadline.  (Note: To bypass the entry of TOEFL scores in the application, enter a future test date. You can add in the additional information section of the application that you have received a waiver from Graduate Admissions.)

Online Application

* Please note all application materials, once submitted as part of your application, become the property of Stanford University. Materials will not be returned and copies will not be provided for applicants nor released to other institutions. Please keep a copy for your records. Re-applicants must submit new supporting documents and complete the online graduate application.

Writing Sample Requirement

In addition to the University application materials listed above, applicants in Art History are required to submit a writing sample.  You should upload your writing sample along with your online application (only one writing sample will be accepted). It should be 20 pages maximum, including illustrations and bibliography – neither papers over this limit nor entire Master’s theses will be accepted.

Start Your Application

For admission in Autumn Quarter of the next academic year, all required application materials, including your test scores and recommendation letters, must be received on-line by no later than  December 1 at 9:00 pm (PT).

Note: The Graduate Admissions period opens in late September each year for applications to be submitted by the published deadline in December (for matriculation beginning in the following academic year). After April 15th each year, the Graduate Admissions period is closed, and the online application will reopen during the following September.

Selection Process

Application review takes place between mid-February and mid-March; applicants are notified by e-mail of their status around March 15th. Accepted students are admitted for the following Autumn Quarter; no applicants for mid-year entrance will be considered.  You will be contacted via e-mail regarding your application status after the deadline; please do not contact the Department in this regard. Applicants who are chosen as finalists for admissions are asked to make themselves available for an individual interview by faculty via Skype.  Admitted prospective students are invited for a campus visit intended to introduce them to faculty, current graduate students, and to members of the larger Stanford community involved in the arts.  Library, museum and other facilities are part of this introduction to the PhD program in Art History at Stanford.

The Art and Art History Department recognizes that the Supreme Court issued a ruling in June 2023 about the consideration of certain types of demographic information as part of an admission review. All applications submitted during upcoming application cycles will be reviewed in conformance with that decision.

Knight-Hennessy Scholars

Join dozens of  Stanford School of Humanities and Sciences  students who gain valuable leadership skills in a multidisciplinary, multicultural community as  Knight-Hennessy Scholars (KHS). KHS admits up to 100 select applicants each year from across Stanford’s seven graduate schools, and delivers engaging experiences that prepare them to be visionary, courageous, and collaborative leaders ready to address complex global challenges. As a scholar, you join a distinguished cohort, participate in up to three years of leadership programming, and receive full funding for up to three years of your PhD studies at Stanford. Candidates of any country may apply. KHS applicants must have earned their first undergraduate degree within the last seven years, and must apply to both a Stanford graduate program and to KHS. Stanford PhD students may also apply to KHS during their first year of PhD enrollment. If you aspire to be a leader in your field, we invite you to apply. The KHS application deadline is October 11, 2023. Learn more about  KHS admission .

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The doctoral program at the University of Pennsylvania provides students with broad training in the history of art and its critical approaches, yet also focused training in their selected fields.  Students completing the Ph.D. are well prepared for teaching positions at the university and college level and for curatorial positions in museums and galleries.  Faculty work closely with Ph.D. students to outline an appropriate course of study and mentor students while preparing them for assistantships, curatorial internships, and other career orientations.

Admission to the program is by application to the Graduate School of Arts & Sciences, which administers full fellowship packages to all admitted students.  (See the "Admissions" page on this site.)  Both B.A. and M.A. students are eligible to apply.  Students normally pursue coursework over their first three years and, once admitted to Ph.D. candidacy (following their area exams), devote their time thereafter to dissertation research and writing.  Students entering the program with an M.A. may chose to accelerate their coursework at Penn to gain candidacy to the Ph.D. more quickly.

Students generally take three seminars in each semester; some of that coursework includes also pedagogical instruction when the student serves as a Teaching Assistant. To ensure a broad understanding of art's history, the Department asks students to take three seminars focusing on periods prior to 1750 and three after.

Further details regarding the graduate program may be found in the  Graduate Bulletin .

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Art History, Ph.D.

Ph.D. in Art History (+Dual Ph.D.)

TODO FIXME : DRAFT : WORK IN PROGRESS

Become a professional in the field advance your career with an advanced degree..

Advanced study of visual arts spanning periods, cultures, and geographies. The Art History Ph.D. program can deepen your expertise and advance your Art History career.

Program Application Deadline

The deadline for applications for AY 2024–25 is January 15, 2024.

To be assured full consideration, please review all details on program and admission requirements, and ensure that you apply by this deadline.

Earn a Ph.D. in Art History at Penn State

Our Ph.D. students and alumni have earned Fulbright and Getty Fellowships, the Rome prize, tenure-track positions, and curatorial fellowships and jobs. For more than fifty years, our graduates have been writing books, organizing exhibitions, teaching college and pre-collegiate students, and ensuring the preservation and understanding of our cultural heritage. Join us!

The Ph.D. in Art History program will prepare you to broadly influence art and culture through careers as scholars and educators, as museum curators, as public advocates of cultural heritage, and as arts administrators, to name just a few of the professions that recent program alumni have entered. Breadth of knowledge is as essential for museum professionals as it is for academic researchers. For this reason, advanced study of the visual arts and material culture from diverse periods and geographies is required of all graduate students, with Ph.D. candidates attaining deep expertise in at least one field of art historical research. The department’s faculty includes specialists in African, Asian, and European art and the arts of the Americas.

Graduate faculty members and advisors are leading scholars in their fields. Our interdisciplinary program challenges you to think critically and creatively in order to make a meaningful contribution to the field. The Ph.D. in Art History program also offers dual-title Ph.D. options in Asian Studies or Visual Studies.

