beethoven biography english

Ludwig van Beethoven

Ludwig van Beethoven was a German composer whose Symphony 5 is a beloved classic. Some of his greatest works were composed while Beethoven was going deaf.

(1770-1827)

Who Was Ludwig van Beethoven?

Ludwig van Beethoven was a German pianist and composer widely considered to be one of the greatest musical geniuses of all time. His innovative compositions combined vocals and instruments, widening the scope of sonata, symphony, concerto and quartet. He is the crucial transitional figure connecting the Classical and Romantic ages of Western music.

Beethoven’s personal life was marked by a struggle against deafness, and some of his most important works were composed during the last 10 years of his life, when he was quite unable to hear. He died at the age of 56.

Controversial Birthday

Beethoven was born on or about December 16, 1770, in the city of Bonn in the Electorate of Cologne, a principality of the Holy Roman Empire. Although his exact date of birth is uncertain, Beethoven was baptized on December 17, 1770.

As a matter of law and custom, babies at the time were baptized within 24 hours of birth, so December 16 is his most likely birthdate.

However, Beethoven himself mistakenly believed that he was born two years later, in 1772, and he stubbornly insisted on the incorrect date even when presented with official papers that proved beyond any reasonable doubt that 1770 was his true birth year.

Beethoven had two younger brothers who survived into adulthood: Caspar, born in 1774, and Johann, born in 1776. Beethoven's mother, Maria Magdalena van Beethoven, was a slender, genteel, and deeply moralistic woman.

His father, Johann van Beethoven, was a mediocre court singer better known for his alcoholism than any musical ability. However, Beethoven's grandfather, godfather and namesake, Kapellmeister Ludwig van Beethoven, was Bonn's most prosperous and eminent musician, a source of endless pride for young Beethoven.

Childhood Abuse

Sometime between the births of his two younger brothers, Beethoven's father began teaching him music with an extraordinary rigor and brutality that affected him for the rest of his life.

Neighbors provided accounts of the small boy weeping while he played the clavier, standing atop a footstool to reach the keys, his father beating him for each hesitation or mistake.

On a near daily basis, Beethoven was flogged, locked in the cellar and deprived of sleep for extra hours of practice. He studied the violin and clavier with his father as well as taking additional lessons from organists around town. Whether in spite of or because of his father's draconian methods, Beethoven was a prodigiously talented musician from his earliest days.

Meanwhile, the musical prodigy attended a Latin grade school named Tirocinium, where a classmate said, "Not a sign was to be discovered of that spark of genius which glowed so brilliantly in him afterwards."

Beethoven, who struggled with sums and spelling his entire life, was at best an average student, and some biographers have hypothesized that he may have had mild dyslexia. As he put it himself, "Music comes to me more readily than words."

In 1781, at the age of 10, Beethoven withdrew from school to study music full time with Christian Gottlob Neefe, the newly appointed Court Organist, and at the age of 12, Beethoven published his first composition, a set of piano variations on a theme by an obscure classical composer named Dressler.

By 1784, his alcoholism worsening and his voice decaying, Beethoven's father was no longer able to support his family, and Beethoven formally requested an official appointment as Assistant Court Organist. Despite his youth, his request was accepted, and Beethoven was put on the court payroll with a modest annual salary of 150 florins.

Beethoven and Mozart

There is only speculation and inconclusive evidence that Beethoven ever met with Mozart, let alone studied with him. In an effort to facilitate his musical development, in 1787 the court sent Beethoven to Vienna, Europe’s capital of culture and music, where he hoped to study with Mozart.

Tradition has it that, upon hearing Beethoven, Mozart said, "Keep your eyes on him; someday he will give the world something to talk about.”

After only a few weeks in Vienna, Beethoven learned that his mother had fallen ill and he returned home to Bonn. Remaining there, Beethoven continued to carve out his reputation as the city's most promising young court musician.

Early Career as a Composer

When the Holy Roman Emperor Joseph II died in 1790, a 19-year-old Beethoven received the immense honor of composing a musical memorial in his honor. For reasons that remain unclear, Beethoven's composition was never performed, and most assumed the young musician had proven unequal to the task.

However, more than a century later, Johannes Brahms discovered that Beethoven had in fact composed a "beautiful and noble" piece of music entitled Cantata on the Death of Emperor Joseph II . It is now considered his earliest masterpiece.

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Beethoven and Haydn

In 1792, with French revolutionary forces sweeping across the Rhineland into the Electorate of Cologne, Beethoven decided to leave his hometown for Vienna once again. Mozart had passed away a year earlier, leaving Joseph Haydn as the unquestioned greatest composer alive.

Haydn was living in Vienna at the time, and it was with Haydn that the young Beethoven now intended to study. As his friend and patron Count Waldstein wrote in a farewell letter, "Mozart's genius mourns and weeps over the death of his disciple. It found refuge, but no release with the inexhaustible Haydn; through him, now, it seeks to unite with another. By means of assiduous labor you will receive the spirit of Mozart from the hands of Haydn."

In Vienna, Beethoven dedicated himself wholeheartedly to musical study with the most eminent musicians of the age. He studied piano with Haydn, vocal composition with Antonio Salieri and counterpoint with Johann Albrechtsberger. Not yet known as a composer, Beethoven quickly established a reputation as a virtuoso pianist who was especially adept at improvisation.

Debut Performance

Beethoven won many patrons among the leading citizens of the Viennese aristocracy, who provided him with lodging and funds, allowing Beethoven, in 1794, to sever ties with the Electorate of Cologne. Beethoven made his long-awaited public debut in Vienna on March 29, 1795.

Although there is considerable debate over which of his early piano concerti he performed that night, most scholars believe he played what is known as his "first" piano concerto in C Major. Shortly thereafter, Beethoven decided to publish a series of three piano trios as his Opus 1, which were an enormous critical and financial success.

In the first spring of the new century, on April 2, 1800, Beethoven debuted his Symphony No. 1 in C major at the Royal Imperial Theater in Vienna. Although Beethoven would grow to detest the piece — "In those days I did not know how to compose," he later remarked — the graceful and melodious symphony nevertheless established him as one of Europe's most celebrated composers.

As the new century progressed, Beethoven composed piece after piece that marked him as a masterful composer reaching his musical maturity. His Six String Quartets, published in 1801, demonstrate complete mastery of that most difficult and cherished of Viennese forms developed by Mozart and Haydn.

Beethoven also composed The Creatures of Prometheus in 1801, a wildly popular ballet that received 27 performances at the Imperial Court Theater. It was around the same time that Beethoven discovered he was losing his hearing.

Personal Life

For a variety of reasons that included his crippling shyness and unfortunate physical appearance, Beethoven never married or had children. He was, however, desperately in love with a married woman named Antonie Brentano.

Over the course of two days in July of 1812, Beethoven wrote her a long and beautiful love letter that he never sent. Addressed "to you, my Immortal Beloved," the letter said in part, "My heart is full of so many things to say to you — ah — there are moments when I feel that speech amounts to nothing at all — Cheer up — remain my true, my only love, my all as I am yours."

The death of Beethoven's brother Caspar in 1815 sparked one of the great trials of his life, a painful legal battle with his sister-in-law, Johanna, over the custody of Karl van Beethoven, his nephew and her son.

The struggle stretched on for seven years, during which both sides spewed ugly defamations at the other. In the end, Beethoven won the boy's custody, though hardly his affection.

Despite his extraordinary output of beautiful music, Beethoven was lonely and frequently miserable throughout his adult life. Short-tempered, absent-minded, greedy and suspicious to the point of paranoia, Beethoven feuded with his brothers, his publishers, his housekeepers, his pupils and his patrons.

In one illustrative incident, Beethoven attempted to break a chair over the head of Prince Lichnowsky, one of his closest friends and most loyal patrons. Another time he stood in the doorway of Prince Lobkowitz's palace shouting for all to hear, "Lobkowitz is a donkey!"

