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Home » Movies » Bollywood Movie Reviews

Kick Review

Star cast:  Salman Khan, Jacqueline Fernandez, Randeep Hooda, Nawazuddin Siddiqui, Mithun Chakraborty, Archana Puran Singh, Saurabh Shukla, Sanjay Mishra, Kavin Dave, Sumona Chakravarti

Director:  Sajid Nadiadwala

What’s Good:  Salman-Jacqueline’s palpable chemistry and the high octane action pieces that are nothing short of brilliant. Nawazuddin is more fantastic than you expect him to be. If Salman is a superhero, Siddiqui is quite a super villain. I wish there was more of him in the film.

What’s Bad:  The first half drags in places, with the humor drooping the film’s tempo. Not to mention, the film should have been called Dhoom 4 for all the right reasons.

Loo break:  Very Few.

Watch or Not?:  Kick is an official amalgamation of Dhoom and a bunch of trademark Salman films. To its credit, the film quite achieves what it sets out for: massy trappings. Salman in very few roles genuinely seems to enjoy himself and Kick is one of the sparing few. If you don’t mind paying for massive canvas, high voltage action, chemistry with a tinge of electricity and songs that will get you ecstatic – this is your shot at getting a solid high! Whistle baja time ‘coz this is a Bollywood fillum.

Devi Lal Singh (Salman Khan) is an accomplished guy but cannot hold on to a job because nothing gives him kick enough. He is always looking for life to give him a high. Coincidence brings him to Shaina (Jacqueline Fernandez) who gives him the high he is looking for at the love front.

The two part ways initially but meet later in the oddest of circumstances when Shaina is Devi’s only hope in achieving a mission that comes for a bigger cause. Devi is no more the man Shaina had loved but has transformed into Devil.

Why does Devi walk back into Shaina’s life? What instigated his transformation to Devil? Will the two ever get back? And finally what is the mission that Devi is on and is it right or wrong?

Kick Review: Script Analysis

It isn’t a surprise but the film has no story. If you are expecting intellect, I will doubt yours. Devil Lal Singh is a superhero. To make it more believable, the makers even gave a Krrish mask to the man, who has topped every exam he has appeared in and broken every bone that has come his way. You buy no bit of the story, how he falls in love to how they break up to how he turns into Devil. The film’s first half is lukewarm. There is nothing sizzling in it and despite the leading duo’s cutesy chemistry, there is a zing missing from the first half.

This film isn’t without flaws, but isn’t replete with them as crucial ones have been avoided. A bunch of major logic lapses are present in the film but you can prefer to ignore those. Though after a highly dramatic action scene, Salman’s bus falls into the river and in the next scene he is in Delhi, one wonders what really happened. It is disparate and lacks consistency. The sudden leap doesn’t work. The chemistry between the characters is kept smooth but I could not digest the emotional angle of the film either. Somehow, it seemed Salman was still trying his luck at selling Jai Ho . Bro, let it go. It ain’t gonna happen!

In the second half, very little time was invested in exploring Salman and Jacqueline’s track. Though time was well spent on Nawazuddin, a little more of him would have helped the film better. Salman and Nawaz’s face off scene in the climax keeps you engaged for the repartee.

My only issue with the film was its title; it could have been more aptly called Dhoom 4 . In most action sequences, when cars were blowing or when Salman was plotting his attack, my mind automatically played Dhoom Dhoom Dhoom (to be specific, the background music of Dhoom 2 ) The film is a grander version of Dhoom, that almost seems to further the franchise. Too bad, story wasn’t a concern for the writers since they had Salman to endorse the gibberish they had churned out. If this film was made with a different cast, we could have rechristened it ‘Kicked’- by critics. Thriving solely on Bhai’s charisma and the movie’s action, the film doesn’t even try its hand at pushing the boundaries of crisply packaged Salman Khan fare.

Kick Review: Star Performances

Salman Khan is having a blast in the film. Unlike most roles, Khan was seen having some great fun in the film. He says his dialogues with a wicked gusto and plays Devil with an evil flair and brutal swagger.

Jacqueline Fernandez is not just a pretty face as the actress brings out in her role the desired charm. Her chemistry with Khan has an appealing quality to it that became the sole saving grace of an otherwise boring first half.

Randeep Hooda is a great actor but he boils himself down to caricaturish mannerisms. He plays Abhishek Bachchan from Dhoom sans improvisations.