Nancy Locke

• Associate Professor of Art History
• Director of Graduate Studies in Art History

[email protected]

814-865-4877

Is the Ph.D. in Art History right for you?

A Ph.D. makes possible the highest level of career success in art history. Our program has a track record of excellent outcomes in diverse career paths, with particular success in placing students in academic and museum careers.

We help you ask and answer the big questions in your area of study. Our graduate students have opportunities to teach, research, and work on digital humanities projects with our Visual Resource Centre. The Palmer Museum of Art also provides internships to prepare you for curatorial work.

Engage with a dynamic cohort of fellow students and a supportive community of scholars.

Degree Options

Dual-title degree options add a significant interdisciplinary breadth to your Ph.D. scholarship. These two dual-title programs develop context through which you can learn to synthesize knowledge within and across disciplinary boundaries in both scholarship and teaching.

Dual Ph.D. and Asian Studies

The primary objective of the dual-title degree program in Asian Studies is to engage critically and substantively with the teaching, research, and scholarship of Asia, a diverse area with a population of some 4.5 billion. The program integrates knowledge and methodology across disciplines of Asian Studies and Art History.

Graduate students are trained in such a way that you will be equipped to represent, understand, analyze, and appraise the crucial and current scholarly issues in Asian Studies in the context of your art discipline focus.

The program aims to produce doctoral graduates with a competitive advantage for employment that relates to Asia in academia, museum, curatorial, and other professional fields.

Graduate Bulletin Links

• Asian Studies Bulletin page
• Graduate Studies information related to the dual-title Ph.D in Art History + Asian Studies .

Dual Ph.D. and Visual Studies

Humanistic study. Technological dynamics. Analyze images, physical and virtual environments, and visual sign systems; histories of visual modes of communication, apprehension, and aesthetic pleasure; and conceptions of the nature of visuality itself. Challenge boundaries. Challenge yourself.

The dual-title Ph.D. in Visual Studies fosters an interdisciplinary approach to humanistic study, which, spurred by technological dynamics that increasingly integrate text and image, engages analysis of specific images, physical and virtual environments, and visual sign systems; histories of visual modes of communication, apprehension, and aesthetic pleasure; and conceptions of the nature of visuality itself. Students in this program analyze and assess visual media that, integrated with texts, are integral to humanistic scholarship and pedagogy today.

Dual-title degree programs increase the intellectual rigor and breadth of graduate work and provide a context in which students learn to synthesize knowledge within and across disciplinary boundaries in both scholarship and teaching. Drawing from knowledge and practices produced across the humanistic disciplines while responding to ongoing challenges to conventional disciplinary boundaries, this degree highlights existing strengths of graduate training in the humanities at Penn State, structures the continuing development of these programs, and credentials our graduates’ training and work with visual forms, environments, and media.

• Visual Studies Bulletin page
• Graduate Studies information related to the dual-title Ph.D in Art History + Asian Studies

Professional Development

Our department is regularly invited to select graduate students to participate in major graduate student symposia, including the Middle Atlantic Symposium in the History of Art at the National Gallery of Art in Washington, D.C., and the Graduate Symposium on the History of Art at the Philadelphia Museum of Art. Penn State art history graduate students often present papers at scholarly conferences/symposia across the United States and abroad (for which the department provides partial financial support).

Financial Support

• George Dewey and Mary J. Krumrine Endowment This endowment helps support publication projects of art history faculty and graduate students.
• Graduate Assistantships There are about nineteen graduate assistantships filled by graduate students in the Department of Art History each year.
• University Fellowships and Awards Qualified incoming graduate students may also be nominated by the department for University Fellowships, Bunton-Waller Graduate Awards, Graham Fellowships, and other awards. The department also has funds to help support graduate students in their research and travel related to their theses. The department awards dissertation fellowships and travel/research grants totaling over $60,000 to graduate students each academic year.

Summer Opportunities

• Summer Abroad program in Todi, Italy The Department of Art History is a co-sponsor of Penn State’s Summer Abroad program in Todi, Italy, in which graduate students may choose to participate.
• Annie Gooding Sykes Internship This internship is a twelve-week internship offered during the summer. Interns work with museum staff on a variety of curatorial projects, with a particular focus on American works on paper. Students who have completed the ARTH 409 “Museum Studies” course are preferred. One internship with a stipend is offered each summer.
• Silver Trout Curatorial Graduate Internship Program This internship program is a twelve-week internship offered during the summer. Interns work with the museum staff on curatorial projects and initiatives. Graduate students in art history or art education are eligible for the Silver Trout Curatorial Graduate Internship Program. Students who have completed the ARTH 409 “Museum Studies” course are preferred. Two internships with a stipend are offered each summer.

Ph.D. Students

Students currently enrolled in the Ph.D. in Art History programs.

Arunima Addy Degree: PhD in Architecture Research Focus: South Asian architectural and urban history Dissertation title: Diaspora of Indian Temple Architecture Academic Adviser: Madhuri Desai [email protected]

Arunima Addy is currently a PhD candidate in Art History with dual title in Asian Studies. She has been a practicing architect in India, before joining the graduate program at Penn State. Arunima has her research interests in the relationship between the politics of religion and the construction of national identity, specifically with the rising sentiments of Hindu nationalism in India. She looks at visual representations in the built environment to understand how through architectural establishments religion is being used as a political tool to frame an image of the nation. For her dissertation, she is investigating the relationship between the politics of religion and nation-building particularly with respect to changing dynamics of Indian temple architecture in the neoliberal perspective where religion is becoming a global commodity.

