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  • Literary essay

literary essay example 9th grade

Creating A Brilliant 9th Grade Literary Essay: A Step-By-Step Guide

Are you a 9th grade student ready to tackle a literary essay? This may be the first but certainly won’t be the last paper you will have to write. It’s a great help to have a guide to follow so you can perform the writing steps one by one in order. It helps the work to go by quickly and before you know it, you will have written a brilliant essay? Are you ready to get started?

The literary paper should be insightful and contain critical interpretations rather than just be a summary of characters, plot or environment. It is an opportunity for you to explore your own understanding of the work you are writing about and present it to your reader in a structured way.

  • Have a brainstorming session. Think and write down as many of your ideas as you can. It’s helpful to talk to other people at this stage as well, and bounce your ideas off them and see what ideas they can give you.
  • Evaluate your ideas. See which ones you think will be useful for making a great topic. Eliminate the ideas that don’t look like they will make a significant contribution. Once you’ve chosen a main topic, see which ideas can be used for supporting statements.
  • Conduct any research you will need. Let your original notes guide you but if you find the perfect pathway to follow to support your topic, go for it even if it deviates from your original plan.
  • Now you can make a flow chart or outline. This is a way of connecting all the dots. The ideas and evidence and information you’ve gathered can all be organized into a pattern. Each main idea becomes its own paragraph. This helps you to write the essay in a focused way.
  • The introduction should tell the reader what your literary paper is all about. It should also capture the reader’s attention and direct it toward the body of the paper.
  • Each paragraph in the body of the paper will support the main thought you are trying to get across. There should be a minimum of three supporting paragraphs.
  • The conclusion is the final and perhaps most memorable part of the paper. It should be a summary of the points you made and not contain any new information you haven’t already presented.

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Completing a great paper simply involves understanding that writing involves a simple formula that anyone can do. Follow easy step-by-step guides and make a great paper by your own efforts!

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Literary analysis: sample essay.

We turn once more to Joanna Wolfe’s and Laura Wilder’s  Digging into Literature: Strategies for Reading, Writing, and Analysis  (Boston: Bedford/St. Martin’s, 2016) in order to show you their example of a strong student essay that has a strong central claim elucidated by multiple surface/depth arguments supported by patterns of evidence.

Paragraph 1

Sylvia Plath’s short poem “Morning Song” explores the conflicted emotions of a new mother. On the one hand, the mother recognizes that she is expected to treasure and celebrate her infant, but on the other hand, she feels strangely removed from the child. The poem uses a combination of scientific and natural imagery to illustrate the mother’s feelings of alienation. By the end of the poem, however, we see a shift in this imagery as the mother begins to see the infant in more human terms.

Paragraph 2

There are several references to scientific imagery in “Morning Song” that suggest that mother is viewing the baby in clinical, scientific terms rather than as a new life. The poem refers to magnification (4) and reflection (8), both of which are scientific methods. The word “distills” (8) refers to a scientific, chemical process for removing impurities from a substance. The baby’s cry is described as taking “its place among the elements” (3), which seems to refer to the periodic table of elements, the primordial matter of the universe. The watch in the first line is similarly a scientific tool and the gold the watch is made of is, of course, an element, like the baby’s cry. Even the balloons in the last line have a scientific connotation since balloons are often used for measurements and experiments in science. These images all serve to show how the speaker feels distanced from the baby, who is like a scientific experiment she is conducting rather than a human being.

Paragraph 3

Natural imagery also seems to further dehumanize the baby, reducing it to nothing more than its mouth. The baby’s breathing is compared to a moth in line 10, suggesting that the speaker feels the infant is fragile and is as likely to die as a moth dancing around candlelight. A few lines later, the baby’s mouth is compared to another animal—a cat—who greedily opens its mouth for milk. Not only does the speaker seem to feel that the baby is like an animal, but she herself is turned into an animal, as she arises “cow-heavy” (13) to feed the infant. These images show how the speaker sees both the baby and herself as dumb animals who exist only to feed and be fed. Even the morning itself seems to be reduced to another mouth to feed as she describes how the dawn “swallows its dull stars” (16). These lines suggest that just as the sun swallows up the stars, so the baby will swallow up this mother.

Paragraph 4

However, in the last few lines the poem takes a hopeful turn as the speaker begins to view the baby as a human being. The baby’s mouth, which has previously been greedy and animal-like, now becomes a source of music, producing a “handful of notes” (17) and “clear vowels” (18). Music is a distinctly human sound. No animals and certainly not the cats, cows, or moths mentioned earlier in the poem, make music. This change in how the speaker perceives the baby’s sounds—from animalistic cry to human song—suggest that she is beginning to relate the baby as an individual. Even the word “handful” in the phrase “handful of notes” (17) seems hopeful in this context since this is the first time the mother has referred to the baby as having a distinctly human body part. When the baby’s notes finally “rise like balloons” (18), the speaker seems to have arrived at a place where she can celebrate the infant. For the first time, the infant is giving something to the speaker rather than threatening to take something away. The mother seems to have finally accepted the child as an independent human being whose company she can celebrate.

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Humanities LibreTexts

8.15: Sample Student Literary Analysis Essays

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  • Page ID 101141

  • Heather Ringo & Athena Kashyap
  • City College of San Francisco via ASCCC Open Educational Resources Initiative

The following examples are essays where student writers focused on close-reading a literary work.

While reading these examples, ask yourself the following questions:

  • What is the essay's thesis statement, and how do you know it is the thesis statement?
  • What is the main idea or topic sentence of each body paragraph, and how does it relate back to the thesis statement?
  • Where and how does each essay use evidence (quotes or paraphrase from the literature)?
  • What are some of the literary devices or structures the essays analyze or discuss?
  • How does each author structure their conclusion, and how does their conclusion differ from their introduction?

Example 1: Poetry

Victoria Morillo

Instructor Heather Ringo

3 August 2022

How Nguyen’s Structure Solidifies the Impact of Sexual Violence in “The Study”

Stripped of innocence, your body taken from you. No matter how much you try to block out the instance in which these two things occurred, memories surface and come back to haunt you. How does a person, a young boy , cope with an event that forever changes his life? Hieu Minh Nguyen deconstructs this very way in which an act of sexual violence affects a survivor. In his poem, “The Study,” the poem's speaker recounts the year in which his molestation took place, describing how his memory filters in and out. Throughout the poem, Nguyen writes in free verse, permitting a structural liberation to become the foundation for his message to shine through. While he moves the readers with this poignant narrative, Nguyen effectively conveys the resulting internal struggles of feeling alone and unseen.

