word limit for hl essay

IB English HLE Explained

Free introductory guide to IB English Higher Level Essay (HLE) by IB44 and IB45 graduates Lareina Shen and Saesha Grover.

In this guide, LitLearn students (and 2022 IB grads!)  Lareina Shen and Saesha Grover share their wisdom on how to conquer the IB English Higher Level Essay (HLE).

Lareina achieved an IB44, and Saesha achieved an IB45 as well as the coveted IB7 in IB English Literature HL, so you are in safe hands.

Meet your instructor Jackson Huang, Founder of LitLearn. His mission is to make IB English as pain-free as possible with fun, practical lessons. Jackson scored an IB45 and was accepted to Harvard, Amherst, Williams Colleges, and full scholarships to University of Melbourne & Queensland.

What is IB English HLE?

The HL Essay (HLE) is a 1200-1500 word essay about a text studied in the IB English course. For Lang Lit, the work you choose to analyze can be literary or non-literary, but for IB English Literature the text must be literary.

The HLE will make up  25% of your final IB English HL grade , and it is graded externally. You must choose your own line of inquiry   (i.e. a question that you will answer in your HLE–more on this later).

How do I choose my text for HLE?

Do NOT choose the “easiest” text. Life is always better when you do things you're interested in, and that advice applies to the HLE, too. Choose the literary / non-literary work that interests  you the most, so that you can (semi?)-enjoy the HLE planning and writing process.

You could start by thinking of a theme that you find particularly interesting and determining which text studied in class demonstrates this theme well.

How do I choose my line of inquiry for HLE?

The line of inquiry is the core question that you will answer in your essay. A quick example might be:

"To what extent is masculinity undermined by the characterisation of Little Thomas?"

Now, it's your job to forge your destiny and come up with your own line of inquiry. But it's not a complete free-for all! There are rules. The main rule is that your line of inquiry must fall under one of the 7 main concepts of IB English (see below for a quick summary).

This summary is vague, so let's go in-depth on a couple of these concepts to really show you what you should be doing in the HLE.

Identity is what makes you, YOU. Here are some questions the concern your own personal identity:

• What is your favourite colour? And why is it your favourite?
• What makes you different from others? Why do you think these qualities came to be?
• How would someone describe you in three words?

Now apply this same logic to characters within your text.

• How would you describe this character in three words?
• How do their actions within a text influence your view of their identity?
• How has the author crafted this character to make you view the character in a certain way?

Let's take a look at a concrete example of how we might choose evidence and quotes for a HLE on cultural identity. This example is based on a Vietnamese work in translation “Ru” by author Kim Thúy. For context, “Ru” is an autobiographical fictional account which explores Kim Thúy's move from Vietnam to Canada as an immigrant and her consequent struggles. The structure of her novel is largely lyrical and poetic.

Let's look at a section from her novel that may help us come up with an essay idea based on the concept of Identity. When she returns to Vietnam, she attends a restaurant, however this becomes a major awakening for her in terms of how she views her own personal identity. Kim narrates within her novel:

The first time I carried a briefcase, the first time I went to a restaurant school for young adults in Hanoi, wearing heels and a straight skirt, the waiter for my table didn't understand why I was speaking Vietnamese with him. Page 77, Rú

This is a perfect quote for the Identity concept. Can you see why? Let's think through it together…

Why would the waiter be confused if Kim, a “briefcase”-carrying individual in “heels” and a “straight skirt”, was speaking Vietnamese with him?

What does being “Vietnamese” look like to the waiter? Why does Kim not conform to his expectation? Was it perhaps due to what she was wearing?

Now, if we look at the section which follows this in the novel, we are able to see the impact this had on the character of Kim's sense of identity.

the young waiter reminded me that I couldn't have everything, that I no longer had the right to declare I was Vietnamese because I no longer had their fragility, their uncertainty, their fears. And he was right to remind me. Page 77, Rú

Here, we can clearly see that this character is now questioning her Vietnamese cultural identity. This is just one example that demonstrates the concept of Identity.

Culture seems to be this confusing thing.  Does it have to do with religion? Race? Beliefs? What does it mean? Does the monster from Frankenstein fit into a certain culture?

The easiest way to put it is this:  Culture is the way someone lives. It is their “way of life.” Think of it as an umbrella term. “Culture” can include so many different things; the list just goes on, for example religion, values, customs, beliefs, cuisine, etc.

Now think, how would I form an essay from this concept?

• When you read a text in class, you will notice that authors let you form an opinion on the culture of certain characters or groups within a text, but how is this done?
• How does the author represent the culture of a certain community?
• What types of patterns in daily routines are discussed?

It seems odd writing an essay about “creativity” because… like… how can anyone definitively say what ‘counts' as being creative–or not? When I say the word creativity , I think of new inventions, or maybe those weird and wacky art installations living inside those ‘modern art' museums. But hey, what's creative to me might not be creative to you!

When formulating a HLE on the concept of creativity we have two main pointers for you. Look for:

• Interesting + Unique techniques or literary devices used within a text by the author. You can learn more in the  Learn Analysis section of LitLearn.
• Recurring stylistic choices by the author

Now, for this concept, let's look at how we might select supportive evidence and quotations for a HLE on creativity within the narrative style of author Mary Shelley in “Frankenstein”. The narrative style uses  epistolary narration . This is a narrative technique in which a story is told through letters. This was something that I found both interesting and recurring within Frankenstein, which I believe worked to create a personal touch within the novel.

Additionally, Mary Shelley allows different characters to narrate Frankenstein during different volumes. Let's investigate this! I have written out different character profiles of the narrators below:

These 3 characters, each relate a part of the novel Frankenstein. This is an example of a creative authorial choice that allows us, as readers to explore different points of view within the text. This is just one example of a creative aspect of a text which you can analyze for your HLE.

Representation

Representation is all about how something is  portrayed, conveyed, shown, described, illustrated, depicted . There are many different things that can be ‘represented' within a text, and it doesn't have to be tangible.

For instance, you can look at how a belief, idea or attitude is depicted within a text through different characters or devices.

Again, let's explore a concrete example to make things clear: this time the graphic novel “Persepolis”. We'll consider an HLE on how a text  represents the  impact of political turmoil on society .

Chapter 10 of “Persepolis” highlights societal changes occurring due to the Iranian Revolution. The panels below list the authorial choices relevant to the negative representation of political change in a society. When looking at the techniques highlighted in the slides below, think about how you feel when you look at the panels below. Can you sense a more positive or negative feeling?

Cool, but what do we do to turn all this into an actual HL essay? Here is a sample response. The introduction might begin like this:

In the captivating graphic novel “Persepolis,” the author Marjane Satrapi explores the social and political impacts of the Iranian revolution. In particular, Satrapi conveys a disapproving viewpoint on political turmoil within the text. Throughout the graphic novel, Satrapi carefully represents how social isolation, hypocrisy and confusion is experienced by a young girl living in Tehran, as a result of political turmoil.  Example HLE Introduction

Then, in a body paragraph, on one of the key ideas mentioned above, we could analyze the different literary techniques. For example, Panel 1 is a great representation of the experience of confusion in the midst of political turmoil:

Marji is the younger girl pictured in the panels above. While her parents appear quite concerned by the news on the TV, she appears to not be in full comprehension of the cause for their distress. This is demonstrated by the visual imagery and dialogue, in panel 7, for instance, if you observe the facial expressions by each of the characters. Example of analysis in body paragraph

This is just a short example from one particular text. To help you unpack any text, try look for the following when analyzing chapter to chapter:

• What is the main idea of the chapter?
• Why did the author write it? What purpose does it serve?
• What do you believe is the overarching importance of the passage?

Brainstorming Tips

If you're having trouble picking your text and line of inquiry, then use this simple 20-minute process to brainstorm potential questions for your HLE:

• For each text / non-literary work, go through each concept in the table below.
• Write down a question for each of the two prompts for each category.
• Repeat for all of your texts.
• Pick the question-text combination that has the greatest potential for strong analysis.

How do I ensure my HLE question has a good scope?