Han Chen Degree: PhD in Art History and Asian Studies Research Focus: Modern and Contemporary Chinese and East Asian Art, history of collecting and exhibiting Dissertation title: TBD Academic Adviser: Chang Tan [email protected] | CV

Han Chen is a PhD student specializing in the history of collecting and exhibiting Chinese and East Asian art in the Euro-American context from the late nineteenth-century to the present day. She received her B.A. in 2016 and M.A. in 2019 from China Academy of Art. In 2021, she received her second M.A. from Penn State where she wrote her thesis entitled, “Selling China: A neglected encounter between Huo Mingzhi and France in the early twentieth century.” She has worked for the Palmer Museum of Art at Penn State and the Freer and Sackler Gallery of Art as a curatorial intern. Her current interest lies in employing machine learning to realize the image inpainting of photographs of Chinese antiques.

Melanie Clark

Olivia Crawford Degree: PhD in Art History Research Focus: Nineteenth-century European Art and Architecture, Post-colonial Studies, Jewish Studies, Middle Eastern and North African Studies. Dissertation title: TBD Academic Adviser: Nancy Locke [email protected]

Olivia Crawford received her B.A. in Art History and French and Francophone Studies from the University of Tennessee, Knoxville in 2016 and her M.A. in Art History from Penn State University in 2018. She is currently a Ph.D. student in the Department of Art History at Penn State.

Her current research examines representations of colonial and metropolitan Jewish communities in French Orientalist art and architecture. Her dissertation prospectus is forthcoming.

Crawford lives and works in Knoxville, TN.

Noah Dasinger Degree: PhD in Art History Research Focus: Fifteenth-century Italian sculpture Dissertation title: TBD Academic Adviser: Daniel M. Zolli [email protected] | LinkedIn

Noah Dasinger is a first-year Ph.D. student studying Italian Renaissance art and architectural history with a focus on fifteenth-century sculpture. Noah is an Alabama native, and in 2020, he graduated summa cum laude from the University of Alabama, Tuscaloosa, with a Bachelor of Arts. He then obtained a Master of Arts degree from the University of Georgia, Athens. Upon graduation, he received high honors for his thesis, “Symbolic Epigraphy and the New Rome: Humanist Capital Letters on the Tomb of Leonardo Bruni.”

Noah also has extensive training in archival research and early modern Italian paleography both in the United States and abroad. He was a curatorial intern at the Georgia Museum of Art and a research intern at the Medici Archive Project. His current research examines the development, display, and materials used for fifteenth-century Italian tomb sculpture. Noah’s research also investigates early modern workshop practices, materials, processes, and their relationship to commemorative sculpture.

Arielle Fields

Katherine Flanagan

Laura Freitas Almeida

Emily Hagen Degree: PhD in Art History Research Focus: Seventeenth-century Italian architecture Dissertation title: Pietro da Cortona’s Santi Luca e Martina: Rediscovered Relics and the Spectacle of Reform in Seventeenth-Century Rome Academic Adviser: Robin Thomas [email protected] | CV

Emily Hagen is a Ph.D. candidate in art history studying early-modern Italian architecture with an interest in digital humanities. Her research focuses on churches devoted to martyrs’ relics in seventeenth-century Italy and investigates how architecture amplified the fiction of rediscovery in the context of early-modern Catholic reform.

Katherine Koltiska Banerjee

Kyle Marini Degree: PhD in Art History Research Focus: Pre-Contact and Early Modern Latin America, Andean Textiles Dissertation title: TBD Academic Adviser: Amara Solari [email protected] | Instagram | LinkedIn

Kyle is a PhD student in pre-contact and early modern Latin American art history. He specializes in the techniques of production, ritual use, and iconography of Inca textiles. He primarily researches ceremonial objects that have been destroyed to recover a more representative view of Inca visual culture before Spanish occupation of the Andes. This approach is in effort to decolonize modern understandings of the Inca developed from the study of objects that survived arduous extirpation campaigns throughout the Viceroyalty of Peru. By emphasizing objects erased from the archive, he reconstructs a history through the most integral Inca artifacts that ceased to exist precisely because of their visual power. Kyle is also a practicing artist, and he uses remaking as a methodology to envision these lost works and the technical processes used by their creators.

Keri Mongelluzzo Degree: PhD in Art History Research Focus: History of Photography; Modern Art Dissertation title: Bauhaus/Dream House: The Uncharted Surrealism of New Vision Photography Academic Adviser: Nancy Locke [email protected] | CV | LinkedIn | Academia.edu

Keri Mongelluzzo is a Ph.D. candidate specializing in the history of photography and modern art in Europe. Her dissertation, “Bauhaus/Dream House: The Uncharted Surrealism of New Vision Photography,” examines how French Surrealist sensibilities gained traction with transient artists associated with the Bauhaus, an innovative school of design in interwar Germany. Tracking key Bauhaus figures as they moved throughout Europe and across the Atlantic, “Bauhaus/Dream House” exposes their messy motivations for evoking surrealist themes amidst surges of nationalism and the rise of fascism. To date, Keri’s dissertation research has been supported by the Department of Art History and the Max Kade German-American Research Institute.

Keri’s broader research and curatorial interests in the histories and theories of photography span the medium’s history. She has written steadily on prominent photographers of the twentieth century, like Man Ray and Eugène Atget, presenting papers at the inaugural conference of the International Society for the Study of Surrealism at the Bucknell Humanities Center and the 24th Annual Graduate Student Symposium on the History of Art at the Barnes Foundation. In addition to curating a number of exhibitions of photography at the Palmer Museum of Art, including Myth Meets Modernism: The Manuel Álvarez Bravo Portfolio (2019) and Framing the City (2018), Keri piloted the museum’s first-ever virtual exhibition, Photography = Abstraction , using Google Slides at the onset of the pandemic and presented her work on this and her collaboration on subsequent virtual exhibitions and tours at the College Art Association Annual Conference in February 2021.