The speaker recalls his experience with such painful memory through the use of specific punctuation choices. Just by looking at the poem, we see that the first period doesn’t appear until line 14. It finally comes after the speaker reveals to his readers the possible, central purpose for writing this poem: the speaker's molestation. In the first half, the poem makes use of commas, em dashes, and colons, which lends itself to the idea of the speaker stringing along all of these details to make sense of this time in his life. If reading the poem following the conventions of punctuation, a sense of urgency is present here, as well. This is exemplified by the lack of periods to finalize a thought; and instead, Nguyen uses other punctuation marks to connect them. Serving as another connector of thoughts, the two em dashes give emphasis to the role memory plays when the speaker discusses how “no one [had] a face” during that time (Nguyen 9-11). He speaks in this urgent manner until the 14th line, and when he finally gets it off his chest, the pace of the poem changes, as does the more frequent use of the period. This stream-of-consciousness-like section when juxtaposed with the latter half of the poem, causes readers to slow down and pay attention to the details. It also splits the poem in two: a section that talks of the fogginess of memory then transitions into one that remembers it all.

In tandem with the fluctuating nature of memory, the utilization of line breaks and word choice help reflect the damage the molestation has had. Within the first couple of lines of the poem, the poem demands the readers’ attention when the line breaks from “floating” to “dead” as the speaker describes his memory of Little Billy (Nguyen 1-4). This line break averts the readers’ expectation of the direction of the narrative and immediately shifts the tone of the poem. The break also speaks to the effect his trauma has ingrained in him and how “[f]or the longest time,” his only memory of that year revolves around an image of a boy’s death. In a way, the speaker sees himself in Little Billy; or perhaps, he’s representative of the tragic death of his boyhood, how the speaker felt so “dead” after enduring such a traumatic experience, even referring to himself as a “ghost” that he tries to evict from his conscience (Nguyen 24). The feeling that a part of him has died is solidified at the very end of the poem when the speaker describes himself as a nine-year-old boy who’s been “fossilized,” forever changed by this act (Nguyen 29). By choosing words associated with permanence and death, the speaker tries to recreate the atmosphere (for which he felt trapped in) in order for readers to understand the loneliness that came as a result of his trauma. With the assistance of line breaks, more attention is drawn to the speaker's words, intensifying their importance, and demanding to be felt by the readers.

Most importantly, the speaker expresses eloquently, and so heartbreakingly, about the effect sexual violence has on a person. Perhaps what seems to be the most frustrating are the people who fail to believe survivors of these types of crimes. This is evident when he describes “how angry” the tenants were when they filled the pool with cement (Nguyen 4). They seem to represent how people in the speaker's life were dismissive of his assault and who viewed his tragedy as a nuisance of some sorts. This sentiment is bookended when he says, “They say, give us details , so I give them my body. / They say, give us proof , so I give them my body,” (Nguyen 25-26). The repetition of these two lines reinforces the feeling many feel in these scenarios, as they’re often left to deal with trying to make people believe them, or to even see them.

It’s important to recognize how the structure of this poem gives the speaker space to express the pain he’s had to carry for so long. As a characteristic of free verse, the poem doesn’t follow any structured rhyme scheme or meter; which in turn, allows him to not have any constraints in telling his story the way he wants to. The speaker has the freedom to display his experience in a way that evades predictability and engenders authenticity of a story very personal to him. As readers, we abandon anticipating the next rhyme, and instead focus our attention to the other ways, like his punctuation or word choice, in which he effectively tells his story. The speaker recognizes that some part of him no longer belongs to himself, but by writing “The Study,” he shows other survivors that they’re not alone and encourages hope that eventually, they will be freed from the shackles of sexual violence.

Works Cited

Nguyen, Hieu Minh. “The Study” Poets.Org. Academy of American Poets, Coffee House Press, 2018, https://poets.org/poem/study-0 .

Example 2: Fiction

Todd Goodwin

Professor Stan Matyshak

Advanced Expository Writing

Sept. 17, 20—

Poe’s “Usher”: A Mirror of the Fall of the House of Humanity

Right from the outset of the grim story, “The Fall of the House of Usher,” Edgar Allan Poe enmeshes us in a dark, gloomy, hopeless world, alienating his characters and the reader from any sort of physical or psychological norm where such values as hope and happiness could possibly exist. He fatalistically tells the story of how a man (the narrator) comes from the outside world of hope, religion, and everyday society and tries to bring some kind of redeeming happiness to his boyhood friend, Roderick Usher, who not only has physically and psychologically wasted away but is entrapped in a dilapidated house of ever-looming terror with an emaciated and deranged twin sister. Roderick Usher embodies the wasting away of what once was vibrant and alive, and his house of “insufferable gloom” (273), which contains his morbid sister, seems to mirror or reflect this fear of death and annihilation that he most horribly endures. A close reading of the story reveals that Poe uses mirror images, or reflections, to contribute to the fatalistic theme of “Usher”: each reflection serves to intensify an already prevalent tone of hopelessness, darkness, and fatalism.

It could be argued that the house of Roderick Usher is a “house of mirrors,” whose unpleasant and grim reflections create a dark and hopeless setting. For example, the narrator first approaches “the melancholy house of Usher on a dark and soundless day,” and finds a building which causes him a “sense of insufferable gloom,” which “pervades his spirit and causes an iciness, a sinking, a sickening of the heart, an undiscerned dreariness of thought” (273). The narrator then optimistically states: “I reflected that a mere different arrangement of the scene, of the details of the picture, would be sufficient to modify, or perhaps annihilate its capacity for sorrowful impression” (274). But the narrator then sees the reflection of the house in the tarn and experiences a “shudder even more thrilling than before” (274). Thus the reader begins to realize that the narrator cannot change or stop the impending doom that will befall the house of Usher, and maybe humanity. The story cleverly plays with the word reflection : the narrator sees a physical reflection that leads him to a mental reflection about Usher’s surroundings.

The narrator’s disillusionment by such grim reflection continues in the story. For example, he describes Roderick Usher’s face as distinct with signs of old strength but lost vigor: the remains of what used to be. He describes the house as a once happy and vibrant place, which, like Roderick, lost its vitality. Also, the narrator describes Usher’s hair as growing wild on his rather obtrusive head, which directly mirrors the eerie moss and straw covering the outside of the house. The narrator continually longs to see these bleak reflections as a dream, for he states: “Shaking off from my spirit what must have been a dream, I scanned more narrowly the real aspect of the building” (276). He does not want to face the reality that Usher and his home are doomed to fall, regardless of what he does.

Although there are almost countless examples of these mirror images, two others stand out as important. First, Roderick and his sister, Madeline, are twins. The narrator aptly states just as he and Roderick are entombing Madeline that there is “a striking similitude between brother and sister” (288). Indeed, they are mirror images of each other. Madeline is fading away psychologically and physically, and Roderick is not too far behind! The reflection of “doom” that these two share helps intensify and symbolize the hopelessness of the entire situation; thus, they further develop the fatalistic theme. Second, in the climactic scene where Madeline has been mistakenly entombed alive, there is a pairing of images and sounds as the narrator tries to calm Roderick by reading him a romance story. Events in the story simultaneously unfold with events of the sister escaping her tomb. In the story, the hero breaks out of the coffin. Then, in the story, the dragon’s shriek as he is slain parallels Madeline’s shriek. Finally, the story tells of the clangor of a shield, matched by the sister’s clanging along a metal passageway. As the suspense reaches its climax, Roderick shrieks his last words to his “friend,” the narrator: “Madman! I tell you that she now stands without the door” (296).

