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Being critical: a practical guide

  • Critical writing
  • Being critical
  • Critical thinking
  • Evaluating information
  • Reading academic articles
  • Critical reading

This guide contains key resources to introduce you to the features of critical writing.

For more in-depth advice and guidance on critical writing , visit our specialist academic writing guides:

Practical Guide

What is critical writing?

Academic writing requires criticality; it's not enough to just describe or summarise evidence, you also need to analyse and evaluate information and use it to build your own arguments. This is where you show your own thoughts based on the evidence available, so critical writing is really important for higher grades.

Explore the key features of critical writing and see it in practice in some examples:

Introduction to critical writing [Google Slides]

While we need criticality in our writing, it's definitely possible to go further than needed. We’re aiming for that Goldilocks ‘just right’ point between not critical enough and too critical. Find out more:

Google Doc

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critical writing assignment

Quoting, paraphrasing and synthesising

Quoting, paraphrasing and synthesising are different ways that you can use evidence from sources in your writing. As you move from one method to the next, you integrate the evidence further into your argument, showing increasing critical analysis.

Here's a quick introduction to the three methods and how to use them:

Quoting, paraphrasing and synthesising: an introduction [YouTube video]  |  Quoting, paraphrasing and synthesising [Google Doc]

Want to know more? Check out these resources for more examples of paraphrasing and using notes to synthesise information:

Google Doc

Using evidence to build critical arguments

Academic writing integrates evidence from sources to create your own critical arguments.

We're not looking for a list of summaries of individual sources; ideally, the important evidence should be integrated into a cohesive whole. What does the evidence mean altogether?  Of course, a critical argument also needs some critical analysis of this evidence. What does it all mean in terms of your argument?

These resources will help you explore ways to integrate evidence and build critical arguments:

Building a critical argument [YouTube] |  Building a critical argument [Google Doc]

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Critical thinking and writing: critical writing.

  • Critical Thinking
  • Problem Solving
  • Critical Reading
  • Critical Writing
  • Presenting your Sources

Common feedback from lecturers is that students' writing is too descriptive, not showing enough criticality: "too descriptive", "not supported by enough evidence", "unbalanced", "not enough critical analysis". This guide provides the foundations of critical writing along with some useful techniques to assist you in strengthening this skill. 

Key features of critical writing

Key features in critical writing include:

  • Presenting strong supporting evidence and a clear argument that leads to a reasonable conclusion. 
  • Presenting a balanced argument that indicates an unbiased view by evaluating both the evidence that supports your argument as well as the counter-arguments that may show an alternative perspective on the subject.
  • Refusing to simply accept and agree with other writers - you should show criticality towards other's works and evaluate their arguments, questioning if their supporting evidence holds up, if they show any biases, whether they have considered alternative perspectives, and how their arguments fit into the wider dialogue/debate taking place in their field. 
  • Recognizing the limitations of your evidence, argument and conclusion and therefore indicating where further research is needed.

Structuring Your Writing to Express Criticality

In order to be considered critical, academic writing must go beyond being merely descriptive. Whilst you may have some descriptive writing in your assignments to clarify terms or provide background information, it is important for the majority of your assignment to provide analysis and evaluation. 

Description :

Define clearly what you are talking about, introduce a topic.

Analysis literally means to break down an issue into small components to better understand the structure of the problem. However, there is much more to analysis: you may at times need to examine and explain how parts fit into a whole; give reasons; compare and contrast different elements; show your understanding of relationships. Analysis is to much extent context and subject specific.

Here are some possible analytical questions:

  • What are the constituent elements of something?
  • How do the elements interact?
  • What can be grouped together? What does grouping reveal?
  • How does this compare and contrast with something else?
  • What are the causes (factors) of something?
  • What are the implications of something?
  • How is this influenced by different external areas, such as the economy, society etc (e.g. SWOT, PESTEL analysis)?
  • Does it happen all the time? When? Where?
  • What other factors play a role? What is absent/missing?
  • What other perspectives should we consider?
  • What if? What are the alternatives?
  • With analysis you challenge the “received knowledge” and your own your assumptions.

Analysis is different within different disciplines:

  • Data analysis (filter, cluster…)
  • Compound analysis (chemistry)
  • Financial statements analysis
  • Market analysis (SWOT analysis)
  • Program analysis (computer science) - the process of automatically analysing the behaviour of computer programs
  • Policy Analysis (public policy) – The use of statistical data to predict the effects of policy decisions made by governments and agencies
  • Content analysis (linguistics, literature)
  • Psychoanalysis – study of the unconscious mind.

Evaluation : 

  • Identify strengths and weaknesses. 
  • Assess the evidence, methodology, argument etc. presented in a source. 
  • Judge the success or failure of something, its implications and/or value.
  • Draw conclusions from your material, make judgments about it, and relate it to the question asked. 
  • Express "mini-arguments" on the issues your raise and analyse throughout your work. (See box Your Argument.)
  • Express an overarching argument on the topic of your research. (See Your Argument .)

Tip: Try to include a bit of description, analysis and evaluation in every paragraph. Writing strong paragraphs can help, as it reminds you to conclude each paragraph drawing a conclusion. However, you may also intersperse the analysis with evaluation, within the development of the paragraph. 

Your Argument

What is an argument?

Essentially, the aim of an essay (and other forms of academic writing, including dissertations) is to present and defend, with reasons and evidence, an argument relating to a given topic. In the academic context argument means something specific. It is the main claim/view/position/conclusion on a matter, which can be the  answer to the essay (or research) question . The development of an argument is closely related to criticality , as in your academic writing you are not supposed to merely describe things; you also need to analyse and draw conclusions.

Tips on devising an argument

  • Try to think of a clear statement. It may be as simple as trying to prove that a statement in the essay title is right or wrong. 
  • Identify rigorous evidence and logical reasons to back up your argument. 
  • Consider different perspectives and viewpoints, but show why your argument prevails. 
  • Structure your writing in light of your argument: the argument will shape the whole text, which will present a logical and well-structured account of background information, evidence, reasons and discussion to support your argument.
  • Link and signpost to your argument throughout your work. 

Argument or arguments?

Both! Ideally, in your essay you will have an overarching argument (claim) and several mini-arguments, which make points and take positions on the issues you discuss within the paragraphs. 

Your Argument image

  • ACADEMIC ARGUMENTATION This help-sheet highlights the differences between everyday and academic argumentation
  • Argument A useful guide developed by The Writing Center, University of North Carolina at Chapel Hill.

Useful resources

Learning Development, University of Plymouth (2010). Critical Thinking. University of Plymouth . Available from  https://www.plymouth.ac.uk/uploads/production/document/path/1/1710/Critical_Thinking.pdf  [Accessed 16 January 2020].

Student Learning Development, University of Leicester (no date). Questions to ask about your level of critical writing. University of Leicester . Available from  https://www2.le.ac.uk/offices/ld/resources/writing/questions-to-ask/questions-to-ask-about-your-level-of-critical-writing  [Accessed 16 January 2020].

Workshop recording

  • Critical thinking and writing online workshop Recording of a 45-minute online workshop on critical thinking and writing, delivered by one of our Learning Advisers, Dr Laura Niada.

Workshop Slides

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4 – Critical Writing

critical writing assignment

Critical writing depends on critical thinking. Your writing will involve reflection on written texts: that is, critical reading.

[Source: Lane, 2021, Critical Thinking for Critical Writing ]

Critical writing entails the skills of critical thinking and reading. At college, the three skills are interdependent, reflected in the kinds of assignments you have to do.

Now let’s look at some real university-level assignments across different majors. Pay attention to the highlighted words used in the assignment descriptions.

As you can tell, all the assignments have both critical reading and writing components. You have to read a lot (e.g., “Use at least 5 current Economics research articles,” “refer to 2 other documents,” and “Select 4-5 secondary sources”) and critically before you form your own opinions and then start to write. Sometimes reading is for ideas and evidence (i.e., reasons, examples, and information from sources), and other times reading is to provide an evaluation of information accuracy (e.g., research designs, statistics). Without critical thinking and reading, critical writing will have no ground. Critical thinking and reading are the prerequisites for critical writing. A clear definition of critical writing is provided below.

What is Critical Writing?

Critical writing is writing which analyses and evaluates information, usually from multiple sources, in order to develop an argument. A mistake many beginning writers make is to assume that everything they read is true and that they should agree with it, since it has been published in an academic text or journal. Being part of the academic community, however, means that you should be critical of (i.e. question) what you read, looking for reasons why it should be accepted or rejected, for example by comparing it with what other writers say about the topic, or evaluating the research methods to see if they are adequate or whether they could be improved.

[Source: Critical Writing ]

If you are used to accepting the ideas and opinions stated in a text, you have to relearn how to be critical in evaluating the reliability of the sources, particularly in the online space as a large amount of online information is not screened. In addition, critical writing is different from the types of writing (e.g., descriptive writing) you might have practiced in primary and secondary education.

The following table gives some examples to show the difference between descriptive and critical writing (adapted from the website ). Pay attention to the different verbs used in the Table for the comparisons.

You might feel familiar with the verbs used in the column describing critical writing. If you still remember, those words are also used to depict the characteristics of critical thinking and reading.

ACTIVITY #1:

Read the two writing samples, identify which one is descriptive writing and which one is critical writing, and explain your judgment.

Sample 1: Recently, President Jacob Zuma made the decision to reshuffle the parliamentary cabinet, including the firing of finance minister, Pravin Gordhan. This decision was not well received by many South Africans.

Sample 2: President Zuma’s firing of popular finance minister, Gordhan drastically impacted investor confidence. This led to a sharp decrease in the value of the Rand. Such devaluation means that all USD-based imports (including petrol) will rise in cost, thereby raising the cost of living for South Africans, and reducing disposable income. This puts both cost and price pressure on Organisation X as an importer of USD-based goods Y, requiring it to consider doing Z. Furthermore, political instability has the added impact of encouraging immigration, particularly amongst skilled workers whose expertise is valued abroad (brain drain).

[Source: Jansen, 2017, Analytical Writing vs Descriptive Writing ]

Further, to write critically, you also have to pay attention to the rhetorical and logical aspects of writing:

Writing critically involves:

  • Providing appropriate and sufficient arguments and examples
  • Choosing terms that are precise, appropriate, and persuasive
  • Making clear the transitions from one thought to another to ensure the overall logic of the presentation
  • Editing for content, structure, and language

An increased awareness of the impact of choices of content, language, and structure can help you as a writer to develop habits of rewriting and revision.

Regarding the content, when writing critically, you cannot just rely on your own ideas, experiences, and/or one source. You have to read a wide range of sources on the specific topic you are exploring to get a holistic picture of what others have discussed on the topic, from which you further make your own judgment. Through reading other sources, you not only form your own judgment and opinions but also collect evidence to support your arguments. Evidence is so important in critical writing. In addition to the collection of evidence, you also need to use different ways (e.g., quoting, paraphrasing, and synthesizing) to integrate the evidence into your writing to increase your critical analysis.

Using quotes is always an issue. Some students like to quote a lot and/or too long throughout their papers, and others do not know why they quote. Remember that when you use direct quotations, you are using others’ ideas, not yours. You should limit the use of quotes to the minimum because readers are always interested in your opinions. In other words, you need to use quotes critically.

When you quote directly from a source, use the quotation critically. This means that you should not substitute the quotation for your own articulation of a point. Rather, introduce the quotation by laying out the judgments you are making about it, and the reasons why you are using it. Often a quotation is followed by some further analysis.

[Source: Knott , n.d., Critical Reading Towards Critical Writing ]

Barna (2017) stated that “A good rule of thumb is that the evidence should only be about 5-10% of the piece.” Further, according to the EAP Foundation.org , you need to avoid doing a laundry list in critical writing:

You cannot just string quotes together (A says this, B says that, C says something else), without looking more deeply at the information and building on it to support your own argument.

This means you need to break down the information from other sources to determine how the parts relate to one another or to an overall structure or purpose [analysing], and then make judgements about it, identifying its strengths and weaknesses, and possibly ‘grey areas’ in between, which are neither strengths nor weaknesses [evaluating]. Critical reading skills will help you with this, as you consider whether the source is reliable, relevant, up-to-date, and accurate.

When and Why do you quote?

When should you use quotes?

Using quotations is the easiest way to include source material, but quotations should be used carefully and sparingly. While paraphrasing and summarizing provide the opportunity to show your understanding of the source material, quoting may only show your ability to type it.

Having said that, there are a few very good reasons that you might want to use a quote rather than a paraphrase or summary:

  • Accuracy: You are unable to paraphrase or summarize the source material without changing the author’s intent.
  • Authority: You may want to use a quote to lend expert authority for your assertion or to provide source material for analysis.
  • Conciseness: Your attempts to paraphrase or summarize are awkward or much longer than the source material.
  • Unforgettable language: You believe that the words of the author are memorable or remarkable because of their effectiveness or historical flavor. Additionally, the author may have used a unique phrase or sentence, and you want to comment on words or phrases themselves.

When you decide to quote, be careful of relying too much upon one source or quoting too much of a source and make sure that your use of the quote demonstrates an understanding of the source material. Essentially, you want to avoid having a paper that is a string of quotes with occasional input from you.

[Source: Decide when to Quote, Paraphrase and Summarize ]

How do you quote?

  • With a complete sentence
  • With “according to”
  • With a reporting verb
  • With a “that” clause
  • As part of your sentence

Citing the islands of Fiji as a case in point, Bordo notes that “until television was introduced in 1995, the islands had no reported cases of eating disorders. In 1998, three years after programs from the United States and Britain began broadcasting there, 62 percent of the girls surveyed reported dieting” (149-50). Bordo’s point is that the Western cult of dieting is spreading even to remote places across the globe.

[Source: Lane, 2020, Quoting: When and How to Use Quotations ]

The firm belief which has been widely advertised is that “international students should be given equal rights and respect while studying abroad” (Lane, 2020, p. 19).

Smith, an agent working at an international company, put forward the seriousness of economic recession brought by the COVID-19 pandemic: “our economy will soon collapse, followed by business failures, elevated unemployment, and social turbulence ” (2021, p. 87).

Dominguez (2002) suggested, “teachers should reflect on their teaching constantly and proactively” to avoid teacher burnout and attrition (pp. 76-79).

According to the IEP student manual, “To study in the IEP you must be 18 years old and your English level must be ‘high beginner’ or higher” (p. 6).

[Source: Five Ways to Introduce Quotations ]

Now move on to the language aspect of critical writing, you should pay attention to the analytical verbs used in critical writing.

Analytical verbs are verbs that indicate critical thinking. They’re used in essays to dissect a text and make interpretive points, helping you to form a strong argument and remain analytical. If you don’t use analytical verbs, you may find yourself simply repeating plot points, and describing a text, rather than evaluating and exploring core themes and ideas.

[Source: What are Analytical Verbs? ]

The use of analytical verbs is also important to show your precision and appropriateness in language use. For example, instead of using says and talks, replace those verbs with states, discusses, or claims. Not only does it enhance the formality of the language, but also it helps to create the tone of writing. This further means that you have to understand the specific meaning, purpose, and function of each verb in a specific context as shown in the table below.

[Source: Impressive Verbs to use in your Research Paper ]

The verbs listed under each category are NOT synonyms and are different based on context. Please ensure that the selected verb conveys your intended meaning.

It is recommended that you check out Academic Phrasebank for more advanced and critical language use.

The accuracy of language use that is important for critical writing is also reflected in the use of hedges .

Hedging is the use of linguistic devices to express hesitation or uncertainty as well as to demonstrate politeness and indirectness.

People use hedged language for several different purposes but perhaps the most fundamental are the following:

  • to minimize the possibility of another academic opposing the claims that are being made
  • to conform to the currently accepted style of academic writing
  • to enable the author to devise a politeness strategy where they are able to acknowledge that there may be flaws in their claims

[Source: What Is Hedging in Academic Writing?]

There are different types of hedges used in writing to make your claim less certain but more convincing. For example, what is the difference between the two sentences as shown below?

No hedging: We already know all the animals in the world.

With hedging: It’s possible that we may already know most animals in the world.

[Source: Hedges and Boosters ]

Check this table for different types of hedges.

[Source: Features of academic writing]

Practice how to tone down the arguments.

ACTIVITY #2

Add hedges to the following arguments.

Except for the content and language aspects of critical writing, the last aspect is the organization, including both the overall structure and the paragraph level.

Here is one example of a critical writing outline.

One easy-to-follow outline format is alphanumeric, which means it uses letters of the alphabet and numbers to organize text.

For example:

  • Hook: _____________________
  • Transition to thesis: _____________________
  • Thesis statement with three supporting points:_____________________
  • Topic sentence: _____________________
  • Evidence (data, facts, examples, logical reasoning): _____________________
  • Connect evidence to thesis: _____________________
  • Restate thesis: _____________________
  • Summarize points: _____________________
  • Closure (prediction, comment, call to action): _____________________

[Source: Academic Writing Tip: Making an Outline ]

1. Introduction

  • Thesis statement

2. Topic one

  • First piece of evidence
  • Second piece of evidence

3. Topic two

4. Topic three

5. Conclusion

  • Summary/synthesis
  • Importance of topic
  • Strong closing statement

[Source: Caulfield, 2021, How to Write an Essay Outline]

ACTIVITY #3:

The following essay was adapted from a student’s writing. Please identify the components of each paragraph.

Artificial Intelligence: An Irreplaceable Assistant in Policy-making

Do you understand artificial intelligence (AI)? Are you excited that humans can create these machines that think like us? Do you ever worry that they develop too advanced to replace humans? If you have thought about these questions, you are already in the debate of the century. AI is a term used to describe machine artifacts with digital algorithms that have the ability to perceive contexts for action and the capacity to associate contexts to actions (Bryson & Winfield, 2017). The 21st century has witnessed a great number of changes in AI. As AI shows its great abilities in decision-making, humans are relying more on AI to make policies. Despite some concerns about the overuse of AI, AI is no longer to be replaced in policy-making because it has the capabilities that humans cannot achieve, such as transparent decision-making and powerful data processing.

AI has the capacity to use algorithms or systems to make the decision-making process more transparent (Walport & Sedwill, 2016). Many decisions made by humans are based upon their intuition rather than the direct result of the deliberate collection and processing of information (Dane et al., 2012). Intuition is useful in business when considering the outcome of an investment or a new product. However, in politics, the public would often question whether the policy is biased, so a transparent decision-making process should be used instead of intuition. AI can make political decisions more transparent by visualizing digital records (Calo, 2017). AI can make decisions without any discrimination and can have the public better understand of the policies.

In addition, AI can process a large amount of information at a speed faster than the cognitive ability of the most intelligent human policymakers (Jarrahi, 2018). A qualified policy must be based on facts reflected by data, so researching data is an essential part of policy-making. There are two main challenges for the human decision-makers in this area: (1) The amount of data is too large and (2) the relationship between data is too complex. Handling these two problems is where AI is superior. The high computing power of AI makes it an effective tool for retrieving and analyzing large amounts of data, thus reducing the complexity of the logic between problems (Jarrahi, 2018). Without AI, the policymakers would be overwhelmed by tons of data in this modern information age. It is almost impossible for them to convert those data into useful information. For example, data provided to the politician who is responsible for health care is mostly from the electronic health record (HER). HER is just the digital record transported from paper-based forms (Bennett et al., 2012). AI can analyze the data to generate clinical assessments, symptoms, and patient behavior and then link that information with social factors such as education level and economic status. According to the information from AI, the policy maker can make policies for healthcare improvement (Bennett et al., 2012). With the assistance of AI, the government can not only collect data easier but also utilize those data as operable Information.

However, while AI shows its great abilities in policy-making, it also brings considerable risks to contemporary society, and the most significant one is privacy. The only source for AI systems to learn human behavior is data, so AI needs to collect enormous quantities of information about users in order to perform better. Some scholars claim that the main problem with AI data collection is the use of data for unintended purposes. The data is likely to be processed, used, or even sold without the users’ permission (Bartneck et al, 2021). The 2018 Cambridge Analytica scandal showed how private data collected through Facebook can be used to manipulate elections (Bartneck et al, 2021). While privacy is a crucial problem, this is a handleable problem and we cannot deny the benefits brought by using AI. The most appropriate way to solve this problem is to establish a complete regulatory system. In fact, many policies have been made to protect user privacy in AI data collection. One of safeguard in this area is to restrict the centralized processing of data. Researchers are also conducting a lot of research in this area and have achieved some technological breakthroughs. For example, open-source code and open data formats will allow a more transparent distinction between private and transferable information, blockchain-based technologies will allow data to be reviewed and tracked, and “smart contracts” will provide transparent control over how data is used without the need for centralized authority (Yuste & Goering, 2017).

In conclusion, although there may be some privacy-related issues with AI policies, the powerful data collection capabilities and transparent decision-making process of AI will bring many benefits to humans. In the future, AI is more likely to continue to serve as an assistant to humans when making policies under a complete and strict regulatory system.

Bartneck, Christoph. Lütge, Christoph. Wagner, Alan. Welsh, Sean. (2021). Privacy Issues of AI, pp.61-70. DOI: 10.1007/978-3-030-51110-4_8.

Bennett C, Doub T, Selove R (2012) EHRs Connect Research and Practice: Where Predictive Modeling, Artificial Intelligence, and Clinical Decision Support Intersect https://arxiv.org/ftp/arxiv/papers/1204/1204.4927.pdf. Accessed 1 April 2021.

Bryson J and Winfield A (2017) Standardizing Ethical Design Considerations for Artificial Intelligence and Autonomous Systems. http://www.cs.bath.ac.uk/~jjb/ftp/BrysonWinfield17-oa.pdf. Accessed 1 April 2021.

Calo, R (1993) Artificial Intelligence Policy: A Primer and Roadmap. https://lawreview.law.ucdavis.edu/issues/51/2/Symposium/51-2_Calo.pdf , Accessed 1 April 2021.

Dane, Erik., Rockmann, Kevin. W., & Pratt, Michael G. (2012). When should I trust my gut? Linking domain expertise to intuitive decision-making effectiveness. Organizational Behavior and Human Decision Processes, 119(2), 187—194.

Jarrahi, M. (2018). Artificial intelligence and the future of work: Human-AI symbiosis in organizational decision making, Business Horizons, Volume 61, Issue 4, Pages 577-586, ISSN 0007-6813, https://doi.org/10.1016/j.bushor.2018.03.007.

Walport M, & Sedwill M. (2016). Artificial intelligence: opportunities and implications for the future of decision making. https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attach ment_data/file/566075/gs-16-19-artificial-intelligence-ai-report.pdf, Accessed 1 April 2021.

Rafael, Y., & Sara, G. (2017). Four ethical priorities for neurotechnologies an AI https://www.nature.com/news/four-ethical-priorities-for-neurotechnologies-and-ai 1.22960. Accessed 1 April 2022.

Apart from the overall structure of critical writing, it is also important to pay attention to the paragraph-level structure. There are different paragraph models for critical writing.

Model 1: TED model for writing critical paragraphs

Paragraph model for critical writing

Often in assignments, you are expected to critically evaluate – this means to assess the relevance and significance of concepts relating to a specific topic or assignment question. Introduce your point. Give examples from reading. Is there support for your argument or can you identify weaknesses? Are there different perspectives to compare and contrast? Build your explanation and create your objective, reasoned argument (case or thesis) based on the evaluation from different perspectives. You will include your conclusion and point of view, communicating your stance, having made a judgment on research you have found and its significance in contributing to answering your assignment question.

Use the TED model to integrate critical thinking into your writing:

Each example of evidence in your writing should have a clear purpose or function. Be explicit and tell the reader what it contributes to your reasoning.

Professional practice is more complex than simply applying theory to practice, since it involves a professional juggling of situational demands, intuition, experiences and knowledge (Schön, 1991). Practitioners do not apply research findings in a simple deductive process; they need time to think, translate and relate the research findings to their particular setting. The extent to which a given piece of evidence is utilised by an individual in practice depends on their sense of the situation and this inevitably involves professional judgement.