Nawazuddin Siddiqui was par excellence. I don’t think any other actor of recent times has nailed the character of villain this brilliantly. There’s a reason Siddiqui’s name carries with him a certain weight. One might presume such films don’t do any justice to his caliber, but this supervillain rocked the movie even more. Nawaz isn’t just cut out for class, he can do potboilers much better than regular actors!

Mithun Chakraborty was a pleasant surprise and despite limited screen space, he brings a fabulous color to his character.

Saurabh Shukla was used too little in the film and hence he doesn’t do much to add value.

Kick Review: Direction, Editing and Screenplay

Sajid Nadiadwala doesn’t make ordinary films and his debut vehicle has enough to convey that. It was a pompous affair where the story was needless but the magnitude of the film scores. Probably it is Sajid who was instrumental in getting Salman to enjoy his work so much. Though the director didn’t insist on improving the script at hand, he did his best in making an opulent film.

By design, this film is full of clap traps, action and drama but had Nadiadwala used the melodrama with a better logic, the film would have turned out better. Sajid captured the thrills well but the art of story telling is something the director still needs to get a hang of. It wasn’t difficult to make out this was a débutant’s work. At multiple points in the second half, the film’s energy dropped really low that I was expecting the next slide will feature end credits, when there was a good 20 minutes left to go. Coherence comes with experience and Nadiadwala needs to pick it up over time.

The film’s music is spectacular. The Devil song’s surprise version rather worked better for me. The film’s cinematography was commendably delivered. But the best part was the action that was sumptuously executed. The magnificence of the action scenes were breathtaking. Arasu’s top notch action added better bling to the film. Rendering thrill, chill and satisfying fun, the superb action gives the desired adrenaline rush, the film’s theme uses in its core.

Kick Review: The Last Word

Kick isn’t a pile-on, on Salman’s harebrained repertoire. Luckily, it has the thrill in its action parts and the fuzziness in its romantic ones. Salman sinks his teeth in a character that is a blend of his best roles, delivering a film that is a welcome change from his regular formulaic potboilers. Nawazuddin’s performance upps the bar of mainstream villains by manifolds and Jacqueline’s chemistry with Khan is sexy. Kick is no Ek Tha Tiger but it is an effectively enjoyable film that crackles enough to gives us bang for our buck! I am going with a generous 3/5. Kick isn’t kickass but gives a delicious rush.

Kick Trailer

Kick  releases on 25th July, 2014.

Share with us your experience of watching Kick .

124 COMMENTS

Mere baare me zyaada mat sochna. Remakes me aata hoon, original me nahi.

Salman khan doesn’t need any filmy critics or review~he carries his film in his own shoulder~ his film is not running in other expectation~ “mumbai me toh blast ho gaya hai” at the end of the day you(koimoi team) gonna be a fool because salman khan himself is a rdx of indian cenema.you(koimoi team) shrewdly draw the map to attact the salman khan personalities since last couple of the year. You(koimoi team) forgot that “salman khan dil me aata hoon samaj mein nhi”.

going by the trend, it’ll make 300 cr or more

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Kick Tamil Movie Review: Delightful & Energetic Romantic Comedy

Kick Tamil Movie Review: Kick is a spirited Tamil film that offers a delightful mix of romance, action, and comedy.

Kick Tamil Movie Review: Santhanam, a versatile actor, shines in his role, bringing his signature humor and impeccable timing to the screen. Tanya Hope matches his energy step by step, forming a convincing and engaging on-screen pair. Their chemistry adds an entertaining layer to the narrative, capturing the essence of the characters’ rivalry.

Kick Tamil Movie Review Rating: ⭐⭐⭐⭐ | 4/5

Kick Tamil Movie Cast: Santhanam, Tanya Hope, Ragini Dwivedi, Motta Rajendran, Brahmanandam

Kick Tamil Movie Plot: The film’s plot centers on the conflict and competition between Santhanam and Tanya, employees of separate advertising firms.

Kick Tamil Movie Review

Kick is an energetic Tamil romantic action comedy that showcases the directorial finesse of Prashant Raj. The film is driven by the dynamic performances of Santhanam and Tanya Hope, who lead the narrative with charm and charisma. The central plot revolves around the clash and competition between the characters portrayed by Santhanam and Tanya, both employed at separate advertising agencies.

Santhanam, a versatile actor, shines in his role, bringing his signature humor and impeccable timing to the screen. Tanya Hope matches his energy step by step, forming a convincing and engaging on-screen pair. Their chemistry adds an entertaining layer to the narrative, capturing the essence of the characters’ rivalry.