Choosing a question with good scope is extremely   important, and it's one of the biggest challenges in the HLE. Here's why:

• If your scope is too broad , you may have too much to write about in order to answer the question, and therefore you won't be able to write deep analysis (which is super important–more on this later…)
• If your scope is too narrow , you may not have enough to write about and end up overanalyzing unnecessary and obscure details. Also something to avoid!

So, to help you get the balance just right , here are three examples of HLE questions, specifically for the concept of  Identity which we mentioned in the table above (by the way, the example is a made-up novel for illustration purposes).

• Too broad: “How does Irene Majov in her novel  Deadly Men effectively make her narrator a powerful mouthpiece?”
• Too narrow: “How does Irene Majov in her novel  Deadly Men effectively make her narrator a powerful mouthpiece for the concerns of Asian-Americans toward discrimination in the workforce in the 21st century?”
• Just right: “How does Irene Majov in her novel  Deadly Men effectively make her narrator a powerful mouthpiece for the concerns of Asian-Americans in the 21st century?”

How to get a 7 on IB English HLE

There are many things that contribute to a 7 in your HLE and your IB English grade overall. But if we had to boil it down to one secret, one essential fact… then it'd have to be this: Get really good at analysis .

Analysis is the key to a 7 in IB English. It doesn't matter if it's Paper 1, Paper 2, HLE, IO… You must learn how to analyze quotes at a deep level, and structure your analysis in a way that flows and delights your teachers and examiners.

Start with the basics

Start with the basic foundations of analysis for free inside LitLearn's Learn Analysis course.

Our free and Pro resources have helped IB English students skyrocket their grade in weeks, days and even overnight...   Learn Analysis for IB English , the simplest guide to a 7 in IB English.

Basic Analysis

No sign up or credit card required.

Free signup required.

Pro members only

Level up to Advanced Analysis

Since you're in HL, you'll also be needing Advanced Analysis skills if you want to impress your examiner. We've got all of that covered inside our Pro lessons.

Advanced Analysis

Finding Quotes

Also, you'll need to find good quotes for your text. Some good sources where you can find relevant quotes include  Goodreads , SparkNotes ,  LitCharts , and Cliffnotes . Of course, you could just find quotes yourself directly–this will ensure your quotes are unique.

Understanding the IB English HLE rubric

An essential step to getting a high mark on the HL Essay is understanding the rubric! It is SO important that you know what IB English examiners are looking for when grading your essay, as this helps you to shape the content of your essay to match (or even exceed) their expectations.

The IB English HL Essay is graded out of 20 marks . There are 4 criteria, each worth 5 marks.

Use the checklist below to make sure you're not making simple mistakes! Note that this is not the official marking criteria, and I strongly recommend that you reading the official rubric provided by your teacher.

Criterion A: Knowledge, understanding, and interpretation

• Accurate summary of text in introduction
• Focused and informative thesis statement
• Effective and relevant quotes
• Relevant and effective summary and ending statement in conclusion

Criterion B: Analysis and evaluation

• Relevant analysis of a variety of stylistic features 
• Relevant analysis of tone and/or atmosphere
• Relevant analysis of broader authorial choices i.e. characterization, point of view, syntax, irony, etc.

Criterion C: Focus, organization, and development

• Introduction, body paragraphs, conclusion
• Organized body paragraphs – topic sentence, evidence, concluding statement/link to question
• Appropriate progression of ideas and arguments in which evidence (i.e. quotes) are effectively implemented

Criterion D: Language

• Use expansions (e.g. “do not”) instead of contractions (e.g. “don't”)
• Use of a variety of connecting phrases e.g. “furthermore”, “nonetheless”, “however”, etc.
• Complete sentence structures and subject-verb agreement
• Correct usage of punctuation
• Appropriate register – no slang
• Historic present tense : the use of present tense when recounting past events. For example, we want to write “In  The Hunger Games , Peeta and Katniss work   together to win as a district” instead of using the word “worked”.
• Avoid flowery/dictionary language just to sound smart; it is distracting and difficult to read. As long as you concisely communicate your message using appropriate language, you will score a high mark under this criterion.

Here's everything we discussed:

• IB English HLE is tough work! Start early.
• Brainstorm using the table of concepts to come up with a strong HLE question. Don't give up on this!
• Analysis is the key to a 7 in IB English HLE (and in fact all IB English assessment). Check out LitLearn's course  Learn Analysis for IB English   for immediate help on the exact steps to improve in IB English analysis.

Good luck, and may the odds be ever in your favor 💪

Question​bank

Paper 1 Practice Exams

Past Paper 1 Solutions

Paper 2 Guide

From Struggling to Succeeding in IB English

How IB English students like you have improved their grades with LitLearn Pro... Read the reviews.

IB4 to IB6 in 12 days " LitLearn helped me understand exactly what I was doing wrong and how to improve upon those mistakes. " Read the full review

IB6 to IB7 in 1 week " I ended with a 7 in English Literature HL and I am so happy about that. Thank you Jackson. " Read the full review

IB5 to Perfect 20/20 in 1 week " I managed to be the only person in my IB cohort of 120 students to get a perfect score of 20/20 " Read the full review

IB4 to IB6 in 2 weeks " The lessons are really effective in grabbing my attention and making English more fun to learn. "

IB4 to IB6 in 1 day " With just day 1 of the course, I improved immediately and overnight when I did a practice essay and improved by 4 marks from my previous grades " Read the full review

IB5 to IB7 " I got 5s since my first year of DP and now my final grade is 7! I can't thank you enough 🙂 LitLearn is truly a lifesaver. "

Every resource to ace IB English

Voted #1 IB English Resource 2022 by IB Students & Teachers at ibresources.org

Learn Analysis

Master the essential skill of IB English with a step-by-step course.

Questionbank

Practice analysis with 60+ short questions and IB7 answers.

Exam prep guide, practice papers, past paper solutions.

Exam prep, planning and writing guide. Exemplar essay.

Individual Oral

Preparation guide, examples and full exemplar script.

Higher Level Essay

Crash course on HLE basics.

• Find a tutor

• Uncategorized
• September 26, 2021

IB English, the HL Essay: All You Need to Know

Written By Our IB++Tutor Birgitte J.

What You Need to Know

• The HL Essay is a 1200-1500 word formal essay and it is based on a literary work studied as part of the course. You cannot use the same work for the IO or the Paper 2 [1] for this essay.
• In the IB Language and Literature course [2] , the essay can also be based on a non-literary or collection of non literary text(s).
• You develop a line of inquiry , a question that lends itself to an argument focused on how a theme or message is conveyed through literary features.
• The essay is completed in your own time and you should get some feedback from your teacher during the development of the essay.
• You do not have to incorporate secondary sources beyond the text you are working with.

The paper is externally assessed, meaning the final grade given is from the IB Examiner, not from your teacher. However, your teacher will give a predicted grade that is sent to the IB [3] .

How to Approach the Essay

The essay requires you to construct a focused, analytical argument, examining the work from a broad literary or linguistic perspective. It also requires you to adhere to the formal framework of an academic essay, using citations and references.

Connection to the Learner Portfolio

The HL essay is based on the exploration you have engaged with in the Learner Portfolio [4] . In the lead-up to the drafting of the essay, you must decide which text to focus on for further investigation, and which topic to write about. In choosing the topic, you can consult the course’s seven central concepts. You can choose any text with the exception of the texts used for the Internal Assessment (the IO) or the Paper 2.

How to choose a text

Don’t wait until the last minute and talk with your teacher about the text you want to use and the focus you are considering. Write your ideas out to make sure your line of inquiry is focused and appropriate for an analytical argument of a paper of this length.

In the case of a collection of short stories, poems, song lyrics or any short literary text, you may choose to use just one literary text from the work. However, It may be necessary to use more than one literary text from the work chosen.

The Language and Literature course only *

In the case of short non-literary texts, it may be necessary to use more than one from the same text type by the same author, for example the same creative advertising agency, cartoonist, photographer or social media user. At least one of these texts must have been studied in class. (If using a text in translation it must be a professional and published translation).

Determining the Topic and the 7 Course Concepts

It’s helpful but not mandatory to start with the seven central concepts of the course in generating or determining a topic for the essay. The questions below are meant as starting points for the focus of the essay, not as complete lines of inquiry which should be more specific to the chosen text (see examples of lines of inquiry below).