Roderick, who slowly falls into insanity, ironically calls the narrator the “Madman.” We are left to reflect on what Poe means by this ironic twist. Poe’s bleak and dark imagery, and his use of mirror reflections, seem only to intensify the hopelessness of “Usher.” We can plausibly conclude that, indeed, the narrator is the “Madman,” for he comes from everyday society, which is a place where hope and faith exist. Poe would probably argue that such a place is opposite to the world of Usher because a world where death is inevitable could not possibly hold such positive values. Therefore, just as Roderick mirrors his sister, the reflection in the tarn mirrors the dilapidation of the house, and the story mirrors the final actions before the death of Usher. “The Fall of the House of Usher” reflects Poe’s view that humanity is hopelessly doomed.

Poe, Edgar Allan. “The Fall of the House of Usher.” 1839. Electronic Text Center, University of Virginia Library . 1995. Web. 1 July 2012. < http://etext.virginia.edu/toc/modeng/public/PoeFall.html >.

Example 3: Poetry

Amy Chisnell

Professor Laura Neary

Writing and Literature

April 17, 20—

Don’t Listen to the Egg!: A Close Reading of Lewis Carroll’s “Jabberwocky”

“You seem very clever at explaining words, Sir,” said Alice. “Would you kindly tell me the meaning of the poem called ‘Jabberwocky’?”

“Let’s hear it,” said Humpty Dumpty. “I can explain all the poems that ever were invented—and a good many that haven’t been invented just yet.” (Carroll 164)

In Lewis Carroll’s Through the Looking-Glass , Humpty Dumpty confidently translates (to a not so confident Alice) the complicated language of the poem “Jabberwocky.” The words of the poem, though nonsense, aptly tell the story of the slaying of the Jabberwock. Upon finding “Jabberwocky” on a table in the looking-glass room, Alice is confused by the strange words. She is quite certain that “ somebody killed something ,” but she does not understand much more than that. When later she encounters Humpty Dumpty, she seizes the opportunity at having the knowledgeable egg interpret—or translate—the poem. Since Humpty Dumpty professes to be able to “make a word work” for him, he is quick to agree. Thus he acts like a New Critic who interprets the poem by performing a close reading of it. Through Humpty’s interpretation of the first stanza, however, we see the poem’s deeper comment concerning the practice of interpreting poetry and literature in general—that strict analytical translation destroys the beauty of a poem. In fact, Humpty Dumpty commits the “heresy of paraphrase,” for he fails to understand that meaning cannot be separated from the form or structure of the literary work.

Of the 71 words found in “Jabberwocky,” 43 have no known meaning. They are simply nonsense. Yet through this nonsensical language, the poem manages not only to tell a story but also gives the reader a sense of setting and characterization. One feels, rather than concretely knows, that the setting is dark, wooded, and frightening. The characters, such as the Jubjub bird, the Bandersnatch, and the doomed Jabberwock, also appear in the reader’s head, even though they will not be found in the local zoo. Even though most of the words are not real, the reader is able to understand what goes on because he or she is given free license to imagine what the words denote and connote. Simply, the poem’s nonsense words are the meaning.

Therefore, when Humpty interprets “Jabberwocky” for Alice, he is not doing her any favors, for he actually misreads the poem. Although the poem in its original is constructed from nonsense words, by the time Humpty is done interpreting it, it truly does not make any sense. The first stanza of the original poem is as follows:

’Twas brillig, and the slithy toves

Did gyre and gimble in the wabe;

All mimsy were the borogroves,

An the mome raths outgrabe. (Carroll 164)

If we replace, however, the nonsense words of “Jabberwocky” with Humpty’s translated words, the effect would be something like this:

’Twas four o’clock in the afternoon, and the lithe and slimy badger-lizard-corkscrew creatures

Did go round and round and make holes in the grass-plot round the sun-dial:

All flimsy and miserable were the shabby-looking birds

with mop feathers,

And the lost green pigs bellowed-sneezed-whistled.

By translating the poem in such a way, Humpty removes the charm or essence—and the beauty, grace, and rhythm—from the poem. The poetry is sacrificed for meaning. Humpty Dumpty commits the heresy of paraphrase. As Cleanth Brooks argues, “The structure of a poem resembles that of a ballet or musical composition. It is a pattern of resolutions and balances and harmonizations” (203). When the poem is left as nonsense, the reader can easily imagine what a “slithy tove” might be, but when Humpty tells us what it is, he takes that imaginative license away from the reader. The beauty (if that is the proper word) of “Jabberwocky” is in not knowing what the words mean, and yet understanding. By translating the poem, Humpty takes that privilege from the reader. In addition, Humpty fails to recognize that meaning cannot be separated from the structure itself: the nonsense poem reflects this literally—it means “nothing” and achieves this meaning by using “nonsense” words.

Furthermore, the nonsense words Carroll chooses to use in “Jabberwocky” have a magical effect upon the reader; the shadowy sound of the words create the atmosphere, which may be described as a trance-like mood. When Alice first reads the poem, she says it seems to fill her head “with ideas.” The strange-sounding words in the original poem do give one ideas. Why is this? Even though the reader has never heard these words before, he or she is instantly aware of the murky, mysterious mood they set. In other words, diction operates not on the denotative level (the dictionary meaning) but on the connotative level (the emotion(s) they evoke). Thus “Jabberwocky” creates a shadowy mood, and the nonsense words are instrumental in creating this mood. Carroll could not have simply used any nonsense words.

For example, let us change the “dark,” “ominous” words of the first stanza to “lighter,” more “comic” words:

’Twas mearly, and the churly pells

Did bimble and ringle in the tink;

All timpy were the brimbledimps,

And the bip plips outlink.

Shifting the sounds of the words from dark to light merely takes a shift in thought. To create a specific mood using nonsense words, one must create new words from old words that convey the desired mood. In “Jabberwocky,” Carroll mixes “slimy,” a grim idea, “lithe,” a pliable image, to get a new adjective: “slithy” (a portmanteau word). In this translation, brighter words were used to get a lighter effect. “Mearly” is a combination of “morning” and “early,” and “ringle” is a blend of “ring” and "dingle.” The point is that “Jabberwocky’s” nonsense words are created specifically to convey this shadowy or mysterious mood and are integral to the “meaning.”