The film also benefits from a strong supporting cast, including Ragini Dwivedi, Motta Rajendran, and Brahmanandam. Their performances contribute to the comedic and dramatic elements of the story, enhancing the overall viewing experience.

Director Prashant Raj successfully blends action, romance, and comedy, resulting in a well-rounded film that keeps the audience engaged throughout. The pacing of the film, combined with witty dialogues and lighthearted moments, creates an enjoyable cinematic ride.

Kick is a testament to the director’s ability to create a cohesive narrative that integrates various elements seamlessly. The plot’s focus on the advertising industry and the rivalry between the characters adds a unique touch to the familiar romantic comedy genre.

In conclusion, Kick is a spirited Tamil film that offers a delightful mix of romance, action, and comedy . With its strong performances, engaging plot, and well-executed direction, the film provides an entertaining escape for viewers seeking a fun cinematic experience.

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Kick - Movie Review

Kick is the new synonym for adrenaline rush in India and soon this will take over the entire world too. Having released in 4000 plus screens in the country and 700 plus screens overseas, Kick is a well knit tale about an adrenaline junkie, Salman Khan aka 'Devil' who does things differently just to get a 'Kick' out of it.

The story of Kick is not applaud worthy as it is a remake of Telugu movie of the same name. The movie will start with Shaina ( Jacqueline Fernandez ), a psychiatrist meeting her perspective groom, Himanshu ( Randeep Hooda ) on a train journey in Warsaw. Neither of these characters are interested in an arranged union, but on getting to know each other, the two become very good friends. This is when Shaina decides to reveal secrets about her past, mainly her ex-boyfriend, Devil (Salman Khan). The movie goes into flashback here, and bang comes the entry of the hero. After she shares her story, Himanshu too shares his escapades as a police officer and boasts off on how he has finally met his match, an intelligent thief, again the Devil (Salman Khan).

Both Shaina and Himanshu are unaware of the fact that they are talking about the same person. Salman is not playing the role of a Devil or of a superman, he is just an ordinary guy who does things differently to get a 'Kick' out of it. At this point the story is back on track, that is it now moves in present tense and how the Devil again enters their life, how it changes the whole scenario in the movie and why he turns into a devil form the crux of the movie.

Salman and Jacqueline's roles were essayed by Telugu superstar Ravi Teja and Bollywood's latest entrant, Ileana D'Cruz. This film was a typical Ravi Teja entertainer with enough comedy that kept the audience breaking into laughter every now and then.

Ravi Teja did justice to his carefree character and since he is an expert in portraying such roles repeatedly in films after films, it was quite easy for him to reprise such a role again. Coming to Salman Khan, the man is different, even though the movie is a remake, this being a Salman film, the makers have tried to make the entire film seem and sound different. But trust me it is not!

Yeah, the concept of Devil is new, though the character does do bad things, in the end it's for the good of someone else. There is a deep mystery and it is an uncompromising mission for which Devil is ready to lose his life. Why this devilishness gets imbibed in him cannot to be revealed, to know that you will have to watch the film. This being Sajid Nadiadwala 's debut direction, only adds to the curiosity level to watch the film.

We have seen Salman do such roles in Dabangg as well, where by heart he is a good man, but he does do bad things to bad people. Devil is just a modern, revamped version of Robin Hood Pandey. If you remember Salman's dialogue in Dabangg , you'll know what I am talking about (Hum yahan ke Robin Hood hain, Robin Hood Pandey).

Salman Khan has done a lot of south remakes in the past few years and strangely they have clicked for Salman's version has always been bigger and better, his movies actually give us a kick! So this 2014 version of Kick will also be bigger and better than 2009 version. He truly is a star whose power we cannot understand, "Main Dil mein aata hoon, samajh mein nahin". Continue to read Kick movie review in the slide show.

Salman Khan

Yes, his sheer presence in the movie makes it a better movie and this 'Devil' avatar is just too intriguing, for which alone we need to watch this movie.

Train-Bike Stunt

Salman Khan's world famous train-bike stunt is something that makes this movie better and we cannot miss watching it on the big screen.

Jumme Ki Raat

This song is chart-buster number and Salman has never danced this much in his entire, he looks too hot and we just need to watch him perform on the big screen.

Salman-Jacqueline

Jacqueline revealed that she expected Kick to go to an A-list actress, but what she herself doesn't know is that she could not have been more perfect. They make for one awesome couple whose chemistry seems to be oozing everywhere.