Questions may include; How is identity represented in the text? How are the characters in the text representative of a group? How does the text reflect the identity of the writer?

Questions may include; How is an aspect of the text representative of a culture or a particular place? How is a group of people or an institution conveyed? How is the text representative of a cultural perspective?

3-Creativity

Questions may include; How is the text representative of an individual or collective creativity, or lack of creativity? How is the text a reflection of the creativity of the writer?

4-Communication

How is communication or lack of communication conveyed in the text? How does the text itself communicate with the reader? How are aspects of communication illustrated through literary features?

5-Transformation

How is change or development illustrated in the text? How are characters transformed through action, communication or events in the text? What is the relationship between transformation and the goals, values and beliefs conveyed in the text?

6-Perspective

How is a perspective or different perspectives represented in the text? How is a shift in perspective portrayed? How is the writer’s perspective revealed through the text?

7-Representation

How does the text represent a particular theme or message? How are attitudes conveyed? In what way is reality or the world within the text represented?

IB English Language and Literature Guide examples of lines of inquiry

• Identity —how does Ralph Ellison, in his novel Invisible Man, succeed in making his narrator a convincing spokesperson for the concerns of African-Americans in the 20th century?
• Culture —how does Robert Capa represent post-Second World War France to qualify/exemplify the brutalities of the French population on former Nazi collaborators in La Femme Tondue? (Language A: language and literature only)
• Creativity —how do Mario Testino’s portraits manage to convey the personalities of those portrayed in original ways? (Language A: language and literature only)
• Communication– which view of love does Matt Groening convey in Love is Hell? (Language A: language and literature only)
• Transformation– in what ways does The Alan Parsons Project’s Tales of Mystery and Imagination offer a transformative re-reading of Edgar Allan Poe’s tales?
• Perspective– how does Mary Shelley’s protagonist in Frankenstein use the motif of dangerous knowledge to show the perspective of fear and anxiety of excesses in scientific enterprise in early 19th century Europe?
• Representation– through what means does Juan Rulfo successfully convey the representation of realistic and non-realistic characters and situations in Pedro Páramo?​

A Final Note on the Learner Portfolio and the HL Essay

The Learner Portfolio is not assessed but schools are required to keep it on file. It is intended to be a platform for reflecting on the texts studied, facilitating development of independent thinking. The reflections may include responses to cultural perspectives and values, inter-relationships and identities as it relates to topics and themes in the texts studied. The reflections may serve as a springboard for the line of inquiry in the HL essay. For example, you may keep a record of themes present, reflections on how particular passages within the texts reflect those themes, or how themes and passages convey one of the 7 central concepts.

[1] Paper 2 is cancelled for the 2022 cohort. No announcement has been made for the 2023 at the time this article was written.

[2] There are 3 IB English courses. The two most common are IB English A: Literature SL/HL, a course focused on literature (Poetry, drama, short stories and novels) and the IB English Language and Literature SL/HL course, focused on literature AND a variety of non-literary (non-fiction) text types.

[3] The examiner’s grade is independent from your teacher’s predicted grade.

[4] An individual collection of student work compiled during the course in which you explore and reflect on the texts throughout the course.

• About the IB
• Exam pattern
• Extended Essay
• IB Languages
• IB Subjects
• IB Success Tips
• Internal Assessment (IA)
• Online learning
• Predicted Grades

RECENT POSTS

• How to Navigate Post-Mock Challenges February 13, 2024
• Affordable Tutoring Options for IB Students February 12, 2024
• Top 10 Reasons to Opt for the IB Diploma January 10, 2024
• How to Write a Top-Grade ToK Essay January 7, 2024
• How to Prepare Strategically for Mock Exams January 7, 2024

Find me a tutor.

Please take one minute to fill in the form to tell us about your tuition needs. Once completed, one of our dedicated team members will reach out to you to fully understand your needs and find the best-match tutor. Our service is risk-free with our 100% money-back guarantee policy in the unlikely event that you are not satisfied with your matched ++tutor.

IB ++tutors is a Canadian company that is committed to providing global, high-quality IB private tutoring services by IB expert tutors.

Get Started

• How it works
• Free Lesson per Friend
• Affiliate Program
• Become a tutor
• IB School Support
• Privacy Policy
• Terms of Use
• Toll-Free Support (US & CA): 1-833-611-1133
• Global Support: +1-833-611-1133 (charges may apply)
• [email protected]
• 407 Iroquois Shore Rd. Unit 8, Suite V4 Oakville, Ontario, Canada L6H 1M3

English Collaborative

IB English A Language and Literature: HL Essay Assessment Considerations

Please note:  The purpose of this information is to elaborate on the nature of the IB assessment task, define and explain the assessment criteria and their implications, share observed challenges in students’ submitted assessment work, and offer strategies and approaches for assessment preparation. 

This post is not meant to replace a reading of the IB Language A Subject Guides or the Teacher Support Materials available on MYIB.  Those resources should always be a first stop for teachers when checking the requirements of each assessment task and how the task should be facilitated. 

HL Essay Overview

Nature of the task.

• Students are asked to develop a line of inquiry of their choice in connection with a work or body of work studied in the course.
• In this context, teachers serve as advisors.  The HL essay is an opportunity for students “to develop as independent, critical and creative readers, thinkers and writers” [1] which suggests there should be some degree of autonomy in choosing a work or body of work and determining the line of inquiry.
• The final essay is a focused argument critically examining a broad literary or linguistic perspective in one of the works or bodies of work studied in the course.  The focus of the critical examination should be appropriate for the discipline; while there may be some overlap with other disciplines (e.g., art or film), teachers will need to use their professional judgement to evaluate appropriate boundaries for the line of inquiry [2] .
• The essay should be developed “over an extended period of time” [3] .  Adequate time should be given for students to refine their ideas, plan their arguments, draft, and revise their essays.  Teachers are expected to play an active role guiding and facilitating this process.
• The essay is formal and should adhere to the conventions of an academic essay in its structure and use of citations.  
• In the marking of the assessment task, there is equal quantitative value placed on the ideas presented in the essay (10 marks) and the essay’s organization and use of language (10 marks).  Maximum: 20 marks. [4]
• The final essay produced for submission needs to be 1200-1500 words in length.  Examiners will not read more than 1500 words. [5]

Explanation of the task

• It is important that students develop a line of inquiry that is focused, analytical, and (when relevant) literary before they begin researching and writing.  Students do not need to name literary or textual features in their question; however, the question should lend itself to an analytical investigation of the work that is appropriate for the discipline.
• The seven course concepts (identity, culture, creativity, communication, transformation, perspective, and representation) may serve as a starting point when developing a line of inquiry. [6]
• The discussion, ideas, and inspiration for the HL Essay will ideally come from the student’s Learner Portfolio.  Students may expand on an idea, activity, or smaller-scale assessment explored in class as inspiration for selecting a topic and developing a line of inquiry.  Students may also explore their own, self-generated lines of inquiry.
• Each student’s line of inquiry should develop from their own work or ideas about the work.  Ideally, the learner portfolio will document this evolution (in some form).