Consequently, Humpty’s rendering of the poem leaves the reader with a completely different feeling than does the original poem, which provided us with a sense of ethereal mystery, of a dark and foreign land with exotic creatures and fantastic settings. The mysteriousness is destroyed by Humpty’s literal paraphrase of the creatures and the setting; by doing so, he has taken the beauty away from the poem in his attempt to understand it. He has committed the heresy of paraphrase: “If we allow ourselves to be misled by it [this heresy], we distort the relation of the poem to its ‘truth’… we split the poem between its ‘form’ and its ‘content’” (Brooks 201). Humpty Dumpty’s ultimate demise might be seen to symbolize the heretical split between form and content: as a literary creation, Humpty Dumpty is an egg, a well-wrought urn of nonsense. His fall from the wall cracks him and separates the contents from the container, and not even all the King’s men can put the scrambled egg back together again!

Through the odd characters of a little girl and a foolish egg, “Jabberwocky” suggests a bit of sage advice about reading poetry, advice that the New Critics built their theories on. The importance lies not solely within strict analytical translation or interpretation, but in the overall effect of the imagery and word choice that evokes a meaning inseparable from those literary devices. As Archibald MacLeish so aptly writes: “A poem should not mean / But be.” Sometimes it takes a little nonsense to show us the sense in something.

Brooks, Cleanth. The Well-Wrought Urn: Studies in the Structure of Poetry . 1942. San Diego: Harcourt Brace, 1956. Print.

Carroll, Lewis. Through the Looking-Glass. Alice in Wonderland . 2nd ed. Ed. Donald J. Gray. New York: Norton, 1992. Print.

MacLeish, Archibald. “Ars Poetica.” The Oxford Book of American Poetry . Ed. David Lehman. Oxford: Oxford UP, 2006. 385–86. Print.

Attribution

  • Sample Essay 1 received permission from Victoria Morillo to publish, licensed Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International ( CC BY-NC-SA 4.0 )
  • Sample Essays 2 and 3 adapted from Cordell, Ryan and John Pennington. "2.5: Student Sample Papers" from Creating Literary Analysis. 2012. Licensed Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported ( CC BY-NC-SA 3.0 )

Examples

Literary Essay

literary essay example 9th grade

Part of submissions you give in school are essays. Essay writing is introduced in school is largely due to prepare a student or individual for work which also involves writing essays of sorts. The practice of writing essays also develops critical thinking which is highly needed in any future job.

There are many different elements involved in writing an effective essay . Examples in the page provide further information regarding how an essay is made and formed. Scroll down the page in order to view additional essay samples which may help you in making your own literary essay.

Literary Analysis Essay Outline Template

Literary Analysis Essay Outline Template

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Student Literary Sample

Student Literary Sample

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Literary Analysis Example

Literary Analysis Example

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Formal Literary Sample

Formal Literary Sample

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How to Write a Literary Essay

In writing a literary essay, it is important to know how to write a essay and take note of the following:

  • Make sure you read and understand the plot of the chosen material which includes the characters involved.
  • Take note of sections in the material and write down reactions
  • Draw a character map or sequential events of the story.
  • Review the notes indicated and decide what question you want an answer to regarding the material you have read.

Essay examples in Doc seen on the page give added information on how an essay is structured. Feel free to browse the page and click on any individual download link button below a sample that you like.

What Is the Format for a Literary Essay?

As with all standard formats in literature, a literary essay has basically an introduction, body, and essay conclusion .

  • The introduction states the main point of your essay
  • The body cites examples that support your thesis
  • Conclusion is a summary of main points in relation to your thesis

Short essay examples are shown on the page to help you better understand the basics in writing an essay. These samples are all available for download via the download link button below each sample.

Persuasive Essay Example

Persuasive Essay Example

Research Literary

literary essay example 9th grade

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Short Literary Sample

Short Literary Sample

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Free Literary Essay

Free Literary Essay

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What Is the Purpose of a Literary Essay?

Literary essays are often made to convey a message. For students, it is a way to gauge their knowledge of books or stories they read.  Sample essay outlines can be seen on the page to provide further information regarding a literary essay and how the components are placed to maintain the structure of an essay.

Guidelines for a Literary Essay

In writing a literary essay, the following guidelines and for content winning essay should help:

  • Brainstorm all ideas and write them on a piece of paper and choose which will be best as your topic.
  • Develop a sequence to your ideas. Numbering them helps you decide on the order.
  • Make a flow chart in connection to the sequence of ideas starting with the introduction, body, and conclusion.
  • Arrange each idea in an order which you want to take place in the essay.
  • Ensure sequences support the flow of the essay and make the whole link with each other.
  • Develop a conclusion which answers the introduction of your essay.

Persuasive writing  examples are seen on the page and should help you in the better understanding of a literary essay. All the samples are available for download. Just click on the download link button below a sample to access the file.

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Published on: Dec 3, 2019

Literary Analysis Essay

A literary analysis essay specifically examines and evaluates a piece of literature or a literary work. It also understands and explains the links between the small parts to their whole information.

It is important for students to understand the meaning and the true essence of literature to write a literary essay.

One of the most difficult assignments for students is writing a literary analysis essay. It can be hard to come up with an original idea or find enough material to write about. You might think you need years of experience in order to create a good paper, but that's not true.

This blog post will show you how easy it can be when you follow the steps given here.Writing such an essay involves the breakdown of a book into small parts and understanding each part separately. It seems easy, right?

Trust us, it is not as hard as good book reports but it may also not be extremely easy. You will have to take into account different approaches and explain them in relation with the chosen literary work.

It is a common high school and college assignment and you can learn everything in this blog.

Continue reading for some useful tips with an example to write a literary analysis essay that will be on point. You can also explore our detailed article on writing an analytical essay .

Literary Analysis Essay

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What is a Literary Analysis Essay?

A literary analysis essay is an important kind of essay that focuses on the detailed analysis of the work of literature.

The purpose of a literary analysis essay is to explain why the author has used a specific theme for his work. Or examine the characters, themes, literary devices , figurative language, and settings in the story.

This type of essay encourages students to think about how the book or the short story has been written. And why the author has created this work.

The method used in the literary analysis essay differs from other types of essays. It primarily focuses on the type of work and literature that is being analyzed.

Mostly, you will be going to break down the work into various parts. In order to develop a better understanding of the idea being discussed, each part will be discussed separately.

The essay should explain the choices of the author and point of view along with your answers and personal analysis.

How To Write A Literary Analysis Essay

So how to start a literary analysis essay? The answer to this question is quite simple.

The following sections are required to write an effective literary analysis essay. By following the guidelines given in the following sections, you will be able to craft a winning literary analysis essay.

Introduction

The aim of the introduction is to establish a context for readers. You have to give a brief on the background of the selected topic.

It should contain the name of the author of the literary work along with its title. The introduction should be effective enough to grab the reader’s attention.

In the body section, you have to retell the story that the writer has narrated. It is a good idea to create a summary as it is one of the important tips of literary analysis.

Other than that, you are required to develop ideas and disclose the observed information related to the issue. The ideal length of the body section is around 1000 words.

To write the body section, your observation should be based on evidence and your own style of writing.

It would be great if the body of your essay is divided into three paragraphs. Make a strong argument with facts related to the thesis statement in all of the paragraphs in the body section.

