great sphinx essay

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By: History.com Editors

Updated: June 16, 2023 | Original: January 4, 2018

The Great Sphinx of Giza is a giant 4,500-year-old limestone statue situated near the Great Pyramid in Giza, Egypt. Measuring 240 feet (73 meters) long and 66 feet (20 meters) high, the Great Sphinx is one of the world’s largest monuments. It is also one of the most recognizable relics of the ancient Egyptians, though the origins and history of the colossal structure are still debated.

What Is a Sphinx?

A sphinx (or sphynx) is a creature with the body of a lion and the head of a human, with some variations. It is a prominent mythological figure in Egyptian, Asian, and Greek mythology.

In ancient Egypt , the sphinx was a spiritual guardian and most often depicted as a male with a pharaoh headdress—as is the Great Sphinx—and figures of the creatures were often included in tomb and temple complexes. For instance, the so-called Sphinx Alley in Upper Egypt is a two-mile avenue that connects the temples of Luxor and Karnak and is lined with sphinx statues.

Sphinxes with the likeness of the female pharaoh Hatshepsut also exist, such as the granite sphinx statue at the Metropolitan Museum of Art in New York and the large alabaster sphinx at the Ramessid temple in Memphis, Egypt.

From Egypt, the sphinx imported to both Asia and Greece around 15th to 16th century B.C. Compared with the Egyptian model, the Asian sphinx had eagle wings, was frequently female, and often sat on its haunches with one paw raised in depictions.

In Greek traditions, the sphinx also had wings, as well as the tail of a serpent—in legends, it devours all travelers unable to answer its riddle.

How Old Is the Sphinx?

The most common and widely accepted theory about the Great Sphinx suggests the statue was erected for the Pharaoh Khafre (about 2603-2578 B.C.).

Hieroglyphic texts suggest Khafre’s father, Pharaoh Khufu, built the Great Pyramid, the oldest and largest of the three pyramids in Giza. When he became Pharaoh, Khafre constructed his own pyramid next to his father’s; though Khafre’s pyramid is 10 feet shorter than the Great Pyramid, it is surrounded by a more elaborate complex that includes the Great Sphinx and other statues.

Residues of red pigments on the face of the Sphinx suggest the statue may have been painted.

Given the organization of the pyramids and the Sphinx, some scholars believe there may have been a celestial purpose to the Great Sphinx and temple complex, that is, to resurrect the soul of the pharaoh (Khafre) by channeling the power of the sun and other gods.

Several lines of evidence exist that tie the Great Sphinx to Pharaoh Khafre and his temple complex.

For one thing, the head and face of the Sphinx are strikingly similar to a life-size statue of Khafre that French archaeologist Auguste Mariette found in the Valley Temple—the ruins of a building situated adjacent to the Great Sphinx—in the mid-1800s.

Additionally, Mariette discovered remnants of a causeway (processional road) that connect the Valley Temple to a mortuary temple next to Khafre’s pyramid. In the early 1900s, French archaeologist Emile Baraize dug up another building (the Sphinx Temple) directly in front of the Sphinx that’s similar in design to the Valley Temple.

In the 1980s, researchers uncovered evidence that the limestone blocks used in the walls of the Sphinx Temple came from the ditch surrounding the great statue, suggesting workmen hauled away quarry blocks for the Sphinx Temple as they were being chipped off the Great Sphinx during its construction.

Researchers estimate that it would have taken 100 people 3 years to carve the Great Sphinx out of a single mass of limestone. But there’s some evidence that these workers may have suddenly quit before fully finishing the sphinx and temple complex, such as partially quarried bedrock and remnants of a workman’s lunch and tool kit.

Other Theories

Over the years, researchers have put forth many other theories for the Great Sphinx’s origins, though most are refuted by mainstream Egyptologists.

Some theories suggest the face of the sphinx actually resembles Khufu and, therefore, Khufu built the structure. Alternatively, Pharaoh Djedefre—Khafre’s older half-brother and Khufu’s other son—built the Great Sphinx in commemoration of his father.

Other theories hold that the statue depicts Amenemhat II (around 1929 to 1895 B.C.) based on the style of the stripes on the sphinx’s head cloth.

Some scientists also contend that the Great Sphinx is far older than is widely believed, based on the potential age of the causeway or various patterns of erosion of the statue.

Riddle of the Sphinx

What Egyptians called the Great Sphinx during its prime remains a riddle, because the word sphinx originates from Greek mythology some 2,000 years after the statue was built.

It’s also unclear in what regard Egyptians held the Great Sphinx during the Old Kingdom (c. 2613-2181 B.C.), as there are few texts that discuss the statue. However, Khafre associated himself with the god Horus and the Great Sphinx may have been known as Harmakhet (“Horus on the Horizon”), as it was during the New Kingdom (1570-1069 B.C.).

Whatever the case, the statue began to fade into the desert background at the end of the Old Kingdom, at which point it was ignored for centuries.

Inscriptions on a pink granite slab between the Great Sphinx’s paws tell the story of how the statue was saved from the sands of time. Prince Thutmose, son of Amenhotep II, fell asleep near the Sphinx, the story goes. In Thutmose’s dream, the statue, calling itself Harmakhet, complained about its state of disarray and made a deal with the young prince: It would help him become pharaoh if he cleared away the sand from the statue and restored it.

Whether or not the dream actually occurred is unknown, but when the prince did, in fact, become Pharaoh Thutmose IV, he introduced a Sphinx-worshipping cult to his people. Statues, paintings, and reliefs of the figure popped up across the country and the sphinx became a symbol of royalty and the power of the sun.

Great Sphinx Restoration

The Great Sphinx was eventually forgotten again. Its body suffered from erosion and its face became damaged by time as well.

Though some stories claim Napoleon ‘s troops shot off the statue’s nose with a cannon when they arrived in Egypt in 1798, 18th-century drawings suggest the nose went missing long before then. More likely, the nose was purposely destroyed by a Sufi Muslim in the 15th century to protest idolatry. Part of the Sphinx’s royal cobra emblem from its headdress and sacred beard have also broken off, the latter of which is now displayed in the British Museum .

The Sphinx was actually buried in sand up to its shoulders until the early 1800s, when a Genoese adventurer named Capt. Giovanni Battista Caviglia attempted (and ultimately failed) to dig out the statue with a team of 160 men.

Mariette managed to clear some of the sand from around the sculpture and Baraize made another large excavation push in the 19th and 20th centuries. But it wasn’t until the late 1930s that Egyptian archaeologist Selim Hassan was able to finally free the creature from its sandy tomb.

Today, the Sphinx is continuing to deteriorate thanks to wind, humidity, and pollution. Restoration efforts have been ongoing since the mid-1900s, some of which failed and ultimately caused more damage to the Sphinx.

In 2007, authorities learned that the local water table under the statue was rising due to sewage being dumped in a nearby canal. The moisture ultimately spread through the porous limestone of the structure, causing the rock to crumble and break away in large flakes in some cases. Authorities installed pumps close to the Great Sphinx, diverting the groundwater and saving the relic from further destruction.

Sphinx-lined road unearthed in Egypt; PhysOrg .

The Great Sphinx of Giza; Ancient History Encyclopedia .

The Mystery of the Great Sphinx; Ancient History Encyclopedia .

Old Kingdom of Egypt; Ancient History Encyclopedia .

What happened to the Sphinx’s nose?; Smithsonian .

Saving the Sphinx; PBS/NOVA .

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The Art Form: The Great Sphinx Essay

Creation of the sphinx, the art form: algebra, the art form: the migrant mother, reference list.

It is quite interesting to note that unlike its counterpart within Greek mythology who mercilessly killed travelers who could not answer its riddle the Egyptian Sphinx was actually thought of as a benevolent guardian with a special relationship with the Sun (World Wonders, 2009).

This startling contrast between two cultures that existed at almost the same time throughout antiquity yet were separated by thousands of miles is indicative of a form of cultural “sharing” that is actually quite common throughout history and is indicative of some form of contact between Egypt and Greece, possibly through maritime trade (World Wonders, 2009).

An examination of the burial customs of ancient Egypt reveals a prominent usage of the Sphinx (for royalty and important officials at least).

It was often the case that the body of the Sphinx had the head of the person who was actually within the tomb (World Wonders, 2009). It can be hypothesized that by including an image of an individual on top of the guardian “beast” this was to indicate a special relationship between that person and the deity of the sun.

In fact Sphinx statues were also thought of as immobile guardians of tombs who were to protect the sanctity of a pharaoh’s resting place (World Wonders, 2009).

Thus the size of the Great Sphinx at Giza can be thought of as a greater display of an already accepted burial tradition within the ancient Egyptian world.

While the specifics regarding the precise history of the construction of the Sphinx is to this day generally unknown it is assumed by various local residents that the Great Sphinx at Giza was commissioned by Pharaoh Khafra in 2500 BC and was possibly created along the same time as the second pyramid of Giza.

As for how the giant statue itself was made various accounts by local residents have indicated that the mystery of its construction can actually be solved by looking at the very pyramids behind it.

Due to the interlocking nature of the limestone blocks found in the pyramids and the fact that the Sphinx itself is almost similarly made of limestone it can assumed that several of the limestone blocks from the same quarry as the pyramids were used in the statues construction with the same method of erecting different blocks utilized as a means do creating the height of the piece with the more intricate details added in later by stone carvers (Hadingham, 2010).

Aspects of Civilization and Cultural Development

Just by viewing the Sphinx itself it becomes obvious that the Sphinx represents not only the advanced nature of the fields of architecture and engineering during this particular time period within ancient Egyptian civilization but it also represents how important religious iconography was to the ancient Egyptian people and how the concept of death was thought of more highly than it is today (World Wonders, 2009).

Influence of Previous Civilizations

It must be noted that the Great Sphinx at Giza is not unique in the sense that it is the only example of its kind, such an assumption is fallacious given that it has already been mentioned within this paper that the iconography of the Sphinx was featured prominently in the burial customs of ancient Egyptian Pharaohs hundreds of years before the creation of the Great Sphinx.

Rather, a far more accurate statement would be that the Sphinx at Giza is the largest and most well known example of its kind and is a representation of hundreds of years of ancient Egyptian tradition in which it was known as a guardian of tombs and a representation of an aspect of their Sun deity.

Related to Artwork within the Same Civilization

It is quite interesting to note that the Great Sphinx at Giza has several stylistic elements which were quite prominent within this particular period of ancient Egyptian civilization.

For instance, the same headdress theme often utilized on a variety of pharaoh statues is utilized in the case of the Sphinx as well as the overall shape of the body is consistent with the way in which Sphinx statues at the time were created (Hadingham, 2010).

In fact it can even be said that the Great Sphinx at Giza is nothing more than a larger version of its smaller counterparts seen in a variety of ancient Egyptian tombs.

Value for Modern day Civilization

The value the Sphinx holds for modern day civilization is how it has come to represent the lack of knowledge we at the present still have on how ancient civilizations actually worked and functioned.

There are still numerous areas underneath the Sphinx that have yet to be explored, facets of how it was created that are still to be uncovered as well as mysteries regarding ancient Egypt that are still buried beneath the sands waiting to be found.

The art form in this particular case is Algebra which is well known method of calculating various concepts related to equations, variables and other similar mathematical concepts.

The purpose of the piece

When looking around at the present it is quite interesting to note that one of the greatest traditions of the Islamic civilization is mercantile behavior with various local merchants stating that the tradition of entrepreneurship and taking over businesses within Islamic civilization goes back hundreds if not thousands of years (Oliver, 2007).

As such, the original purpose of algebra in this particular case is one related to assisting merchants in their calculations for business.

Where did it originate from?

It is interesting to note that while basic calculations of algebra as we know it today originated from the Islamic civilization its roots actually stretch as far back as the ancient Babylonians who utilized it to great effect for accountancy, mercantile practices, and even calculations involving crop cycles and other such beneficial practices (Healey, 2006).

How the piece was made

Algebra was actually made as direct result of the combination of ancient mercantile practices involving calculation until it was further improved by Muhammad ibn Mūsā al-Khwārizmī in 780 to 850 in the book “The Compendious Book on Calculation by Completion and Balancing” (Healey, 2006).

The meaning of the work

The work itself represents the importance numerical calculation within the Islamic culture and is actually indicative of the fact that mercantilism and accountancy were important facets of their cultural traditions.

Aspects of the civilization and the cultural development

This piece represents great advancements in analytical thought and mathematical understanding within the Islamic civilization at the time.

Influences from Previous Civilizations

The ancient Babylonian civilization greatly influenced the various precepts and rules utilized in algebra by the Islamic civilization.

Related to artwork within the same civilization

Unfortunately, aside from its use in business there is little similarity between algebra and what can be defined as the Islamic art form

Meaning and value in modern-day cultures

Algebra is widely utilized in a variety of everyday circumstances and is considered one of the fundamental building blocks of knowledge in modern day society.

The Migrant Mother is a black and white photograph taken in the midst of the Great Depression in 1936 (Hayes et al., 2012). The principal subject of the photo is a mother surrounded by two of her kids who are shielding their eyes from what is apparently the harsh glare of the afternoon sun.

When the photo was published it became symbolic of the hardships encountered by the families all across America and can even be considered a rallying point from which the wealthy and well to do within society became more inclined towards helping those in need (Hayes et al., 2012).

Overall, this photo became a symbol of the great depression and is one of the lasting and most poignant legacies of this dark period in America’s history.

Purpose of the Piece

The purpose of this piece was to encapsulate the economic hardship experienced by people during this particular period of time.

It is a representation of the suffering of the American people who have lost their jobs, their savings and even their hope for a better tomorrow (Hayes et al., 2012).

When looking at the mother who is the main subject of the picture one cannot help but feel the depression that is coming off of her in waves and how it reflects the way in which people at the time viewed their lives as a direct result of a collapsed economy.

It must be noted though that the subject of the photo Florence Owens Thompson was quoted by the photographer as stating that the she had little if nothing to eat and actually had to sell the tires of her car in order to support her family (Hayes et al., 2012).

In reality this did not actually occur with the photographer obviously embellishing some aspects of the photo in order to create a greater degree of hype. As such, in the end the main purpose of the photo in eyes of the photographer was nothing more than a way to gain a bit of fame through the misrepresentation of facts.

The individual Responsible for Creating the Piece

It is interesting to note that this particular photo was created almost by accident and was not intentional in the least.

Dorothea Lange, the photographer, was working for the Resettlement Administration at the time and by happenstance encountered the subject, Florence Owens Thompson by chance on Highway 101.

It must be noted that when it comes to aspects of civilization and cultural development this photo is actually a representation of a step back from the development of a society.

It was taken during a time of economic hardship for the U.S. and as such can be considered a way of seeing one of the lowest points a modern day industrialized civilization can fall.

When examining “the Migrant Mother” it becomes immediately obvious that it is neither a painting nor a sculpture but rather is a black and white photo of a family in a desperate period of time during their life.

The influence of previous civilizations in this particular case comes from the way in which photographs increasingly were acknowledged as a way of capturing both the poignant and depressing aspects of the world that we live in today (Hayes et al., 2012).

Earliest known examples of this can be seen in the heliographic process popularized in 1825 which was used to capture images that seemed that more like they were stenciled rather than photographed.

Overall, previous civilizations helped to popularize the concept of photography and how an ordinary photo can be considered a window into how the world is like during a particular period of time.

When examining the artwork at the time of the Great Depression it can be seen that an ongoing theme is one of capturing the despair and helplessness that pervaded society at the time.

What you have to understand is that the Great Depression is not just a period of low economic performance but it is also a time when a vast percentage of American society could barely feed itself.

People here on the streets have a hollowed, depressed and hopeless look in their eyes and this reflects on the various pictures, paintings and news articles which describe such an adverse situation (Hayes et al., 2012).

As such, the Migrant Mother can be considered an apt way of encapsulating the suffering, despair and utter helplessness that people during this particular time feel.

Value of the Piece in Modern Day Society

At the present the U.S. economy is far from sound, emerging from a period that can be considered just as bad as the great depression, millions of Americans at the present are still feeling the aftermath of the foolish financial decisions that resulted in proliferation of toxic subprime debt that devastated the savings of millions and made just as many lose their jobs.

The value of the Migrant Mother at the present is one that helps to remind us that people in times such as these are more than mere numbers on a statistic sheet; there are people all across the country that are suffering with little money, almost no food and eke out a living day by day.

As such, all of us should do our part in helping such individuals live decent lives, to give them dignity, honor and above all hope for the future rather than the black emptiness of despair that surrounds their lives on a daily basis.

Hadingham, E. (2010). Uncovering secrets of the sphinx. (cover story). Smithsonian , 40 (11), 32.

Hayes, D., Hertsgaard, M., Ryan, F., Walen Jr, R. C., Holton, T., & Grace, T. M. (2012). Letters. Nation, 294 (24), 2-26.

Healey, C. (2006). Al-Khwarizmi. Al-Khwarizmi , 1.

Oliver, J. (2007). How our methods of writing algebra have evolved: A thread through history. Australian Senior Mathematics Journal, 21 (2), 12.

World Wonders. (2009). Weekly Reader – Edition 2, 78 1.

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IvyPanda . 2023. "The Art Form: The Great Sphinx." November 30, 2023. https://ivypanda.com/essays/the-art-form-the-great-sphinx/.

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Pyramid of Khafre and the Great Sphinx

Pyramid of Khafre, c. 2520–2494 B.C.E. (photo: Francisco Anzola , CC BY 2.0)

Size and appearance

The second great pyramid of Giza was built by Khufu’s second son Khafre. At the very top, a section of outer casing stones like those that would have originally covered all three of the Great Pyramids still survives. Although this monument appears larger than that of his father, it is actually slightly smaller but was constructed 10 meters (33 feet) higher on the plateau.  

Khafre, Egyptian Museum, Cairo

The interior is much simpler than that of Khufu’s pyramid, with a single burial chamber, one small subsidiary chamber, and two passageways. The mortuary temple at the pyramid base was more complex than that of Khufu and was filled with statuary of the king—over 52 life-size or larger images originally filled the structure.  

Valley temple

Khafre’s valley temple, located at the east end of the causeway leading from the pyramid base, is beautifully preserved. It was constructed of megalithic blocks sheathed with granite and floors of polished white calcite. During excavation, a magnificent just over life size statue of the king carved of an extremely hard stone known as gneiss was discovered buried under the floor of the Valley Temple. This sculpture shows the king seated on a lion throne that has on its sides a symbol of the two heraldic plants of Upper and Lower Egypt, the papyrus and lotus, bound around a hieroglyph for “stability.” This important emblem, known as a sema-tawy (“binding the Two Lands”), represents the king’s primary duty—to “bind” the country under the authority of a single ruler. The king is supported in his task by the Horus falcon that wraps protectively around the back of his nemes headdress. Statue bases and other fragments indicate that this was one of about 23 such images of the pharaoh that were originally located in this temple. 

Pillars in Valley Temple of Khafre (photo: Dr. Amy Calvert)

The Great Sphinx

Right next to the causeway leading from Khafre’s valley temple to the mortuary temple sits the first truly colossal sculpture in Egyptian history: the Great Sphinx. This close physical association (along with other evidence) indicates that this massive depiction of a recumbent lion with the head of a king was carved for Khafre.

The Great Sphinx (photo: superblinkymac , CC BY-NC-ND 2.0)

The Sphinx is carved from the bedrock of the Giza plateau, and it appears that the core blocks used to construct the king’s valley temple were quarried from the layers of stone that run along the upper sides of this massive image. 

The lion was a royal symbol as well as being connected with the sun as a symbol of the horizon; the fusion of this powerful animal with the head of the pharaoh was an icon that survived and was often used throughout Egyptian history. The king’s head is on a smaller scale than the body. This appears to have been due to a defect in the stone; a weakness recognized by the sculptors who compensated by elongating the body.  

Directly in front of the Sphinx is a separate temple dedicated to the worship of its cult, but very little is known about it since there are no Old Kingdom texts that refer to the Sphinx or its temple. The temple is similar to Khafre’s mortuary temple and has granite pillars forming a colonnade around a central courtyard.  However, it is unique in that it has two sanctuaries—one on the east and one on the west—likely connected to the rising and setting sun.

Additional resources:

The Giza Plateau Mapping Project (GPMP)

Digital Giza— Khafre Pyramid and Sphinx

The Sphinx Project

Khafre statue

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• Ancient History

The Great Sphinx: exploring the enigma of its creation and purpose

The Great Sphinx of Egypt has long been a source of fascination and speculation for historians and archaeologists. Its massive size, intricate details, and enigmatic expression have sparked countless theories about its creation and purpose.

While there is still much debate about these topics, recent archaeological discoveries have shed new light on the history of the Great Sphinx.

What is the Sphinx?

The Great Sphinx is believed to have been constructed during the reign of the Pharaoh Khafre, who ruled Egypt from approximately 2558 to 2532 BCE.

The statue stands approximately 66 feet tall and 240 feet long, making it one of the largest monolithic statues in the world. It is carved from a single piece of limestone and depicts a lion's body with a human head, believed to be that of Khafre himself.

A sphinx is a mythological creature that typically has the body of a lion and the head of a human, although some variations depict the creature with the head of a falcon, ram, or other animal.

In ancient Egypt, sphinxes were typically depicted as having the head of a human and the body of a lion, and were associated with guardianship and protection. The Great Sphinx of Giza in Egypt is one of the most famous examples of a sphinx.

Why was it built?

While the Great Sphinx has long been associated with the Pharaoh Khafre, there is still much debate about its purpose. Some believe that it was constructed as a guardian of the Giza Necropolis, where the pharaohs were buried.

Others suggest that it was a symbol of the pharaoh's power and authority, while still others believe that it had a religious significance.

One theory that has gained traction in recent years is that the Great Sphinx was part of a larger complex of temples and monuments. Excavations in the area have uncovered evidence of a massive temple dedicated to the worship of the sun god Ra, as well as a series of smaller temples and tombs.

This suggests that the Great Sphinx may have been part of a larger architectural plan designed to celebrate the power and glory of the pharaohs.

What don't we know?

Despite these discoveries, much about the Great Sphinx remains shrouded in mystery. For example, it is still not clear how the statue was originally painted, or what color it may have been. Some scholars have suggested that it was painted in bright colors, while others believe that it was left unpainted.

One surprising point of contention is about the statue's face. It is often described as having a mysterious and enigmatic expression, but it is not clear what this expression might have meant to the ancient Egyptians.

What about the mysterious tablet found with the Sphinx?

An ancient table, known as the Dream Stele, has fascinated people for a long time. The Dream Stele is an ancient Egyptian monument that is located between the paws of the Great Sphinx in Giza, Egypt.

Also known as the Sphinx Stele, it was erected by the Pharaoh Thutmose IV in the 14th century BCE, during the 18th dynasty of Egypt.

The Dream Stele is a large slab of pink granite that is inscribed with hieroglyphs that describe a dream that Thutmose IV had while he was still a prince.

According to the inscription, Thutmose was out hunting when he fell asleep in the shadow of the Great Sphinx. In his dream, the Sphinx spoke to him and promised to make him king of Egypt if he cleared away the sand that was covering its body.

After waking up, Thutmose did as the Sphinx had instructed, and was eventually crowned as pharaoh. As a result, he believed that the Sphinx had granted him divine favor and protection, and he erected the Dream Stele as a testament to his connection with the powerful statue.

The Dream Stele is significant not only for its depiction of Thutmose IV's dream, but also for the information it provides about the history of the Sphinx. The inscription suggests that the Sphinx was already an ancient and revered monument by the time of Thutmose's reign, and that it was already surrounded by sand that had accumulated over the centuries.

The mystery lives on

Regardless of its original purpose and appearance, the Great Sphinx remains a powerful symbol of the ancient world. Its massive size and intricate details are a testament to the skill and creativity of the ancient Egyptians, while its enduring presence is a reminder of the enduring power of human civilization.

As archaeologists continue to explore the mysteries of the Great Sphinx, we can only hope that it will reveal more of its secrets in the years to come.

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Great Sphinx of Giza in Egypt: A Photographic Essay

The Great Sphinx of Giza — also known simply as the Sphinx, although there are many other sphinxes in Egypt — is the largest monolith statue in the world created out of limestone.

As the oldest known monumental sculpture, it sits, seemingly guarding the famous Pyramids of Giza behind it.

There are still many questions to be answered pertaining to this mysterious work of the ancient Egyptians. Why was it erected? By whom exactly was it built?

We may never know the answer to the myriad questions which surround what is arguably one of the most famous and recognized historic landmarks in the world; but we can certainly admire it — as well as all of the work which went into it.

The following photograph shows the walkway from the entrance to the Great Sphinx of Giza from the parking lot.

I have read by numerous accounts posted in various places on the Internet that the Great Sphinx of Giza is staring at a Pizza Hut.

Actually, the Great Sphinx of Giza is staring at a restaurant which combines a Pizza Hut and a Kentucky Fried Chicken.

I cannot imagine that the Great Sphinx of Giza is happy to be viewing the urban sprawl inching towards her over the years.

I could swear I saw the tracks of stone tears coming out of its eyes as a result of that sad site — especially as its nose was already broken at some point over the millennia.

The following photograph shows a close view of its right rear “foot” or “paw”…

…and the structure — similar to a “penalty box” of some sort in hockey — immediately behind its front “foot” or “paw” on its right side.

Hide the children — here is a close-up view of its rear end. Salacious!

…and here it is from afar.

I hope that you enjoy the rest of the photographs.

You can stay as long as you like to admire the Great Sphinx of Giza — even into the night to view a sound and light show — along with the pyramids in the background. I left long before sunset to navigate the rental car through the living nightmare known as the outer Ring Road  and I did not want to experience that at night. Additionally, I was departing for the long drive to Hurghada — a resort city by the Red Sea — the next morning.

Consider Lynn Canyon Instead of Capilano Park When in North Vancouver

The cost of admission to see both the Pyramids of Giza and the Great Sphinx of Giza is 80 Egyptian pounds per person — or approximately $10.35. If you are a student, you are eligible to pay 40 Egyptian pounds — or approximately $5.18.

I intend to post an article of photographs of the Pyramids of Giza in a future article; but let me just say this: do not miss viewing both the Great Sphinx of Giza and the pyramids — they are both included as part of the same admission fee — if you find yourself in the Cairo metropolitan area.

All photographs ©2015 by Brian Cohen.

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Great Sphinx of Giza in Ancient Egypt’s Culture

The Sphinx is a colossal structure, the mystery of which still is not completely revealed. Located near the Great Pyramid in Giza, Egypt, this monument is considered as one of the most recognizable relics, whose origin, despite the number of researches, remains unclear (History.com Editors). Professor of Philosophy at Marist College, New York, Joshua claims that the contemporary world does not have the definite answer to questions: who built it, when, and why? However, the one statement about the Sphinx is indisputable, it is a significant part of ancient Egypt’s culture and represents the certain convictions of the nation that created it. This essay will examine the premises for building this monument and how it represents the value system of the Egyptians, complementing the discussion with descriptions of the Sphinx.

The ancient Egyptians were highly spiritual people, as their culture and religion were closely associated. The rationale for this phenomenon is the divine reign of pharaohs, based on the conviction that this power is the gift of gods. Therefore, the reason for building the Sphinx is cultural and religious at the same time, as these two definitions are indivisible. This monument is located in the area known as the Giza necropolis or Al Harram , which means “the Sacred Place” (Schoch and Bauval). At the same time, the Great Sphinx was originally named shesepankh , which implies “living image.” Both facts together evidence that the Giza was the “gateway” to the afterlife, while the colossal structure represented the one of the high significance in this belief, which is a spiritual guardian (History.com Editors). Therefore, the Great Sphinx played a vital role in Egyptians’ value system, as it was a sacred protector of dead souls and the remainder of the pharaohs’ reign splendor and the existence of the afterlife.

To obtain an understanding of the rationale to create the Sphinx, it is necessary to be familiar with the description of its physical characteristics and historical background. This monument is 4,500-year-old, 73 meters long, and 20 meters high (History.com. Editors). The Great Sphinx represents a creature with the body of a lion and the head of a human (the Figure 1), particularly a male with a pharaoh headdress (Barrett, 1994). According to Professor Joshua, the statue was built by the pharaoh Khufu’s order. The evidence that supports this opinion is the fact that by this period, Egyptians had enough knowledge in monument construction, which enabled them to create the Sphinx. The other evidence is that the statue is part of the king’s Khufu pyramid complex, built next to his father’s one. Mass of unutilized rock was used to carve the statue with the face of Khufu on it (Joshua). The mentioned statements imply that the reason to build the Sphinx of Giza is to honor the pharaoh Khufu, and it can be considered as cultural rationale.

The other way, in which the Great Sphinx contributes to the Egyptians’ value system is the religious one. According to Professor Joshua, “During the time of the New Kingdom of Egypt (1570-1069 BCE), the Sphinx was known by the Egyptians as Horemakhet (“Horus of the Horizon”). This statue was associated with the god of the sky by the solar cult. As Khufu was representative of Horus on Earth, his monument was honored with a temple by the pharaoh Amenhotep II, who patronized the solar cult. Later, his son, prince Thutmose had a dream that he would become the next pharaoh if he would agree to restore the Sphinx. “The deal” was accepted and completed, and after Thutmose’s reign, the solar cult grew up. This phenomenon made Egyptian society believe that the Great Sphinx is a living deity that can predict and influence the future (Joshua). Eventually, the statue, which was built to honor the Khufu, became the religious sanctuary respected by people. The mysterious image of Sphinx is the spiritual contribution to Egyptian society’s value system.

President of Research Autism LLC (FL) Antonio Cassella claims that the premises for building the Sphinx and the union of Pyramids were the intention to display all three attentions (10). Those mean an individual’s view of their daily life, inner perception of it, and the level of awareness about the world. This phenomenon also implies the existence of an imaginable circle, which determines people’s understanding about all matters and this circle can be expanded by new experience and knowledge obtaining. Ancient Egyptian civilization is known for its tendency to develop and invent, which is the result of considering the three attentions’ provisions, as they make individuals look deeper into opportunities.

The Sphinx’s symbolic head belongs to the pharaoh Khufu, which is the reference to the first attention, which considers problems of surviving, on the cognitive function basis. The Head is the part of the body, primarily responsible for thinking and deciding, and the statue’s one represents part of the mentioned circle of awareness. The creativity of the Sphinx’s leonine body is the reference to the second attention. Its function is spiritual, fulfilled through the inner action of witnessing and perceiving the events that are beyond the imagination and understanding. According to Cassella, the Sphinx and the Great Pyramid united together point directly on the Third Attention, which is the glow of awareness inside an individual (10). Therefore, the perfect composure, which includes the Great Sphinx and Pyramid, serves the purpose of symbolizing natural systems, dreams, and social progress.

Ancient Egyptian architecture was built on symbolic shape and forms basis, in accordance with the primary provisions of Astronomy. Egyptians had connected religion with this science and it affected their view. Therefore, it was a significant contribution to their value system, culture, and religion. According to Cassella, the Sphinx of Giza is part of four united structures, the monument itself, and three pyramids (3). This conglomerate is intended to repeat the move of Sirius. It is possible to notice in the Figure 2 that this star’s trajectory creates a circle around the Sphinx and the pyramids (3). From this perspective, the monument is directly under the Leo constellation. The Great Sphinx of Giza is the part of the uniting, which represents Sirius’s trajectory in the sky. Moreover, it is possible to notice the symbolism in the monument’s location, as it is located under the Leo constellation, while part of the structure is the body of a lion in stone.

The ancient Egyptians had a unique vision, the manifestations of which is a mystery for contemporary researchers. It is possible to notice that The Great Sphinx of Giza is a significant part of their value system. The rationale for the statue being created was religious and cultural monument representing both the mortal pharaoh, Khufu, and the god, Horus. Three attentions, considered in the Sphinx’s appearance and location indicate the Egyptians level of awareness and development. In addition, the appropriate place between other pyramids reveals ancient people’s substantial knowledge of astronomy. All reasons for the Great Sphinx of Giza creating show the place this statue has in the value system of Egyptians.

Barrett, Terry. Criticizing Art: Understanding the Contemporary . Mayfield Publishing Company, 1994.

Cassella, Antonio. “Exploring the Sphinx and the Great Pyramid Through the Logos Heuristics”. Redfame Publishing , Publications, vol. 6, no. 9, 2018, pp. 10-30.

History.com Editors. “The Sphinx.” History , 2018. Web.

Joshua, Mark J. “The Great Sphinx of Giza.” Ancient History Encyclopedia , 2016. Web.

Schoch, Robert M, and Bauval Robert. “The Great Paradox.” Origins of the Sphinx: Celestial Guardian of Pre-Pharaonic Civilization , Inner Traditions, 2017.

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The Great Sphinx of Giza

A reaserch team has discovered evidence that the Great Sphinx of Giza, Egypt, may date from 5000 and 7000 BCE and possibly earlier. In response , archeoligist have thrown mud at geologist, historians caught in the middle, and the Sphinx , having revealed one secret, challenges us to unravel even greater The dicovery originated half a century ago in the work of R. A. Schwaller de Lubicz, between 1937 and 1952. Schwaller conducted a survey on the pyrimds and surrounding monuments. Schwaller observed a physical anomaly in the pyrimid complex at Giza.

The erosoin on the Sphinx was quite different from the erosion on the other structures. Schwaller sugested that the cause of erosion on the Sphynx was water rather than wind-borne sand. Since no one understood the implacations this study went unnoticed until the 1970’s, when an indepent Egyptologist John West took up the question. Archaeologists atrribute the Sphinx to the Old Kingdom fourth dynasty ruler chepron, though others belive that the Sphinx dates as far back as 10000 BCE. This is the side that I’m defending because of ll of the convincing evidence that has been found.

On the Sphinx the edges were rounded and deep fissures were prominent. On the other structures the surfaces showed only the sharper abrasion of wind and sand. Egypt experianced periods of heavy rainfalls in the millennia the marked the post-glacial northward shift of the tempeture zone. This period lasted from about 10000 to 5000 BCE and by its end the Sahara had turned from green savanna into a desert. A shorter but more intense period of rainfall lasted from about 4000 to 3000 BCE.

Westy thought that flooding from the post-glacial transition caused the distinctive weatering on the Sphinx which meant that the Sphinx must have been carved during or before the transition. Robert Schoch, a geologist, joined West in his investigation on the dating of the Sphinx. Archeologist agreed that the lower half of the Sphinx may have been eroded by the flood waters, but Schoch observed that the upper level and the encloser walls, of the Sphinx was the most heavily eroded, not the bottom half. The degree of the subsurface weathering could be measured by bouncing sound waves off of eeper layeers of rocks. Schoch discovered that the encloser floor in front and alongside of the Sphinx had a weathered depth of six to eight feet. Also that the back of the encloser had weathered only half as far.

Behind the Sphinx had been excavated during the Old Kingdom but he concluded that the sides and front of the monument were twice as old. Schoch estimated the date of the Sphinx and most of its encloser between 5000 and 7000BCE, far earlier than the date assumed by archeologist. Schoch noted that the weathering ould have been non-linear, slowing as it got deeper because of the increasing mass of rock overhead. On this assumption, the Sphinx could have been signifigantly older than 7000 BCE. West disaproved one piece of supposed evidence. With the help of a New York City police artist , Detective Sgt. Frank Domingo. WEst compared the head of the Sphinx with a known head of chepron. Sergent Domingo generated profiles of the two heads by computer and by hand and found a very different facial structure in the profile of the Sphinx compared to the profile of chepron.

The difference is easily seen To the problem of the archeological context for an earlier Sphinx, Schoch replied that urban centers had to existed in the eastern Mediterranean at Catal Huyuk from the seventh millenium and at Jericho from the ninth millennium BCE. At Jericho there were large stone walls and a thirty foot tower. No such ssettlement had been found in Egypt itself but clearly there was civiazation in the region. More evidence could be under milennia of the Nile river silt. An advanced civilazation may not have been necessary.

A Neolithic culture was able to erect Stonehenge in Britain. Astronomist soon joined the debate over the Sphinx and brought more evidence of a possible earlier civilazation. In 1993 Graham Hancock had a hunch that the curios harking back to the epoch of 10,500 BCEBy the pyrimd builders was an invitation to them to consider the actual age of the Sphinx. If this hypothesis is true, then the Sphinx must be an “original” time-markerof that remote epoch using a celestial tag. Hancock pointed out that the First Time date of 10500 BCE also denoted the begining or First Time of the Age of the Leo.

This is the time when the lion constellation would have risen at dawn before the sun on the day of spring equinox. This event brought the celestial lion to rest due east, thus in perfect elinment with the Sphinx. The Sphinx , in other words was made to look at his own image in the horizon- – and consequently at his own “time”. Hancock pointed out that 10500 BCE was no random date. A ” luck turn of the spade” form one of the laborers unearthed part of ananceint complex of underground galleries and pathways. It looked as if part of the area had already been excavated some years go but the, for reasons unknown, it was covered up again.

This was evident by the blotches of moder mortar and iron bars that were left embedded in the ceiling of the ancient pathways, probably in an attempt to reinforce the relics. But why the vestiges were covered up again , and why and how they came to be West has suggested that an ice age date for the Sphinx raises anew the question of a lost ice age civilazation, posibaly the Atlantis of ancient legend. The evidence dating the Sphinx to an earlier time peroid doesn’t prove such legends.

But if the hypothesis of rainfall erosoin is true, it does call the known chronology of African and indeed world civilazation into question. The evidence for an earlier Sphinx raises additional questions: If the Sphinx complex is so much older who built it and why? Should we be more tenative in what we assume about the first half of the last ten thousand years? If so, how should that affect what we know about the second half ? Some answers may come in the next few years as the new findings are examined and tested. Until then, the Sphinx challenges us to rethink our history and keep an open mind.

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The Great Sphinx Essay Example

• Pages: 2 (338 words)
• Published: April 11, 2017
• Type: Essay

The Great Sphinx, standing on the edge of the Giza plateau was an amazing monument created by the Egyptians. The Great sphinx is the largest Surviving Egyptian Monument ever to be found by man. The Sphinx was carved out of natural bedrock and the sized was increased with blocks of limestone which explains the small head of the sphinx and the massive body with dimensions 20m high, 57m long and 6m wide. That’s taller than a 6 story high building!

The massive statue resembles a lion’s body with a human head of the pharaoh Kafre wearing the pharaohs head garment on its head. The age of the sphinx is not known, guesses of its age vary between six thousand and thirteen thousand years old. A common belief is that the sphinx was built during the 2700s BC. Many people also belie

ve that the sphinx was made at King Khafras demand because the sphinx sits in front of his pyramid.

The Great sphinx is located near the Nile and is positioned facing east, away from Khafra’s pyramid and facing towards the rising sun. all the years the sphinx stood, it suffered a considerable amount of damage, losing its ceremonial beard and nose. However many believe that the sphinx’s damage was far too great for just natural erosion. There is a story about the Sphinx saying that napoleon and his army used the sphinx for target practice but people found drawings on the sphinx that say the statue has had no nose for hundreds of years before napoleon came.

Although the head has been badly damaged, near one of the ears, there are slight traces of original paint. It i

believed that the Sphinx was originally colourful. The actual purpose of the sphinx is not known to man, and the Egyptian government refuses to let people explore the tunnels of the sphinx. Could there be a long lost secrets and treasures in there, tombs? No one is quite sure, thus we have the “Riddle of the Sphinx. ”

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