Selection of work

• Students base their essays on one work or body of work studied in the course. Students may choose any work or body of work, except for the works/body of work used for the Individual Oral or the works chosen for the Paper 2 exam. 
• Students should consult with their teachers when selecting a text, work, or body of work to ensure the material is rich enough to support a focused, analytical argument of this length.
• Documentaries and full features films are full, non-literary “works” and are acceptable material on which to base a line of inquiry for the HL Essay.
• Literary bodies of work include collections of short stories, poetry, essays, graphic narratives, etc.
• Non-literary bodies of work may include an advertising campaign, a journalist’s published articles or editorials, a photojournalist’s series of photographs, related public service announcements or campaigns, research and relevant publications by an organization (such as Human Rights Watch), a series of texts or shows by an interviewer, commentator or satirist, a podcast series, an editorial cartoonist’s publications, etc. [7]  
• The texts in the body of work must share authorship.  This means the texts are written or produced by a single author or are written and produced by collaborators that share a single authorship (such as an advertising agency, corporation, non-profit organization, television show, writer and graphic illustrator, etc.) [8]
• Students may base their essay on one text in a body of work (e.g., one short story in a collection), however students need to be careful to sustain a “broad literary [or linguistic] investigation” as opposed to a close reading or commentary.  They are expected to make explicit connections in the essay between the text and the author’s body of work. [9]  
• In most cases, it will be appropriate for a student to reference at least 2-3 texts in an author’s body of work. 
• Students may explore and use any texts from an author studied in class, even if the specific texts were not part of the course study.  This might be appropriate if the student’s specific literary investigation cannot be supported with the specific texts studied but could be supported with other texts by the author. [10]

Determining the topic (and line of inquiry)

• The essay needs to be focused on a broad literary or linguistic investigation that addresses a concept developed in the work or body of work. 
• Students who struggle to identify a suitable concept can use one of the seven course concepts as a starting place to develop their line of inquiry (e.g., What does the work communicate about…? In what ways does the work transform our perspective on…?  To what extent does the work represent…? )
• Students should be encouraged to explore a concept that is significant to them and their reading of the work. 
• Teachers can advise and coach students through the process of selecting a topic and developing a line of inquiry, but teachers are not supposed to assign topics (or works) to students. [11]

What is the HL Essay Assessing?

Criterion a:  knowledge, understanding, and interpretation (5 marks), defined terms.

• Students need a clear, cohesive thesis statement in the introduction of the essay that states the conclusions the student has drawn in response to the line of inquiry.  The “conclusions” are the student’s central argument for the essay. 
• Students need to understand the difference between demonstrating understanding of a work and offering interpretations of the work’s meanings.  An essay must offer interpretations of the work’s implications to score at least a “satisfactory” mark in Criterion A.
• Good to excellent knowledge and understanding comes from knowing the works very well which usually requires multiple readings .  Clear references, explanations, and detailed analysis in support of asserted interpretations are a more effective demonstration of knowledge and understanding than summary.  
• When analyzing texts from a “body of work”, students are expected to make claims and connections to the body of work.  If the focus of the essay is on an individual text (such as a short story or poem), it is important that the analysis be treated as a “broad literary [or linguistic] investigation”.  Teachers will need to evaluate the extent to which this is possible for each individual text.  It may be helpful for teachers and students to consult articles in scholarly journals to see examples of how a broad literary investigation can be approached with a shorter, individual text.

Activities and protocols that develop skills related to knowledge, understanding, and interpretation.

Formulating Interpretive Statements

This activity scaffolds the process of developing an “interpretive statement” in response to a text or work.  This is achieved through a sentence completion exercise […]

Continue Reading

Concept Formation

In this activity, students use small examples to establish what a concept is (and is not).  This inductive strategy works to give depth, ownership, and […]

Critical Lenses

Critical lenses help students engage with different perspectives with which to approach the reading and interpretation of a work.  Each lens contains questions that provoke […]

Journal Writing

Journal writing helps students develop important thinking skills.  There are the traditional approaches used in the younger years, like imagining a minor character’s point of […]

Criterion B:  Analysis and evaluation (5 marks)

• This criterion asks students to critically analyze, evaluate, and compare how meaning is constructed and communicated in a work or body of work.
• The discussion, analysis, and evaluation of literary or linguistic features must work to develop the line in inquiry and central argument for the essay.  This is a common shortcoming in student essays.
• The interrelationships of authorial choices and their effects may be complex, which requires thoughtful organization in the planning stage of the essay. 
• Assertions that make judgements about a writer’s competency or simply state a preference for an author or style are not literary evaluations.
• An insightful literary analysis usually includes an appreciation of form-specific features.

Activities and protocols that develop skills related to analysis and evaluation

Why might this detail matter?

This activity gets students to think about the significance of minor details in a work.  These details can be used as evidence to form the […]

Ladder of Abstraction

This activity allows students to process the ways in which details from a work might represent larger abstract ideas. Process Divide students in groups of […]

Appoint a Devil’s Advocate

This protocol invites divergent thinking in a group and works to facilitate a culture where different ideas are viewed as collaborative rather than combative.  Preparation […]

This activity helps students visually see and appreciate the ways in which parts make up a whole.  One of the challenges many students have is […]

Criterion C:  Focus, organization, and development (5 marks)

• The line of inquiry (which includes the topic) should be clearly stated either as the title or in the introductory paragraph of the essay. 
• The thesis (or argument) for the essay should be clearly communicated in the introductory paragraph. 
• Effective organization helps students maintain focus, achieve cohesion, and develop claims.  This means considering the most effective way to present the argument and its supporting evidence and analysis (chronologically, most persuasive evidence first, by sub-topic, cause and effect relationships, first impressions vs. later reflections, claims and counter claims, etc.).
• Each paragraph should be a point of development that supports the conclusions drawn from the line of inquiry (i.e., the essay’s central argument).  The nature of the argument and the substance of the analysis should determine the number of paragraphs, their length, and their order.  Forcing an argument into a formulaic essay structure can be limiting.
• Purposeful transitions create cohesion and logically take the reader through the essay’s evidence-based claims.
• Essays organized by authorial choices tend to be limiting because they struggle to appreciate the interdependency of features’ effects.
• One citation method should be sustained throughout the essay.

Activities and protocols that develop skills related to organization and development

Generate, Sort, Connect, Elaborate: Concept Mapping IDEAS in a Work

This activity asks students to individually identify ideas and issues developed in a work and collaboratively connect and develop one another’s ideas.  This ultimately helps […]

Making a Précis

This activity guides students on how to distill a text into 100-200-word précis or summary.  This is a helpful skill for preparing a passage response […]

This protocol helps students consider which ideas, issues, and feelings are playing a significant role in shaping their personal response to a work. Process Give […]

Sort Card Activity

This activity helps students organize information and identify conceptual trends.  This activity models a process that students can use when planning their own essays and […]

Significant Quotes

Who said it?  What is the context? and Why is this quote significant? may seem like an archaic exercise in today’s educational landscape, but the […]

Criterion D:  Language (5 marks)

• A wider vocabulary and knowledge of sentence structures gives students more language tools to express abstract and complex thoughts. 
• Correct use of terminology may be considered in awarding marks in this criterion; however, jargon is not the sole focus. 
• When students use vocabulary and sentence structures that are comfortably in their repertoire, they usually express their thinking more clearly.  When students stretch to use words or sentences structures with which they are not familiar, they risk miscommunication.
• An essay does not need to be flawless to earn top marks in this criterion, however the expectation for language to be clear, varied, and accurate is higher in this component.  This is because students have an opportunity to revise their essays.
• Voice is welcomed in all IB assessment tasks: formal writing does not need to be turgid.

Activities and protocols that develop skills related to use of language

Interpretive Statement Wall

This protocol helps students develop revision skills by asking clarifying and critical questions about each other’s interpretive statements or thesis statements.  This helps students develop […]

Evaluating Thesis Statements

This activity helps students understand the role language plays in communicating specific and complex ideas in a thesis statement.  The approach invites active collaboration, and […]

Discussion Posts and Personalized Learning

This formative assessment gives students an opportunity to personalize their learning while engaging in collaborative discussion with their peers around their chosen text(s) or work. […]

This protocol helps students generate ideas in response to a work. Process Give students a writing task, asking them to identify one thing they think […]

[1] Language A: Language and Literature Guide, First assessment 2021 , IBO: 2019. pp. 42.

[2] To gain an understanding or confidence in evaluating analysis that is “appropriate for the discipline”, teachers may want to invest some time perusing scholarly articles written on works they teach or are familiar with using a database such as JSTOR or Ebscohost.  These titles and articles an also be shared with students as guides and exemplars.

[4] Ibid, pp. 45.

[5] Ibid, p. 42.

[6] Ibid, p. 43.

[7] A list of text types can be found on p. 22 of the Language A: Language and Literature Guide.  As mentioned in the guide, the list is not exhaustive.

[8] “Selection of work”. Language A: Language and Literature Guide, First assessment 2021 , IBO: 2019, p. 43.

[11] Language A: Language and Literature Guide, First assessment 2021 , IBO: 2019. p. 44.

[12] Definition:  a short statement of the main points.