Amy Orner Degree: PhD in Art History Research Focus: Eighteenth-Century British Architecture and Urbanism Dissertation title: TBD Academic Adviser: Robin Thomas [email protected]

Amy is a PhD student specializing in eighteenth-century British architecture and urbanism, with a focus on Empire and its effects on architecture. Her research questions consider the social and political influences on architecture, as well as the influence of Empire on Scottish town planning. She received her B.A. in Museum Studies/Art History from Juniata College in 2017, before working as a School Programs Educator for The Phillips Collection in Washington, DC. Amy received her M.A. in Art History from Penn State University in 2022 with her thesis titled, “The Palette, the Patron, and the Hand of the Artist: Artemisia Gentileschi in London.” During her time at Penn State, Amy has worked with the Palmer Museum of Art, the Matson Museum of Anthropology, and as a research fellow in the Center for Virtual/Material Studies.

Alicia Skeath Degree: PhD in Art History Research Focus: Dissertation title: TBD Academic Adviser: Adam Thomas

Kenta Tokushige Degree: PhD in Art History Research Focus: Sixteenth-century Italian Military Architecture Dissertation title: Being a Military Architect: Building Fortifications in Cosimo I de’ Medici’s Realm Academic Adviser: Robin Thomas [email protected]

Kenta Tokushige is a Ph.D. candidate in Art History at The Pennsylvania State University. His dissertation entitled, Being a ‘Military Architect’: Building Fortifications in Cosimo I de’ Medici’s Realm, studies the geopolitical role of fortification building under Cosimo I de’ Medici in the Grand Duchy of Tuscany in the latter half of the Cinquecento by looking at the design process of a fortification as a collaborative project by people of various social status and the way it was represented in multiple forms of art upon its completion. His research traces the correspondence between the patrons, local governors, and architects regarding the decision-making process and examines the intentions of each individual. Additionally, he is exploring the representation and the circulation of information after the completion of the fortification in relation to the espionage of military information.

His research has been supported by the Samuel H. Kress Foundation and the Susan W. and Thomas A. Schwartz Endowed Fellowship for Dissertation Research.

He completed his B.Arch. and M.A. in Architecture at Waseda University and Master of Architectural History at University of Virginia.

Holli Turner Degree: PhD in Art History Research Focus: Art of Early Modern Southern Europe and Colonial Latin America, the materials and materiality of art, technical art history, theories and practices of conservation, race, and representation in art, decolonial practices in art history Dissertation title: TBD Academic Adviser: Daniel Zolli [email protected]

Holli M. Turner is a doctoral student specializing in early modern art, with a focus on the art of Italy, Spain, and the Americas. Her dissertation will examine the colonial implications of color – broadly understood – in the Venetian artist Titian’s paintings for the Spanish monarchy. This project knits together several core concerns of her work: the materials and materiality of art; the representation of race and ethnicity in art; and the interpretive importance of invisible labor, and laborers, to art’s history. In Summer 2021, Holli is serving as the Andrew W. Mellon Foundation Research Fellow in Penn State’s Art History department, where she is developing a digital humanities project that tracks Titian’s pigments and their origins.

Holli is a Virginia native that was trained in art history and graphic design before embarking on doctoral study. Her research interests also stem from her own artistry. In her spare time, she paints, illustrates, and creates works through traditional and digital media.

Guides and Resources

• Art History Graduate Handbook

Alumni Success

95 percent of those who earned their Ph.D. since the year 2000 are employed in art history or a related field.

• Of these, 71 percent are teaching at the college level.
• The other 29 percent hold such positions as museum curator or lead historian at a historic center.
• Of those teaching at the college level, 67 percent hold tenure-track or tenured positions.

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PhD in Art History

The University of Minnesota's Doctoral Program in Art History is a fully funded PhD program that trains scholars who go on to careers in universities, colleges, museums, and other arts institutions throughout the nation and the world. The Department of Art History is an exciting place to ground yourself in the theories and methods of art history, to pursue interdisciplinary work, and to develop a global perspective on the discipline.

Our current faculty and institutional strengths support specialization in the following overlapping fields: East Asian art, Modern European art and visual/material culture, Islamic art (including the medieval Persianate world and the Ottoman, Safavid, and Mughal empires), the global early modern in Europe, the Atlantic world, South Asia, Italian Baroque art, North American art and visual/material culture, film and photography, and contemporary art and theory.

As a major research university located in a thriving urban center, the University of Minnesota has much to offer students of the visual arts. On campus, the Weisman Art Museum, designed by architect Frank Gehry, features an outstanding teaching collection, stimulating exhibitions, and an active programming schedule. Beyond the University, you will find in the Twin Cities a lively arts community and world-class art institutions including the Minneapolis Institute of Arts, the Walker Art Center, and the Guthrie Theater.

We are committed to supporting graduate students intellectually, professionally, and financially. The interdisciplinary programming of the Institute for Advanced Study and other campus centers provides many opportunities to exchange ideas with colleagues in other fields. You will encounter opportunities to curate exhibitions on campus and in the community and you will enter into a graduate student community that is remarkably active in presenting papers, both nationally and internationally. The Department of Art History's graduate student professionalization workshop meets several times each semester to discuss such topics as teaching methods, journal and book publishing, CV preparation, and the job market outlook.