Salman Khan's Stunts

The stunts that Salman Khan have done, for the very first time we'll be seeing the Dabangg actor do some Dabangg stunts without a body double. Howzzhat!

Raees Shubham @iamshubhSRK

Interval. First half is all about Salman khan and his Charisma. 200Cr will be a cakewalk. Expecting a bang in second half.

Devil Sìddhi's Kick ‏@Ime_n_mySalman

Crowds standing ovation for Salman khan & kick in dubai

Aparna Mudi ‏@AparnaMudi

#Kick has been directed lavishly. The locales and the scenes are truly magnanimous.

Ionoski Eonoski ‏@ionoskieonoski

Watching #Kick #FirstDayFirstShow. For the love of @NargisFakhri. I hope it's not too creepy.

Devil Sìddhi's Kick ‏

Killer dashing hunk Salman khan ;)

aminaam ‏@inaamlucky

#Hangover no doubt is the best song I have seen till date and #SalmanKhan best till day

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Usually, rom-coms rely more on the writing than other aspects of filmmaking. But here, both sides of it have very little significance.

Kick Movie Review: Santhanam's Kick is not powerful enough to create an impact

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• This film marks the first collaboration of uncle-nephew duo Anil Kapoor and Arjun Kapoor. Arjun is the son of Anil’s brother Boney Kapoor. Share
• This film marks the first collaboration of uncle-nephew duo Anil Kapoor and Arjun Kapoor. Arjun is the son of Anil’s brother Boney Kapoor.
• This is the second time Arjun Kapoor is playing a double role, the first being Aurangzeb (2013).
• The song ‘Yamma yamma’ from ‘Shaan’ is sampled in the song ‘Partywali Night' for the film.

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Kick movie review: This Salman Khan film is ‘Unjhelable’

“we know that a salman film is created solely to display his ‘andaaz’ designed to send his fans into a swoon.”.

Kick movie review

Cast: Salman Khan , Jacqueline Fernandes, Randeep Hooda, Nawazudin Siddiqui, Mithun Chakraborty Director : Sajid Nadiadwala IE Rating: **

What this lovely word means is ‘unbearable’, though it can’t come remotely close to the tedium that the original describes. Salman’s leading lady says it to him. About him. Yes, gasp, addressing the one and the only Sallu Bhai, who appears in his latest In and As avatar in ‘Kick’.

We duly crack a smile. Look, look, Bhai is sending himself up. He’s letting his heroine crack a good one at his expense. Because he knows that he is anything but. And that he’s just waiting for her to finish the scene and leave, to get into his `Dabangg’ mode, for the hall will burst into hoots and claps and whistles.

That’s what a viewing of ‘Kick’ comes down to. I found it more or less ‘jhelable’ when Salman is not taking himself seriously, blowing a cherry at us. When the film starts getting him close to his noble Being Human image, it becomes a yawn. Salman kickin’ it is fine, but tearin’ up? Nahiiiiiin.

The plot, as befits a Salman Khan spectacle, is completely and delightfully cuckoo. Devi Lal Singh (Salman Khan) is a guy who wanders about searching for kicks. His father (Mithun Chakraborty) eggs him on in his pursuit. Devi runs into the sexy Shaina ( Jacqueline Fernandez ), but before anything can happen , he’s off and away. It’s time for Devi’s alter-ego, Devil, to show up, and be chased by a cop ( Hooda), and a crook (Nawazuddin Siddiqui) here and there and everywhere.

Never mind these niceties. We know that a Salman film is created solely to display his popular quirks and his one-liners and his ‘andaaz’, all of which are designed to send his fans into a swoon. Simple. When the story dares to fling such complex phrases as ‘retrograde amnesia’ and ‘conservative management’ at us, we fling them right back as we wait for Salman to slam it.

What makes ‘Kick’ interesting, apart from some unfettered Salman moments, is Siddiqui in full flow. His villainy is very Bollywood, with a trademark evil laugh, but self-aware and vivid at the same time : there are scenes he steals from everyone, including, sacrilege, from the Khan, even though the latter gets to throw away one of the most famous lines in movie history, with a wink : you talking to me?

Everything else is as it should be. Fernandez is made to play a psychiatrist just so Bhai can call her Psycho. Ha ha. We know she is a doctor because she wears thick framed-spectacles, which she chucks to a side to execute a perfect eye-popping shimmy shake. Hooda is watchable, as he almost always is, but he needed better scenes. The rest of the cast just does its job—of bringing up the rear.