Photo by Marcel Friedrich on Unsplash

2 thoughts on “ IB English A Language and Literature: HL Essay Assessment Considerations ”

Thank you for this resource.

You’re welcome! If you see something that should be added, please let us know!

Leave a Reply Cancel reply

You must be logged in to post a comment.

Top Nav Breadcrumb

• Ask a question

Call for essays: language and literature

Calling all Diploma Programme (DP) alumni! We are looking for graduates and students, like you, to help the IB create a sample set of essays for an upcoming new Study in language and literature courses: the higher level (HL) essay. We need sample HL essays in the following languages: English, Spanish, French, Chinese, Arabic, German, Japanese and Turkish covering 16 different topics!

Show off your writing and set an example for future IB students.  Submit a proposal  by 30 June 2018 (extended from May) to write an original 1,200-1,500-word essay on a topic you choose within the categories of language and literature, or just Literature (full details below). If your proposal is selected, completed essays will be awarded a USD 50 Amazon gift card. 

ESSAY PROPOSAL FORM

What is the HL essay?

The HL essay is a component that requires candidates to write a 1200-1500 word formal essay, following a line of inquiry of their own choice into one of the texts studied. HL Language A: language and literature candidates will have a choice between writing about a non-literary or literary text.

Why was it added to the course?

The development of the HL essay followed the elimination of both written tasks and the written assignment in Studies in language and literature courses. Without those components, there would no longer be written coursework targeting research, editing and citation skills that are of such importance for university courses.  The essay also differentiates further between SL and HL, asking HL candidates to demonstrate a deeper understanding of the nature of linguistic or literary study.

What topic should my essay discuss? (choose one from either)

Language and literature

• On a number of columns by one same columnist
• On an advertising campaign
• On the body of work of a photographer
• On a biography
• On a collection of essays
• On a TV series or a film
• On a blog or any other electronic text
• On a series of articles by one same writer

Or  Literature

• On a work of poetry
• On a work of fiction
• On a work of non-fiction
• On a work of drama
• On a graphic novel
• On a group of songs by one same author
• On a work of poetry in translation
• On a work in translation

In what language should my essay be written?

We need essays in English, Spanish, French, Chinese, Arabic, German, Japanese and Turkish.

What is the deadline?

Submit your  proposal  no later than 30 June 2018, though earlier is recommended. We will review proposals on a rolling basis and contact you individually with additional details and a deadline for the final essay.

Why DP graduates?

We need creative and original examples to guide students; we know you have the skills to do this! Show off your writing and set an example for future IB students.  Submit a proposal  for an original 1,200-1,500-word essay on a topic you choose within either the categories of Language and literature, or just Literature. If your proposal is selected and you submit a completed essay, you may be eligible to receive a USD 50 Amazon gift card .

What concept should I use as a starting point for the essay?

To guide students in their choice of topic, we recommend using the seven central concepts in the course as a starting point for developing a line of inquiry. These concepts are listed here:

The representation of the identity of a particular character or group of characters in the work, or on the way in which the work relates to the identity of the writer

The representation of the culture of a particular place, institution or group of people, or on the way in which the work itself relates to a particular culture.

The representation of the individual or collective creativity, or lack of creativity, within the work, or on the way in which the work represents the creativity of the writer.

Communication

The representation of acts of communication, or failures in communication, in the work, or on the way in which the work itself represents an act of communication.

Transformation

The representation of transformation or transformative acts in the work, or on the way in which the work itself is a transformative act either of other works through intertextual reference to them or of reality by means of a transformative effect on the reader’s identity, relationships, goals, values, and beliefs.

Perspective

The representation of a particular perspective or perspectives within the work, or on the way in which the work represents the writer’s perspective.

Representation

The way in which the work represents different themes, attitudes and concepts, or in the extent to which literature can actually represent reality.

Questions or comments? Write to [email protected] .

About the IB

Higher Level Essay

Whether you are an HL Literature student or HL Lang/Lit student, the HLE requires some special attention.  The good thing about this assessment is that it’s a processed – rather than on-demand – piece of writing.  This means you can take your time, put in the work, and produce something that you love and makes you proud.  Our students crush this assessment!  Use the same resources they do and enjoy your success.

HLE Writing Guide

Writing this assessment doesn’t have to be challenging.  In fact, we think it can be fun and rewarding!  Let us guide you through the entire writing process, from line of inquiry to the last word of your conclusion.  Our students do well on this assessment, and so can you.

Part of our  IBDP English A Student Toolkit , this resource includes:

• 100-page course book with guidance on films, photos, cartoons, and many other non-literary BOWs
• 5 sample papers across genres
• Examiner scores and comments
• Line of Inquiry guidance
• Step-by-step approach to building the HLE in small and manageable chunks
• Complete set of graphic organizers to guide students from start to finish

Developing a Line of Inquiry and Thesis

The Line of Inquiry (LOI) and thesis are the cornerstone of the assessment, so don’t proceed until these are under control.  Sadly, many students get off to a poor start with this step, and this means they end up writing either a shallow essay or one that doesn’t really satisfy the requirements of the task.  These videos should help you unlock the task.

Start with a text you love and work toward developing a literary or linguistic perspective. Watch this video and start your pathway to success.

How To Write the Line of Inquiry

If the first method didn't work for you, please try another approach.

How to Write the Line of Inquiry (part 2)

Turn that LoI into a clear, precise, and insightful thesis statement that will drive the essay.

HLE Sample Thesis Statements and Writing

The HLE Complete Course from Start to Finish

We feel this is some of our best work.  Teachers and students around the world have commented that this HLE series gets the job done and results in some powerful writing that makes students proud.  Please take the time and work through the videos sequentially.  Work along side with us.  Let us guide you to HLE success!

Choose your text and write the LOI.

Student planning doc

Model Student planning doc

Time for brainstorming and outlining.

Student Organizer

Completed Sample Organizer

Master the intro and conclusion.

Sample Intro and Conclusion

Learn how to write strong HLE body paragraphs.

Sample Body Paragraphs

Learn to revise, edit, and polish the final product.

Final instructions before submission

Dave’s complete sample HLE

Some Sample Papers

Sometimes it’s easier to just look at a final product, break it down, and see how other students have approached the HLE.  That’s why Dave and Andrew selected some strong papers, highlighted them, and discussed their strengths and weaknesses.  We’ve examined tons of these things, so listen carefully.  Lots of tips and tricks in these videos to help you pick up some extra points and crack into that mark band you want and deserve.  Understand the task.  Work hard.  Defeat the HLE and allow yourself to beam with pride.  Go ahead, you’ve earned it.

You’ve probably noticed that Andrew and Dave love drama. Dialogue, stage directions, props…they’re amazing! Watch our student crush this HLE on Death and the Maiden by Dorfman. What can you steal from this essay in terms of ideas, organization, and overall approach? Document: HLE Student Sample – Drama

Poetry anyone? Andrew and Dave love poetry for the HLE. They are complete “mini works” with a clear beginning, middle, and end. They are rich in techniques. They are complex and have deep meaning. In short, they rock. Just remember that for the HLE, “short texts need friends.” Document: HLE Student Sample – Poetry

Looking For More Support?

Hey, nobody said this thing would be easy.  No worries.  We’ve got you covered.  Perhaps you want to see some more student writing?  Check.  We’ve got that.  Perhaps you want to know some key points to include?  Check.  We got that too.  You’re almost there!  Finish these last two videos, add some finishing touches to your work, and submit that baby in with pride and confidence.

So you watched the videos above but are still concerned about “showing deep thinking” on the HLE? It’s ok – we know this is tough. Check out this video to see several samples of how to build big thinking into your writing. Document: Showing Deep Thinking in the HLE

We know, we know. The content is overwhelming and it’s just too much at times. You just want the top ten tips for success? Fine. Here you go. But don’t forget to go back and watch the rest of these videos when you’re feeling more energy. They’re a set. Watch them all and ace the HLE.

IB English Guys

Newsletter signup.

7 Tips to Achieve a Level 7 on the IB HL English Essay

What is the IB English HL Essay?