All accepted students are fully funded. Students are guaranteed five years of funding through a combination of teaching assistantships, research assistantships, and fellowships. Assistantships provide an annual stipend, a full-tuition scholarship, and health insurance. In addition, every year the department nominates students for collegiate- and university-wide recruitment, predoctoral and dissertation write-up fellowships that provide additional stipend and release from TA-ing. Students who win external fellowships are allowed to save a year of their UMN funding for a sixth year.   

College Resources for Graduate Students

Visit CLA’s website for graduate students to learn about collegiate funding opportunities, student support, career services, and more.

Student Services      Career Services     Funding & Support

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• Graduate Programs

General Information

The PhD program in the Division of Art History prepares graduates for university-level teaching, curator positions at major museums, and independent research in the field. Before beginning work for the PhD, students should have completed a master's degree in art history. Requirements for the degree include 60 credits of coursework beyond the master's degree and research capability in at least two foreign languages.

Preparation

Applicants to the PhD program must have a master's degree in art history or a related field combined with course work in art history. Applicants need not have an undergraduate major in art history but should have a solid record of art history course work. In our program we define a “solid record” for our undergraduate majors as 55 quarter credits of art history classes distributed among major fields of study offered in our department. This figure should serve only as a general reference point, however; we do not expect all applicants to have exactly the same background and course distribution as our undergraduate majors. Studio art classes and work experience in art-related fields can enhance your application but, in most cases, will not substitute for a good background in art history course work.

Financial Support

Each year the Division of Art History offers two fully funded five-year PhD packages, which are typically comprised of a combination of fellowship support and teaching assistantships.

Information about other financial support opportunities can be found under Graduate Support .

More about the Art History PhD

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• Join our PhD Art History Program (VA76)

Ph.D. Art History Program (VA76)

The Department of Visual Arts offers a PhD in art history, theory, and criticism with specializations in cultural areas in which faculty do research (VA76). Offering a distinct alternative to other PhD programs in art history, our program centers on a unique curriculum that treats the study of art past and present—including fine art, media and new media, design and popular culture as part of a broad inquiry into the practices, objects, and discourses that constitute the art world, even as it encourages examination of the larger frameworks—historical, cultural, social, intellectual, and theoretical—within which the category “art” has been contextualized in the most recent developments in the discipline. This program is also distinctive in that it is housed within a department that has been for many years one of the nation’s leading centers of art practice and graduate education in studio, media, and—most recently—digital media. The offering of the PhD and MFA is based on the department’s foundational premise that the production of art and the critical, theoretical, and historical reflection upon it inherently and necessarily participate in a single discursive community. This close integration of art history and art practice is reflected in the inclusion of a concentration in art practice within the PhD in art history, theory, and criticism.

To Apply:   https://connect.grad.ucsd.edu/apply/

Application Opens:  September 6th, 2023 for the Fall 2024 application cycle

Application Deadline:  December 6th, 2023 for the Fall 2024 application cycle

Interdisciplinary Specializations

Students within the PhD program who are interested in the opportunity to undertake specialized research may apply to participate in an interdisciplinary specialization. Students accepted into a specialization program would be expected to complete coursework in addition to those required for their PhD program. The department offers interdisciplinary specializations with the following campus programs.

• Anthropogeny:   for students with an interest in human origin
• Critical Gender Studies:   providing specialized training in gender and sexuality
• Interdisciplinary Environmental Research : for students interested in environmental solutions

Application Requirements

All applicants must satisfy the following to be considered for admissions to our department:

Completion of a four-year Bachelors degree or equivalent: 

• 3.0 GPA minimum or 'B' average
• Submission of unofficial transcripts required 

English Language Proficiency:

• Demonstrated English language proficiency is required of all international applicants whose native language is not English. Non-native English language speakers may either display proficiency by meeting the minimum speaking scores listed below or can be exempt from the test scores requirement if they received a degree from an institution which provides instruction solely in English. Please refer to the following link for more information regarding the degree from an institution exemption: English Language Proficiency .
• TOEFL iBT speaking scores of 26-30
• IELTS speaking scores of 8-9
• PTE speaking scores of 84-90

Letters of Recommendation:

• Minimum of 3 recommendations required
• Letters of recommendation should come from individuals, preferably previous professors, who can best explain why you are prepared and would be successful in rigorous academic studies at the graduate level.

Statement of Purpose:

• 750-1000 word limit, not to exceed 3 pages
• Focus your Statement of Purpose on the reasons you are interested in attending this graduate program. You can include the research you hope to pursue within our program and give the Admissions Committee a sense of who you are and what you hope to accomplish. The statement should be well organized, concise, and completely free of grammar, punctuation, and spelling errors.
• Writing Sample
• 2000 word Research Statement

Portfolio Requirements

Writing Sample (4000-8000 words):

Examples include: senior honors thesis, MA thesis, or other research or critical paper, preferably in art or media history.

Research Statement (2000 words maximum):

The Research Statement should explain the research that you wish to pursue within our program. There may be some overlap between the Research Statement and Statement of Purpose however these should be viewed as two distinct prompts that will give the Admissions Committee a greater sense of who you are and what you would accomplish at UC San Diego.

File Names for Portfolio Items:

Please name your files, with your Last Name, First Initial underscore and the document type. So if my name was Terry Triton, I would have the following File Names:

Graduate Student Research

Check out our annual Research Colloquium . PhD students who have recently advanced to candidacy present their research to the local community. Please explore the recent work completed within the department, in addition to the Faculty and Graduate Student personal pages. 