Because the front end is dominated by Salman the Khan. Devi or Devil, same difference.

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Release date: 25 July, 2014

The premise of KICK, first! On a train journey in Warsaw, a pretty psychiatrist, Shaina [Jacqueline Fernandez], meets Himanshu [Randeep Hooda], a police officer from India, for an arranged match. They share their pasts with each other.

Shaina shares the story of her ex-boyfriend Devi Lal Singh [Salman Khan], a guy ...  who lived only for 'Kick'. She talks about his madness and their whirlwind romance, until one day he breaks up with her for a new kick and walks away, never to return. Himanshu tells her about his glorious escapades and that he has finally met his match - an intelligent thief.

What they don't know is that their stories have one thing in common - Devil. He returns back into their lives under a new guise of having lost his memory. Behind it all is a deeper mystery and an uncompromising mission...

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Given the safe, PG-13-rated tenor of most superhero movies today, something offbeat (and R-rated) like Kick-Ass comes as a shock, albeit a welcome one.

Full Review | Original Score: 3/4 | Aug 22, 2023

Everything is clever, with irreverent impertinence… devilishly fun. [Full review in Spanish]

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Kick-Ass entertainingly and effectively subverts the superhero genre, while providing a hilarious comic book reality check. [Full review in Spanish]

Full Review | Original Score: 3.5/5 | Aug 6, 2021

For now let's just sit back and enjoy a film that comes along all too rarely, a film that will reignite your love of celluloid.

Full Review | Original Score: 9/10 | May 19, 2021

Find one review that doesn't say that Hit Girl steals the show. She gets the best scenes, and actually complicates the plot... So, I guess you don't have to pass on Kick-Ass.

Full Review | Dec 23, 2020

Comic book movies don't get much more original than this.

Full Review | Original Score: 9/10 | Nov 29, 2020

Despite the change in climate over the years, Kick-Ass remains a fun and thrilling genre subversion ten years later.

Full Review | Original Score: 4/5 | Nov 3, 2020

The real scene-stealers and show-stoppers are Nicolas Cage and Chloe Grace Moretz as a father and daughter crimefighting team.

Full Review | Original Score: 4.5/5 | Oct 5, 2020

Man, I loved this film.

Full Review | Original Score: 3.5/4.0 | Sep 13, 2020

Kick-Ass actually qualifies as a character-driven movie and not a film dominated by its special effects.

Full Review | Mar 6, 2020

[A] tedious, crudely plotted, soulless action film.

Full Review | Jan 23, 2020

In the end this a great start to the big movie season and a fine first salvo of this year's comic property based movies line up.

Full Review | Original Score: B+ | Jan 11, 2020

Not only is it a tale of revenge, but it also sets up its masked vigilantes for more adventures like any good comic book story should.

Full Review | Original Score: 4/5 | Oct 24, 2019

For those of you curious and off kilter enough to give it a try, you will see beauty and warmth and optimism in it, mixed with a truth rarely shown at the multiplex these days.

Full Review | Original Score: 4.5/5 | Jul 24, 2019

It's a blast-a smart, refreshing, subversive spin on the super-hero genre.

Full Review | Jul 24, 2019

Isn't always pretty, but it's a brazen, irreverent and wildly entertaining experience that distills the clichés and standards of the genre and turns them on their heads.

Full Review | Original Score: 3/4 | Jun 7, 2019

Fortunately, this is a film that isn't afraid to cross the line with its material, but does so in such a clever manner that it makes Kick-Ass one of the spring's more entertaining cinematic experiences.

Full Review | Original Score: B+ | May 10, 2019

... just another kind of superhero fantasy, but with more blood and expletives along the way.

Full Review | Nov 11, 2018

A hilarious, hip twist on the superhero genre. Gone are the superpowers, the 100 inch chests and holier than thou attitude.

Full Review | Original Score: 4/5 | Nov 5, 2018

Kick-Ass asks what would happen if superheroes really DID operate in the real world, and the results are shocking, intriguing and entertaining all at once.

Full Review | Original Score: 8/10 | Nov 4, 2018

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An adrenaline junkie walks away from a whirlwind romance and embraces a new life as a thief, though he soon finds himself pursued by veteran police officer and engaged in a turf war with a l... Read all An adrenaline junkie walks away from a whirlwind romance and embraces a new life as a thief, though he soon finds himself pursued by veteran police officer and engaged in a turf war with a local gangster. An adrenaline junkie walks away from a whirlwind romance and embraces a new life as a thief, though he soon finds himself pursued by veteran police officer and engaged in a turf war with a local gangster.