Start writing each paragraph with a topic sentence and use transition words when moving to the next paragraph.

Summarize the important points of your literary analysis essay in this section. It is important to compose a short and strong conclusion to help you make a final impression of your essay.

Pay attention that this section does not contain any new information. It should provide a sense of completion by restating the main idea with a short description of your arguments. End the conclusion with your supporting details.

You have to explain why the book is important. Also, elaborate on the means that the authors used to convey her/his opinion regarding the issue.

For further understanding, here is a downloadable literary analysis essay outline. This outline will help you structure and format your essay properly and earn an A easily.

DOWNLOADABLE LITERARY ANALYSIS ESSAY OUTLINE (PDF)

Types of Literary Analysis Essay

  • Close reading - This method involves attentive reading and detailed analysis. No need for a lot of knowledge and inspiration to write an essay that shows your creative skills.
  • Theoretical - In this type, you will rely on theories related to the selected topic.
  • Historical - This type of essay concerns the discipline of history. Sometimes historical analysis is required to explain events in detail.
  • Applied - This type involves analysis of a specific issue from a practical perspective.
  • Comparative - This type of writing is based on when two or more alternatives are compared

Examples of Literary Analysis Essay

Examples are great to understand any concept, especially if it is related to writing. Below are some great literary analysis essay examples that showcase how this type of essay is written.

A ROSE FOR EMILY LITERARY ANALYSIS ESSAY

TO KILL A MOCKINGBIRD LITERARY ANALYSIS ESSAY

THE GREAT GATSBY LITERARY ANALYSIS ESSAY

THE YELLOW WALLPAPER LITERARY ANALYSIS ESSAY

If you do not have experience in writing essays, this will be a very chaotic process for you. In that case, it is very important for you to conduct good research on the topic before writing.

There are two important points that you should keep in mind when writing a literary analysis essay.

First, remember that it is very important to select a topic in which you are interested. Choose something that really inspires you. This will help you to catch the attention of a reader.

The selected topic should reflect the main idea of writing. In addition to that, it should also express your point of view as well.

Another important thing is to draft a good outline for your literary analysis essay. It will help you to define a central point and division of this into parts for further discussion.

Literary Analysis Essay Topics

Literary analysis essays are mostly based on artistic works like books, movies, paintings, and other forms of art. However, generally, students choose novels and books to write their literary essays.

Some cool, fresh, and good topics and ideas are listed below:

  • Role of the Three Witches in flaming Macbeth’s ambition.
  • Analyze the themes of the Play Antigone,
  • Discuss Ajax as a tragic hero.
  • The Judgement of Paris: Analyze the Reasons and their Consequences.
  • Oedipus Rex: A Doomed Son or a Conqueror?
  • Describe the Oedipus complex and Electra complex in relation to their respective myths.
  • Betrayal is a common theme of Shakespearean tragedies. Discuss
  • Identify and analyze the traits of history in T.S Eliot’s ‘Gerontion’.
  • Analyze the theme of identity crisis in The Great Gatsby.
  • Analyze the writing style of Emily Dickinson.

If you are still in doubt then there is nothing bad in getting professional writers’ help.

We at 5StarEssays.com can help you get a custom paper as per your specified requirements with our do essay for me service.

Our essay writers will help you write outstanding literary essays or any other type of essay. Such as compare and contrast essays, descriptive essays, rhetorical essays. We cover all of these.

So don’t waste your time browsing the internet and place your order now to get your well-written custom paper.

Frequently Asked Questions

What should a literary analysis essay include.

A good literary analysis essay must include a proper and in-depth explanation of your ideas. They must be backed with examples and evidence from the text. Textual evidence includes summaries, paraphrased text, original work details, and direct quotes.

What are the 4 components of literary analysis?

Here are the 4 essential parts of a literary analysis essay;

No literary work is explained properly without discussing and explaining these 4 things.

How do you start a literary analysis essay?

Start your literary analysis essay with the name of the work and the title. Hook your readers by introducing the main ideas that you will discuss in your essay and engage them from the start.

How do you do a literary analysis?

In a literary analysis essay, you study the text closely, understand and interpret its meanings. And try to find out the reasons behind why the author has used certain symbols, themes, and objects in the work.

Why is literary analysis important?

It encourages the students to think beyond their existing knowledge, experiences, and belief and build empathy. This helps in improving the writing skills also.

What is the fundamental characteristic of a literary analysis essay?

Interpretation is the fundamental and important feature of a literary analysis essay. The essay is based on how well the writer explains and interprets the work.

Cordon J.

Law, Finance Essay

Cordon. is a published author and writing specialist. He has worked in the publishing industry for many years, providing writing services and digital content. His own writing career began with a focus on literature and linguistics, which he continues to pursue. Cordon is an engaging and professional individual, always looking to help others achieve their goals.

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In this unit, students are introduced to the skills, practices, and routines of narrative writing by working collaboratively with their peers to examine narrative writing models, plan for their writing, and build their knowledge on the narrative writing topic. Students independently practice writing and revising and also engage in peer review to revise their work. Throughout the unit, the class will construct a Narrative Writing Checklist, which students will use to guide their drafting, review, and finalization. By the end of the unit, students will have produced fully developed narratives.

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  • Grades 9-10 Writing Module, Unit 3
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Free Printable Text Analysis Worksheets for 9th Grade

Text Analysis: Discover a collection of free printable ELA worksheets for Grade 9 students, designed to enhance their understanding and skills in analyzing texts. Dive into the world of literature with Quizizz and unlock your students' potential!

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Explore printable Text Analysis worksheets for 9th Grade

Text Analysis worksheets for Grade 9 ELA are essential tools for teachers looking to enhance their students' reading comprehension and critical thinking skills. These worksheets are specifically designed to meet the needs of Grade 9 students, focusing on analyzing various texts, identifying themes, and understanding the author's purpose. With engaging activities and thought-provoking questions, these worksheets help students develop a deeper understanding of the texts they read. Teachers can easily integrate these worksheets into their lesson plans, providing a comprehensive and structured approach to teaching text analysis. By using Text Analysis worksheets for Grade 9 ELA, teachers can ensure their students are well-prepared for more advanced literary analysis in the future.

In addition to Text Analysis worksheets for Grade 9 ELA, teachers can also utilize Quizizz, an interactive platform that offers a wide range of educational resources. Quizizz allows educators to create engaging quizzes, polls, and presentations to supplement their teaching materials. The platform offers a vast library of pre-made quizzes and activities, including those related to text analysis and other ELA topics. Teachers can easily customize these resources to align with their lesson plans and the specific needs of their Grade 9 students. Furthermore, Quizizz offers real-time feedback and analytics, enabling teachers to monitor student progress and adjust their teaching strategies accordingly. By incorporating Quizizz into their curriculum, educators can provide a dynamic and interactive learning experience for their Grade 9 ELA students, ensuring they excel in text analysis and other essential skills.

literary essay example 9th grade

Bell Ringers

Teaching literary analysis in middle school.