2023 Research Colloquium

2022 Research Colloquium

2021 Research Colloquium

2020 Research Colloquium

• Join our MFA Program
• Join our PhD Art Practice Program (VA77)

Department of the History of Art

You are here.

Welcome to our webpage for graduate studies. Here you will find practical information about our PhD program, including details about departmental course and language requirements, faculty expertise and publications, graduate students and their projects, and more. (Please note that Yale’s History of Art program does not include an MA-only option.) For more specific questions regarding departmental requirements, timelines, and procedures, please click on “Description of Graduate Studies ( Red Book ).” If you should have in-depth inquiries pertaining to your intended field of specialization, I recommend that you contact the relevant faculty member via e-mail. If you have questions about the department generally, you are welcome to e-mail me as Director of Graduate Studies . 

If you are interested in making a visit to campus prior to applying, please contact the individual professor(s) in your preferred field(s) of study directly via e-mail to arrange a suitable day and time. Such visits should take place in the fall semester, before the applications are due. Please keep in mind that there is no requirement that applicants visit campus; some professors prefer to communicate with prospective students only via e-mail or a phone call. Even complex questions can be answered via e-mail.

We hope that you find the material contained here on the website illuminating and helpful. And we thank you for your interest in the Ph.D. program in the History of Art at Yale University.

For more information regarding requirements and admission see  Graduate Handbook: Red Book . 

Our graduate students also have access to the   GSAS Professional Development for: leadership and communication, mentorship, training, negotiation and people skills, practical interships, and advice on preparing for diverse Careers and the  Office of Career Strategy (OCS) for: diverse career exploration, networking, resumes and cover letters, interview prep, employer events, job hunting and intership resources, negotiation and decision-making.

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• Ph.D. in Art History & Visual Culture

The Ph.D. Program in Art History & Visual Culture is committed to preparing you for advanced research in the global visual cultures of the past and present. The Department recognizes that visual literacy plays an increasingly important role in contemporary society. Art, architecture, mass media (television, video, film, internet), and urbanism all work through reference to visual and spatial conventions. We strive to provide you with the necessary tools to understand objects and archives and with the skills to interpret visual and material culture for the benefit of the broader community. We invite applications from highly qualified students interested in careers in research, teaching, and criticism.

Requirements for a Ph.D.

• 12 to 15 courses (excluding language courses), of which at least 10 are taken from the Art, Art History & Visual Studies department
• 2 to 4 courses taken from other departments at Duke
• Language proficiency in at least two foreign languages
• Preliminary exam
• Note the former Ph.D. track in Visual & Media Studies has now been replaced by a new Ph.D. program in Computational Media, Arts & Cultures (CMAC)
• Also review Ph.D. Program Guidelines attached below
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Graduate Programs

History of art and architecture.

Students in the Department of History of Art and Architecture are able to study in a wide array of areas including ancient, medieval, early modern (Renaissance, 17th and 18th centuries), modern, contemporary, East Asian, African and Latin American art and architecture, and history of photography.

The department's faculty consists of historians of the major periods of Western, African and East Asian art and architecture, representing a broad spectrum of the discipline's methodologies and specialties. Courses offered at Harvard and the nearby Rhode Island School of Design (RISD) may be taken for credit free of charge by history of art students with the approval of the department.

Additional Resources

Access to the holdings of the RISD Museum and the library of the Rhode Island School of Design, adjacent to the Brown campus; use of the Joukowsky Institute for Archaeology and the Ancient World for students interested in antiquity; collections of the Bell Gallery, the John Hay Library, and the John Carter Brown Library; an extensive slide library housed in the List Art Center; and electronic visual resources in development.

Application Information

Application requirements, gre subject:.

Not required

GRE General:

Writing sample:, dates/deadlines, application deadline, completion requirements.

Fulfillment of the AM requirement above, general examination (written and oral), dissertation colloquium, and dissertation.

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Department of Art History

The doctoral program in art history typically involves two years of coursework, the completion of a qualifying paper, preliminary exams in three fields, a dissertation prospectus, and a dissertation. Following their coursework, students also learn to teach by serving as a teaching assistant for faculty-taught undergraduate courses and taking the department’s teaching colloquium. After advancing to ABD status, students research and write their dissertation, usually combining time in Chicago with traveling abroad.

Course Requirements

In general terms, the doctoral program requires two years of full time coursework. Students typically enroll in three courses each quarter during their first two years, and courses are selected with the guidance of the student’s doctoral advisor and in consultation with the Director of Graduate Studies in the department.

All students take the Proseminar and the COSI Objects & Materials seminar in the Autumn and Winter Quarters, respectively, of their first year. Among the other 18 courses required for the doctoral degree are two courses each for distribution requirements and for the student’s minor field. The qualifying paper, completed by the end of Winter Quarter of the second year, is researched and written within the framework of two Qualifying Paper Reading Courses typically supervised by the doctoral advisor and/or another faculty member. Finally, students enroll in a Preliminary Exam Directed Reading Course in the Spring Quarter of their second year.

All students must demonstrate competency in languages determined by their chosen field. Depending on the language and level, up to three language courses may be counted toward the total number of courses required for the degree.

Given the department's strong history of and continuing commitment to interdisciplinary inquiry and intellectual formation, the doctoral program allows for as many as 8 of the total 18 courses required for the PhD to be taken outside the Department of Art History.

In their third year, students are required to take the Teaching Colloquium and Dissertation Proposal Workshop offered yearly by an art history faculty member. These courses do not count toward the 18 courses required for the PhD. Students also prepare for and take their preliminary exams, and typically hold their first teaching assignments in their third year.