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"Kick-Ass 2" is one of the year's worst films. I would like to get that pertinent fact out of the way before we discuss it properly. But for those with horrid taste in cinema, questionable politics, and terribly short attention spans, i.e. the target audience of this movie, I feel it is my duty to say: Don't see this film. Do something else. Enjoy the final days of the summer. Solve a crossword puzzle. Call grandma. Do whatever you like. But don't see this reprehensible movie.

Criticizing superhero films tends to put the reviewer slightly lower on the ladder of popularity than the bloke that shot Bambi's mother. These films have a tightly knit audience. If a critic takes a superhero movie seriously and chastises it for its shortcomings, fans pounce with the age-old mantra: "It's only a comic book film!" But if the critic dismisses a superhero movie, the fans shout: "There is real meaning to this work, and you are biased." As such, the critic can't win. Why is it possible to soberly dissect melodramas, thrillers, even comedies—is it because they rank as "high culture," and are therefore immune to petty, juvenile arguments? Or is it because superheroes have somehow become the embodiment of popular culture and consequently impossible to doubt, for fear the whole lot may crumble away?

I believe the latter to be the case. The superheroes present a very simple solution to the complexities of the modern world. The various shades of grey that line the surface of apparently "deeper" superhero films, such as Christopher Nolan's Batman trilogy, are mere distractions from the utter ridiculousness of the core concept: a man in a costume fighting crime! As such, taking superhero fare seriously amplifies both its absurdity and fascist overtones. The word fascist is frequently misapplied, but it does fit with the superhero aesthetic, which is about one thing and one thing only: violence. Superheroes overpower their opponents with brute force, and as such are the most hideous display of power-worship.

Directed by Matthew Vaughn and based on the work of former enfant terrible of comics, Mark Millar , 2010's " Kick-Ass " was a transgressive take on the superhero concept, exploring a world where comic book nerds of various ages and intellects donned skin-tight costumes to fight mobsters. The film's philosophy and its approach towards justice was problematic, but Vaughn had a deftness of touch that propelled the story. Equally interesting was the pairing of Nicolas Cage and the then pre-teen Chloë Grace Moretz as Big Daddy and Hit-Girl, respectively. This father-daughter team of benevolent psychopaths was a highlight not necessarily because of the characters, but because of the obvious quirkiness of the actors and their chemistry. On the whole, though, "Kick-Ass" wasn't a very good movie.

What sinks "Kick-Ass 2" from the level of a merely terrible end-of-summer movie to the depths of utter junk is its wanton disregard of the very basic difference between right and wrong. Written and directed by Jeff Wadlow , the film kicks off a few years after the end of the previous film. The 17-year-old high-schooler Dave Lizewski ( Aaron Taylor-Johnson ) still midnights as the titular hero, all the while trying to convince the orphaned 15-year-old Mindy a.k.a. Hit-Girl to join him. When he is finally turned down, Dave joins with Colonel Stars and Stripes ( Jim Carrey )—an ex-mobster turned crime fighter, around whom a ragtag group of vigilantes has mobilized in an orgy of self-affirmation.

Meanwhile, Mindy joins a group of her own when she hangs up her purple Hit-Girl outfit, and starts to attend high-school: a triumvirate straight out of " Mean Girls ," who take her under their wing for "re-education."

A further subplot involves Chris D'Amico ( Christopher Mintz-Plasse ), former sidekick to Kick-Ass, who has gone into the family business after Dave murdered his mob-boss father in the previous film in a particularly spectacular manner. Chris refashions his mother's S&M gear into a costume, and reinvents himself as the world's first super-villain, adopting a name which, in the '80s, would have been dubbed on British television as "The Melon Farmer." These three plots plod along in a tale of vengeful one-upmanship to eventually converge in one of the least interesting action scenes of recent times.

At its most basic level, the film feigns concern towards how revenge can be a bottomless pit. Violence doesn't merely escalate in the film, it consumes all. The level of terror multiples geometrically, as one death begets two, and then four, etc. Millar's original comic is considered by halfwits as a post-structuralist work, but this sort of reading is only valid for armchair proponents of even the real-world history of violence being its own fiction. Of course, this is all rubbish. The uneven tone of the violence contributes to the confusion. During one memorable scene (for all the wrong reasons), a gigantic ex-KGB agent called Mother Russia dispatches ten police officers in increasingly violent ways as a sped-up, trance version of the Tetris theme plays. I am not sure what reaction Wadlow was going for, but I was sickened. This did not make me reassess my position towards vigilantism or violence, seeing as I am not a sociopath. I don't need a superhero film to tell me that kicking the living crap out of people is wrong.