For years, rumors have swirled that Beethoven had some African ancestry. These unfounded tales may be based on Beethoven's dark complexion or the fact that his ancestors came from a region of Europe that had once been invaded by the Spanish, and Moors from northern Africa were part of Spanish culture.

A few scholars have noted that Beethoven seemed to have an innate understanding of the polyrhythmic structures typical to some African music. However, no one during Beethoven's lifetime referred to the composer as Moorish or African, and the rumors that he was Black are largely dismissed by historians.

Was Beethoven Deaf?

At the same time as Beethoven was composing some of his most immortal works, he was struggling to come to terms with a shocking and terrible fact, one that he tried desperately to conceal: He was going deaf.

By the turn of the 19th century, Beethoven struggled to make out the words spoken to him in conversation.

Beethoven revealed in a heart-wrenching 1801 letter to his friend Franz Wegeler, "I must confess that I lead a miserable life. For almost two years I have ceased to attend any social functions, just because I find it impossible to say to people: I am deaf. If I had any other profession, I might be able to cope with my infirmity; but in my profession it is a terrible handicap."

Heiligenstadt Testament

At times driven to extremes of melancholy by his affliction, Beethoven described his despair in a long and poignant note that he concealed his entire life.

Dated October 6, 1802, and referred to as "The Heiligenstadt Testament," it reads in part: "O you men who think or say that I am malevolent, stubborn or misanthropic, how greatly do you wrong me. You do not know the secret cause which makes me seem that way to you and I would have ended my life — it was only my art that held me back. Ah, it seemed impossible to leave the world until I had brought forth all that I felt was within me."

Almost miraculously, despite his rapidly progressing deafness, Beethoven continued to compose at a furious pace.

Moonlight Sonata

From 1803 to 1812, what is known as his "middle" or "heroic" period, he composed an opera, six symphonies, four solo concerti, five string quartets, six-string sonatas, seven piano sonatas, five sets of piano variations, four overtures, four trios, two sextets and 72 songs.

The most famous among these were the haunting Moonlight Sonata, symphonies No. 3-8, the Kreutzer violin sonata and Fidelio , his only opera.

In terms of the astonishing output of superlatively complex, original and beautiful music, this period in Beethoven's life is unrivaled by any other composer in history.

Beethoven’s Music

Some of Beethoven’s best-known compositions include:

Eroica: Symphony No. 3

In 1804, only weeks after Napoleon Bonaparte proclaimed himself Emperor of France, Beethoven debuted his Symphony No. 3 in Napoleon's honor. Beethoven, like all of Europe, watched with a mixture of awe and terror; he admired, abhorred and, to an extent, identified with Napoleon, a man of seemingly superhuman capabilities, only one year older than himself and also of obscure birth.

Later renamed the Eroica Symphony because Beethoven grew disillusioned with Napoleon, it was his grandest and most original work to date.

Because it was so unlike anything heard before it, the musicians could not figure out how to play it through weeks of rehearsal. A prominent reviewer proclaimed "Eroica" as "one of the most original, most sublime, and most profound products that the entire genre of music has ever exhibited."

Symphony No. 5

One of Beethoven’s best-known works among modern audiences, Symphony No. 5 is known for its ominous first four notes.

Beethoven began composing the piece in 1804, but its completion was delayed a few times for other projects. It premiered at the same time as Beethoven’s Symphony No. 6, in 1808 in Vienna.

In 1810, Beethoven completed Fur Elise (meaning “For Elise”), although it was not published until 40 years after his death. In 1867, it was discovered by a German music scholar, however Beethoven’s original manuscript has since been lost.

Some scholars have suggested it was dedicated to his friend, student and fellow musician, Therese Malfatti, to whom he allegedly proposed around the time of the song’s composition. Others said it was for the German soprano Elisabeth Rockel, another friend of Beethoven’s.

Symphony No. 7

Premiering in Vienna in 1813 to benefit soldiers wounded in the battle of Hanau, Beethoven began composing this, one of his most energetic and optimistic works, in 1811.

The composer called the piece “his most excellent symphony." The second movement is often performed separately from the rest of the symphony and may have been one of Beethoven’s most popular works.

Missa Solemnis

Debuting in 1824, this Catholic mass is considered among Beethoven’s finest achievements. Just under 90 minutes in length, the rarely-performed piece features a chorus, orchestra and four soloists.

Ode to Joy: Symphony No. 9

Beethoven’s ninth and final symphony, completed in 1824, remains the illustrious composer's most towering achievement. The symphony's famous choral finale, with four vocal soloists and a chorus singing the words of Friedrich Schiller's poem "Ode to Joy," is perhaps the most famous piece of music in history.

While connoisseurs delighted in the symphony's contrapuntal and formal complexity, the masses found inspiration in the anthem-like vigor of the choral finale and the concluding invocation of "all humanity."

String Quartet No. 14

Beethoven’s String Quartet No. 14 debuted in 1826. About 40 minutes in length, it contains seven linked movements played without a break.

The work was reportedly one of Beethoven’s favorite later quartets and has been described as one of the composer’s most elusive compositions musically.

Beethoven died on March 26, 1827, at the age of 56, of post-hepatitic cirrhosis of the liver.

The autopsy also provided clues to the origins of his deafness: While his quick temper, chronic diarrhea and deafness are consistent with arterial disease, a competing theory traces Beethoven's deafness to contracting typhus in the summer of 1796.

Scientists analyzing a remaining fragment of Beethoven's skull noticed high levels of lead and hypothesized lead poisoning as a potential cause of death, but that theory has been largely discredited.

Beethoven is widely considered one of the greatest, if not the single greatest, composer of all time. Beethoven's body of musical compositions stands with William Shakespeare 's plays at the outer limits of human brilliance.

And the fact Beethoven composed his most beautiful and extraordinary music while deaf is an almost superhuman feat of creative genius, perhaps only paralleled in the history of artistic achievement by John Milton writing Paradise Lost while blind.

Summing up his life and imminent death during his last days, Beethoven, who was never as eloquent with words as he was with music, borrowed a tagline that concluded many Latin plays at the time. Plaudite, amici, comoedia finita est , he said. "Applaud friends, the comedy is over."

QUICK FACTS

• Name: Ludwig Beethoven
• Birth Year: 1770
• Birth date: December 16, 1770
• Birth City: Bonn
• Birth Country: Germany
• Gender: Male
• Best Known For: Ludwig van Beethoven was a German composer whose Symphony 5 is a beloved classic. Some of his greatest works were composed while Beethoven was going deaf.
• Astrological Sign: Sagittarius
• Nacionalities
• Interesting Facts
• Beethoven's father was an alcoholic who beat his son into practicing music.
• Many of Beethoven's most accomplished works were created during the time he was deaf.
• Death Year: 1827
• Death date: March 26, 1827
• Death City: Vienna
• Death Country: Austria

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CITATION INFORMATION

• Article Title: Ludwig van Beethoven Biography
• Author: Biography.com Editors
• Website Name: The Biography.com website
• Url: https://www.biography.com/musicians/ludwig-van-beethoven
• Access Date:
• Publisher: A&E; Television Networks
• Last Updated: July 13, 2021
• Original Published Date: April 3, 2014
• Never shall I forget the time I spent with you. Please continue to be my friend, as you will always find me yours.
• Anyone who tells a lie has not a pure heart and cannot make good soup.
• Love demands all and has a right to all.
• Recommend to your children virtues that alone can make them happy. Not gold.
• I shall seize fate by the throat.
• Music is the mediator between the spiritual and sensual life.
• To play without passion is inexcusable!
• Ever thine, ever mine, ever ours.
• Don't only practice your art, but force your way into its secrets, for it and knowledge can raise men to the divine.
• Music is a higher revelation than all wisdom and philosophy.

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Biography Online

Beethoven Biography

Ludwig van Beethoven (1770 – 1827) is one of the most widely respected composers of classical music. He played a crucial role in the transition from classical to romantic music and is considered one of the greatest composers of all time.