The IB English HL Essay is usually written at the end of the first year of IB English in international schools and constitutes 25% of the IB English grade. For IB HL English Language & Literature, the source for the 1200-1500 word essay will be a non-literary or literary text studied in the course; for HL English Literature, this will be a literary text studied in the course.

As an International Baccalaureate Higher Level English student, one of the most daunting tasks is achieving a level 7 on the essay. However, with the right approach and mindset, it’s definitely achievable. Here are the top tips to help you achieve a level 7 on your IB HL English essay.

• Analyze the question carefully: Before diving into writing, read the prompt carefully and identify the key themes and ideas. Make sure you understand what the question is asking for. This will help you to stay focused and on-topic throughout the essay.
• Develop a strong thesis statement: Your thesis statement should reflect the main argument of your essay. It should be clear, concise, and specific. Remember, a strong thesis statement is the foundation of a successful essay.
• Use evidence effectively: Include specific quotes and examples from the text to support your arguments. Make sure to explain how the evidence relates to your thesis statement.
• Analyze literary techniques: IB exams often require students to analyze literary techniques such as symbolism, imagery, and metaphors. Make sure to identify these techniques in the text and explain how they contribute to the overall meaning.
• Plan your essay: Before writing, take some time to plan out your essay. Create an outline or a rough draft to organize your thoughts and ideas. This will help you to structure your essay effectively and ensure that you cover all the necessary points.
• Edit and revise: After finishing your essay, take some time to edit and revise. Check for grammar and spelling errors, and make sure that your sentences are clear and concise. Also, ask someone else to read your essay and provide feedback.
• Stay calm and focused: Finally, stay calm and focused throughout the exam. Remember to manage your time effectively, and don’t panic if you encounter a difficult question. Take a deep breath and approach the question logically and systematically.

In conclusion, achieving a level 7 on your IB HL English essay requires careful planning, effective use of evidence, and a clear and concise writing style. By following these tips, you’ll be well on your way to success.

Are you ready to improve your exam performance?

Previous post tips to achieve a level 7 on the ib mathematics ia, next post top study tips to succeed in your upcoming igcse exams.

Comments are closed.

Tsim Sha Tsui Tuition Centres

All Round Education Centre Unit 107, 1/F, Mirror Tower 61 Mody Road, Tsim Sha Tsui East Kowloon, Hong Kong

+852 2724 4240

School Registration No.: 606804

Click here for lessons at TST

AREA TST & CYBERPORT

Unit 13, Lower 1, Mirror Tower, 61 Mody Road, Tsim Sha Tsui East, Kowloon, Hong Kong

Unit 30, Lower 2, Mirror Tower, 61 Mody Road, Tsim Sha Tsui East, Kowloon, Hong Kong

Central Tuition Centres

All Round Education Centre (Central) 601-602 Cheong Kee Building 84-86 Des Voeux Road Central, Central Hong Kong

School Registration No.: 614437

Click here for lessons at Central

AREA CENTRAL LIMITED

603 Cheong Kee Building 84-86 Des Voeux Road Central, Central Hong Kong

* All centres run independently of each other and are registered under separate entities.

Useful Links

• Academic Tutoring
• SAT Test Prep
• University Consulting

Get in Touch

Call — +852 2724 4240 WhatsApp — +852 9754 9176 WhatsApp — +852 6348 8744

© 2024 All Round Education Academy.

• Easter & Exam Revision Courses 2024 New
• Young Learners (Y1-9)
• Common Entrance
• Results & Testimonials
• Book Your Free Trial Now!

Get started with your free trial lesson now!

Student information, parent information, how did you hear about us.

• Social Media

• Support Sites

English A: Language and Literature Support Site

Hle assessment criteria, criterion a: knowledge, understanding and interpretation.

• To what extent does the essay show knowledge and understanding of the work or body of work?
• To what extent are interpretations drawn from the work or body of work to explore the topic?
• To what extent are interpretations supported by relevant references to the work or body of work?

Criterion B: Analysis and evaluation

• To what extent does the essay show analysis and evaluation of how the author uses stylistic and structural features to construct meaning on the topic?

Criterion C: Coherence, focus and organisation

• To what extent does the essay show coherence, focus and organisation?

Criterion D: Language

• To what extent is the student’s use of vocabulary, tone, syntax, style and terminology accurate, varied and effective?

HL IA - STRUCTURE

The IBO mandates that the following structure be used so stick to this exactly:

Research Proposal

This must be in-front of the title page, they will take 1 mark off for structure if anything is in the wrong order.

The title page should give a clear indication of the content of the research project, including the name of the student, the title of the project, the intended audience and the word count.

Acknowledgements  

The acknowledgements should recognize any individual and/or organization that made the production of the report possible.

Contents page  

The contents page should include the major headings in the report, beginning with the executive summary. Page numbers should be clearly indicated.

Executive summary (abstract)

The executive summary should be a concise, clear and explicit summary of the document, including the recommendations and conclusions. The research question and executive summary should guide the reader to the substance of the report. The maximum length of the executive summary is 200 words , and this is not included in the word count.

• Introduction

The introduction should demonstrate some background knowledge about the organization(s) and give a clear outline of the issue or decision under investigation.

Research question

Methodology employed

The methodology section should be a summary of the primary (and, where relevant, secondary) research undertaken and the business tools, techniques and theories applied. It should also include an assessment of the validity and reliability of the data collected (for example, partiality and scope) and the methods employed. Any changes made as the work progressed should be explained.

Main results and findings

The main results and findings section should clarify what the raw data has revealed. This should include a summary of the data collected and of the findings made, and should, where appropriate, be supported by tables, graphs and statistics.

Analysis and discussion  

In the analysis and discussion section, the results and findings should be analysed with the help of relevant business tools, techniques and theories. They should also be interpreted: what main issues emerge from the research, and why and how are they helpful (or not) to answering the research question? An evaluative approach to the discussion of findings should be pursued: for example, what are the strengths and weaknesses of the various positions on the issue or decision under investigation and what are their implications?

Conclusion(s) and recommendation(s)  

The conclusions should follow on from the analysis and discussion; new facts or arguments should not be presented. Recommendations should be precise, answer the research question and be practical proposals for action that stem from the conclusions. If the results of the research are inconclusive, further research should be recommended. To be of practical value to management, the report should be forward-looking and support the organisation’s decision-making process.

References and bibliography  

For presentation of references and bibliography, please see the section on acknowledging the ideas and work of another person in the “The Diploma Programme” section of this subject guide.

The appendices should contain only information or data that is required to support of the text and should be clearly referred to where relevant. The appendices will typically include examples of photographs, documents, questionnaires, numerical raw data in tables and statistical calculations.

Do not include definitions should not be in appendix as a technique for saving on word count

Writing the HL IA

• Main Results & Findings
• Analysis & Discussion
• Conclusion(s) & Recommendation(s)

Writing the Introduction

• Aim to keep your introduction short.
• There are no explicit marks awarded here.
• Briefly outline the issue.
• This is not a history of the company.
• End with - "This has therefore led to the following research question…"
• Put your title at the end of your introduction.

Introduction Checklist:

- The briefest of introductions to the business

- Outline the issue

- How do you know it’s an issue?

- Reference interview here

- End with "This has therefore led to the following research question…"

- Put your title at the end of your introduction.

- Keep it short

Writing the Procedure/Methodology

• The Procedure should be a  summary  of the  primary and secondary research  undertaken and the  business techniques applied .
• The Procedure is your full (but heavily summonsed!) step-by-step methodology. It must include  ALL  research used - and this research should be evaluated: i.e.. how useful was that research? How reliable? Valid?
• It should also include an  assessment  of the  validity  and  reliability  of the  data  collected (for example partiality and scope) and the  methods   employed .
• If you had the chance to do this again, what would you change and why?
• If you do make any changes, do not explain them - you have a very limited word count restriction. Write this section as if you had got it right first time!

Writing the Main Results and Findings

TOP TIP  -  (This section must now  not be combined with Analysis and Discussion they must be separated – DO NOT COMBINE to try and save on words they will smash you for this 2016+!)

• The information here should be coming from the ‘ summary and findings ’  section of  'Activity B ' in this document, which you will have previously completed and had checked by me!
• You are not introducing tool in this section
• You are not analysing the information in this section eg. calculate ratios, prepare a break even etc but do not analyse these results at this point.