My literary analysis resources have basically been seven or eight years in the making.

I don’t know about you, but when I first realized I needed to be teaching literary analysis to a bunch of twelve and thirteen year-olds, I didn’t even know where to begin.

I had been teaching upper elementary in the three years prior, and we had done some on-demand literary analysis reading responses, but really digging into a literary analysis essay overwhelmed me.

Truth be told, my teaching strengths at the time were primarily reading and math. I had always had to dig deep to find my writing teacher voice.

But, I was now a seventh and eighth grade ELA teacher who could no longer hope her students picked up some writing skills along the way.

So I did what any good teacher would do…. I Googled how to teach…

I think I Googled something like, “Examples of middle school literary analysis essays.”

Nothing showed up in Google.

Then I Googled, “How do you teach literary analysis essays?”

I was able to find an example of a college-level literary analysis essay…

… and that was about it.

Because I couldn’t really find what I was looking for, I began creating and practicing each step of the literary analysis essay before I taught it.

This also created a ton of exemplars for my students.

literary essay example 9th grade

I broke down each area of a literary analysis essay into lessons, chunks, chart papers, reference materials, and writing examples.

In the beginning, it was to get my brain wrapped around things, but not surprisingly it was exactly what my students needed too.

I literally learned how to write a literary analysis essay in front of them.

I would type my rough drafts as they were working and I could stop them as I came to struggles.

My mini-lessons were based on challenges I was having and again, not surprisingly the same challenges they were having.

I could also make reference pages (like the ones in your freebie) as we went along in the unit, because I could see what terms and concepts they needed constant reminders and help with.

Want to know what happened?

My student’s ELA proficiency scores increased 45% in one year and almost 70% in just two years. Those are not typos.

>>  CLICK HERE  << to download  the FREE Literary Analysis Reference Booklet.

literary essay example 9th grade

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ELA Common Core Lesson Plans

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  • Create Characters Lesson Plan
  • Creative Writing Lesson Plan: Using Details
  • How to Write a Cause and Effect Essay
  • How to Write a Conclusion for an Essay Lesson Plan
  • How to Write a Persuasive Essay
  • How to Write a Reflective Essay
  • How to Write an Article Critique and Review
  • How to Write an Introduction to an Essay
  • How to Write a Problem Solution Essay
  • Lesson Plan: Effective Sentence Structure
  • Lesson Plan: Improve Writing Style with Improved Sentence Structure
  • Logical Fallacies Lesson Plan with Summary & Examples
  • Teaching Active and Passive Voice
  • Teaching How to Revise a Rough Draft
  • Teaching Instructional Articles: How to Write Instructions
  • Teaching Word Choice: Using Strong Verbs
  • Using Imagery Lesson Plan
  • Writing for Audience and Purpose
  • Writing Transitions Lesson
  • Analyzing Humor in Literature Lesson Plan
  • Analyzing Shakespeare Strategies
  • Fun Reading Lesson Plan
  • How to Write a Literary Analysis.
  • How to Annotate and Analyze a Poem
  • Lesson Plan for Teaching Annotation
  • Literary Terms Lesson Plan

Literature Exemplars – Grades-9-10

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  • Lesson Plans for Substitute Teachers and Busy English Teachers
  • Lesson Plan: Creating the Perfect Title
  • 4.08 – Lesson Plan: Using Semicolons Correctly
  • Pronoun-Antecedent Agreement Lesson Plan
  • Sentence Combining Made Easy Lesson Plan
  • Strategies for Teaching Vocabulary
  • Using Tone Effectively Lesson Plan
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What Are ELA Common Core Text Exemplars?

The most common misconception with novels, plays, poems, non-fiction and other materials chosen as text exemplars for common core standards is that these texts are required reading.  This is not the case.  The following selections have been chosen as examples based on a combination of reading difficulty and subject maturity.  Each teacher must call upon his or her professional competency to select appropriate texts for his or her class.

I will list the example texts as chosen by the common core people and include similar texts that I use or that could be used in without the overseeing eye of federal regulators who think that someone in Vermont should choose what someone in Nevada teaches or vice-versa coming into my classroom and slapping me in chains.

I also include my own selections because–as anyone who’s been in education for more than five years understands–the powers that be come up with a new panacea for our educational woes every 3-4 years and there’s a good chance the common core curriculum will go the way of all the other  magic bullets politicians and lawyers have conjured up to appease an unsympathetic public.  The texts I include, with linked-to study guides, will serve you and your students for years to come regardless of which “miraculous program” someone produces in a few years.

ELA Common Core Text Examples: Grades 9-10

Fiction The Odyssey by Homer ( study guide ) Ovid’s Metamorphoses Candide, or the Optimist by Voltaire Turgenev, Ivan. Fathers and Sons . Henry, O. “The Gift of the Magi.” Kafka, Franz. The Metamorphosis Steinbeck, John. The Grapes of Wrath Bradbury, Ray (study guide) . Fahrenheit 451 (teacher’s guide) Olsen, Tillie. “I Stand Here Ironing.”

Additional Fiction Dickens, Charles. Great Expectations Steinbeck, John. Of Mice and Men Golding, William.  Lord of the Flies Card, Orson. Ender’s Game Stevenson, Robert Louis .  Treasure Island Connel, Richard. “The Most Dangerous Game” Saki. “The Interlopers” Hurst, James. “The Scarlet Ibis” Thurber, James. “The Secret Life of Walter Mitty” Poe, Edgar Allan. “The Black Cat” Maupassant. “The Necklace” Mary Shelley’s Frankenstein Drama Sophocles. Oedipus Rex Shakespeare, William. The Tragedy of Macbeth Ibsen, Henrik. A Doll’s House Williams, Tennessee. The Glass Menagerie Ionesco, Eugene. Rhinoceros Fugard, Athol. “Master Harold”

Additional Drama Shakespeare, William . Romeo and Juliet Shakespeare, William. Julius Caesar Sophocles, Antigone

Poetry Shakespeare, William. “Sonnet 73.” Donne, John. “Song.” Shelley, Percy Bysshe. “Ozymandias.” Poe, Edgar Allan. “The Raven.” Dickinson, Emily . “We Grow Accustomed to the Dark.” Houseman, A. E. “Loveliest of Trees.” Johnson, James Weldon. “Lift Every Voice and Sing.” Cullen, Countee. “Yet Do I Marvel.” Auden, Wystan Hugh. ”Musée des Beaux Arts.” Walker, Alice. “Women.” Baca, Jimmy Santiago. “I Am Offering This Poem to You.”