Upon successful completion of all coursework requirements, the qualifying paper, the relevant language requirements, and the preliminary exams, each student prepares a dissertation proposal that must be approved by three committee members. Upon that approval and an administrative review of the student's file, the student formally advances to the status of “PhD Candidate” and “ABD” status.

In subsequent years, students research and write the dissertation while further developing their teaching skills (in keeping with the doctoral program’s teaching requirement). Following the submission and successful defense of the dissertation, the doctoral degree is conferred. The current expectation, in general terms, is that completion of the PhD in Art History requires approximately seven years, but time to degree will vary: some students may graduate in less than seven years, others may find they need an additional year.

While all doctoral students must fulfill the requirements sketched above, the different fields of art historical study that are represented in the Department of Art History each have their own particular scholarly requirements. With the aim of providing graduate students with the most rigorous formation in their chosen area of specialization, the department has made various structural provisions to ensure that students can receive the additional training required by their chosen field (including additional language study, training in specialized research skills, and curatorial formation). As these scholarly requirements vary from field to field, so too—within limits set by the Department of Art History and the Division of the Humanities—the pace of each student’s progress through the doctoral program will necessarily be shaped by the requirements of his/her chosen area of study, in consultation with the art history faculty.

Students should refer to the Graduate Student Handbook   for details on all requirements.

Joint and Dual PhDs

Select students may pursue joint PhD degrees with art history and another department or program. Joint PhD programs at the University of Chicago are of two types, "standing" and "ad hoc."

A standing joint degree program has been established between Art History (ARTH) and the Committee on Theater and Performance Studies (TAPS). It allows students to complement their doctoral studies in Art History with a program of study in TAPS that reflects their particular training and interests, encompassing both academic and artistic work. Students apply to this standing program at the time of their application to the University, which is submitted to the art history department.

Students may petition for an ad-hoc joint PhD with another department or program according to guidelines set by the Humanities Division . Generally, admitted students must separately meet the requirements of both programs, but any overlapping requirement need only be met once if each department would otherwise consider it met were that student not in the joint degree program. Recent art history students have completed joint PhDs with Cinema and Media Studies and with Social Thought.

Under a new initiative , some students may simultaneously pursue PhD studies at the University of Chicago and at a degree-granting institution of higher learning in France, leading to two PhD degrees – one from each of the two institutions. Students approved for this initiative pursue a specific course of study depending on their research and professional interests, must satisfy all the requirements of both doctoral programs, and must write and defend a single dissertation that meets the requirements for each degree.

Master of Arts Program in Humanities

Masters-level study in Art History is offered through the  Master of Arts Program in Humanities . Sstudents build their own curriculum with graduate-level courses in any humanities department (including in the Department of Art History) and complete a thesis with a University of Chicago faculty advisor. Typically a one-year program, some students pursue the “Two Year Language Option” or TLO to pursue additional foreign language study. 

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Ph.D. Arts of the Americas program

The PhD in arts of the Americas emphasizes the cross-cultural circulation of visual culture in the Americas from ancient to contemporary times. Our program encourages students to think across subfields (e.g., Pre-Columbian Art, Colonial Latin American Art, Modern and Contemporary Latin American Art, Native North American Art, Modern and Contemporary American Art, etc.) and to situate American visual culture in the fluid circuits of cross-cultural exchange, as well as global intellectual and trade networks. This interdisciplinary approach brings art history into dialogue with anthropology, history, ethnic studies, women and gender studies, religious studies, and other disciplines in the humanities, social sciences and natural sciences. Our accelerated PhD program is ideal for students who already have an MA in art history or an equivalent degree, including professionals in the art field seeking an opportunity to advance in their career by earning a PhD.

CU Boulder is uniquely situated as a center for studies in the arts of the Americas due to resources on campus, as well as those in the Boulder–Denver region. On campus, the Center for Native American and Indigenous Studies (CNAIS), the Latin American Studies Center (LASC), and the Center of the American West provide resources, support and a network of scholars and students who are dedicated to interdisciplinary and cultural studies of the Americas. The CU Art Museum and CU Museum of Natural History have rich material resources of the highest caliber to support the new degree program. In addition, a number of academic units on CU Boulder's campus currently provide relevant courses for students in our proposed PhD program, including anthropology, film studies, French and Italian, history, music, sociology, Spanish and Portuguese, ethnic studies, and the program in museum studies. Locally, the Denver Art Museum is a leading, internationally recognized research institution and a major resource for the study and exhibition of the arts of the Americas. Other important regional resources include the Clyfford Still Museum, the Denver Public Library, History Colorado, the Kirkland Museum and the Museo de las Americas.

We offer two-year funding packages to full-time incoming doctoral students with a combination of TAships, fellowships, tuition remission, and stipends, after which enrolled students will apply for University fellowships or external funding for the remaining two to three years.

Funding is subject to renewal each year. Financial awards are offered to the most outstanding and eligible, new and continuing students in the Ph.D. program. Award recommendations are made by faculty. Factors considered include academic performance and potential. The Department and the University also offer grants to support conference travel or research trips. The department works with all students to obtain continuous support for the Ph.D. through a combination of resources. For more information about fellowships, see the  Graduate School Funding .  

Graduate Program Guidelines for PhD students in Arts of the Americas

For the written portion of the exam, students will write a double-spaced, 20-25 page prospectus (not including the necessary notes, illustrations, and bibliography) outlining the major themes and issues of the proposed dissertation. The Prospectus should consist of three parts: 1) the topic, argument, methodology, and statement of scholarly contribution; 2) a description of your method and of existing relevant scholarship; and 3) a brief chapter-by-chapter summary. The bibliography should contain full citations of all works referenced in the Prospectus, and all of these titles should appear on one of your Reading Lists.