Writing the Analysis and Discussion 

• Use sub-headings for each analytical tool and make the  structure very clear
• Under each sub-heading include:  Analytical tool, concept or theory + a link back to RQ + Results  (graphs. tables, ratios, calculated results, SWOT, decision trees, force field analysis)
• Summary of main findings   + Relate findings to your  answer of RQ
• Include ALL findings and results but do so using tables and graphs which don't count towards your find word count, and use appendices to link findings/results back to original information (e.g. SWOT Analysis, financial information and interviews).
• Relating the findings of each analysis back to your RQ should form the bulk of each sub-heading , and it MUST be well referenced
• Use appropriate business terminology accurately throughout the paper
• Look to demonstrate evidence of critical thinking the "because ..." or "in that ..." that shows you know Business Management theory well
• If your research question did not include a clear choice between two options, discuss  opportunity costs
• Look to evaluate based on references; e.g. benefits and limitations of ratio analysis; advantages and disadvantages of sources of finance; interviews.

Writing the Conclusion and Recommendations

• Answer the RQ! Answer it straight away
• Summarise what led you to this answer- a bullet-pointed list of brief conclusions
• Do NOT include any new Information here
• Your recommendations should look to the future and consider what needs to be done
• Limitations should be briefly outlined, justified and addressed by recommendations for future research
• Your recommendations must link to your conclusions
• Your recommendations must be feasible

Extended Essay: Advice (and Warnings) from the IB

• Extended Essay- The Basics
• Step 1. Choose a Subject
• Step 2. Educate yourself!
• Using Brainstorming and Mind Maps
• Identify Keywords
• Do Background Reading
• Define Your Topic
• Conduct Research in a Specific Discipline
• Step 5. Draft a Research Question
• Step 6. Create a Timeline
• Find Articles
• Find Primary Sources
• Get Help from Experts
• Search Engines, Repositories, & Directories
• Databases and Websites by Subject Area
• Create an Annotated Bibliography
• Advice (and Warnings) from the IB
• Chicago Citation Syle
• MLA Works Cited & In-Text Citations
• Step 9. Set Deadlines for Yourself
• Step 10. Plan a structure for your essay
• Evaluate & Select: the CRAAP Test
• Conducting Secondary Research
• Conducting Primary Research
• Formal vs. Informal Writing
• Presentation Requirements
• Evaluating Your Work

Advice from the IB on Referencing and Citations

Documentation Checklist

Acknowledging the Work of Another Person

Referencing Online Materials

Caution on using footnotes and endnotes.

IB Publications on Academic Honesty

Use this checklist from IB to make sure you've done a complete job of referencing all the sources in your EE.

'Acknowledging the Work of Another Person' from IB Extended Essay Guide

Students must acknowledge all sources used in work submitted to IB for assessment.  

Diploma Programme students submit work for assessment in a variety of media that may include audio-visual material, text, graphs, images and/or data published in print or electronic sources.  If students use the work or ideas of another person, they must acknowledge the source using a standard style of referencing in a consistent manner.  A student's failure to acknowledge a source will be investigated by the IB as a potential breach of regulations that may result in a penalty imposed by the IB final award committee.

The IB does not proscribe which style(s) of referencing or in-text citation should be used by students; this is left to the discretion of appropriate faculty/staff in the student's school.  In practice, certain styles may prove most commonly used, but schools are free to choose a style that is appropriate for the subject concerned and the language in which students' work is written.

The following criteria must be applied:

• Students are expected to use a standard style and use it consistently so that credit is given to all sources used, including sources that have been paraphrased or summarized.
• When writing, students must clearly distinguish (in the body of the text) between their words and those of others by the use of quotation marks (or other method like indentation) followed by an appropriate citation that denotes an entry in the bibliography.
• Students are not expected to show faultless expertise in referencing, but are expected to demonstrate that all sources have been acknowledged.
• Students must be advised that any audio-visual material, text, graphs, images and/or data that is crucial to their work and that is not their own must also attribute the source.  Again, an appropriate style of referencing/citation must be used.
• name of author
• date of publication
• title of source
• page numbers as applicable
• date of access (electronic sources)

Adapted from "Introduction; Academic honesty, Acknowledge the work or ideas of another person", from Extended Essay Guide, International Baccalaureate Organization, 2016.

References to online materials should include the title of the extract used as well as the website address, the date it was accessed and, if possible, the author.

In other words, all electronic sources must be date stamped by including the date the student accessed the resource (for example, accessed 12 March 2016). Caution should be exercised with information found on websites that do not give references or that cannot be cross-checked against other sources. The more important a particular point is to the essay, the more the quality of its source needs to be evaluated.

IB has a caution for students using footnotes and/or endnotes in their Extended Essays:

Footnotes and endnotes may be used for referencing purposes and if this is the case will not be included in the word count of the essay.

In order to avoid confusion and unwittingly exceed the word limit, students are advised to avoid using footnotes or endnotes other than for referencing purposes unless it is appropriate.

As footnotes and endnotes are not an essential part of the extended essay students must take care to ensure that all information with direct relevance to the analysis, discussion and evaluation of their essay is contained in the main body of it.

An essay that attempts to evade the word limit by including important material in footnotes or endnotes will be compromised across the assessment criteria. Please note that footnotes and endnotes are added to the word count as they are encountered.

Extended Essay Guide, International Baccalaureate Organization, p. 86, 2016.

IB Publications

For information on academic honesty in the IB Diploma Programme, see these IB publications:

• << Previous: Create an Annotated Bibliography
• Next: Chicago Citation Syle >>
• Last Updated: Feb 2, 2024 1:39 PM
• URL: https://libguides.westsoundacademy.org/ee

IBDP English A Literature

Website by Mark Beverley & David White

Updated 20 March 2024

InThinking Subject Sites

Subscription websites for IB teachers & their classes

Find out more

• www.thinkib.net
• IBDP Biology
• IBDP Business Management
• IBDP Chemistry
• IBDP Economics
• IBDP English A: Language & Literature
• IBDP English B
• IBDP Environmental Systems & Societies
• IBDP French B
• IBDP Geography
• IBDP German A: Language & Literature
• IBDP History
• IBDP Maths: Analysis & Approaches
• IBDP Maths: Applications & Interpretation
• IBDP Physics
• IBDP Psychology
• IBDP Spanish A
• IBDP Spanish Ab Initio
• IBDP Spanish B
• IBDP Visual Arts
• IBMYP English Language & Literature
• IBMYP Resources
• IBMYP Spanish Language Acquisition
• IB Career-related Programme
• IB School Leadership

Disclaimer : InThinking subject sites are neither endorsed by nor connected with the International Baccalaureate Organisation.

InThinking Subject Sites for IB Teachers and their Classes

Supporting ib educators.

• Comprehensive help & advice on teaching the IB diploma.
• Written by experts with vast subject knowledge.
• Innovative ideas on ATL & pedagogy.
• Detailed guidance on all aspects of assessment.

Developing great materials

• More than 14 million words across 24 sites.
• Masses of ready-to-go resources for the classroom.
• Dynamic links to current affairs & real world issues.
• Updates every week 52 weeks a year.

Integrating student access

• Give your students direct access to relevant site pages.
• Single student login for all of your school’s subscriptions.
• Create reading, writing, discussion, and quiz tasks.
• Monitor student progress & collate in online gradebook.

Meeting schools' needs

• Global reach with more than 200,000 users worldwide.
• Use our materials to create compelling unit plans.
• Save time & effort which you can reinvest elsewhere.
• Consistently good feedback from subscribers.

For information about pricing, click here

Download brochure

See what users are saying about our Subject Sites:

Find out more about our Student Access feature:

• HL Essay: final checklist
• Higher Level Essay

HL Essay: final checklist for students before submission This page is designed for students as a guide for a final check of their essay before submission.These guidelines can also be downloaded as a document here: HL Essay: final checklist HL Essay: final checklistIt is vitally important that you take time before final submission to ensure your work is of the best possible standard. At this stage it is not advisable...

To access the entire contents of this site, you need to log in or subscribe to it.