Additional Poetry Wordsworth, William. “I Wandered Lonely as a Cloud” Frost, Robert. “The Road Not Taken” Frost, Robert. “Stopping by Woods” Hughes, Langston. “Dreams” Hughes, Langston. “Dream Deferred” Informational Texts: English Language Arts Henry, Patrick. “Speech to the Second Virginia Convention.” Washington, George. “Farewell Address.” Lincoln, Abraham. “Gettysburg Address.” Lincoln, Abraham. “Second Inaugural Address.” Roosevelt, Franklin Delano. “State of the Union Address.” Hand, Learned. “I Am an American Day Address.” Smith, Margaret Chase. “Remarks to the Senate in Support of a Declaration of Conscience.” King, Jr., Martin Luther. “Letter from Birmingham Jail.” King, Jr., Martin Luther. “I Have a Dream: Address Delivered at the March on Washington, D.C., for Civil Rights on August 28, 1963.” Angelou, Maya. I Know Why the Caged Bird Sings Wiesel, Elie. “Hope, Despair and Memory.” Reagan, Ronald. “Address to Students at Moscow State University.” Quindlen, Anna. “A Quilt of a Country.” The Bill of Rights of the United States Constitution (lesson plan , study guide )

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FULL MARK & Grade 9 2019 English Lit  AQA GCSE examples

FULL MARK & Grade 9 2019 English Lit AQA GCSE examples

Subject: English

Age range: 14-16

Resource type: Unit of work

GCSE English Essays!

Last updated

22 February 2024

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I will (soon) be a univeristy student. These are my essays from Summer 2019 when I sat my English Lit GCSE. Overall I achieved 97% and several full mark answers.

Macbeth - 27 Marks Jekyll and Hyde - 30 Marks Inspector Calls - 30 Marks Poetry P&C - 28 Marks

Sorry if the questions on the essays aren’t the exact ones on the exam paper - I can’t quite remember them word for word.

If you download for free I don’t think all the essays are there so you would need to purchase them for all the completed essays.

Any money made is going towards my university expenses (and maybe even a takeaway once in a while!).

AQA have released the papers on their website and the essays are my own.

Tes paid licence How can I reuse this?

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i have not received the work on an inspector calls

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Hi<br /> I couldn’t download the inspector call and poetry

Sorry you’re having trouble. I’m not sure how to get around that. Did you purchase it or download (I think watermarked?) version? :)

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I seem to be missing the completed version of the Inspector Calls Essay. Is the one in the preview finished or is there more?

Hi, it is completed - it was when I uploaded and I haven’t heard anything from people who have used this resource.

are you saying that these arent the questions that are on the english literature gcse?<br />

Sorry I’m not quite sure what you mean, but these are the questions that I answered when I sat my English Literature GCSE :)

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The Importance of being Earnest Literary Analysis

This essay about Oscar Wilde’s “The Importance of Being Earnest” offers fresh perspectives on its opening scene. It dissects the social commentary, explores themes of identity and masquerade, and appreciates Wilde’s linguistic brilliance. Each analysis illuminates the play’s satire and relevance, providing valuable insights into Victorian society and human nature. Through varied lenses, the essay showcases Wilde’s comedic genius and underscores the enduring significance of his masterpiece.

How it works

Oscar Wilde’s classic play, “The Importance of Being Earnest,” shines brightly as a beacon of wit and satire, casting a revealing light on the absurdities of Victorian society. With its opening act, the play sets the stage for a delightful exploration of themes such as identity, social conventions, and the artificiality of societal norms. Amidst a myriad of analyses dissecting the initial scene, each offering its own distinctive viewpoint, this essay endeavors to unveil a fresh interpretation that echoes the brilliance of Wilde’s work.

One compelling angle through which to dissect the opening scene of “The Importance of Being Earnest” is as a platform for social commentary. As the curtain rises, we are introduced to Algernon Moncrieff, the epitome of aristocratic nonchalance, amusing himself in his elegant London residence. Algernon’s dialogue, dripping with sarcasm and irony, acts as a mirror reflecting the superficiality and hypocrisy inherent in Victorian society.

His cavalier attitude towards marriage and societal norms lays bare the shallowness of the upper class, portraying them as individuals more concerned with appearances than genuine connections. Algernon’s dismissive remarks about marriage as a mere “romantic formality” and his disdain for precision in life underscore the triviality of societal expectations.

Furthermore, Algernon’s interaction with Lane unveils the pervasive class distinctions of the era, as Lane’s comments on the lower orders and their motivations highlight the inherent elitism prevalent in Victorian society. Through these exchanges, Wilde paints a scathing portrait of a society governed by facades and social stratification.

Another intriguing lens through which to analyze the opening scene delves into the themes of identity and masquerade. The play’s title itself, “The Importance of Being Earnest,” serves as a tongue-in-cheek nod to the significance of authenticity in a world riddled with deception.

The introduction of Jack Worthing, leading a double life as Ernest in the city and Jack in the country, lays the groundwork for a comedic exploration of mistaken identities and societal expectations. Jack’s fabrication of a fictional brother named Ernest encapsulates his yearning for liberation from societal constraints, while also highlighting the absurd lengths individuals will go to uphold appearances.

Algernon’s unearthing of Jack’s deceit and subsequent adoption of the persona of Ernest further complicates the narrative, blurring the lines between reality and fiction. Through these convolutions of identity, Wilde exposes the ludicrousness of societal expectations and the absurdity of the masks we don to conform to them.

A fresh perspective on the opening scene delves into Wilde’s unparalleled linguistic brilliance, which infuses the play with a sparkling wit and charm. The dialogue between characters brims with epigrams and paradoxes, showcasing Wilde’s mastery of language and his keen observational acumen.

Algernon’s witticisms such as “I never travel without my diary. One should always have something sensational to read in the train” epitomize his razor-sharp wit and irreverent humor. Similarly, Jack’s reflections on the nature of truth and sincerity add depth to the comedic exchanges, revealing the intricacies of human nature.

Furthermore, the banter between characters not only entertains but also unveils their innermost desires and motivations. Algernon’s playful banter with Lane stands in stark contrast to Jack’s more earnest demeanor, providing insight into their respective worldviews and social standing.

In conclusion, the opening scene of “The Importance of Being Earnest” serves as a multifaceted introduction to Wilde’s comedic genius and incisive social commentary. Whether interpreted through the lens of social satire, identity and masquerade, or linguistic brilliance, each analysis offers valuable insights into the play’s enduring relevance and significance. As enthusiasts of literature, embracing diverse perspectives allows us to fully savor the richness and complexity of Wilde’s masterpiece, ensuring its place as a timeless classic for generations to come.