“Music is … A higher revelation than all Wisdom and Philosophy”

– Beethoven

Beethoven was born 16 December 1770 in Bonn (now part of Germany) From an early age, Beethoven was introduced to music. His first teacher was his father who was also very strict. Beethoven was frequently beaten for his failure to practise correctly. Once his mother protested at his father’s violent beatings, but she was beaten too. It is said, Beethoven resolved to become a great pianist so his mother would never be beaten.

Beethoven’s talent as a piano virtuoso was recognised by Count Ferdinand Ernst Gabriel von Waldstein. He sponsored the young Beethoven and this enabled him to travel to Vienna, where Mozart resided. It was hoped Beethoven would be able to learn under the great Wolfgang Amadeus Mozart , but it is not clear whether the two ever met. Mozart was to die shortly, but Beethoven was able to spend time with the great composer Joseph Haydn, who taught him many things.

Rather than working for the church, Beethoven relied on private donations from various benefactors. However, while many loved his music, they were often not forthcoming with donations and Beethoven sometimes struggled to raise enough finance. He complained about the way artists like him were treated.

“One clashes with stupidity of all kinds. And then how much money must be spent in advance! The way in which artists are treated is really scandalous… Believe me, there is nothing to be done for artists in times like these.” – Beethoven

His situation was made more difficult by his mother’s early death and his father’s descent into alcoholism; this led to Beethoven being responsible for his two brothers.

Beethoven by August Klober, 1818

Beethoven was widely regarded as a great musician, though his habits were unconventional for the social circles which he moved in. He was untidy, clumsy and (by all accounts) ugly. All attempts to make Beethoven behave failed. On one occasion, Beethoven pushed his way up to the Archduke saying it was impossible for him to follow the many rules of social behaviour. The Archduke smiled and said – ‘we will have to accept Beethoven as he is.’ Beethoven himself had great faith in his own capacities, referring to the princes at court.

“There are and always will be thousands of princes, but there is only one Beethoven!”

Beethoven’s music was also unconventional, he explored new ideas and left behind the old conventions on style and form. His freer and explorative musical ideas caused estrangement with his more classical teachers like Haydn and Salieri.

From his early 20s, Beethoven experienced a slow deterioration in his hearing, which eventually left him completely deaf.

Beethoven once said:

“Music is the mediator between the spiritual and the sensual life.”

Beethoven by Mahler, 1815

Yet, despite his deafness and the frustration this caused him, Beethoven was still able to compose music of the highest quality. He was still able to inwardly hear the most sublime music. However, his deafness meant he struggled to perform with an orchestral backing, as he often fell out of time. This caused the great pianist to be ridiculed by the public, causing much distress. As a result, he retreated more into his private world of composition. Despite these later difficulties, his most widely admired works were composed in this difficult last 15 years. This included the great works Missa Solemnis and the Ninth Symphony – both finished shortly before his death. The Ninth Symphony was groundbreaking in creating a choral symphony from different voices singing separate lines to create a common symphony. The final part of the symphony (often referred to as “Ode to Joy”) is a symbolic musical representation of universal brotherhood. It was a fitting climax to Beethoven’s unique musical creativity and life. Beethoven considered music as one of the greatest contributors to a higher philosophy.

Beethoven was also a supporter of the Enlightenment movement sweeping Europe. He was going to dedicate a great symphony to Napoléon , whom Beethoven believed was going to defend the ideals of the French Republic. However, when Napoléon’s imperial ambitions were made known, Beethoven scratched out his name so powerfully, he tore a hole in the paper.

Religious views of Beethoven

Beethoven was born and raised a Catholic. His mother was a devout Catholic and sought to share her religious views with her children. Beethoven was considered a fairly moral person, he recommended the virtues of religion to those around him and encouraged his nephew to attend mass.

“Recommend to your children virtues, that alone can make them happy, not gold.”

In his mid-life, his deafness and stomach pains created something of a spiritual crisis in Beethoven. He stopped attending Mass regularly and looked to a wider source of spiritual inspiration. One of his favourite works was Reflections on the Works of God and His Providence Throughout All Nature by a Lutheran Pastor which praised the ‘romantic’ view of the value of nature. Beethoven also became interested in Hindu religious texts and expressed belief in a Supreme Being in a language which was not overtly Catholic. Beethoven wrote

” O God! – you have no threefold being and are independent of everything, you are the true, eternal, blessed, unchangeable light of all time and space.” – Beethoven’s Letters with explanatory notes by Dr. A.C. Kalischer (trans. J.S. Shedlock ), 1926.

Beethoven never formally left the Catholic Church, but some identify him more the tradition of Theists – those who believe in God but don’t follow a particular religion. Others suggest that Beethoven remained a Catholic, but he just redefined Catholicism in a more liberal understanding to accommodate the current enlightenment thinking and his own spiritual exploration of music. In terms of music, he did compose specific religious music such as Missa Solemnis – the great choral symphony. When asked whether he thought this work was intended for church or the concert hall, Beethoven replied that such a distinction was not so important.

“My chief aim was to awaken and permanently instill religious feelings not only into the singers but also into the listeners.” ( link )

• For piano: Sonata in C sharp minor, op. 27, nr. 2 “The Moonlight Sonata”
• For piano: Sonata in C minor, op. 13, “Pathetique”
• Symphony No. 3 “Eroica”; in E flat major (Op. 55)
• Symphony No. 5 in C minor
• Symphony No. 9 in D minor, including well known “Ode to Joy”.
• Missa Solemnis D Major, Op. 123
• Piano Concerto no. 5 “Emperor” in E flat major op. 73

Beethoven’s Death

For the last few months of his life, Beethoven was confined to his bed with illness. Amongst his last view visitors was the younger composer Franz Schubert , who had been deeply inspired by Beethoven. Beethoven, in return, expressed great admiration for the works of Schubert and said of him “Schubert has my soul.” Beethoven’s last words were reported to be:

“Plaudite, amici, comedia finita est. (Applaud, my friends, the comedy is over.) and Ich werde im Himmel hören! (I will hear in heaven!)”

He died on 26 March 1827, aged 56. The precise cause of death is uncertain, but, he had significant liver damage – due to either the accumulation of lead poisoning or excess alcohol consumption. Over 20,000 people are said to have lined the streets of Vienna for his funeral. Though Beethoven had a difficult temperament, and although his music was sometimes too visionary for the general public, Beethoven was deeply appreciated for his unique contribution to music.

Citation: Pettinger, Tejvan . “Biography of Beethoven”, Oxford, UK.  www.biographyonline.net , 28th May 2008. Last updated 1 February 2020.

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Beethoven 250

Beethoven's life, liberty and pursuit of enlightenment.

Tom Huizenga

A portrait of Ludwig van Beethoven, painted in 1804 by W.J. Mähler. Wikimedia Commons hide caption

A portrait of Ludwig van Beethoven, painted in 1804 by W.J. Mähler.

Two-hundred-fifty years ago, a musical maverick was born. Ludwig van Beethoven charted a powerful new course in music. His ideas may have been rooted in the work of European predecessors Wolfgang Amadeus Mozart and Josef Haydn , but the iconic German composer became who he was with the help of some familiar American values: life, liberty and the pursuit of happiness. That phrase, from the Declaration of Independence, is right out of the playbook of the Enlightenment, the philosophical movement that shook Europe in the 18th century.

"One way to look at it is what happened after Newton created the scientific revolution: Basically, people, for the first time, developed the idea that through reason and science, we can understand the universe and understand ourselves," says Jan Swafford, the author of Beethoven: Anguish and Triumph , a 1,000-page biography of the composer.

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Swafford says the Enlightenment idea embodied in the Declaration of Independence is that the aim of life is to serve your own needs and your own happiness. "But you can only do that in a free society," he says. "So freedom is the first requirement of happiness."

Other key components of the Enlightenment — including a cult of personal freedom and the importance of heroes — were vibrating in the air in Beethoven's progressive hometown of Bonn when he was an impressionable teenager. "There was discussion of all these ideas in coffeehouses and wine bars and everywhere," Swafford adds. "Beethoven was absorbed into all that and he soaked it up like a sponge."