Alternatively, you can request a one month free trial .

• Share full article

Advertisement

Supported by

Guest Essay

Words Over Deeds: Why Biden Isn’t Pressuring Israel

By Aaron David Miller

Mr. Miller, a former State Department Middle East analyst and negotiator, is a senior fellow at the Carnegie Endowment for International Peace.

One could be forgiven for thinking that President Biden’s tough words on the Israel-Hamas war in his State of the Union address and his MSNBC interview on Saturday was the beginning of a much more critical U.S. policy toward Israel. After all, the president called for at least a temporary cease-fire, laying out, in his most emotional terms to date, the losses and suffering of the people of Gaza and delivered an unmistakably sharp signal that Israel must make the delivery of humanitarian assistance to Gaza a priority. Those calls came on the heels of Vice President Kamala Harris’s high-profile meeting with Benny Gantz, Prime Minister Benjamin Netanyahu’s rival and likely successor — a snub to Mr. Netanyahu who has been denied a White House visit.

Nonetheless, far from presaging a major shift in policy, the president’s words and the vice president’s meeting were more likely part of the now familiar passive-aggressive approach the administration has deployed against the most extreme right-wing government in Israel’s history.

President Biden has sent a number of signals — chastising Israel for indiscriminate bombing, assisting with airdrops and creating a maritime corridor for humanitarian assistance — that he’s frustrated by some of Israel’s actions, especially its inattention and even opposition at times to facilitating assistance into Gaza. He is further angered by Israel’s unwillingness to restrain settler violence against West Bank Palestinians and its rejection of any role for the Palestinian Authority in governing Gaza. But he has consistently refused to impose any serious consequences on Israel.

Make no mistake. The “I’m unhappy with Israel but won’t do much about it” policy is Mr. Biden’s policy — driven by the president’s pro-Israel sensibilities, politics and the policy choices he faces in dealing with the current war. At the same time, Mr. Biden surely knows that there are costs both at home and abroad for allowing Mr. Netanyahu to run roughshod over U.S. interests and values. Therein lies his dilemma.

Understanding why President Biden hasn’t imposed costs on Israel during five months of its war against Hamas begins with his bond with the Jewish state.

Early in his career, it was easy for an impressionable young senator who made his first visit to Israel at age 30 to connect with the saga of Israel’s struggle for independence and its fight for survival in a hostile neighborhood. In the years since, Mr. Biden has repeatedly recalled his father’s references to the Holocaust and the dangers of silence in the face of evil. No other president describes himself repeatedly as a Zionist; no other occupant of the White House has asserted that if there were no Israel, “We’d have to invent one.”

In short, Mr. Biden sees his own political life as intertwined with Israel’s story. The extraordinary speech he gave three days after the Hamas terror attack on Oct. 7, and his visit to Israel within the first 10 days of war, set the frame. Bonding with the loved ones of those who had been murdered, the president spoke from personal experience about “the black hole” of loss, connecting the tragedies in his personal life with those of the people of Israel.

Mr. Biden may love Israel, but those feelings don’t extend to the current prime minister of Israel. Even so, as Biden biographer Evan Osnos notes, the president’s default position over the years has been not to confront Mr. Netanyahu, but to work with him when possible. As vice president, Mr. Biden even served as something of a conduit to the White House for Israelis during tense periods between Mr. Obama and Mr. Netanyahu, and counseled caution lest the White House push Mr. Netanyahu too far and force a rupture.

Recently, Mr. Biden’s views have shifted as Palestinian deaths have mounted and the humanitarian situation in Gaza has turned catastrophic. The president has been reportedly privately disparaging of the prime minister. It may well be that Mr. Biden now understands that Mr. Netanyahu is desperate to cling to power and, if necessary, will do so at the expense of American interests, regardless of Mr. Biden’s extraordinary support and an ever climbing casualty count. Still, by many accounts, Mr. Biden is not yet ready to stop or condition military assistance to Israel or vote for a United Nations Security Council Resolution critical of Israel, let alone call for a permanent cease-fire unless it is linked to the return of the hostages.

If Mr. Biden’s personal history and his past helped shape his support for Israel, domestic politics has reinforced his pro-Israel convictions. For Mr. Biden — and so many American politicians — the line between what’s good for Israel and what’s good for America has long been blurred. Being pro-Israel wasn’t some craven genuflect for votes and money but a deeply held belief that good politics and good policy were one and the same, and supporting a fellow democracy fighting for survival in a dangerous neighborhood was exactly that. The president’s decades in the Senate, where support for Israel runs high, reinforced this conflation.

As Israel drifted rightward in recent years, particularly during Mr. Netanyahu’s 12-year-run as prime minister, all of that grew more complicated. Mr. Netanyahu’s policies toward West Bank settlement growth and, later, his anti-democratic efforts to undermine the Israeli judiciary began to erode the two main pillars of the U.S.-Israeli relationship: shared interests and values.

At the same time, Mr. Biden now finds himself in a serious political bind. The Republican Party has emerged as the Israel-can-do-no-wrong party. And Democrats are increasingly torn: a large majority still strongly supports Israel, but a growing number of progressives and mainstream Democrats are now calling for tougher action to restrain Mr. Netanyahu.

The results of the Michigan primary in February, with its significant number of uncommitted votes , reflect an inconvenient reality for Mr. Biden: In a close general election, his unwavering support for Israel could cost him the election.

It’s hard to see Mr. Biden undertaking some significant anti-Israel actions that move him from criticizing Mr. Netanyahu to renouncing him in the hope that those alienated by his pro-Israel policies would return to the fold. Should Mr. Biden’s support for Israel waver, Republicans would clearly be eager to paint the president as anti-Israel, especially in an election campaign where the presumptive Republican nominee styles himself the most pro-Israel American president — ever. Nor is it clear how a concerted pressure campaign against the Netanyahu government would lead to a more positive outcome in the Israel-Hamas war.

And that leads us to the final element constraining Mr. Biden’s policy choices, especially the use of serious leverage. The president may be increasingly uncomfortable with how Israel is waging this war and the appalling loss of life of innocent civilians, but he shares Israel’s war aims: to both eliminate Hamas’s capacity to pull off another Oct. 7 and end its sovereignty in Gaza.

Complicating matters further, this is not a conventional military conflict like the one in 1973 between Israel and Egypt, during which U.S. pressure and persuasion could work to produce agreements to end the conflict. It’s a war against Iran-backed Hamas — a terror organization that seeks to replace Israel with an Islamic state; that engaged in a rampage of indiscriminate, sadistic killing and raping; and that holds hostages, many of whom are most likely still being abused. Some have died in captivity.

And that war is occurring in a densely populated area roughly twice the size of Washington, D.C., where Hamas has embedded its military assets around and under civilian structures and population.

If the president had a compelling alternative to how Israel could wage a war in these circumstances without doing grievous harm to civilians, he might have more leverage. Moreover, a large majority of Israelis, including Mr. Gantz, the administration’s favorite candidate to succeed Mr. Netanyahu, support the war — all of which limits Mr. Biden’s options for censuring the current prime minister.

Perhaps most important, Mr. Biden needs Mr. Netanyahu to agree to a hostage deal and an extended cease-fire with Hamas. Without that agreement, Mr. Biden cannot hope to de-escalate the war, increase humanitarian aid in a meaningful way, put an end to the devastating images out of Gaza and have a chance to pursue a broader peace deal between Israel and Saudi Arabia.

As the war enters its sixth month, Mr. Biden finds himself in an investment trap that’s difficult to escape. He is increasingly frustrated and angry with Mr. Netanyahu. And yet he’s still in love with Israel. How to stand up to the first without damaging the second is proving to be an excruciatingly difficult challenge for a president whose regard for Israel runs deep in his emotional and political DNA and whose re-election campaign may depend upon which way he turns.

Aaron David Miller, a former State Department Middle East analyst and negotiator, is a senior fellow at the Carnegie Endowment for International Peace and the author of “The End of Greatness: Why America Can’t Have (and Doesn’t Want) Another Great President.”

The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips . And here’s our email: [email protected] .

Follow the New York Times Opinion section on Facebook , Instagram , TikTok , X and Threads .