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These are the CCS Standards addressed in this lesson:

  • RL.5.3: Compare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact).
  • RF.5.4: Read with sufficient accuracy and fluency to support comprehension.
  • W.5.2: Write informative/explanatory texts to examine a topic and convey ideas and information clearly.
  • W.5.2a: Introduce a topic clearly, provide a general observation and focus, and group related information logically; include formatting (e.g., headings), illustrations, and multimedia when useful to aiding comprehension
  • W.5.4: Produce clear and coherent writing in which the development and organization are appropriate to task, purpose, and audience.
  • W.5.9: Draw evidence from literary or informational texts to support analysis, reflection, and research.
  • W.5.9a: Apply grade 5 Reading standards to literature (e.g., "Compare and contrast two or more characters, settings, or events in a story or a drama, drawing on specific details in the text [e.g., how characters interact]").
  • L.5.1: Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.
  • I can plan and write an introductory paragraph for my essay. ( W.5.2a, W.5.4, W.5.9a )
  • I can recognize and write a complete sentence. ( L.5.1 )
  • Introduction to literary essay ( W.5.2a, W.5.4, W.5.9a )
  • Working to Become Effective Learners anchor chart (see supporting materials).
  • Parts of Speech anchor chart (see supporting materials).
  • Parts of the Model Literary Essay Introductory Paragraph (one part per pair; see supporting materials). When possible, ensure the correct amount of parts to complete paragraphs. This may involve giving some students more than one part.
  • Literary Essay anchor chart by writing the title on a blank piece of chart paper (see supporting materials).
  • Thumb-O-Meter protocol. See Classroom Protocols.
  • Post: Learning targets and applicable anchor charts.

Tech and Multimedia

  • Work Time B: Students write their introductory paragraphs on a word processing document--for example, a Google Doc.

Supports guided in part by CA ELD Standards 5.I.A.4, 5.I.B.6, 5.I.C.9, 5.I.C.10, and 5.II.A.1

Important points in the lesson itself

  • The basic design of this lesson supports ELLs with opportunities to work closely with essay structure, building on their understanding one paragraph at a time. In this lesson, students focus exclusively on the introductions to their literary essays. Students continue to benefit from the color-coding system established in prior lessons for visual support.
  • ELLs may find it challenging to immediately apply their new learning about essay structure and write their introductions within the time allotted. If students were grouped in Lesson 11 to write their two-voice poems about the same event, continue working with that group during Work Time B today. See "Levels of support" and Meeting Students' Needs column for details.

Levels of support

For lighter support:

  • Before providing templates or additional modeling during Work Time B, observe student work and allow students to grapple. Provide supportive materials only after students have grappled with the task. Observe the areas in which they struggle to target appropriate support.
  • For additional work with complete sentences, invite intermediate and advanced proficiency students to create sentences and to write them on sentence strips in the manner described below. Students who need heavier support can work to identify the subjects and predicates of these sentences.

For heavier support:

  • During Work Time A, create color-coded sentence strips that students can manipulate as they discuss subject and predicate. Write the subject of each sentence in blue and the predicate of each sentence in red on separate strips. Invite students to scramble and unscramble them. Probe students' thinking about what makes each strip a subject or a predicate.
  • During Work Time B, provide a near-complete version of the introduction template suggested in the Meeting Students' Needs column. Omit only a few words, such as the chapter title and the names of the characters. Students can complete the paragraph as a cloze exercise while focusing on comprehending the paragraph and its purpose within the essay structure.
  • In preparation for performing their two-voice poem during the Closing and Assessment, provide time before the lesson for students to practice reading their two-voice poem. Support students by giving them feedback on their fluency and accuracy, and encouraging them on a job well done.
  • Multiple Means of Representation (MMR): In Work Time B, students write the introduction to their essay. This will require drawing on several tools, such as the Painted Essay(r) template, the model literary essay, and their Informative Writing Checklist. Whenever possible, use think-alouds and/or peer models to make this thought process explicit. For example, offer a think-aloud to show how to incorporate ideas from the model literary essay into an original paragraph. This way, students will not only see the model visually but will also be able to understand the thought processes behind it.
  • Multiple Means of Action and Expression (MMAE): This lesson provides 25 minutes of writing time. Some students may need additional support to build their writing stamina over such a long time period. Support students in building their stamina and focus by providing scaffolds that build an environment that is conducive to writing (see Meeting Students' Needs column).
  • Multiple Means of Engagement (MME): Students who need additional support with writing may have negative associations with writing tasks based on previous experiences. Help them feel successful with writing by allowing them to create feasible goals and celebrate when these goals are met. For instance, place a sticker or a star at a specific point on the page (e.g., two pages) that provides a visual writing target for the day. Also, construct goals for sustained writing by chunking the 30-minute writing block into smaller pieces. Provide choice for a break activity at specific time points when students have demonstrated writing progress. Celebrate students who meet their writing goals, whether it is length of the text or sustained writing time.

Key:  Lesson-Specific Vocabulary (L); Text-Specific Vocabulary (T); Vocabulary Used in Writing (W)

  • introductory paragraph, effective learners, collaboration, subject, noun, predicate (L)
  • Parts of the Model Literary Essay Introductory Paragraph (one part per pair)
  • Painted Essay(r) template (from Lesson 12; one per student)
  • Red, green, yellow, and blue colored pencils (one of each per student)
  • Model literary essay (from Lesson 12; one per student and one for display)
  • Literary Essay anchor chart (new; co-created with students during Opening A; see supporting materials)
  • Literary Essay anchor chart (example, for teacher reference)
  • Working to Become Effective Learners anchor chart (new; co-created with students during Opening B)
  • Working to Become Effective Learners anchor chart (example, for teacher reference)
  • Writing Complete Sentences handout (one per student and one to display)
  • Parts of Speech anchor chart (new; teacher-created; see supporting materials)
  • Informative Writing Checklist (from Lesson 12; one per student and one to display)
  • Informative Writing Checklist (example, for teacher reference)
  • Character Reaction note-catchers:
  • Character Reaction Note-catcher: "Las Cebollas" (from Lesson 1; one per student)
  • Character Reaction Note-catcher: "Las Ciruelas" (from Lesson 3; one per student)
  • Character Reaction Note-catcher: "Los Esparragos" (from Lesson 6; one per student)
  • Character Reaction Note-catcher: "Los Duraznos" (from Lesson 7; one per student)
  • Character reaction paragraphs:
  • Character Reaction Paragraph: Esperanza (from Lesson 1; group writing)
  • Character Reaction Paragraph: Hortensia (from Lesson 3; group writing)
  • Character Reaction Paragraph: Mama or Esperanza (from Lesson 3 homework; one per student)
  • Character Reaction Paragraph: Marta (from Lesson 6; group writing)
  • Character Reaction Paragraph: Esperanza or Josefina (from Lesson 6 homework; one per student)
  • Character Reaction Paragraph: Miguel (from Lesson 7; one per student)
  • Character Reaction Paragraph: Esperanza (from Lesson 8; one per student)
  • Partner Two-Voice Poem (from Lesson 11; one per pair)
  • Red markers (one per student)
  • Paper (lined; one piece per student)
  • Domain-Specific Word Wall (begun in Unit 1, Lesson 3)
  • Two-Voice Poems handout (from Lesson 11; one per student and one to display)

Each unit in the 3-5 Language Arts Curriculum has two standards-based assessments built in, one mid-unit assessment and one end of unit assessment. The module concludes with a performance task at the end of Unit 3 to synthesize their understanding of what they accomplished through supported, standards-based writing.

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