You can hear ideas from the Enlightenment in Beethoven's Third Symphony, nicknamed "Eroica" — heroic. "There's an amazing place near the end of the first movement of the 'Eroica' where you hear this theme which I think represents the hero," Swafford points out. "It starts playing in a horn, and then it's as if it leads the whole orchestra into a gigantic proclamation, as if that is the hero leading an army into the future."

The hero of the "Eroica" Symphony was originally Napoleon — until Beethoven found out he was just another brutal dictator, and tore up the dedication page of the score. Overall, the hero of much of Beethoven's music is humanity itself.

"He was a humanist, above all," says conductor Marin Alsop, who had planned to mount Beethoven's Ninth Symphony on six continents this year, before the pandemic hit. Beethoven, she says, believed that each of us can surmount any obstacle.

"You can hear his perspective on this new philosophy of the Enlightenment, because it's very personal to Beethoven," Alsop says. "Throughout all of his works, you have this sense of overcoming."

You can hear that journey from darkness to light in pieces like the "Eroica," in the famous Fifth Symphony — and, Alsop says, at the very beginning the groundbreaking Ninth Symphony.

"It opens in the most unexpected way for a piece that's about to make a huge statement," Alsop says. "You can't even tell if it's a major or a minor key. It's kind of fluttering with a tremolo sound in the strings. It's this idea of possibility, an empty slate."

From there, Alsop adds, "Beethoven builds this whole journey of empowerment of unity. There's a lot of unison where the orchestra shouts out as one."

Those unisons are the way Beethoven depicts the connections between people – a pretty important thing for a man who began to go deaf before he was 30. He's a perfect symbol for this era of COVID, Alsop says, because of his severe isolation. That solitude sent the composer out for long walks in the woods outside Vienna.

"Beethoven absolutely loved and cherished nature, and thought of nature as a holy thing," says conductor Roderick Cox, who led performances of Beethoven's Symphony No. 6, the "Pastorale," this fall in Fort Worth, Texas. "Those are some of the principles of Enlightenment, of this music, the liberation of the human mind."

Cox also points to another Beethoven obsession: freedom, which is captured on stage, he says, in the composer's politically fueled opera Fidelio . "It really is the epitome of this Enlightenment spirit: This governmental prisoner, speaking out against the government for individual rights and liberty, has been jailed." In the opera, when the chorus of political prisoners leave their dungeon cells for a momentary breath of fresh air, Beethoven has them sing the word "Freiheit" — freedom.

Two and a half centuries after his birth, Beethoven continues to loom large over today's composers — literally, in some cases. American composer Joan Tower has a picture of Beethoven over her desk, and says he even paid her a ghostly visit once while she was trying to write music.

"He walked into the room right away," Tower says," and I said, 'Listen, could you leave? I'm busy here.' He would not leave. So I said, 'OK, if you're going to stay, then I'm going to use your music.' " And she did, in her piano concerto: Dedicated to Beethoven, the piece borrows fragments from three of his piano sonatas, including his final sonata, No. 32 in C minor.

"The thing I relate to is the struggle, because I struggle the way he does," Tower adds. "He was slow, and I'm slow. So there are certain connections that I'm so happy to have with him."

Everyone can connect to Beethoven, according to Alsop. "This is art that defies time, that defies culture, that defies partisanship, that unifies. And it can speak to each individual differently, but it speaks loudly to each of us," she says.

It's music that speaks to life, liberty and the pursuit of happiness — things we're all yearning for right now.

• Ludwig van Beethoven
• Marin Alsop

Ludwig van Beethoven

German composer (1770–1827) / from wikipedia, the free encyclopedia, dear wikiwand ai, let's keep it short by simply answering these key questions:.

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Ludwig van Beethoven [n 1] (baptised 17 December 1770   – 26 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. Beethoven's career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart , and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf . In his late period, from 1812 to 1827, he extended his innovations in musical form and expression.

Born in Bonn , Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Beethoven , and later by Christian Gottlob Neefe . Under Neefe's tutelage in 1783, he published his first work, a set of keyboard variations. He found relief from a dysfunctional home life with the family of Helene von Breuning , whose children he loved, befriended, and taught piano. At age 21, he moved to Vienna , which subsequently became his base, and studied composition with Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon patronised by Karl Alois, Prince Lichnowsky for compositions, which resulted in his three Opus 1 piano trios (the earliest works to which he accorded an opus number ) in 1795.

His first major orchestral work, the First Symphony , premiered in 1800, and his first set of string quartets was published in 1801. Despite his hearing deteriorating during this period, he continued to conduct, premiering his Third and Fifth Symphonies in 1804 and 1808, respectively. His Violin Concerto appeared in 1806. His last piano concerto (No. 5, Op. 73, known as the Emperor ), dedicated to his frequent patron Archduke Rudolf of Austria , premiered in 1811, without Beethoven as soloist. He was almost completely deaf by 1814, and he then gave up performing and appearing in public. He described his problems with health and his unfulfilled personal life in two letters, his Heiligenstadt Testament (1802) to his brothers and his unsent love letter to an unknown " Immortal Beloved " (1812).

After 1810, increasingly less socially involved, Beethoven composed many of his most admired works, including later symphonies, mature chamber music and the late piano sonatas . His only opera, Fidelio , first performed in 1805, was revised to its final version in 1814. He composed Missa solemnis between 1819 and 1823 and his final Symphony, No. 9 , one of the first examples of a choral symphony , between 1822 and 1824. Written in his last years, his late string quartets , including the Grosse Fuge , of 1825–1826 are among his final achievements. After several months of illness, which left him bedridden, he died in 1827 .

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Ludwig van Beethoven: biography and facts

17 December 2015, 11:17 | Updated: 17 December 2015, 11:20

Ludwig van Beethoven (1770-1827) was a German composer and pianist, who is arguably the defining figure in the history of Western music.

• Ludwig Van Beethoven was born in December 1770, but no-one is completely sure on which date. He was baptized on the 17th.
• The earliest recorded piece that Beethoven composed is a set of nine piano variations, composed in 1782.
• Beethoven moved to Vienna in 1792, where he met influential composers like Haydn and began to compose in earnest.
• By 1796, he had begun to suffer from tinnitus and was losing his hearing.
• Beethoven composed his Piano Sonata No. 14 ('Moonlight') in 1802.
• The Third Symphony, known as the 'Eroica', was completed in 1804. It went on to redefine the symphony as a genre.
• The opening motif to the Fifth Symphony from 1808 is one of the most famous musical excerpts in history.
• The 'middle period' of Beethoven's career also saw him compose piano works like the Waldstein and Apassionata sonatas, as well as his only opera,  Fidelio , which went through countless rewrites and revisions.
• Beethoven's Ninth Symphony, the 'Choral' from 1824, is another work of his that has remained infinitely popular. It was the first time that a composer had used choral voices in a major symphony.
• Ill health and increasing deafness caused a drop in productivity at the end of Beethoven's life, but he still managed to produce important works like his 'Late Quartets' in 1825, which were wildly inventive for the time.
• Beethoven died in Vienna on the 26th March 1827 after a long illness that has variously been attributed to alcohol, hepatitis, cirrhosis and pneumonia.

Did you know?

Beethoven composed only one opera, Fidelio, which took years to get right. He re-wrote one aria no fewer than 18 times and came up with four different overtures before deciding upon the one he liked.

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Biography of Ludwig van Beethoven, German Composer

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Ludwig van Beethoven (December 16, 1770–March 26, 1827) was a German composer and musician. His work embraced a range of musical styles, from the classical to the romantic; although Beethoven composed music for a variety of settings, he is best known for his nine symphonies. His final symphony—featuring the "Ode to Joy" chorus—is one of the most famous works in Western music.