You must submit a final draft of your Prospectus to all committee members two weeks prior to the date of the Oral Exam.

If the examination committee finds the reading lists and prospectus acceptable, then the student will proceed to take a one-hour oral examination with all of the examination committee members present. The oral exam will consist of a one-hour question-and-answer period on the student’s prospectus and reading lists, their knowledge of the major, minor, and interdisciplinary fields, and their close-reading abilities. All committee members must be present in person or via teleconference for the oral exam. A positive vote from at least two of the committee members is required to pass.

At least two weeks before the date of the oral exam a Doctoral Examination Report Form must be submitted by the Graduate Program Coordinator to the Graduate School for approval. Please see the Graduate Program Coordinator for assistance with this process.

Upon passing the oral exam and pending approval by the Graduate School, the student will advance to PhD Candidacy (D Status). This will allow the student to apply for dissertation fellowships and other internal funding. An unsuccessful qualifying exam may be retaken only once, and must be retaken within six months. “Retaken” means that the second exam covers the same material and includes the same committee members as the first.

Following the successful completion of the Qualifying Exam, a Candidacy Application for an Advanced Degree must be endorsed by the Director of Graduate Studies and sent to the Graduate School for approval. The Graduate Program Coordinator will submit this application to the Graduate School on the student’s behalf; please consult the Graduate Program Coordinator for more information.

The dissertation, which should be a work of viable scholarship, typically takes the form of a monograph. The dissertation is written in close consultation with the Dissertation Committee and Director of Graduate Studies.

The Dissertation Committee consists of three to five members: at least two Art History faculty members as well as a faculty member from another department of your choice. This committee is often but not always drawn from members of your Comprehensive Examination Committee. The dissertation should be between 250 and 350 pages long, the length of a scholarly monograph.

Grants vary in the documents that they require. These may include transcripts, curricula vitae, proposals, budgets, itineraries, autobiographies, statements of progress, and letters of reference. No application will ask for all of these, but the list is a fair representation of what you may be called upon to provide.

The following list identifies grants and fellowships relevant to art history. This will be extremely helpful, but you should not expect it to include every grant for which you should consider applying. Additional resources are available on the websites of other departments and centers, the College Art Association, and more.

Fellowships & funding for art history graduate students Notes: ABD = required by start of grant DW = dissertation write-up INTL = open to international students LANG = language training MULTI = multi-year or renewable N = must be nominated to apply ABROAD = international research

INTERNAL FUNDING Graduate School Student Travel Grant Graduate School Dissertation Completion Fellowship Arts and Humanities Dissertation Fellowship Latin American Studies Center: small grants for graduate students

EXTERNAL FUNDING: AUTUMN American Association of University Women Dissertation Fellowship (ABD, DW) American Association of University Women International Fellowship (INTL, MULTI) Smithsonian Institution Fellowship (ABD, INTL) CASVA Predoctoral Fellowship (ABD, INTL, ABROAD, SOME MULTI) CLIR/Mellon Fellowship for Dissertation Research in Original Sources (ABD, ABROAD, INTL) DADD Year-Long Research Grants in Germany (ABROAD, INTL) Dedalus Foundation Dissertation Fellowship (ABD, INTL, N) Dolores Zohrab Liebmann Fellowship (MULTI, N) Ford Foundation Predoctoral Fellowship (MULTI) Ford Foundation Dissertation Fellowship (ABD, DW) Fulbright US student Fellowship (ABROAD) Getty Foundation Predoctoral Fellowship (DW, ABD, INTL) Graham Foundation Carter Manny Award (ABD, ABROAD, INTL, N) Kress History of Art Institutional Fellowships (ABD, ABROAD, INTL, N) Mellon/ACLS Dissertation Completion Fellowship (ABD, DW, INTL) Metropolitan Museum of Art Junior Fellowships (ABD, INTL) Smithsonian Fellowship at the Archives of American Art (ABD, INTL) SSRC International Dissertation Research Fellowship (ABD, ABROAD, INTL) Luce-ACLS Dissertation Fellowship in American Art (ABD, ABROAD, DW) Thoma Foundation Fellowships in Spanish Colonial Art (ABROAD, DW) School for Advanced Research Residential Fellowships (ABD, DW)

SPRING Joan and Stanford Alexander Award (ABD, INTL) Mellon-CES Dissertation Completion Fellowships in European Studies (ABD, INTL) Fulbright-Hays Doctoral Dissertation Research Abroad (ABD, ABROAD) Kress Fellowship for Language Study in European Art History (INTL, LANG) Schiff Foundation Fellowship (INTL, N) Thoma Foundation Fellowships in Spanish Colonial Art (ABROAD, DW)

Other resources:

CU Boulder Graduate Student Fellowship Database

The dissertation defense should take place in the spring semester of the fifth year. Before the start of the spring semester, the student should schedule the dissertation defense - an oral examination and discussion lasting about 90 minutes. Deliver copies of your dissertation to your committee members at least one month prior to your defense date. You must also file a Doctoral Examination Report and a Doctoral Defense Leaflet with the Graduate School at least two weeks prior to your defense. Please consult the Graduate Program Coordinator for assistance with this process.

All doctoral graduation requirements and forms, including deadlines, can be found at www.colorado.edu/graduateschool/current-students . A satisfactory vote from at least three committee members is required to pass the defense. If unsuccessful, the defense may be retaken only once after completion of changes or additions determined by the committee, and must be retaken within six months. “Retaken” means that the second exam covers the same material and includes the same committee members as the first.

Ph.D. Degree Requirements

Application