So there is a pitch, an angle to all this, but frankly, it's hackneyed. Rejection of authority, ignoring the squares, being your own man, the idolization of the self: yes we've all become depressingly familiar with those tired old refrains. We can do anything we want; there is nothing holding us back; and we're just boring and irrelevant if we don't sign up. This is not the '90s, and it's definitely not ten years ago, either. We're in a post-crisis economy. The only people who would buy into "Kick-Ass 2"'s insipid afterthought of a philosophy occupy the same counter-cultural bubble as Wadlow and Millar, whose film expects blithely that no one could possibly disagree with these self-evidently correct beliefs. It's all rather insulting.

Also insulting is the film's view towards women and girls. I was not expecting the film to treat them as transcending their circumstances and being worshipped as life-giving earth mothers, but was it really necessary to have three girls vomiting and defecating simultaneously? Also, it would have been OK to have at least one female character that was not a complete buffoon or in need of validation through male acceptance. The film's misogynistic take on women reaches its apex in a rape scene that is played for laughs. Wadlow keeps the camera tight on the wannabe rapist's face at first, and stays on him as he masturbates furiously to try to get an erection. All the while, there is a woman in the corner, fearing the worst. But Wadlow refuses to cut to her: our attention is on the potential rapist. Wadlow's mastery of film grammar is generally questionable anyway, but someone should have had words with him about this scene. Possibly his mother.

Also icky is the sexualization of Chloë Grace Moretz, a trend that began in last year's " Dark Shadows " and continues here, where the hormonal vagaries of Mindy's body are brought to the screen in fairly graphic ways (I was surprised to discover that the boy-band who inspires her sexual awakening is in fact real). Grace has been good before, but here she seems to be mimicking emotions she was yet to experience, rather than acting. Considering how grating Christopher Mintz-Plasse's and how bland Aaron Taylor-Johnson's personae are, her subpar performance is particularly conspicuous.

By the end of "Kick-Ass 2," Dave is redeemed by the "perfect," virginally pure, specimen that is Mindy. This betrays a further fascist motif inherent in the narrative. Throughout the film, it is unclear quite what Dave is thinking when he stares at his perfect, Aryan sidekick. The eerie sexual prompting surrounding her takes on an additional political burden. By the end, Dave is defending Mindy, the racially pure, against the unwanted attentions of the outcast portion of society. And Mindy, like a cross between a Smurf and a Valkyrie, is wreaking vengeance herself. This is post-structural fascism, with the hint of the past fueling the engine of violence. But the two kiss at the end, so it's all good, I suppose.

"Kick-Ass 2" is a badly made film with a nonsensical plot, lackluster performances, confusing action, excessive violence, and deplorable morals. Avoid it at all costs. If you have a date this weekend, and they want to see it, avoid them, too. Forever.

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Film credits.

Kick-Ass 2 (2013)

113 minutes

Aaron Johnson as Dave Lizewski / Kick-Ass

Chloë Grace Moretz as Mindy Macready / Hit-Girl

Christopher Mintz-Plasse as Chris D'Amico / The Mother F%$$%r

Clark Duke as Marty Eisenberg / Battle Guy

Jim Carrey as Colonel Stars and Stripes

Donald Faison as Doctor Gravity

Robert Emms as Insect Man

Lindy Booth as Night Bitch

Olga Kurkulina as Mother Russia

Andy Nyman as The Tumor

• Jeff Wadlow
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Dolphin kick, common sense media reviewers.

Family tale has great dolphin footage; some suspense/action.

A Lot or a Little?

What you will—and won't—find in this movie.

Lots of information about dolphins: habitat, pods,

Messages about protecting the environment, humanki

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Dolphin and kids are threatened by villains who la

Identifiable equipment: Scarab, Yamaha, Fusion, an

Parents need to know that Dolphin Kick is a live-action adventure about siblings Skyler (Tyler Jade Nixon) and Luke (Axle McCoy), who befriend a solo dolphin named Echo and try to reunite him with a pod. There are suspenseful moments in which both Echo and the kids are threatened by angry fishermen; the…

Educational Value

Lots of information about dolphins: habitat, pods, sounds, capabilities.