Fast Facts: Ludwig van Beethoven

• Known For : Beethoven is one of the most celebrated composers in the history of classical music; his symphonies are still performed throughout the world.
• Born : December 16, 1770 in Bonn, Electorate of Cologne
• Parents : Johann van Beethoven and Maria Magdalena Keverich
• Died : March 26, 1827 in Vienna, Austria

Beethoven's father Johann van Beethoven sang soprano in the electoral chapel where his father was Kapellmeister (chapel master). Johann eventually became proficient enough to teach violin, piano, and voice to earn a living. He married Maria Magdalena Keverich in 1767. Ludwig van Beethoven was baptized on December 17, 1770. Most scholars believe he was born the day before, as Catholic baptisms traditionally took place the day after birth. Maria later gave birth to five other children, but only two survived, Kaspar Anton Karl and Nikolaus Johann.

At a very early age, Beethoven received violin and piano lessons from his father. At the age of 8, he studied theory and keyboard with Gilles van den Eeden (a former chapel organist). He also studied with several local organists and received piano lessons from Tobias Friedrich Pfeiffer and violin and viola lessons from Franz Rovantini. Although Beethoven’s musical genius is often compared to that of Mozart , his education never exceeded the elementary level.

Teenage Years

As a teenager, Beethoven was the assistant and formal student of Christian Gottlob Neefe, the court organist of the city of Bonn. Beethoven performed more than he composed. In 1787, Neefe sent Beethoven to Vienna for reasons unknown, but many historians agree that while he was there he met and briefly studied with Mozart. Two weeks later, he returned home because his mother was ill with tuberculosis. She died in July. His father took to drink, and Beethoven, only 19 years old, petitioned to be recognized as the head of the house; he received half of his father's salary to support his family.

Music Career

In 1792, Beethoven moved to Vienna. His father died in December that same year. Beethoven studied with Austrian composer Joseph Haydn for less than a year; their personalities were evidently not a match for each other. Beethoven then studied with Johann Georg Albrechtsberger, the most famous teacher of counterpoint in Vienna. He studied counterpoint and contrapuntal exercises in free writing, in imitation, in two to four-part fugues, choral fugues, double counterpoint at different intervals, double fugue , triple counterpoint, and canon.

After establishing himself as a composer, Beethoven began writing more complex works. In 1800, he performed his first symphony and a septet. Publishers soon began to compete for the rights to his newest compositions. While still in his 20s, however, Beethoven began to suffer from hearing loss after a fall. His attitude and social life changed dramatically, as the composer wanted to hide his impairment from the world. Determined to overcome his disability, he wrote his second, third, and fourth symphonies before 1806. Symphony 3, ("Eroica") , was originally titled "Bonaparte" as a tribute to Napoleon.

Middle Period

In 1808, Beethoven completed his fifth symphony, whose opening notes are some of the most famous in all of classical music. This success was followed by several additional symphonies as well as string quartets and piano sonatas, including Fur Elise . During this time, Beethoven also premiered an early version of his opera "Fidelio." The production received poor reviews, and the composer continued to revise the work until 1814.

Beethoven's newfound fame began to pay off, and he soon found himself prosperous. His symphonic works were celebrated as masterpieces; critics cited Mozart, Haydn, and Beethoven as the greatest composers of their era. Nevertheless, Beethoven faced personal challenges during this time. He fell in love with a young countess, Julie Guicciardi, but could not marry her because he was from a lower social station. He later dedicated his "Moonlight Sonata" to her.

Beethoven's output suffered during the next decade, the result of several serious illnesses and the death of his brother Kaspar, whom Beethoven had cared for during his sickness. This was followed by a custody battle with his brother's wife over his nephew Karl. The case was eventually resolved in Beethoven's favor, and the composer became the guardian of his nephew. However, the two had a troubled relationship.

Late Period

During the last 15 years of his life, Beethoven's hearing continued to decline. Nevertheless, he did not cease work on his compositions, and in the years before his death, he finished two of his most ambitious pieces—the Missa Solemnis , a mass written for a small orchestra and mixed choir, and the Ninth Symphony, one of the earliest examples of a choral symphony. The latter features what is perhaps Beethoven's most enduring piece of music—a chorus set to words from Friedrich Schiller's poem "Ode to Joy." Beethoven also wrote several additional string quartets, even as his health began to decline.

In 1827, Beethoven died of dropsy. In a will written several days before his death, he left his estate to his nephew Karl, of whom he was the legal guardian after his brother Kaspar's death.

Beethoven remains one of the most popular classical composers of all time, and his major works are frequently performed throughout the world. By introducing new musical ideas, he inspired countless composers after him; indeed, his influence is so great that it is difficult to summarize. The Voyager Golden Record—a recording placed onboard the Voyager spacecraft—contains two pieces of music by Beethoven: the opening of the Fifth Symphony and String Quartet No. 13 in B flat.

• Grove, George. "Beethoven and His Nine Symphonies." Franklin Classics, 2018.
• Lockwood, Lewis. "Beethoven: the Music and the Life." Norton, 2003.
• Swafford, Jan. "Beethoven: Anguish and Triumph." Faber and Faber, 2014.
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Ludwig van Beethoven: a force of nature at the dawn of Romanticism

John Suchet profiles Ludwig van Beethoven - the composer who sparked a musical revolution

read on for our guide to the life and music of perhaps the most influential composer in the history of classical music: Ludwig van Beethoven.

Who was Beethoven?

Beethoven was not only one of the greatest composers of all time - but also something of a revolutionary. Not just in the obvious sense that his compositions took music in a new direction. He was an artist imbued with the idea of revolution. Crucial to a full appreciation of Beethoven’s music is a knowledge of the times in which he lived, an understanding of the tumultuous events sweeping across Europe, bringing with them new orders and new ideas.

When and where was B eethoven born?

Bonn, where Beethoven was born in December 1770 , was an outpost of the Habsburg Empire . It was small, prosperous and sophisticated due to the fact that it was the seat of the Elector of Cologne and Münster. On the surface it was also conservative. But Vienna – capital city of the Holy Roman Empire, formal and proper, with a growing network of spies, where dissent was not tolerated – was 500 miles and several days’ coach ride away. And so the burghers of Bonn, not to mention the elector, were prone to making decisions almost calculated to upset those at the heart of government.

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Where did Beethoven grow up?

The young Beethoven remained in the town of his birth, Bonn, until the age of 21.

The first of these to have a lasting impact on the young musical prodigy in Bonn was the employment as court organist not only of an outsider, from Saxony, but a man of the wrong religion too. A Protestant, no less, who wasted no time in joining the proscribed organisation of like-minded dissidents, the Illuminati .

No one knows what persuaded the largely incapable and alcoholic Johann van Beethoven to employ Christian Gottlob Neefe as teacher to his son Ludwig, but it was an inspired choice. It does not take too much imagination to see Neefe, as well as encouraging his young pupil’s first attempts at composition, filling his head with ideas of religion, philosophy and politics. Neefe radicalised Beethoven.

An early breakthrough

Before Beethoven was ten, the old order passed with the death of Empress Maria Theresa . Emperor Joseph put in place immediate reforms, stripping the clergy of much of their power, introducing a measure of freedom of worship, and pushing through emancipation of the peasantry before he died, just 48, in 1790.

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That was when the musical establishment of Bonn took a truly extraordinary decision. They decided to commission a work to commemorate Joseph’s death, which would set to music words by a local poet, which in lauding Joseph’s break with the past were political dynamite, as well as a second piece to mark the accession of the new emperor.

And instead of choosing one of the several senior and respected musicians at court, they awarded the commission to the 19-year-old Ludwig van Beethoven. No matter that the orchestra refused to perform the pieces because they considered them unplayable, from these two Cantatas on, Beethoven would always be a political composer.

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When did B eethoven arrive in Vienna?

He left Bonn for Vienna in November 1792, never to return. At the time, Paris was undergoing the single most cataclysmic event of the age. Three years earlier the people had stormed the Bastille , initiating the French Revolution. Louis XVI and his Queen were under arrest. The King would go to the guillotine within two months, Marie Antoinette a matter of months after that. It was not long before the French set about exporting their revolution, a task made easier by the fortune that one of their citizens was on his way to becoming the greatest military commander in history. Vienna was steeped in old-world tradition and was therefore most vulnerable to the new French Revolutionary Army. It was a city living in fear.

While lauding the aims of the French Revolution, Beethoven condemned outright the violence and bloodletting it had led to. He also deplored the French occupation of Bonn and the Rhineland. But this revolutionary young composer had found a hero in the First Consul of France, Napoleon Bonaparte , to whom he dedicated the Eroica Symphony , the work that famously propelled music into the 19th century.

Napoleon and the Eroica

When Napoleon appointed himself Emperor, Beethoven withdrew the dedication, declaring him to be nothing more than a tyrant after all. Still, Beethoven could not help admiring Napoleon. The title page of the first edition bore the words: Sinfonia Eroica... per festeggiare il sovvenire di un grand Uomo [Heroic Symphony... to celebrate the memory of a great man], and Beethoven wrote to his publisher that ‘the title of the symphony is really Bonaparte ’.

The influence of the Revolution stayed with Beethoven. The French composer Méhul, much admired by the revolutionaries, composed five symphonies in this period. All four movements of his First Symphony bear striking stylistic similarities to Beethoven’s Fifth – regarded as the epitome of revolutionary musical writing – and both were composed in the same year.

Beethoven and Méhul

Who influenced whom? One suspects that if you suggested to Beethoven that he was influenced by Méhul, he would probably agree, and say that the revolutionary theme of his only opera, Fidelio , was also influenced by themes used by Méhul in his operas.

Several times in adult life, Beethoven actively contemplated a move to Paris – surely a desire to experience revolutionary times at first hand. In fact in 1808, an annus horribilis for him, plans for the move were well advanced. It never, of course, happened. After Napoleon’s final defeat and exile, Vienna, with the autocratic Metternich running things, was more or less shut down. There were secret police everywhere.

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Beethoven, by now deaf, had only one outlet for his ideas, and that was music. No wonder his compositions gave a new meaning to the world ‘revolutionary’. There had never been a piano sonata like the Hammerklavier . No composer had ever used voices in a symphony, as Beethoven would in his Ninth . The final Piano Sonata, Op. 111 shows his radical approach to form and his revolutionary brilliance stands out in every movement of his five Late Quartets, simply the greatest body of music ever composed.

When and why did Beethoven go deaf?

It is believed that Beethoven began to lose his hearing in his mid twenties. The cause of his hearing loss remains something of a mystery, though modern analysis of the composer's DNA has revealed some health issues - including large amounts of lead in his system.

Beethoven later claimed that his deafness had its origins in a quarrel with a singer, back in 1798. In 1801, he wrote to friends describing his symptoms and how they were making life difficult for him, both as a composer and in society.

Then came the famous Heiligenstadt Testament . Beethoven spent around six months of the year 1802 in the small Austrian town of Heiligenstadt , just outside Vienna, on the advice of his doctor. This was where he wrote his famous Testament: a letter to his brothers, in which he reveals that his deafness has made him consider suicide, but that he has resolved to continue living through his art. Never sent, the letter was found among the composer's papers after his death.

Did Beethoven marry?

No. He did meet a young countess, Julie Guicciardi, for whom he developed strong feelings: he writes about his love for her in a letter written to a friend in November 1801.

Sadly, though, the young Beethoven was from humbler origins than Julie, and this class difference meant that a union would have been out of the question.

Then there was Antonie Brentano - a philanthropist, arts patron, and close friend of the composer. While he was at the spa resort of Teplitz in 1812, Beethoven wrote a ten-page love letter to his 'Immortal Beloved' - but the letter was never sent and the addressee never revealed. The identity of the 'Immortal Beloved' has been much discussed, but the musicologist Maynard Solomon has convincingly demonstrated that the intended recipient must have been Antonie Brentano.

When did Beethoven die?

Beethoven died on 26 March 1827 at the age of 56. Some 10,000 people attended his funeral procession six days later - including a young Franz Schubert .

What did Beethoven die of?

The precise cause of Beethoven's death is not known for certain, although cirrhosis of the liver and infectious hepatitis are among those causes put forward.

What were Beethoven's final words?

You may hear the story told that Beethoven's final deathbed words were 'applaud friends, the comedy is ended' (spoken in Latin, no less). In fact, however, we believe that his final words came after a publisher had sent the dying composer 12 bottles of wine as a gift. Beethoven's reaction (and last words)? 'Pity, pity, too late!'.

Did Mozart and Beethoven meet?

The young Ludwig van Beethoven intended to study with Mozart and, in 1787, when Beethoven was 16 and Mozart was 31, the younger composer travelled to Vienna to meet his would-be mentor, However, shortly after his arrival in Vienna, Beethoven's mother fell ill, meaning that he had to return to his hometown of Bonn in Germany.

Beethoven stayed in Bonn for five years, looking after his younger siblings. When he was finally able to undertake the trip to Vienna the great Mozart was, sadly, dead.

What are Beethoven's most famous pieces?

With such an incredible output to his name, this becomes a very thorny question in Beethoven's case. However, we'd certainly nominate the Third, Fifth , and Ninth Symphonies (although the Sixth and Seventh follow close behind, and to be honest all nine are masterpieces). On the concerto front, the Violin Concerto and the final two Piano Concertos are probably the best known.

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Among Beethoven's large and deeply impressive chamber music output, we'd have to single out the 'Archduke' Piano Trio, as well as the late String Quartets mentioned above.

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The best known Beethoven Piano Sonatas include the 'Hammerklavier' Sonata, the 'Moonlight' Sonata , the 'Waldstein' Sonata and the 'Pathétique' Sonata. Scared music lovers, meanwhile, will want to sample Beethoven's great choral work, the Missa Solemnis .

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How did Beethoven change music?

Like his forebear Bach, and more so than his immediate predecessors Haydn and Mozart, Beethoven had a profound impact on the direction that classical music was taking. Under his influence, some essential classical forms such as the sonata, the concerto, the string quartet and most obviously the symphony became bigger and wider in their ambitions.

Take Beethoven's Ninth Symphony, for example, which both rearranged the formal structure of a Classical symphony, and features - totally originally - the human voice in its final movement. Innovations such as these make Beethoven one of the earliest and best Romantic composers .

Or take the extraordinary 'Hammerklavier' Sonata: no other piano sonata covers such a vast ground, both musical and emotional. The final movement is a vast fugue, a mindblowingly complex composition that makes huge demands on the performer. Lastly, Beethoven's final five String Quartets attain a quality of transcendent beauty and emotional eloquence that was, quite simply, without precedent in the chamber music world.

Read reviews of the latest Beethoven recordings here

John Suchet

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Ludwig van Beethoven Biography

Born: December 16, 1770 Bonn, Germany Died: March 26, 1827 Vienna, Austria German composer

German composer Ludwig van Beethoven is considered one of the most important figures in the history of music. He continued to compose even while losing his hearing and created some of his greatest works after becoming totally deaf.

Early years in Bonn

Ludwig van Beethoven was born in Bonn, Germany, on December 16, 1770. He was the eldest of three children of Johann and Maria Magdalena van Beethoven. His father, a musician who liked to drink, taught him to play piano and violin. Young Ludwig was often pulled out of bed in the middle of the night and ordered to perform for his father's drinking companions, suffering beatings if he protested. As Beethoven developed, it became clear that to reach artistic maturity he would have to leave Bonn for a major musical center.

At the age of twelve Beethoven was a promising keyboard player and a talented pupil in composition of the court organist Christian Gottlob Neefe (1748–1798). He even filled in as church organist when Neefe was out of town. In 1783 Beethoven's first published work, a set of keyboard pieces, appeared, and in the 1780s he produced portions of a number of later works. In 1787 he traveled to Vienna, Austria, apparently to seek out Wolfgang Amadeus Mozart (1756–1791) as a teacher. He was forced to return to Bonn to care for his ailing mother, who died several months later. His father died in 1792.

Years in Vienna

In 1792 Beethoven went back to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven was not totally satisfied with Haydn's teaching, though, and he turned to musicians of lesser talent for extra instruction. Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched.

Beethoven lived in Vienna from 1792 to his death in 1827, unmarried, among a circle of friends, independent of any kind of official position or private service. He rarely traveled, apart from summers in the countryside. In 1796 he made a trip to northern Germany, where his schedule included a visit to the court of King Frederick William of Prussia, an amateur cellist. Later Beethoven made several trips to Budapest, Hungary. In 1808 Beethoven received an invitation to become music director at Kassel, Germany. This alarmed several of his wealthy Viennese friends, who formed a group of backers and agreed to guarantee Beethoven an annual salary of 1,400 florins to keep him in Vienna. He thus became one of the first musicians in history to be able to live independently on his music salary.

Personal and professional problems

Although publishers sought out Beethoven and he was an able manager of his own business affairs, he was at the mercy of the crooked publishing practices of his time. Publishers paid a fee to composers for rights to their works, but there was no system of copyrights (the exclusive right to sell and copy a published work) or royalties (profits based on public performances of the material) at the time. As each new work appeared, Beethoven sold it to one or more of the best and most reliable publishers. But this initial payment was all he would receive, and both he and his publisher had to contend with rival publishers who brought out editions of their own. As a result Beethoven saw his works published in many different versions that were unauthorized, unchecked, and often inaccurate. Several times during his life in Vienna Beethoven started plans for a complete, authorized edition of his works, but these plans were never realized.

Beethoven's deafness and his temper contributed to his reputation as an unpleasant personality. But reliable accounts and a careful reading of Beethoven's letters reveal him to be a powerful and self-conscious man, totally involved in his creative work but alert to its practical side as well, and one who is sometimes willing to change to meet current demands. For example, he wrote some works on commission, such as his cantata (a narrative poem set to music) for the Congress of Vienna, 1814.

Examining Beethoven

Beethoven's deafness affected his social life, and it must have changed his personality deeply. In any event, his development as an artist would probably have caused a crisis in his relationship to the musical and social life of the time sooner or later. In his early years he wrote as a pianist-composer for an immediate and receptive public; in his last years he wrote for himself. Common in Beethoven biographies is the focus on Beethoven's awareness of current events and ideas, especially his attachment to the ideals of the French Revolution (1789–99; the revolt of the French middle class to end absolute power by French kings) and his faith in the brotherhood of men, as expressed in his lifelong goal of composing a version of "Ode to Joy," by Friedrich Schiller (1759–1805), realized at last in the Ninth Symphony. Also frequently mentioned is his genuine love of nature and outdoor life.

No one had ever heard anything like Beethoven's last works; they were too advanced for audiences and even professional musicians for some time after his death in 1827. Beethoven was aware of this. It seems, however, he expected later audiences to have a greater understanding of and appreciation for them. Beethoven reportedly told a visitor who was confused by some of his later pieces, "They are not for you but for a later age."

For More Information

Autexier, Philippe A. Beethoven: The Composer As Hero. Edited by Carey Lovelace. New York: H. N. Abrams, 1992.

Balcavage, Dynise. Ludwig van Beethoven, Composer. New York: Chelsea House, 1996.

Solomon, Maynard. Beethoven. 2nd ed. New York: Schirmer Books, 1998.

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Ludwig van Beethoven: A Glimpse into the Life of a Genius

Born in 1770 in the city of Bonn, Ludwig van Beethoven was destined to be one of the greatest composers the world has ever known. From an early age, his prodigious talent was evident, and he soon moved to Vienna, the epicenter of musical innovation. Overcoming a series of personal trials, including the tragedy of progressive deafness, Beethoven crafted compositions that are celebrated for their emotion, depth, and revolutionary spirit. His works, spanning from intimate piano sonatas to powerful symphonies, not only reflect his own struggles and joys but also resonate with universal human experiences.

Throughout his life, Beethoven remained a figure of fascination, admiration, and at times, controversy. Yet, his undying commitment to his art and his indomitable spirit have inspired countless generations of musicians, scholars, and music lovers around the globe.

Your Resource for Everything Beethoven

This website is dedicated entirely to Ludwig van Beethoven and the rich tapestry of his life and works. Delve deeper and explore:

The Definitive Ludwig van Beethoven Biography

Covering all of the most significant events and contributions of the the masterclass Composer that defined an era.

Music & Masterpieces

A comprehensive library of his celebrated compositions.

Books & Literature

Reviews and insights into the best books about Beethoven.

Family Tree

Trace the lineage and uncover the history of the Beethoven family .

Historical Timeline

Key events that shaped the life and times of the maestro.

Portrait Gallery

A visual journey through the many faces of Beethoven.

Philatelic Collection

Rare stamps and postal memorabilia commemorating Beethoven’s influence on culture.

… and so much more!

Join us as we celebrate the life, music, and legacy of Ludwig van Beethoven, a luminary who continues to inspire the world.

What’s new?

Make sure to check out our recently updated section on Beethoven Music . Includes comprehensive guides to all of Beethoven’s most beloved Symphonies, Sonatas, Piano Concerto’s, and more!

We are also in the process of updating and expanding our section on Beethoven Films . We provide comprehensive guides to all of the most acclaimed films that portrayed Beethoven’s extraordinary impact on the world.

Beethoven – Did you know?

One of the most beloved musical geniuses of all-time, Beethoven remains one of the most popular people (albeit deceased) in the world.

• Beethoven began losing his hearing in his late 20s, and by the age of 49, he was almost completely deaf, yet he continued to compose groundbreaking music.
• He was baptized on December 17, 1770, in Bonn, Germany, but his exact birthdate remains unknown.
• Beethoven’s “Moonlight Sonata” was dedicated to his pupil, Countess Giulietta Guicciardi, with whom he fell in love.
• Despite his fame, Beethoven often struggled financially and was supported by a group of wealthy patrons.
• His Symphony No. 9 was the first example of a major composer using voices in a symphony.
• Beethoven was known for his fiery personality and frequent mood swings, often reflected in his music.
• He never married, but his Immortal Beloved letters suggest he had a mysterious, intense love affair.
• Beethoven’s “Für Elise,” one of his most famous pieces, was discovered and published 40 years after his death.
• He was a crucial figure in the transition between the Classical and Romantic eras in Western music.
• Beethoven’s last words were reportedly “Pity, pity—too late!”, as he was told of a gift of wine from his publisher.
• His Ninth Symphony’s “Ode to Joy” is the anthem of the European Union.
• Beethoven often dipped his head in cold water before composing, believing it stimulated his creativity.
• He wrote only one opera, “Fidelio,” which was revised multiple times and premiered in its final form in 1814.
• As a child prodigy, Beethoven gave his first public performance at the age of 7½.
• His “Heiligenstadt Testament,” a letter written to his brothers, reveals his thoughts on his growing deafness and his resolve to continue living through his art.
• Beethoven’s compositions include 9 symphonies, 5 piano concertos, 1 violin concerto, 32 piano sonatas, and 16 string quartets.
• He was known to have a messy living space and a disheveled appearance, often focusing so intensely on his work that he neglected his surroundings.
• Beethoven was a great admirer of Napoleon until Napoleon declared himself Emperor, after which Beethoven famously scratched out Napoleon’s name from the dedication of his “ Eroica ” Symphony.
• His music was influenced by his love of nature, often taking long walks in the countryside for inspiration.
• Beethoven’s funeral in Vienna in 1827 was attended by an estimated 10,000 to 30,000 people, reflecting his immense popularity.

Beethoven’s Influence on Global Classical Music

Ludwig van Beethoven, a towering figure in classical music, has left an indelible mark on the world of music that transcends time and geography. His compositions are not just artifacts of the era in which they were created but are living, breathing entities that continue to evolve through classical performances around the globe. This exploration traces how Beethoven’s music has

Beethoven’s Impact on Music Education

Ludwig van Beethoven is not just a name that resonates through the corridors of music history; he has become an integral part of education systems around the world. His compositions, which broke boundaries and introduced new musical philosophies during and beyond his time, continue to influence how music is taught in schools today. This article explores the global impact of

Beethoven in Movies: His Timeless Music in Film

Ludwig van Beethoven, a towering figure in classical music, continues to influence modern cinema centuries after his death. His music not only enriches the soundscapes of films but also deepens the narrative and emotional engagement, making his compositions a favored choice among filmmakers. This article explores how Beethoven’s work has seamlessly integrated into the fabric of modern cinema, enhancing storytelling

Beethoven and Ballet: His Music in Dance

Ludwig van Beethoven, a titan of classical music, has left an indelible mark not only on music but on the broader canvas of the arts, influencing numerous fields including the world of ballet. Despite being known primarily for his symphonies, sonatas, and quartets, Beethoven’s work has also found a unique niche in ballet, an art form that traditionally leans towards

Beethoven’s Eco-Musical Legacy: Nature and Sustainability

Ludwig van Beethoven, a name synonymous with musical genius, left an indelible mark on the world not just through his compositions, but also through his unique relationship with nature. This connection is not just a footnote in his biography , but a core element that permeated his work, embodying a proto-environmental consciousness that resonates even in today’s world. Nature as a

Healing Through Harmony: Beethoven’s Impact in Music Therapy

Ludwig van Beethoven’s legacy is not just a testament to musical brilliance but also an embodiment of healing through harmony. His compositions have transcended the realm of auditory pleasure, offering significant psychological and neurological benefits. This influence, often termed “The Beethoven Effect,” is a testament to how classical music, particularly Beethoven’s works, can profoundly impact the human mind and emotions.

Frequently Asked Questions about Ludwig van Beethoven

Yes, Beethoven began to lose his hearing in his late twenties, and it deteriorated progressively over time. By his late 40s, he was almost completely deaf. Despite this significant challenge, many of Beethoven’s most celebrated works were composed during the period when he was experiencing profound hearing loss.

For more thorough information on Beethoven’s Deafness check out this comprehensive article we wrote on the topic – “ Beethoven’s Deafness: Triumph of Creativity .”

There is no solid evidence to support the claim that Beethoven was black. The majority of historical records and portraits depict him as a European man of Caucasian descent. Over the years, there have been debates and speculations about his heritage, but there’s no concrete evidence to counter the widely accepted view of his ethnicity. Some of the debates arise from descriptions of Beethoven’s darker complexion, but this can be attributed to various reasons, including his health and the standards of description at the time.

Ludwig van Beethoven was born on December 17, 1770, in Bonn, a city in what is now Germany.

For more information check out our comprehensive Biography of Ludwig van Beethoven .

Beethoven passed away on March 26, 1827, in Vienna. The exact cause of his death is not definitively known. Over the years, various theories have been proposed, including lead poisoning, syphilis, and autoimmune disorders. During an autopsy, significant amounts of lead were found in Beethoven’s hair, lending support to the lead poisoning theory. However, the true cause of his death remains a subject of debate among historians and researchers.

Check out our comprehensive Biography of Ludwig van Beethoven for more information on this topic.

You may also want to check out Beethoven’s Family Tree .

Ludwig van Beethoven composed a total of 9 symphonies.

Visit (and listen) to Beethoven’s Symphonies and Music .

Also check out Beethoven’s Biography .

Use LVBeethoven.com as a resource to learn more about this extraordinary many.

Beethoven passed away on March 26, 1827.

For thorough information on the life of Ludwig van Beethoven check out Beethoven’s Biography.

Beethoven was born in Bonn, which is located in present-day Germany.

Here is a Chronology of Beethoven’s life – https://lvbeethoven.wpenginepowered.com/biography/chronology-of-beethovens-life/

Beethoven began to experience hearing loss in his late twenties. This hearing loss worsened progressively over the years, and by the time he was in his late 40s, he was almost completely deaf.

For the most comprehensive treatise on Beethoven’s Deafness check out “ Beethoven’s Deafness: Triumph of Creativity .”

No, Beethoven was not blind. He is famously known for his hearing impairment, but there are no records or evidence to suggest that he suffered from blindness.

For a comprehensive look at the life of Ludwig van Beethoven check out his BIO .

Yes, Ludwig van Beethoven was German. He was born in Bonn, a city in the Electorate of Cologne, which was a part of the Holy Roman Empire at the time of his birth. This region is now in modern-day Germany.

Here are a few helpful links to learn more about Ludwig van Beethoven:

LVBeethoven.com is your comprehensive resource for information about the impeccable Ludwig van Beethoven.

Perhaps the most famous piece by Ludwig van Beethoven is the Symphony No. 9 in D minor, Op. 125, often referred to as the “Choral” Symphony. This masterpiece is notable not just for its musical brilliance but also because it was the first time a major composer used voices in a symphony. The final movement of this symphony incorporates Friedrich Schiller’s “Ode to Joy,” sung by a chorus and soloists. This movement has since become an anthem for unity and fraternity. Moreover, the symphony’s structure, themes, and the sheer emotional power it exudes make it a groundbreaking work in the history of classical music. Today, the “Ode to Joy” theme is recognized worldwide and has been adapted for various purposes, including being the anthem of the European Union.

Check out our section dedicated to Beethoven’s Music .

Ludwig van Beethoven was a prolific composer, and throughout his lifetime, he composed a vast number of works across various musical genres. While it’s challenging to pinpoint an exact number due to variations in counting (some pieces have multiple parts, or movements), Beethoven wrote 9 symphonies, 32 piano sonatas, 16 string quartets, 5 piano concertos, 1 violin concerto, 1 opera (“Fidelio”), and many other compositions including sonatas for various instruments, overtures, choral works, and chamber music pieces. In total, he composed well over 200 individual works. His influence in shaping the Classical and Romantic eras of music is monumental, with many of his compositions being staples in the repertoires of orchestras, chamber groups, and soloists around the world.

BTW – you can learn more about Beethoven through Films and Literature .

While Beethoven wrote numerous renowned pieces throughout his lifetime, the Symphony No. 9 in D minor, Op. 125, also known as the “Choral” Symphony, stands out as one of his most celebrated. The piece’s final movement is particularly famous for its incorporation of Friedrich Schiller’s “Ode to Joy,” performed by a choir and soloists. This inclusion of a choral element was revolutionary for symphonic works at the time. The symphony as a whole, and especially its final movement, is emblematic of Beethoven’s vision for music as a powerful force for unity and shared humanity. It encapsulates his masterful ability to convey profound emotions and ideals through musical expression. This symphony’s enduring popularity is a testament to its universal appeal and its representation of Beethoven’s genius.

Don’t miss the Beethoven Biography for a thorough education on everything Beethoven.

Ludwig van Beethoven is buried in Vienna, Austria. Initially, he was interred at the Währing Cemetery, but in 1888, his remains, along with those of Franz Schubert, were moved to the Zentralfriedhof (Central Cemetery) in Vienna, one of the largest cemeteries in the world. The Zentralfriedhof is notable for its numerous graves of famous composers, making it a significant site for music enthusiasts and historians. Beethoven’s grave attracts countless visitors each year, who come to pay their respects to one of the greatest composers in the history of music. The grand monument marking his final resting place is a testament to the profound impact he left on the world of classical music and his enduring legacy.

Check out the chronology of Beethoven’s life .

• Analysis and Scholarship
• Beethoven and Culture
• Beethoven Books
• Beethoven Collections
• Beethoven Music
• Beethoven's Inspirations and Influence
• Beethoven's Works
• Community and Education
• Multimedia Gallery
• Performance and Recordings
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• Beethoven: The Maestro of Musical Innovation
• Beethoven: A Symphony of Genius
• The Composer Who Defined an Era
• Beethoven’s Early Years: Childhood, Training, and Musical Legacy