Topic (in red); Evidence (in orange); Further explanation (in blue); Discussion (in green)

Model 2: WEED model for writing critical paragraphs

This is a model for writing critical paragraphs. It’s taken from Godwin’s book called ‘Planning your Essay’. Each paragraph should be on a single topic, making a single point. A paragraph is usually around a third of a page.

W is for What

You should begin your paragraph with the topic or point that you’re making so that it’s clear to your lecturer. Everything in the paragraph should fit in with this opening sentence.

E is for Evidence

The middle of your paragraph should be full of evidence – this is where all your references should be incorporated. Make sure that your evidence fits in with your topic.

E is for Examples

Sometimes it’s useful to expand on your evidence. If you’re talking about a case study, the example might be how your point relates to the particular scenario being discussed.

D is for Do

You should conclude your paragraph with the implications of your discussion. This gives you the opportunity to add your commentary, which is very important in assignments that require you to use critical analysis. So, in effect, each paragraph is like a mini-essay, with an introduction, main body, and conclusion.

Example: a good critical paragraph

Exposure to nature and green spaces has been found to increase health, happiness, and wellbeing. Whilst trees and greenery improve air quality by reducing air pollutants, green spaces facilitate physical activity, reduce stress, and provide opportunities for social interaction (Kaplan, 1995; Lachowycz,and Jones, 2011; Ward Thompson et al., 2012; Hartig et al., 2014; Anderson et al., 2016). Older adults have described increased feelings of wellbeing while spending time in green spaces and walking past street greenery (Finaly et al., 2015; Orr et al., 2016). They are more likely to walk on streets which are aesthetically pleasing (Lockett, Willis and Edwards, 2005) while greenery such as flowers and trees play an important role in improving the aesthetics of the environment (Day, 2008). Therefore, greater integration of urban green spaces and street greenery in cities may have the potential to increase physical activity and wellbeing in older adults.

What (in red), Evidence (in orange), Do (in blue).

[Source: Learning Hub, 2021 ]

Please identify the paragraph-level components in the following paragraphs. You can use different colors to indicate different components.

Social Media plays a key role in slowing the spread of vaccine misinformation. According to Nikos-Rose (2021) from the University of California, individuals’ attitudes towards vaccination can negatively be influenced by social media. They can simply post a piece of misleading information to the public, and the deceived ones will share it with their families and friends. The role of media can also help boost the public’s confidence in the vaccination. The media can provide valuable information for the public to know that the vaccine is safe. Almost everyone in the modern era lives with a cell phone now. People on social media can also share their experiences after getting vaccinated. Influences can help boost the public’s confidence. Just as voters would receive “I voted” after casting their ballots, vaccination distribution sites can provide “I got vaccinated” stickers. This can encourage individuals to post on the media that they have received the vaccine (Milkman, 2020). Furthermore, those who spread misleading information should be fined by the authorities. This punishment would be sufficient for them to learn their lesson. People who oversee data and information in social media should be concerned about the spread of misleading information on social media. After deleting the false information, they should put up a notice stating that is fake. This will help the public to understand which information should be trusted or not. Moreover, people who find misleading information online should report it to the administration. This could help prevent false info from circulating on the internet.

Recent studies showed that the contamination of land and water can also negatively affect the production of crops and the food systems as the safety of products can be compromised by the chemicals used by fracking. In addition, the amount of freshwater required for the mixture of the fracking fluids can generate a lack of water supply to the local agricultural industries. The fresh water is the 90-97 % of the fracking fluids, and the water deployed is not possible to recycle efficiently. In fact, the wastewater became a further challenge to the agricultural sector as it can make the soil dry and unusable for crops (Pothukuchi et al. 2018). The challenges faced by the agricultural sector are reflected in the farmlands and livestocks as well. For example, in Pennsylvania, the Dairy farming is one of the major agricultural sectors. This particular sector requires unpolluted water and pasturelands to enable the cows to produce milk. Since 1996 this sector began to fail, but the largest decrease in cows that produce milk took place between 2007 and 2011. It was the exact same period when the fracking industries reached their peak in this area (Pothukuchi et al. 2018). Another piece of evidence is related to the air pollution caused by fracking, specifically, the pollution of agricultural pollinators such as bees. The population of air caused by fracking has led to a huge degradation of that volatiles endangering the local and global food production. Those outcomes are closely related to the low level of planning abilities in rural areas, where fracking usually takes place. Particularly, the gap between fracking industry actors and local officials didn’t allow the development of a proper level of policies and regulations.

References:

Academic writing tip: Making an outline. (2020, December 8). The International Language Institute of Massachusetts. Retrieved July 22, 2022, from https://ili.edu/2020/12/08/academic-writing-tip-making-an-outline/

Caulfield, J. (2021, December 6). How to Write an Essay Outline | Guidelines & Examples. Scribbr. Retrieved July 22, 2022, from https://www.scribbr.com/academic-essay/essay-outline/

Choudhary, A. (n.d.). Impressive Verbs to use in your Research Paper. Editage. Retrieved July 22, 2022, from https://www.editage.com/all-about-publication/research/impressive-Verbs-to-use-in-your-Research-Paper.html

Critical reading towards critical writing. (n.d.). University of Toronto. Retrieved July 22, 2022, from https://advice.writing.utoronto.ca/researching/critical-reading/

Critical writing. (n.d.). Teesside University. Retrieved July 22, 2022, from https://libguides.tees.ac.uk/ld.php?content_id=33286287

Critical writing. (n.d.-b). EAP FOUNDATION.COM. Https://www.eapfoundation.com/writing/critical/

Decide when to quote, paraphrase and summarize. (n.d.). University of Houston-Victoria. Retrieved July 22, 2022, from https://www.uhv.edu/curriculum-and-student-achievement/student-success/tutoring/student-resources/a-d/decide-when-to-quote-paraphrase-and-summarize/

Features of academic writing. (n.d.). UEFAP. Retrieved July 22, 2022, from http://www.uefap.com/writing/feature/hedge.htm

Five ways to introduce quotations. (n.d.). University of Georgia. Retrieved July 22, 2022, from https://dae.uga.edu/iep/handouts/Five-Ways-to-Introduce-Quotations.pdf

Jansen, D. (2017, April). Analytical writing vs descriptive writing. GRADCOACH. Retrieved July 22, 2022, from https://gradcoach.com/analytical-vs-descriptive-writing/

Hedges and Boosters. (n.d.). The Nature of Writing. Retrieved July 22, 2022, from https://natureofwriting.com/courses/introduction-to-rhetoric/lessons/hedges-and-boosters/topic/hedges-and-boosters

How to write critically. (n.d.). Teesside University. Retrieved July 22, 2022, from https://libguides.tees.ac.uk/ld.php?content_id=31275168

Lane, J. (2021, July 9). Critical thinking for critical writing. Simon Fraser University. Retrieved July 22, 2022, from https://www.lib.sfu.ca/about/branches-depts/slc/writing/argumentation/critical-thinking-writing

LibGuides: Critical Writing: Online study guide. (n.d.). Sheffield Hallam University. Retrieved July 22, 2022, from https://libguides.shu.ac.uk/criticalwriting

What are analytical verbs? (n.d.). Twinkl. Retrieved July 22, 2022, from https://www.twinkl.com/teaching-wiki/analytical-verbs

What is hedging in academic writing? (2022, May 3). Enago Academy. Retrieved July 22, 2022, from https://www.enago.com/academy/hedging-in-academic-writing/

Critical Reading, Writing, and Thinking Copyright © 2022 by Zhenjie Weng, Josh Burlile, Karen Macbeth is licensed under a Creative Commons Attribution 4.0 International License , except where otherwise noted.

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Academic Writing: Critical Thinking & Writing

  • Academic Writing
  • Planning your writing
  • Structuring your assignment
  • Critical Thinking & Writing
  • Building an argument
  • Reflective Writing
  • Summarising, paraphrasing and quoting

Critical Thinking

One of the most important features of studying at university is the expectation that you will engage in thinking critically about your subject area. 

Critical thinking involves asking meaningful questions concerning the information, ideas, beliefs, and arguments that you will encounter. It requires you to approach your studies with a curious, open mind, discard preconceptions, and interrogate received knowledge and established practices.

Critical thinking is key to successfully expressing your individuality as an independent learner and thinker in an academic context. It is also a valuable life skill. 

Critical thinking enables you to:

  • Evaluate information, its validity and significance in a particular context.
  • Analyse and interpret evidence and data in response to a line of enquiry.
  • Weigh-up alternative explanations and arguments.
  • Develop your own evidence-based and well-reasoned arguments.
  • Develop well-informed viewpoints.
  • Formulate your own independent, justifiable ideas.
  • Actively engage with the wider scholarship of your academic community.

Writing Critically

Being able to demonstrate and communicate critical thinking in your written assignments through critical writing is key to achieving academic success. 

Critical writing can be distinguished from descriptive writing which is concerned with conveying information rather than interrogating information. Understanding the difference between these two styles of academic writing and when to use them is important.

The balance between descriptive writing and critical writing will vary depending on the nature of the assignment and the level of your studies. Some level of descriptive writing is generally necessary to support critical writing. More sophisticated criticality is generally required at higher levels of study with less descriptive content. You will continue to develop your critical writing skills as you progress through your course.

Descriptive Writing and Critical Writing

  • Descriptive Writing
  • Critical Writing
  • Examples of Critical Writing

Descriptive writing demonstrates the knowledge you have of a subject, and your knowledge of what other people say about that subject.  Descriptive writing often responds to questions framed as ‘what’ , ‘where’ , ‘who’ and ‘when’ .

Descriptive writing might include the following:

  • Description of what something is or what it is about (an account, facts, observable features, details): a topic, problem, situation, or context of the subject under discussion.
  • Description of where it takes place (setting and context), who is involved and when it occurs. 
  • Re-statement or summary of what others say about the topic.
  • Background facts and information for a discussion.

Description usually comes before critical content so that the reader can understand the topic you are critically engaging with.

Critical writing requires you to apply interpretation, analysis, and evaluation to the descriptions you have provided. Critical writing often responds to questions framed as ‘how’ or ‘why’ . Often, critical writing will require you to build an argument which is supported by evidence. 

Some indicators of critical writing are:

  • Investigation of positive and negative perspectives on ideas
  • Supporting ideas and arguments with evidence, which might include authoritative sources, data, statistics, research, theories, and quotations
  • Balanced, unbiased appraisal of arguments and counterarguments/alternative viewpoints
  • Honest recognition of the limitations of an argument and supporting evidence
  • Plausible, rational, convincing, and well-reasoned conclusions 

Critical writing might include the following:

  • Applying an idea or theory to different situations or relate theory to practice. Does the idea work/not work in practice? Is there a factor that makes it work/not work? For example: 'Smith's (2008) theory on teamwork is effective in the workplace because it allows a diverse group of people with different skills to work effectively'.
  • Justifying why a process or policy exists. For example: 'It was necessary for the nurse to check the patient's handover notes because...'
  • Proposing an alternative approach to view and act on situations. For example: 'By adopting a Freirian approach, we could view the student as a collaborator in our teaching and learning'. Or: 'If we had followed the NMC guidelines we could have made the patient feel calm and relaxed during the consultation'.
  • Discussion of the strengths and weaknesses of an idea/theory/policy. Why does this idea/theory/policy work? Or why does this idea not work? For example: 'Although Smith's (2008) theory on teamwork is useful for large teams, there are challenges in applying this theory to teams who work remotely'. 
  • Discussion of how the idea links to other ideas in the field (synthesis). For example: 'the user experience of parks can be greatly enhanced by examining Donnelly's (2009) customer service model used in retail’.
  • Discussion of how the idea compares and contrasts with other ideas/theories. For example: ‘The approach advocated by the NMC differs in comparison because of factor A and factor C’.
  • Discussion of the ‘’up-to-datedness” and relevance of an idea/theory/policy (its currency). For example: 'although this approach was successful in supporting the local community, Smith's model does not accommodate the needs of a modern global economy'. 
  • Evaluating an idea/theory/policy by providing evidence-informed judgment. For example: 'Therefore, May's delivery model should be discontinued as it has created significant issues for both customers and staff (Ransom, 2018)'.
  • Creating new perspectives or arguments based on knowledge. For example: 'to create strong and efficient buildings, we will look to the designs provided by nature. The designs of the Sydney Opera House are based on the segments of an orange (Cook, 2019)'. 

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Critical writing Analyse and evaluate information to develop an argument

In academic writing you will develop an argument or point of view. This will be supported by concrete evidence, in other words reasons, examples, and information from sources. The writing you produce in this way will need to be 'critical writing'. This section looks at critical writing in detail, first by giving a definition of critical writing and considering how to write critically , then by contrasting critical writing with descriptive writing , with some examples . There is also a discussion of how critical writing relates to Bloom's taxonomy of thinking skills , as well as a checklist to help you check critical writing in your own work.

What is critical writing?

Critical writing is writing which analyses and evaluates information, usually from multiple sources, in order to develop an argument. A mistake many beginning writers make is to assume that everything they read is true and that they should agree with it, since it has been published in an academic text or journal. Being part of the academic community, however, means that you should be critical of (i.e. question) what you read, looking for reasons why it should be accepted or rejected, for example by comparing it with what other writers say about the topic, or evaluating the research methods to see if they are adequate or whether they could be improved.

How to write critically

In order to write critically, you need to use a range of sources to develop your argument. You cannot rely solely on your own ideas; you need to understand what others have written about the same topic. Additionally, it is not enough to use just a single source to support your argument, for example a source which agrees with your own view, since this could lead to a biased argument. You need to consider all sides of the issue.

Further, in developing your argument, you need to analyse and evaluate the information from other sources. You cannot just string quotes together (A says this, B says that, C says something else), without looking more deeply at the information and building on it to support your own argument. This means you need to break down the information from other sources to determine how the parts relate to one another or to an overall structure or purpose [ analysing ], and then make judgements about it, identifying its strengths and weaknesses, and possibly 'grey areas' in between, which are neither strengths nor weaknesses [ evaluating ]. Critical reading skills will help you with this, as you consider whether the source is reliable, relevant, up-to-date, and accurate. For example, you might examine the research methods used in an experiment [ analysing ] in order to assess why they were chosen or to determine whether they were appropriate [ evaluating ], or you might deconstruct (break down) a writer's line of reasoning [ analysing ] to see if it is valid or whether there are any gaps [ evaluating ].

As a result of analysis and evaluation, you will be able to give reasons why the conclusions of different writers should be accepted or treated with caution . This will help you to build a clear line of reasoning which will lead up to your own conclusions, and you will be writing critically.

What is descriptive writing?

Critical writing is often contrasted with descriptive writing . Descriptive writing simply describes what something is like. Although you need a critical voice, description is still necessary in your writing, for example to:

  • give the background of your research;
  • state the theory;
  • explain the methods of your experiment;
  • give the biography of an important person;
  • provide facts and figures about a particular issue;
  • outline the history of an event.

You should, however, keep the amount of description to a minimum. Most assignments will have a strict word limit, and you should aim to maximise the amount of critical writing, while minimising the number of words used for description. If your tutors often write comments such as 'Too descriptive' or 'Too much theory' or 'More analysis needed', you know you need to adjust the balance.

Examples of descriptive vs. critical writing

The following table gives some examples to show the difference between descriptive and critical writing. The verbs in bold are key verbs according to Bloom's taxonomy , considered next.

Relationship to Bloom's Taxonomy

Bloom’s Taxonomy was developed in 1956 by Benjamin Bloom, an educational psychologist working at the University of Chicago. It classifies the thinking behaviours that are believed to be important in the processes of learning. It was developed in three domains, with the cognitive domain, i.e. the knowledge based domain, consisting of six levels. The taxonomy was revised in 2001 by Anderson and Krathwohl, to reflect more recent understanding of educational processes. Their revised taxonomy also consists of six levels, arranged in order from lower order thinking skills to higher order thinking skills, namely: remembering, understanding, applying, analysing, evaluating, and creating.

Bloom's revised taxonomy is relevant since analysing and evaluating , which form the basis of critical writing, are two of the higher order thinking skills in the taxonomy. Descriptive writing, by contrast, is the product of remembering and understanding , the two lowest order thinking skills. The fact that critical writing uses higher order thinking skills is one of the main reasons this kind of writing is expected at university.

The table below gives more details about each of the levels, including a description and some keys verbs associated with each level. Although the verbs are intended for the design of learning outcomes, they are nonetheless representative of the kind of work involved at each level, and are therefore relevant to academic writing.

Academic Writing Genres

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Below is a checklist for critical writing. Use it to check your own writing, or get a peer (another student) to help you.

Academic Phrasebank , The University of Manchester (2020) Being Critical . Available at: http://www.phrasebank.manchester.ac.uk/being-critical/ (Accessed: 11 September, 2020).

Churches, A. (n.d.) Bloom’s Digital Taxonomy . Available at: https://edorigami.edublogs.org/blooms-digital-taxonomy/ (Accessed: 1 September, 2020).

Colorado College (n.d.) Bloom’s Revised Taxonomy . Available at: https://www.coloradocollege.edu/other/assessment/how-to-assess-learning/learning-outcomes/blooms-revised-taxonomy.html (Accessed: 1 September, 2020).

Cottrell, S. (2013) The Study Skills Handbook (4th ed.) . Basingstoke: Palgrave MacMillan

Shabatura, J. (2013) Using Bloom’s Taxonomy to Write Effective Learning Objectives . Available at: https://tips.uark.edu/using-blooms-taxonomy/ (Accessed: 1 September, 2020).

Sheffield Halam University (2020) Critical Writing . Available at: https://libguides.shu.ac.uk/criticalwriting (Accessed: 1 September, 2020).

Teesside University (2020). Critical Writing: Help . Available at: https://libguides.tees.ac.uk/critical_writing (Accessed: 11 September, 2020).

University of Hull (2020) Critical writing: Descriptive vs critical . Available at: https://libguides.hull.ac.uk/criticalwriting/descriptive-critical (Accessed: 11 September, 2020).

University of Leicester (2009) What is critical writing . Available at: http://www2.le.ac.uk/offices/ld/resources/writing/writing-resources/critical-writing (Access date: 8/12/14).

Wilson, L.O. (2020) Bloom’s Taxonomy Revised . Available at: https://thesecondprinciple.com/essential-teaching-skills/blooms-taxonomy-revised/ (Accessed: 1 September, 2020).

Yale University (2017) Bloom’s Taxonomy . Available at: https://poorvucenter.yale.edu/BloomsTaxonomy (Accessed: 1 September, 2020).

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Author: Sheldon Smith    ‖    Last modified: 06 January 2022.

Sheldon Smith is the founder and editor of EAPFoundation.com. He has been teaching English for Academic Purposes since 2004. Find out more about him in the about section and connect with him on Twitter , Facebook and LinkedIn .

Compare & contrast essays examine the similarities of two or more objects, and the differences.

Cause & effect essays consider the reasons (or causes) for something, then discuss the results (or effects).

Discussion essays require you to examine both sides of a situation and to conclude by saying which side you favour.

Problem-solution essays are a sub-type of SPSE essays (Situation, Problem, Solution, Evaluation).

Transition signals are useful in achieving good cohesion and coherence in your writing.

Reporting verbs are used to link your in-text citations to the information cited.

Critical writing: What is critical writing?

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“If we are uncritical we shall always find what we want: we shall look for, and find confirmations” Karl Popper, cited in:  Critical Thinking  (Tom Chatfield)

Critical writing needs critical thinking. While most of this guide focuses on critical writing, it is first important to consider what we mean by criticality at university. This is because critical writing is primarily a process of evidencing and articulating your critical thinking. As such, it is really important to get the 'thinking bit' of your studies right! If you are able to demonstrate criticality in your thinking, it will make critical writing easier. 

Williams’ (2009:viii) introduces criticality at university as:

“being thoughtful, asking questions, not taking things you read (or hear) at face value. It means finding information and understanding different approaches and using them in your writing.

What is critical thinking?

Critical thinking requires you to carefully evaluate not just sources of information, but also the ideas within them and the arguments they develop. This is an essential part of being a student at university. You cannot simply believe everything you read or are told. For some people, this can feel uncomfortable as this requires you to critique published authors and notable academics. While this may feel inappropriate, it is one of the foundations of academic debate. Indeed, for any given topic or issue, there are many equally valid academic positions. To be effective in your critical thinking, you need to use both scepticism and objectivity :

Scepticism requires you to bring doubt and a questioning attitude to your academic work. In essence, you must ensure you do not automatically accept everything you hear, read or see as true (Chatfield, 2018). This requires you to  question everything you hear, read or see . This is the first step towards developing a critical approach.

Objectivity

Objectivity requires you to approach your work with a more neutral perspective . While it is not possible to take yourself out of your work, when you are engaging in critical thinking you need to acknowledge anything that influences your perspective. This is very important as without this level of self-awareness you can focus more on your opinion than developing a reasoned argument. 

Remember, you CAN criticise the experts - the University of Sussex make this point well here: Critical Thinking: Criticising the experts .

A short introduction to critical writing

Making your thinking more critical with questions

This page has so far demonstrated the importance of asking questions in all of your academic work and learning. Questions are the root of criticality. Questions engage you in active thought, requiring you to process what you are hearing, reading, seeing or experiencing against what you already know. All questions, however, are not as equally probing. Questions like 'what', 'when' and 'who' tend to be more descriptive in contrast to  questions like 'how' or 'so what' which are much more critical .

When engaging in critical thinking, you need to use a range of questions to fully consider the topic or issue you are trying to understand. Descriptive questions are great for developing your initial understanding, but you also need to consider more analytical and evaluatory questions to fully engage in critical thinking . The diagram below introduces some of the core critical questions: 

Critical questioning means you usually start by thinking about What, When Who, Where (Description) moving on to Why and How (Analysis) and finishing with What if, So what, and What next (Evaluation)

Based on: University of Plymouth

Critical questions when reading

Most of your critical thinking should be directed towards your reading of the literature. This is because the literature forms the basis of all academic writing, serving as the evidence for whatever point(s) you are trying to make. Our  Reading at University SkillsGuide  contains some useful sections which apply criticality to determining source reliability and identifying an argument. Direct links to these can be found below:

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Dec. 5, 2019

Better writing assignments start with critical reading praxis.

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Laying the Foundation: Graduate Student Projects in Teaching & Learning

In this blog feature, we present the work of Rice graduate students completing coursework in our Certificate in Teaching and Learning .

Today, we’re featuring the project of Mallory Pladus, a PhD Candidate in English at Rice. As part of her coursework in UNIV 501 “Research on Teaching and Learning,” Mallory pursued the research question “What types of reading and writing assignments promote critical literacy?” Based on her findings she compiled an annotated bibliography, wrote a synthesis of the research, and developed a research poster. We asked Mallory to share her findings and analysis through this blog post.

In the spring I conducted a research project with the CTE that began as an effort to learn more about writing assignments in undergraduate courses, specifically for English and writing-focused courses, but with an interest in assignments across disciplines as well. I approached the project from the vantage point of an instructor at a loss, remembering having puzzled over the question of what kind of writing work to assign when I had the chance to experiment with curriculum design as a first-time grad student instructor.

In that teaching experience, I wanted to take seriously the question of how my course could be evidence of a pedagogical cornerstone: to help student writers feel more confident in how their thinking comes through on the page. I thought a lot about the standard essay form, its strengths and weaknesses: it combines lessons on argumentation, literary evidence, and form; it’s (rotely?) institutionalized across disciplines. In the research I did last term, I was still less interested in deposing the essay, and more interested in researching answers to these two questions: What types of assignments help students arrive at a point where they can claim, with a feeling of authenticity, in this paper, I argue that… ? And what are the major principles in composition pedagogy that might help me and other instructors create more interesting and more effective assignments for students?

The findings were elucidating toward those ends. The field of composition pedagogy shows the positive influence of genre studies, which encourages instructors to make explicit the social function , the rhetorical situation , and the discourse community of the genres they’ve assigned.[1] Instructors who opt to not buck the traditional essay assignment, for example, should unpack with students who the essay is for, what conventions readers expect from it, and why the genre exists at all. I especially like the call to encourage students to write to a real or imagined community beyond the instructor. I remember valuing a version of this advice I received as an undergrad writer - to keep front and center the questions of who (is this for?) and why (write this at all?).

Above all, though, the standout lesson from the field - discussed as repetitiously as the content of the advice itself - is that student writers benefit most from writing early and often, through assignments that are sequenced, frequent, and recursive. I think most instructors know this, but could stand to be reminded. Effective assignments encompass opportunities for reflection, metacognition, and revision. They might call for post-script writing, for example; they might sequence an essay in staged parts; they might compel students to submit revisions after dialoguing with peers. In an article from The Chronicle of Higher Education by Doug Hesse, he summarily states the logic subtending all of these principles: “Students learn to write by writing.”[2]

For me, these conventional precepts - though helpful - omit one key term. Don’t students also learn to write by reading? One of my favorite things about teaching English is that part of the disciplinary groundwork is to attend carefully to language - to interpret texts as a series of decisions to a set of ends. For writing instruction, this helps. We impart to students the significance of these decisions, and we get to establish close engagement with language as a course norm. Hesse does acknowledge this aspect of successful writing classrooms too, as he notes that student writing benefits when students feel equipped to read texts as deep examples - not just of how to turn a phrase (though that too), but of carefully plotted rhetorical moves.

From experience, as a graduate fellow at Rice’s CAPC, I’m often reminded that my job to help a student improve a piece of writing comes down to making sure the student has really understood the assigned reading. When I think of common areas for improvement - an essay repeats key claims, doesn’t engage thoughtfully or confidently with source materials, lacks overall heft - they all tend to signal that a student’s first act in revision should be to return to the text. Through this work consulting on student essays, I’ve also learned that students frequently collapse the terms “critical” and “criticize”; when asked to “critique” an author’s argument, for example, students proceed to expose its flaws. These two observations suggest a need for and one potential barrier to implementing critical reading as part of our writing instruction. The pedagogy scholars, Robert Diyanni and Anton Borst, whose work I describe more below, define critical reading well: it is the capacity to “analyze a text, understand its logic, evaluate its evidence, interpret it creatively, and ask searching questions of it” (3).

Toward my first research question, about how to help students write with a greater feeling of authenticity, critical reading offers one answer. Before students can fill in the blanks that follow the template “ In this paper, I argue that …” they need to form a considered response to a source text, and this work begins with meaningful comprehension. Further, the language that Diyanni and Borst use to define critical reading resonates with this goal of authentic argumentation. As they highlight the abilities to “interpret [a text] creatively” and to “ask searching questions of it,” they describe the act of reading from a specific subject position. Course writing assignments (“ I will argue”) then allow students to develop ideas that began with reading.

My second research question pertained to the field of composition studies. In the research I conducted on writing assignments, I was surprised to not find more content on the relationship between critical reading and critical writing. There are, however, two notable exceptions to this point - one old, one new. In a study from 1990, Reading-to-Write: Exploring a Cognitive and Social Process , Linda Flower, et. al. explain that according to research in cognitive learning, the mind distinguishes between reading to do something and reading to learn something (6). When a person reads a set of instructions, for instance, they scan for usable content to extract. Conversely, the act of reading with a bent toward writing, “is guided by the need to produce a text of one’s own” (7).

In Critical Reading Across the Curriculum , DiYanni and Borst make a case for the significance of critical reading, with greater implications for pedagogy. They explain that CR entails two primary parts: to read responsibly (to accurately attend to a text) and to read responsively (to talk back to a text via marginalia and annotation). The contributor Pat C. Hoy argues that “We would do well to clarify for our students this entwining relationship, reminding them...that the most persuasive writing is predicated on acts of clear-headed critical reading” (25). Hoy offers the practical example of one such reading assignment as a precursor to writing: guide students to distill an essay; have them write one cogent sentence in the margin to capture the meaning of each paragraph.

Both Reading to Write and Critical Reading Across the Curriculum stress the importance of meeting a text on its own terms - of understanding its major moves and claims (as opposed to quickly mining it, and before beginning the work of critiquing it). Both provoke the need for instructors to prompt students to read better, with an eye toward writing. In addition to the example Hoy provides of the distillation assignment, instructors could experiment with reading journals, dialectical notebooks (that stage a conversation between the reader and the source text), and descriptive outlining (in which students unpack both what a text says and how it says it).[3] These examples attest to the overlaps between reading and writing assignments. Similarly, as we emphasize the importance of drafting, editing, and revising in the writing classroom, we can also emphasize active reading and active reading assignments as the first stage of the writing work we already know to teach as a process.

[1] From Dan Melzer’s Assignments Across the Curriculum: A National Study of College Writing (2014). For more on genre theory, see Mary Soliday’s Everyday Genres: Writing Assignments Across the Disciplines (2011).

[2] “We Know What Works in Teaching Composition” (2017).

[3] See Susan M. Leist, Writing to Teach; Writing to Learn in Higher Education (University Press of America, 2006), for a more detailed description of these and other assignments.

Posted on December 5, 2019 by Ania Kowalik

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MIT Comparative Media Studies/Writing

Resources for Teachers: Creating Writing Assignments

This page contains four specific areas:

Creating Effective Assignments

Checking the assignment, sequencing writing assignments, selecting an effective writing assignment format.

Research has shown that the more detailed a writing assignment is, the better the student papers are in response to that assignment. Instructors can often help students write more effective papers by giving students written instructions about that assignment. Explicit descriptions of assignments on the syllabus or on an “assignment sheet” tend to produce the best results. These instructions might make explicit the process or steps necessary to complete the assignment. Assignment sheets should detail:

  • the kind of writing expected
  • the scope of acceptable subject matter
  • the length requirements
  • formatting requirements
  • documentation format
  • the amount and type of research expected (if any)
  • the writer’s role
  • deadlines for the first draft and its revision

Providing questions or needed data in the assignment helps students get started. For instance, some questions can suggest a mode of organization to the students. Other questions might suggest a procedure to follow. The questions posed should require that students assert a thesis.

The following areas should help you create effective writing assignments.

Examining your goals for the assignment

  • How exactly does this assignment fit with the objectives of your course?
  • Should this assignment relate only to the class and the texts for the class, or should it also relate to the world beyond the classroom?
  • What do you want the students to learn or experience from this writing assignment?
  • Should this assignment be an individual or a collaborative effort?
  • What do you want students to show you in this assignment? To demonstrate mastery of concepts or texts? To demonstrate logical and critical thinking? To develop an original idea? To learn and demonstrate the procedures, practices, and tools of your field of study?

Defining the writing task

  • Is the assignment sequenced so that students: (1) write a draft, (2) receive feedback (from you, fellow students, or staff members at the Writing and Communication Center), and (3) then revise it? Such a procedure has been proven to accomplish at least two goals: it improves the student’s writing and it discourages plagiarism.
  • Does the assignment include so many sub-questions that students will be confused about the major issue they should examine? Can you give more guidance about what the paper’s main focus should be? Can you reduce the number of sub-questions?
  • What is the purpose of the assignment (e.g., review knowledge already learned, find additional information, synthesize research, examine a new hypothesis)? Making the purpose(s) of the assignment explicit helps students write the kind of paper you want.
  • What is the required form (e.g., expository essay, lab report, memo, business report)?
  • What mode is required for the assignment (e.g., description, narration, analysis, persuasion, a combination of two or more of these)?

Defining the audience for the paper

  • Can you define a hypothetical audience to help students determine which concepts to define and explain? When students write only to the instructor, they may assume that little, if anything, requires explanation. Defining the whole class as the intended audience will clarify this issue for students.
  • What is the probable attitude of the intended readers toward the topic itself? Toward the student writer’s thesis? Toward the student writer?
  • What is the probable educational and economic background of the intended readers?

Defining the writer’s role

  • Can you make explicit what persona you wish the students to assume? For example, a very effective role for student writers is that of a “professional in training” who uses the assumptions, the perspective, and the conceptual tools of the discipline.

Defining your evaluative criteria

1. If possible, explain the relative weight in grading assigned to the quality of writing and the assignment’s content:

  • depth of coverage
  • organization
  • critical thinking
  • original thinking
  • use of research
  • logical demonstration
  • appropriate mode of structure and analysis (e.g., comparison, argument)
  • correct use of sources
  • grammar and mechanics
  • professional tone
  • correct use of course-specific concepts and terms.

Here’s a checklist for writing assignments:

  • Have you used explicit command words in your instructions (e.g., “compare and contrast” and “explain” are more explicit than “explore” or “consider”)? The more explicit the command words, the better chance the students will write the type of paper you wish.
  • Does the assignment suggest a topic, thesis, and format? Should it?
  • Have you told students the kind of audience they are addressing — the level of knowledge they can assume the readers have and your particular preferences (e.g., “avoid slang, use the first-person sparingly”)?
  • If the assignment has several stages of completion, have you made the various deadlines clear? Is your policy on due dates clear?
  • Have you presented the assignment in a manageable form? For instance, a 5-page assignment sheet for a 1-page paper may overwhelm students. Similarly, a 1-sentence assignment for a 25-page paper may offer insufficient guidance.

There are several benefits of sequencing writing assignments:

  • Sequencing provides a sense of coherence for the course.
  • This approach helps students see progress and purpose in their work rather than seeing the writing assignments as separate exercises.
  • It encourages complexity through sustained attention, revision, and consideration of multiple perspectives.
  • If you have only one large paper due near the end of the course, you might create a sequence of smaller assignments leading up to and providing a foundation for that larger paper (e.g., proposal of the topic, an annotated bibliography, a progress report, a summary of the paper’s key argument, a first draft of the paper itself). This approach allows you to give students guidance and also discourages plagiarism.
  • It mirrors the approach to written work in many professions.

The concept of sequencing writing assignments also allows for a wide range of options in creating the assignment. It is often beneficial to have students submit the components suggested below to your course’s STELLAR web site.

Use the writing process itself. In its simplest form, “sequencing an assignment” can mean establishing some sort of “official” check of the prewriting and drafting steps in the writing process. This step guarantees that students will not write the whole paper in one sitting and also gives students more time to let their ideas develop. This check might be something as informal as having students work on their prewriting or draft for a few minutes at the end of class. Or it might be something more formal such as collecting the prewriting and giving a few suggestions and comments.

Have students submit drafts. You might ask students to submit a first draft in order to receive your quick responses to its content, or have them submit written questions about the content and scope of their projects after they have completed their first draft.

Establish small groups. Set up small writing groups of three-five students from the class. Allow them to meet for a few minutes in class or have them arrange a meeting outside of class to comment constructively on each other’s drafts. The students do not need to be writing on the same topic.

Require consultations. Have students consult with someone in the Writing and Communication Center about their prewriting and/or drafts. The Center has yellow forms that we can give to students to inform you that such a visit was made.

Explore a subject in increasingly complex ways. A series of reading and writing assignments may be linked by the same subject matter or topic. Students encounter new perspectives and competing ideas with each new reading, and thus must evaluate and balance various views and adopt a position that considers the various points of view.

Change modes of discourse. In this approach, students’ assignments move from less complex to more complex modes of discourse (e.g., from expressive to analytic to argumentative; or from lab report to position paper to research article).

Change audiences. In this approach, students create drafts for different audiences, moving from personal to public (e.g., from self-reflection to an audience of peers to an audience of specialists). Each change would require different tasks and more extensive knowledge.

Change perspective through time. In this approach, students might write a statement of their understanding of a subject or issue at the beginning of a course and then return at the end of the semester to write an analysis of that original stance in the light of the experiences and knowledge gained in the course.

Use a natural sequence. A different approach to sequencing is to create a series of assignments culminating in a final writing project. In scientific and technical writing, for example, students could write a proposal requesting approval of a particular topic. The next assignment might be a progress report (or a series of progress reports), and the final assignment could be the report or document itself. For humanities and social science courses, students might write a proposal requesting approval of a particular topic, then hand in an annotated bibliography, and then a draft, and then the final version of the paper.

Have students submit sections. A variation of the previous approach is to have students submit various sections of their final document throughout the semester (e.g., their bibliography, review of the literature, methods section).

In addition to the standard essay and report formats, several other formats exist that might give students a different slant on the course material or allow them to use slightly different writing skills. Here are some suggestions:

Journals. Journals have become a popular format in recent years for courses that require some writing. In-class journal entries can spark discussions and reveal gaps in students’ understanding of the material. Having students write an in-class entry summarizing the material covered that day can aid the learning process and also reveal concepts that require more elaboration. Out-of-class entries involve short summaries or analyses of texts, or are a testing ground for ideas for student papers and reports. Although journals may seem to add a huge burden for instructors to correct, in fact many instructors either spot-check journals (looking at a few particular key entries) or grade them based on the number of entries completed. Journals are usually not graded for their prose style. STELLAR forums work well for out-of-class entries.

Letters. Students can define and defend a position on an issue in a letter written to someone in authority. They can also explain a concept or a process to someone in need of that particular information. They can write a letter to a friend explaining their concerns about an upcoming paper assignment or explaining their ideas for an upcoming paper assignment. If you wish to add a creative element to the writing assignment, you might have students adopt the persona of an important person discussed in your course (e.g., an historical figure) and write a letter explaining his/her actions, process, or theory to an interested person (e.g., “pretend that you are John Wilkes Booth and write a letter to the Congress justifying your assassination of Abraham Lincoln,” or “pretend you are Henry VIII writing to Thomas More explaining your break from the Catholic Church”).

Editorials . Students can define and defend a position on a controversial issue in the format of an editorial for the campus or local newspaper or for a national journal.

Cases . Students might create a case study particular to the course’s subject matter.

Position Papers . Students can define and defend a position, perhaps as a preliminary step in the creation of a formal research paper or essay.

Imitation of a Text . Students can create a new document “in the style of” a particular writer (e.g., “Create a government document the way Woody Allen might write it” or “Write your own ‘Modest Proposal’ about a modern issue”).

Instruction Manuals . Students write a step-by-step explanation of a process.

Dialogues . Students create a dialogue between two major figures studied in which they not only reveal those people’s theories or thoughts but also explore areas of possible disagreement (e.g., “Write a dialogue between Claude Monet and Jackson Pollock about the nature and uses of art”).

Collaborative projects . Students work together to create such works as reports, questions, and critiques.

The Writing Center • University of North Carolina at Chapel Hill

Understanding Assignments

What this handout is about.

The first step in any successful college writing venture is reading the assignment. While this sounds like a simple task, it can be a tough one. This handout will help you unravel your assignment and begin to craft an effective response. Much of the following advice will involve translating typical assignment terms and practices into meaningful clues to the type of writing your instructor expects. See our short video for more tips.

Basic beginnings

Regardless of the assignment, department, or instructor, adopting these two habits will serve you well :

  • Read the assignment carefully as soon as you receive it. Do not put this task off—reading the assignment at the beginning will save you time, stress, and problems later. An assignment can look pretty straightforward at first, particularly if the instructor has provided lots of information. That does not mean it will not take time and effort to complete; you may even have to learn a new skill to complete the assignment.
  • Ask the instructor about anything you do not understand. Do not hesitate to approach your instructor. Instructors would prefer to set you straight before you hand the paper in. That’s also when you will find their feedback most useful.

Assignment formats

Many assignments follow a basic format. Assignments often begin with an overview of the topic, include a central verb or verbs that describe the task, and offer some additional suggestions, questions, or prompts to get you started.

An Overview of Some Kind

The instructor might set the stage with some general discussion of the subject of the assignment, introduce the topic, or remind you of something pertinent that you have discussed in class. For example:

“Throughout history, gerbils have played a key role in politics,” or “In the last few weeks of class, we have focused on the evening wear of the housefly …”

The Task of the Assignment

Pay attention; this part tells you what to do when you write the paper. Look for the key verb or verbs in the sentence. Words like analyze, summarize, or compare direct you to think about your topic in a certain way. Also pay attention to words such as how, what, when, where, and why; these words guide your attention toward specific information. (See the section in this handout titled “Key Terms” for more information.)

“Analyze the effect that gerbils had on the Russian Revolution”, or “Suggest an interpretation of housefly undergarments that differs from Darwin’s.”

Additional Material to Think about

Here you will find some questions to use as springboards as you begin to think about the topic. Instructors usually include these questions as suggestions rather than requirements. Do not feel compelled to answer every question unless the instructor asks you to do so. Pay attention to the order of the questions. Sometimes they suggest the thinking process your instructor imagines you will need to follow to begin thinking about the topic.

“You may wish to consider the differing views held by Communist gerbils vs. Monarchist gerbils, or Can there be such a thing as ‘the housefly garment industry’ or is it just a home-based craft?”

These are the instructor’s comments about writing expectations:

“Be concise”, “Write effectively”, or “Argue furiously.”

Technical Details

These instructions usually indicate format rules or guidelines.

“Your paper must be typed in Palatino font on gray paper and must not exceed 600 pages. It is due on the anniversary of Mao Tse-tung’s death.”

The assignment’s parts may not appear in exactly this order, and each part may be very long or really short. Nonetheless, being aware of this standard pattern can help you understand what your instructor wants you to do.

Interpreting the assignment

Ask yourself a few basic questions as you read and jot down the answers on the assignment sheet:

Why did your instructor ask you to do this particular task?

Who is your audience.

  • What kind of evidence do you need to support your ideas?

What kind of writing style is acceptable?

  • What are the absolute rules of the paper?

Try to look at the question from the point of view of the instructor. Recognize that your instructor has a reason for giving you this assignment and for giving it to you at a particular point in the semester. In every assignment, the instructor has a challenge for you. This challenge could be anything from demonstrating an ability to think clearly to demonstrating an ability to use the library. See the assignment not as a vague suggestion of what to do but as an opportunity to show that you can handle the course material as directed. Paper assignments give you more than a topic to discuss—they ask you to do something with the topic. Keep reminding yourself of that. Be careful to avoid the other extreme as well: do not read more into the assignment than what is there.

Of course, your instructor has given you an assignment so that he or she will be able to assess your understanding of the course material and give you an appropriate grade. But there is more to it than that. Your instructor has tried to design a learning experience of some kind. Your instructor wants you to think about something in a particular way for a particular reason. If you read the course description at the beginning of your syllabus, review the assigned readings, and consider the assignment itself, you may begin to see the plan, purpose, or approach to the subject matter that your instructor has created for you. If you still aren’t sure of the assignment’s goals, try asking the instructor. For help with this, see our handout on getting feedback .

Given your instructor’s efforts, it helps to answer the question: What is my purpose in completing this assignment? Is it to gather research from a variety of outside sources and present a coherent picture? Is it to take material I have been learning in class and apply it to a new situation? Is it to prove a point one way or another? Key words from the assignment can help you figure this out. Look for key terms in the form of active verbs that tell you what to do.

Key Terms: Finding Those Active Verbs

Here are some common key words and definitions to help you think about assignment terms:

Information words Ask you to demonstrate what you know about the subject, such as who, what, when, where, how, and why.

  • define —give the subject’s meaning (according to someone or something). Sometimes you have to give more than one view on the subject’s meaning
  • describe —provide details about the subject by answering question words (such as who, what, when, where, how, and why); you might also give details related to the five senses (what you see, hear, feel, taste, and smell)
  • explain —give reasons why or examples of how something happened
  • illustrate —give descriptive examples of the subject and show how each is connected with the subject
  • summarize —briefly list the important ideas you learned about the subject
  • trace —outline how something has changed or developed from an earlier time to its current form
  • research —gather material from outside sources about the subject, often with the implication or requirement that you will analyze what you have found

Relation words Ask you to demonstrate how things are connected.

  • compare —show how two or more things are similar (and, sometimes, different)
  • contrast —show how two or more things are dissimilar
  • apply—use details that you’ve been given to demonstrate how an idea, theory, or concept works in a particular situation
  • cause —show how one event or series of events made something else happen
  • relate —show or describe the connections between things

Interpretation words Ask you to defend ideas of your own about the subject. Do not see these words as requesting opinion alone (unless the assignment specifically says so), but as requiring opinion that is supported by concrete evidence. Remember examples, principles, definitions, or concepts from class or research and use them in your interpretation.

  • assess —summarize your opinion of the subject and measure it against something
  • prove, justify —give reasons or examples to demonstrate how or why something is the truth
  • evaluate, respond —state your opinion of the subject as good, bad, or some combination of the two, with examples and reasons
  • support —give reasons or evidence for something you believe (be sure to state clearly what it is that you believe)
  • synthesize —put two or more things together that have not been put together in class or in your readings before; do not just summarize one and then the other and say that they are similar or different—you must provide a reason for putting them together that runs all the way through the paper
  • analyze —determine how individual parts create or relate to the whole, figure out how something works, what it might mean, or why it is important
  • argue —take a side and defend it with evidence against the other side

More Clues to Your Purpose As you read the assignment, think about what the teacher does in class:

  • What kinds of textbooks or coursepack did your instructor choose for the course—ones that provide background information, explain theories or perspectives, or argue a point of view?
  • In lecture, does your instructor ask your opinion, try to prove her point of view, or use keywords that show up again in the assignment?
  • What kinds of assignments are typical in this discipline? Social science classes often expect more research. Humanities classes thrive on interpretation and analysis.
  • How do the assignments, readings, and lectures work together in the course? Instructors spend time designing courses, sometimes even arguing with their peers about the most effective course materials. Figuring out the overall design to the course will help you understand what each assignment is meant to achieve.

Now, what about your reader? Most undergraduates think of their audience as the instructor. True, your instructor is a good person to keep in mind as you write. But for the purposes of a good paper, think of your audience as someone like your roommate: smart enough to understand a clear, logical argument, but not someone who already knows exactly what is going on in your particular paper. Remember, even if the instructor knows everything there is to know about your paper topic, he or she still has to read your paper and assess your understanding. In other words, teach the material to your reader.

Aiming a paper at your audience happens in two ways: you make decisions about the tone and the level of information you want to convey.

  • Tone means the “voice” of your paper. Should you be chatty, formal, or objective? Usually you will find some happy medium—you do not want to alienate your reader by sounding condescending or superior, but you do not want to, um, like, totally wig on the man, you know? Eschew ostentatious erudition: some students think the way to sound academic is to use big words. Be careful—you can sound ridiculous, especially if you use the wrong big words.
  • The level of information you use depends on who you think your audience is. If you imagine your audience as your instructor and she already knows everything you have to say, you may find yourself leaving out key information that can cause your argument to be unconvincing and illogical. But you do not have to explain every single word or issue. If you are telling your roommate what happened on your favorite science fiction TV show last night, you do not say, “First a dark-haired white man of average height, wearing a suit and carrying a flashlight, walked into the room. Then a purple alien with fifteen arms and at least three eyes turned around. Then the man smiled slightly. In the background, you could hear a clock ticking. The room was fairly dark and had at least two windows that I saw.” You also do not say, “This guy found some aliens. The end.” Find some balance of useful details that support your main point.

You’ll find a much more detailed discussion of these concepts in our handout on audience .

The Grim Truth

With a few exceptions (including some lab and ethnography reports), you are probably being asked to make an argument. You must convince your audience. It is easy to forget this aim when you are researching and writing; as you become involved in your subject matter, you may become enmeshed in the details and focus on learning or simply telling the information you have found. You need to do more than just repeat what you have read. Your writing should have a point, and you should be able to say it in a sentence. Sometimes instructors call this sentence a “thesis” or a “claim.”

So, if your instructor tells you to write about some aspect of oral hygiene, you do not want to just list: “First, you brush your teeth with a soft brush and some peanut butter. Then, you floss with unwaxed, bologna-flavored string. Finally, gargle with bourbon.” Instead, you could say, “Of all the oral cleaning methods, sandblasting removes the most plaque. Therefore it should be recommended by the American Dental Association.” Or, “From an aesthetic perspective, moldy teeth can be quite charming. However, their joys are short-lived.”

Convincing the reader of your argument is the goal of academic writing. It doesn’t have to say “argument” anywhere in the assignment for you to need one. Look at the assignment and think about what kind of argument you could make about it instead of just seeing it as a checklist of information you have to present. For help with understanding the role of argument in academic writing, see our handout on argument .

What kind of evidence do you need?

There are many kinds of evidence, and what type of evidence will work for your assignment can depend on several factors–the discipline, the parameters of the assignment, and your instructor’s preference. Should you use statistics? Historical examples? Do you need to conduct your own experiment? Can you rely on personal experience? See our handout on evidence for suggestions on how to use evidence appropriately.

Make sure you are clear about this part of the assignment, because your use of evidence will be crucial in writing a successful paper. You are not just learning how to argue; you are learning how to argue with specific types of materials and ideas. Ask your instructor what counts as acceptable evidence. You can also ask a librarian for help. No matter what kind of evidence you use, be sure to cite it correctly—see the UNC Libraries citation tutorial .

You cannot always tell from the assignment just what sort of writing style your instructor expects. The instructor may be really laid back in class but still expect you to sound formal in writing. Or the instructor may be fairly formal in class and ask you to write a reflection paper where you need to use “I” and speak from your own experience.

Try to avoid false associations of a particular field with a style (“art historians like wacky creativity,” or “political scientists are boring and just give facts”) and look instead to the types of readings you have been given in class. No one expects you to write like Plato—just use the readings as a guide for what is standard or preferable to your instructor. When in doubt, ask your instructor about the level of formality she or he expects.

No matter what field you are writing for or what facts you are including, if you do not write so that your reader can understand your main idea, you have wasted your time. So make clarity your main goal. For specific help with style, see our handout on style .

Technical details about the assignment

The technical information you are given in an assignment always seems like the easy part. This section can actually give you lots of little hints about approaching the task. Find out if elements such as page length and citation format (see the UNC Libraries citation tutorial ) are negotiable. Some professors do not have strong preferences as long as you are consistent and fully answer the assignment. Some professors are very specific and will deduct big points for deviations.

Usually, the page length tells you something important: The instructor thinks the size of the paper is appropriate to the assignment’s parameters. In plain English, your instructor is telling you how many pages it should take for you to answer the question as fully as you are expected to. So if an assignment is two pages long, you cannot pad your paper with examples or reword your main idea several times. Hit your one point early, defend it with the clearest example, and finish quickly. If an assignment is ten pages long, you can be more complex in your main points and examples—and if you can only produce five pages for that assignment, you need to see someone for help—as soon as possible.

Tricks that don’t work

Your instructors are not fooled when you:

  • spend more time on the cover page than the essay —graphics, cool binders, and cute titles are no replacement for a well-written paper.
  • use huge fonts, wide margins, or extra spacing to pad the page length —these tricks are immediately obvious to the eye. Most instructors use the same word processor you do. They know what’s possible. Such tactics are especially damning when the instructor has a stack of 60 papers to grade and yours is the only one that low-flying airplane pilots could read.
  • use a paper from another class that covered “sort of similar” material . Again, the instructor has a particular task for you to fulfill in the assignment that usually relates to course material and lectures. Your other paper may not cover this material, and turning in the same paper for more than one course may constitute an Honor Code violation . Ask the instructor—it can’t hurt.
  • get all wacky and “creative” before you answer the question . Showing that you are able to think beyond the boundaries of a simple assignment can be good, but you must do what the assignment calls for first. Again, check with your instructor. A humorous tone can be refreshing for someone grading a stack of papers, but it will not get you a good grade if you have not fulfilled the task.

Critical reading of assignments leads to skills in other types of reading and writing. If you get good at figuring out what the real goals of assignments are, you are going to be better at understanding the goals of all of your classes and fields of study.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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How to Write Critical Reviews

When you are asked to write a critical review of a book or article, you will need to identify, summarize, and evaluate the ideas and information the author has presented. In other words, you will be examining another person’s thoughts on a topic from your point of view.

Your stand must go beyond your “gut reaction” to the work and be based on your knowledge (readings, lecture, experience) of the topic as well as on factors such as criteria stated in your assignment or discussed by you and your instructor.

Make your stand clear at the beginning of your review, in your evaluations of specific parts, and in your concluding commentary.

Remember that your goal should be to make a few key points about the book or article, not to discuss everything the author writes.

Understanding the Assignment

To write a good critical review, you will have to engage in the mental processes of analyzing (taking apart) the work–deciding what its major components are and determining how these parts (i.e., paragraphs, sections, or chapters) contribute to the work as a whole.

Analyzing the work will help you focus on how and why the author makes certain points and prevent you from merely summarizing what the author says. Assuming the role of an analytical reader will also help you to determine whether or not the author fulfills the stated purpose of the book or article and enhances your understanding or knowledge of a particular topic.

Be sure to read your assignment thoroughly before you read the article or book. Your instructor may have included specific guidelines for you to follow. Keeping these guidelines in mind as you read the article or book can really help you write your paper!

Also, note where the work connects with what you’ve studied in the course. You can make the most efficient use of your reading and notetaking time if you are an active reader; that is, keep relevant questions in mind and jot down page numbers as well as your responses to ideas that appear to be significant as you read.

Please note: The length of your introduction and overview, the number of points you choose to review, and the length of your conclusion should be proportionate to the page limit stated in your assignment and should reflect the complexity of the material being reviewed as well as the expectations of your reader.

Write the introduction

Below are a few guidelines to help you write the introduction to your critical review.

Introduce your review appropriately

Begin your review with an introduction appropriate to your assignment.

If your assignment asks you to review only one book and not to use outside sources, your introduction will focus on identifying the author, the title, the main topic or issue presented in the book, and the author’s purpose in writing the book.

If your assignment asks you to review the book as it relates to issues or themes discussed in the course, or to review two or more books on the same topic, your introduction must also encompass those expectations.

Explain relationships

For example, before you can review two books on a topic, you must explain to your reader in your introduction how they are related to one another.

Within this shared context (or under this “umbrella”) you can then review comparable aspects of both books, pointing out where the authors agree and differ.

In other words, the more complicated your assignment is, the more your introduction must accomplish.

Finally, the introduction to a book review is always the place for you to establish your position as the reviewer (your thesis about the author’s thesis).

As you write, consider the following questions:

  • Is the book a memoir, a treatise, a collection of facts, an extended argument, etc.? Is the article a documentary, a write-up of primary research, a position paper, etc.?
  • Who is the author? What does the preface or foreword tell you about the author’s purpose, background, and credentials? What is the author’s approach to the topic (as a journalist? a historian? a researcher?)?
  • What is the main topic or problem addressed? How does the work relate to a discipline, to a profession, to a particular audience, or to other works on the topic?
  • What is your critical evaluation of the work (your thesis)? Why have you taken that position? What criteria are you basing your position on?

Provide an overview

In your introduction, you will also want to provide an overview. An overview supplies your reader with certain general information not appropriate for including in the introduction but necessary to understanding the body of the review.

Generally, an overview describes your book’s division into chapters, sections, or points of discussion. An overview may also include background information about the topic, about your stand, or about the criteria you will use for evaluation.

The overview and the introduction work together to provide a comprehensive beginning for (a “springboard” into) your review.

  • What are the author’s basic premises? What issues are raised, or what themes emerge? What situation (i.e., racism on college campuses) provides a basis for the author’s assertions?
  • How informed is my reader? What background information is relevant to the entire book and should be placed here rather than in a body paragraph?

Write the body

The body is the center of your paper, where you draw out your main arguments. Below are some guidelines to help you write it.

Organize using a logical plan

Organize the body of your review according to a logical plan. Here are two options:

  • First, summarize, in a series of paragraphs, those major points from the book that you plan to discuss; incorporating each major point into a topic sentence for a paragraph is an effective organizational strategy. Second, discuss and evaluate these points in a following group of paragraphs. (There are two dangers lurking in this pattern–you may allot too many paragraphs to summary and too few to evaluation, or you may re-summarize too many points from the book in your evaluation section.)
  • Alternatively, you can summarize and evaluate the major points you have chosen from the book in a point-by-point schema. That means you will discuss and evaluate point one within the same paragraph (or in several if the point is significant and warrants extended discussion) before you summarize and evaluate point two, point three, etc., moving in a logical sequence from point to point to point. Here again, it is effective to use the topic sentence of each paragraph to identify the point from the book that you plan to summarize or evaluate.

Questions to keep in mind as you write

With either organizational pattern, consider the following questions:

  • What are the author’s most important points? How do these relate to one another? (Make relationships clear by using transitions: “In contrast,” an equally strong argument,” “moreover,” “a final conclusion,” etc.).
  • What types of evidence or information does the author present to support his or her points? Is this evidence convincing, controversial, factual, one-sided, etc.? (Consider the use of primary historical material, case studies, narratives, recent scientific findings, statistics.)
  • Where does the author do a good job of conveying factual material as well as personal perspective? Where does the author fail to do so? If solutions to a problem are offered, are they believable, misguided, or promising?
  • Which parts of the work (particular arguments, descriptions, chapters, etc.) are most effective and which parts are least effective? Why?
  • Where (if at all) does the author convey personal prejudice, support illogical relationships, or present evidence out of its appropriate context?

Keep your opinions distinct and cite your sources

Remember, as you discuss the author’s major points, be sure to distinguish consistently between the author’s opinions and your own.

Keep the summary portions of your discussion concise, remembering that your task as a reviewer is to re-see the author’s work, not to re-tell it.

And, importantly, if you refer to ideas from other books and articles or from lecture and course materials, always document your sources, or else you might wander into the realm of plagiarism.

Include only that material which has relevance for your review and use direct quotations sparingly. The Writing Center has other handouts to help you paraphrase text and introduce quotations.

Write the conclusion

You will want to use the conclusion to state your overall critical evaluation.

You have already discussed the major points the author makes, examined how the author supports arguments, and evaluated the quality or effectiveness of specific aspects of the book or article.

Now you must make an evaluation of the work as a whole, determining such things as whether or not the author achieves the stated or implied purpose and if the work makes a significant contribution to an existing body of knowledge.

Consider the following questions:

  • Is the work appropriately subjective or objective according to the author’s purpose?
  • How well does the work maintain its stated or implied focus? Does the author present extraneous material? Does the author exclude or ignore relevant information?
  • How well has the author achieved the overall purpose of the book or article? What contribution does the work make to an existing body of knowledge or to a specific group of readers? Can you justify the use of this work in a particular course?
  • What is the most important final comment you wish to make about the book or article? Do you have any suggestions for the direction of future research in the area? What has reading this work done for you or demonstrated to you?

critical writing assignment

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Reading & Writing Purposes

Introduction: critical thinking, reading, & writing, critical thinking.

The phrase “critical thinking” is often misunderstood. “Critical” in this case does not mean finding fault with an action or idea. Instead, it refers to the ability to understand an action or idea through reasoning. According to the website SkillsYouNeed [1]:

Critical thinking might be described as the ability to engage in reflective and independent thinking.

In essence, critical thinking requires you to use your ability to reason. It is about being an active learner rather than a passive recipient of information.

Critical thinkers rigorously question ideas and assumptions rather than accepting them at face value. They will always seek to determine whether the ideas, arguments, and findings represent the entire picture and are open to finding that they do not.

Critical thinkers will identify, analyze, and solve problems systematically rather than by intuition or instinct.

Someone with critical thinking skills can:

  • Understand the links between ideas.
  • Determine the importance and relevance of arguments and ideas.
  • Recognize, build, and appraise arguments.
  • Identify inconsistencies and errors in reasoning.
  • Approach problems in a consistent and systematic way.
  • Reflect on the justification of their own assumptions, beliefs and values.

Read more at:  https://www.skillsyouneed.com/learn/critical-thinking.html

critical writing assignment

Critical thinking—the ability to develop your own insights and meaning—is a basic college learning goal. Critical reading and writing strategies foster critical thinking, and critical thinking underlies critical reading and writing.

Critical Reading

Critical reading builds on the basic reading skills expected for college.

College Readers’ Characteristics

  • College readers are willing to spend time reflecting on the ideas presented in their reading assignments. They know the time is well-spent to enhance their understanding.
  • College readers are able to raise questions while reading. They evaluate and solve problems rather than merely compile a set of facts to be memorized.
  • College readers can think logically. They are fact-oriented and can review the facts dispassionately. They base their judgments on ideas and evidence.
  • College readers can recognize error in thought and persuasion as well as recognize good arguments.
  • College readers are skeptical. They understand that not everything in print is correct. They are diligent in seeking out the truth.

Critical Readers’ Characteristics

  • Critical readers are open-minded. They seek alternative views and are open to new ideas that may not necessarily agree with their previous thoughts on a topic. They are willing to reassess their views when new or discordant evidence is introduced and evaluated.
  • Critical readers are in touch with their own personal thoughts and ideas about a topic. Excited about learning, they are eager to express their thoughts and opinions.
  • Critical readers are able to identify arguments and issues. They are able to ask penetrating and thought-provoking questions to evaluate ideas.
  • Critical readers are creative. They see connections between topics and use knowledge from other disciplines to enhance their reading and learning experiences.
  • Critical readers develop their own ideas on issues, based on careful analysis and response to others’ ideas.

The video below, although geared toward students studying for the SAT exam (Scholastic Aptitude Test used for many colleges’ admissions), offers a good, quick overview of the concept and practice of critical reading.

Critical Reading & Writing

College reading and writing assignments often ask you to react to, apply, analyze, and synthesize information. In other words, your own informed and reasoned ideas about a subject take on more importance than someone else’s ideas, since the purpose of college reading and writing is to think critically about information.

Critical thinking involves questioning. You ask and answer questions to pursue the “careful and exact evaluation and judgment” that the word “critical” invokes (definition from The American Heritage Dictionary ). The questions simply change depending on your critical purpose. Different critical purposes are detailed in the next pages of this text.

However, here’s a brief preview of the different types of questions you’ll ask and answer in relation to different critical reading and writing purposes.

When you react to a text you ask:

  • “What do I think?” and
  • “Why do I think this way?”

e.g., If I asked and answered these “reaction” questions about the topic assimilation of immigrants to the U.S. , I might create the following main idea statement, which I could then develop in an essay:  I think that assimilation has both positive and negative effects because, while it makes life easier within the dominant culture, it also implies that the original culture is of lesser value.

When you apply text information you ask:

  • “How does this information relate to the real world?”

e.g., If I asked and answered this “application” question about the topic assimilation , I might create the following main idea statement, which I could then develop in an essay:  During the past ten years, a group of recent emigrants has assimilated into the local culture; the process of their assimilation followed certain specific stages.

When you analyze text information you ask:

  • “What is the main idea?”
  • “What do I want to ‘test’ in the text to see if the main idea is justified?” (supporting ideas, type of information, language), and
  • “What pieces of the text relate to my ‘test?'”

e.g., If I asked and answered these “analysis” questions about the topic immigrants to the United States , I might create the following main idea statement, which I could then develop in an essay: Although Lee (2009) states that “segmented assimilation theory asserts that immigrant groups may assimilate into one of many social sectors available in American society, instead of restricting all immigrant groups to adapting into one uniform host society,” other theorists have shown this not to be the case with recent immigrants in certain geographic areas.

When you synthesize information from many texts you ask:

  • “What information is similar and different in these texts?,” and
  • “What pieces of information fit together to create or support a main idea?”

e.g., If I asked and answered these “synthesis” questions about the topic immigrants to the U.S. , I might create the following main idea statement, which I could then develop by using examples and information from many text articles as evidence to support my idea: Immigrants who came to the United States during the immigration waves in the early to mid 20th century traditionally learned English as the first step toward assimilation, a process that was supported by educators. Now, both immigrant groups and educators are more focused on cultural pluralism than assimilation, as can be seen in educators’ support of bilingual education. However, although bilingual education heightens the child’s reasoning and ability to learn, it may ultimately hinder the child’s sense of security within the dominant culture if that culture does not value cultural pluralism as a whole.

critical writing assignment

Critical reading involves asking and answering these types of questions in order to find out how the information “works” as opposed to just accepting and presenting the information that you read in a text. Critical writing involves recording your insights into these questions and offering your own interpretation of a concept or issue, based on the meaning you create from those insights.

  • Crtical Thinking, Reading, & Writing. Authored by : Susan Oaks, includes material adapted from TheSkillsYouNeed and Reading 100; attributions below. Project : Introduction to College Reading & Writing. License : CC BY-NC: Attribution-NonCommercial
  • Critical Thinking. Provided by : TheSkillsYouNeed. Located at : https://www.skillsyouneed.com/ . License : Public Domain: No Known Copyright . License Terms : Quoted from website: The use of material found at skillsyouneed.com is free provided that copyright is acknowledged and a reference or link is included to the page/s where the information was found. Read more at: https://www.skillsyouneed.com/
  • The Reading Process. Authored by : Scottsdale Community College Reading Faculty. Provided by : Maricopa Community College. Located at : https://learn.maricopa.edu/courses/904536/files/32966438?module_item_id=7198326 . Project : Reading 100. License : CC BY: Attribution
  • image of person thinking with light bulbs saying -idea- around her head. Authored by : Gerd Altmann. Provided by : Pixabay. Located at : https://pixabay.com/photos/light-bulb-idea-think-education-3704027/ . License : CC0: No Rights Reserved
  • video What is Critical Reading? SAT Critical Reading Bootcamp #4. Provided by : Reason Prep. Located at : https://www.youtube.com/watch?v=5Hc3hmwnymw . License : Other . License Terms : YouTube video
  • image of man smiling and holding a lightbulb. Authored by : africaniscool. Provided by : Pixabay. Located at : https://pixabay.com/photos/man-african-laughing-idea-319282/ . License : CC0: No Rights Reserved

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Webinar Transcripts: Demonstrating Critical Thinking in Writing Assignments

Demonstrating critical thinking in writing assignments.

Presented June 27, 2017

View the webinar recording

Last updated 7/19/2017

Visual: The webinar begins with a PowerPoint title slide in the large central panel. A captioning pod, Q&A pod, and files pod are stacked on the right side.

The slide says “Housekeeping” and the following:

  • Will be available online a day or two from now.
  • Polls, files, and links are interactive.
  • Use the Q&A box to ask questions.
  • Send to [email protected]
  • Choose “Help” in the upper right hand corner of the webinar room.

Audio: Beth: Hello everyone and thank you so much for joining us today. My name is Beth Nastachowski, and I'm going to get us started by going over a couple of quick housekeeping notes before I hand the session over to our presenter today, Melissa. So, a couple of quick things here, everyone. The first is that you may have noticed that I've started the recording for this webinar and I'll be posting the recording in full in our webinar archive probably by this evening if not a little bit sooner, and so if you have to leave for any reason or if you'd like to come back and review the session, you're more than welcome to do so. And you can find that recording in our webinar archives. And I also like to note here that we do record all of the webinars in the Writing Center so you're more than welcome to access those webinars at any time if you ever see a session that’s being presented live that you can't attend, you can always find the recording. Additionally, we have those recordings available any time so if you're looking for help on a particular topic you can always find a recording in the webinar archive as well.

There are lots of ways for you to interact with us, and with our presenter Melissa, today. So, I do encourage you to do that. I know Melissa has a poll and a couple chats put together throughout the session here, but also note that you can download her slides in the files pod at the bottom right-hand corner of the screen. There are lots of links to additional information and resources in this webinar so you can access those links. You can click on them as Melissa is going through them in the webinar itself, but you can also save them by downloading those slides in the PowerPoint files pod on the bottom right-hand corner. So, feel free to do so. You can just click on the slides file and then click download files and it will save it to your computer.

The other way that you can kind of interact with us today is through the Q and A box. So, I will be monitoring that Q and A box throughout the session today. And I’m happy to respond to any questions or comments that you have throughout this session. So, do let me know how I can help, what information I can get you, what questions I can help you in that Q and A box, and then I also like to note that if you do have a question and maybe it's at the very end of the session and we just aren't able to get to it or if you come up with a question after the webinar, you think of it later, do make sure to e-mail us at [email protected]. We are happy to help and respond via e-mail as well, so do let us know.

And then finally, if you have any technical issues I am happy to help. I have a couple of tips I can give you if you're having technical issues, so do let me know if that Q and A box, but I also like to note there's the help button in the top right-hand corner of the screen and that's Adobe Connect's help option and that's really the best place to go if you're having significant technical issues. Alright, and so, with that, Melissa, I will hand it over to you.

Visual: Slide changes to the title of the webinar, “Demonstrating Critical Thinking in Writing Assignments” and the speaker’s name and information: Melissa Sharpe, Writing Instructor, Walden Writing Center

Audio: Melissa: Great. Thank you, Beth. Hi everybody. My name is Melissa Sharpe and I'm a writing instructor here at the Walden Writing Center and thank you for joining us today where we're going to be looking at what critical thinking is, as well as how to demonstrate it in our course work and academic writing. So, let's begin.

Visual: Slide changes to the following: Agenda

Critical Thinking:

  • Thesis Development
  • Paraphrasing

Audio: This is our agenda for today and we will return to it throughout the webinar to help stay on track just to remember where we've been and what's coming up next. The purpose for this webinar is to define critical thinking and then look at how we make it obvious that we're thinking critically in our writing. We hear the word "critical thinking" a lot but we may wonder, okay, how do I think critically in writing or how do I make it clear that I have used critical thinking skills. So today in this webinar we will look at the definition of critical thinking and then we'll see how we demonstrate that thinking in our thesis statement, in our paraphrases, in analysis and synthesis. And these are things that we include in our writing and when they are done strong, they provide the evidence that we have put critical thinking into our writing so we'll get to look at that relationship today. You may find yourself realizing throughout this webinar that you're already demonstrating critical thinking in your work.

Visual: Slide changes to the following: Critical Thinking

  • An original and informed assessment of an idea, theory, or phenomenon.
  • Original : Not just a paraphrase/quote
  • Informed :   Backed up by scholarly research
  • Assessment : Takes a stand on an issue

Audio: So, we'll start off with that definition of critical thinking and the definition of critical thinking that we will use throughout this presentation, and it's a widely accepted definition, and that is critical thinking is an original and informed assessment of an idea, theory, or phenomenon. And really the keywords here are first original, and that means critical thinking isn't just repeating what someone else said. Critical thinking contains some amount, maybe a touch or a whole bunch of your original thought.

The next keyword is "informed," and that means your original ideas and thought don't come, you know, out of nowhere. Instead they are informed through the research, and that means high quality scholarly research and that becomes the foundation for critical thinking. If you aren't rooting your thought in those things, it's really easy to discredit your ideas.

Last, we have the keyword "assessment" and in this context, the word doesn't mean text or quiz. Instead, it means a position, a stance, a position. And that ties right back to it being an original idea, an original thought. When we put all of this together we can see that critical thinking means using research to say something new. It's really that thought process that you go through after reading the research. We could all read the same three articles on a topic, but as we think about it ourselves and apply our own background knowledge and experiences and opinions, what we have to say about it would be different if we were to sit and talk about those articles, and that's what critical thinking is, and so that process that we go through when we're thinking or talking about these things with people, what we're going to look at today is how that becomes evident in our writing.

Demonstrate that you can develop new ideas, perspectives, or research.

  • Exploring the similarity or differences between ideas
  • Showing how a theory can be applied in a new setting
  • Making practical suggestions for change in processes
  • Discovering new connections
  • Arguing the importance or need for something

Audio: So critical thinking is especially important in graduate level writing because you use it to show that you have something to add to the conversation, and as you near your capstone document, whatever that may be, for many degrees you have to propose or complete original research or forward some sort of new, original thought, idea, theory on a topic, and critical thinking shows that you're able to do that because it is an original and informed assessment, and outside of those major documents I'm sure you'll recognize that all regular course work needs critical thinking as well. You may see it appear in some of these tasks that are on the screen. Maybe you're asked to look at the similarities or differences between ideas or you read about a theory and apply it in a new setting. Maybe you read about a theory and you apply it in your daily work life. Maybe you're asked to create a suggestion for change. That would be something new that is based on existing research. Sometimes we discover new connections or argue the importance or need for something. And these are the types of tasks that appear in a lot of writing prompts, and all of them by nature require critical thinking.

Bad Example:

  • Æ A discussion post defining two educational philosophies. Æ

Good Example:

  • A discussion post comparing two educational philosophies and reflecting on the ways those philosophies could (or could not) be used to inform the teaching in a classroom environment you observed.

Audio: So, here's what critical thinking may look like in a discussion post. And a bad example would be if you were to write a discussion post that just defines two educational philosophies. That's definitely going to be based on research but there isn't anything new. There's none of us, the writer, the thinker in there. So as a discussion post that one does not require any critical thinking. A discussion post that does demonstrate and show critical thinking would be a post where you are comparing two educational philosophies and reflecting on the way that those philosophies could or could not be used to inform teaching in your classroom or a classroom you observed, and this discussion post we still have that research comparing and contrasting the two philosophies but we have that new idea, that new perspective, that new application and that is tying those philosophies into a classroom environment, so in that bad example we see a discussion post where critical thinking is not evident but in this better example the critical thinking is clear. There's that new application.

  • Æ A short essay detailing the steps taken during admissions in an inpatient facility. Æ
  • A short essay recommending a change in the steps taken during admissions in an inpatient facility, where the changes are based on current research.

Audio: And in a short essay we may also see critical thinking in the following ways. First, we'll take a look at the bad example. If a person were to write a short essay detailing the steps taken during admissions in an inpatient facility, that’s just research. It's just repeating something that was looked up. There really isn't any critical thinking going on there because there aren't new ideas, perspectives or a proposal of new research. Here we have a better example, and this example shows critical thinking. So, if somebody were to write a short essay where they recommend changing the steps during the admissions process and those steps are based on current research, this does demonstrate critical thinking because there's that new idea, that new perspective. Once again, it's based on research, but it is a presentation of some sort of new idea or thought. So, critical thinking sometimes appears in the subject matter or prompts that we're given, and when those are completed following directions you're kind of as a writer forced to critically think, but we're still going to look at all the ways that we can pull it into our writing.

Visual: Slide changes to the following: Critical Thinking Red Flags

  • Ideas supported with a single source
  • Extensive quotes
  • Use of sources of questionable credibility
  • Just a restatement of what a source said

Audio: And sometimes it helps to know how to do something by looking at what not to do. So, if you see any of these four things in your writing, it's a little red flag that there just isn't enough critical thinking, yet. So, if in an essay that you see yourself supporting an idea using a single source over and over again, that might be a sign that the writing could be more informed. There's strength in numbers, I guess, if you are writing on a topic and you have a lot of sources that you've used to inform yourself and your opinion, it's just going to be stronger than if you were relying on a single piece of research because if you rely on a single piece of research even if it's really, really good, it helps to have that validated or backed up in other places as well.

Also, any time there's an essay that has extensive quoting if there's quote after quote all over the place, that also is a red flag that there isn't quite enough critical thinking yet and this is for a couple reasons. First having a lot of quotes means they're just taking up a lot of space. You're letting other writers do the talking for you, and it is just -- it's costing you time and space on the page. As the writer, you want to be in control of that and so instead of relying on other sources even if they happen to be amazing sources, it helps to paraphrase and that's one of the things we'll look at today. Also, if there's a lot of quotes, it means you haven't -- you've lost that space of where you're going to comment and explain what they mean and connect it to other ideas. Quotes just -- they cost you space.

So, the next one to look at would be having sources that have questionable credibility so if you look at your reference list and there's some kind of iffy sources, not a lot of named authors could be a red flag. A lot of sources that come from general websites, not websites of academic journals or other reliable sources. If you have something that's particularly tough to put on your reference list, sometimes even that can be a red flag because a journal article has a really straightforward pattern of what to include to put on the reference list and it's relatively easy to plug those in providing can you find them all on your page of course but some of our, like, website resources can be a little trickier to cite and if you notice that you have some sources with questionable credibility that means what you're basing your ideas on is a shaky foundation. You want to have a little bit more solid research.

And then the last red flag, is if you find yourself just restating what sources said over and over again, it means we're missing that new original thought, your argument, your assessment. So, if any of these four things you notice when you're revising your work or reading through a draft you can say okay, I think I need to add a little bit more critical thinking. And so, today we're going to look at four of the things that we include in our writing that are great places to show and demonstrate that we are critically thinking.

Visual: Slide changes to the following: Chat:

What parts of critical thinking do you struggle with the most?

[The webinar layout changes to open a chat box for students to type into in response to the chat question.]

Audio: So, as we're getting ready to look at those, how we demonstrate critical thinking in our thesis, our paraphrase, our analysis, our synthesis. Before we start that I want you to tell me in the chat box, which of these four you struggle with the most and, if you wish, why you feel you struggle with them most.

[Pause as students type.]

Right away I see a lot of thesis coming in, and I think one of the reasons why we sometimes think the thesis statements are difficult is because they have a really big job to do. They have to kind of preview the main idea and argument of the entire piece of writing, and unlike a paraphrase, analysis, and synthesis the thesis appears really in this one spot. We may repeat it or reflect on it throughout but a thesis statement sort of happens just once, and maybe that makes it feel higher stakes. We have a lot of great resources for thesis statements and some of these, I'll share links with you at the end of this presentation.

I also see a lot of paraphrasing coming through. Actually, it looks like we are touching on all of them, which is great because we will look at all four of these things, today. And throughout this webinar even though we touch on all four of these we're going to look at how doing them well demonstrates critical thinking. We won't be going into detail about how to do all four of these, at least not into great detail. However, in our Writing Center both on the website and in other webinars, we have some tools that will help you go into detail if you need help like, how do I even start to write a thesis? We have a webinar about that. So, if you need any of those resources, you could even send us a question in the Q and A box and I'm sure Beth could get those links for you. All right.

Visual: Slide changes to the following: Thesis Statement:

A sentence that states your main argument ; must be:

  • Argumentative
  • Capable of advancement

The purpose of my paper is to discuss dark chocolate.

My paper will explore dark chocolate.

Audio: So, the first part of writing a text and that could be an essay, a major assessment, a discussion post but the very first thing we're going to look at is the thesis statement, and here you can see in this checklist the things that make for a good and a strong thesis. A thesis states the main argument of an essay, that main idea, the purpose, what's going to happen in the writing. And so, it should be argumentative and what that means is, it doesn't have to be combative in nature, but it should state an opinion, it should state the opinion that you are going to present and forward and develop throughout the writing. And that means the thesis also has to be capable of advancement and what that means is, your thesis has to be something you can continue to write about over the length of an essay. If a thesis is something that you can't expand on, if you could say everything you have to say about it in a paragraph but your essay is supposed to be five pages long, that thesis isn't as strong as it could be.

Next a thesis should be concise. And that means not too long or wordy. Yes, we want to preview what the work is going to do, the ideas that are coming forth in the writing, but it has to be digestible. A reader should be able to read that thesis, beginning to end, and understand it. We don’t want anybody to get lost along the way. And a thesis should also be supported and much like being capable of advancement that means your thesis has to be supported with research, proof, and evidence. Otherwise that writing and the ideas in it are going to be a little bit faulty.

 These four things are what we use to make sure a thesis statement is sound. If you take a look at that red box on the bottom of the slide we'll see two thesis statements that, they just are not quite good enough, yet. And so, let's take a look at the first one. “The purpose of my paper is to discuss dark chocolate.” Well, that is great. We definitely know your topic. But I don't see an argument or an opinion. I don't also have like a direction. As a reader, I'm not sure where this is going to go. Like, what are we going to discuss about dark chocolate? If it's everything about dark chocolate that could be an entire book, that could be a series of books. So, this… Although there's a lot that could be said, it's not really capable of advancement because it's too broad. Sure, it is nice and short, but this doesn't have enough of a focus for us and it doesn't help us to present an opinion.

Same thing with the second one. “My paper will explore dark chocolate.” Well… Again, we're going to wonder what? Where is this going to go? And so, these two thesis statements do not demonstrate critical thinking because we cannot see any thought process. It's just a statement of topic. We're missing that originality that critical thinking is based on.

In this paper I argue that dark chocolate has more positive benefits than other types of chocolate.

My discussion shows that dark chocolate contributes to people’s happiness and satisfaction.

Audio: So here are the revised thesis statements. These are better because they meet the four criteria and therefore they're going to demonstrate some critical thinking. In that first example thesis, it says, “in this paper I argue dark chocolate has more positive benefits than other types of chocolate.” Here we have an argument and that is that dark chocolate has positive benefits, that are lacking in other chocolate. Great. We have an opinion. That means we have this original thought that's going to be supported throughout the writing. I would personally prefer to see this thesis statement stated without “in this paper I argue.” I think we can do away with that stylistically, but we're here just to take a look at the critical thinking and not the wording.

The second thesis statement for a discussion post also has that original thought because there is an argument here. “My discussion shows that dark chocolate contributes to people's happiness and satisfaction.” As a reader, I know after reading that thesis that I'm going to read a discussion post that's going to tell me how dark chocolate makes people happy, might have a paragraph or two about that, and I'm going to read about how dark chocolate makes people satisfied. We'll have a paragraph or two about that. This thesis statement presents an opinion that's argumentative. It can be advanced because we can use research to support those two points and it's short enough that when I read it I get the idea. So, here we have a thesis statement that's strong and that is showing critically thinking because I can tell there's gonna be research, yet the writer is sharing their thoughts. The writer has decided that dark chocolate contributes to these two things and there is that newness that we're looking for.

Visual: Slide changes to the following: Thesis

Poll Practice:

Which thesis statement is argumentative ?

[The webinar layout changes to open a poll for the students to respond to the question.]

Audio: So, we're going to practice to try to find a thesis statement that shares an argument, a thesis statement that has that new and original thought. So, here there should be a poll on your screen and I want you to use that poll to choose which of these three thesis statements presents an argument.

[Pause for students to participate in the poll.]

Sometimes it helps us to find the one that is, by first finding the ones that are not. And so, we want to find a thesis statement that presents an opinion. Our thesis should not just repeat existing research. Remember if something repeats existing research alone, it's informed, but in critical thinking it also needs to be original. So, definitely a thesis statement that just repeats existing research is not going to be argumentative, so -- and I'm assuming, and I apologize if I'm wrong, but these are appearing in the same order on your screen as they are in mine but this first thesis statement, the on “in his article Jefferson insisted,” that one is just repeating what an article said. If that's a thesis the entire post or essay would be a summary of an article and that's not an argument so we do not want to identify that as being the argumentative one.

The next thesis statement here says that “social media can create distractions for high school students as they focus on talking with their friends rather than their studies.” Now, this is an argument. It is I believe pretty narrow in focus, so perhaps it is more appropriate for a discussion post or a short essay rather than something long because it is very narrow in focus but it does present an opinion because you could disagree with it. I could say social media does not create a distraction or I could say it creates a distraction but not because high school students are talking with their friends, but for some other reason. So, this is argumentative. This is a thesis statement that shows critical thinking provided that the writer has drawn this conclusion his or herself. If this had a citation at the end showing that this also came from the Jefferson article, then it becomes just another paraphrase or a summary, and as a thesis statement that would mean the entire essay would also be a summary and that's not what we're looking for.

In our last example thesis statement, which is “the purpose of this paper is to consider positive and negative ways that social media affects high school students.” This is kind of an in-between thesis statement. It could maybe be an argument. It also could maybe not be one. For me as a reader, I'm not exactly sure where this essay is going to go. I think it's a great topic but there's so many different ways it could affect high school students. Perhaps that could be narrowed a little bit. There's just some ways to make this more specific so there's probably an argument brewing underneath in this thesis. It's just not as obvious as that option in the middle. And I'm pleased to see that the majority went with that option in the middle, which is an argumentative thesis.

Visual: Slide changes to the following:  Thesis Statement:

A statement of the main idea of the text, which is argumentative, capable of advancement, concise, and able to be supported.

Social media can create distractions for high school students in schools as they focus on talking with their friends rather than their studies.

Audio: All right. Now we know what a good thesis is and we know what critical thinking is, so how does a good thesis demonstrate critical thinking? Remember our keywords for the definition of critical thinking are original and informed assessment. A good thesis is argumentative. That means it is a new and original argument. Argument is assessment as we talked about earlier today. A good thesis is also able to be supported. That means it is informed by the research. Here is that sample thesis that we said was argumentative, and when we look at it we can see that original idea which is that it creates a distraction in these ways, and we can tell that it's going to be informed at least ideally unless this particular writer gets sidetracked. It's going to be backed by research showing that social -- that students focus on talking with their friends and that perhaps they're spending less time studying and paying attention to school work. All of that research has informed the argument that social media is a distraction. Before we -- well -- oh, here are my arrows. I apologize. Look at this. I have connected these two thing for you. So, we can see how the keywords are repeated in the definition of critical thinking and in the definition of thesis.

Visual: Slide changes to the following: Questions?

[Slide includes an image of a question mark.]

Audio: I'm going to stop here before we move on and just see if any questions came into the Q and A box that I haven’t touched on yet or that we should look at before moving forward.

Beth: Yeah. Thanks so much, Melissa. We had a great question where a student was asking, you know, whether you had any suggestions or strategies for how to come up with a thesis topic. Anything, if students are kind of struggling with that. Things to keep in mind or things to do to help with that.

Melissa: Yeah, I think that sometimes it helps to keep your thesis statement alive as you're writing. So, what that means is just because you've written a thesis statement doesn't mean it's going to stay that way forever, so when I'm writing I will look at my prompt, or my directions, my purpose first and after doing all the reading and research and I'll say, okay, what am I going to do, and it can help to start off by saying in this paper I will, and start listing what you're going to do. That is not my favorite type of thesis to see in a final draft but it is the -- it is a good way to stay focused on that idea as you're writing. Now, you can write your whole draft, come back and make sure that the paragraphs that you create still match the thesis statement, and if they do, then it's time to try rewriting that thesis statement in a few different ways trying to really nail it down into a sentence or two and then going back and applying that checklist. Okay, is this an argument. If you are doing this after you've written the essay you can probably say, yes, I have been able to advance it, and then if you continue to struggle with the thesis or wonder if it is as good as it can be, this is where you might want to make an appointment in the Writing Center and in that appointment form say, you know, I need some help with my thesis statement, or you might want to go and watch the recording of our thesis webinars but just know that that thesis statement is going to change and grow and shift with the writing.

Beth: Fantastic. Do you mind if I note a couple of other things that I mentioned in my response?

Melissa: Oh. Please do.

Beth: I love what you were saying about shifting and sort of working with the thesis as you're writing. But a couple other things I also said was go ahead and take a look at your notes again, once you’ve taken a look at your assignment prompt. Maybe you have some ideas in your notes where you say wow I was really interested in this part of this topic and maybe that's where I can focus my paper this week but also, we presented on sort of using your discussion posts as a basis for a paper a couple weeks ago. That was a webinar we did and that might be another idea is to take a look at your discussion post and the discussion forum for the week and see if there's anything that catches your eye and that might help you kind of come up with some ideas to focus your paper too.

Melissa: Yeah, that's a great idea because if we're looking for that original thought in the presentation of our own argument, we have to go digging back through our ideas.

Beth: Sure. Yeah, I think that's all we have for now, Melissa.

Audio: Melissa: Okay. Great. That means we can move on to the next part of our writing that we can use to demonstrate critical thinking and that would be paraphrasing.

Visual: Slide changes to the following: Paraphrasing

Placing ideas or information from a source in your own words

  • Preferable to direct quotes.
  • Citing page/paragraph number is optional.
  • Usually shorter than the original.
  • Condense, reframe, and restructure the author’s idea.
  • Relate author’s ideas to your own ideas, perspective, and argument.

Audio: So first we're going to define a paraphrase, and a paraphrase is when you take source material and we take that source material and put it in our own words. For example, if I read an article about a health care bill and I repeat the key points in my own words, as soon as I do that I have paraphrased, so some additional details about paraphrasing is that it's preferable to direct quotes and that's because it allows us to maintain our role as the writer. There's nothing wrong with including quotes especially when the writer has said it in a way that you just can't duplicate, but as we are the writer of our own work we want to keep as much of it in our own words as possible, so paraphrasing is preferable because of that. Know when that when you paraphrase you also have to cite the paraphrase but including the page or paragraph number is optional and that's because unlike a quote which definitely exists on a page or a specific paragraph, a paraphrase could include information that's not all on one page or all in one paragraph. A paraphrase is also usually shorter than the original, although it can be of a similar length. You could take two sentences and paraphrase it and that paraphrase will still be two sentences long.

In a paraphrase our purpose, of course, is to condensed, reframe, restructure, restate the author's idea in our own words, but we don't want to change the idea itself. We want to maintain what the original point of information or expert opinion is. And then the purpose of a paraphrase is not just to repeat that information, but it gives us a point to relate the author's ideas to what we are writing about. A paraphrase is that first step. If writing does nothing but paraphrase, it's kind of like piecing together, you know, like cutting up a bunch of articles and gluing them on a piece of paper. We still need our own ideas in there, and a paraphrase helps us to connect what we are saying to the larger conversation.

Read passage until you understand its meaning

Consider context of assignment: What will you do with this evidence?

Look away from passage to write main points of what you read

Cite source in your paraphrase

  • Rework, revise, and rephrase as needed.
  • Imagine you are explaining that information to a colleague or classmate.

Audio: And it's important to look at how we paraphrase. It sounds easy, just put it in my own words. But really this is something academic writers struggle with because it often ends up not being in our own words enough, and then it would be an issue with academic integrity or plagiarism or maybe the paraphrase feels like it just isn't saying the right thing or, sure, I can paraphrase the article but where am I actually going to put it in my own essay. So, these are some things that can make paraphrasing difficult.

So when you paraphrase the first step we start at the very top of this circle you’ll see how we move through a paraphrase. The first step is to read that passage until you understand its meeting. Read it over and over again, take some notes. In order to repeat the ideas, we have to know what the ideas are. So, start by reading that passage until you really get the meaning. Then we want to consider our assignment. What are we doing? What is the purpose of this discussion post? Why am I writing this essay? And once you know that, you can try to figure out where this paraphrase will fit in. Does it support one specific idea that you know you’re going to say? How can I use this? Knowing how you can use the paraphrase before you're drafting or how you can use your sources before you draft, maybe if you're a person who creates detailed outlines it just helps you prepare to insert that research in a way that makes sense.

And then when you're actually writing that draft, look away from that original article, look away from the passage when you're writing your main points and you’re repeating it. If you have your article next to you as you're typing that paraphrase it becomes easy to start borrowing some of the words and phrases and at that point it's not really a paraphrase and needs to be quoted. And when you're working on that you want to kind of stop and you can revise your paraphrase, you can rework it a bit. Okay? If you are really struggling with how to put this in my own words just imagine you're explaining it or telling it to someone else and see how it comes out. And if you don't like that version, like I said, just revise, rework and go ahead and what you need to.

Now, once the paraphrase is complete remember the citation. It's a really good habit to get into to cite as soon as you write the paraphrase because it becomes very difficult to try to figure out where the citations go after the fact. And sometimes students will put “citation needed” as a reminder to themselves to add that citation, but if you're working with 7 sources you might forget what source it is. So, citing as soon as you're done with the paraphrase is a really good habit to get into.

Visual: Slide changes to the following: Paraphrasing: Example

“The most significant contribution of this work is the explicit focus on the informational resources available via social media and their role in the process of applying for, planning to attend, and feeling confident about succeeding at college. Importantly, and perhaps not surprisingly, social media does not play a major role for non first-generation students but does for first-generation students. This may be due  to the fact that first-generation students are less likely to have these instrumental and informational resources available in their immediate household, as they do not have parents who have experienced successfully graduating from college”

(Wohn, Ellison, Khan, Fewins-Bliss, & Gray, 2013, p. 27).

Wohn, Ellison, Khan, Fewins-Bliss, and Gray (2013) discussed the role social media plays for students’ actions and feelings about college. First-generation students are more affected by social media’s in their decisions related to college. First-generation students sometimes don’t have the experience of people around them to use as they make decisions regarding college, one reason social media might have more of an impact for them.

Audio: And so, here's an example of how to paraphrase. You're going to see this rather long paragraph from an article. As an academic writer, it's my job to read this as an academic writer over and over until I know what the main idea is. I'm going to look away from it when I write my paraphrase, and when I do that my paraphrase may look something like this.

Right away you can see that this is shorter than the original. And that's a good sign. If we compare the wording of the two, there's no -- there isn't a point at which I've used more than two words in the same word order as the original source. And that means this wording is totally new, the wording is all my own. Also, I have cited it. Note that this citation comes at the beginning of the sentence and what matters is that I have the names of the writers and the year of publication. I could have cited it at the end if I wanted to and then I would have a parenthetical citation where the name and year was all in. That stylistically is up to you as long as it is cited.

While social media can be a distraction to high school students during school hours, Wohn, Ellison, Khan, Fewins-Bliss, and Gray (2013) found that social media can help first-generation students successfully apply and be accepted to college.

Audio: Here is another example of what a paraphrase could look like and this is what I think is my better one, I apologize, that is short and has a clear citation. In this previous example I had too much going on. There we go, there's my good one. Okay. So, this is the one that's nice and short and I have a citation. The citation you can see appears at the beginning but not the total beginning of the paraphrase and that's okay because the work is still cited and once again I can cite at the beginning, I can cite at the end. As a writer, I get to choose stylistically what works best for me.

Paraphrase:

  • An original restatement of information from research.

Audio: And so now the big question. How does paraphrasing actually demonstrate that I'm critically thinking. We know that a paraphrase is repeating existing information. So where is the originality coming from? Well, a paraphrase is your original restatement, so the connection here is that you have put that information or research in your own words. Remember critical thinking is creating something original and new out of the existing research. So, remember it doesn't take any critical thinking to copy a quote, but it does take critical thinking to create and craft a paraphrase.

Audio: Again, I'm going to pause to make sure I haven't left anything out or there's any lingering questions so let me know, Beth.

Beth: Yeah, thanks so much, Melissa. We did have a student asking sort of about quoting and asking whether they should never quote or it there is a certain number of quotes they can use, that kind of thing. Do you have any suggestions or guidance on that since we're talking about paraphrasing and kind of comparing the two?

Melissa: Yeah, you know, each assignment is going to be different when it comes to when, where, how often to quote. I think that if you're able to paraphrase, it's usually the better choice. Occasionally, there are sentences or phrases that you can't state any better, maybe their research dense or the phrasing is beautiful, maybe somebody was a great writer when they presented some information or fact and you want to keep that original phrasing, or you're quoting an expert in the field, and it just supports your research, and you really want to give that expert credit for saying it, just because they carry so much weight. All of those are cases where quoting is fine. I think if you have back-to-back quotes or quotes that appear very close together, then that's a sign that the number should be reduced, either it would help to say more in between them or to turn one into a paraphrase. It’s really… You have to look at each specific assignment to see if there are too many quotes and I think if you look at your page, like if you have a whole page pulled up on the screen and you kind of step back, you can see the quotes and I think really what's most important is that space between them.

Beth: Awesome. Thanks so much, Melissa. So, we had another question come in, so do you have another minute for another question?

Melissa: Yes, of course.

Beth: Okay. Awesome. So, when you are paraphrasing and sort of thinking about the process of paraphrasing we had I student ask about synonyms and asking whether synonyms are acceptable for paraphrasing and king of how those work into the process of paraphrasing. Could you talk about that a little bit?

Melissa: Yeah, so there's, well, there’s kind of a bigger idea that is lingering under that question of using synonyms and that is if you're going to take a sentence and just hit up every other word and change it to a synonym, that's not going to be the strongest paraphrase and it might come out sounding a little awkward. So, in a paraphrase, it's both about kind of shuffling the order of words in addition to changing some of them. In some research, there may be words or phrases that are technical or specific and in which case we wouldn't want to rephrase them. I'm thinking like “differentiated instruction” in the world of education. Calling that something else might be a little clumsy. So, we would want to maintain that word. But a paraphrase is both about changing the order of words as well as what they actually are.

Beth: Perfect. Thanks so much, Melissa. I think that's it for now.

Audio: Melissa: Okay. Great. So, taking a look at our agenda today we just finished talking about paraphrasing and that means we are ready to move on to analysis.

Visual : Slide changes to the following: Analysis

  • Your own interpretation of other authors’ ideas
  • Shows that you’re not just summarizing your research, but using it to support your argument
  • How you’ll support your thesis statement throughout your paper
  • Important to include in every paragraph

Audio: And analysis is one of the words that I think we hear a lot. It appears -- I know we talk about it a lot in the Writing Center. I see it in assignment prompts but it may not be something that's easy to have a solid definition of. We have a lot of great resources related to analysis spread throughout the Writing Center including the website and other webinars and I think these are four things that really help to define analysis in as brief of a way as we can get through here in this webinar.

So first an analysis is your own interpretation of other authors', writers' ideas. It's what you think, what you get out of it, what occurs to you after reading that source. And analysis shows that you are not just summarizing the research you completed but that you're using it to support your argument. You have read research on a topic and now here's what you think. The analysis is where we kind of present that “here is what I think.” So, there's a lot of weight and importance to including an analysis. The analysis is that actual support. If you have facts and statistics and all this research based on a topic and you just present it on the page, the reader could draw their own conclusions. The analysis is the conclusions you have drawn, and that's really how you support the thesis or how you support your argument. The sources give you what you need to make those claims and to share those ideas, but you have to yourself as the writer make the claim and share the idea. And the analysis is where all of that happens, and it's important to include in every paragraph. Now I'm going to say every paragraph but of course each assignment may have different purposes and goals so occasionally there are types of paragraphs where we don't have analysis but I think if this is something you're worried about not including just try to get it in there in every paragraph. The short of all of this is analysis adds you to the writing. Analysis is where you happen.

Visual: Slide changes to the following: Analysis: MEAL Plan

M ain idea: Topic sentence—what subject will the paragraph be about?

E vidence: Research, data, and sources

Analysis: Interpretation of research, data, sources for your reader

L ead out: Emphasize main point, reiterate a conclusion, explain significance of           information

Audio: One place where you may have heard the word analysis is the MEAL plan and the MEAL plan is a paragraphing plan we refer to a lot here in the Writing Center. It's featured on our website, all throughout the blog. Maybe Beth could put a link or two in the Q and A box if you want to learn more. Or if this is something you just aren’t’ familiar with yet. But the shortest explanation of the MEAL plan is that it helps you write a paragraph so long as you include the four parts, and the four parts are the main idea. The main idea is the topic sentence or the first sentence or two of the paragraph and that's where we state what the subject of the paragraph is, what the paragraph is all about. Next an MEAL plan paragraph includes evidence, and that evidence is all of our research, our statistics, data, other sources. It's everything we've looked up. After evidence, we have analysis and the analysis is that interpretation, what it means, exactly what we just looked at on the previous slide. It's you, your thoughts, what you have to say about it. And then an MEAL plan paragraph ends with some sort of lead-out where you can repeat the main idea of the paragraph. Reiterate your conclusion, explain the significance. There are a lot of strategies you can do at the end of the paragraph.

When we look at this MEAL plan one thing to note is that the paragraph could have a topic sentence, two sentences of evidence, three sentences of analysis and a lead-out and that could be it, but an MEAL plan paragraph could also open with a topic sentence, have some evidence followed by analysis, a little bit more evidence and more analysis and then lead out. So, it's not an exact template that you can just drop one sentence into for each. There's flexibility with this, how long each of those four things are, and if your evidence and analysis repeats or not. But the MEAL plan can be very, very useful.

Visual: Slide change to the following: Handout:

Including Analysis and Explanation in Your Writing

Audio: Now, before we take a look at examples of adding analysis, I do want to point out that we have a handout that is down in that files pod near the bottom of your screen, and in this handout, it will explain how you can include analysis and explanation in your writing. And this is useful if that's something that you feel stuck on or right now you're sitting here thinking you need a little bit more information about that. So, you'll see this handout and even though we're looking at examples of what analysis looks like, if you want those specific steps or information about doing it yourself, you're going to find it here, and I just wanted to draw your attention to that before we check out the following example.

Visual: Slide changes to the following: Analysis

According to recent data, 88% of patients in the United States needing to see a health care specialist are able to do so within a month (Roland, Guthrie, & Thome, 2012).

According to recent data, 88% of patients in the United States needing to see a specialist are able to do so within a month (Roland, Guthrie, & Thome, 2012). This statistic shows that more than 10% of the population needs to wait to receive what might be urgent medical care.

According to recent data, 88% of patients in the United States needing to see a specialist are able to do so within a month (Roland, Guthrie, & Thome, 2012). In other words, in terms of seeing a specialist, the U.S. health care system is meeting the needs of the majority of patients.

Audio: And so, one trick to doing analysis is to include a quote or paraphrase and then just follow it up with what you think. This way it forces you to include that analysis right away, and because we know analysis is how we add more of ourselves to the topic, more of ourselves to the research, we want to say this, we want it to be something new and from our own brains and responding immediately to a paraphrase helps us with that. It's a good habit to get into.

First here I have a paraphrase which is awesome because I'm presenting the facts in my own words, but I add even more critical thinking by analyzing or saying something new about it right after.  So here I have my paraphrase. “According to recent data 88% of patients in the United States needing to see a health care specialist are able to do so within a month.” There's my paraphrase, so here's one example of analysis. Immediately after I could say “this statistic shows that more than 10% of the population needs to wait to receive what might be urgent medical care.” So, as a writer I read that article. I paraphrased it and I thought that is not good. That means there's a lot people who are not getting the help they need, so I had that idea and I put it into writing and that becomes my analysis.

But because analysis involves adding my own thoughts, it can look different in each paper. So, here's another example. I read that same article, and my analysis is, “in other words, in terms of seeing a specialist the U.S. health care system is meeting the needs of the majority of patients.” So, in this case I'm a writer who read that article and said 88%, that's amazing and I’ve included that in my analysis. So, see how the one paraphrase could be used to support two totally different ideas? That's because analysis is coming from me as the academic writer. It's me. I'm not just repeating what I read in the article, I’m adding my thoughts. So, on the one case, I'm a student who thinks this article shows the health care system is great and on the other hand, I'm a student who read the article and thought it showed that health care system needs to be improved. Two totally different ideas. Both are good. Neither is better than the other. The point is that analysis is going to come from you, so you could read the research and have one idea. Someone could read it and have a different idea, but both are correct.

Provide analysis of my paraphrase

Audio: And just to demonstrate how people can read the same bit of research and draw their own conclusions, I want you to write an analysis of this paraphrase, what this -- what I'm asking you to do is to read through the paraphrase and then share a follow-up conclusion, observation, thought, something new. What does this make you realize? I'm going to give you a couple minutes to complete this task, and as you work or after you're done, take a look at the variety of responses.

So, when I take a look at some of the analysis that's coming in I see some people are using this research to focus on communication. Some people are going to use this to help forward an opinion about students going on to further their education. Some people are focusing on how social media becomes a learning tool. So, this one paraphrase could be used to support four different essays, no problem. And that's because the analysis is coming from us. And you may notice that sometimes people will use the same sources for totally different papers, totally different purposes and that's because that analysis is all about how you have chosen to use it. So, I hope you what can see here is that in the analysis we have a demonstration of critical thinking, it's what we think about that topic. Thank you so much for participating in this chat. This one requires a lot of -- well, no surprise, critical thinking, so thank you.

Critical Thinking

  • An original and informed assessment of an idea, theory, or phenomenon

Audio: And so, we can solidify how including analysis demonstrates critical thinking and we'll return to that definition, critical thinking is an original and a form of assessment and an analysis we provide our own ideas, our own interpretation. Our ideas and interpretations are original, so we have that match up well and because those ideas are based on other authors' ideas and work it is informed. So, see if you include analysis you're demonstrating critical thinking.

Audio: Once again, I'll pause just to see if there's anything I should address before we move on.

Beth: Yeah, I don't really think so, Melissa. I think we're pretty good.

Audio: Melissa: Oh, great. Okay. So here we are. The final way to show critical thinking in our writing which is synthesis.

Visual: Slide changes to the following: Synthesis

Combining independent elements to form a cohesive whole

  • Critical analysis of sources
  • Comparing and contrasting what the authors have to say
  • Evaluating and interpreting that information

Audio: And synthesis I think you may feel that these are getting a little bit more complex concepts as we move along, but synthesis is when we take a whole bunch of stuff, independent elements and we take all of those things and pull them together into something new into a cohesive whole. So really those independent elements that could be a whole bunch of research like five different articles. So, for example I synthesize when I read those five articles about school reform and then I create my own plan or I plan new school reform. I've taken a lot of independent elements, those five articles, and I've used them to create a cohesive whole and that would be my plan. Originally those five ideas had nothing to do with each other, maybe the two authors had dinner once or something, but the articles all existed totally separate. It was me and my brain that pulled them together to create something new. I did the synthesizing. And, so, in order to synthesize we use a lot of brain power because we have to analyze the sources. We have to compare and contrast what they say. We have to evaluate and interpret the information and then we still have to use it to create something new.

  • Expert advice
  • Statistics                 
  • Research study

è Your recommendation of how to combat the negative effects of social media on high school students.

[Slide shows the three bullet points as balls put into a funnel, with the recommendation coming out as the result.]

Audio: So, here's a visual I like to share whenever I talk about synthesis. Imagine putting all these things into a funnel or a bowl or something and you mix them up and squeeze it out through your brain and there it is, something new that you created. So, for example, I could take statistics about high schoolers' use of social media, I could read a bunch of articles about what experts advise when it comes to social media and high school students. I could see what they say, what's the same, different, what's valid, what is flawed. I could also read a research longitudinal research study on the topic and I would think, think, think about all of these things. I would draw conclusions. I would compare and contrast and then I would present my synthesis. And that's my recommendation how to combat the negative effects of social media on high school students. Nobody else wrote that recommendation. That's all me. So, synthesis is taking a whole bunch of pieces and using them to make them new whole thing.

Visual: Slide changes to the following: Synthesis: Not Quite

According to Peterson (2008), 83% of teenagers claimed that social media had no impact on their academic performance. Carol (2010) noted that teenagers who used social media reported a higher dissatisfaction with their academics than did teenagers who use little or no social media.

Audio: And here’s an example of synthesis that isn’t quite there.  Let’s take a look. Here I have “according to Peterson 83% of teenagers claimed that social media had no impact on their academic performance. Carol noted that teenagers who used social media reported a higher dissatisfaction with their academics.” And so, what I have here is actually just two paraphrases back to back. I have my independent elements, or the whole bunch of pieces, all the stuff we just talked about, but I haven't done anything with them. I haven't made anything new.

Visual: Slide changes to the following: Synthesis: With the MEAL Plan

Research on social media’s effect on high school students is far from reaching consensus.

While Peterson (2008) noted that 83% of teenagers claimed that social media had no impact on their academic performance, Carol (2010) found teenagers who used social media reported a higher dissatisfaction with their academics than did teenagers who use little or no social media.

However, both authors neglect the possibility that high school students are simply not aware of the negative influences of social media.

Future research, therefore, should closely examine this level of awareness and whether it can predetermine particular adolescent behavior.

Audio: So, here's how I could do that using the MEAL plan. And first here is my M, my topic sentence, that is going to present the main of idea of the paragraph. And then now I'm going to have my evidence, and so that evidence is those two paraphrases we just looked at. I'm going to use these as my independent elements based on my synthesis. And now here's my analysis. Yes, analysis, analyzing is necessary for a synthesis. We can't create something new, whole without analyzing or responding to the research. And analysis and synthesis are closely related because of this. Here's my comparison. And then I'm going to end with a lead-out phrase that's going to wrap it all up and when I wrap it up here what I’m doing is I'm creating this new idea. It's a recommendation of what we should do. The proposal is a new whole thing. This taken together this paragraph is me synthesizing.

So, synthesis can happen in the paragraph level like this. Here we see independent elements and what I've done with them but it can also be an end result of an entire essay. It's just that on this slide I can't walk us through an essay easily so we're looking at it on the paragraph level. I noted there's a public health or something like that assignment out there where students are asked to create a policy to address a health issue. That assignment requires heavy duty synthesizing. The policy that students are proposing is a new original plan that is a result of looking at a lot research and other existing plans.

Critical thinking : An original and informed assessment of an idea, theory, or phenomenon

Synthesis: Combining independent elements to form a cohesive whole

Audio: So, as you can expect synthesis helps us demonstrate critical thinking. Remember critical thinking is an original and informed assessment. We see the idea of original in the definition of synthesis because you're creating a totally new thing, brand-new, and we see the idea of informed up here in the definition of synthesis because synthesis is based on research or those independent elements. It's helpful to see how the definition of thesis, paraphrasing, analysis and synthesis all overlap and so having strong -- a strong thesis, a strong paraphrase and analysis and synthesis will all demonstrate the strength of your own critical thinking.

Audio: And I don't know if we want to stop questions before we recap and share resources. Did anything come through?

Beth: It didn't, no. So maybe just talk about those resources, and yeah, wrap us up here.

Visual: Slide changes to the following: Recap

  • Relate source to your own ideas
  • Use own words and phrasing
  • Interpret sources
  • Compare, contrast, and analyze sources

Audio: Melissa: Okay. Sounds great. So, just to recap critical thinking is something we're asked to do as academic writers, and if you're wondering how do I show I've thought critically? I mean, I'm sure when a student is preparing an assignment, or even a discussion post, a lot of thought goes into it. How do we make that thought visible? We can make it visible in your thesis, in your paraphrasing, in the inclusion of analysis and in the syntheses as you pull together multiple sources to create something new. In these four ways, your critical thinking becomes visible and it becomes something that you can say okay, my critical thinking, people will know that I've used resources. I have an informed assessment because I've created this new idea based on research.

Visual: Slide changes to the following: Critical Thinking Toolbox

Thesis statements:

  • Thesis Statement page
  • “Practical Skills: Thesis Statements”

Paraphrasing:

  • Paraphrasing page
  • “Practical Skills: Paraphrasing”
  • Using Evidence page
  • Paragraph page
  • “Topic Sentences and Paragraph Development”
  • Synthesis page
  • “Synthesis and Thesis Development”

Audio: And now, here is a page that has links to more details about the four things we looked at. And I have to apologize because it looks like these links are not clickable here in this presentation today so if you go to the files pod you'll be able to download the slides and when you download the slides, these will be completely accessible so that you can take a look at some of these that will help you if you wanted more information about how to write a thesis, how to paraphrase.

Visual: Slide changes to the following: Questions:

Anytime: [email protected]

Continue the conversation on Twitter with #WaldenU

Develop your Critical Thinking Skills:

Check out the recorded webinars “Adding Analysis and Synthesis to your Writing” and “Writing Effective Academic Paragraphs”

Audio: And that brings me to the end of my presentation and I will hand it back to Beth to wrap things up for us.

Beth: Thanks so much, Melissa. We didn't get any other questions that came in and I know we're here the top of the hour so I wondered if you just have any sort of final tips or strategies, for students. I know this is a lot that you went over. So, I wondered if you had any tips for students who might be feeling a little overwhelmed for trying to incorporate all of this into their writing.

Melissa: Oh definitely. And in this webinar because we talked about four really important things rather quickly, the big take away here is just to know that when we include these things in our writing we are demonstrating our critical thinking skills. If you're feeling like you need more support in one of those areas, first download the slides and access those links but also feel free to make an appointment with us in the Writing Center and just mention where you want the instructor to focus. You know, can you focus on my analysis. I'm not sure if I have enough synthesis. I'm worrying about the amount of critical thinking and you can get that one-on-one help that way with whatever you think you will need the most help with.

Beth: I love that. Fantastic. Thanks so much, Melissa. This is a great sort of really in-depth I feel like but broad overview of all these different elements so thank you. And thank you everyone for coming. I know we're at the top of the hour so we're going to go ahead and close out but do let us know if you have any lingering questions at that e-mail writing support and check out those other webinars and resources Melissa mentioned and we hope to see you at another webinar coming up. Thanks everyone. Have a great night.

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Unify High School

What Is Critical Writing?

by Gordana S | Dec 13, 2020 | Skills & Career | 0 comments

critical writing assignment

Table of Contents

What Is Critical Writing and How To Master It?

To be a proficient student and a desirable candidate for a career of your choice —whatever that ends up being—you need to have solid writing skills and employ more than a few writing strategies .

One specific form of writing is critical writing. Critical writing is used in academia to a large degree—so you can’t avoid it if you want to be successful in college —but higher education isn’t the only field where you may employ the strategies for writing a critical text. 

To be put into the category of critical writing, a piece of work needs to possess certain characteristics and be created for a specific purpose. Here, you’ll find out what critical writing is and get a glimpse at some examples of the form. You will also see what skills you need to practice to be a solid creator of critical pieces yourself.

critical writing assignment

Credit: Free-Photos

Critical writing can be defined by its purpose, which is to comment on another piece of work by using various writing strategies. You can comment on a written or any other work, like an art or entertainment piece. That’s not where that purpose ends, though.

When you’re writing a critical text, you also want to arrive at an original conclusion on the topic or work you’re critiquing. For that opinion to be valid, you need to explain how you formed it and back up your statements with references. That said, research will play a huge part in your writing process.

Another characteristic of critical writing is to make complicated topics easy to understand for an average reader. When they read your essay, they should understand the topic without having to look it up further.

Since a critical text is your work, your aim is also to convince the reader to side with your views. Your views are subjective, but you have to be careful about how you use that subjectivity. It’s why backing your opinions with real-life examples and existing research is vital. 

There are many forms of writing—like creative, persuasive , and argumentative —but in college, you will need to discern the difference between descriptive and critical writing.

Critical vs. Descriptive Writing

critical writing assignment

You have probably done assignments on descriptive writing since your first days at a school desk. Think essay topics like First Days of Fall in My Neighborhood or I Love My Best Friend Because , My Favorite Month of the Year, and so on. You had to use many adjectives and bring a person, a place, or an emotion to life in your essay. This is typical of descriptive writing.

Critical writing requires you to use a much more analytical approach to the topic of your assignment and as little description as possible.

Here’s a table to help you differentiate between the two forms of writing, which are both widely used in education:

When you are writing a critical analysis piece, you are allowed some description. In fact, you should be as original and daring with your language as possible. That said, you must be careful not to be too wordy. Never include unnecessary points in your essay only because you need to reach the required word count. Recognizing the difference between fluff and creativity is a type of writing skill you’ll need to perfect if you want to write a successful critical analysis.

Where Is Critical Writing Used?

Writing a critical analysis is a fundamental practice in:

  • Academic writing. If you don’t end up writing critical texts for a living, you will likely do most of your critical writing in college. One of the most important values of higher education is to teach students to think for themselves. For these reasons, critical reading , thinking, and writing are an integral part of most college assignments 
  • Journalism. Many forms of expression in journalism—like reports, articles, or commentary—are written with an analytical approach, which is a key aspect of critical writing. Critical writing in journalism is also termed interpretative journalism because the authors interpret events, people, and phenomena. They study them through extensive research and provide original conclusions and predictions
  • Media criticism. Anyone can comment on forms of art and entertainment today. Think film enthusiasts who write movie reviews on their blogs. That’s a form of critical writing. You also have professionals in various fields, like art, film, or music. They write critical pieces on the topics within their expertise, and their opinions are valued highly. When reading a review from anyone, whether it be an amateur or expert, you should still think critically and not take their word as gospel

Core Critical Writing Skills To Sharpen Constantly

critical writing assignment

Credit: MJ S

The skills you need to develop to be proficient in critical writing are many and more. The good news is that a large portion of them fall under the broad category of soft skills that you need to possess.

Without further ado, here are the essential skills you have to use when writing a critical analysis:

  • Critical thinking
  • Critical reading
  • Organizing your writing
  • Self-evaluation
  • Language proficiency skills
  • Time management
  • Citing sources

Question Everything You Read

Your first job as a critical writer is to examine the topic of your assignment with a critical mindset. Not only should you evaluate what you’re writing about but also question your resources. In other situations, the work you’re evaluating will be the only thing you need to review in your critical writing.

Whatever it is, you must be careful not to take anything you read at face value. Developing critical thinking skills is crucial for any aspect of life, not just while you’re in college and need to write an assignment.

Here’s how critical and noncritical thinking differ:

Analyze Texts All the Time

Sharpening your critical thinking skills and improving your critical reading skills go hand in hand. If your goal is to improve how you write a critical analysis, you should make reading the material that falls under that genre a routine.

Find the material that is within your area of study and read as much as possible. In the process of writing itself, you will have to do a lot of research and refer to the work you’re critiquing constantly. To get better, you shouldn’t take up critical reading only when your school assignments require you to.

While you’re working on your critical reading skills, you should:

  • Skim and scan your material
  • Annotate what you’re reading
  • Determine if the source is relevant by checking who wrote it, when, and why
  • Evaluate the statements within the text by comparing it with other works

Don’t Write Before You Outline

Outlining your essay is important for any serious writing, but when it comes to critical analysis, it’s especially necessary to have a plan before you start crafting your sentences. If you want to write a solid critical piece, you should organize your ideas and determine where in the text you’ll put all your opinions and commentary.

Your outline should include the following information:

  • Title of your essay
  • The topic of each body paragraph
  • Sources you plan to cite and where in the text you’ll cite them
  • The main point you wish to make
  • The predictions on how the situation you’re writing about may develop in the upcoming period
  • Suggestions for further research

Know How To Improve

Besides reading other people’s critical work, you should also make it a habit to reread your own. Self-improvement cannot be achieved without self-reflection, which is why you need to open yourself up to acknowledging your strengths and weaknesses. While this may sound like a self-help quote, in writing, nothing aids progress as much as learning from your mistakes.

Another trick is to find people who can give you feedback on your work. You must learn to appreciate constructive criticism if you want to improve. If you’re doing critical writing for college, your mentors will assess your work. Don’t neglect to go over every comment they give you. Besides your professors, see if you can find other people who will go over your writing. 

Pay Attention to How You Use Language

You cannot create above-average written content if you don’t have control over your use of language. This refers to everything connected to language—from your vocabulary range to your sentence constructions. You should also employ different writing strategies to make your work affect your readers the way you want it to.

All the skills we mentioned will improve with practice. To improve in the long run, incorporate the conscious practice of each mentioned skill. For example, you can devote a practice to analyzing texts with a critical mindset one day. The other day, you can read the material with the mind to acquire new vocabulary.

Organize Your Time

Organization and time management skills are key to any effective writing, and critical analysis is no exception. Usually, if you’re writing a critical text, it will be a longer piece, which means you can’t put it off until the clock is ticking dangerously close to the deadline.

Being diligent with your assignments and with your practice to hone your critical writing abilities is a skill you can improve on if it’s not already your forte.

Bullet journaling is a fun way to organize your time and tasks. You enter your weekly or monthly goals and responsibilities into a notebook and track your progress. This practice will help you stay motivated to stick to your set goals.  

Learn How To Cite Your Sources

You can’t write a critical paper if you don’t reference your sources in it, especially if you’re writing for college. When you’re not sure how to quote passages, include footnotes in your text, or add the list of references at the end of it correctly, you can lose much time on that technical aspect.

As with any other skill, doing it as often as possible will result in getting more efficient with citing your sources. You can start by getting familiar with the rules and norms of a specific citation style you need to use. It’s better than referring to it constantly while writing your assignment. Purdue Online Writing Lab is a popular student resource for learning citation norms.

Critical Writing Examples

If you’re a beginner at critical writing, you should first get familiar with the form by checking out how others have done it.

Here are some free resources where you can find examples of critical writing:

  • Australian College of Applied Psychology
  • Your Dictionary
  • Academic Help

Strategies To Employ in Your Critical Writing

critical writing assignment

Credit: Jingda Chen

Besides the skills mentioned—that you should work on to write a better critical analysis—some strategies go into every good critical piece. You should get familiar with these strategies, employ them in your work, and learn to adapt them to your style.

Some of the most prominent strategies used in critical writing are:

  • Thorough research
  • Persuasive language
  • Confident presentation of arguments
  • Comparison of sources

Do Your Research Well

Doing research is the essence of and the first step in working on a critical writing assignment. The nature of your piece is such that you can’t write it without referring to both the work you’re critiquing and the additional sources you used.

Be careful not to do research only because you need a list of references in your paper. The more thorough you are with your research, the stronger your argument will sound—which is the purpose. 

Learn To Use Persuasive Techniques in Writing

Skillful critical writers use persuasion covertly in their work to argue their point and influence the reader’s opinion on the subject they’re commenting on.

Even when the point isn’t to make your audience believe your argument, you will want to convince them to read your piece to the end. Also, when readers digest a solid critical piece, they may not necessarily agree with the final evaluation, but they should realize the validity of it, i.e., how you came to the conclusion you made and why you’re arguing your point.

Present Your Arguments With Confidence

What will influence your readers to buy what you’re saying is the tone of your writing. You can learn to write confidently by employing other strategies listed, like doing in-depth research on your topic.

How you use language, what phrases you put into your writing, and how you structure your sentences will also determine whether your paper sounds confident or not. This means that the skills and strategies of critical writing overlap, and working on one also means working on another.

Contrast and Compare

When you show your research in your writing, you have to think about how it affects your audience. For example, if you only state the facts you learned or quote your sources, you will not convince your reader you have indeed engaged with the subject material. What will make them believe your argument is seeing how you compare and contrast the different arguments in your paper.

How Would You Define Critical Writing and Its Importance?

You can benefit from improving your critical writing abilities to a great extent. It makes you a better conversationalist, a skilled judge of the world, and a more confident individual. It also makes you unafraid to express your voice in any sphere or situation in your life.

Considering the benefits of knowing how to think and write critically —and the importance of reading and writing skills in general— you’d think your high school education would put more focus on developing those skills. Usually, students are only introduced to the norms of critical reading and writing when they go to college, and they have a hard time closing the gap between their abilities and their workload.

It’s time American education was reformed to include the effective teaching of these fundamental skills in the mainstream curriculum.

If you have ideas on how you would bring the much-needed innovations in schools or you want to offer your definition of critical writing and tips on how to master it, write to us. We’ll be thrilled to hear your opinion and make room for your words on our blog!

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Writing Assignments

Kate Derrington; Cristy Bartlett; and Sarah Irvine

Hands on laptop

Introduction

Assignments are a common method of assessment at university and require careful planning and good quality research. Developing critical thinking and writing skills are also necessary to demonstrate your ability to understand and apply information about your topic.  It is not uncommon to be unsure about the processes of writing assignments at university.

  • You may be returning to study after a break
  • You may have come from an exam based assessment system and never written an assignment before
  • Maybe you have written assignments but would like to improve your processes and strategies

This chapter has a collection of resources that will provide you with the skills and strategies to understand assignment requirements and effectively plan, research, write and edit your assignments.  It begins with an explanation of how to analyse an assignment task and start putting your ideas together.  It continues by breaking down the components of academic writing and exploring the elements you will need to master in your written assignments. This is followed by a discussion of paraphrasing and synthesis, and how you can use these strategies to create a strong, written argument. The chapter concludes with useful checklists for editing and proofreading to help you get the best possible mark for your work.

Task Analysis and Deconstructing an Assignment

It is important that before you begin researching and writing your assignments you spend sufficient time understanding all the requirements. This will help make your research process more efficient and effective. Check your subject information such as task sheets, criteria sheets and any additional information that may be in your subject portal online. Seek clarification from your lecturer or tutor if you are still unsure about how to begin your assignments.

The task sheet typically provides key information about an assessment including the assignment question. It can be helpful to scan this document for topic, task and limiting words to ensure that you fully understand the concepts you are required to research, how to approach the assignment, and the scope of the task you have been set. These words can typically be found in your assignment question and are outlined in more detail in the two tables below (see Table 19.1 and Table 19.2 ).

Table 19.1 Parts of an Assignment Question

Make sure you have a clear understanding of what the task word requires you to address.

Table 19.2 Task words

The criteria sheet , also known as the marking sheet or rubric, is another important document to look at before you begin your assignment. The criteria sheet outlines how your assignment will be marked and should be used as a checklist to make sure you have included all the information required.

The task or criteria sheet will also include the:

  • Word limit (or word count)
  • Referencing style and research expectations
  • Formatting requirements

Task analysis and criteria sheets are also discussed in the chapter Managing Assessments for a more detailed discussion on task analysis, criteria sheets, and marking rubrics.

Preparing your ideas

Concept map on whiteboard

Brainstorm or concept map:  List possible ideas to address each part of the assignment task based on what you already know about the topic from lectures and weekly readings.

Finding appropriate information: Learn how to find scholarly information for your assignments which is

See the chapter Working With Information for a more detailed explanation .

What is academic writing?

Academic writing tone and style.

Many of the assessment pieces you prepare will require an academic writing style.  This is sometimes called ‘academic tone’ or ‘academic voice’.  This section will help you to identify what is required when you are writing academically (see Table 19.3 ). The best way to understand what academic writing looks like, is to read broadly in your discipline area.  Look at how your course readings, or scholarly sources, are written. This will help you identify the language of your discipline field, as well as how other writers structure their work.

Table 19.3 Comparison of academic and non-academic writing

Thesis statements.

Essays are a common form of assessment that you will likely encounter during your university studies. You should apply an academic tone and style when writing an essay, just as you would in in your other assessment pieces. One of the most important steps in writing an essay is constructing your thesis statement.  A thesis statement tells the reader the purpose, argument or direction you will take to answer your assignment question. A thesis statement may not be relevant for some questions, if you are unsure check with your lecturer. The thesis statement:

  • Directly  relates to the task .  Your thesis statement may even contain some of the key words or synonyms from the task description.
  • Does more than restate the question.
  • Is specific and uses precise language.
  • Let’s your reader know your position or the main argument that you will support with evidence throughout your assignment.
  • The subject is the key content area you will be covering.
  • The contention is the position you are taking in relation to the chosen content.

Your thesis statement helps you to structure your essay.  It plays a part in each key section: introduction, body and conclusion.

Planning your assignment structure

Image of the numbers 231

When planning and drafting assignments, it is important to consider the structure of your writing. Academic writing should have clear and logical structure and incorporate academic research to support your ideas.  It can be hard to get started and at first you may feel nervous about the size of the task, this is normal. If you break your assignment into smaller pieces, it will seem more manageable as you can approach the task in sections. Refer to your brainstorm or plan. These ideas should guide your research and will also inform what you write in your draft. It is sometimes easier to draft your assignment using the 2-3-1 approach, that is, write the body paragraphs first followed by the conclusion and finally the introduction.

Writing introductions and conclusions

Clear and purposeful introductions and conclusions in assignments are fundamental to effective academic writing. Your introduction should tell the reader what is going to be covered and how you intend to approach this. Your conclusion should summarise your argument or discussion and signal to the reader that you have come to a conclusion with a final statement.  These tips below are based on the requirements usually needed for an essay assignment, however, they can be applied to other assignment types.

Writing introductions

Start written on road

Most writing at university will require a strong and logically structured introduction. An effective introduction should provide some background or context for your assignment, clearly state your thesis and include the key points you will cover in the body of the essay in order to prove your thesis.

Usually, your introduction is approximately 10% of your total assignment word count. It is much easier to write your introduction once you have drafted your body paragraphs and conclusion, as you know what your assignment is going to be about. An effective introduction needs to inform your reader by establishing what the paper is about and provide four basic things:

  • A brief background or overview of your assignment topic
  • A thesis statement (see section above)
  • An outline of your essay structure
  • An indication of any parameters or scope that will/ will not be covered, e.g. From an Australian perspective.

The below example demonstrates the four different elements of an introductory paragraph.

1) Information technology is having significant effects on the communication of individuals and organisations in different professions. 2) This essay will discuss the impact of information technology on the communication of health professionals.   3)  First, the provision of information technology for the educational needs of nurses will be discussed.  4)  This will be followed by an explanation of the significant effects that information technology can have on the role of general practitioner in the area of public health.  5)  Considerations will then be made regarding the lack of knowledge about the potential of computers among hospital administrators and nursing executives.  6)   The final section will explore how information technology assists health professionals in the delivery of services in rural areas .  7)  It will be argued that information technology has significant potential to improve health care and medical education, but health professionals are reluctant to use it.

1 Brief background/ overview | 2 Indicates the scope of what will be covered |   3-6 Outline of the main ideas (structure) | 7 The thesis statement

Note : The examples in this document are taken from the University of Canberra and used under a CC-BY-SA-3.0 licence.

Writing conclusions

You should aim to end your assignments with a strong conclusion. Your conclusion should restate your thesis and summarise the key points you have used to prove this thesis. Finish with a key point as a final impactful statement.  Similar to your introduction, your conclusion should be approximately 10% of the total assignment word length. If your assessment task asks you to make recommendations, you may need to allocate more words to the conclusion or add a separate recommendations section before the conclusion. Use the checklist below to check your conclusion is doing the right job.

Conclusion checklist 

  • Have you referred to the assignment question and restated your argument (or thesis statement), as outlined in the introduction?
  • Have you pulled together all the threads of your essay into a logical ending and given it a sense of unity?
  • Have you presented implications or recommendations in your conclusion? (if required by your task).
  • Have you added to the overall quality and impact of your essay? This is your final statement about this topic; thus, a key take-away point can make a great impact on the reader.
  • Remember, do not add any new material or direct quotes in your conclusion.

This below example demonstrates the different elements of a concluding paragraph.

1) It is evident, therefore, that not only do employees need to be trained for working in the Australian multicultural workplace, but managers also need to be trained.  2)  Managers must ensure that effective in-house training programs are provided for migrant workers, so that they become more familiar with the English language, Australian communication norms and the Australian work culture.  3)  In addition, Australian native English speakers need to be made aware of the differing cultural values of their workmates; particularly the different forms of non-verbal communication used by other cultures.  4)  Furthermore, all employees must be provided with clear and detailed guidelines about company expectations.  5)  Above all, in order to minimise communication problems and to maintain an atmosphere of tolerance, understanding and cooperation in the multicultural workplace, managers need to have an effective knowledge about their employees. This will help employers understand how their employee’s social conditioning affects their beliefs about work. It will develop their communication skills to develop confidence and self-esteem among diverse work groups. 6) The culturally diverse Australian workplace may never be completely free of communication problems, however,   further studies to identify potential problems and solutions, as well as better training in cross cultural communication for managers and employees,   should result in a much more understanding and cooperative environment. 

1  Reference to thesis statement – In this essay the writer has taken the position that training is required for both employees and employers . | 2-5 Structure overview – Here the writer pulls together the main ideas in the essay. | 6  Final summary statement that is based on the evidence.

Note: The examples in this document are taken from the University of Canberra and used under a CC-BY-SA-3.0 licence.

Writing paragraphs

Paragraph writing is a key skill that enables you to incorporate your academic research into your written work.  Each paragraph should have its own clearly identified topic sentence or main idea which relates to the argument or point (thesis) you are developing.  This idea should then be explained by additional sentences which you have paraphrased from good quality sources and referenced according to the recommended guidelines of your subject (see the chapter Working with Information ). Paragraphs are characterised by increasing specificity; that is, they move from the general to the specific, increasingly refining the reader’s understanding. A common structure for paragraphs in academic writing is as follows.

Topic Sentence 

This is the main idea of the paragraph and should relate to the overall issue or purpose of your assignment is addressing. Often it will be expressed as an assertion or claim which supports the overall argument or purpose of your writing.

Explanation/ Elaboration

The main idea must have its meaning explained and elaborated upon. Think critically, do not just describe the idea.

These explanations must include evidence to support your main idea. This information should be paraphrased and referenced according to the appropriate referencing style of your course.

Concluding sentence (critical thinking)

This should explain why the topic of the paragraph is relevant to the assignment question and link to the following paragraph.

Use the checklist below to check your paragraphs are clear and well formed.

Paragraph checklist

  • Does your paragraph have a clear main idea?
  • Is everything in the paragraph related to this main idea?
  • Is the main idea adequately developed and explained?
  • Do your sentences run together smoothly?
  • Have you included evidence to support your ideas?
  • Have you concluded the paragraph by connecting it to your overall topic?

Writing sentences

Make sure all the sentences in your paragraphs make sense. Each sentence must contain a verb to be a complete sentence. Avoid sentence fragments . These are incomplete sentences or ideas that are unfinished and create confusion for your reader. Avoid also run on sentences . This happens when you join two ideas or clauses without using the appropriate punctuation. This also confuses your meaning (See the chapter English Language Foundations for examples and further explanation).

Use transitions (linking words and phrases) to connect your ideas between paragraphs and make your writing flow. The order that you structure the ideas in your assignment should reflect the structure you have outlined in your introduction. Refer to transition words table in the chapter English Language Foundations.

Paraphrasing and Synthesising

Paraphrasing and synthesising are powerful tools that you can use to support the main idea of a paragraph. It is likely that you will regularly use these skills at university to incorporate evidence into explanatory sentences and strengthen your essay. It is important to paraphrase and synthesise because:

  • Paraphrasing is regarded more highly at university than direct quoting.
  • Paraphrasing can also help you better understand the material.
  • Paraphrasing and synthesising demonstrate you have understood what you have read through your ability to summarise and combine arguments from the literature using your own words.

What is paraphrasing?

Paraphrasing is changing the writing of another author into your words while retaining the original meaning. You must acknowledge the original author as the source of the information in your citation. Follow the steps in this table to help you build your skills in paraphrasing (see Table 19.4 ).

Table 19.4 Paraphrasing techniques

Example of paraphrasing.

Please note that these examples and in text citations are for instructional purposes only.

Original text

Health care professionals   assist people often when they are at their most  vulnerable . To provide the best care and understand their needs, workers must demonstrate good communication skills .  They must develop patient trust and provide empathy   to effectively work with patients who are experiencing a variety of situations including those who may be suffering from trauma or violence, physical or mental illness or substance abuse (French & Saunders, 2018).

Poor quality paraphrase example

This is a poor example of paraphrasing. Some synonyms have been used and the order of a few words changed within the sentences however the colours of the sentences indicate that the paragraph follows the same structure as the original text.

Health care sector workers are often responsible for vulnerable  patients.   To understand patients and deliver good service , they need to be excellent communicators .  They must establish patient rapport and show empathy if they are to successfully care for patients from a variety of backgrounds  and with different medical, psychological and social needs (French & Saunders, 2018).

A good quality paraphrase example

This example demonstrates a better quality paraphrase. The author has demonstrated more understanding of the overall concept in the text by using the keywords as the basis to reconstruct the paragraph. Note how the blocks of colour have been broken up to see how much the structure has changed from the original text.

Empathetic   communication is a vital skill for health care workers.   Professionals in these fields   are often responsible for patients with complex medical, psychological and social needs. Empathetic   communication assists in building rapport and gaining the necessary trust   to assist these vulnerable patients  by providing appropriate supportive care (French & Saunders, 2018).

The good quality paraphrase example demonstrates understanding of the overall concept in the text by using key words as the basis to reconstruct the paragraph.  Note how the blocks of colour have been broken up, which indicates how much the structure has changed from the original text.

What is synthesising?

Synthesising means to bring together more than one source of information to strengthen your argument. Once you have learnt how to paraphrase the ideas of one source at a time, you can consider adding additional sources to support your argument. Synthesis demonstrates your understanding and ability to show connections between multiple pieces of evidence to support your ideas and is a more advanced academic thinking and writing skill.

Follow the steps in this table to improve your synthesis techniques (see Table 19.5 ).

Table 19.5 Synthesising techniques

Example of synthesis

There is a relationship between academic procrastination and mental health outcomes.  Procrastination has been found to have a negative effect on students’ well-being (Balkis, & Duru, 2016). Yerdelen, McCaffrey, and Klassens’ (2016) research results suggested that there was a positive association between procrastination and anxiety. This was corroborated by Custer’s (2018) findings which indicated that students with higher levels of procrastination also reported greater levels of the anxiety. Therefore, it could be argued that procrastination is an ineffective learning strategy that leads to increased levels of distress.

Topic sentence | Statements using paraphrased evidence | Critical thinking (student voice) | Concluding statement – linking to topic sentence

This example demonstrates a simple synthesis. The author has developed a paragraph with one central theme and included explanatory sentences complete with in-text citations from multiple sources. Note how the blocks of colour have been used to illustrate the paragraph structure and synthesis (i.e., statements using paraphrased evidence from several sources). A more complex synthesis may include more than one citation per sentence.

Creating an argument

What does this mean.

Throughout your university studies, you may be asked to ‘argue’ a particular point or position in your writing. You may already be familiar with the idea of an argument, which in general terms means to have a disagreement with someone. Similarly, in academic writing, if you are asked to create an argument, this means you are asked to have a position on a particular topic, and then justify your position using evidence.

What skills do you need to create an argument?

In order to create a good and effective argument, you need to be able to:

  • Read critically to find evidence
  • Plan your argument
  • Think and write critically throughout your paper to enhance your argument

For tips on how to read and write critically, refer to the chapter Thinking for more information. A formula for developing a strong argument is presented below.

A formula for a good argument

A diagram on the formula for a ggood argument which includes deciding what side of argument you are on, research evidence to support your argument, create a plan to create a logically flowing argument and writing your argument

What does an argument look like?

As can be seen from the figure above, including evidence is a key element of a good argument. While this may seem like a straightforward task, it can be difficult to think of wording to express your argument. The table below provides examples of how you can illustrate your argument in academic writing (see Table 19.6 ).

Table 19.6 Argument

Editing and proofreading (reviewing).

Once you have finished writing your first draft it is recommended that you spend time revising your work.  Proofreading and editing are two different stages of the revision process.

  • Editing considers the overall focus or bigger picture of the assignment
  • Proofreading considers the finer details

Editing mindmap with the words sources, content,s tructure and style. Proofreading mindmap with the words referencing, word choice, grammar and spelling and punctuation

As can be seen in the figure above there are four main areas that you should review during the editing phase of the revision process. The main things to consider when editing include content, structure, style, and sources. It is important to check that all the content relates to the assignment task, the structure is appropriate for the purposes of the assignment, the writing is academic in style, and that sources have been adequately acknowledged. Use the checklist below when editing your work.

Editing checklist

  • Have I answered the question accurately?
  • Do I have enough credible, scholarly supporting evidence?
  • Is my writing tone objective and formal enough or have I used emotive and informal language?
  • Have I written in the third person not the first person?
  • Do I have appropriate in-text citations for all my information?
  • Have I included the full details for all my in-text citations in my reference list?

There are also several key things to look out for during the proofreading phase of the revision process. In this stage it is important to check your work for word choice, grammar and spelling, punctuation and referencing errors. It can be easy to mis-type words like ‘from’ and ‘form’ or mix up words like ‘trail’ and ‘trial’ when writing about research, apply American rather than Australian spelling, include unnecessary commas or incorrectly format your references list. The checklist below is a useful guide that you can use when proofreading your work.

Proofreading checklist

  • Is my spelling and grammar accurate?
  •  Are they complete?
  • Do they all make sense?
  • Do they only contain only one idea?
  • Do the different elements (subject, verb, nouns, pronouns) within my sentences agree?
  • Are my sentences too long and complicated?
  • Do they contain only one idea per sentence?
  • Is my writing concise? Take out words that do not add meaning to your sentences.
  • Have I used appropriate discipline specific language but avoided words I don’t know or understand that could possibly be out of context?
  • Have I avoided discriminatory language and colloquial expressions (slang)?
  • Is my referencing formatted correctly according to my assignment guidelines? (for more information on referencing refer to the Managing Assessment feedback section).

This chapter has examined the experience of writing assignments.  It began by focusing on how to read and break down an assignment question, then highlighted the key components of essays. Next, it examined some techniques for paraphrasing and summarising, and how to build an argument. It concluded with a discussion on planning and structuring your assignment and giving it that essential polish with editing and proof-reading. Combining these skills and practising them, can greatly improve your success with this very common form of assessment.

  • Academic writing requires clear and logical structure, critical thinking and the use of credible scholarly sources.
  • A thesis statement is important as it tells the reader the position or argument you have adopted in your assignment. Not all assignments will require a thesis statement.
  • Spending time analysing your task and planning your structure before you start to write your assignment is time well spent.
  • Information you use in your assignment should come from credible scholarly sources such as textbooks and peer reviewed journals. This information needs to be paraphrased and referenced appropriately.
  • Paraphrasing means putting something into your own words and synthesising means to bring together several ideas from sources.
  • Creating an argument is a four step process and can be applied to all types of academic writing.
  • Editing and proofreading are two separate processes.

Academic Skills Centre. (2013). Writing an introduction and conclusion . University of Canberra, accessed 13 August, 2013, http://www.canberra.edu.au/studyskills/writing/conclusions

Balkis, M., & Duru, E. (2016). Procrastination, self-regulation failure, academic life satisfaction, and affective well-being: underregulation or misregulation form. European Journal of Psychology of Education, 31 (3), 439-459.

Custer, N. (2018). Test anxiety and academic procrastination among prelicensure nursing students. Nursing education perspectives, 39 (3), 162-163.

Yerdelen, S., McCaffrey, A., & Klassen, R. M. (2016). Longitudinal examination of procrastination and anxiety, and their relation to self-efficacy for self-regulated learning: Latent growth curve modeling. Educational Sciences: Theory & Practice, 16 (1).

Writing Assignments Copyright © 2021 by Kate Derrington; Cristy Bartlett; and Sarah Irvine is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License , except where otherwise noted.

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Academic Phrasebank

Academic Phrasebank

Being critical.

  • GENERAL LANGUAGE FUNCTIONS
  • Being cautious
  • Classifying and listing
  • Compare and contrast
  • Defining terms
  • Describing trends
  • Describing quantities
  • Explaining causality
  • Giving examples
  • Signalling transition
  • Writing about the past

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As an academic writer, you are expected to be critical of the sources that you use. This essentially means questioning what you read and not necessarily agreeing with it just because the information has been published. Being critical can also mean looking for reasons why we should not just accept something as being correct or true. This can require you to identify problems with a writer’s arguments or methods, or perhaps to refer to other people’s criticisms of these. Constructive criticism goes beyond this by suggesting ways in which a piece of research or writing could be improved. … being against is not enough. We also need to develop habits of constructive thinking. Edward de Bono

Highlighting inadequacies of previous studies

Previous studies of X have not dealt with … Researchers have not treated X in much detail. Such expositions are unsatisfactory because they … Most studies in the field of X have only focused on … Such approaches, however, have failed to address … Previous published studies are limited to local surveys. Half of the studies evaluated failed to specify whether … The research to date has tended to focus on X rather than published studies on the effect of X are not consistent. Smith’s analysis does not take account of …, nor does she examine …

The existing accounts fail to resolve the contradiction between X and Y. Most studies of X have only been carried out in a small number of areas. However, much of the research up to now has been descriptive in nature … The generalisability of much published research on this issue is problematic. Research on the subject has been mostly restricted to limited comparisons of … However, few writers have been able to draw on any systematic research into … Short-term studies such as these do not necessarily show subtle changes over time … Although extensive research has been carried out on X, no single study exists which … However, these results were based upon data from over 30 years ago and it is unclear if … The experimental data are rather controversial, and there is no general agreement about …

Identifying a weakness in a single study or paper

Offering constructive suggestions.

The study would have been more interesting if it had included … These studies would have been more useful if they had focused on … The study would have been more relevant if the researchers had asked … The questionnaire would have been more useful if it had asked participants about … The research would have been more relevant if a wider range of X had been explored

Introducing problems and limitations: theory or argument

Smith’s argument relies too heavily on … The main weakness with this theory is that … The key problem with this explanation is that … However, this theory does not fully explain why … One criticism of much of the literature on X is that … Critics question the ability of the X theory to provide … However, there is an inconsistency with this argument.

A serious weakness with this argument, however, is that … However, such explanations tend to overlook the fact that … One of the main difficulties with this line of reasoning is that … Smith’s interpretation overlooks much of the historical research … Many writers have challenged Smith’s claim on the grounds that … The X theory has been criticised for being based on weak evidence. A final criticism of the theory of X is that it struggles to explain some aspects of …

Introducing problems and limitations: method or practice

The limitation of this approach is that … A major problem with the X method is that … One major drawback of this approach is that … A criticism of this experimental design is that … The main limitation of this technique, however, is … Selection bias is another potential concern because …

Perhaps the most serious disadvantage of this method is that … In recent years, however, this approach has been challenged by … Non-government agencies are also very critical of the new policies. All the studies reviewed so far, however, suffer from the fact that … Critics of laboratory-based experiments contend that such studies … There are certain problems with the use of focus groups. One of these is that there is less …

Using evaluative adjectives to comment on research

Introducing general criticism.

Critics question the ability of poststructuralist theory to provide … Non-government agencies are also very critical of the new policies. Smith’s meta-analysis has been subjected to considerable criticism. The most important of these criticisms is that Smith failed to note that … The X theory has been vigorously challenged in recent years by a number of writers. These claims have been strongly contested in recent years by a number of writers. More recent arguments against X have been summarised by Smith and Jones (1982): Critics have also argued that not only do surveys provide an inaccurate measure of X, but the … Many analysts now argue that the strategy of X has not been successful. Jones (2003), for example, argues that …

Introducing the critical stance of particular writers

Smith (2014) disputes this account of … Jones (2003) has also questioned why … However, Jones (2015) points out that … The author challenges the widely held view that … Smith (1999) takes issue with the contention that … The idea that … was first challenged by Smith (1992). Smith is critical of the tendency to compartmentalise X. However, Smith (1967) questioned this hypothesis and …

Jones (2003) has challenged some of Smith’s conclusions, arguing that … Another major criticism of Smith’s study, made by Jones (2003), is that … Jones (2003) is probably the best-known critic of the X theory. He argues that … In her discussion of X, Smith further criticises the ways in which some authors … Smith’s decision to reject the classical explanation of X merits some discussion … In a recent article in Academic Journal, Smith (2014) questions the extent to which … The latter point has been devastatingly critiqued by Jones (2003), who argues that … A recently published article by Smith et al. (2011) casts doubt on Jones’ assumption that … Other authors (see Smith, 2012; Jones, 2014) question the usefulness of such an approach.

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Critical Thinking Verbs

Writing assignments provide opportunities for students to engage in rich problem-solving to support learning outcomes. Students find such problem-focused assignments particularly engaging. Consider how the following critical thinking verbs in a writing assignment encourage students to engage in complex rhetorical tasks. Deep learning requires actively engaging with content, and each of these  action  verbs will get them doing just that.

Just as importantly,  instructors should explain what each verb means to them . For example, “analyze” in one class or discipline could mean something completely different in another context. Analyze could mean: determine how individual parts create or relate to the whole; figure out how something works; explain what something means; or justify why it is important.

Critical Thinking Verbs (Partial list)

  • Distinguish

Below are examples of these action verbs in use. These are only small segments of larger writing assignments.

Website Article :  For this assignment, you will be writing for the website of the community farmer’s market in Oxford, OH. Your task is to  synthesize  current research on the benefits of a varied diet for the website visitors. By synthesizing, you are expected to  integrate  multiple sources (at least four) into conversation with one another. In other words, you should not summarize each source paragraph-by-paragraph.

Design Proposal :  In this writing assignment, you will  recommend  a plan for the redesign of the interior of the Howe Center for Writing Excellence. Based upon your observations, in-class readings on interior design, and the provided information about the HCWE,  propose  the best solution for remodeling,  defend  why it is the best solution, and  justify  any costs and efforts that would go into the redesign.

Policy Analysis and Recommendation :  For this major assignment, you will  research  one problem facing non-western societies that we discussed in class. You will learn more about this problem through library research, finding peer-reviewed academic articles, and sources that pass the CRAP test. Your paper will have three sections. First, you will  analyze  the problem using the five perspectives learned in class, using specific, cited examples from your sources. Next, you will  identify  and  explain  several policy options, and finally  recommend  a final policy to address the problem.

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Critical Reading Activities

  • Active Reading
  • Appealing to an Audience 
  • Finding the Commonalities
  • Sofa to 5k: Active Reading
  • The Verbal Shove-Off: Active Reading
  • How to Eat a Poem  

Active Reading: Marking Up the Text and Dialogic Journals

Purpose: Helping students learn to actively read texts, how to take notes on readings, and gain an understanding of their preferred styles for notetaking and the possible benefits of each.

Description: This exercise asks students to try two active reading strategies using the sources they might use for their research papers. Then, they discuss in order to articulate their preferred note taking style and the benefits of each.

Suggested Time: 50 minutes

Have students bring in at least two articles they plan on using for their research. Give students the two handouts below. Give students 20 minutes to try each technique, using one article for each technique. Give 5 minutes for independent writing in which students explain which method they prefer and why. Then, have a class discussion about the benefits and drawbacks of each method.

Active Reading – Mark up the Text

  • Underline key ideas – for example, topic sentences.
  • Box or circle words or phrases you want to remember.
  • Place a checkmark or a star next to an important idea.
  • Place a double check mark or double star next to an especially significant idea.
  • Put a question mark near any unfamiliar reference or a word you need to look up.
  • Number the writer’s key supporting points or examples.
  • Use different color highlighters.
  • Don’t be afraid to write your thoughts in the margins or on a separate sheet of paper (like the dialogic journal).

Questions to Ask (and Answer) when Reading a Text

  • What issue is the writer focusing on?
  • Does the writer take a clear stand on this issue?
  • What is the writer’s thesis (if there is one)?
  • What is the writer’s purpose for writing?
  • Who is the audience for this writing?
  • What is the writer’s tone?  Why do you think he/she writes with this tone?
  • Does the writer seem to assume readers will agree with his/her position?
  • What evidence does the writer use to support the essay’s thesis/central argument?  Does the writer include enough evidence?
  • Does the writer consider, address and/or refute opposing arguments?
  • Do you understand the vocabulary?  If not, look the words up.
  • Do you understand the writer’s references/citations?  If not, look them up.
  • Do you agree with the points the writer makes?  Why/why not?
  • What connections can you make between this article and others you have read?

Dialogic Journals (also called Double Entry Journal)

Before reading, answer these questions:

  • Why are you reading this piece?
  • What do you hope to learn as you read it?

Fold a page in your daybook in half (long ways) and follow these steps to complete your dialogue journal:

  • Write the title and author of the article at the top of the page.
  • In the first column, “write down anything from the reading that catches your attention, seems significant, bores you silly, confuses you, or otherwise causes you to take note (or stop taking note).” 1  Make sure to also write down the page number from which you have taken the quote.
  • In the second column, explain what made you write the quote in the first column and/or respond to, question or critique the quote.

Note: You will ping-pong between the two columns.  When you find a quote you want to write down, you will write that quote in column one and then respond to it in column two. Then you will go back to reading, notice a new quote you want to write down in column one and respond in column two.  And so on…

For this assignment, I want you to choose at least two quotes per page.

When you have finished reading, answer these questions:

  • How is this reading useful or not useful for my purpose (in this case, for your inquiry project)?
  • If it is useful, what is useful about it, and what in the reading illustrates that use?

_____________________________

1  Adler-Kassner, Linda. Considering Literacy. New York: Pearson Longman, 2006. Print.  (Quote taken from page 10)

_____________________________________________________________________________

Appealing to an Audience: How Publications Set a Tone with Content, Structure and Design  

Purpose: Understanding how journals and newspapers set a particular tone for their audiences. Description: This exercise asks students to analyze various features of publications. Homework assignment that turns into a discussion the next class period. Often used when students are preparing for a feature article or remediation project.

Suggested Time: 20-50 minutes (depending on discussion time)

Give students the following homework assignment:

Publication Analysis (2-3 typed, double-spaced pages)

For this short assignment, you will identify what specific publication you are going to write your feature article for, and analyze the publication in four areas:

  • Content – skim through several issues of the publication, primarily paying attention to the feature articles (i.e. usually the major articles that are listed on the front cover). What subjects/topics do their authors write about? Make a list of the most common subjects you see.
  • Style – pay attention to the type of vocabulary used, the tone employed, the length of the articles, paragraphs, and sentences, the persona/ethos that the writer constructs, and the overarching themes that emerge.
  • Structure/Design – what kinds of organizational structures do the writers use? What about their “hook”? Do they typically start with an interesting quote, a shocking statement, the posing of a problem, factual information, an anecdote, etc.? What kinds of design elements are present? Are there off-set quotes, images/advertisements, unique fonts, subject headings, works cited, bio of the author, etc.?
  • Audience - On the basis of the feature articles’ common types of content, style, and structure/design, what can you infer about the audience? Start with demographics like age, race/ethnicity, gender, religious/political affiliations, etc. but don’t stop there. What does this audience value? How do they perceive themselves? What kinds of weaknesses or desires do the advertisements tend to exploit or encourage? What kinds of knowledge or background experiences do the articles assume that their readers have?

Have students discuss what they found either in small groups, whole groups, or both.

____________________________________________________________________

Finding the Commonalities: Investing Organizational Structures and Formatting of Academic Articles  

Purpose: Helping students develop knowledge about organizational structures and formatting common to academic articles, so that  can use  this information to help them read difficult texts

Description: This exercise asks students to identify and present on the features and types of academic texts. This exercise works for particularly well for research-based classes, but can work in other composition courses as well.

Suggested Time: 2-3 class periods and outside of class work time

In groups of two or three, students choose one of the types of essays or essay features from the list at the bottom of the page and create a short presentation for the class.  (The list is by no means complete but is applicable to most of the texts students encounter in scholarly databases.)

For the article types, students should explain

  • the purpose of the article (i.e. what does a review article actually do?)
  •  the  kind of information in each section (i.e. what does the results section do?)
  •  how each section is connected to the others (i.e. how is the lit review connected to the argument?)
  •  and how knowing this information helps readers understand the text  (i.e. how can you read differently knowing the purpose of a lit review?)

For the features common to multiple article types, students should focus on

  •  the purpose of those features (i.e. what do notes do?)
  • the kind of information in the features (i.e. what kind of information would you find in notes?)
  • how the features are connected to the content of the article (i.e what is the relationship between the subject heading and the actual text?)
  • how knowing about these features helps readers understand the article (i.e. how might you read differently knowing about subject headings?)

Each group creates a PowerPoint or similar artifact that can be distributed to the rest of the class.  After the presentations, discuss what the students learned and then, during the next class period, apply this knowledge to a course reading.

List of Article Types and Features

  • IMRAD Articles (Introduction, Methods, Results, and Discussion)
  • Review Essays (Introduction, Methods, Article Discussion, and Implications)
  • Humanities Essays (Introduction, Lit Review, Body/Argument, and Conclusion)
  • Book Reviews (Introduction, Summary, Critique, and Implications)
  • Subject Headings
  • Signposts / Forecasting Moves
  • Notes/Endnotes/Footnotes
  • Works Cited Pages

Sofa to 5k: Active Reading   

Purpose:  This exercise demonstrates the relationship between active-reading and efficient-reading. Students should learn that attentive reading habits can increase their retention and comprehension. It is well-suited for the beginning of the semester, or in conjunction with a research-based assignment.

Description: This exercise prompts students to reconsider quick and non-interactive reading by comparing the processes. It should demonstrate that retaining information is more difficult and time-consuming from a passively read passage.

Suggested Time: 40 minutes

  • Ask students to read an excerpt of your choice projected on the board.
  • Remove the projection and ask them to write short answers to a series of questions referencing specific content, as in phrasing or numerical details.
  • Discuss their answers, and draw extra attention to their (in)ability to quote exactly from memory.
  • Project the excerpt again and ask them to double-check their answers.
  • ...Did it require them to essentially read the entire passage again?...
  • Provide a second excerpt on a printed hand-out and ask them to read the material with a pencil in hand. Encourage them to mark the passages they think are important, especially the author’s thesis or relevant / convincing facts. Ask them to anticipate as they are reading which details you may have chosen for questions.
  • Project a new set of questions for the second excerpt, and ask them to write their short answers on the same sheet of paper as the first excerpt.
  • Discuss their answers. How did engaging with the text affect their ability to find the specific answers? How well did they understand the second text? Did they need to completely re-read to find the answers?
  • Start a discussion about which process seemed "better" to them, or more useful for writing with research.
  • Be sure to question which factors might prohibit them from physically writing in their books (they want to sell them back?), and address possible solutions (post-its).

The Verbal Shove-Off: Active Reading 

Purpose:  This exercise compels students to engage with authors in an exaggerated take on the “talking back to the text” reading strategy; and serves as a nice precursor to an opinion-editorial.  Students should be motivated by the outlandish or absurdly biased (poorly researched) essays to challenge the author with questions in the margins of their essays. Comments like, “say what?!, seriously?, really?, says who?,” are what we want.

Description: While this exercise aims to generate a conversation between the student and the author, it  invites students to scrutinize the resources used within the text. It prompts students to challenge claims in a colloquial manner, and then provides the opportunity to discuss varied viewpoints and draft a counterargument. This is aggro active-reading, or active reading with a purpose.

Suggested Time: 60 minutes

  • First, you need to find an “article” which presents opinion as fact, and refers to questionable sources like Wikipedia. Here is one, for example:  Interest Convergence, FSU, and the Seminole Tribe of Florida .
  • If you’re in a computer-classroom have your students respond in a document as they read the article. If not, and preferably, provide copies.
  • You’ll also want to offer a brief introduction to the topic.
  • Ask the students to decide—as they are reading—if they “agree” or “disagree” with the statements being made—considering a decision, means thinking.
  • Liken it to the way a lawyer collects a defense.
  • When they are done reacting to the piece, facilitate a discussion of the essay.
  • What points did the author make well? Where did they fail? Do you agree? Etc.
  • Ask them to write a response.
  • Resume discussion for another 10-minutes.
  • Last question, did having your paper written out help you articulate your thoughts?

How to Eat a Poem 

Purpose: When reading poetry, students so often feel pressure to find the “deeper” or “underlying” meaning. This exercise is meant to demonstrate that they can read poetry and get meaning from it, and that they don’t need to feel pressure about it.

Description: This exercise provides one way for students to “eat” a poem, meaning to digest a meaning from a poem for themselves. Basically, you’ll choose a contemporary poem and explain how to read a poem, then have students read according to that protocol.

Suggested Time: 35-50 Minutes

Step 1: Prepare for Lesson

  • For this lesson, you’ll need to pick out a poem to read to the class. I recommend picking out something contemporary that easily connects with students. Examples of this could be Tony Hoagland’s “Poor Britney Spears,” Kim Addonizio’s “First Poem for You,” Matthew Dickman’s “V,” Dorriane Laux’s “Facts about the Moon,” or Sherman Alexie’s “Heroes.” Obviously these are just examples -- there are tons more out there. The point is not to pick something too archaic or hard to understand; rather, choose poetry that is contemporary and digestible.
  • Make copies of the poem so that each student has one to read in class. Make sure that students have writing utensils ready.

Step 2: Dispell the Myth of the “Underlying Meaning”

  • To start this exercise you’ll need to give a brief talk or have them read something that dispels a myth that has been instilled in many young adults, the myth that poetry has some “hidden meaning.” Here’s an example of what I tell my students:

People often offer me this complaint when I talk to them about poetry: ‘I don’t understand poetry. Why do poets hide meaning? I wish they would just say what they mean!” Perhaps you’ve thought this (I did when I was in college).

But thinking that poets are trying to “hide” their meaning is misleading, and hiding meaning is not what poetry is about. If the best poets could hide their meaning the most, then the “best” poetry would be unreadable to anybody else. Instead, poetry is more exact in meaning than prose or plain speech.

Let me explain: if I say “I love you,” you have some vague idea of what I mean. But I’ve said that phrase to my parents, sister, brother, ex-girlfriends, former classes I taught, pet bird, favorite book, etc. The phrase has little meaning on its own. Sometimes it means “I want to get in your pants;” others it means “I commit my life to you,” or “you birthed me, that was pretty cool,” “I grew up with you and we are linked that way forever,” “you were the best classroom I‘ve taught,” “you whistle the Mardi Gras Mambo, that’s pretty cool.”

What I’ve just done is made my language more specific to its audience and to the rhetorical situation. Poetry is that magnified times 10 -- it is the most specific form of expression. Sure, there are many kinds of poetry, some easier and some harder to understand. Sometimes you will be able to verbalize a meaning, and sometimes you won’t, and that’s ok. Sometimes, maybe, you’ll feel like you know what the poem means, but won’t be able to describe it. But what makes poetry hard to understand is that you are zooming in to unpack the specific meaning of each word when you read it.

Step 3: Instruct Students on How to Read a Poem, They Read Chosen Poem

  • Read the poem first with your pen down. Read at a moderate pace -- slow enough to enjoy the language, but fast enough to follow the meaning of the sentences.
  • As you read the first time, try to play a video in your head of the images in the poem. Reading a poem should be like experiencing your own personal movie. This may not work for the entire poem, but do it as much as possible.
  • Reread the poem, this time with a pen in your hand. Underline your favorite images, and make a short note about why you connect with them. Put a star next to any parts you don’t understand.
  • Also, on this second read think about the tone of the poem as you read. Is the poem traumatic? Hilarious? Is the speaker yelling at you? whispering? Try to see if you can hear those things in your head.
  • Finally, let the poem affect you and write down how it makes you feel. Allow yourself to be moved, or to take something from the poem, or even to get angry with the poem. This requires letting your guard down and believing that a poem can do this. People have different “readings” of poems/literature - some will find the same poem offensive as another might find beautiful.

Step 4: Class Discussion of the Poem

  •  Have a conversation about the poem with the students. Make sure to have the conversation on the student’s terms -- this means you should start by asking them what the poem meant to them, what images or lines they particularly enjoyed, or what video they saw in their heads while reading.
  • As you discuss with them, be sure to ask abou the poem’s rhetorical situaton, the audience of the poem, etc.
  • Also, be sure to ask them about the process of reading -- did it work for them? Did it not? Why or why not?

IMAGES

  1. Critical Thinking Essay Sample

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  2. Critical Analysis Essay For A Time To Kill

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  3. Critical Analysis Essay Assignment Sheet.doc

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  4. Critical Essay

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  5. Critical-writing-v1 0 for help

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  6. Assignment Writing Guide Free Essay Example

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VIDEO

  1. How to write and develop critical essays

  2. ACADEMIC WRITING LECTURE, Part 1

  3. Critical Thinking & Critical Writing

  4. Critical Writing: T.E.E.E.L. Paragraphs

  5. Critical Reading and Self Critical Writing for Postgraduates

  6. Critical Writing: W.E.E.D. Paragraphs

COMMENTS

  1. Critical writing

    Quoting, paraphrasing and synthesising. Using evidence to build critical arguments. This guide contains key resources to introduce you to the features of critical writing. For more in-depth advice and guidance on critical writing, visit our specialist academic writing guides: Academic writing: Criticality in academic writing.

  2. Critical Thinking and Writing: Critical Writing

    In order to be considered critical, academic writing must go beyond being merely descriptive. Whilst you may have some descriptive writing in your assignments to clarify terms or provide background information, it is important for the majority of your assignment to provide analysis and evaluation. Description:

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    Critical writing depends on critical thinking. Your writing will involve reflection on written texts: that is, critical reading. [Source: Lane, 2021, Critical Thinking for Critical Writing] Critical writing entails the skills of critical thinking and reading. At college, the three skills are interdependent, reflected in the kinds of assignments ...

  4. Critical Thinking & Writing

    The balance between descriptive writing and critical writing will vary depending on the nature of the assignment and the level of your studies. Some level of descriptive writing is generally necessary to support critical writing. More sophisticated criticality is generally required at higher levels of study with less descriptive content.

  5. PDF INTRODUCTION TO CRITICAL WRITING

    Critical writing is an essential part of writing an assignment. When you write your assignment you are writing with a definite purpose, that purpose is to answer the question that has been set. Part of answering a question, an academic question, is convincing the reader that your answer is the correct one.

  6. Critical writing

    Critical writing is writing which analyses and evaluates information, usually from multiple sources, in order to develop an argument. ... Most assignments will have a strict word limit, and you should aim to maximise the amount of critical writing, while minimising the number of words used for description. If your tutors often write comments ...

  7. Critical writing: What is critical writing?

    This is because critical writing is primarily a process of evidencing and articulating your critical thinking. As such, it is really important to get the 'thinking bit' of your studies right! If you are able to demonstrate criticality in your thinking, it will make critical writing easier. Williams' (2009:viii) introduces criticality at ...

  8. Better Writing Assignments Start with Critical Reading Praxis

    Course writing assignments ("I will argue") then allow students to develop ideas that began with reading. My second research question pertained to the field of composition studies. In the research I conducted on writing assignments, I was surprised to not find more content on the relationship between critical reading and critical writing.

  9. Resources for Teachers: Creating Writing Assignments

    critical thinking; original thinking; use of research; logical demonstration; appropriate mode of structure and analysis (e.g., comparison, argument) format; ... If you wish to add a creative element to the writing assignment, you might have students adopt the persona of an important person discussed in your course (e.g., an historical figure ...

  10. Understanding Assignments

    What this handout is about. The first step in any successful college writing venture is reading the assignment. While this sounds like a simple task, it can be a tough one. This handout will help you unravel your assignment and begin to craft an effective response. Much of the following advice will involve translating typical assignment terms ...

  11. Designing Effective Writing Assignments

    Designing Effective Writing Assignments. One of the best ways for students to determine what they know, think, and believe about a given subject is to write about it. To support students in their writing, it is important to provide them with a meaningful writing task, one that has an authentic purpose, clear guidelines, and engages students in ...

  12. PDF Critical thinking: Critical writing

    Critical writing. The concept of developing an argument in your assignment writing is intrinsic to critical analysis. There are several aspects to developing an argument: attention to the structure of your argument. Critical analysis can begin with your approach to the assignment question. Recognising that there isn't just one right answer to ...

  13. How to Write Critical Reviews

    To write a good critical review, you will have to engage in the mental processes of analyzing (taking apart) the work-deciding what its major components are and determining how these parts (i.e., paragraphs, sections, or chapters) contribute to the work as a whole. Analyzing the work will help you focus on how and why the author makes certain ...

  14. Introduction: Critical Thinking, Reading, & Writing

    Critical Reading & Writing College reading and writing assignments often ask you to react to, apply, analyze, and synthesize information. In other words, your own informed and reasoned ideas about a subject take on more importance than someone else's ideas, since the purpose of college reading and writing is to think critically about information.

  15. Demonstrating Critical Thinking in Writing Assignments

    Visual: Slide changes to the title of the webinar, "Demonstrating Critical Thinking in Writing Assignments" and the speaker's name and information: Melissa Sharpe, Writing Instructor, Walden Writing Center. Audio: Melissa: Great. Thank you, Beth. Hi everybody. My name is Melissa Sharpe and I'm a writing instructor here at the Walden ...

  16. Critical Writing Definition and Strategies

    For these reasons, critical reading, thinking, and writing are an integral part of most college assignments Journalism. Many forms of expression in journalism—like reports, articles, or commentary—are written with an analytical approach, which is a key aspect of critical writing.

  17. Writing Assignments

    Introduction. Assignments are a common method of assessment at university and require careful planning and good quality research. Developing critical thinking and writing skills are also necessary to demonstrate your ability to understand and apply information about your topic. It is not uncommon to be unsure about the processes of writing ...

  18. PDF Critical Writing Supporting Critical Making

    The paper advocates for a greater emphasis on critical thinking and critical writing by describing and discussing the rationale and implementation of the Design Essay assignment, an applied example of how practice and reflection combined can help students to be more critical, while simultaneously developing writing skills fundamental to their ...

  19. Academic Phrasebank

    Being critical can also mean looking for reasons why we should not just accept something as being correct or true. This can require you to identify problems with a writer's arguments or methods, or perhaps to refer to other people's criticisms of these. Constructive criticism goes beyond this by suggesting ways in which a piece of research ...

  20. Critical Thinking Verbs

    Critical Thinking Verbs. Writing assignments provide opportunities for students to engage in rich problem-solving to support learning outcomes. Students find such problem-focused assignments particularly engaging. Consider how the following critical thinking verbs in a writing assignment encourage students to engage in complex rhetorical tasks.

  21. Critical Reading Activities

    Handout 1: Active Reading - Mark up the Text. Underline key ideas - for example, topic sentences. Box or circle words or phrases you want to remember. Place a checkmark or a star next to an important idea. Place a double check mark or double star next to an especially significant idea.

  22. Critical Writing assignment 1.pdf

    The Critical Writing Assignment 1 Due at the end of Module Three. For this assignment, please make sure to analyze and discuss one (and only one!) of the following two classical arguments for the existence of God: 1. St. Anselm's Ontological Argument 2. Clarke's Cosmological Argument You may argue either for or against the soundness of the argument, but you must take up and defend a ...