Positive Messages

Messages about protecting the environment, humankind's responsibility for the planet's creatures, believing in oneself. Family is shown dealing with grief. Promotes good communication and active participation: "Do you want to sit around with your toes in the water or dive in?"

Positive Role Models

Solid parent-child and sibling relationships. Dad is concerned, wise, loving. Kids value family and display compassion, respect for nature. Ethnic diversity throughout. Females are active participants, leaders of the scientific team that helps the family.

Violence & Scariness

Dolphin and kids are threatened by villains who later learn an important lesson. Dolphin is hunted with spears, menaced as he circles a boat. A fight between grown men. A boy and a man fall into the ocean and must be rescued.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Products & Purchases

Identifiable equipment: Scarab, Yamaha, Fusion, and UNEXSO diving company.

Parents Need to Know

Parents need to know that Dolphin Kick is a live-action adventure about siblings Skyler (Tyler Jade Nixon) and Luke (Axle McCoy), who befriend a solo dolphin named Echo and try to reunite him with a pod. There are suspenseful moments in which both Echo and the kids are threatened by angry fishermen; the climax involves a physical fight between two men and a scene in which the villains attempt to kill Echo with a spear. The film is best suited for kids who are comfortable with real vs. pretend scares, as the scenes of Echo in danger may be disturbing for some. But the movie is filled with positive messages about family harmony and dealing with grief, as well as humans' responsibility to nature's creatures. You can also expect lots of relevant information about dolphins and their way of life. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

Where to Watch

Videos and photos.

Community Reviews

• Parents say (3)

Based on 3 parent reviews

Full on movie is a bit intense

What's the story.

Skyler (Tyler Jade Nixon) and Luke (Axle McCoy) are still recovering from the death of their mom in DOLPHIN KICK. Their dad, Clint (Travis McCoy), who also misses his wife terribly, decides that a healing vacation may be just the thing for the family, especially for Luke, who was once a competitive swimmer but is now terrified of going into the water. A tropical island turns out to be everything the family hoped for and more. Especially when Luke strikes up an important friendship with Echo, a dolphin who's been separated from his pod. Guided by a group of marine biology students working on the island, the kids learn that although Echo seems delightfully happy, the playful animal must be reunited with a pod. Individual dolphins simply can't survive on their own. Complicating their efforts to return Echo to a pod is Naz (DeVaughn Gow), a stressed-out fisherman with anger issues who realizes that it's the dolphin who's been ruining his traps.

Is It Any Good?

Wonderful shots of a dolphin frolicking in tropical seas and making heartwarming connections with kids, as well as some nice family moments, are the reasons to see this sincere but unpolished film. Everyone involved gives it their best, and it appears to be a family affair with lots of overlap among the performers and production folks. The filmmaking team pays attention to family-friendly details -- reminding us to avoid littering, wear sunscreen, ensure boat safety. Plus, there's a genuine effort to impart solid information about the habitat and behavior of the planet's most intelligent sea mammal. So, though it may not be the most artful of movies -- with uneven performances and a script in which the "conflict" feels forced and often arbitrary -- Dolphin Kick should please folks who like a feel-good movie and love watching beautiful creatures fill the screen with their antics.

Talk to Your Kids About ...

Families can talk about how often family movies rely on a recently deceased parent to heighten the emotion of a story. How does it make the storyteller's job easier to have such major upheaval in a kid's life? Can you think of other issues or events in kids' lives that might make stories just as critical without having to resort to a parent's death? How did the events in Dolphin Kick help heal the family?

What is the meaning of the term "montage" as it applies to filmmaking? Can you identify at least one of several montages in this movie? How did Dolphin Kick use the technique to build the story's momentum?

Are you aware of the precautions and protections that are currently in place for animals engaged in films? Find out more about the history of safeguarding animals in movie sets. Can audiences always be sure that the statement "no animals were harmed in the making of this film" is true?

Movie Details

• On DVD or streaming : January 22, 2019
• Cast : Tyler Jade Nixon , Axle McCoy , Travis McCoy
• Director : Philip Marlatt
• Studio : Epic Pictures Releasing
• Genre : Family and Kids
• Topics : Adventures , Brothers and Sisters , Ocean Creatures , Science and Nature
• Character Strengths : Communication , Compassion
• Run time : 89 minutes
• MPAA rating : NR
• Last updated : March 24, 2024

Did we miss something on diversity?

Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.

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Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners.